Apr 132018
 

Review and photos by Craig Chisholm.

Three of the UK’s most highly tipped bands brought their unique talents to the Granite City as Manchester’s Cabbage, She Drew the Gun from Wirral, and Glasgow’s own Rascalton performed rapturous and well received sets to an appreciative crowd at The Tunnels.
Opening tonight’s triple bill were Rascalton.

The young Glaswegian’s performed a short, punky set that drew heavily from classic punk bands such as The Clash or the Sex Pistols but a post-Libertines indie aesthetic also shone through.

The band are no strangers to Aberdeen having played The Tunnels before – previously playing there as support to Baby Strange – as well as playing a headlining set at Café Drummond just before Christmas.

Frontman Jack Wyles is engrossing – his chiselled features hidden behind an unkempt mop of hair, whilst the way he attacks his guitar makes him look not unlike Wilko Johnson in his prime.

He has angelic features but a devil’s stare that makes his barked vocals and the bands shouty choruses compelling to listen to and hard to forget.

The band are back North in June to support Idles at The Tunnels.

It is highly recommended that if you’re going to that then make sure you’re there early to see them.

She Drew the Gun are a different proposition. No less intense, but in a quieter, subtler way.

Singer and guitarist Louis Roach performs a mix of poetry and psych-pop that has brought her and her band Radio airplay – championed by no less than Steve Lamaq on Radio 6 – and accolades such as winner of the Emerging Talent Competition that saw play the John Peel Stage at Glastonbury on 2016.

Roach is front and centre on stage, glad in a blue, sparkly hoodie with the hood drawn up which gives her an aura of mystery that suits the music perfectly.

She is a compelling, virtuoso guitar player – picked solos break through the dreamy, fuzzy riffs that anchor the music whilst she half whispers, half sings the lyrics. The music is dark and swampy reminiscent of classic PJ Harvey.

There’s only one slip in an otherwise flawless set as Roach forgets the lyrics to ‘Poem’ half way through. But she recovers well, acknowledges the mistake and wins the audience on side at that moment.

Headliners Cabbage are on a roll just now.

New album ‘Nihilistic Glamour Shots’ has been released to critical acclaim and has made it to number 21 in the BBC Album Charts as well as no.1 on the Official Cassette Charts.

Live in concert, they are fantastic – energetic and exuberant, never staying still as they blast through their own unique post-punk sound.

Frontmen Joe Martin and Lee Broadbent control proceedings from the front of the stage with different styles – Martin is icily cool and more detached whilst Broadbent is more manic and deranged looking.

Their song titles are compelling and confounding in equal measurers – ‘Arms of Pleonexia’, ‘Molotov Alcopop’, ‘Postmodernist Caligula’ and ‘Uber Capitalist Death Trade’. Those alone will have you reaching for the dictionary.
Beneath the sometimes-perplexing titles, there’s political discourse and juvenile humour in equal measure in their lyrics – ‘Dinner Lady’ might sing about having a ‘w**k in the quiche’ but is also a comment on the class divide, in this case in a private school.

Closer ‘Necroflat In the Palace’ has the chorus that will be ringing in their ears as they head home – ‘I was born in the NHS, I wanna die in the NHS’. There’s no encore as the sweat drenched band collapse off stage after their exhilarating set, a gesture of punk defiance against pop crowd pleasing acts.

Three bands then and all, to quote the title of Cabbage’s collection of EPs, ‘Young, Dumb and Full of…’. Maybe not so dumb though and if they are full of anything it’s life, exuberance and lots of promise.

Apr 052018
 

Craig Chisholm looks ahead to this summer’s ‘Enjoy’ music festival.

After last year’s successful festival that saw storming sets from Primal Scream, Chase & Status, The Little Kicks and many more, Enjoy Music returns to Hazlehead Park in June with a stellar line of dance and rock acts on the bill.

Now expanded to a two day festival, the fourth Enjoy boasts some of the biggest names in music – from Glastonbury headliners to Britpop legends.

Held over the weekend of Friday 1st and Saturday 2nd June, Aberdeen’s biggest outdoor music festival will see bands such as Starsailor, Cast, Colonel Mustard & The Dijon 5 and Welsh rappers Goldie Lookin’ Chain perform alongside DJ set from Faithless, Basement Jaxx, Sigma and James Zebeila.

Bluetones frontman Mark Morris and Dodgy singer Nigel Clark will also be attendance to provide crowd pleasing acoustic sets chock full of their Britpop classics.

Festival boss Russell Aitchison said:

“We’re delighted to have added these amazing acts, to make this our biggest line up ever. There’s a real range of music on offer over the weekend with something to suit all tastes.”

Marketing Director Mark Lenthall added:

“We’re here to give the North East a large-scale music festival we can all be proud of, and 2018 is shaping up to be just that. Tickets are selling fast and I am sure music lovers will want to be part of the Aberdeen’s biggest event this summer” 

But if you’re planning to attend then be quick – 2nd release tickets have already sold out and the third release of tickets in mid-March are already selling fast!

