Jun 062022
 

By Suzanne Kelly.

Dear All

Congratulations on your election to Aberdeen City Council.  There are high hopes for your cohort. I write to say I am always interested in hearing from you on the issues.  I am glad that so many of you have communicated with me over the years.

The following issues are of great interest to the public.  None of these issues will be allowed to just fizzle out. 

I will certainly continue my pursuit not only of such stories, but more importantly of resolutions.  Some documentation is attached; more is available.  I invite you to search the archives of online newspaper Aberdeen Voice, www.aberdeenvoice.com and to look at my FOI register on What Do They Know – https://www.whatdotheyknow.com/user/suzanne_kelly/requests 

Size of the city’s deficit:

Debt exceeding £1.4 bn is utterly unsustainable, and expensive real estate ventures/forays into the commercial real estate sector must be better thought out; they are not cure-alls.  

Marischal Square:

Not even the city can say with certainty how much money comes in as rent from the occupants; I was told as much in an FOI. 

Relevant committees must as a matter of urgency weigh up how much is spent on sweeteners (a list appeared in Aberdeen Voice showing millions paid out to companies including Aberdeen Journals Ltd and multinationals – the city resisted supplying this information until the Information Commissioner intervened), and future renewals and new deals need to get the value for money the taxpayer expects but is not getting.

Relationship with Aberdeen Journals Ltd: 

The ethical considerations of continuing to fund Aberdeen Journals Ltd should be examined; I am unaware of any other lucrative sweeteners offered to large or small news outlets operating in the area.

Then again, many news outlets would not want to lose their integrity and independence by taking money from Aberdeen’s taxpayers via ACC.

Click to enlarge.

Union Terrace Gardens:

How was it decided to spend c £26 million to remove 46 mature trees which most definitely cleaned the air, in order to create new shops adjacent to a street with closed-down shops? 

This vanity project needs full investigation – and the state of it at present should be included in that.

Covid is often used as an excuse for the slow pace of the project – and yet construction workers were absolutely permitted to carry on work during lockdowns. 

When granite steps were removed from the site, a councillor was upbraided for suggesting they were gone by an officer who later had to do a u-turn; I am not convinced officers show enough support to the elected councillors.

Aberdeen Inspired:

This business improvement district entity receives money from the central government, and Aberdeen City prepares its billing and accounts free of charge – which is a benefit in kind funded by the taxpayer. It steadfastly refuses to answer FOIs lodged with it.  You should be aware of its early problems.

  • Former head awarded her husband a unilateral pay increase and soon after left. 
  • AI spent c £400k of taxpayer money from central government on the abysmal illuminated street signage.  The signs have malfunctioned – but their biggest drawback is that while they can be clearly seen from both sides of the streets which they hang over, they are only legible from one direction – an error that no first-year design student would make.   
  • No tender exercise was held; an English firm got the £400k – a firm which apparently had a link to John Lewis, a company which at the time had presence on the AI board. 

The money spent on the Christmas fairs, the ridiculously-high figures presented as accurate footfall in the past of over 600k visitors – all this needs to be investigated and remedied. 

There is a definite lack of retail/city planning expertise in the organisation; an ex-policeman has been allowed to guide the city’s retail future and the failures of the lack of relevant experience are all too evident.

Torry:

Very little green space remains, and what there is is under threat from the plans of unelected quangos such as ONE.  Hydrogen is not a viable future, and certainly not at the expense of further industrial builds on green space. 

Biodiversity in Torry has tumbled; environmental issues must be taken more seriously.  I and many are convinced the incinerator will further degrade air quality (I developed asthma while living in Torry); hydrogen industry takeover of green belt is unacceptable to many.

Scotia Homes/Sheilhill Road area / B999 promised road improvements:

When Scotia got permission for the hundreds of new homes in the area, it paid substantial sums towards three specific road improvements which at the time were said by ACC to be for safety reasons. 

