Oct 202021
 

Review and photographs by Craig Chisholm.

Just over three decades ago, The Quireboys released their debut album ‘A Bit of What You Fancy’.

Tonight, they revisited their commercial high point with a date at the Lemon Tree in Aberdeen.

First however, the crowd are entertained by up-and-coming slide guitarist Troy Redfern, backed with drummer Finn McAuley and bassist Keira Kenworthy.

Redfern is a virtuoso guitarist.

His guitar fireworks are astonishing to watch, his fingers running up and down the fretboard fluidly and gracefully.

But it’s not just a show in histrionics and shredding, it’s raw, gritty, heartfelt blues filled with emotion and belief.

Watching him, you know that he believes in the music he is singing, that he feels it – and that’s important.

It shows authenticity and a love for the genre.

For him to light up the guitar, he needs a strong groove and foundation to sit upon and his rhythm section are more than up to the job – they provide a solid, thunderous backbone to Redfern’s solos and slide guitar masterclass.

Closing his half hour set with a cover of Jimi Hendrix’s classic ‘Voodoo Chile’ you can see he’s made some new fans in the audience, many of whom are queued up minutes later to meet him and purchase his music.

“It’s 7 O’clock and time for a party” as their song goes – well, it’s not, it’s 9 o’clock when they hit the stage, but the party is most definitely on.

It’s been over 31 years now since their debut album ‘A Bit of What You Fancy’ was released.

It was halcyon times for the band back then – the album hit no.2 in the charts, singles went Top 40. There were support slots with the likes of Aerosmith and The Rolling Stones, on the bill of the Monsters of Rock festival at Castle Donington, appearances on Top of The Pops and huge headline tours of the UK, Europe and beyond.

But time moves on and tastes change – at the height of grunge in the early 90s, the band parted ways and went on an extended hiatus for a few years.

But The Quireboys are nothing but tenacious and not ones to shy away from a challenge.

Certain musical styles never go away either – and in the case of their bluesy, classic rock it’s a style that will always have its fans.

And the fans are out tonight as they revisit their debut, changing the running order to bring new focus on old songs and remind everyone why they had so much success with it.

The singles are all greeted with cheers – ‘7 O’Clock’, ‘Hey You’ and ‘There She Goes Again’ working the crowd on the frenzy and getting them dancing.

And there’s moments of poignancy and reflection such as the emotional ballad ‘I Don’t Love You Anymore’.

‘Whipping Boy’ is a particular highlight – low down and dirty slow blues, underpinned with some bass that reverberates through your soul.

The band seem to be enjoying it – lead singer Spike seems particularly happy to be on stage again after Covid’s shutdown of live music.

Between songs he’s humorous and friendly, speaking directly to members of the crowd, always with a twinkle in his eye.

He also seems to be slightly lubricated; shall we say – despite his quips about having not drank for 10 years.

But it’s Friday night and most of the crowd are on the same level as him and it endears him to them even more.

Once a song starts, however, he is back to being the professional showman and singer. Every song is nailed perfectly, not a note dropped or lyric forgotten. And his voice, that raspy, 20 fags a day sound is spot on.

Despite tonight being a celebration of the past, it also points that there’s a strong future for the band – their unique take on that classic Stones or Faces sound, rooted in the blues, R&B and Country will always have listeners. And with over a dozen albums behind them and the potential for a dozen more, so will The Quireboys.

Oct 082021
 

With thanks to Craig Chisholm.

The Quireboys finally make it to Aberdeen after rescheduling due to Covid restrictions.

They will be appearing at The Lemon Tree on Friday, Oct 15, and will be performing their landmark album “A Little Bit Of What You Fancy”.

To celebrate the 30th Anniversary of that iconic debut album the Quireboys recently released a re-recorded version with their distinctive gypsy rock and roll sound.

“A Bit of What You Fancy is where it all began for the Quireboys,” says the band’s frontman Spike.

