Feb 242012
 

By Mike Shepherd.

The polling cards are out for the Union Terrace Gardens referendum and you have until March 1 to vote. The hype means you’ll have been bombarded with leaflets, pamphlets, news items and radio adverts.
If ‘connectivity’, a ‘21st century contemporary garden’, or ‘street-level access’ are key factors in deciding your vote, look no further; vote for the City Garden Project.

If you are undecided or swithering then read these very good reasons for voting to retain Union Terrace Gardens. 

1. Your vote will preserve the look and feel of the Granite City. Union Terrace Gardens are an integral part of the heritage of Aberdeen. Planned by the same architects who designed the Art Gallery and the frontage of Marischal College, they show an architectural harmony in the city centre which would be destroyed by a modernistic City Garden.

2. Your vote will not result in a ghastly modern structure replacing our park. Although described as the City Garden, it is in fact a mixture of buildings, flyovers, underpasses and parkland. The design has a passing resemblance to 1960s-style new town architecture. At one public meeting, someone said that the underpasses in particular were likely to end up as urban no-go areas. I have even heard a supporter of the scheme conceding that it will look dated after about five to ten years.

3. Your vote will stop a multitude of new glass box office blocks being built in the city centre. Council documents show that consideration has been given to plans to build a central business district in the city centre and encourage office block construction. The building of the City Garden Project, “will encourage development in the city centre sooner, and on a bigger scale, than might otherwise be the case without public investment in enabling infrastructure.”

4. Your vote will improve our much-loved park. Jimmy Milne, oilman and MD of Balmoral Group, has said:

“I and many of my business contemporaries, are committed to establishing a fund which will help bring the gardens back to their former glory. Without destroying our heritage, and without putting Aberdeen City further into debt, it would not be difficult to breathe fresh life into the park. Improved access, new planting, cleaning and restoration, park wardens and live events could all be relatively easily and cost effectively achieved.”

5. Your vote will ensure that the mature trees in Union Terrace Gardens will be saved. All 77 trees will be kept, including the twelve elms, some of which are at least 200 years old.

6. Your vote will stop our Council borrowing £70m they can’t afford. Aberdeen City Council, £562m in debt, is being asked to borrow £70m through a risky tax scheme to help fund the City Garden Project. If there is insufficient money to pay back the loan, Council funds will be required to service it.

7. Your vote will avoid significant disruption and pollution in the city centre for the near three years it will take to build the scheme. The technical feasibility study for the project estimates that the equivalent of 3,947 dump trucks of earth and 4,605 dump trucks of granite will be excavated from the Gardens causing ‘large environmental impacts from noise, transport, dust and energy use.’

8. Your vote will avoid the major traffic problems caused by the movement of heavy lifting equipment, dumper trucks and lorries in and out of the city centre. It is estimated that the City Garden will take almost three years to build. It is likely that there will be major traffic problems in the city for much of this time. City centre business will be impacted by this and may never recover.

9. Your vote will avoid much, if not all, of the Council’s cultural activities being displaced to the underground building in the City Garden. The council funds institutions occupying cosy, intimate venues such as the Music Hall, Lemon Tree and Belmont Cinema. A review of council-funded cultural activities will be made with a view to possible relocation to the underground concourse.

10. Your vote will avoid any consideration that the future of the HM Theatre could be in doubt. Two major performance venues will be built in the City Garden only yards from HM Theatre. Councillors have asked if this will have an impact on the future of HM Theatre. No specific assurances have been given.

Aberdeen could change forever if the City Garden is built, and probably not for the better.

We have the chance to keep the leafy, green heart of the Granite City. 

VOTE: RETAIN UNION TERRACE GARDENS

Feb 222012
 

Almost every time Karin Flavill looks at the design for the Granite Web, the same question comes to mind. “What would Howard Roark think?” Intrigued? Read on.

Howard Roark is the hero of The Fountainhead, a novel by Ayn Rand.

Rand is a controversial writer; aspects of her objectivist philosophy were transported across the Atlantic decades ago and transformed into what we call Thatcherism, so it’s safe to say that she draws strong opinion, from those who have heard of her, both here and in the US.

The attraction of The Fountainhead for me was that it gave me a glimpse into the unknown, that a philosophy designed to help the wealthiest members of society feel not simply financially superior to those who struggle, helps them feel morally superior to them too.

What is it that tyrants see that allows them to derive a sense of well-being when they look in the mirror? Reading Rand can help you find out, even if it’s unlikely that in reality, many of society’s bullies and elitists have the personal qualities and ethics Rand depicts in her heroes.

Roark may be a more interesting and relevant reference point than some other fictional characters who have entered the Granite Web versus Union Terrace Gardens debate. Jake the Ghost and Morris the Monkey for example, as promoted by the BIG Partnership, seem to have a peculiar and hopefully incorrect impression of what moves Aberdonians to vote.

Roark is his own man, and is Rand’s idea of the Perfect Man. A gifted and original architect, loathed by the majority for his innovation and commitment to the future, he despises architecture which draws irrelevantly from the past. His designs are modernistic and often hard for people to understand. The few who do understand become his friends, and are held up to the reader as exemplary beings.

In some ways, Howard Roark would seem to be another ideal spokesperson for the City Garden Project. On the other hand, this objectivist hero’s deepest contempt would be reserved not for those who disliked his designs, but for that partnership between business and government which is so conducive in the long run to crony capitalism. Hello, ACSEF.