The money had long-since been paid with no work done – and inexplicably with the Chief Executive writing that the funds had ‘just’ been received when they had been in-house for years.  Some councillors have tried to help; others have worked to slow and stop the needed road improvements.  This remedial, promised and paid-for work must be done.

Sky walkway at Union Terrace Gardens:

A FOI request about the safety of the walkway is now long overdue.  I requested the necessary risk assessments; they are not forthcoming. 

The very idea of building a sky walkway next to a bridge known for over 100 self-harm events over the years – with the walkway having only balustrades for protection – is an immense risk.  As well as opportunities for self harm, the very real possibility of danger from fallen – or thrown – objects exists, and should be addressed in the documentation for the project. 

Such documentation must be released; the walkway must not open until it can be guaranteed safe.  The liability for lawsuits on the city is enormous, and that needs to be recognised.

ACC Freedom of Information handling:

The city’s FOI team complains it has many FOIs to answer; the media team likewise complains it has many requests to answer.  In years past, journalists were allowed to speak to employees and officers directly and get information swiftly. 

This change was ACC’s decision, although Indeed some news outlets still seem to enjoy that privilege. 

Virtually every FOI request I make is answered late.  Some require appeals to the Information Commissioner which are often successful. Some are delayed by staff asking for clarification of my questions which are already spelled out in great precise clarity – some feel this is a delaying tactic. 

There absolutely needs to be improvements; the Information Commissioner’s Office is looking at these issues.

This includes the removal of the requirement for those asking ACC questions via their website to set up an account with the city – there is no reason a person needs to be logged into the city’s systems – where their activity could be monitored or tracked – in order to make or see FOI requests. 

All FOI requests should be visible and easily searchable on the ACC website. As it is, there is no longer one visible list of FOIs, but smaller sub-lists and subpages.  The whole FOI procedure is cumbersome, slow, and sometimes ignores IC policy, as demonstrated in the judgments against it. Time for change.

Aberdeen Art Gallery: 

You should all be aware of the fact that over the years 1,577 items were lost or stolen – and as it now emerges, destroyed. 

In a report to the Audit, Risk & Scrutiny Committee, officer Sweetnam (?relation to the gallery’s Margaret Sweetnam? – that would constitute a conflict of interest many might think – but the city refuses to confirm or deny the relationship) represented many galleries have such losses.

I heard from Glasgow, Edinburgh, Dundee and Highlands & Islands.  Not one of these has anything like the losses ACC has.  The curatorial policy has seen some 24 listings for rocks, gemstones, valuable minerals and fossils destroyed:  this is wholly against the policies for disposal published by National Galleries Scotland – policies the Sweetnam report claimed the gallery adheres to.

Nothing should be destroyed unless it is a hazard according to that policy. 

Click to enlarge.

Many catalogue items are undated, don’t show what the item is made of, no indication of size of item or quantity in a listing:  all contrary to same policy.  It is hard not to think criminality is involved in some of the thefts that has not been fully examined. 

The ARS committee is set to look at the issue again in the near future; it is hoped that any report put to it will be robustly analyzed, and the inconsistencies pointed out here are examined. 

It is bizarre that some items donated have virtually no value, and the question needs to be asked of such items what valuation was the donor given and did it offset tax liabilities for the donor unfairly?

You certainly have your work cut out for you.  Serving the public and protecting the public’s money and remaining green space must be top of your list, and I look forward to hearing from any and all of you on the issues.

Yours sincerely,
Suzanne Kelly, NUJ

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Sep 072021
 

By Craig Chisholm.

After a COVID induced hiatus, live music is finally making a return to the Granite City and one of the first major events to happen will be a gig by veteran Scottish indie legends Teenage Fanclub at the city’s iconic Beach Ballroom.

Touring in support of recent acclaimed album ‘Endless Arcade’ – their 12th studio album – the iconic band will undertake an extensive UK & Irish tour that includes dates in Edinburgh, a sold-out Glasgow Barrowlands and, of course, Aberdeen.