“It was an incredible album that launched our career. However, the way we sound and play now doesn’t do it justice. Henceforth, it has been a pleasure updating it to our modern-day gypsy rock and roll sound. I’m sure everyone will enjoy this new version in all its glory, marking its 30th Anniversary.”

The Quireboys have always remained true to their roots from the start. The boy’s mission is simply to keep the spirit of good time rock ‘n’ roll alive and kicking into the 21st century.

The 30th Anniversary Edition of “A Bit Of What You Fancy” can be pre-ordered from www.offyerrocka.com/product- category/artists/the-quireboys

Troy Redfern and his three-piece band will support The Quireboys at all shows.

Hailed as Britain’s King of Slide Guitar, Hereford-based singer songwriter, Troy will perform songs from his critically acclaimed new album “The Fire Cosmic” which features the single “Ghosts” that was playlisted on Planet Rock and many other radio stations.

Says Music News.com:

“Troy Redfern is one of the country’s best players and writers and the album is a blast from start to finish.”

Taking up the guitar as a teen, Troy quickly absorbed his musical influences of the early blues pioneers and the energy of the 70’s and 80’s rock icons. The turning point came when he discovered open tunings and slide guitar.

“I immediately felt like I’d come home the moment I put a bottleneck on my finger and started playing slide, it instantly felt completely natural to me. This style of playing helped me find my true voice on the instrument”

The last few years has seen Troy shift into creative overdrive releasing five full length albums in 2020 alone, all receiving worldwide airplay and overwhelmingly positive reviews from the international press, “Island” and “Thunder Moon” both receiving multiple 5-star reviews.

Tickets are available in person at Aberdeen Box or online at https://www.aberdeenperformingarts.com/whats-on/the-quireboys/

Oct 062021
 

Glasgow’s The Ninth Wave  release new single “Piece and Pound Coins”, a new taster of their next full length body of work, due 2022. By Craig Chisholm.

A compelling piece, “Piece and Pound Coins” was produced by the band themselves and mixed by Max Heyes (Massive Attack, Doves, Lucia & The Best Boys, Primal Scream). Amidst a distinctly chilling atmosphere, rolling piano lines weave their way through chugging percussion with the track standing as a stark examination of grief and loss.

Speaking on the release of “Piece and Pound Coins”, singer Haydn Park-Patterson said: 

“I wrote this song about a friend who passed away a number of years ago. I’ve never really felt like I wanted to/could write about him for a number of reasons, but I guess the main one was because that for a long time, I wouldn’t have known what to write.

“Writing about death is a world away from writing about heartache/love/friendships because there’s nobody to listen to the song and wonder “is that about me?”.

“It’s a strange feeling, to write a song about someone that you know can’t ever hear it. The song also touches on the thought of wondering what he’d be up to now, 5 years on in his life, and how weird a thought it is that we’ve all continued on with our lives but his had a start and end point, and that’s it. No more memories to be made.

“The song also lets out a bit of confused anger that I felt not long after he passed, as I watched how a few people reacted to his death and the way in which they talked about it. That’s the meaning behind the line ‘death makes some people sad and some people ugly / and some people took your name for their own sake’.

“I like to think that he’d like the song, as he was one of the most supportive and positive-minded people I’ve ever had the pleasure of knowing.”

The track has been released alongside a stunning video directed by Rianne White. She commented: 

“I feel completely in awe of this song and Haydn’s ability to frame such an immense feeling. Embraced by the catharsis of nature, the heights of grief and identity are expressed through a journey of Haydn’s internal growth accompanied by a symbolically poignant lone wolf.

I like to think of Hayden and the wolf as one, both finding their way back to their truest states of being with wild untamed hearts of companionship and eternal loyalty. “

The new single arrives off the back of the band’s recent singles ‘Everything Will Be Fine’ and ‘Maybe You Didn’t Know’; their Faris Badwan (The Horrors)-produced EP ‘Happy Days!’ (2020) and their AIM Award and Scottish Album of the Year-nominated debut album Infancy (2019).

