Duncan Harley reviews Tessa Williams’ ‘Hotels of the Stars’.
Months ago, at least it seems like it, I was sent a copy of Tessa Williams’ ‘Hotels of the Stars’. Described in glowing terms as featuring ‘A-list Haunts and Hideaways’ the book, amongst others sat amongst my pile of promised reviews.
Inevitably some never make it to the top of the pile and kindness occasionally precludes that promised review. In the case of Tessa’s tome, a bit of illness got in the way and now that I am much better, I thought it timely to pen a few words.
A journalist by trade she is no stranger to the content having spent a portion of her life penning for the likes of Marie Claire, Elle and Vogue.
There are no Holiday Inn’s or Travelodge’s here and nor should there be.
With an introduction by Albert Roux this book reveals the inner details of that cosseted world of the super-rich and those super-famous-folk who inhabit the likes of London’s Dorchester, Fort William’s Inverlochy Castle and L’Hotel Paris. Raffles, The Chelsea Hotel and the various Ritz’s also feature alongside The Rock at Gibraltar and that iconic Kempinski in Berlin.
Not that I have visited many of the establishments on this list, well maybe – The Balmoral – but, in the big scheme of things, after ruffling amongst these pages, I feel that I have at the very least an understanding of how the other half live.
Replete with quotes such as ‘Venice is like eating an entire box of chocolates in one go’ – Truman Capote and ‘When I was growing up, I had three wishes. I wanted to be a Lindbergh-type hero, learn Chinese and become a member of the Algonquin Round Table’ – John F. Kennedy, this is much more than a coffee table trophy.
In all, there are around 37 featured hotels – each with a historical narrative. And each illustrated with iconic images to salivate over.
For my money, the piece featuring Claridge’s on P48 gives full flavour to the intention of this book. Alongside a descriptor ‘The hotel was also a home for the Hollywood Royalty … including Audrey Hepburn, Katherine Hepburn, Elizabeth Taylor and Cary Grant’, we learn that Spencer Tracy described the place in glowing terms:
“When I die I don’t want to go to heaven, I want to go to Claridge’s.”
You really couldn’t make it up!
Hotels of the Stars by Tessa Williams is available from Amazon @ £35 in hardback. ISBN-13: 978-1909399983
The last Scottish witch met a fiery end at Dornoch in 1727 ending what some saw as the domination of the devil in local affairs.
Smeared with tar following a short trial, Janet Horne was burned alive in a barrel following an accusation of consorting with the forces of darkness.
In 1950’s America however, the devil-incarnate took the form of McCarthyism – perhaps best defined as the practice of making accusations of subversion or treason without proper regard for evidence.
Many intellectuals, artistic folk and politicians fell afoul of the new inquisition. And Arthur Miller’s play The Crucible took an allegorical stab at that modern-day witch hunt against those accused of the crime ‘Un-American activities’ using the medium of the Salem Witch Trials of the 17th century.
And now, this no-holds barred portrayal of the overly-righteous paranoia that was McCarthyism is subject to fresh interpretation by Scottish Ballet.
Shocking in its intensity, this exquisite take on the witch-trial agenda dwells on the currency of falsely framed accusations, fearsome events and the power of inquisitors over life and death and morality.
Penned in the 1950’s and set in 1692, the familiar story is set among the Puritan colonists of Massachusetts. A backdrop of infidelity, a declaration that god is dead and a smidgeon of pagan ritual leads to accusations of witchcraft. And within a short timeframe events have spiralled terrifyingly out of control.
Alongside Peter Salem’s hauntingly edgy new score, American Helen Picket’s choreography shatters the myth of Puritanical purity.
Adolescents dance naked in the moonlight, farmer Proctor – Nicholas Shoesmith and servant Abigail – Constance Devernay frolic in the farmyard and voodoo makes an unwelcome appearance.
Nothing is as it seems and the fault lines of a wildly dysfunctional community are soon tested to destruction.
Simple staging accents the rawness of this tale of persecution and David Finn’s choice of gloomy lighting adds poignance throughout. This is no over-bearing stage-set.
Stark and poignant, this adaption of Miller’s play for dance sets a high bar indeed.
Choreographed by Helen Pickett and based on the play by Arthur Miller, The Crucible plays at His Majesty’s Theatre Aberdeen until Saturday 5 October.
Old Susannah rides back into Aberdeen, well, back onto Aberdeen Voice’s pages anyway, picking up where she left off, defining the terms that define the indescribable goings-on in the Deen and Shire. By Suzanne Kelly.
It’s been a while, but with all the exciting things going on in the dynamic and vibrant city of Aberdeen, I couldn’t stay away.