Tickets can be purchased at:

Apr 022018
 

Review and photos by Craig Chisholm.

Stiff Little Fingers yearly St Patricks gigs at The Barrowlands in Glasgow are stuff of legend.

For 27 years they’ve played the iconic venue on the fabled night of Irish celebrations that has become a pilgrimage for their fans.

For fans in the North East, however, the Irish punk legends trip to the Granite City, around the same time of the year, has also become a regular pilgrimage as a sell out crowd tonight can testify.

This might have been the smallest of the three venues the band are playing in Scotland this tour but that didn’t stop them from giving a memorable show that pleased the energetic and loyal crowd.

Before the influential Irish punk legends hit the stage another bunch of influential punks step up to warm the crowd up.

Ruts DC have a long, and sometimes complicated, history that stretches back to the original punk days of 1977. But their music is more varied and eclectic than straight ahead rock with a strong reggae influence shining through in songs such as the mighty ‘Jah War’.

They run though a strong set of a dozen songs with punk classics ‘Babylon’s Burning’, ‘In a Rut’ and ‘Staring at the Rude Boys’ all going down a storm with the attentive crowd.

Headliners Stiff Little Fingers last couple of shows in Aberdeen have been at a different venue – The Garage – but they are no strangers to the Lemon Tree having played here numerous times to sell out crowds.

It’s a partisan audience that greet them as they walk out to the regular intro tape of ‘Go For It’. The crowd are a sea of SLF t-shirts and hoodies – and anyone not wearing one could have bought from the dozen or so on sale at their merchandise stall.

Singer and guitarist Jake Burns tells the crowd that this is going to be a set that explores more of the deep cuts from SLF’s ‘forgotten’ albums but that doesn’t stop them singing and pogoing along to tracks that cover all eras of the bands four decade career.

However, it’s the bands first three albums that made up the bulk of the set – ‘Tin Soldiers’, ‘Nobody’s Hero’, ‘Roots, Radicals, Rockers & Reggae’, ‘Safe as Houses’ and ‘Barbed Wire Love’ from that era are all given a blast.

As with Ruts DC, reggae is also an influence on the band and there’s a nod to that with cover versions of Bob Marley and the Wailer’s ‘Johnny Was’ and ‘Doesn’t Make it Alright’ by The Specials.

Completing the night with a finale of ‘Alternate Ulster’ the band walk off to triumphant applause from an adoring crowd that will already be planning to see them again next year, whatever the venue.

Mar 202018
 

Piratefest 2018 @ The Garage, Aberdeen. Review and photos by Craig Chisholm.

Lead singer Captain Yarrface (possibly not his real name) is front and centre on stage

In the myriad world of Heavy Metal sub-genres it might come as a surprise to learn that not only is Pirate Metal ‘a thing’ but that it can also sell out a venue in Aberdeen on an otherwise normal Tuesday night in February.

The Piratefest 2018 tour didn’t, unfortunately, sail into town on a Spanish galleon but rolled in on tour buses carrying three of the premier bands on the scene.

Scottish band Alestorm arrived in the company of San Diego’s The Dread Crew of Oddwood and, from the fishing village of Ocracoke, North Carolina, Rumahoy.

Rumahoy open Pireatefest with a short, but energetic and thrashy, set that includes songs such as ‘AHOY!’, ‘Hoffman The Pirate King’, and ‘The Triumph of Piracy’.

They’ve taken the theme to its extreme in not only song titles but in their look.

Dressed head to toe in pirate clothes is striking enough but the black masks that cover their faces make them even more scary and intimidating.

Lead singer Captain Yarrface (possibly not his real name) is front and centre on stage – a giant of a man, as tall as he is wide, as much NFL Line-backer as he is Caribbean Pirate or rock singer.

They are by far the heaviest of the three bands with a sound that owes much more to Slayer or Pantera than it does to the more traditional pirate sea shanties.

The next band on stage are a slightly less intimidating but no less intense proposition.

The Dread Crew of Odd Wood play – no surprise here – pirate themed heavy rock but, this time, on acoustic instruments. A style they refer to as ‘mahogany metal’.

Using accordions, stand-up bass, mandolins and bouzouki their music is a combination of folk music, traditional Celtic jigs and, of course, Heavy Metal.

Again, they are dressed for the part – looking like buccaneers that have just raided a port in the West Indies rather than a modern rock band.

Again, the songs are nautically themed with titles such as ‘Dead Man’s Medley’ and ‘When I Sail’d’.

Drinking is also a common lyrical theme through night with the Dread Crew’s contribution called ‘Raise Your Pints’.

And pints are raised for what is, by far, the most popular band of the evening – Perth’s very own Alestorm.

I’m not sure if the River Tay was ever a hotbed of swashbuckling and pillaging but even if not, Alestorm will make you believe it was.

The band romp through a mesmerising 18 song that never lets up in energy and enthusiasm.