Constantly developing and pushing their sound into exciting new territory, sonically The Ninth Wave are challenging expectations and preconceptions of their music with this new material.

Leaning toward influence from contemporaries such as Massive Attack, Young Fathers, Mount Kimbie and Portishead – the quartet assuredly retain their own distinct songwriting craft and approach.

Lyrically the new material also promises to be more upfront than ever before.

Celebrating honesty and real life, The Ninth Wave want their listeners to find comfort in their music. They want their fans to feel safe; to be confident in who they are, and to know they’re not alone with their feelings and anxieties.

“It’s a cathartic thing for both us and the listeners; we want to help with normalising being emotional and finding comfort within your stadness”, the band went on to say.

The Ninth Wave are widely praised across the board from The Guardian to Wonderland Magazine, NME, Dork Magazine, DIY Magazine and more – with radio support from BBC Radio 1 (Jack Saunders, Huw Stephens, Phil Taggart and Abbie McCarthy), BBC 6 Music (Steve Lamacq), and Radio X (John Kennedy).

Elsewhere the band’s music has been remixed by The Horrors, Dream Wife, The Twilight Sad, Mogwai, Low Spirits and Working Mens Club, along with tours and shows with Editors, Pussy Riot, CHVRCHES, Franz Ferdinand, Suede, The Magic Gang, Yonaka, and The Blinders.

The band play a date at Aberdeen Tunnels on 19th October.

Tickets are available here.

Band Website – https://theninthwave.online

Watch, “Piece and Pound Coins”: https://youtu.be/Sods9jZatuw

Stream, “Piece and Pound Coins”: https://theninthwave.lnk.to/PAPC

Sep 072021
 

By Craig Chisholm.

Young British guitarists Mikhail Asanovic and Jake Wright, together known as The Showhawk Duo, have dazzled audiences worldwide with their spectacular approach to playing the guitar, breaking down barriers between acoustic and electronic music.

Whether playing old-school trance classics or modern funky house, their live show knows no boundaries and will leave you amazed.

Mik is a classical guitarist at heart, having studied at Manchester’s RNCM whereas Jake is an electric junkie and grew up playing in rock and metal bands. Mik’s classical foundation shines through in the music with Jake’s raw percussive approach always keeping the crowd moving.

Together they create a truly unique and impressive sound, and have turned many “acoustic” nights into a thumping rave. 

Together, they started out as buskers and have since gone on to play all over the globe.

They have appeared on BBC Radio 1 on the Nick Grimshaw’s Breakfast Show,  did a 40 minute live broadcast for the LAD Bible, BBC Radio Bristol, and have performed at most of the UK’s large festivals including Main Stage at Bestival, Glastonbury, Isle of Wight Festival, Secret Garden Party, Wilderness, Somersault, Lost Village, Boomtown and more.

They played sell-out shows on their 2015, 2016, 2017, 2018 & 2019 UK tours, headlining The O2 Forum in the most recent, and five star reviews followed an official sell out show at Edinburgh Fringe.

International performances include F1 Grand Prix in Singapore, Seychelles, club tours in Spain, Switzerland and the Netherlands and a 20 – date residency at Pacha in Ibiza. 

Now, the duo will perform on stages across the nation, as they embark on their mammoth UK and Ireland tour.

Spanning 26th different dates – including a date at Unit 51 in Aberdeen on Saturday, October 9th – the duo will unleash their fiery acoustic sound to audiences far and wide, as they turn soft acoustic guitars into the ingredients for an unforgettable night of raving.

Support comes from Zen Lewis.

Ages 14+ // Under 18s must be accompanied by an adult. Tickets available now at Skiddle.

Mar 022021
 

By Suzanne Kelly.

Marc Ellington, musician, philanthropist, climate change activist, author has passed away. He leaves behind his family and many friends.