This column traditionally opens up with descriptions of what I’d been drinking and doing in BrewDog bars, so why not now? I’ve visited BrewDog Brighton (Drank my first Dog F – a rich, heady dark offering) and BrewDog Clerkenwell to enjoy Obzest – very citrusy and refreshing.
I never hid the fact I’m a shareholder. I’m glad I’m a shareholder. So are at least 100k other people.
I bring BrewDog up not just because I wish I were at the Flagship this minute, but because from the first time I owned shares and wrote about BrewDog, I told Aberdeen Voice’s readership.
To do otherwise would have been dishonest. And still we had complaints: I was writing about the biggest new thing in town, the UK’s fastest-growing drinks company started by two young men paying a living wage, making phenomenal brews, being politically active and irreverent.
No one ever has to pay to read Aberdeen Voice; and if you were a donor who didn’t like my offerings, then you could either stop donating or simply not read the bits you didn’t like.
If, however you were an Aberdeen Journals Ltd subscriber (there are still some apparently), you paid for years while being played – and not for small beer.
Damian Bates never told those buying the local rags he had a financial interest in Trump doing well in Scotland.
He kept quiet about his wife’s working for the toupèed toddler.
I sometimes wonder whether those who insisted I shouldn’t write about BrewDog ever insisted Damian shouldn’t be allowed to print dozens of pro-Trump advertorials and stories, while directly helping his family’s wallet?
Aberdeen Voice allowed my morally-indignant critics to have their say. Have you ever yet read a word in the P&J admitting this ethically challenged editor used the papers to firm up the Mrs.’s position under Trump? No, you never did.
Trump is a regular guy, as you’d find out if you buy a table
Tally ho! Northsound Radio is holding a business dinner – only £1250 per table at the 5 star Marcliffe Hotel and Spa (homophobic ‘jokes’ from the owner included at no extra charge).
Who got the huge honour of speaking? Why, Master Bates, who’ll tell the guests about his book and what Trump is really like (he hates fancy food).
It must be interesting to be a reporter who’s pals with a man whose hate speech has got reporters beaten and even killed. But Trump is a regular guy, as you’d find out if you buy a table.
This is nothing to do with Brexit, food shortages, rioting or the yellowhammer documents. I recommend a first aid kit, some BrewDog, and old unsold copies of the Evening Express for insulation and starting campfires.
Alas though! I’m upset for poor Prime Minister Johnson, who was slammed by the courts, ruling his closing Parliament was illegal. I’m so upset I can barely see through my tears. Now there’s a man who’d better get his emergency survival bag ready.
PS. I recommend Steve Coogan’s latest offering, Hot Air. One reason I wanted to see it was to see Declan Michael Laird. I’ve written about this young Scots actor in the past and things are starting to go, deservedly, extremely well for him.
The highlight as expected is Coogan’s soliloquy: he plays a cynical, manipulative right-wing DJ. In his speech he describes virtually all our current societal, governmental, media failings.
I didn’t have any preconception of what Declan would be doing in this – but he’s wonderfully hilarious as a wealthy young Russian trustafarian living in Coogan’s uber-rich building. Hot Air is well worth your time.
Herewith some definitions
Exploitation: (Noun) Taking something of value from a source and profiting considerably more than the source does.
Friday was some kind of climate protest day, and I’m sick of the exploitation of children by adults who have selfish motives.
It’s awful to see young people who don’t understand the real world being manipulated to the point they care more about species extinctions, plastic entering the food chain, unprecedented climactic events -when they should care about clothes and getting rich.
How would you feel if your child went on some rally when they should be safe at school?
Or unless they were in a school where politicians entered at will without any permission or vetting, like when Alex Salmond descended on Bramble Brae Primary with his team.
Since that happened, Mr Salmond had sex abuse charges leveled at him. Just like his friend Donald Trump. No, no reason to get clearance people who want to wander into schools to take pictures.
Or there was the time a bunch of suits and Sarah Malone took photos of young people in their new Trump International football strips.
The shire told The Ferret’s Rob Edwards years ago the shirts were in line with policy (even though it really wasn’t true).
You might think that’s old news. However, the shire told me a different story recently: they now say the shirts were nothing to do with them after all, but a private group of parents organised it. Parents who were allowed to go into what certainly looks like school property and photograph students – with a couple of besuited men with them.
For marketing and promoting a private business. Owned by a man with US mob and Russian ties, accused of sexual crimes. That seems to be OK too.
In the same way the police release photos when trying to solve a crime, I want to know: who are these people? Does everyone in this photo have DBS clearance to be hanging around young people? Did they get permission to use this gym in their wonderful photos?
Aberdeenshire doesn’t care but I do.
Yes, keep the students in school; a day away to exchange ideas and support each other over their future is far less important than whether Sarah Malone wants a photoshoot or Salmond wants to boost a candidate.