The band are no strangers to Aberdeen having played some of the city’s most famous venues including the Lemon Tree, Moshulu, Music Hall & AECC. They actually played the Beach Ballroom in one of their earliest gigs in Aberdeen, supporting Primal Scream way back in 1989.

Teenage Fanclub play the Beach Ballroom on Wed, 15th September. Support provided by Poster Paints’.

Tickets to the Beach Ballroom are available on Ticketmaster now.

Sep 072021
 

By Craig Chisholm.

Young British guitarists Mikhail Asanovic and Jake Wright, together known as The Showhawk Duo, have dazzled audiences worldwide with their spectacular approach to playing the guitar, breaking down barriers between acoustic and electronic music.

Whether playing old-school trance classics or modern funky house, their live show knows no boundaries and will leave you amazed.

Mik is a classical guitarist at heart, having studied at Manchester’s RNCM whereas Jake is an electric junkie and grew up playing in rock and metal bands. Mik’s classical foundation shines through in the music with Jake’s raw percussive approach always keeping the crowd moving.

Together they create a truly unique and impressive sound, and have turned many “acoustic” nights into a thumping rave. 

Together, they started out as buskers and have since gone on to play all over the globe.

They have appeared on BBC Radio 1 on the Nick Grimshaw’s Breakfast Show,  did a 40 minute live broadcast for the LAD Bible, BBC Radio Bristol, and have performed at most of the UK’s large festivals including Main Stage at Bestival, Glastonbury, Isle of Wight Festival, Secret Garden Party, Wilderness, Somersault, Lost Village, Boomtown and more.

They played sell-out shows on their 2015, 2016, 2017, 2018 & 2019 UK tours, headlining The O2 Forum in the most recent, and five star reviews followed an official sell out show at Edinburgh Fringe.

International performances include F1 Grand Prix in Singapore, Seychelles, club tours in Spain, Switzerland and the Netherlands and a 20 – date residency at Pacha in Ibiza. 

Now, the duo will perform on stages across the nation, as they embark on their mammoth UK and Ireland tour.

Spanning 26th different dates – including a date at Unit 51 in Aberdeen on Saturday, October 9th – the duo will unleash their fiery acoustic sound to audiences far and wide, as they turn soft acoustic guitars into the ingredients for an unforgettable night of raving.

Support comes from Zen Lewis.

Ages 14+ // Under 18s must be accompanied by an adult. Tickets available now at Skiddle.

Feb 172021
 

Thanks to Ian Stuart Baird.

Residents in Torry, Aberdeen opposed to the possibility of St. Fittick’s Park being lost to development, have stepped up their activities by launching a website and announcing a photo competition to increase awareness of the threat to the precious green space at the heart of their community.

After the publication of the Proposed Local Development Plan (2022) in March and neighbour notifications had dropped through letterboxes in June, shocked residents realised the catastrophic potential of the proposed changes in the LDP.

A small informal group meeting on Zoom and Facebook realised that the fight for the park would be a long one. The group would need to become bigger, open to all and representing all views, so a steering committee – Friends of St Fittick’s – was formed.

The stated mission of the Friends of St Fittick’s Park  is to:

focus on ensuring the survival of St Fittick’s Park, and improve the engagement and experience the local people have with this fantastic natural space’.

Local people have been angered by the rezoning of the Green Space to an opportunity site (OP56) in the Local Development Plan where development as one of the sites in the Energy Transition Zone adjacent to Aberdeen South Harbour would be favoured.

A similar rezoning would apply to Doonies Farm, another valuable local resource.

They are worried that even more land might be threatened as the ETZ’s Feasibility Study identifies the southern section of Balnagask golf course as another potential ETZ site and the northern one as part of a proposed Energy Coast all round the Bay of Nigg.

Announcing the launch group member David Hunter said:

“This proposal is a slap in the face for the people of Torry. Aberdeen South Harbour has already deprived us of the Bay of Nigg but residents were promised that St. Fittick’s Park would be preserved.

