May 242017
 

Review and Photographs by Dod Morrison.

Iron Maiden were formed in 1975 by bassist and songwriter Steve Harris.

They’ve released 38 albums including 16 studio albums, 11 live albums, 4 EPs, and 7 compilations – probably making them the world’s most famous heavy metal band.

The band were returning to Aberdeen after a five year gap as part of their ‘The Book Of Souls’ tour.

Released in 2015, this was the band’s sixteenth studio album as well as their first double studio album and at 92 minutes, their longest to date. It also contained the band’s longest track, ‘Empire of the Clouds’ at a staggering 18 minutes.

The album was actually recorded in 2014 but the launch was delayed to allow Bruce to recover from the removal of a cancerous tumour on his tongue.

The album was a commercial success reaching number 1 in 24 countries. They started the tour in February 2016 and it will go through until July 2017.

When Iron Maiden come to town it’s not just to play a gig, it’s an EVENT!

They are known for  their extravagant stage shows which usually feature a huge Eddie The Head (the band mascot). Eddie is a perennial part of Maiden, appearing on all the covers of their albums, and he appears in the live shows in various guises.

Unfortunately, a pending dispute about ‘Hallowed Be Thy Name’ song credits means that the fan’s favourite song (and my own favourite) had been removed from the current The Book Of Souls tour set list.

The Book Of Souls tour came to Aberdeen where the faithful filled the AECC and prepared to worship. The stage was made to look like an Inca style lost city. A half rectangle shaped wall surrounded and contained the stage with several braziers along its length and moving backdrops, flanked by pyramids on either side.

After a rousing version of ‘Doctor, Doctor’ by UFO was played to get the crowd going, the set commenced with Bruce Dickinson standing on the wall above and behind the drum kit.

Bruce inhaled the vapours from a cauldron on a pedestal as the first chapter of Book of Souls plays.

He then launched into a magnificent, energetic rendition of ‘If Eternity Should Fail’.

Flames erupted from the braziers along the city walls as Bruce dashed across them from side to side. Beneath him Nicko McBrain was drumming up a storm on his impressive and very shiny drum kit.

In front of him guitarists Janick Gers, Dave Murray and Adrian Smith covered the stage, adopting the usual foot on monitor poses.

Janick used the furthest forward set of speakers as a seat, and also enjoyed giving it the odd kick just to show it who’s boss.

Of course, amid all of this, the iconic figure of Steve Harris strode across the stage brandishing his bass.

As the set progressed the huge backdrops behind the band changed to reflect each new song.

Bruce also changed costumes to suit the songs.

At one point he sported a gorilla mask and brandished bananas at the other band members! For ‘Power Slave’ he wore a leather mask, which must have been incredibly sweaty on the warm May night, but it didn’t slow him down at all.

He charged across the city walls above and behind the rest of the band.

As all of this unfolded before our eyes, our ears were treated to a very well chosen set list which covered the entire career of this magnificent band. They played oldies such as ‘Wrathchild’ and ‘Iron Maiden’.

During a magnificent version of ‘The Trooper’ Dickinson was clad in a red ‘Trooper’ jacket and he charged along the walls brandishing a huge Union flag.

At one point he amusingly draped it over Janick Gers as he played his guitar below. It was hard to discern how much ‘playing’ Janick actually did as he spent a lot of time throwing his guitar around on its strap, dancing with it.

We were treated to ‘Fear Of The Dark’ and then on to current masterpieces from the ‘Book of Souls’ album, including a blistering rendition of ‘Speed Of Light’ during which the crowd sang impressively along with the chorus.

It was a well chosen, well thought out set list.

You didn’t want to look away even for a second in case you missed something spectacular, such as the huge sporadic flames that erupted from the braziers along the city walls, or the massive inflatable Eddie figure that floated up from behind the set.

During ‘Book Of Souls’  a giant Eddie figure appeared on stage and ‘attacked’ the band.

Janick ran through its legs, then when Eddie tried to chop him with his axe he responded by hitting Eddie between the legs with his guitar.