Maybe Aberdeen Voice should just print up some t-shirts for the frisbee team, head to a school, and take photos of kids holding up AV shirts? I’m sure the shire would have no problem with that.
he does know his Nazi regalia, I’ll give him that
If young people have to be out of school for some ‘environmental’ reason, then it should be for something practical. Like planting marram grass to stabilizes Menie’s moving sand dune system.
The shire insisted the planting was approved by educational environmental bods. I found out that was not remotely true. But at least the photos of the kids planting the grass that ruined the dunes were lovely; I’d not be surprised to find the EE was selling prints for a tenner, as they do.
All this climate change talk is obscuring what’s really important in this life: how you look.
Sexy Dinesh Dsouza reckons Greta Thunberg’s braids mean she’s emulating an old Nazi poster of a child in braids (he does know his Nazi regalia, I’ll give him that). Somehow he objects to Danish student Greta looking Nordic – she should do something about that.
And those braids – so very traditional and childish; almost like she was a young person or something.
The teen certainly needs fashion advice too: there are so many exciting styles coming out of third world sweatshops (Ivanka can give some pointers here as she owns so many – speaking of pointers did you see her tasteful blue shirt worn t the UN?).
Perhaps anti-bullying champion Melania can serve as a role model too. I wonder where that jacket she wore on her way to visit caged refugee children got to, you know that one that said ‘I really don’t care do you?’ That would look so cool on Greta.
Finally, a bit more orange make up would put some colour in Greta’s cheeks too don’t you think – get rid of that ‘Nordic’ look? Trump could make a recommendation or two here I think. Kids today, eh?
Rent: (Noun or verb) A fee paid by a tenant to occupy real estate. Unless you’re the P&J renting from ACC.
It’s only taken about four months for ACC to partially answer my freedom of information request on what Aberdeen Journals Ltd is paying to be in Marischal Square. You know, I think they’re getting faster.
Why would anyone think that ACC was giving AJL a free ride or sweet deal on rent? Maybe it was the talk at the time, the odd article or two, or the fact Bates put out an email denying it was remotely possible.
Here’s two findings from my FOI: I’m sure this all sound as legit and believable to you as it does to me:
“Aberdeen City Council personnel, Chief Executive, Elected Officials and staff have NOT accepted any discounts, hospitality, gifts, favours from Aberdeen Journals Ltd and its companies for the period 1 January 2017 through the present day (Sept 19).”
So for nearly two years, not a soul at ACC took so much as a free lunch, newspaper, paperweight, pen, calendar, theatre tickets, dinner for three years and nine months. Wonder at the fact-checking here.
The Council wrote:
“The headline rent paid per square metre paid by AJL at Marischal Square is £322.92.”
And just exactly what is headline rent?
Headline Rent: (Compound noun) Rent paid under a lease after the end of any rent free or reduced rent periods. It is an artificially inflated rent which ignores the rent-free period or any other concessions given by the landlord to the tenant in return for a higher headline rate.
So.. from the definition, we can conclude AJL got some kind of a sweet deal for at least a while.
Who would have guessed – and what was it exactly? (I’m on it).
By the way, looking at city centre commercial rents on large properties the £332.92 per square metre per annum hardly looks like an inflated rate at all – it looks average.
If the city says this figures is a headline rent it means AJL was definitely paying less than the average going rate for a brand new building. And of course, there is nothing unethical about a newspaper cozying up to government, just because the press is supposed to serve as a check on government.
Someone needs to tell Damian Bates.
When the move was still being discussed, he sent an email:
“.. it is not correct to suggest there is any ‘state aid’ around any potential deal…” (But there was – otherwise no headline rent).
He continued in this July 2016 email:
“… we have not sought nor will we be seeking anything with the council subsidizing our lease…”
Whether they asked for it or not – looks like they got it. Here’s to Aberdeen: home of the world’s most generous taxpayers.
But why be upset? It’s not as if your tax money has been used to support Scotland’s most pro-Trump mainstream news vehicle. It’s not as if that newspaper took money off you every time you wanted a P&J or EE to line the canary’s cage, while hiding Bates’ personal financial link to Trump?
If you ever have awkward questions about the city’s dealings (maybe while you’re wondering why they’re charging you £30 a year now for green waste), you can just call the local press with your scoop. They’ll be right on it I’m sure.
PS. the City has recently taken out a few more million plus pound loans. Result!
Math quiz: Select an answer from (A) through (D):
If AJL has 19,000 square feet (which is 1765.15 square metres) and is now paying £322.92 per square metre (presumably per annum) and paid a lower figure previously, then:
(A) the cost is £570,000 per year; (B) aren’t we taxpayers generous; (C) they got a very good deal initially to be paying headline rent that is around the city average – did the taxpayer get left holding the bag again; or (D) all of the above.
