Aberdeen’s Evening Express’ long-serving columnist Frank Gilfeather was defenestrated after his opinion column on nightclub spiking attacks made on women sparked outrage.
An 18-year-old student in Aberdeen believed she had been spiked with a needle in an Aberdeen club, and Police Scotland were investigating.
Gilfeather, a retired boxer whose strapline was ‘The column that packs a punch’, took exception to a proposed Thursday night boycott of clubs for a girls’ night in protest and a petition to search clubbers.
In a column filled with misogynist mockery, he wrote:
“…surely it is the responsibility of the individual to keep themselves safe?”
While such incidents have been reported across the UK, Frank dismissed data on such attacks as being ‘sketchy at best’ concluding women suggesting full body and bag checks don’t ‘live in the real world.’
Unsurprisingly there was anger on social media.
The 23 October issue of the paper carried a full-page apology for Gilfeather’s column in lieu of its normal letters section. In ‘Frank Gilfeather’s column – apology’ editor Craig Walker announced Frank’s departure as the ex-pugilist refused to renounce his position. Walker declared:
“We are deeply sorry that our usually stringent editorial processes – the same processes which meant the column was not published on our website failed in the case of the printed edition.”
“We pride ourselves on the quality of the journalism we publish…”
and on being
“… a trusted and constructive part of public debate.”
Readers with long memories were unconvinced. Former EE editor Damian Bates’ contributions to public debate and quality journalism included numerous puff pieces for Donald Trump while omitting that his wife Sarah Malone was the tycoon’s employee.
In 2007 the tabloid carried the headline ‘You traitors – fury as councillors kick out Trump’s £1bn golf plan’ with the faces of Aberdeenshire councillors who dared to vote down Trump’s initial golf resort plans.
The Evening Excess may have apologised for publishing Gilfeather, but it has never owned up to its persecution of these councillors, years of duping readers about the Bates/Malone connection or freezing protest group Tripping Up Trump out of the public debate Walker claims the paper values.
Such was the outrage over the spiking portion of his column that its other content was overlooked. Opining on the ‘let’s find something to offend us crowd’ Gilfeather was apoplectic over news that the National Theatre of Scotland had banned the word ‘spooky’, Writing:
“… but best impose a ban – just in case. Don’t you just love the flakiness of it all?”
Alas, the NTS had confirmed the story was untrue as per the Scottish Sun on 21 October, the same day Gilfeather was published.
Perhaps the EE’s stringent editorial policies and fact-checking still have a way to go?
“Crazy how white Republicans got other white Republicans scared of Muslims and Mexicans when all along they needed to be scared of other white Republicans…” – Cyrus McQueen, author, Tweeting Truth To Power: Chronicling Our Caustic Politics, Crazed Times, & The Great Black & White Divide.
“Anti-vax conspiracy theories and COVID-19 denial are gateway drugs that introduce well-meaning people to the far right. Before they know it, large numbers are hooked on QAnon.”
– George Monbiot
Trump spent decades inciting violence, culminating in rioting and deaths in Washington DC on 6 January 2021. Now he says he won’t condone violence (or is that what he’s really saying?)
Suzanne Kelly, Aberdeen Voice contributor and campaigner explains why the leopard has not changed his spots.
Armed, angry white men and women were invited by Trump to a rally in DC. Trump told the mob to march on the capitol and he’d be with them (he wasn’t).
The warning signs were ignored. The violence was pre-planned, orchestrated. The National Guard was held at bay. Five people are dead, more were injured.
Trump watched the violence unfold on TV; he would not speak to aids or answer requests to stop the forces he invoked.
His after-the-fact denunciation of ‘political violence’ is perversely being taken as a call to arms by the extremists – who are openly calling for more such events. His impeachment is essential; he is a danger to us all.
Signs of his disordered mental state, his contempt for people and the environment were visible at Aberdeenshire’s Menie Estate before his election. Aberdeen Voice, Tripping up Trump, Aberdeenshire councillors including Martin Ford, Debra Storr, Paul Johnston and film maker Anthony Baxter all could have attested this man was the last person to be put in charge of a multicultural country.