The crowd go wild for them – from opener ‘Keelhauld’ to final encore, the dubiously titled ‘Fucked With an Anchor’ there’s a steady stream of crowd surfers being (keel-?) hauled over the barrier.

Many of them have dressed for the occasion too.

Who ever sells pirate clothing and paraphernalia in the Granite City must have a seen a jump in sales lately, judging by the number of pirate hats on show in the audience.

Alestorm themselves aren’t dressed as pirates – instead there’s a mix and match of styles on show with lead singer Christopher Bowes an arresting sight in Alestorm-branded kilt, baseball cap and a t-shirt bearing the slogan ‘I Got Lost in The Gay Dolphin’.

Strangest of all is his instrument of choice – the much-maligned keytar, a keyboard that’s played like a guitar and more associated with 80s soft rock bands than on the high seas.

Visuals aside, the band, lyrically at least, don’t stray far from pirate theme’s – ‘No Grave but the Sea’, ‘Nancy the Tavern Wench’, ‘Pegleg Potion’, ‘Shipwrecked’ and the magnificently named ‘Captain Morgan’s Revenge’ (a song that ticks both pirate and alcohol themes) are given an airing tonight.

Pirate Metal may not be to everyone’s tastes but it’s a triumph tonight as the sold-out crowd testify – it’s safe to say that inhibitions were lost, drinks were raised, and a good time was had by all that attended.

Mar 022018
 

Morrissey at Aberdeen BGHE Arena, 16 February 2018. Review and pictures by Craig Chisholm.

It may be hard to believe but the Aberdeen Exhibition Centre has actually a place in rock n’ roll folklore for both Morrissey and David Bowie fans.

It was here, over 20 years ago that the ex-Smiths frontman was due to support the late Thin White Duke on tour but, mysteriously, walked out mere minutes before he was due on stage leaving his band, Bowie and his fans in the lurch.

As to the whys and whats of this action we might never know but here, over two decades later, amends are finally made to fans as he eventually makes the AECC stage in triumphant, if not also intriguing, fashion.

There’s no chance of support bands doing a runner on this occasion as there isn’t one. Instead the 3000 strong crowd are treated to a half hour video of Morrisey’s favourite bands and old film footage.

In between the Morrissey favourites such as the New York Dolls, Sex Pistols, Ramones and 60s girl groups is footage of Russian, faux-lesbian, Eurovision winners Tatu performing The Smiths classic ‘How Soon Is Now?’ on Top of The Tops. This is the sort of intriguing but contrary thing that his fans have come to expect of Morrissey over the years.

At the end of the video, at exactly 9pm, Morrissey and band walk onto the stage. Opening with a cover version of Elvis Presley’s ‘You’ll be Gone’ they then proceed to power through a 22 song set that lasts nearly 2 hours.

The stage is lit by lights in the shape of shields as the backdrop displays footage of recurring Morrisey themes – 60s B&W groups, old film stars, an erotic pulp fiction novel, a bullfighter during, obviously, ‘The Bullfighter Dies’, and footage of police brutality during ‘Who Will Protect Us From The Police?’ .

He delights his long time fans by playing a couple of tracks by his former band The Smiths – ‘I Started Something I Couldn’t Finish’ is played early on, as is ‘How Soon Is Now?’.

But that’s all – five songs into the set and he has already abandoned any attempt at crowd pleasing and living off nostalgia.

Instead, latest album ‘Low In High School’ makes up the bulk of the show with no less than nine of its twelve tracks given an airing. Three of these tracks – ‘Israel’, ‘I Bury The Living’ and ‘The Girl From Tel Aviv’ are being performed for their first time ever to a live audience.

In another contrary Morrissey move he plays a cover version of The Pretenders’ ‘Back In The Chain Gang’.

The crowd are noticeably more subdued during some of the deeper cuts from ‘Low In High School’ but this gives everyone a chance to listen to Morrissey and to appreciate his voice – it has matured into a warm and luxurious sound, somewhat underrated in the pantheon of great rock vocalists.

Also, it’s a chance to listen to his band – tight and musically together throughout the set. Clad in white t-shirts that with ‘No one likes us, we don’t care’ emblazoned on them, it’s the sort of message that Morrissey revels in and pretty much defines his entire ethos.

More than an hour and a half after starting, the main set ends with the band walking off stage in a haze of smoke to rapturous applause.

They return for a triumphant encore of Morrissey solo classics ‘Everyday is like Sunday’ and ‘Irish Blood, English Heart’.

Overall, it’s an intriguing set that should have left the real fans happy. The lack of Smiths classics and early Morrissey singles may not have pleased the more casual fans but, ultimately, it’s never been his style to play to the crowd and take the easy option.

Oct 132017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

Organisers of Aberdeen Comedy Festival have hailed residents and visitors who have flocked to see their favourite comedians and urged people to enjoy the final weekend of shows.

Now in its second year, the eleven-day festival, which is delivered by Aberdeen Inspired, started on Thursday, October 5 and will run until Sunday, October 15.