The bottom line? We can rely on the City to get best value for taxpayer money and to be transparent with its taxpayers, and on AJL papers for unbiased, investigative reporting. Well at least to the same standards we’ve become accustomed to.
I have much more to say, so there’ll be a further column or ten – that’s either good or bad news depending on your perspective. But I see the word count increasing, and with it the editor’s patience decreasing. More soon.
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Aberdonians have an unfair reputation for being cold and tight-fisted.
Those of us who live here know that is a false stereotype. We are kind and quietly confident. We don’t need to brag and show off. We already know what’s what.
The bonds of friendship between Aberdeen and Japan have long been in the making.
However, shared connections like Thomas Blake Glover ( the Scottish Samurai), long celebrated in Japan, are only now being recognised in Scotland after a century of history has passed.
Ronnie Watt OBE, ORS has been one of the most robust links with our city and Japan since the days of Glover. A link verified by the Japanese when they awarded him the Order of the Rising Sun, an award previously bestowed on Glover, making Ronnie the 2nd Scottish Samurai.
Ronnie is a 9th Dan Karate master who has taught Karate in Aberdeen and around Scotland and abroad for over 50 years. 25 years ago, Ronnie also founded and organised the prestigious Scottish Samurai Awards to recognise the often unnoticed efforts and achievements of people from all walks of life.
The self-funding awards are supported by his Karate, donations and the hard work of the awards committee.
Last weekend, 15 school-children from Nagasaki, Japan. visited Aberdeen
Ronnie organised home-stays for them in Aberdeen with many of his friends and karate-ka. These children experienced a fantastic jam-packed weekend of Scottish culture and history.
The weekend began with the Lord Provost welcoming the children and their host families with a Civic Reception in the Aberdeen Town House.
They then visited the town centre, Dunnottar Castle, Stonehaven, Drum Castle and Crathes. On Saturday they spent the day at the Lonach Gathering – an extraordinary experience, especially if you are from Japan.
The children and families were accompanied by Ronnie and the Consul General of Japan and Lord Charles Bruce. They were welcomed into the arena by the master of ceremonies Robert Lovie and introduced to the Lonach audience with the pipes resounding in the background.
On Sunday night the tour ended with a private party hosted by Pauline Dreelan.
The party began with Ronnie’s Aberdeen children giving a demonstration of Karate. The Japanese then joined in a bit of ceilidh dancing with Charlie Abel from Iron Broo Ceilidh Band providing the music on his accordion. The children loved the Scottish music and dancing and took to it like a duck to water.
One parent of the families commented on how much she enjoyed the company of the Japanese children during the stay.
“They were so polite, and I will miss them. I was in tears when they left. It was very emotional. One of them was so fascinated by everything here, and they even took photos of what was in my fridge!”
It is not our differences that define us. It’s our humanity that unites us.
On Monday morning the groups met up for a tearful goodbye at Aberdeen Airport.
This is the second such visit that Ronnie has organised for the Japanese in Aberdeen. The visits have become a pilgrimage recreating the historic trips of the Japanese students organised by Glover.
The students who visited Scotland over a century ago on Glover’s behalf, went on to modernise Japan and transformed it into one of the worlds most important economies. Glover and his students are celebrated and credited in Japan as the fathers of the new age of industry.
Who knows what might come of these modern-day trips, a century later?
A bit of the Deep South came to the Far North as Kentucky rockers, Black Stone Cherry took their Family Tree tour to the Music Hall in Aberdeen. The sold out date could almost be described as an intimate show as the band are more likely to be seen in much larger venues nowadays.
Dates last year included a headline slot at the cavernous Hydro in Glasgow and as main support to the mighty Guns n’ Roses at the 80,000 capacity Download festival.
Just days after their trip to the Granite City and they are, in fact, headlining another festival, the Ramblin’ Man Fair, in front of 15,000 adoring fans – 10 times the number that are packed liked sardines into tonight’s sold out show. But before the band take to the stage there’s the matter of a couple of up and coming support acts for the crowd to digest.
Coming on stage as the stragglers are still filtering through the main doors of the venue were another set of Kentucky rockers – the hirsute, rootsy rockers, Otis. Their short 30 minute set was a mix of blues and classic rock heavily sprinkled with lots of Southern fried boogie.
In front of a surprisingly busy Music Hall – considering the early stage time – they won over the crowd quite easily with their infectious rock n’ roll. Definitely a band to watch out for in the future.
Next up, The Kris Barras Band are a heavier proposition. The Devon born guitarist plays stripped back, no nonsense rock n’ roll. Searing bluesy guitar solos and raucous, soaring tracks showcase his talents and undeniable skills.