Aberdeen Journals Ltd told you Trump was going to bring 6,000 permanent jobs and millions into the local economy annually and ‘enhance’ the irreplaceable environment.
Fast forward, and there are less than 93 permanent jobs, the course is permanently in the red, and the unique SSSI areas are destroyed.
Aberdeen Voice’s many calls over the years to local and national officials and official bodies as to where he got the money for the purchase from fell on deaf ears.
Here are some of my thoughts on why Trump is in power, why people still believe him, and what we need to address in order to stop more carnage.
Trump: the most damaging, divisive president ever.
It takes honour and integrity to own mistakes and Trump has neither quality. His youth included allegations of draft-dodging (he was healthy enough despite alleged bone spurs to play collegiate basketball) and sending in ringers to take exams in his stead.
He is credibly accused of preventing non-white people from obtaining leases for his Manhattan properties. He wanted the innocent, framed ‘Central Park Five’ to be executed.
His fondness for capital punishment saw him reinstate the death penalty; as rights watchers will tell you, many US death row inmates were denied due process, have mental health issues, and some have been found to be innocent after their execution. Some were black – convicted on circumstantial evidence by all-white juries.
Trump has invoked violence many times, whatever he may be saying now.
Trump told an assembly of police that it was OK with him if they harmed suspects.
He called for hecklers at his rallies to be ‘roughed up’.
He called journalists – the very people tying to tell the truth about the man –‘enemy of the people’ and said they should be ‘roughed up’.
When I spoke on The O’Reilly Factor about my petition to ban Trump from the UK under our hate speech laws, I was cut off before making many of my points and with no warning: but the last point I got in was that Trump planned to execute terrorists and their relatives. I still can’t believe this didn’t shock more people.
America is supposed to stand for justice, not ex-judicial execution of innocent people.
Trump is a racist (the KKK endorsement of his 2016 bid for the presidency is a clue); he lacks empathy, and will deceive without remorse. He has no regard for law, fairness or human life. He frequently calls for violence and fails to speak out against it when it comes from the far right and the white supremacist: his lack of condemnation encourages them.
Hate speech, racism, neo-Nazism: how the ignorant, angry and easily-led are funnelled
Claiming Muslims should be banned from air travel ‘until we figure out what the hell is going on’, Trump threw unjust suspicion on Muslims, including the seven to 14 million Muslim Americans.
This was not a dog whistle; this was Trump prejudicially linking all Muslims to terrorism. Those who thought my desire to ban him for hate speech might do well to remember his ban which unfairly harmed many. And as any observer of American terrorism can confirm, most of America’s terrorists have been white males.
Hate crimes are at their highest levels for 16 years according to the FBI.
Responding to Trump’s many calls to hate and violence, people like William Celli decided to build bombs to target Muslims. Trump’s comments about Mexicans and Hispanics have led to many assaults; in one case two suspects told police ‘Trump is right’.
Trump fanatic and would-be bomber Cesar Sayoc targeted Democrats and CNN. His defence lawyers wrote that:
“in this darkness, Mr. Sayoc found light in Donald J. Trump.”
Sayoc ‘Found light’ in Donald; sadly, so do many disaffected people, opportunist evangelical preachers, the NRA, GOP climbers, and racist groups like the KKK.
David Duke is the ridiculously-titled ‘grand wizard’ of the KKK. It endorsed Trump as their presidential candidate, and Duke said the Charlottesville rioting which took Heather Heyer’s life was ‘a turning point’.
From the time Trump said of the white supremacist march ‘there are fine people on both sides’, he’d given a clear signal he would condemn neither violence nor racism. He deliberately fanned those flames, even if he didn’t manage to overthrow the government.
It’s Christianity Jim, but not as we know it.
There is no doubt that MAGA rallies created a community of like-minded Trump followers. These events called together every person who wanted a saviour, and the extremist evangelists used the far-right version of Christianity that these Trump acolytes had been raised on.