Dr Ellington, or Marc to his many friends, was a singer, songwriter and guitarist.  He occasionally performed with his lifelong friend Richard Thompson, and with Fairport Convention. 

Marc had not often performed in recent years, but joined Richard on stage at the Royal Albert hall in September 2019 for Richard’s 70th birthday party show along with many members of the Thompson family, and artists including Dave Gilmour, and Harry Shearer.

Marc and his wife Karen lovingly restored Aberdeenshire’s Towie Barclay Castle and gardens.  From its great hall he worked on his many projects. 

He founded and ran the charity The Scottish Traditional Skills Centre.  The Centre ran some of the first-ever courses on how climate change threatens our cultural and built heritage. 

Presentations were made by experts from various disciplines including the Met Office, focusing on historic properties and sites such as Skara Brae. 

The Centre ran courses for professional and amateur alike including topics such as gardening, dry stone walling, and property repair.  Perhaps its greatest success was running courses for young people with a variety of needs. 

Young people learned from different specialists about the environment, wildlife, botany, and enjoyed hands-on activities from dry stone walling to building lean-tos at locations such as Fyvie Castle grounds. 

Passionate about Aberdeen city’s and shire’s architectural gems, Marc edited The Lost City: Old Aberdeen by Jane Stevenson and Peter Davidson. 

Marc knew any number of little-known historic jewels, and greatly enjoyed showing these off to his guests.  He was a keen student of the area’s history, not least its importance to folk music from the past through artists such as Joni Mitchell and Bob Dylan.

Along with Charles MacLean and Daniel MacCannell Marc Ellington was an editor on the book, Scotland’s Secret History: The Illicit Distilling and Smuggling of Whisky.  The book paints a vivid picture of whisky’s history and the Cabrach. 

He was instrumental in the creation of a memorial cairn in the Cabrach dedicated to those from the area who lost their lives in WWI and subsequent conflicts.  Whisky giants The Gordon family were the main funders. 

Marc said:

“Each and every aspect of the construction of the cairn has involved members, both young and old, of the Cabrach Community working closely with master craftsman Euan Thompson.

“As well as being one of the finest memorial cairns to be built in Scotland in recent years, this is an outstanding example of what a local community, working together with energy and determination, can achieve.”

Marc spoke at an exhibition of international artists in 2018 held at the Glenfiddich Distillery. 

He talked about the role art plays – or should play – in education and in our culture.  As part of the speech he applauded the creators,  rebels, movers, and individuals who stand up for what is right, who follow their passions and dreams.  Indeed, this was how many saw him.

As the historic landlord in Gardenstown and Crovie, he was shocked when in 2015 salmon farmers were illegally shooting seals from the land in order to stop them eating salmon. 

He was actively involved with stopping the destruction of wildlife, and cared deeply for the sea and marine life.

He acted as announcer and master of ceremonies for the annual Portsoy Boat Festival, often sailing his craft to the harbour. 

Marc never missed a chance to help people when it arose; he always had a hilarious, apt anecdote for whatever social situation he found himself in. 

He sought to impart his passions for the environment, culture, history, music and arts, and succeeded in influencing many.  He is greatly missed, but his music and his many accomplishments will continue to influence.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Dec 082017
 

By Fred Wilkinson.

“Aaaah Grasshopper, you still have much to learn … you must first try to listen … and feeeel!”

Once upon a time there was a young man who fancied himself as the rebranded Anarcho Dennis The Menace.

Unfortunately, he did not have the means to put enough calories into his person in order to avoid being laughed and sneered at by the bespectacled Walter and his crew of ‘softies’.

So he developed a defiant, unflinching pose in order to look hard.

He got a punk band together and generally scared the crap out of folk … his relatives mostly,

Then he got a wee job doing sound for a band called Mabel Meldrums Ceilidh Band.