Eddie then moved on to attack Dickinson who fought back and pulled out Eddie’s heart. Bruce squeezed the blood from it before throwing it into the crowd – most entertaining!!

At the end of the song Bruce said “this isn’t something you see every night, the stage on fire” – and it was! There was a flame about 2 feet high burning up on the top of the set! The band carried on regardless whilst the fire was put out.

The main set finished with ‘Iron Maiden’ before an encore of ‘Number Of The Beast’ (which involved the appearance of a huge inflatable Satan figure), ‘Wasted Years’ and ‘Blood Brothers’.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 182017
 

By Craig Chisholm.

Inverness based promoter Stephen Robertson is slowly but surely making a name for himself in the world of music promotion.

Over the past year he has put on big names such as Motown star Martha Reeves, The Bad Shepherds, who feature comedian Adrian Edmonston, dub and reggae legend Lee ‘Scratch’ Perry, Manchester indie stalwarts The Fall, Radio 6 DJ Craig Charles with his popular Funk and Soul Club and former PIL bassist Jah Wobble, with his band Invaders of The Heart, among others.

Though based up North he has put a formidable line up of talented acts on in Aberdeen venues such as Café Drummond, The Tunnels and The Lemon Tree.

He’s also been racking up the miles to promote gigs in Dundee, Edinburgh and Glasgow.

Stephen started back in the promotion business back 2006 when he started booking acts for several venues in Inverness. In 2014 he started TwentyTen and took things a step further, booking bands in Aberdeen and not just in the Highlands.

As well as established names he has also put on shows by up and coming bands such as Teleman, Fatherson, Bloodlines and Vokovi – all of whom are destined for bigger things.

Upcoming TwentyTen gigs in Aberdeen include an appearance by critically acclaimed influential New York band Swans and a rare intimate acoustic gig by The Rifles.

Coming up in Aberdeen –

  • May 18th – The Rifles (Unplugged) – The Tunnels
  • May 19th – Swans – The Lemon Tree
  • May 21st – Matt Anderson – The Tunnels
  • May 22nd – Natives – The Tunnels
  • June 3rd – Popes of Chillitown – Café Drummond

Tickets are available to these gigs – as well as others in Inverness, Glasgow Dundee and Edinburgh from – https://www.fatsoma.com/twentyten

Facebook –  https://www.facebook.com/TwentyTenEvents/
Twitter – https://twitter.com/2010Management?lang=en

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 182017
 

Craig Chisholm reviews Maximo Park and Pins at The Lemon Tree. Photos by Craig Chisholm.

Maximo Park’s new songs go down well with the crowd, despite only having a week or so to familiarise themselves with the material

It takes Maximo Park singer Paul Smith precisely one song before he needs to remove his jacket due to the heat inside the Lemon Tree as his band perform in front of another sold out crowd.

The amiable front man still cuts a dapper swagger even in his less formal shirt and is in talkative mood as he commands the crowd and engages them with his warm banter and boundless energy.

The Geordie band may not be at their commercial peak anymore but latest album ‘Risk to Exist’ still managed to crack the album charts at a very respectable position of 11 and it’s obvious that they still have a devoted and loyal fan base – Smith even noting that Aberdeen is “as far north as we can come before people stop coming to see us”

The set is, understandably, weighted heavily in favour of their latest opus with a good third of the set list plucked from it. The big hits are all there though – ‘Apply Some Pressure’, ‘Books Over Boxes’, ‘Going Missing’ and their biggest UK hit ‘Our Velocity’, which made the Top 10 a decade ago.

Before ‘Questing, not Coasting’ Smith self depreciatingly introduces it as coming from their “Dead and buried third album [Quicken the Heart]”.

And it’s that sort of modest humour that makes him such an engaging and likeable frontman.

Before ‘Going Missing’, he speaks about the time the band first played The Lemon Tree, supporting Bloc Party, and how they were given a pre-gig meal of chili from the venue –  before joking that they never got any this time.

He also displays a bit of affection to the city itself – asking if the locals call it “The ‘Deen”, speaking of his trip to the Belmont Cinema the previous night. He comments on the architecture and the granite structures in the city centre – “So much Granite….. you should think of a nickname to do with that” he quips.