Artwork showing Trump as a Christ-like figure (as if); photos showing Trump surrounded by adoring televangelists – all this helped those who were already trained to be obedient to their preachers be obedient to the man their preachers endorsed and called saviour. It made Sayoc a terrorist.
The lunatic hypocrisy of claiming to be a follower of Jesus while simultaneously toting semi-automatic weapons, chanting ‘lock her up’, assaulting rally hecklers, and calling for death to the press doesn’t occur to any of these people. Their preachers are asking for donations, not soul-searching.
Here is a hilarious take on her absolute madness of Paula White
Compliant? The evangelical child in some of these sects grow up believing by constant reinforcement they are the only people who will be saved, that the superior race is white, and the superior sex is male.
Home-schooling is prevalent, and I believe plays more of a part in the radicalisation of people than many will admit.
The girl children? Many are trained to be subservient like our rushed-through newest Supreme Court Justice Coney Barrett. For many extremist evangelists, girls are to get married, be servants and be fruitful and multiply. Sex before marriage is strictly out.
All these QAnon extremists protesting about invented satanic child abuse? They need look no further than child marriage, legal in 46 states. When was the last time a QAnon protestor targeted this abuse?
Do these evangelists and Trump really believe one of their key recruitment planks – that all abortion is wrong? Trump asked his girlfriend to get one. Trump also raped Ivana per her written statement by the way. Very Old Testament.
If I had my say, every school age person would spend at least a few months in a non-home-school setting to mix with children of other backgrounds. Ensuring no one is schooled only in a vacuum might help end the vilification of other religions, other races and nationalities.
If nothing else, the evangelical girl child could be shown it is illegal to be married off against her will, and she can have a career other than as a mother.
And if I ran the world, there would be no marriages in America for anyone under 18, and all parties under age 21 would have to be seen alone before the ceremony to confirm they are not being coerced, and offered support if they are.
Tele-preachers and the NRA also insist an AK is a ‘God-given right.’ The hell it is.
Gun culture: how the NRA fuels paranoia.
A Senate subcommittee declared the National Rifle Association to a Russian asset, awash with Russian money. NRA chiefs gave illegal operative Russian Marina Butina and Putin pal Alexander Torshin access to members of Congress.
What was once an educational tax-exempt organisation now pumps tens of millions of dollars into Congress, some of that from Russia.
It will not brook any changes to US gun law. NRA-funded Senate Majority Leader Mitch McConnell prevented the Senate from voting on bipartisan gun law bills. Did America’ founders know automatic weapons existed – yes, as the NRA says, claiming all guns should be legal.
Did the founders have weapons that could kill 58 and wound 527 others from a great distance as we tragically saw in Las Vegas? No.
Should every incel, every angry racist own an assault rifle?
The NRA says yes.
The parents and loved ones of the over 40,000 shot in 2019 and 2020 say no.
In terms of ‘cancel culture’ – gun deaths cancel thousands of voices each year, and Mitch McConnell cancelled the Senate’s right to even vote on the matter. If he were confident the American people and the Senate did not want gun laws changed, he would have let the two bills be heard.
There is supposed to be a well-regulated militia: instead we had teen Kyle Rittenhouse driven to a protest by his mother where he killed.
‘Do you wanna be in my gang?’ Psychological manipulation.
Lonely? Friendless? Not promoted at work? Involuntary celibate? QAnon wants You.
A whole world of similarly-damaged souls awaits and you will be welcome, whether or not you’re a preposterous self-styled shaman who live streams from mom’s basement. If you’re feeling the financial pinch, it can’t be because of people like Trump, paper billionaires whose many bankruptcies have sent small businesses to the wall; it must be because a woman or a non-white person ‘took’ your job.
It is easier and cheaper to get recruited by QAnon than it is to either get mental health help, get involved with making positive change, or make real friends in the real world. The USA needs urgent medical health care reform, the kind Trump has tried to dismantle.