  The pro-Union Terrace Gardens lobby regards the existing Gardens as a unique prize which could be something magical

Leaving the politics aside for a moment, would Roark look at the design and love it? I don’t know. I’m not an expert on architecture, but I do know a little more about people, and about conflict, and about the factors causing people beginning to feel alienated in their own city. Such doubts seem to be at the heart of this debate.

The pro-Granite Web lobby feels that Aberdeen requires a drastic makeover for it to become a place they would want to continue living in and that others would want to move to. The pro-Union Terrace Gardens lobby regards the existing Gardens as a unique prize which could be something magical if only people who understood it were listened to. The original Peacock Visual Arts design symbolises what could have been.

Throughout The Fountainhead, examples and analyses of the character’s genius as an architect are provided. One passage is, for me, particularly telling. Self-made man Mr Mundy has heard that Roark is a great architect, and would like Roark to design a house for him. Roark meets with him to ascertain what kind of man he is and subsequently what kind of house he would be happiest in.

“There was a place,” said Mr Mundy, “Down there near my home town. The mansion of the whole county. The Randolph place. An old plantation house, as they don’t build them any more. I used to deliver things there sometimes, at the back door.”

He goes on to describe the ways in which he would like to recreate that dream house, the house of his aspirations. From what we already know of Roark, he would dislike the notion of recreating something from the past. However, that’s not at the root of his disapproval of Mr Mundy’s aspirations. This is:

“It’s a monument you want to build, but not to yourself. Not to your life or your own achievement. To other people. To their supremacy over you. You’re not challenging that supremacy, you’re immortalizing it….Will you be happy if you seal yourself forever in that borrowed shape?…You don’t want the Randolph place. You want what it stood for.”

In other words, it’s not simply technical skill, the vision of the artist and the ability to give the client what he wants that makes Roark a great architect. He sees who people are, not as they want to be seen, or as they try to be seen, but as they are. It’s this ability to look past the hype, the pretence, self-advertising and PR that enables Roark to build houses in which people can feel truly at home.

Think of your own dream house. Would it be one that somebody else had designed? A talented design team who would create something that was a compromise between their personal tastes and your picture of who you would like to be? Who furnished it in accordance with those same principles? Would it be your home, or would it be a design piece reflecting aspirations of who you wish you were, rather than who you really are?

  Who are we, in Aberdeen? A conflict like this forces us to consider that question in some depth

The promotional video for the Granite Web presents a futuristic world peopled with white, transparent figures ambling aimlessly through flower beds, staring uncomprehendingly at car parts dangling from a roof, drinking coffee. Observe, consume, observe and consume.

These transparent figures aren’t creators or innovators. They simply absorb, passively, that which has been transported from elsewhere to make the city seem more impressive to outsiders. A place that might, at some future date, be awarded City of Culture status!

The promotional literature keeps insisting that this will be the people’s park. It encourages readers to imagine themselves consuming all that the park has to offer, in the belief that this will result in them achieving a sense of ownership over it. There will, we’re promised, be spontaneous performances, but it’s not clear who will provide these. Perhaps musicians drafted in from outside.

Who are we, in Aberdeen? A conflict like this forces us to consider that question in some depth. My impression, living here, has always been that Aberdonians tend towards reserve, despite night-time scenes on Union Street when alcohol loosens inhibitions. The notion that we can buy a totally different character for Aberdeen, via an expensive raised park, seems dubious at best.

Union Terrace Gardens exemplifies the typically reserved nature of the Aberdonian. Like a Christmas tree that contains only a few, semi-concealed fairy lights, it is capable of emitting the magical quality that a garishly decorated tree cannot. The magic of mystery and discovery, and something very different from the usual variation on the iconic city centre park that is springing up all over the world.

One person’s iconic, radical, inspirational park is another person’s pretentious vision of future dystopia. I’ll admit I belong to the latter category, which is why I’ve already voted to retain, and improve, Union Terrace Gardens. Peacock Visual Arts was a local initiative which would have provided a place where people interested not just in consuming the arts but in contributing actively to them could have congregated. That was an exciting notion.

The Granite Web, on the other hand, constitutes yet another ‘space’ in which the people who live here may perform a passive consumer role.
Sir Ian Wood believes that he is giving Aberdeen a gift, and has expressed hurt that many in the city fail to appreciate this. The difficulty is that altruism doesn’t always create a sense of self respect in the recipient.

The price paid for that altruism is that the opportunity to create and innovate is taken away from people in the community, limiting their opportunity to participate to that of being passive consumers. For some, regardless of the risk of being branded ingrates, that may be too high a price for them to enter voluntarily into this particular contract.

Feb 222012
 

Aberdeen is a city on a downward slide. That makes for uncomfortable reading, doesn’t it? Our gut instinct, being the proud city we are, is to reject this notion out of hand, though deep down we all know it is true, says Graeme Campbell.

The cause of the rot is not easy to identify. Opinions will differ and any debate would most likely be fierce. It is perhaps best to say the gradual slip in the condition of our once grand and glorious city can be pigeon-holed to two vague categories – poor planning and the slow decline of the energy sector.
Or perhaps over-dependence on it? Two and a half pigeon holes then.

So, avoiding any unhelpful debate surrounding the way we arrived at this point, we must as a city look forward to the best possible route to a future of prosperity. We must look for a plan to return grandeur and pride to the Granite City. 