New songs go down well with the crowd, despite only having a week or so to familiarise themselves with the material.

What Equals Love?’ is arguably the poppiest song they’ve ever done, opening number, ‘Risk to Exist’ grooves along whilst putting across a political message and ‘What Did We Do to You to Deserve This?’ has late a 70s Nile Rogers guitar funk to it.

Opening the night are Manchester five piece Pins.

It’s a lazy comparison but, being all female, it’s hard not to compare them to other all female bands such as Warpaint, Babes in Toyland and, especially, Sleater-Kinney in both sound and looks.
But once that lazy comparison is out of the way there’s a lot more to see and hear in the band.

Their look and sound is the sound of punk and post-punk Manchester – The Buzzcocks, Joy Division – before it funked up and spaced out with Baggy in the late 80s.

It’s the look and sound of shade wearing Brooklyn indie bands, influenced by CBGBs and Bowery punk of the mid-70s.

And it works – it sounds, and they look, amazing.

Frontwoman Faith Holgate is confident and driven and especially bonds on-stage with the frantic energy of guitarist Lois MacDonald whilst the rest of the band provide a solid and dependable groove for them to paint their sounds over.
From the moment that Pins hit the stage till the moment that Maximo Park depart it nearly two and a half hours later to be a good night for the paying punters and should either band return they will no doubt be received with the same aplomb as they were tonight.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 052017
 

Alabama 3 perform another sell out gig at The Lemon Tree. Craig Chisholm reviews.

Many casual music fans may not know much about Alabama 3 apart from ‘Woke Up This Morning’, their theme tune to iconic TV series The Sopranos or from seeing their name on numerous festivals bills, from Rockness to Wizard and Belladrum to T in The Park, but for their die-hard fanbase they provide a near religious fervour which was evident in their performance at The Lemon Tree.

The band provided the sell-out crowd an entertaining 17 song set in support of their latest album, the minimalistically titled ‘Blues’.

But blues doesn’t even scratch the surface of the bands musical style – gospel, country, acid house, spoken word, rock and electronica are some of the genres that they touch upon over their 21 year, 12 album career.

The 9 piece band are a joy to watch in full flow. At the back of the stage, drums are handled by LB Dope, sequencing and effects by Wizard, bass and guitar by Rock Freebase, harmonica by Harpo Strangelove, and keyboards by The Spirit. It wouldn’t be a stretch to guess these are not their real names.

Stage front, vocals are handled by Larry Love, The Reverend Be Atwell and The Very Reverand Dr D Wayne Love.

The Reverand D Wayne – know to family and friends as Glaswegian Jake Burns – is less the shamanic, messianic figure of yore but more of a dapper East End villain in his look.

The long hair has gone, as have the sunglasses – replaced by a haircut more becoming to a man of his advanced years and a pair of spectacles. But he, along with lead vocalist Larry Love, still proves to be the driving force of the band, working a crowd into a euphoric frenzy with each song whilst co-vocalist Reverend Be Atwell cuts a dapper, but imposing, presence alongside them.

The set spans the bands entire career from old favourites to new tracks.

‘Hypo Full of Love’ from 1996s ‘Exile on Coldharbour Lane’ goes down a storm as the band members engage in a bit of synchronised swaying whilst newer cuts from their latest album. 

‘(I’ll Never) Be Satisfied’, ‘Rattlesnake Woman’ and ‘Nothing to Lose But Your Chains’, prove infectious enough to have a sizeable proportion of the crowd lining up at the merchandise stall to purchase it and have it signed by the band.

Their most famous song, the aforementioned ‘Woke Up This Morning’ is played of course – but such is the bands confidence and faith in their material that it’s played mid-set rather than as an encore.

After over an hour and a half on-stage the band finish up with ‘Hello…. I’m Johnny Cash’ from 2005s ‘Outlaw’ album, leaving the crowd ecstatic and happy.

If you’ve not seen – or heard – Alabama 3 before then it’s recommend you check them out the next time they are in town.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 022017
 

Local Music Festival Returns – Promising to be Even Bigger and Better than Last Year! By Craig Chisholm.