Festival organisers have urged comedy fans not to miss out on the final shows over the weekend as the comedy extravaganza culminates with a final show at Aberdeen Arts Centre at 8pm on Sunday evening with Paul Tonkinson.

Best known for his presenting work on The Big Breakfast and the Sunday Show, Paul will be joined by guests, Mick Ferry, Carey Marx and Ray Bradshaw.

Sponsored by McGinty’s Meal An’ Ale, the festival has attracted large crowds to stand-up comedy shows at a number of city centre venues.

Adrian Watson, chief executive of Aberdeen Inspired, is delighted with the response from the public who have turned out in numbers to enjoy the shows.

He said:

“Support for this year’s comedy festival has been fantastic and feedback from customers, volunteers and city centre venues has been overwhelmingly positive.

“Many of the shows have been attracting strong numbers or even selling out which is very pleasing and shows there’s a very strong demand for a comedy festival in the city.

“Though we’re entering the last few days of the festival it’s not too late to enjoy some comedy gold at one of Scotland’s top comedy festivals. We hope people join us over the weekend as the festival draws to a close at Aberdeen Arts Centre on Sunday evening.

“It’s great to see that people are travelling to the city from Aberdeenshire and further afield to see their favourite comedians on stage. They’re giving a welcome boost to our city centre businesses, restaurants and hotels, which is one of the main aims of the festival.” 

Tickets for Aberdeen Comedy Festival, which has been organised with programming partner Breakneck Comedy, can be bought at The Lemon Tree or HMT Box Offices as well as online via the Aberdeen Box Office website or: www.aberdeencomedyfestival.com/whats-on/

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Oct 062017
 

For nearly 15 years now, the people at IMP (interesting Music Promotions) have been putting on a wide variety of acts on in Aberdeen.

As their name suggests these acts are not always the most mainstream of acts and the diverse shows they have put on reflects this. Acts such as Caribou, 60 Days of Static, Arab Strap, The Phantom Band, Aereogramme frontman Craig B, FOUND and more have been promoted by them in venues ranging from the usual live music venues, such as The Lemon Tree and The Tunnels, to more unusual spaces such as Peacock Visual Arts, The Society of Advocates Library and even within a large tent at the Castlegate.

The promoters – better known to friends and family as Mike, Jenny, Mark and Graeme – are turning the clock back and are putting on one of the earliest acts they promoted, way back in 2004 – Thomas Truax.

This will be Truax’s first performance at The Blue Lamp but he is no stranger to the stages of Aberdeen, having performed at The Lemon Tree, The Tunnels, Krakatoa and Musa.

If you’ve never seen him before then prepare to be blown away this eccentric performer and his collection of home-made instruments.

Support on the night comes from Barrett’s Dottled Beauty, the latest project of local psych-folk legend the Kitchen Cynics, AKA Alan Davidson.

Here’s what the good people of IMP have to say about this intriguing double bill –

Thomas Truax/Barratt’s Dottled Beauty – October 15, 7.30pm til 11pm.

We are reclaiming Thomas for his Blue Lamp debut. If you haven’t seen Thomas you haven’t seen anything like it. Thomas Truax (pronounced troo-aks) is an American singer/musician, inventor and multi-media artist.

One of the most imaginative characters on the pop music fringe, since the year 2000 Thomas has been travelling the world performing with his evolving “band” of bizarre self-made Harry Partch-esque instruments including a motorized drum machine made of bike wheels called ‘Mother Superior’ and a pimped-up Dr. Seuss-ian Gramophone called ‘The Hornicator’, as well as his venerable resonator guitar ‘Hank’.

Time Out magazine has dubbed him “The king of home-made instruments” while Splendid magazine called him:

“one of the five or ten best singer/songwriters in the world that you’ve never heard of…an exceptional talent, unique and resistant to comparison, yet fairly accessible even to casual listeners.”

Truax crafts rich, poetically evocative songs about insects, trees, technology, and a lifelong obsession with things lunar, including various reasons ‘Why Dogs Howl at The Moon’. Notable supporters and collaborators include Jarvis Cocker, Duke Special, Richard Hawley, Amanda Palmer, and the late author Terry Pratchett. Brian Viglione (of the Dresden Dolls/Violent Femmes) plays drums on Thomas’s latest studio album ‘Jetstream Sunset’.

A stubborn DIY enthusiast, he self-released his debut full-length solo CD ‘Full Moon Over Wowtown’ on his own Psychoteddy label in 2002.

It was later snatched up by London-based Breakin’ Beats for release in the UK and Europe. Numerous singles, compilations and seven other albums have followed on various labels including SL Records, Homesleep and Blang. Among these releases are an original score for a major German stage production of ‘Peer Gynt’ (by award-winning director Kay Voges), and – inspired by a meeting with director David Lynch – a highly-rated covers album ‘Songs From The Films Of David Lynch’.