Judging by the amount of t-shirts bearing his name in the audience then the time to watch him is now, with no waiting around for the future. With a new album out in September expect to see more coverage of him and his band in the press and airwaves and, crucially, in the live environment where he belongs.
Black Stone Cherry come onstage to a rapturous reception by the devoted audience.
Opening with the thunderous ‘Me and Mary Jane’ the band plough through a 16 song set that lasts an hour and a half and doesn’t let up at any point. The energetic first few songs see guitarist Ben Wells and bassist Jon Lawhon run around the stage hyperactively, swapping sides and hanging over the crowd, working them into a mad frenzy.
Lead vocalist and guitarist Chris Robinson has to raise his voice to be heard over the adoring crowd who sing the songs word for word. And, stage rear, drummer John Fred Young tosses and catches his drumsticks in the air but anchors the maelstrom with his thunderous rhythms and pin point accurate beats.
After a few songs the band have to catch a breath, lest they collapse with exhaustion. He tells the crowd that they headlined a show at a castle in Wales last night and they wondered how they could top that tonight but, as he says:
“We remembered we were coming to Scotland.”
This wins over the crowd even further – not that they needed to by this point – and sets the tone for the rest of the show.
They’re a band that care about their fans and engage with the crowd.
There’s plenty of clap-a-longs and call and response interaction. They even call out, by name, a fan in the front row that had been petitioning online for them to start playing a deep cut from an old album – and, of course, they play it live tonight for him.
Songs from all eras of the band’s history are played – from 2006’s eponymous debut right up to the latest album ‘Family Tree’.
A rollicking cover version of Johnny Cash’s ‘Folsom Prison Blues’ is segued seamlessly into from their own track ‘Hollywood in Kentucky’ and massive singalongs such as ‘Blame it on the Boom Boom’ are dispatched flawlessly and confidently in front of the awe struck crowd.
It’s a triumphant performance by a band at the peak of their powers –and the there’s no doubt the adoring crowd realised this and appreciated it accordingly.
Black Stone Cherry set list:
Me and Mary Jane Burnin’ Blind Man In My Blood Bulldozer Soulcreek Bad Habit Hollywood in Kentucky / Folsom Prison Blues My Last Breath Cheaper to Drink Alone Ain’t Nobody Blame It On The Boom Boom White Trash Millionaire Lonely Train Family Tree
It’s the end of an era at the AECC as tonight’s gig marks the conclusion of the venue’s live music history before attention turns to the new P&J Live as the new home of large scale arena rock in Aberdeen. Throughout the venue’s history, it has seen some genuine rock and pop legends tread the boards in the main arena.
From its debut as a live venue in 1990 – when Scottish pop stars Wet Wet Wet provided the first live entertainment – household names, legends of rock, country stars, hip hop titans, heavy metal heroes and genuine music royalty have tread the boards.
Acts as diverse and eclectic as Bob Dylan, Dolly Parton, Iron Maiden, AC/DC, Lady Gaga, Kylie, Rhianna, Kings of Leon, Motorhead, Take That, Oasis, Foo Fighters, David Bowie, Johnny Cash, Radiohead and much, much more have had memorable nights in the Bridge of Don venue.
Were you there? You should have been!
Alas, all good things must come to an end and tonight sees the final party at the venue hosted, as it began, by another Scottish act but this time in the shape of an undoubted legend – the indefatigable and evergreen Rod Stewart.
However, for tonight only, the gig is not inside the venue itself but outdoors in the adjacent car park in order to accommodate a crowd more than twice as large as could be accommodated indoors.
The concert itself has already been postponed due to the vagrancies and unpredictability of the North East weather – Wet Wet Wet would surely have been appropriate band on the original date scheduled for last month – but tonight there are no such issues with the weather remaining relatively dry and pleasant, albeit with the odd shower.
So finally, a few weeks late, the show must go on.
At the age of 74 you’d think Rod would be happy to retire to his country pad and tinkle with his legendary train set, but it seems as those days are still a long way off as he gives a sprightly and energetic performance that would shame performers half his age, if not less.
Running through a back catalogue that stretches back over six decades the sprightly rocker pulled out all the stops as he performed crowd pleaser after crowd pleaser from his formidable and extensive back catalogue and from latest album ‘Blood Red Roses’.
Setting the tone with the opening cover of Sam Cooke’s ‘Having a Party’ and his stage entrance to spectacular pyrotechnics the stage is set for a spirited romp through Rod’s eclectic back catalogue with cover versions, re-interpretations and classics such as ‘Baby Jane’, ‘Maggie May’, ‘Da Ya Think I’m Sexy?’, ‘Some Guys Have All the Luck’ and the Tom Waits penned ‘Downtown Train’.