I have done as much of a dive into this culture as I care to. In fringe websites the insurrectionists share whispers of violence to come on Biden’s inauguration day.
Some think Trump is the messiah. They are happy, some of them, to wear Nazi regalia – and in doing so align themselves with the horrors visited on adults and children alike, despite QAnon using the fictitious pizzagate child abuse conspiracy as a recruitment tool.
The message seems to be that Nazi concentration camps were either invented or the children abused and murdered on an industrial scale somehow don’t count (viz the detestable ‘Camp Auschwitz’ shirt and Nazi symbolism worn by the insurrectionists).
However, invent a child abuse scandal now 100% discredited involving Satan and Hilary Clinton, and crying people will take to the streets holding signs about pizza parlours and baby-eaters while sporting a swastika tattoo.
These people don’t seem aware Trump did all he could to catch teen beauty queens naked at his pageants, or that he’s accused of many cases of sexual assault. There is no logic, no joined up thinking.
These echo chambers that sprang up following Q Anon’s overdue defenestration from Twitter, YouTube, Facebook reinforce the camaraderie, the anger of these misfits. They goad each other into more and more extreme views and actions. Something needs to be done.
As I am writing, Reuters confirmed that the mob intended to ‘capture and assassinate’ members of Congress. We must find, arrest, try every single one of these people.
Enacting laws concerning hate speech – like the UN and many countries have will help stop the abuse which has led to violence throughout this country’s history.
This is nothing to do with freedom of speech. The right to free speech has many exemptions. The founding fathers foresaw some of the potential future misuses – but none of them can have dreamed of it being used to remind Jewish people of the horrors of Auschwitz.
Trump spurred me to try to ban him from the UK under our hate speech laws. As a New Yorker living in Aberdeen, watching this man being treated as a star made me feel ill.
I knew of his discriminatory policies, his greed, his xenophobia. I didn’t care if I looked like a fool. Over 586,000 people agreed with me and we got a debate.
Who knows? We might even have got the Home Secretary to apply the law to a billionaire that had already been applied to more than 100 other hatemongers.
In the end, the night before the debate, MP Paul Flynn, slated to chair the debate decided to call the press to slate my petition (without letting me know he was doing so). ‘We might make Trump a martyr’ he told me. Parliament did deliver a good smackdown – but the Home Secretary did not apply the law to Trump.
JK Rowling made a joke about the petition at a New York literary gathering.
I was invited to write a riposte piece, and I did so, even knowing all of Harry Potter fandom would attack me to support her. I wonder if she sees the difference between hate speech and free speech now; I’d like to hope so, having been the target of hate speech herself of late.
What I didn’t get is that in her books the magical government was being taken over and most people were afraid to stand up to the spread of hate speech, but there you go.
Every time someone flies a confederate flag; every town that has a memorial to a civil war figure who tried to preserve slavery is a declaration of hate to black citizens from white supremacists. Every glorification of those who slaughtered Native Americans is a hate crime. I can’t shake the feeling that while all this division rages, the billionaires are laughing at the rest of us.
Billionaires like Trump (wherever his money is actually coming from; happily, there are signs it may be drying up).
If a Native American child or an African American child cannot wear their hair in a way reflective of their culture in school, then why are we letting people wave symbols celebrating slavery or concentration camps in gestures designed to intimidate and provoke fear and anger? I don’t understand.
The speech turns to violence, and these symbols have power.
If anyone wants to cry how unfair it is Trump’s been removed from social media for repeated rule breaking, fake news and hate speech, think again. He’s deliberately gagged people with lawsuits, confidentiality agreements (even extending to cooks in Scotland) and used his massive press connections to mock and ridicule opponents from Biden through to farmer Michael Forbes.
Can we please make Justice blind again?
Some of the argument against doing so aside from Flynn’s Chamberlain-esque appeasement was ‘Trump may be president someday’.
This alarming use of future potential is seen in America, where it gets many privileged white male offenders released from serious charges eg Brock Turner.