Barrett’s Dottled Beauty

Semi-improvised psychedelic folk from Gayle Brogan of Electroscope / Pefkin and Alan Davidson of the Kitchen Cynics.

http://www.wegottickets.com/event/413654

If that’s not enough interesting music for you then be sure to go along to the other concerts that IMP have lined up for the rest of the year –

  • Posable Action Figures / Gordon James and the Power / Rebecca Dunn – Friday 6th October
  • The Alice Marra Quartet / Riley Briggs (Aberfeldy) – The Lemon Tree – Sunday 19th October
  • Half Formed Things / Autumn Hang – Parx Café – Saturday 4th November
  • Kathryn Joseph / HQFU / Biomechanoid / Move On Up DJs – The Tunnels – Thursday 28th December

Tickets are available at www.wegottickets.com

Oct 062017
 

The Big Moon made their debut in the Granite City with an intimate and wildly appreciated show at the Lemon Tree. Review and photographs by Craig Chisholm.

The female four piece have been together for less than three years and are already signed to Fiction Records, home of The Cure, Elbow, Snow Patrol and more.

Their debut album  was released last April and made the shortlist of finalists for this year’s Mercury Music Awards.

Walking on to an intro tape of Robbie William’s ‘Millenium’, a choice that shows the band’s pop sensibilities , the band then proceeded to perform a strong 15-song set that was met with adulation by their young fans.

Highlights of the set included recent singles ‘Formidable’, ‘Cupid’ and set opener ‘Silent Movie Susie’.

The band are chatty and friendly between songs – bassist Celia Archer engages with one gig-goer about her Louis Theroux t-shirt after only a couple of songs. Lead singer Juliette Jackson also tells the tale of her former housemate Marco, who was from Aberdeen, and his strange habit of eating scrambled eggs from a mug all the time.

But it’s the songs that people are here to listen to and there’s plenty of them to keep them entertained – from the slow ballad ‘Zeds’ (“Time to get it on if you came with a date tonight” says Jackson) to the galloping rhythms of ‘Eureka Moments’, all of which are expertly crafted, catchy pop-rock ditties.

The song that had everyone talking about is a cover, not an original, however. Introduced as “A karaoke banger” by Jackson, the band blast through a faithful cover of Bonnie Tyler’s ‘Total Eclipse of The Heart’ to the appreciate audience.

And that sums them up really – they play catchy, accessible rock but are not afraid to play pure pop and are definitely not a band to take themselves too seriously.

Touring as support with The Big Moon are another young band making their debut in Aberdeen – Get Inuit.

The band’s half hour support slot brings comparisons to britpop rockers Ash or American alt-rock legends Weezer. In fact, singer Jessie Glass even sports the same style of thick black specs that Weezer singer Rivers Cuomo wears, making the comparison not only audible but visual too.  

Their Facebook page biography describes them as making “dirty pop music” and this is as valid a description as any I can think of. The tunes are fuzzed-up, raw garage rock with memorable hooks and melodies.

Judging by the reaction of the crowd, and the amount of t-shirts of both bands being sported by them, then both acts are destined for bigger things and all manner of success in the future.

Sep 282017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

Stand-up comedy fans will be able to laugh along with their favourite comedians when Aberdeen Comedy Festival makes its return next week.
Launched by Aberdeen Inspired in 2016, the eleven-day festival will run from Thursday, October 5 to Sunday, October 15.

One of the largest of its kind in the country and full of laughs from start to finish it will feature local, national and international comedians who are scheduled to perform more than 50 shows at over 20 city centre venues.

The festival, which is becoming a firm fixture on the Aberdeen comedy scene, will also include free stand-up shows, comedy workshops for children and adults, kids shows, local talent showcases and comedy films screened at the Belmont Filmhouse.

Sponsored by McGinty’s Meal An’ Ale, the festival’s format includes solo stand-up performances as well as mixed bill shows where several comedians take to the stage.

Described as the Canadian Billy Connolly, Craig Campbell will headline the launch of the festival at the Lemon Tree in partnership with Aberdeen Performing Arts (APA).

Scottish comedian Fred MacAulay, who performed at the festival last year, will make a return alongside other comedians, including Daliso Chaponda who reached the finals of Britain’s Got Talent this year, Justin Moorhouse, Gary Delaney, Andrew Maxwell and Shazia Mirza.

Free lunchtime shows will be held at McGinty’s Meal An’ Ale at 1pm on Tuesday, October 10 and Wednesday, October 11.

‘Lunchtime Laughs,’ which are suitable for those aged 18 and over, will feature talented Scottish comedians Rosco McClelland, Gary Faulds, Gareth Mutch and Ross Leslie.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“The first Aberdeen Comedy Festival was a tremendous success and we’re delighted to have another fantastic line-up of comedians for the public to enjoy this year.

“There was a great buzz in the city centre during the festival and we received a lot of positive feedback from the public and city centre businesses who saw an increase in trade through hosting stand-up shows.

“A lot of work has been done to organise the festival this year and I’m sure the public will want to take advantage of this opportunity to see an impressive range of comedians in the city centre.”