The party mood is paused on occasion for poignant slow burners and ballads including the melancholic ‘Every Beat of My Heart’ whilst his feted reworking of Crazy Horse’s ‘I Don’t Want to Talk About It’, a song which he has long since made his own, is performed as part of a stripped back section of the show.
Costumes are changed; footballs are booted into the crowd and a good time is had by all before the night is ended with the poignant classic ‘Sailing’ and Rod leaves the ecstatic crowd in raptures with another sterling professional, performance lasting over 2 hours.
So, after nearly 30 years of gigs, the AECC ends it’s tenure as Aberdeen’s biggest music venue on a high – finishing with one of the biggest names in showbiz in front of one of the biggest crowds it has ever had.
Rod, however, will be back – he’s already announced a date at the P&J Live on Saturday December 7th for what is bound to be another sell out performance.
Aberdeen’s award-winning music festival True North returns this September for another star-studded bill.
The main event will surely be `Rip it Up Live – A Celebration of Scottish Pop`, which takes place on Sunday, September 22.
This unique event follows previous years tributes to Kate Bush, Neil Young, David Bowie and Fleetwood Mac and will be curated and hosted by BBC broadcaster Vic Galloway.
Guest singers will include Claire Grogan of Altered Images, King Creosote, Emma Pollock from The Delgados, Richard Jobson of The Skids, Fay Fyfe and Eugene Reynolds of The Rezillos, Aberdeen’s own Kathryn Joseph, Honeyblood’s Stina Tweeddale, C Duncan, and Ross Leighton (Fatherson) performing some of their favourite songs from seven decades of Scottish pop.
Vic Galloway commented:
“Being involved in the ‘Rip It Up – The Story of Scottish Pop’ exhibition, book, TV and Radio Series was such a pleasure and an honour for me in 2018. The reaction at home and abroad was astonishing, and just showed how many talented musicians this country has created over the years.
“Taking the concept onstage as a LIVE concert at ‘True North’ adds a whole new dimension. With names from the past, present and future of Scottish Pop; it’s going to be a unique, one-off event celebrating seven decades of homegrown music at the festival.
“I cannot wait to share it all with festival goers from both near and far!”
The remainder of the weekend will see gigs taking place at the Music Hall, Lemon Tree, and Tivoli, as well as Fringe events in various locations across the city.
Scottish indie rockers The Twilight Sad will be taking to the Music Hall stage as Saturday headliners, fresh from a summer supporting The Cure, and will be joined by special guests Aidan Moffat and RM Hubbert.
True North will open on Thursday, September 19 at the Lemon Tree with critically acclaimed London punk band Shame.
The London five piece have swiftly earned a reputation as one of the most visceral and exhilarating live bands in the UK and are sure to raise the roof at the Lemon Tree, kicking off True North in style.
Support comes in the form of Glasgow 4-piece indie-rock outfit Rascalton, who will be opening the festival, and DJ Retrospectre.
The Tivoli Theatre will again host a festival gig this year. Friday night’s headline event will feature former guitarist and co-founder of The Coral, Bill Ryder-Jones.
Now a singer-songwriter, producer and composer in his own right, he has collaborated with some of the biggest names in UK music including Arctic Monkeys, The Last Shadow Puppets, Blur’s Graham Coxon and Paloma Faith.
Also on the bill at the Tivoli on Friday night are Neon Waltz, who were favourites when they performed at True North in 2017 and return off the back of a huge UK tour in 2018, and supporting Noel Gallagher at an open air gig in Inverness earlier this month.
Glasgow-based singer-songwriter Martha Ffion completes the Friday night Tivoli line-up.
Festival-goers can rock the night away with three late night gigs at the Lemon Tree featuring American singer-songwriter BC Camplight, with special guests The Ninth Wave along with a DJ set from Vic Galloway (Friday, September 20), Self Esteem and Free Love with All Night Passion DJs (Saturday, September 21) before electro afro-funk band Ibibio Sound Machine bring the perfect party atmosphere to close the festival in style on Sunday night.
In addition, there will be three special informal performances in the new Big Sky Studio at the Music Hall.
Starting on Friday with a performance by the very best of emerging local talent from Aberdeen Performing Arts’ Project Band programme, Saturday and Sunday will feature two performances selected by that evening’s main stage artists.
On Saturday, The Twilight Sad has picked Glasgow singer-songwriter Michael Timmons and on Sunday Vic Galloway has chosen indie rock outfit Savage Mansion. The early evening performances are free with the purchase of a ticket for any other True North event.
Further details of the True North Fringe and a special programme of family and children’s events will be announced in the coming weeks, including the hugely popular ‘My First Gig’.