“We support the concept of energy transition but destroying a complex wetland ecosystem and a green space which is at the heart of the local community is certainly not the way to go about it.”

As well as mitigating climate change as a carbon sink and a flood plain, St. Fittick’s Park provides the community with educational opportunities, a buffer between housing and the South Harbour, and benefits its physical and mental health.

By highlighting these current diverse roles and imagining future improved and new ones, the group, through its web site and with community engagement, is encouraging both locals and those in the wider Aberdeen community to realise what an enormous asset we have, and to do everything possible to protect and improve it.

A photo competition has been launched both to encourage more people to visit the park, and for the photos to capture the threatened essence of the space and share with others.

Prizes totalling £100 will be awarded, the entries later published on the website and, Covid-19 permitting, displayed in a public space.  Full details are on the website.

The Friends of St. Fittick’s Park are encouraging people to join the group and support them by raising awareness, letter-writing, fund-raising and generally helping to protect the Park now and in the future.

Feb 092021
 

by Paul GallBy Suzanne Kelly.

Aberdeen Voice has heard from a parent whose child was the target of a vile online groomer.

As reported in The Daily Record (3 Feb 2021), Shaun Struthers was convicted at Aberdeen Sheriff court of sending sexual communications and images to the child.

The 30-year-old engineer was handed a community payback order and put on the sex offenders register for five years; there was no fine and no custodial sentence.

The parent, who cannot be named for legal reasons, said:

“I just never want anyone to suffer like this if I can help.”

There are things parents can do to keep children and young people safe. The website Tutorful makes these recommendations:

Ensure you talk with your children to make sure they understand why those age limits are in place. The companies behind these platforms have these limits in place to help protect young children from potential online dangers.

Find out what platforms your children use. If you know what platforms your children are accessing and using, then you can read into the age limits for these and also how safe they really are. Knowing this information can help you protect your child.

Install software/filters to stop your children accessing inappropriate sites. There are many pieces of software that can allow you to block access to certain sites that you feel may be inappropriate for your children.

Make sure your children know they can always come to you with any issues. Ensuring your children know that you will help them with any issues they may have online can help prevent them from keeping any problems to themselves and enabling them to get worse.

Teach your children to be aware of strangers online and that if they don’t know someone who’s trying to talk to them the best thing to do is not reply and block them.

The parent we spoke to said:

“I would just like to warn parents to constantly check their children’s gadgets & look out for any change in behaviour & not put it down to low moods just being a teenager. Also to be on guard even around family as sometimes these are the people to be most wary of.”

Apr 212020
 

By Duncan Harley with thanks to Andy Kite.

In March 2020 Aberdeen Performing Arts switched off the lights in its three iconic venues: His Majesty’s Theatre, Aberdeen Music Hall and the Lemon Tree amid the COVID-19 outbreak.
Shows were cancelled and staff put on furlough. Lockdown had struck and, like it or not, the theatre doors slammed shut on 17th March ironically on the very eve of a week long run of ‘A Monster Calls’.

You really couldn’t make it up.

Cancellations of Buddy Holly, Once and Something About Jamie swiftly followed and a planned May run of The Gondoliers described in glowing terms as ‘Sunny, funny and with more ‘tra la la las’ per square inch than any other opera in the canon’ is as they say, dead in the water.

But, as they say, the show must go on and today Aberdeen Performing Arts has announced a set of stay-at-home projects and initiatives designed to keep the North-east connected and engaged in arts and culture during the pandemic lockdown.

Titled ‘We’re Here For You’, the initiative spans a range of activities for all ages, from re-creating favourite album covers, to online piano recitals, all with the aim of encouraging contact and creativity in the North-east while under lockdown.

Aberdeen Performing Arts Chief Executive, Jane Spiers, says:

“There’s never been a time when we need to be more connected and here for each other. Here for You is about celebrating the amazing creativity we all have within us and across the North East.

“We’ve been so impressed with the entries we’ve had for our ‘Build Your Own HMT’ project, and we can’t wait to see what our ‘When Life Gives You Lemons’ project brings, re-creating your own album cover!