Alan Aitken, Operations Director of McGinty’s, said:

“We’re very proud to support Aberdeen Comedy Festival again this year and play our part to bring cultural events to the city.

“The comedians who will be on stage for our free ‘Lunchtime Laughs’ shows are fantastic and we hope the free entry will attract large numbers to help us create a great atmosphere for all the performances.

“We will be running a few offers during the festival including a set price menu for the lunch time shows and we think it will be a great excuse for the local businesses to gather the team for some light-hearted lunchtime fun.”

McGinty’s Meal An’ Ale will also host two free 4pm shows on Friday, October 6 and Friday, October 13 and the public will be able to enjoy some free late-night laughs on the Thursday, October 12 at 10pm with Ross Leslie and Jim Smith.

This year the festival also has comedy workshops and shows for children and young people. A School of Comedy workshop for teens will be held at The Lemon Tree on Saturday, October 14 from 10am to 1pm.

The event is for young people aged between 12 and 18 and will be hosted by young comedian Andrew Sim who will lead workshops designed to encourage and support new stand-up comedians.

A kids’ comedy hour will also run on Saturday, October 14 at 2pm at the Belmont Filmhouse.

Comedians Tiernan Douieb and Bec Hill will perform a child-friendly show suitable for those aged six and over.

On Saturday, October 7 the Belmont Filmhouse will also host a special Filmhouse Junior screening of Disney’s Aladdin at 11am, starring Robin Williams as the voice of the Genie.

Tickets for Aberdeen Comedy Festival, which has been organised with programming partner Breakneck Comedy, can be bought at The Lemon Tree or HMT Box Offices as well as online via the Aberdeen Box Office website or www.aberdeencomedyfestival.com/whats-on/

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Sep 222017
 

Review and Photography by Craig Chisholm.

As the darker nights draw in at the start of September, there was still time for one more music festival in Scotland. But, unlike your TRNSMT’s, Enjoy Music’s and Electric Field’s, this was one that didn’t require waterproofs and sunscreen as it wasn’t outdoors but in the more comfortable surroundings of His Majesty’s Theatre, The Lemon Tree and The Tivoli Theatre, right here in the heart of town.

True North is now in its third year and has drawn at eclectic range of artists over the years – from Tom O’Dell to Richard Hawley, King Creosote to Laura Mvula, a Neil Young Tribute to a night of Kate Bush songs.

This year continues that eclectic mix with sets from Arab Strap, Pictish Trail, Public Service Broadcasting, Wild Beasts and 2015 Scottish Album of The Year winner Kathryn Joseph.

And this year’s tribute? A evening of Fleetwood Mac songs that included a full live performance of their classic, mega selling 1977 album ‘Rumours’.

Pictish Trail at The Lemon Tree.

As well as the main headlining sets the festival also offered a range of fringe events for all ages – acoustic performances at the Maritime Museum by Pictish Trail and Neon Waltz; gigs at local record shop & bar, Spin, by The Great Bear, Willson Gray, Katie Mackie, The Sea Atlas and Leanne Smith; talks and panel discussions at the Lemon Tree and, most impressively, a Sunday afternoon gig for children aged 9-12 at the Lemon Tree featuring Be Charlotte and Findlay Napier – one that even provided a day care crèche in the bar downstairs for adults whilst the kids rocked out upstairs.

Lunchtime sessions at The Lemon Tree also had The 101, Harmonica Movement and The Deportees play sets for those that like a bit of music whilst having a drink and bite to eat.

It’s the headline events that are the big draw though – and these kicked off on Thursday evening at the grand environs of His Majesty’s Theatre as Public Service Broadcasting and BDY_PRTS played to a large crowd of theatre goers and rock fans.

Support act BDY_PRTS, dressed in matching eye catching yellow and green outfits are a beguiling mixture of indie pop tunes mixed with Bjork style weirdness and some nifty choreography.  

The female duo, consisting of former Sparrow & The Workshop singer Jill O’Sullivan and ex-Strike the Colours musician Jenny Reeve – who has also guested on tracks by artists such as Arab Strap, The Reindeer Section, Idlewild and Snow Patrol among others.

With a new album, due later in the year, you’d be wise to check the band out as their infectious, quirky songs will see them go from strength to strength in time.

Headliners Public Service Broadcasting are no strangers to Aberdeen, this being their fourth visit to town.

However, the crowd at His Majesty’s Theatre is much larger than the previous concerts at The Lemon Tree.

Not that this daunts them – they’re a much more polished act, used to the big stage and more confident than the they were on earlier visits, three or four years ago, when promoting their debut album.

Since their last visit, they’ve released a further couple of albums – 2015’s ‘The Race for Space’ and this year’s ‘Every Valley’, which is a concept album based on the Welsh Mining Industry.

If that seems to be quite a dry and boring idea for an album then you’d be wrong, as the band mix spoken word samples from old film and radio with a light, Kraftwerk-esque, danceable pop sheen.