What if we had banned him from the UK? Would the GOP still have seen him as being presidential material? Perhaps not. Would things have been worse had the UK banned Trump? Worse how? – I’d like to know.
We’re seeing more flawed illogic applied to the insurrectionists by their sympathisers in the GOP: ‘Don’t impeach Trump, it may make insurrectionists angry’.
They are already angry. And armed. The law is not supposed to care how rich you are or if applying the law equally to all will make white supremacists angry.
The self-styled shaman is being given the organic meals in prion he demanded because of his ‘religion’. Meanwhile, as noted by various Native American groups, when Native people wind up in US jails, they are absolutely laughed at and ignored.
Symbols of hate belong in the trashcan.
The confederate flag shows the bearer approves of slavery, and wants it back.
Statues of confederate generals towering over parks and town centres show deference to the people who tried to preserve slavery and contempt for descendants of slaves.
A swastika patch or tattoo, or a ‘Camp Auschwitz’ shirt shows the world the bearer hates everyone who’s not a Nazi.
A MAGA hat suggests the wearer wants to ‘Make America Great Again’. It shows support for a KKK-endorsed white supremacist who ridicules minorities and incites violence against virtually everyone who is not a white male. It is the symbol of the Trump rally, a sign you would suspend your logic and values (if any) to be part of a mob.
The far right, the conspiracy believer, etc have also commandeered symbols of the crusaders, arcane symbols and invented symbols. This is all part of the ‘I need to be in a crowd and be one of the mob’ mentality we saw running through the Capitol.
Can we chuck these and other such inflammatory, hate-provoking emblems now? Other countries have.
We don’t need miseducation.
If there were a better, balanced system of education that also taught tolerance and life skills (I mean, we even have people who now believe you can fall of the edge of our flat world), we would all be better off.
It would not be so easy to convince people that Bill Gates is a reptile from another dimension who is trying to forcibly inject nanobots and trackers by unleashing a fake virus scare.
When I was in school, I remember ages devoted to names and dates of the Revolutionary War. About a quarter of that amount of time was spent on the history and culture of the rest of the world. Mistake. It was later I learned of the atrocities committed against Native Americans (including by Lincoln) and slavery.
When we studied slavery in school – and this I remember to my dying day: we read two different accounts of women who had been plantation slaves.
One was entitled ‘Lordy Them was Awful Days’ and she told of being whipped and salt being rubbed in her wounds. The other woman said slavery wasn’t so bad: I kid you not. And then we moved on.
It was as if every coin has two sides – a flaw seen in current day news reporting.
Slavery does not have another side. We also had in our textbooks the horrific photos of lynched black Americans, with white people standing under them socializing. Did my teacher explain how horrific this was? If so, their words are lost on me though that photo remains burned in my head.
Do the confederate flag-wavers even know what the reality was for so many? Do they even want to? A better, complete education that shows America’s many flaws could help. Teach logic, how to frame arguments, critical thinking, and how not to be a racist.
What are we going to do today? Pending violence.
As mentioned, I’ve been going on these twisted far-right sites to see what is going on. These people do think, as reported in the news, that Trump wants more violence and has sent secret messages to QAnon in his latest word salad of a speech.
They and others point to his saying ‘I cannot emphasise that there must be no violence…’ as a call to arms.
With Trump having established that he is barely literate, we don’t know what he actually meant. Hilariously, he says he can never condone violence, despite having called for violence on many occasions.
However, the conspiracy theory force is strong with these insurrectionists.
Some claim he tapped out in Morse Code the letter ‘Q’. Really? The man can’t spell ‘coffee’.
These people are looking for signs. If you look for signs, the brain will find them even where they don’t exist. A decent education could have taught the ‘I saw the Virgin Mary in my slice of toast’ brigade how the mind works to create images and patterns, but there you go.
These people want a violent, bloody revolution. They want to take over America. They are using internet sites to make their plans. Many of them are police and/or former armed forces members (we need a Venn diagram of white supremacists who have been in the police and who have needlessly killed non-white suspects).