“When it comes to Scotland’s greatest bands, Primal Scream are right up there.”

Last year’s Enjoy Music Festival had it all – a great line up, a sunny day and a crowd that loved every second of the day. With top acts such as Example & DJ Wire, Green Velvet, Former Seahorses singer Chris Helme and Dusky joining up and coming local acts such as Emerald Sunday, Ransom FA, Colin Clyne and even an appearance from the Portlethen Pipe Band it proved to be a roaring success with everyone that attended.

This year’s line is even better with headline performances from Scottish indie legends Primal Scream, a DJ set from Chase & Status, the iconic DJ John Digweed, local stars The Little Kicks, rappers Shy and DRS and premier Stone Roses tribute band The Complete Stone Roses.

A full supporting bill across 5 stages will see a mix of bands and DJs entertain patrons whilst a fun fair, family entertainment area, a Market Place and an exclusive VIP area will give people places to hang out and have fun throughout the day.

And all your food and drinks needs will be catered for in the numerous bars and the food village on site.

Speaking about headliners Primal Scream, who return to Aberdeen after a sold-out gig at the cities’ Beach Ballroom last year, the festival’s marketing director, Mark Lenthall said

“When it comes to Scotland’s greatest bands, Primal Scream are right up there. From the Pyramid stage at Glastonbury, to T In The Park and Reading, they have played them all, so we’re thrilled to be bringing the band to Aberdeen this summer. With T2 Trainspotting hitting cinemas now, what better festival act could we have!”

So, with no T in The Park this year why not make it along to Hazlehead Park on Saturday 3rd June to kick off the summer in style and make this the biggest and best Enjoy Music Festival to date?

Photographs from last years event  – goo.gl/2ZoHXs 

Tickets are on sale at www.skiddle.com/festivals/enjoy-music
Website www.digitalloveaberdeen.co.uk/enjoymusic
Facebook www.facebook.com/enjoymusicaberdeen
Twitter @EnjoyMusicAbdn

Apr 282017
 

With thanks to G Promo PR.

For those who don’t know Madison Violet, it all began in 1999 when Brenley MacEachern and Lisa MacIsaac met over coffee and omelettes, in a Toronto restaurant called The Green Room.

It was a chance meeting, 1900 km away from the small town where both Lisa and Brenley’s fathers were born. 

That was nearly 18 years ago, and the pair have been writing and creating beautiful music together ever since.

When you hear them, the first thing you’ll notice is that their voices blend together, symbiotically, like family: Born to sing the same songs. And over the past decade, the pair have taken to genre-bending, moving effortlessly from folk to pop to electronic to Americana.

In a word, they are musical chameleons.

Over their last two extensive tours of Europe, Madison Violet was overwhelmed by the incredibly warm reception that came from the fans, when they introduced their newer, bolder sound; one that came from their 2014 album Year Of The Horse. But Madison Violet knew that those songs had even more potential. And they felt an even bigger challenge would be to let the songs speak for themselves, recreating them in a more acoustic form. Their purest form.

And with that, came The Knight Sessions, which is both a re-imagining of previously recorded songs and a creation of brand new songs, inspired by their deep-seeded love of the modern acoustic sound and the human experiences shaping their world today.

With that in mind, Brenley and Lisa decided to start their new adventure by visiting several pawn shops in Toronto, in a quest to find discarded items that they could use to make natural sounds in the studio. They sifted through an island of misfit toys and out of date electronics, and eventually found several instruments and percussive toys.

From children’s wooden blocks to ukuleles with missing strings, one by one, Brenley and Lisa gave these gems a home, and started working on their new album. These unique items are what gave The Knight Sessions a more organic feel. The textures of the wood. The plucking of the old strings. The stories that were already in these ‘toys’, came out through the songs.

So, as the tour nears, Brenley and Lisa will be packing their suitcases a little lighter. They will not only be returning to the UK and Europe for dozens of shows, but they will be arriving in their most organic form.

The way most Madison Violet fans discovered them. As a duo. No backing band. No big light show. No rock star after-show dance parties.