There’s a pathos and depth to their music that can be sometimes be lost by instrumental electronic bands. But you can dance to it as well – although in the all seated environs of HMT there’s no real rush to do this by all audience members. But, by the end, the crowd are on their feet in rapturous applause as the band power through set filled with tracks such as ‘Progress’, ‘Go!’, ‘The Other Side’ and ‘Everest’ from their three studio albums.

Special mentions must also go to the horn section and the spaceman that appear onstage with the band for their own individual brand of enthusiastic dancing.

Hopefully it won’t be another three years before we see them back in town.

The night isn’t over yet though. For the brave, foolhardy and those without work the following day, there’s still a late-night gig at The Lemon Tree to attend.

Those quick enough to hot foot in down from HMT would have hopefully been able to catch the bulk of C.Macleod’s opening set. Hailing from the Isle of Lewis, the singer songwriter is alone on stage with only his electric guitar and rootsy, raw vocals to fill the space.

And it’s the voice that grips you – a deep rasp that has hints of Springsteen, the authentic roar of heartfelt Americana and the raging howl of the seas of his native shores in there. It’s a voice that has no business coming from someone so young – it’s the sound of experience and age. Check him out now before he goes on to bigger things.

Headliners Wild Beasts are a different proposition – flanked either side of the stage by banks of keyboards, the band are an exciting mix of indie synth pop and art-rock cool.
Singer Hayden Thorpe is a confident front man, standing centre stage commanding the crowd. Unlike opener C.MacLeod, his voice is a high falsetto that fits well over the band’s music. He jokingly interacts with the crowd and engages them in a friendly, jovial manner that endears him to them.

It’s well after midnight when the band finishes but the night is not over yet as a late-night set by Hot Sauce DJs keeps the stragglers entertained well into the wee small hours.

Friday night and it’s down to The Tivoli theatre and a double bill of Geordie folk singer Richard Dawson and Falkirk’s finest miserablists, the mighty Arab Strap.

Calling him a folk singer doesn’t do Richard Dawson justice – he’s a much more bamboozling and entertaining performer than that. Singing either a cappella or accompanied by a guitar that constantly goes out of tune he is a revelation, winning over new fans in his 30-minute set.

Apparently inspired by Faith No More’s Mike Patton, his vocal range is enormous – from low depths to soaring highs, all in the space of verses and choruses of the same songs. The music is traditional but also experimental and Avant Garde – accessible but difficult, impenetrable but melodic.

Between songs, he is funny, self-depreciating and, quite truthfully, a bit mad. Random tall tales include staying at the ‘doggy hotel’ and getting showered down in the yard, about how in the future babies will be made on spaceships by computer and of confusion as to the fate of Judas Iscariot (Dawson preferred the gorier version of this particular tale).

And, to top it off, he introduces his last song by saying that after it he’s then going to “get drunk…. And have a poo”. And that sums him up really – there’s no boundaries to him or his music.

Arab Strap at The Tivoli.

Not many performers have trod the boards of the Tivoli and opened with the couplet “It was the biggest cock you’d ever seen / But you’ve no idea where that cock has been” – but, then, not many performers are Aidan Moffat of Arab Strap.

A year after the bands reformation, vocalist Moffat and guitarist Malcolm Middleton have finally made it up north, a full 11 years after their last performance here. Good things come to those who wait,
however, and Arab Strap are a good thing tonight
for sure.

Moffat, stage front and centre, is an amiable and friendly frontman and he’s in a buoyant, good humoured mood tonight with his between song tales. One highlight being a story of buying a parachute jump as present for a girlfriend who he subsequently found out was cheating on him so they finish. Next time he sees her she’s on crutches – after breaking her legs doing the parachute jump.

But it’s the songs that are Arab Strap’s greatest strength, as they should be. It’s a great feeling to hear classics such as ‘Girls of Summer’ and ‘Here We Go Again’ live once more. But it’s set closer ‘The Last Big Weekend’ that’s their stone cold classic and it’s still as thrilling and exciting nearly two decades after it was first released.

Late night at The Lemon Tree on Friday offers up another double bill of live acts as well as Radio Scotland DJ Galloway spinning tunes till late at night.

The opening act are Indigo Velvet, a young band from Edinburgh who first made a splash on the scene by playing T in The Park’s T Break Stage last year. Headlining are Manchester band Dutch Uncles.
It’s their first time in the Granite City and, according to singer Duncan Wallis, “It’s very grey”.

A lone voice pops up from the crowd to say “Aye, 50 shades of” to his bemusement.

It’s Wallis that’s the centre point of the band – his bendy legged dancing and high pitched, androgynous vocals proving to be quite a talking point.

Come Saturday and it’s time for the main event of the weekend at HMT as a stellar line up of guest vocalists perform Fleetwood Mac’s classic magnum opus in its entirety to celebrate its 40th anniversary.

Previous years have seen similar tributes to Kate Bush and Neil Young and proved to be a great success and this was also to be the case tonight.