Our carefully-selected councillors, together with possibly our most successful loon, Sir Ian Wood and the private partnership Aberdeen City and Shire Economic Futures (ACSEF) think the solution to the gradual slip is a new garden. Not exclusively a garden you understand, but a garden with conferencing facilities and a café. To give all credit due, the plans certainly are impressive and whilst perhaps not so impressive in keeping with the architectural fabric of the city, we are, of course, a city not afraid of change.

In the most recent release posted through all city letterboxes, Aberdonians are directed by a host of interested parties to the key point, “You deserve it!” Well yes, most likely. But oddly, relegated to fifth, is what will be the key point for most Aberdonians. Once again we don’t want to admit this but we’re all thinking it, “We can afford it”.

Will Aberdeen City be pushed to the very brink of bankruptcy by this plan, as happened when the city took the bold decision, so long ago, to construct our now famous Union Street granite mile? Probably not. Of course, Sir Ian’s mammoth oil wealth will go some way to meeting the cost of development on the site – and only on this site, he has been quite clear on that point – the further estimated £100m will come from business rates, council tax – of course – and the heinously-complex Scottish Governmental TIF funding mechanism.

Now nobody wishes to be bored to tears by the inane workings of a TIF, so let’s not worry about that. Instead, let’s find out what other places are using TIF to create.

  • North Lanarkshire plans to spend £73m to transform the former Ravenscraig steel site, an area of quite unrivalled deprivation, to the benefit of the many people who live in the area.
  • Argyll and Bute is to extend the North Pier at Oban for £20m, further securing the town’s position as Gateway to the Islands, a major boon to the tourist industry no doubt.
  • Falkirk plans to use its TIF in a far less grand manner, by bringing about strategic road developments and improving the flood defences. Clearly a sound decision.

But the plans which should be of most interest to any outward-looking Aberdonian comfortably seated in Europe’s oil capital, come from Fife. The council there is to spend its modest £17m TIF improving vehicle and marine access to the already-thriving Energy Park Fife, where renewables are already being constructed. I know, that’s not oil, but it is very real, so let’s not sneer. Not content with this, Fife has also begun construction of the Levenmouth Low Carbon Investment Park which is set to become ‘Scotland’s foremost energy park’.

Whilst in Aberdeen we plan to spend £150m on a garden and café.

Is anyone else embarrassed? Our great city, the economic powerhouse of Scotland, is being distracted by plants and trees whilst other towns are going green in a wholly more financially-sound way. This city has the engineering and science skills, brought by the oil industry and our two modern and diverse universities, to become a world leader in the renewables field.

You don’t need to do the math to know a research and development centre, alongside a manufacturing park would be of significantly greater financial gain to the city than the redevelopment of a garden.

This brings us to the question – has the Council considered this? Understandably, Sir Ian may not be keen, but this is about so much more than the oil empires held by the few; this is about the continuing prosperity of the many.

So, as the ballot papers find their way to you, look around the city. Look for the signs of the rot brought about by poor management by those who, for too long, have only looked inwards – decision makers enjoying the security of the formerly-booming local oil industry.

Consider what the world, given the current environmental and economic climate, would look to Aberdeen for. Horticultural tips? A show in our new 5000-seat outdoor amphitheatre? Or will they look to Europe’s ENERGY Capital to lead the way to a bright new future of renewable energy? And then, as our city leads the world in technological advancement in the renewables field we will look forward to investment, to jobs and to success.

When the ballot paper lands on your doormat, consider what Aberdonians truly deserve and ensure your vote lets our council know just what you want for your future.

Feb 172012
 

A lecture by Charles Renfro, held at the Robert Gordon University, Tuesday the 14th of January. By Jeremy Millar.

I pulled on my black turtleneck and picked up my Mac book pro and set off for the lecture. Would I be mistaken for an architect; yes I was – it’s all in the attention to detail. The theatre was pretty full, with architecture students to the back, and bolder interested parties to the front. Charles Renfro is an engaging character – think Niles Crane amalgamated with Andy Warhol.

He had flown in especially for this event, and encountered the usual techie difficulties in getting his gleaming Mac book pro to talk with a PC campus. The lecture was a run through of a number of the DS+R projects, and very impressive it was too.

At their heart DS+R are artists, often very clever and imaginative conceptual artists. This approach is exemplified by the ‘blur’ installation on lake Neuchatel in Switzerland. This brought to mind ‘Smoke on the Water’ for some reason. This building was a folly in the architectural sense and Charles spoke of playing with the senses as the visitor entered the water cloud and saw nothing. Like many of the DS+R projects there is an element of passing through, rather than destination.

The revolving trees in Liverpool are another witty play on perception.

Understandably the main focus of the lecture was on the High Line project in New York. I have to say that I was a fan before, and now I am even more so. This project demonstrates all that is great about urban design. It involves people with their environment on so many levels. There are many small spaces along the route that offer opportunity for performance. There is a sense of people owning and playing up to the intimacy of these spaces. If it is not to your taste – well you can just move on. It was, however, sooo New York – and I was reminded of “just a New York conversation rattling in my head”: thanks Lou.

 a walk-through video that involved much playing of the bagpipes

I was impressed by the way in which the High Line acknowledges routes and roots, and builds in memory of decay and goes wild. Charles is keen on letting the DNA show through and inform the evolution of the space. He ably demonstrated this with the Lincoln Centre and the new Rio gallery designs.

Loving what I’ve seen so far, in that it is visionary, interactive and accessible.  These projects are also all in large metropolises with sophisticated urban elites, and large numbers of tourists pretty much the year round. There is no question that I would visit if in New York, Rio or Boston.