Some of their helpers are congresspeople. They cannot win, but they can certainly harm and kill.
Ignoring them and hoping they will disappear is not an option. I am not an expert, but I think my suggestions have some merit for the future. The present needs to be the focus now.
In my opinion, we need to: immediately declare QAnon, the KKK, other hate groups terrorist organisations and remove terrorism supporters from Congress. Any congressperson/police officer who gave the insurrectionists help must be removed from office and charged.
No one gets into Congress without going through the metal detector. No guns get into Congress.
Every single insurrectionist from Trump down to the last one needs to be charged with all applicable charge from sedition and insurrection through destroying federal property.
We need to shore up what the 1st and 2nd Amendments mean.
We need to change the laws so there are no more Kyle Rittenhouses.
Anyone who is in QAnon or the KKK is not fit to be in law enforcement or law-making, and needs to be removed from office. We need more scrutiny of how these ideas are getting into the heads of the violent, and address the root causes (extremist evangelism, poverty, poor education etc).
We cannot just forget this happened and heal without cleaning up the source of infection and getting rid of the poison. We need to have Biden and Harris stabilize our country and Make Hate Hateful Again.
Unfortunately, we need to do this about 80 years ago at a minimum. But let’s start today.
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Debates on what is and what is not Racism abound on Facebook, recently involving a former Aberdeen councillor. Craig Gorman shares his thoughts.
Warren Ellis once wrote:
“Journalism is just a gun. It’s only got one bullet in it, but if you aim right, that’s all you need. Aim it right, and you can blow a kneecap off the world.”
Many ‘Journalists’ in our city would do well to take heed of these words.
The reaction, or rather, the lack of reaction, to former councillor Willie Young’s racist tweet, depicting a caricature of a Chinese person, wearing a rice hat, with a fortune cookie containing broken English, would suggest that we do not live in a city blessed with quality journalism.
Rather, we do live in a city served by stenographers, happy to toe the party line and serve up soft balls to the public, neither questioning nor instigative in its approach or execution.
Gone is the robust, detailed and forensic approach of John Pilger. The anger and outrage which bled onto the work of Hunter S Thompson, has been reduced to bland and flaccid copy. White hot fury has been replaced by beige, dejected acceptance.
The Evening Express was extremely reluctant to cover the matter, when informed of the tweet, they reverted:
“With regard to the fortune cookie picture, I would urge you to report it the Standards Commission to see if they consider it worthy of investigation. If they do, that would be a story that we would cover.”
Surely the position currently and formerly held by Mr Young would render this a matter of the public interest and worthy of coverage? Did no journalist at the Evening Express feel any impulse to pen an article which would eviscerate the tweet, but not the man?
Indeed, our national broadcaster, the BBC lead with the headline:
“Labour suspends former Aberdeen councillor Willie Young over cookie tweet.”
To be blunt:, the tweet was racist. The failure to capture and draw attention to this is a hallmark of how toothless, ineffectual and utterly insipid the standard of journalism has become in this country.
Perhaps I expect too much of our media.
However, the job of a Journalist should not be to provide a layer of faux impartiality, to offer a comfort blanket to those whose disposition they may offend. Or to unsettle those in power.
Mr Young immediately went on the offensive
One would think that the newspapers actually represented those individuals and their interests over their readership.
Perish the thought that the public should have a critical and articulate voice.
No, the job of a Journalist should be to impartially appraise a situation, present the facts and then call it as they see it. At no stage should racism, intended or otherwise, be presented with a veneer of impartiality. Racism is a binary topic: It is or it isn’t. It is acceptable or it is not.
Now, not for one second do I believe, or wish others to form the opinion that Willie Young is a racist. I don’t believe for a second that he is. What I do call into question is the judgment of the man.
Once the offensive nature of his tweet had been pointed out to him, Mr Young immediately went on the offensive, belittling anyone who criticised him and further doubled down by claiming the:
“world we live in has gone mad if people think my tweet was racist in any way”.