Working alongside his chum, and punk band colleague Frank Benzie, nephew of Mabels’ guitarist and vocalist, Ian F Benzie, the young man in question came to know and refer to the Benzies as ‘Frunk an’ Unc’ – which neither ever objected to.

But their influence on the stoic, stripey one was not only significant, but equal and opposite!

This brought about much confusion. Whilst Frunk would lead young Dennisesque astray, and goad him into strange and perilous situations, Unc would be much more a source of a calm and enlightenment – particularly with regard to the realm of music. 

Words of wisdom were dispensed freely:

“If the music is ‘at loud ye canna hear yersel think, then how d’ye ken yer actually listenin tae music?”

“The words ‘I love you’ should be spoken close up, and whispered ….. if ye scream them oot til there’s snotters comin oot yer mou’, yer likely tae get a blind date wi fower or six coppers wi big sticks in the back o’ a van”

“It’s nae jist the notes min, it’s the space in atween”

And ither such hippy stuff and fluff.

However, it sunk in eventually, to the point that young hardened cynic began to appreciate the understated and the subtle alongside the “in yer face wi a big slab ya ****” aspects of music and art.

But then, not long after, Ian F Benzie, along with Mabels’ bassist/banjo plucker Buzzby McMillan parted company with Sandie Wyles (fiddle/mando/vocs), Andrew MacDonald (keys/concertina/caller) and Ian Wilson (Bodhran/ percussion/whistle), and went on to form the notorious Old Blind Dogs.

Sandie continued playing with a new Mabel Meldrums line up with a very different approach and sound.

As for that defiant, unflinching, skinny, stoic, cynical, spikey, stripey, cartoon character wannabe, tribute act? Well that was me (still is I suppose) …. your Aberdeen Voice editor.

Which brings me to the purpose of this one off spontaneous and unusual Aberdeen Voice article.

In the last few hours, I discovered a forgotten, presumed lost (or borrowed and not returned) cassette tape which was recorded by myself and Frunkie B from the mixing desk we were charged with the task of operating … or at least, preventing teuchters from plonking/spilling their beer, or stubbing their fags out on.

And so, 30 odd years later, I decided, if I had gone to sleep when I should have … like about an hour before I found that ‘lost’ tape … it might become ‘lost’ again ….. maybe forever!

And so, instead, I lashed a load of wires and boxes together, and now have a digital copy of the whole gig, which I hope to share soon.

However, I felt, when listening to one particular track, which was not part of the band’s set, but performed ‘off the cuff’ while some technical problem was resolved, that there was a wee bit of magic which transcended the background noise and the tape hiss.

Therefore, I felt compelled to ‘splice’ it out, and with the bare minimum of processing, offer it here without any further delay. 

Westlin Winds by Ian F Benzie. Live at Premnay Hall, 86/7 … as part of Mabel Meldrums’ (ceilidh band) show.

Apr 012017
 

A guitar once owned by Hendrix has been put up for auction in Aberdeen, following a council hunt for heirs. Duncan Harley reports.

When council housing officer Dennis Potter was called to the home of a council tenant on Aberdeen’s Kincorth Housing Estate he thought that it would be simply a routine house clearance.

The elderly male who had lived there for over 30 years had passed away and, with no relatives on hand to see to his affairs, it fell to the council to clear the flat and prepare it for a new tenant.

“I was pleasantly surprised” said Dennis “to find that the place was clean and in good order.”

“It’s not unusual for us to enter a property where someone has died and find that they had perhaps not been coping during what may have been a difficult end of life period. But, in this case that was definitely not the case and our tenant had taken really good care of the property.”

Initially, the council had assumed that relatives would come forward to claim possessions and see to the estate, but after a three-year hunt for heirs no-one came forward.

“We knew that Mr Brown had no surviving friends in the locality” said Dennis “but we thought that maybe he had relatives somewhere who might have kept in touch.”

“But as his birthdays came and went, there were no cards, and even at Christmas the deceased only received a few begging letters from the likes of the Salvation Army and a charity specialising in promoting paintings made by limbless artists from North Korea.”