This will enable Brenley and Lisa to showcase The Knight Sessions as it was meant to be heard. Raw but refined. Stripped down but still packing a punch. And it will also find them, as they were in 1999, ‘Back To The Roots’.

Madison Violet · ‘Back To The Roots’ Ireland & UK tour · May 2017

Tue 2         Barnoldswick, Lancs.                  Barnoldswick Music & Arts Centre
Thu 4        Omagh, N. Ireland                         Strule Arts Centre
Fri 5          Carrig-on-Bannow, Co. Wexford    Colfers Pub
Sat 6         Rathfriland, N. Ireland                  The Bronte Music Club
Sun 7        Belfast                                      Black Box
Mon 8        Isle of Eigg, Inner Hebrides               Tea Rooms
Tue 9        Arisaig, Scottish Highlands               Astley Hall
Thu 11       Kinross                                     Backstage at the Green Hotel
Fri 12        Glassel, nr. Banchory                     Glassel Village Hall
Sat 13       Glasgow                                    CCA
Tue 16      Sheffield                                   Greystones
Wed 17      Leicester                                  The Musician
Thu 18       Birmingham                              Kitchen Garden Café 
Fri 19        London                                      Stanley Halls, South Norwood

Madison Violet Reviews:

“… swathed in glorious harmonies and delectable melodies.” – Country Music People

“Heartaching harmonies and tunes make Madison Violet a must-see act.” – The Independent

“They hold little back in their singing, as MacEachern’s sultry rasp dovetails with MacIsaac’s sweeter tones to create a kind of bluegrass-old-time sensibility with rock ‘n’ roll attitude that packs power as well as disarming honesty.” – The Herald

“There is something magical about duets, the way the voices interlace to create a sound that is neither one singer nor the other but something else altogether. Canadian duo Madison Violet make it sound the easiest thing in the world” – The Irish Times

“Utterly enchanting from beginning to end; Madison Violet provided an evening of unmissable entertainment, filled with warming anecdotes and beautifully told stories that was worth every minute.” – Maverick

“…beautifully sung…an all-acoustic cry from the heart” – Scotland on Sunday

Madison Violet – The Knight Sessions:

Format            CD & DL
Label                Big Lake Music
Cat. No.          471203-2
Release Date    May 5 2017

Links:

www.madisonviolet.com 
www.facebook.com/madisonviolet 
www.twitter.com/@madisonviolet
Audio: ‘We are Famous’ & ‘Ohio’ (acoustic)
Video: ‘Don’t Let Your Heart Be Troubled

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 202017
 

80s Hollywood hair metal legends reunite for an evening of rock to a small, but appreciative, audience. Craig Chisholm reviews.

Fate can be funny but also cruel at times.
Take the case of a couple of 80s rock bands that have seen members come and go but recently reunited their singers and lead guitarists for the first time in years. One of these bands is called Guns n’ Roses. You’ve probably heard of them and you know their story.

Singer Axl Rose and guitarist Slash are touring together for the first time since the early 90s.

It’s a huge, lucrative, money-spinning event that takes in stadiums all over the globe. If you want to see them then their only British dates are at the London Stadium in June where they’ll play in front of 160,000 fans over two nights.

The other band are their former peers – the similarly titled LA Guns.

Their origins are intertwined – Tracii Guns was the original guitarist for Guns n’ Roses back in 1984 before falling out with Axl Rose and departing the band. He then formed a new band and worked with various singers before teaming up with vocalist Phil Lewis and having some minor commercial success in the late 80s and early 90s.

The commercial peak didn’t last long though, mostly due to the rise of Nirvana and grunge, before Lewis and Tracii Guns finally parted company in the late 90s.
Weirdly, both toured as separate incarnations of LA Guns for most of the early noughties before, like Axl and Slash, reuniting again last year. They too are currently on a UK European tour and if you wanted to see them then you could have wandered down to The Assembly where they played in front of less than 160 people.

Fate can definitely be cruel and you have to wonder if Tracii Guns ever wondered what could have been if he hadn’t fell out with Axl 30 years ago. But, if he does, he doesn’t show it in front of the sparse crowd on this occasion.