Tickets for all shows on sale now.
Festival passes are also available at a cost of £30 for a day pass (Friday, Saturday, Sunday), or £95 for the whole weekend which includes tickets for all the concerts mentioned above.
For tickets or further information visit www.aberdeenperformingarts.com, phone (01224) 641122 or visit the box office at the Music Hall, His Majesty’s Theatre or the Lemon Tree.
It’s a sad, undeniable fact that if you want to attend certain concerts then a trip to Glasgow is, more often or not, the only option.
This has been especially true the last few years with the Music Hall closed for renovation and the opening of the Hydro in Glasgow which has attracted some of the biggest names to perform there.
Hopefully this situation might be rectified in the future with the newly renovated Music Hall and the soon-to-be opened TECA complex (or is it called the AECC as per the WPR signs? Or the P&J Live as announced last week?) already attracting some big names to the North East.
There is one major glaring gap in the Aberdeen live music scene, however, and that is the staging of outdoor concerts and festivals during the summer months.
Sure, Rod Stewart will be belting his heart – and the odd football – out in the AECC car park this June but, apart from that, and the, albeit excellent, Enjoy festival, what is there in the way of major outdoor music events in Aberdeen?
Glasgow, on the other hand, seems to have an abundance of events – TRNSMT, in the city’s Glasgow Green will host headlining sets by Stormzy, Catfish & the Bottlemen and George Ezra whilst across at Bellahouston Park you can attend sets by The Cure, Foo Fighters and The 1975 as part of the Summer Sessions.
In fact, even more frustratingly, the Summer Sessions are held in two cities just an hour or so away from each other so Glasgow residents could just pop in the car or train to Edinburgh where Florence & the Machine, Primal Scream, CHVRCHES, Lewis Capaldi and James will be performing in Princes Street Gardens.
Weather permitting, which of you wouldn’t rather be lazing in the green grass in a park, on a weekend afternoon rather than a midweek gig in a windswept car park next to the North Sea?
Can you imagine a summer in Aberdeen with acts of that calibre performing in Duthie or Hazlehead Parks?
And it’s not just major festivals that are happening in Glasgow – smaller outdoor events are happening in places such as the SWG3 venue which is hosting outdoor events by bands such as Miles Kane, Foals and the subject of this review, the newly reformed Doves.
SWG3 itself is another revelation and a perfect example what can be achieved with a little creativity and foresight.
Located in the city’s West End, the main space is a repurposed warehouse that can hold up to 1250 people for concerts and will see bands such as Interpol, Ministry, Orbital and Stereolab tread the boards over the summer months. There are also artist studios for hire, design studios to utilise and a smaller warehouse that can hold 450 people for concerts.
Doves, however, are outdoors in the former Galvanizer’s Yard performing their first Scottish gig for nearly a decade as part of reunion tour that has seen them play festivals down south in England and as main support for Noel Gallagher in Heaton Park, Manchester.
Judging by lead singer / bassist Jimi Goodwin’s reaction, however, this night is proving to be the highlight of their comeback as he profusely thanks the crowd from the stage and looks genuinely emotional at the reception they receive.
Well, that’s between the occasions he’s speaking about the seagulls and the passing trains however!
Doves have a back catalogue of four strong albums to fall back on and these contain a fair amount of hits and fan’s favourites.
Top Ten singles such as the anthemic ‘There Goes The Fear’ and the melancholic ‘Black and White Town’ are sang along to word for word by the 5000 strong crowd whilst driving rockers such as ‘Words’ and ‘Pounding’ bring out extra reserves of energy from the fans.
There are also touching moments of real emotion in tracks such as ‘Caught by the River’ and the beautiful ‘The Cedar Room’ that brings a tear to the eye.
Overall, an amazing set and a welcome return to one of the best acts to come out of Manchester on the last couple of decades.
Here’s hoping their reunion is extended longer and they make it up to the North East before long.
Also on the bill are Edinburgh based two-piece Man of Moon.
They’ve been reviewed in the Voice before, when they played at True North last autumn, and the sentiments expressed then are still true – they are magnificent, one of the best young bands to have emerged from Scotland in the last few years.
Their mix of droning, psych, garage and electronica recalls bands such as Suicide, Spacemen 3 and Spiritualized and will appeal to fans of those acts. They’ve played Aberdeen a few times in the last couple of years and if you haven’t made it to any of those gigs then make sure you make it to their next.
So, overall a nice wee trip to Glasgow – the weather held out, the music was outstanding and the venue was fantastic.
But also one tinged with a sense of frustration – OK, we can’t do much about the weather but surely, with a bit of innovation and daring, venues such as SWG3 could come to happen in the Granite City? And maybe we could host summer events that aren’t just hoary old rockers playing to your Granny in a car park?