Eventually council bosses asked Dennis to dispose of the few possessions left by the tenant and an Aberdeen auction firm was asked to provide a valuation.

“We needed to cover the costs involved” says Dennis.

“There was a very small amount of outstanding rent, but on top of that there was the matter of the burial; and we felt we had a duty to recover what we could to protect the public purse.”

The valuation, however, far exceeded expectations, for in amongst the few possessions left by Mr Brown there was a guitar.

“I had assumed that it might be worth just a few pounds” said Dennis.

“I mean, it was badly scratched, the frets looked worn and the strings had seen better days. But you never know at auction since maybe someone is looking to get a real bargain.”

The auctioneers were initially unimpressed with the item and consigned it to the weekly general sale in expectation that it might be worth something to someone willing to restore the neglected instrument. However, and quite by chance, musicologist Jim Hawsworthy came to preview the lots for sale.

“I couldn’t believe my eyes” he said “at first I thought I was dreaming, but there right in front of me was a genuine Strattofaster!”

“I mean these instruments are the Stradivariuses of the guitar world. There are probably only around fourteen known examples worldwide, and this one is completely genuine.”

Seemingly Jimi Hendrix owned two of these instruments, but after his death aged 27 in September 1970, it emerged that one was unaccounted for.

In a strange twist, it transpired that Mr Brown had been drinking red wine with Marmalade stars Gary Farr and Jimmy Cregan, together with Eric Clapton at the Scotch of St James bar in Mayfair on the night of Hendrix’s death.

“When Jimi came in” said Clapton “he had no dosh and neither had the rest of us.”

“So we asked Bennie the roadie to bung us a few quid – just to keep the party going you understand. By that time the bar bill was astronomical and to be honest we were all a bit keen to get more wasted, so to calm Bennie Brown down, I suggested that we bung him a guitar as collateral. That’s how it all happened really. He was pleased as punch and went off strumming Jimi’s guitar.

“I know that ‘cause I was there. Or at least I think I was. That is until I awoke to find that Jimi had, well you know – gone off somewhere and died basically. Never forget that night really. What year is it today anyway?”

Be that as it may, the auction of the Hendrix Strattofaster takes place at Aberdeen Auction House on East Silver Street on April 1st with all proceeds going directly to the council.

The sales catalogue reads as follows:

LOT 405
FENDER STRATTOFASTER, JIMI HENDRIX SIGNATURE MODEL, 1967
Serial number CZ510969, maple tarnished finish, maple neck with skunk-stripe routing, red paper dot on back of headstock beside “Sandy Klaus Fender Custom Shop” transfer, twenty-two fret fingerboard with dot inlays, three pre-Vintage Noiseless pickups, three rotary controls, selector switch, tremolo/bridge tail block and white pick guard; and a black Harry Fender hard-shell bright-contour case with black plush lining and cream cloth sticker inscribed in hazy purple felt pen “Good luck Jimi from your good old pals Otis, Eric and Shanker” and tie on paper label inscribed on both sides in black felt pen “FENDER STRAT CZ510969 MAPLE  1”, one red and one green paper dot on two case latches.”

A reserve price of £2,500 has been placed on the item and international interest is expected.

Words and images © Duncan Harley
Additional reporting by April McGinty

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 022017
 

David Innes reviews ‘The Wren and The Salt Air’ – a new E.P. release by Jenny Sturgeon on Fit Like Records.

In September 2016, commissioned by The National Trust for Scotland, Donside’s own Jenny Sturgeon visited the abandoned North Atlantic Hebridean archipelago, St Kilda, to derive inspiration for a musical release to commemorate this wilderness’s thirtieth anniversary as a World Heritage site.

The Wren and The Salt Air, a four-track EP, inspired by the island’s bird life and history, is the impressive result.

Maintaining the distinctive writing and performance style of recent release From The Skein, Ms Sturgeon imbues haunting Celtic melodies with her trademark natural imagery and unobtrusive, custom-fitted arrangements.