And so onto the ‘City Garden Project’ for which Charles launched a walk-through video that involved much playing of the bagpipes. The key words and phrases included diversity of ecology, ideas pulled from existing context (that DNA concept) sustainability, green lung, reconnecting the city, reinforcing heritage moments, keeping topographic interest; and I have to say he lost me.

I could see some of the connections to the successful DS+R projects, but this vision betrayed a fundamental absence of an understanding of what makes Aberdeen unique both architecturally and culturally. The DNA of Aberdeen city centre is in the crisp Victorian lines of squares, crescents and terraces. The grand public buildings echo a past of commerce and culture as one strolls down Union Street.

The visual dominance of ‘education, salvation and damnation’ overlooking the gardens and leading the eye round to the gallery are rightly flagged up in guides to the city.

The gardens as they stand reveal this DNA and tell Aberdeen’s story. Charles in his presentation showed photographs of this evolution, the exposed Denburn, the trains pulling into the station, the bandstand and the vistas beyond. This legacy would be obliterated, and as for the DNA, we would have some balustrade and two statutes. I would defy any visitor to read the city from the perspective of the Web, unlike the active interpretation gained from a stroll along the High Line.

A question about the merits of consultation with the public gained an acknowledging that this had not happened

Granite is what makes Aberdeen noteworthy. The city centre is a symphony of granite. Apart from the granite in the name of the Granite Web it barely features in the design. The talk of the eye being drawn to new perspectives is compromised by the edifice of the Web blocking views towards the Theatre and the Terrace. The parade of arches under Union Terrace barely feature in the walk through.

The biodiversity of the various garden spaces are for me messy and confused. The High Line took it’s planting from the wild flowers that colonized the derelict line and the wildness was utilized to great effect. The current gardens are formal with wild edges and they reflect a city rightly famed for this form of planting. If people want to experience the Scot’s pine they can catch a bus to the Duthie Park. We have parks for all tastes and occasions in Aberdeen. There is no need to create a microcosm of the northeast in the city centre.

There was time for a few questions. A question about the merits of consultation with the public gained an acknowledging that this had not happened, although there was an awareness of the controversy. DS+R worked to the brief and they may consult more widely if the referendum is successful. There was no acknowledgment of contact with heritage groups at any stage of the process. Charles has made four visits to the city and feels he is getting to know it.

A question about the profile and presence of the arena space referred to as the ‘butterfly’ draws on the restaurant at the Lincoln centre, and both attempts to sit in the landscape and be iconic. There was an acknowledgement from Charles that this is a work in progress and they will get it perfect.

There was a question about sustainable build and climate change. Charles said that the build will reach the highest standard and will probably be the first in Scotland to do so. He talked to the advantages of green roofs for maintaining ambient temperatures. He did not address the concrete involved in the build, but did say that he was given materials to work with.

A further query focused on the tunnel through to the station. Charles was clear that this is not part of the project, but the Web would provide the opportunities for others to take these developments forwards. The man from Keppie spoke of connecting with the harbour and opening access to Aberdeen’s other areas in 10, 20, 30 years. He added that the project is about creating an identity for Aberdeen going forward.

 Make Union Street a cultural space and preserve the gardens

A question followed which addressed scale of the design and queried the numbers of people required to make the space work. The observation that Aberdeen was not New York was made.

Charles interestingly responded by reference to walking on Union Street and having to ‘fight’ people off. He went on to claim that the Web would provide the space for people to escape Union Street, which he acknowledged was dying, with the malls draining the energy away.

He then went on to claim that a range of cultural programming would attract people to the Web. It would be a melting pot for all the different populations that are around. In a further observation about walking down Union Street in the rain, he wondered why the ‘sidewalks’ couldn’t be bigger.

The final question was the magical one, and asked Charles that knowing what he knows now and if given a free rein to develop a project – would he go for the current one? The answer was of course, absolutely. He then returned to his battling down Union Street theme and made the obligatory one man and his dog in the gardens observation of the usage of the gardens by the public.

So there you have it. For me the most revealing evidence from Charles came with his ‘Why can’t the sidewalks be bigger’. In looking into the tranquil sanctuary of the gardens from the bustle of Union Street he was blind to the answer beneath his feet. Pedestrianise Union Street: create a space, a green corridor that revitalizes the Street; brings together all the successful elements of his other projects, preserves and lets the DNA speak. Make the Street a cultural space and preserve the gardens – subject to access improvements and recreational attractions – as the sanctuary within the hustle and bustle of ‘downtown’ Aberdeen.

The final train journey along the High Line delivered turkeys to New York for Thanksgiving.

Don’t let the City Garden Project deliver another architectural turkey to Aberdeen. Vote ‘Retain Union Terrace Gardens’  in the referendum.  

Cue ‘Won’t Get Fooled Again’…

Feb 102012
 

By Fred Wilkinson.

An Aberdeen resident is “bloody furious” on account of a letter she received from Aberdeen City Council Housing and Environment Committee regarding an increase to parking fees. Joan Macpherson of Kingsland Place, Aberdeen was shocked to discover that the weekly charge for her parking space had risen from £3.40 to £35.

Kingsland Place is located directly across George Street from Gerrard Street and has to date been included in the Gerard Street letting area.

Joan told Aberdeen Voice.