In fact, the band put on a solid and professional performance that goes down well by the fans in attendance.

The band, wisely, stick to the early albums for most of the set – their self-titled debut providing almost half of the main set alone – from openers ‘No Mercy’ and ‘Electric Gypsy’ though ‘Sex Action’, ‘Bitch is Back’ and more.

Lewis and Guns look to be enjoying themselves and put on an energetic performance that has sections of the crowd head-banging or singing along all night. Lewis in particular interacts and chats with the fans at the front in a colloquial and friendly manner.

During encore track ‘The Ballad of Jayne’ he even hands the mic to fans in the front row to sing along – kudos to the first two of the singers for pretty good performances that leaves the band impressed. However, the third audience member given the chance to shine probably only deserves praise for his enthusiasm, if not his voice, and his heroic level of drunkenness. 

The band finish their set with a boisterous ‘Rip and Tear’ from their second album ‘Cocked And Loaded’ before leaving the stage and on to the next gig of their reunion.

Whether there are more in attendance than in Aberdeen remains to be seen but those diehard fans who do attend will appreciate what they witnessed on stage.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 202017
 

Young fans pack The Garage out for a triple bill of rock. Review and photos by Craig Chisholm.

The Garage on Windmill Brae was the place to be for rock fans where they were treated to a triple bill of British rock bands as part of their extensive UK tour.

First up, at the very un-rock n’ roll time of 7:15pm are Scottish rockers Fatherson.

The band are no strangers to Aberdeen having played The Lemon Tree, The Garage and, most recently, Café Drummonds at Christmas time.

Their folky rock is similar to fellow Kilmarnock band Biffy Clyro with shades of Frightened Rabbit thrown in for good measure.

Despite the line of people that are still queued up outside the venue there are diehard fans pressed hard against the barrier and already a good crowd have filled the dance floor to see the band.

Their short seven song set is over in a flash and leaves the crowd wanting more. In all honesty, bottom band on the bill does them a disservice – a recent headline performance at Glasgow’s iconic Barrowland’s Ballroom show they are capable of bigger things.

However, there’s no time to mourn Fatherson’s short set time as Cambridge band Lonely The Brave are next up after the briefest of switch overs.

The band are an altogether heavier proposition than the openers whilst still retaining a stadium rock commerciality to it.

The five piece are tight and heavy throughout their set which, again goes down a storm with the packed venue’s crowd.

Vocalist David Jakes is actually the least animated of the band – he stands to the rear clutching his mic stand for dear life whilst spitting the lyrics out to each song.

Between songs, however, the hardcore image is slightly punctured as he fills a mug from a kettle he has sitting in front of the drums. It’s an unusual sight and provides a bit of light relief to the bands otherwise hard sound.

Headliners Mallory Knox take their name from Juliette Lewis’ character in Natural Born Killers – however their sound isn’t as hard, or indeed downright violent, as the character in question. Instead they provide a hook laden, hard rock that appeals to their legions of fans.

By this point, the barrier has a high number of young females pressed against it and they sing along to every word of every song and cling to each bit of between song banter from frontman Mikey Chapman.

Their latest album, ‘Wired’, released only a week or so earlier, provides a fair chunk of the set –  from opener ‘Giving It Up’ to the final encore track ‘Better Off Without You’. Despite the album being out for only being out for 10 days the young crowd are familiar with the tracks and receive each rapturously as if they’d known them their whole lives.

Overall the three bands provide an entertaining, lively and good value for money night that will have left the crowd satisfied on their way home and probably wanting even more.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 112017
 

The Men in Black play a sold-out gig at The Beach Ballroom on their “The Classic Collection” tour. Review and photographs by Craig Chisholm. 

Original member Dave Greenfield is still there as well – hidden somewhere behind a bank of keyboards at the back of the stage

The Stranglers have been recording and touring for about 40 years now but they still provide an enthralling and entertaining show despite the years. The names and faces may change – original drummer Jet Black has stopped touring due to ill health and Baz Warne has only been the lead singer for the last decade – but the songs remain and the performances are still as lively and energetic as they were back in the 70s.