“Our Here for You activities are also a small thing we can do to say thank you to our audiences who have been so supportive and raised £50,000 to date to keep our charity alive when we rely so heavily on ticket sales.”

An early project, ‘Keep The Lights On At HMT’, seemingly resulted in a flood of home built model versions of His Majesty’s Theatre and a new initiative, ‘Armchair Audiences’, gives theatre goers a chance to sit back, relax and join a weekly theatre discussion each Tuesday at 6pm (bring your own ice cream).

The first event in the Armchair Audiences series is a collaboration with The National Theatre and features a free streamed performance of Jane Eyre.

More @: https://www.aberdeenperformingarts.com/

Apr 062020
 

Day 11 in the Old Susannah House. Old Susannah is feeding her cats, making pottery, and bothering her editor, asking him to print this pretty please: Three of the North East’s largest animal rescue charities, Halfpenny Farm, The New Arc and Willows Animal Sanctuary, are all in crisis and are seeking help from the Public.

For many years these charities, all members of R.E.A.C.H. (Reputable Animal Charities), have provided rescue, rehabilitation and specialised care for over 50,000 animals in the North East.

Together, they have cared for all types of animals from neglected, unwanted, abandoned, orphaned and injured animals ranging from domestic pets, exotics, farm and equines to our local wildlife. Between them their centres currently care for over a thousand creatures requiring their specialist help.

These charities are completely dependent on the good will of the public.

They receive no income from the Government and rely on their own fundraising activities and initiatives to continue their work.

Their only source of revenue has been through a variety of avenues.

  • Charity shops …. Closed.
  • Open Days….Postponed.
  • Fun events…Cancelled.
  • Fund raising such as pub quizzes, sponsored walks, charity tins and the like which have all been suspended.

In this current situation, everyone’s first concerns are understandably with family and friends.

However these charities continue to do what they can to rescue and care for animals in need. But if they fail then there is no replacement when things get better. They will be gone!

They are the animals ‘Front Line’. Please help them to continue their work!

Click on the following links.

Donate to Halfpenny Farm 
Donate to The New Arc 
Donate to Willows Animal Sanctuary 

Sep 192018
 

By Duncan Harley.

The four-star Maryculter House Hotel was today the venue for the Scottish Samurai Awards.  Scotland and Japan have long enjoyed both trade and cultural links – well for just around 150 years in truth.

Japan sent many students to the UK between the late Edo period (1603-1867) and the early Meiji period (1868-1912) in order to explore and import Western technology.

The various international trade exhibitions of the 19th and early 20th Century provided useful platforms for the sharing of both scientific and aesthetic ideas. 

Cities such as Glasgow and Aberdeen provided ripe-pickings for the aspiring technologists and alongside acquisition of new skill-sets the two nations exchanged cultural and artistic aesthetics which continue to create broad-ripples to this day.

Japan, of course, had participated in the second Glasgow International Exhibition in 1901.

The Japan Pavilion was located near the main exhibition hall at Kelvingrove and there is a likelihood that Rennie Mackintosh and many other influential Scottish designers of the day would have visited and been influenced by what they saw there.

Some 11.5 million visits were recorded during the eight-month span of the exhibition and surely Mackintosh would have been one of those tempted to return again and again to absorb the sights.

Contemporaries of Mackintosh certainly visited Japan at about this time and Kelvingrove Art Gallery and Museum hold a collection of so-called ‘Industrial Art’ collected by Glasgow born designer Christopher Dresser who visited Japan in 1876 or thereabouts.

Aberdeenshire, of course, has a splendid claim to the forging of the Scottish-Japanese relationship and one man in particular played a pivotal role. Variously known as the Scottish Samurai or The Scot who shaped Japan,

Thomas Blake Glover was probably born in Fraserburgh in 1838.  His father worked as a coastguard officer and the family lived at various locations along the Aberdeenshire coastline including Sandend, Collieston and at Bridge of Don.