“I have lived here for over 20 years and have had a parking space at 68 Gerrard Street for about 15 years. I find this increase unbelievable”

Joan wrote to the council on 3rd of February requesting an explanation for the increased charge to which she received the following reply from Jane Hogg:

“As my letter states, a review of all the parking spaces within the city was carried out and put to the committee and the outcome of this was to increase the weekly charge to £35pw. Unfortunately, I was not present at the committee therefore cannot comment further on this.

“If you do not want to pay this charge, I would ask that you submit your intention to terminate in writing to myself and this should be received by 4 March 2012. Once the letter is received, an acknowledgement letter will then be sent to you advising the termination date. You can use your parking space up until the termination date.”

Joan added:

“My car park space is paid till the end of March and I for one will not be renewing it. I wonder if this is the only change they have made to their parking charges policy or will increases be applied to all homeowners in the letting area?”

In response to a telephone query from Aberdeen Voice, Jane Hogg was unable to shed more light on the issue other than to suggest the possibilty of a ‘fault in the system’, but has invited Joan to contact her in person by telephone.

Feb 032012
 

With thanks to Kylie Roux.

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

Based on an event from November last year at The Scottish National Portrait Gallery, Your Leaning Neck is a performance project that aims to challenge institutional representations of national identity by giving voice to non-institutional values.

A silent video installation showcasing last November’s event from two perspectives will be shown in the Peacock gallery.

Saturday 18 February – Saturday 10 March 

– Live Performance

Starting off at Peacock’s gallery then moving onto the Episcopal Cathedral Church of St Andrew, visitors will be treated to a live re-contextualisation of the performance event created as a site-specific response to the Scottish National Portrait Gallery’s collection of portraits from the Scottish Enlightenment. Within the performance, oral tradition singers are presented alongside contemporary artists who also use their unaccompanied voice as a means of expression.

Friday 24 February | 7 – 9pm | Peacock Visual Arts | FREE 

GIG IN THE GALLERY – Martin John Henry

Recently praised by Sound-Scotland, as “one of Scotland’s finest songwriters”, Gargleblast Records and Peacock Visual Arts present Martin John Henry.

The Lanarkshire born singer songwriter is best known for fronting Scottish Rock Band De Rosa – critically lauded and championed by John Peel and Steve Lamaq – as well as writing, recording and playing with many of Scotland’s finest musicians including Barry Burns (Mogwai), Robert Johnston (Life Without Buildings), King Creosote and Malcolm Middleton.

Saturday 4 February | 8pm | £8 on the door 

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

ONE MAN UNIT is a hybrid of man and sculpture. Through a variety of outputs, audiences are invited to interact with and experience the spontaneous and unexpected developments of this creative beast, as it evolves during the artists’ two-week residency at Peacock.
You can follow the construction of this half man half machine via their daily blog on Peacock’s Facebook page. The ONE MAN UNIT will then be let loose on the public on two occasions:

Saturday 28 January – Friday 10 February

– Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
e: kylie@peacockvisualarts.co.uk
Website: www.peacockvisualarts.com
Online Print Store: www.peacockvisualarts.culturelabel.com

Jan 062012
 

Old Susannah tries to get to grips with the newspapers, the actual news, and council-speak.  By Suzanne Kelly.

Tally Ho and Happy New Year! Old Susannah’s had a bit of a holiday break in London and New York, but is back in the Deen and looking for news in all the wrong places.
All major world cities have their problems – New York, London – even Aberdeen.  It’s how these problems are dealt with that show the intelligence, logic, and well class of a city’s government.
New York at Christmas has subtle holiday lights, but all the stores (particularly 5th Avenue ones) do their best to have creative, exciting, individualistic window displays.

This just makes things look non-uniform and that’s a bad thing of course.  If only there were some giant red balls and uniform lights overhead to herald the presence of the New York Government.  Better still if such lights would fall down now and then  for a bit of drama as well.

There is a policeman on every corner of 5th and people are well behaved as a result.  Our streets are of course ‘livelier.’  How sad.  No one is allowed to use the streets for fighting/throwing up/robbing/ rolling around drunk in while the police stand idly by.  Here in Aberdeen there is more freedom to indulge in these traditional holiday past times.

Iconic landmarks such as Manhattan’s statue of Atlas, Ice-skating rink and the Christmas Tree just demonstrate how stuck in boring tradition NYC really is; hardly anyone comes to see these things.  I’d like to see a few buildings levelled (maybe the Chrysler and Empire) and a gigantic concrete public square created – that’s clearly what’s needed to revitalise NY’s dull city centre.

London’s  Soho was absolutely packed with people, music venues, and restaurants.  Believe it or not, the local shops don’t all close at 6pm; some even close when they feel like it.  Trash collections are regular, and I found myself missing my overflowing Torry communal wheelie bin with its broken lid and binbags torn open by hungry birds.   There weren’t even any sofas dumped on the streets to sit on.

In a not very vibrant or dynamic tradition, the Geoffrey Museum had  its annual  display showing how households used to look in times past for Christmas.  This tedious attraction could have done so much better if a monolith had been built on its historic front lawn.

You’ll never believe me, but in London’s massive Richmond Park (again just wasted space filled with lots of grass and trees) there is actually a deer park.

I suppose the biggest disappointment in New York and London as compared to Aberdeen  is the scale of waste.  New York has its (comparatively) massive Central Park and there are long stretches of coastal lands on nearby Long Island.  No one’s proposed any football stadiums, giant forests on the dunes, or turning the place into a giant golf course resort.

London has more parks than you could count that are filled with little more than grass – which so bothers Councillor Stewart.  These parks  do allow food kiosks and restaurants, something our City is far too cool to allow in Union Terrace Gardens (well, at least not until we build something over it first).