With 17 albums in their back catalogue, the band are not short of a choice of what to perform.

The 22 song set will have left the fans happy though and there can’t have been anyone too upset with what they play on the night.

First up, however, are fellow punk veterans Ruts DC.

Their ten song set includes punk classics ‘Babylon’s Burning’ and ‘Staring at The Rude Boys’ both of which are received ecstatically by the crowd.

Their brand of reggae influenced punk rock proves to be enduring and timeless and still stands up four decades after it was first performed.
Despite the crowd appreciating the special guests there’s no doubt that they’re here to see the main event though.

Hitting the stage at 9pm to the taped intro of ‘Waltzinblack’  The Stranglers blast through a 90 minute set filled with the hits, album tracks and the occasional deep cut.

Vocals are mainly handled by the aforementioned Baz Warne.

The amiable Geordie provides an ample replacement for original vocalist Hugh Cornwell and his subsequent replacement Paul Roberts.

Bassist JJ Burnell must have a Dorian Gray style painting of himself hidden in the attic as he still looks as young and as fit as he did years ago.

The hair may have traces of grey in it but, clad head to toe in black, he still cuts an imposing figure with a bass sound that rattles the pit of your stomach at times.

His rasping vocals on cuts such as ‘(Get a) Grip (On Yourself)’ and opener ‘The Raven’ among other have a rawness and punkiness about them that has the Ballroom’s sprung dancefloor working overtime to accommodate the rowdy crowd.

Original member Dave Greenfield is still there as well – hidden somewhere behind a bank of keyboards at the back of the stage. His organ sound is a big part of The Stranglers sound and provides a pop sheen to the punk chaos.

The set is sprinkled with hits that even a non-fan would know – such as the balladic ‘Always The Sun’, the classic ‘Golden Brown’ and the cheeky, bass heavy romp of ‘Peaches’.

After a blistering 20 song main set, the band return for an encore with ‘Go Buddy Go’ – the b-side of 1977’s ‘Peaches’ single –  before finishing with genuine classic track ‘No More Heroes’.

As the crowd head off out to the blustery North Sea wind, you’re left thinking that The Stranglers are wrong in one respect.

There are still some heroes; not all of them wear capes though – some wear black.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 102017
 

Organisers of Celebrate Aberdeen are aiming to hold their largest ever parade in the city this year and are urging a range of new groups to sign up for the weekend event. With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

As well as local third sector organisations, social enterprises and voluntary groups, musicians and city sports groups have been invited to take part in the event which will be held on Saturday, August 26 and Sunday, August 27, alongside the Great Aberdeen Run.

More than 70 third sector organisations have already ensured their place in the celebratory parade since the date was announced last month, but organisers are urging others to ensure they don’t miss their chance to take part.

The parade was first held in 2011 and has brought together more than 3,500 people from 130 diverse third sector organisations for each event in recent years. The cut off-date for third sector registration is Friday, April 28.

Morven Mackenzie, director of event management company 46 Degrees, and the leading force behind Celebrate Aberdeen, said:

“Preparations are well underway for this year’s event already which we hope will be the biggest and best yet. To ensure that it is, we need as many third sector groups, sports groups and musicians as possible, so I would urge them all to sign up soon.

“The organisations that are on board already are truly remarkable in the work they carry out, and being able to offer them an opportunity to celebrate and gather support is great. We are delighted to have another parade this year as well as a range of activities and performances throughout the weekend, which will be fun for all the family.”

The Lord Provost of Aberdeen, councillor George Adam, said:

“Celebrate Aberdeen is a fantastic event, which provides an excellent platform for local third sector organisations and clubs to be seen and to promote their work in a carnival atmosphere. 

“The city has many third sector organisations, which provide first-rate services because of the dedication of their volunteers. With the event being held alongside the Great Aberdeen Run the whole Celebrate Aberdeen weekend is guaranteed to be entertaining, informative and fun so I would encourage organisations to sign up as soon as possible.”

Third sector organisations wishing to take part in the Celebrate Aberdeen weekend can sign-up at: www.celebrateaberdeen.org

  • Comments enabled – see comments box below. Note, all comments will be moderated.