Doves Set List. Snowden
Black and White Town
Kingdom of Rust
Caught by the River
Scottish indie veterans Idlewild rounded off their UK tour in support of latest album ‘Interview Music’ with a heated and well received performance at the Music Hall on an already scorching May Day weekend.
This was, in fact, their fourth live appearance in town in recent weeks after they headlined two nights at the Brewdog AGM, held at the AECC, and performed a stripped down, intimate – and slightly hungover after a few Brewdog beers – acoustic set at HMV.
Those truncated performances, whilst entertaining, were merely a precursor to the main event of a full set in front of a partisan and adoring crowd.
The set list encompassed a wide range of material stretching back over two decades to their earlier, rawer work to the more refined and mature songs from their latest album.
Five songs off the new album are given an airing tonight – ‘Dream Variations’, ‘I Almost Didn’t Notice’, ‘Same Things Twice’, ‘There’s a Place for Everything’ and the title track itself.
Well known songs and singles are reeled off during the show prompting singalongs – ‘American English’, ‘Little Discourage’, ‘Roseability’ – each one a highlight from the band’s over two-decade career.
On stage, guitarist Rod Jones is the visual focal point – careering and spinning round the stage, guitar swung around with casual abandon. He’s a whirlwind of noise and skill, painting the songs with melody and bite. Singer Roddy Woomble, by contrast, is a more reserved and understated figure. His lyrics and melodies are given his full attention and during the musical interludes is more likely to wander to the side of the stage rather than engage in the drama or histrionics seen in more attention seeking frontmen.
As well as their own songs the band play a poignant and touching tribute to late Frightened Rabbit frontman Scott Hutchison with a touching cover of ‘Heads Roll Off’ that the crowd appreciate and understand.
Opening the nights proceedings are local heroes The Xcerts.
Although born and bred in Aberdeen, the band have been based in Brighton for several years now.
They’ve mellowed their rock sound over the years in favour of their current, polished, arena-rock sound which is more palatable to the ears and would appeal to a wide range of listeners.
Their stage craft is confident and natural, and they look at home on the large stage.
Looking genuinely happy to be performing in front of many of their friends, family and fans – both casual and dedicated – their set is a triumph for them.
The Xcerts will only go from strength to strength and its only a matter of time before we see them headline this historic venue themselves.
Idlewild Set ist.
You Held the World in Your Arms
(I Am) What I Am Not
There’s a Place for Everything
A Ghost in the Arcade
Live in a Hiding Place
Love Steals Us From Loneliness
Same Things Twice
I Almost Didn’t Notice
Make Another World
When I Argue I See Shapes
Head Rolls Off (Frightened Rabbit cover)
Everyone Says You’re So Fragile
A Film for the Future
A Modern Way of Letting Go
In Remote Part / Scottish Fiction
A new book detailing Donald J Trump’s activities in Aberdeenshire launches next week.
Campaigner Suzanne Kelly, contributor of hundreds of articles to Aberdeen Voice over a period of nine years, releases her book ‘Trump in Scotland: The Real Real Deal’ on Monday 3 June.
Her book comes out one week before former Trump compliance attorney George Sorial and former Aberdeen Press & Journal editor Damian Bates release their book, ‘The Real Deal’.
Ms Kelly is known for breaking stories on Trump’s activities at the Menie Estate and for her campaigns against Trump’s honorary degree from Robert Gordon University, an award which was subsequently revoked.
She also launched a petition to block Trump from the UK under its existing hate speech laws. This was signed by 586,000 people – which was at the time the highest number of signatures on a Parliamentary petition.
“I have reported on Trump’s activities in Scotland for many years and have heard first-hand from the residents and film maker Anthony Baxter on a variety of unacceptable events. We’re talking about water lines being cut, security guards overstepping their remit, journalists being arrested, environmental monitoring simply being abandoned.
“I will have one or two revelations that are new, and a lot of the material may not be well known outside of Scotland: but it should be.
“This is a collection – for the first time – of a host of past and ongoing instances of organisations bending over backwards for the Trump brand, despite the promised jobs, tourism and local income never materialising.”
Suzanne Kelly on collapsed Trump course, 2012, photo by Rob Scott.
There are nearly thirty chapters covering different aspects of the Trump development, quoting a wide variety of sources.
“In the past I have invited Sarah Malone Bates, Trump spokeswoman and wife of former Press & Journal editor Damian Bates, to debate the issues with me in public. That offer still stands.”
The book launches with a party at BrewDog Gallowgate from 4pm on Monday 3 June to which the public are more than welcome to attend.
The book is published by Milhouse Publishers, and will be available on Amazon in paperback, e-book and audio book formats.
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