Backed by musicians Start to End, the singers include luminaries such as Eugene Kelly (The Vaselines), Be Charlotte, Duglas T Stewart (BMX Bandits), Martha Ffion and last year’s compere and band leader, Emma Pollock.

The first half of the night comprises of a Fleetwood Mac greatest hits set with cuts such as ‘Rhainnon’, ‘Seven Wonders’, ‘Big Love’, ‘Little Lies’, ‘Tusk’ and more given an airing.

After the interval, it’s straight in ‘Rumours’ from beginning to end with a different singer taking each song before everyone takes to the stage for an encore of ‘Everywhere’.

It’s a fun experience that drew a mixed crowd – older HMT regulars that you wouldn’t necessarily see at the Lemon Tree gigs; gig regulars that are there to see the singer of their favourite band and, of course, Fleetwood Mac fans that are at the venue for the first time that might not be going to any other event.

I’m generalising slightly, but it’s good to see such an eclectic mix of punters and it’ll be interesting to see which singer or band gets the tribute next year.

Once that is over, it’s time to head to the Lemon Tree for the True North After Party, with headliner Pictish Trail and newcomers Neon Waltz.

Neon Waltz are tipped for big things – and it’s easy to see why.

The band are based in Thurso and John O’Groats and were subject of an article in The Guardian just days after their appearance here.

They have the looks – and the adoring female fans – that will take them places. Their sound is reminiscent of The Verve, Stone Roses, Oasis and Britpop – a pleasant, keyboard drenched indie sound with 90s influences and the polished sheen of current pop.

Behind the dry ice and red lighting singer Jordan Shearer could pass for a young Tim Burgess of The Charlatans – hunched over the mic in a similar fashion with that distinctive bowl cut.

This will probably be their last support slot in the Lemon Tree – they’ll be headlining it soon enough.

Headliner Pictish Trail is no stranger to this venue, having played it numerous times. And if you’ve never seen or heard him before then you’ve missed out.

His music is folky, electronic and rocky – sometimes all in the same song. Between songs, he could pass as a comedian, such is his wit – droll and downright funny. He has a toy plastic horse on stage and changes into what can only be described as a psychedelic orange dress.

Oh, and he has a large beard and is wearing sparkly makeup.

All of which would mark him as a novelty act but he is anything but. Tracks from albums ‘Secret Soundz Vol 1 & 2’ and the recent ‘Future Echoes’ sound fantastic tonight – especially the wonderful and haunting ‘Far Gone (Don’t Leave)’ written about “The greatest film ever made” according to the man known to his Mum as Johnny Lynch.

The movie is question is ‘Fargo’ incidentally. There’s a good chance he’s completely correct as well.

It’s always a pleasure to see him live and tonight was no exception.

Despite this being the festival after party, there’s still one major gig to come on the Sunday night at The Tivoli theatre – and that’s a double bill of 2015 Scottish Album of the Year winner Kathryn Joseph and Frightened Rabbit front Scott Hutchison.

Hidden behind her piano with a glass of red wine and accompanied by percussionist Marcus Mackay, Joseph is first on stage.

Her songs are objects of beauty – her whispery voice plunging the depths of despair and depression whilst floating poetically over the haunting music.

She genuinely takes you places sonically and emotionally, with tracks that are, at turns, poignant and angry but somehow comforting and warm.

Soul baring lyrics are sung with a whisper, but are an inner scream to her fragility, to her openness and to her wounded soul.

It’s easy to compare her to Kate Bush or Tori Amos but such comparisons are superficial and lazy – based purely on her voice and her gender. But her music, and her words, transcend gender and classification – she may not sound like Nick Cave or Tom Waits vocally, but these are good comparisons. There’s a Gothic bleakness in there, beneath the melodies, and subjects so weighty that no 3 minute could do them justice.

The crowd are rapt – silently trapped in her songs, only taken back to reality by her whispered between song monologues.

Her next Aberdeen date is on December 28th at The Tunnels – don’t miss it.

Headliner Scott Hutchison has an equal depth to his words and emotions – something that can sometimes be hidden when backed by a loud rock band.

But tonight, accompanied only by acoustic guitar, the emotions are there to see. His music, and musings, make a perfect accompaniment to Joseph. As well as similar themes and emotions the two share a genuine friendship and camaraderie as shown by their joking conversations during the gig as he talks to her in her seat on the balcony.

His acoustic renditions of Frightened Rabbit songs are equal to, or in some cases better than, the originals.

If there’s any complaint, however, is that his band have sold out both the Music Hall and Beach Ballroom in recent years but tickets remain for tonight. Sorry, but if you’re a Frightened Rabbit fan and you weren’t there then you genuinely missed something special.

And after Hutchison leaves the stage that’s it all over – the gig, the weekend and the wonderful True North Festival. It’s been an overwhelming and impressive few days and praise must go to the attendees, the artists and especially to the unsung organisers behind the scene who have made it a fantastic weekend of music and song.

Here’s to next year and to more of the same.

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