New York has great sports teams, but it’s not following our lead.  The Rangers continue to play in the outdated Madison Square Gardens rather than building something new outside of Manhattan.  Mr Milne could teach them a thing or two.  It’s almost as if people were fond of their historic sports venue and wanted to keep using it.  I think they’re in denial – the thing doesn’t even glow in the dark.

Finally an old building has been sensitively restored for re-use as a Native American heritage museum.  Doubt that made much money for any new-build businesses.  Shame.

You’ll never believe me, but in London’s massive Richmond Park (again just wasted space filled with lots of grass and trees) there is actually a deer park.

  No, the deer are not there for people to have their dogs chase.  The deer I have to admit are sometimes culled – when absolutely necessary – after living a lifespan where they can eat, roam free, and live.
Note: They are not culled for reasons other than animal welfare.

No one is proposing to shoot them in order to turn their turf into a lumber-producing forest.  Some eccentrics actually go out of their way to come and see the deer, or ‘vermin’ as Neil Fletcher and others would call them.

London and New York should really take a page from Aberdeen’s book and do much much more building in their empty green spaces.  The funny thing is that people actually choose to live near such places and pay more money for the privilege.

My one regret is that I missed the Christmas event in Union Terrace Gardens which by all accounts was a perfect afternoon.  The children loved seeing their artwork displayed; they loved the vermin – sorry – deer which had been brought in as a special treat.  The music was spectacular and everyone had a vibrant and dynamic time.  So my compliments to the organisers –  the Bothwell family and their friends, and to those who supplied prizes – Lush and The Artist’s Pad on Castlegate in particular.

I was happy to have been one of the judges for the art competition which was a real pleasure if not a nearly impossible task.  Watch Aberdeen Voice for an upcoming display of the childrens’ artwork and the entries for the Aberdeen Voice Union Terrace Gardens art competition – as soon as I can scan the 300+ items that were entered, that is.

But at this rate there won’t be room for definitions, so here we go.

Blindspot: (compound noun; English) An area which cannot be perceived whether due to physical limitations or psychological ones.

Old Susannah begins to wonder if any of our local press realise that by 23 January the City must relinquish details to me of what land was sold to Stewart Milne companies and for how much money? If they are aware, they certainly don’t find this revelation worthy of any space in their pages.

When I was travelling I kept up with local news via the internet – there were fascinating pieces on weather, a bit of vandalism, some bits of petty crime, another local store closed, and football games were won and lost.  But no word on Aberdeen Council being criticised by Scotland’s Information Commissioner or on the looming disclosure of what property ACC sold to Stew at what price. Guess this just isn’t as interesting as all the other stuff.

  seems northern Scotland can get windy in winter.  Who’d have guessed?

Still, by 23 January the City is meant to supply me with the info on Milne I requested a year and a month ago.

Let’s see who publishes the next development besides Aberdeen Voice.

I also read Private Eye when I was away (although I usually find it far too critical of our elected officials and millionaires), and a small item reminded me that the National Union of Journalists was ‘de-recognised’ by the Press and Journal and its sister, the Evening Express.

A cynical person might think the owners of these papers want to keep a tight rein on any reporter who goes ‘off message’ and writes anything too critical of their largest advertising revenue sources.  I just think the P&J management don’t want their staff to have to have the hassle of Union membership when they are so perfectly well remunerated.

Is there really any bias towards the powerful forces in the  City?  Just as  a matter of interest, a colour advertisement in the Evening Express supporting the ‘phase 2 tree for every citizen’ scheme cost the city c. £145.  A similar sized colour ad by those opposed to the tree planting and related deer cull cost over £700 (with 2 reprints in the Citizen).  Just thought you might like to know.

Festive Decorations: (noun) holiday-themed lights, banners, etc.

Well, the City’s outdone itself this year.   From 21st November 2011 to the 5th January 2011, Aberdeen City Centre was festooned with festive lighting and decoration.  Of course some of the lights came down almost as soon as they went up; seems northern Scotland can get windy in winter.  Who’d have guessed?  (Note – this historic pattern of high winds will of course be no object to planting trees on Tullos Hill, even if a Forestry report says wind is a problem there).

  I have my own theories about what the giant, over-sized, totally out-of-proportion red balls symbolised

According to the City’s website ‘Other communities around the City also take part with their own festive lighting on lamp-posts.  Aberdeen’s main thoroughfare (Union Street) is the centre piece with 11 cross street lighting all with a Christmas theme.’

I was surprised that Christmas was the theme for the beautiful lights on Union Street – I’d have thought the City was supposed to be non-denominational.  But I saw the light.  The decorations on Union Street show pictures of presents, toys and sweets – and buying stuff like that is the true meaning of Christmas after all.

I have my own theories about what the giant, over-sized, totally out-of-proportion red balls symbolised, but perhaps I’ll keep that to myself.  I look forward to watching them fall down again next year.

Jargon: (noun) vocabulary which is not recognised in the mainstream, is hard to decipher, and which may be deliberately exclusionary.

Next week I intend to look at upcoming budget/financial actions our fair city may be taking.  Believe it or not, I am not always convinced their financial skills are as good as you might think.  If anyone can help me decipher  the following paragraph which I found on the ACC website, then please get in touch:-

“There are also other projects currently active that will produce efficiencies for all Services, i.e. ICT infrastructure and connectivity, procurement revisions, etc. The ICT infrastructure and connectivity work is delivered solely by Service Design and Development and therefore is not included  in the above listing. The projects listed above all fall into the category of technology enabling making change happen.”