‘Seabird’ is a word painting describing the majestic movement of the colony’s thousands of birds in flight, and at rest, in almost architectural terms, and the title track takes on the vibe of an ancient folk tale, as the juxtaposition of unforgiving weather and the frailty of a tiny St Kilda Wren paints a vivid picture of the stoicism of living creatures “where salt air pinches skin”.  

The bird life of St Kilda assumes co-billing with Jenny, Jonny Hardie and Pete McCallum, to the extent that on the final segment of ‘St Kilda Set’, after some fine, evocative blue-edged Hardie fiddle-led tunes, the local Kittiwake and Leach’s Petrel are given a featured ninety-second solo spot. The St Kilda Wren’s urgent song too, provides unusual but fitting counterpoint to the melody of ‘The Wren and The Salt Air’

With 10% of the profits of the CD sales going to support conservation work on St Kilda, The Wren and The Salt Air is even more worthy of your small investment.

JENNY STURGEON
The Wren and The Salt Air
Fit Like Records

This review was originally posted on the reviewer’s own website www.bluesandmoreagain.com where the old fool gamely attempts to be some sort of tastemaker.

 Links:

www.jennysturgeonmusic.com
www.fitlikerecords.com
www.nts.org.uk/seabirds

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Oct 312014
 

Ags ConnollyBy David Innes.

With a growing reputation for giving classic country writing and performance a new, contemporary British sheen, Ags Connolly impressed a respectable Blue Lamp crowd keen to see if the favourable reviews could be borne out.

It should never have come down to his competing with the Dons re-arranged Friday evening home game against Motherwell.

This show was trailed months ago, but promoter Martin Raitt is a Dons fan too and has no plans to organise gigs for 3pm on Saturdays, if they are ever played at that time again.

Coincidentally Ags revealed that his favourite player is Dons legendary ‘keeper Jim Leighton and wore red since he was in Aberdeen.

The songs from his debut album How About Now were the core of his interval-scorning 90 minute set, interspersed with classy songs from Connolly’s heroes and influences, including Kris Kristofferson, Shel Silverstein, Robert Earle Keen and Guy Clark.

Responding to audience requests, Ags delivered Johnny Paycheck’s ‘Trusty Companion’ immaculately, and led a Dale Watson singalong of ‘I Lie When I Drink’. The autobiographical ‘I Saw James Hand’, from How About Now paying homage to the ‘hillbilly spirit who appears as a man’ was followed by a Hand song in tribute. His single ‘When Country Was Proud’ was enthusiastically received, ‘my rant’ as he described it.

It is heartening that the original Connolly material, including the road-tests of new songs which he claimed tongue-in-cheek would ‘be on a bootleg within hours since this is no doubt being streamed to a pirate website’ stood up very favourably in the company of those of the giants to whom he paid tribute.

It was a delight to spend a couple of hours in this hard-working and affable man’s company. That second album promises to be a treat too.

Links:

www.agsconnolly.com
www.almostbluepromotions.com
www.youtube.com/watch?v=PPiEWhI_YaM

Oct 282014
 

Mark Ayling 1 Acoustic artist Mark Ayling released his second album, ‘Out Of Step, Out Of Time’ this week, following on from his 2011 album ‘Memories and Ghosts’.

The Turriff-based singer-songwriter played with Justin Sullivan (New Model Army), Robb Johnson and Tracey Curtis at the 2011 ‘Raise Your Banners’ Festival and with many other fine musicians at various gigs throughout the past three years.

A lifelong drummer, with lyrics that range from personal to political, he has branched out to play acoustic guitar, taking the energy of punk and rock music to make his own style.

He will be embarking on a UK tour next month to promote the album.

The CD album will be available from http://www.markayling.net/, Four Dogs Music, Ethical Wares and Amazon. A download will also be available from iTunes and Amazon.