On leaving school, Glover began work with the trading company Jardine, Matheson & Co and quickly progressed to the Shanghai office before taking up a post in Japan. 

His role in Shanghai has often been glossed over in order to present a popular image of Glover as an enlightened trader intent on hauling an impoverished Japan into the industrial age. In truth however, Jardine Matheson & Co were happy to trade in everything from silks and tea to guns and opium.

Glover excelled in his role as trader and alongside making vast amounts of profit for his employer he soon started taking a substantial cut for himself.

His move to Japan, in 1859 age 21, came at a time when various rival clans were warring for control of the country. For more than 200 years, foreign trade with Japan had been permitted to the Dutch and Chinese exclusively.

However, following an episode of gunboat diplomacy in 1853, the US Government had persuaded the Japanese to open trade up with the West. 

Glover arrived in good time to use his proven skills to exploit the situation.

Soon he was supplying both sides in the civil war with guns and munitions. Before long he was taking orders for the building of warships, to be built in Scotland, to arm a fledgling Japanese Navy. The market for weaponry however soon became saturated and he turned to mining to maintain his by now dwindling fortune.

Glover is often credited with importing the first steam engine into Japan.

Demand for coal had surged as steamships began to proliferate in Japanese waters. Glover, in partnership with a Japanese clan, invested in developing the Takashima coal mine on an island near Nagasaki in 1868. 

The mine was the first in the country to employ Western methods. Mitsubishi acquired the Takashima mine in 1881 in the organization’s first main diversification beyond shipping.

Glover is often credited with importing the first steam engine into Japan and being instrumental in the formation of the Mitsubishi conglomerate. Japan also lacked modern facilities for repairing ships. So, Glover imported the necessary equipment for a dry dock in Nagasaki in 1868.

He later sold his share to the government, which leased the dock to Mitsubishi as part of the shipyard in 1884. By 1905 Japan had, according to many accounts, become the 3rd largest naval power in the world.

There are many enduring myths surrounding the life and career of Thomas Blake Glover.

One involves the notion that his Japanese wife Tsuru was somehow the inspiration for Puccini’s opera “Madame Butterfly”.

There appears to be little substance to this idea. A booklet produced by Aberdeen City Council to publicise the areas links with Glover asserts that:

“the association of Glover Garden in Nagasaki and Madame Butterfly no doubt relates to the fact that American soldiers after the Second World War dubbed the house Madame Butterfly House.” 

Thomas Glover eventually became famous in Japan and was the first non-Japanese to be awarded the Order of the Rising Sun.

today’s event saw some 23 or so Samurai and Shogun awards made to a broad range of recipients

When he died in Tokyo in 1911 age 73, his ashes were interred in Nagasaki’s Sakamoto International Cemetery. Fraserburgh Heritage Centre host a permanent exhibition celebrating his North-east links and his former house in Nagasaki attracts two million visitors each year.

Founded and overseen by Aberdonian and OBE Ronnie Watt, the Order of the Scottish Samurai is an award inspired by Blake Glover and those admitted to the Order are encouraged to use the letters OSS after their name.

While Ronnie actively heads the Order, he is supported by patrons, members and recipients – many of whom, such as Lord Bruce and Joanna Lumley take an active interest in the progression of the historic relationship between the two nations.

Opened by Ms Masami Fujimoto, Deputy Consul General at Consulate-General of Japan in Edinburgh, today’s event saw some 23 or so Samurai and Shogun awards made to a broad range of recipients.

Two previous Lord Provosts, Margaret Smith and Margaret Farquhar received Shogun awards for services to Aberdeen while Duncan McPherson and Robert Boyd received Legendary Samurai Awards for services to the Japanese Martial Arts.

Terry Boyle and Tyrone Smith were awarded OSS Shogun and Becca Hobart – alongside delivering a splendid display of Highland Sword Dance – collected up a well-earned OSS Hatamoto for services to the Order of the Scottish Samurai.