It sound absolutely wonderful, but I haven’t a clue what it means.  It’s from an older document covering finance and budget.

Is it  possible that a lack of straight-talking is confusing issues?  No, I thought not.  I guess I’m just not ‘falling into the category of technology enabling making change happen’ as naturally as everyone else must be doing.

Final thought:  Children in Need:
Spare a thought to those who don’t have the things they need this season.  Take the case of Stewart M.

Stewart, aged fifty-something years, will not have a happy holiday season (or any kind of happy season) without some help.  A mere 7.8 million pounds will give him the toy football stadium he wants.  Next year he may also buy some toy players to go in the toy stadium if it’s not all been thrown out of the pram.  Please give generously.

Another Final thought:  Electoral Roll:
Live in Aberdeen?  Want to vote on the future of Union Terrace Gardens?  Make sure you are registered to vote before 10 January.  IF you are not on the electoral role, follow this link and register:  http://www.grampian-vjb.gov.uk/clients/GVJB/flexviews/core/assets/pdf/er/voterregistrationform.pdf

 

em

Jan 062012
 

With thanks to Dave Watt.

There have been twenty-three acknowledged serious nuclear accidents to befall the worlds U.S. and Soviet nuclear forces.

There have been 16 crashes involving British nuclear submarines since 1998.

Despite this there appears to be a certain amount of complacency as regards the nuclear submarine base at Holy Loch on the Clyde.

The ex-Armed Forces Minister Dr John Reid said in letters to MPs:

“It is planned that potassium iodate tablets would be distributed before any release of radioactive material had occurred at a time determined by monitoring the condition of the reactor”.

“We will always get advanced warning if something was to go wrong” – Andy Moore MoD

“There has never been an accident involving a nuclear powered submarine reactor which has led to, or come anywhere near leading to, any release of radioactive contamination to the environment” – Dr John Reid, ex-Armed Forces Minister

Aberdeen CND presents :

A Nuclear Incident on the Clyde – 2nd Jan 2012 

At the NEXT ABERDEEN CND MEETING
MONDAY 9th January-  7.30 p.m. 

Belmont Picture House, Belmont St, Aberdeen
in MEETING ROOM ON TOP FLOOR. 

  Image credit © Rhouck | Dreamstime.com

Jan 062012
 

Over three years ago, Sir Ian Wood announced the City Square Project with the intention of replacing Union Terrace Gardens with “a cross between the Grand Italian Piazza and a mini Central Park.” It has since been renamed the City Garden Project. The cost of building the project is nominally £140 million, of which it has been proposed that £70M of this would be borrowed by Aberdeen City Council involving a tax scheme.  Mike Shepherd offers some analysis of current local government trends, the recession, and what it may mean for Aberdeen.

So what is the justification being put forward for this expensive project, a project that has caused so much controversy since it was announced?

The project’s supporters allege the City Garden Project is needed to ensure that Aberdeen is attractive enough to retain energy professionals long term and to ensure Aberdeen’s economy is based on tourism post-oil.

For instance, an advert by ACSEF in the Press and Journal (January 2010) stated that:-

“Creating a new heart for Aberdeen presents a unique opportunity to put the city on the ‘must visit’ list.”

 Aberdeen City Council is £562 million in debt (2010 figure).
See:
http://www.scotland.gov.uk/Publications/2011/02/21143624/4

Last November, Perth and Kinross Council approved demolishing the listed Perth Town Hall to build a Civic Square in its place, a move that has raised much controversy.  The BBC reported:

“The council said many local businesses supported the civic square proposal. And council officers have argued that full demolition and reuse of the site as a public space would provide the most additional value to the local economy.  The cost of scheme is estimated at £4.4m, but the report said an additional 15,000 people per year would extend their stay in the city, with an extra 60,000 coming for events. “This would result in a combined additional spend per person per visit of £23 generating a total gross expenditure of £1.65m per annum,” it added.
See:
http://www.bbc.co.uk/news/uk-scotland-tayside-central-15742937

Perth and Kinross Council is £222 Million in debt (2010 figure).

A similar controversy has been raging in Cork, Ireland, where the struggling Cork Council has been involved in a plan to install the Sky Garden Project. Celebrity TV gardener Diarmuid Gavin’s Irish Sky Garden won the gold medal at the Chelsea Flower Show (It looks like a giant hanging flower basket).

  There is a pattern here. Local governments the world over are in serious debt

The Council agreed to put the garden on permanent display in the city’s Fitzgerald Park at a cost of at least €300,000, with more than €1.7 million given to the project by Fáilte Ireland, the Irish tourism body.

In tones, redolent of the Aberdeen controversy, the Irish Independent wrote:

“THE taxpayer could be hit with a further bill of over €100,000 in costs connected to Diarmuid Gavin’s award-winning garden.

“Workers’ Party councillor Ted Tynan said the council needed to clarify precisely how much the garden cost, and what the council would pay in transport, insurance and operating costs. He also expressed disbelief that the garden — including its 30-metre high floating ‘pod’ and crane — may only open for three months each year.

“I love gardens and flowers and parks, but this is absolutely ridiculous. You’d put a hell of a lot of flower beds around the city for this kind of money. We should keep our feet on the ground not in the clouds with a sky garden’,” Mr Tynan said

“There are 500 boarded-up council houses in Cork and 120 people with various disabilities waiting on home adaptations. But the funding to go to all this has been cut by central government,” he added.