This is not an accusation of an ‘ism’ without context nor nuance. Mr Young was continuing his year-long streak of baiting and antagonising, trolling if you will, supporters of Scottish Independence on social media.
However, so petty and gleeful was his latest attack, that his already questionable judgement failed to spot the clearly racist element of his attempt at ‘humour’.
Let’s be very clear: there is nothing ‘funny’ about racism. Casual. Explicit. Accidental. It s a cancer which is growing and gnawing away at the heart of our society.
This behaviour has a cumulative impact upon society.
Our nation and our very sense of decency has been decimated by it. Our tolerance of racism has been exposed to the world writ large, and laid bare in the most vulgar and tawdry manner possible.
Individuals like Mr Young, and those who have attempted to gaslight criticism of the racist tweet, fail to appreciate the notion what by continually defending, or perpetuating the myth that those who object to racism are ‘snowflakes’, ‘the offended brigade’ or someway implying that we should casually hand wave away racist language or actions.
This behaviour has a cumulative impact upon society. It sends the message and gives the green light for others to behave in a similar manner.
This tolerance of racism, actively allows it to take a foothold, to become normalised and overtime accepted.
As we as a people hold the door open to casual acceptance of bigotry, the further down the mire we slip of allowing racism to be the underpinning factor in our society.
Indeed, is there anyone with an ounce of honesty going to put their head above the parapets and admit that Brexit was driven by an undercurrent of racial and xenophobic hatred?
That the ugly and utterly repellent ghost of the United Kingdom’s colonial past still haunts the collective conscience of many in our nation, unwilling or unable to grasp the fact that people from all cultures and backgrounds form part of a modern and progressive culture.
Does anyone think that the impoverished working classes in many areas of England voted for the Tory party in such overwhelming numbers because they felt they had something in common with the odious Reece-Mogg?
Or are we going to be adults about this and state that the racism and prejudice found in many of these areas was the overriding factor in voting for a party which views the poor and vulnerable as nothing more than the fair and justifiable targets of an ongoing class genocide, rather than an infinity for the very policies which have killed tens of thousands of people?
we send the message to all, that it is once again acceptable to be racist
The vile and hate-filed forces which the likes of Boris Johnston and Nigel Farage have unleashed upon our society cannot be underestimated.
Indeed, a brief look at some of the posts on the AV Facebook page demonstrate that racism and intolerance are being acted upon in our country with impunity.
No longer are baseless, moronic, outbursts against Muslims or ‘foreigners’ considered something to be ashamed of.
Rather, the dregs of our society, inspired by the likes of Farage or Yaxley-Lennon, are more than happy to post memes featuring such figures as Enoch Powell, invoking his infamous ‘Rivers of Blood’ speech.
Stealth racism, posited in the form of critiques of organisations such as BLM, frequently find fault with one element of protests against racism, or to provide a defence of the maintenance of monuments to former slave owners.
On no, dear reader, in no way are these people in any way racist. Please, don’t think that.
“We’re not racist – we’ve got black mates, don’t cha know, guv.”
With this, we arrive at the crescendo, the end point.
In diminishing the impact, of Mr Young’s tweet, by failing utterly to condemn racial nature of the content, we send the message to all, that it is once again acceptable to be racist – that it is acceptable to single out an element in our society to be thought of as less than worthy of our full respect.
We have lost the most basic empathy to understand that those who are different to us, whether it be culturally, racially or in their sexuality, are an equal and valued part of our culture and society.
I long for the days when racism, homophobia, Islamophobia are once again through of as bad things in this country.
Sadly, as long as we have individuals who are incapable of comprehending that such caricature portrayals of our fellow human beings are an outdated and unwelcome relic of a bygone era, I fear that we have a long way to go to fully eradicate racism from our society.
Duncan Harley reviews Mike Shepherd’s latest book, ‘The World Makers – Who Gets to the Top and Why’.
At first glance Mike Shepherd’s new book might well appear to be a detailed instruction manual on how to reach beyond the greasy pole and become a super-achiever.