Previous recipients of the various Scottish Samurai Awards have included Ian Wood, Alex Salmond, Charlie Abel, Len Ironside (for services to wrestling) and film producer Compton Ross. So it looks likely that Becca Hobart is in fairly good company.

Words and images © Duncan Harley – Inverurie September 16th 2018.

  • Duncan Harley is author of The A-Z of Curious Aberdeenshire plus the forthcoming title: The Little History of Aberdeenshire- due out in March 2019
Nov 082017
 

With thanks to Roger White.

A prestigious North-East Scotland magazine of new writing and the visual arts, Pushing Out The Boat (POTB), is reminding young writers and artists in the North East and
beyond that they’ve got less than a month left to submit entries for their new online venture, ‘ePOTB’.

ePOTB will be the magazine’s first e-zine and will be devoted entirely to work by young people aged 12-17.

Like its parent magazine, ePOTB submissions will be subject to the same distinctive ‘blind selection’ process, which ensures that work is selected on merit alone.

Prize-winning author Juliet Lovering, chairing the ePOTB team, said:

“We know there’s a wealth of young writing and artistic talent out there but this is the first time we’ve given young people the chance to shine in their own publication. Three prizes of £50 are also on offer for the best contribution in the prose, poetry and art categories.”

The ePOTB team encourage anyone considering entering to read previous editions of the magazine, which are available on its website, to understand the variety of work accepted in years gone by.

Young writer Hannah Kunzlik, one of POTB’s previous contributors, said:

“I was published in POTB when I was 16 and it remains one of my proudest moments. Submitting a piece is something I would advise any young person to do with even a passing interest in writing or art. Apart from the creative fulfilment, it’s like gold dust on a CV for college or work.”

The call for submissions to ePOTB opened a month ago. Full details and registration are available at www.pushingouttheboat.co.uk.

The deadline for submissions is 30 November 2017 and the e-zine will be published on the Pushing Out The Boat website in Spring 2018.

Oct 132017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

With just a few days to go before the round one pound coin ceases to be legal tender, a leading north-east cancer charity is urging people to donate their old coins.
CLAN Cancer Support is encouraging people to clear out their piggy banks and hunt down the back of sofas and support the charity in the process by donating their old coins.

The new 12 sided £1 coin was brought into circulation in March 2017 and has security features to combat counterfeiting.

From October 15 the existing coins will no longer be legal tender but can be given to charity or handed into banks or Post Offices.

Fiona Fernie, Head of Income Generation and Business Development at CLAN Cancer Support, believes donations received from £1 coins stored in people’s piggy banks and car gloveboxes could help make a real difference in the coming months.

She said:

“The Government estimates that £1.3bn worth of coins are stored in savings jars across the country, about a third of which are £1 coins. If just a fraction of that total was donated to charitable organisations it could make a huge difference.

“We are encouraging people to have a look in all their old purses and wallets and down the back of sofas and donate what they find to CLAN. Each £1 we receive will help to support people affected by cancer in communities across north-east Scotland, Moray, Orkney and Shetland.

“By donating just £25 you can help to fund breakfast for one day for everyone staying in CLAN Haven, our bed and breakfast facility which provides accommodation for people travelling to Aberdeen Royal Infirmary for cancer related treatment.

“Every single donation we receive helps us to continue to provide valuable wellbeing and support services for people affected by cancer.”

CLAN Cancer Support is an independent charity which provides comfort, support and information, free of charge, for anyone, of any age, affected by any type of cancer. CLAN aims to support people to reduce anxiety, stress and to increase their ability to cope with the effects of a serious illness.

Based in Aberdeen, the charity covers the whole of north-east Scotland, Moray, Orkney and Shetland. CLAN has a presence in Ballater, Banchory, Elgin, Inverurie, Fraserburgh, Lossiemouth, Peterhead, Stonehaven, Turriff, Kirkwall and Lerwick.

For further information about CLAN Cancer Support please call (01224) 647 000 or visit www.clanhouse.org

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