“Last night, the council said support for the “iconic garden” was in line with the policy that led to the creation of successful visitor attractions in the city.”

“This is part of a long-term policy to create a necklace of top tourist attractions that will bring people to Cork, get them to stay longer here and spend more money here,” a council spokesman said.

“Fáilte Ireland insisted that the garden would generate significant tourism earnings.”

See: http://www.independent.ie/national-news/diarmuid-gavinrsquos-euro2m-lsquosky-gardenrsquo-growing-in-cost-2661548.html

There is a pattern here. Local governments the world over are in serious debt. Services and amenities are being cut, yet it doesn’t stop them from spending money on expensive big-ticket items that might bring visitors in.  There is a feedback loop between local government, chambers of commerce and national government that serves to create the syndrome, “if we build it, they will come”.

  While a worthy cause, this has caused controversy as the annual budget will be part-funded by the city’s Common Good Fund

Where local economies have failed as in Cork for example, tourism may be the last throw of the dice to engender outside income.  There will be much competition for the dwindling number of international tourists as the recession bites. Recent reports suggest that countries such as Greece and Spain will focus relentlessly on promoting tourism as the last glimmer of light in their busted economies.

Aberdeen has caught up on the trend of pushing long-term tourism. The local chamber of commerce have been promoting a new destination marketing organisation for the city called ‘Visit Aberdeen’.

While a worthy cause, this has caused controversy as the annual budget will be part-funded by the city’s Common Good Fund; £107,000 for 2011 / 2012 and potentially for the next six years also. Arguably this is more ‘commerce good’ than ‘common good’.

The draft business plan recognises the future of the City Garden Project / Union Terrace Gardens as a primary issue. It is to be hoped that an organisation part-funded by Common Good money will not be promoting the controversial development of a public park that lies on Common Good land.
See: http://committees.aberdeencity.gov.uk/mgConvert2PDF.aspx?ID=15678

Are the citizens of Aberdeen willing to support the allocation of scarce resources to “a build it and they might come” vision for the city, allowing a public park to be developed for the sake of possible future tourists? Or is this all pie in the sky stuff that will use up money desperately needed elsewhere and will result in the appearance of the Granite City changing forever?

You have the chance to decide yourself.  The referendum on the fate of Union Terrace Gardens will be held in February.

 

 

 

 

 

Dec 292011
 

By Mike Shepherd.

The jury for the City Garden Project will announce the final scheme for the proposed development of Union Terrace Gardens sometime in January.  The choice will be between two designs, one with a web-based motif and the other with a big glass building in the middle which looks like a giant worm.

It is clear from both designs that most of the existing trees will be removed to build the new ‘garden’, whichever is built. 

New trees could of course be planted, but it would be decades before these grew to a comparable size, and this may not even be possible in those areas with a shallow concrete substrate. There will be claims that some of the smaller trees could be replanted, although the practicalities of this are obvious.

The big trees are particularly important as they absorb carbon and filter more pollution from the air compared to smaller trees. One study concluded that for this purpose:

“Big trees, the ones the Victorians planted for us, are what we need to maintain, but they are few and far between.”
See: http://www.theecologist.org

This week saw the shocking news that people living in Scottish cities are being exposed to dangerously high levels of pollutants. A WWF Scotland report identified three pollution hotspots in Aberdeen; Union Street, Market Street, and Wellington Road. These show  levels that are in breach of EU targets intended to protect human health. The main problem is the high levels of nitrogen dioxide caused by traffic fumes.
See: http://www.pressandjournal.co.uk

Aberdeen has a highly-polluted city centre. The solution to the problem would be to reduce the level of traffic in the city centre; pedestrianising Union Street has been suggested as an option.

It is also clear that we need to maintain the tree population of the city centre to help absorb the pollution. The key areas are Bon Accord Gardens, St. Nicholas churchyard and Union Terrace Gardens itself. Otherwise, Aberdeen city centre can hardly be described as awash with trees.

Yet, the proposed City Garden Project will remove a population of mature trees from the city centre. The problem is acknowledged in the Technical Feasibility Study for the project.

“Removal of mature trees and existing ecological habitat; 78 mature trees would be lost including 17 number mature Elm trees. The ecological value of these trees would take decades to replace as many of the trees are up to 200 years old.”

The City Garden Project will itself be a major source of pollution while it is being built (for the duration of almost two and a half years according to the same study).

“Excavation of rock/earth; It is anticipated that 30,000m3 of earth and 35,000m3 of granite will need to be removed from site. This which will cause large environmental impacts from noise, dust, transport and energy use. The removal of this volume of material is equivalent to approximately 3,947 dump trucks of earth and 4,605 dump trucks or more of granite to be removed from site or re-used where possible on site. This would have large environmental and social impacts on the local area and community surrounding the gardens.”
See:  
http://www.acsef.co.uk

It is clear from this, that the ecological downside of building the City Garden Project is substantial. The construction phase will see a protracted period of dirt and pollution in the city centre. By contrast, it is no exaggeration to describe Union Terrace Gardens as the green, living heart of the Granite City; its big trees acting as a natural washing machine, helping to keep us healthy by removing noxious pollution.

Those living in Aberdeen City will receive a postal ballot in mid February allowing them to decide between retaining Union Terrace Gardens or sanctioning the construction of the City Garden Project.

I will vote to retain Union Terrace Gardens.