And, there is certainly a glut of content here to sign-post the ambitious.
Tales of Olympians, top scientists, infamous and not so infamous politicians, ground breaking engineers and innovative business leaders – over achievers the lot of them, inhabit the pages.
But, as Mike points out early on in his introduction, the ambitious amongst us will undoubtedly gain insight here but the tales within might actually deter them from ever trying to get there in the first place.
Described as gossipy by the author, this is certainly no dry academic tome and throughout the 300 or so pages of discussion there are dozens of entertaining and often supremely bizarre tales involving the unexpected aspects of human behaviour exhibited by the gifted few.
Mathematician John von Neuman – who worked on the Manhattan Project, could memorise entire telephone directories and seemingly was able to recall any of the entries on request.
Moroccan Emperor Moulay Sharif who fathered some 1,200 children. Heiress Evalyn McLean who took the art of gloating to new levels by parading the Hope Diamond on the collar of her pet pooch.
Henry Morton Stanley who rose from penury to prominence as the man sent by the infamous New York Herald press baron Gordon Bennett Jr to find the missing David Livingstone.
Churchill, who despite episodic attacks of the Black Dog and a fairly mixed early career, rose to some prominence in the 1940’s. And many many more.
A stoic belief in one’s own destiny, an obsession with achievement, intense ambition and on occasion an intense and incorruptible – as in the case of Thomas Plimsoll of Plimsoll Line fame, desire to do good all feature within these pages alongside much discussion regarding the nature of those single-minded achievers.
Throw in a bit of hubris and a measure of narcissism and you get the drift of this book.
Many of the featured hyper-achievers deserve to be celebrated but inevitably many others do not. Florence Nightingale certainly falls into the former category – for her achievements after the Crimean Campaign.
Saparmurat Niyazov – tyrannical dictator of Turkmenistan, resides firmly in the ranks of the latter. But no spoilers here.
At the core of the discussion though is the idea that these big ideas of those few in number super-achievers shape our world and, like it or not, the rest of us have to fit as best we can into the framework they create.
On an optimistic note Mike concludes that the folk at the base of the pyramid can usually rub along just fine with those at the pinnacle but tempers this with the brutal thought that the actions of those achievers, whom he labels world makers, might just be a little extreme.
He may very well be right.
The World Makers by Mike Shepherd is published as a Kindle Book (291pp) and is available from Amazon @ £2.99
The Scottish Information Commissioner has agreed to investigate Aberdeen Voice’s complaint as Aberdeen City Council claims ‘it doesn’t know’ how much rent Aberdeen Journals Ltd pays for space in controversial Marischal Square.
Several parties have tried to obtain this information; and the information commissioner is investigating Suzanne Kelly’s formal complaint into the city’s recent refusal to disclose details.
According to an article published on Jan 27:
“Marischal Square.. is 75% let [after] just over two years… it is on track to achieve 100% occupancy later this year, defying critics who opposed the scheme and claimed it would become an expensive white elephant…”
Whichever Press & Journal hack wrote this piece praising Aberdeen City Council’s contentious (and ugly) Marischal Square development likely did so from the offices the paper got cheaply from…ACC.
You could be forgiven for thinking a newspaper should not take a free rent deal from a council it should be investigating (and there is plenty to look into), but the P&J and sister paper Evening Express did just that.
The £107 million Marischal project achieved the unthinkable: replacing a hideous 70s building with an even uglier office complex, while managing to immure the 16th c Provost Skene’s House inside a claustrophobic glass tomb. It ruins the setting for Marischal College across the road, as previously reported on by Piloti.
Other businesses thought to be enjoying sweetheart deals and free rent periods include multinationals with Chevron and EY set to move in. Why precisely such firms need to be subsidised is a mystery.
True to form, the city is releasing as little information as possible, however many FOI requests it receives.
It reluctantly admitted:
“Aberdeen Journals have been offered a rent-free period,”
and the current headline rent is £30 per square foot.
What dates the free rent covered, who agreed this deal and other details are ‘confidential’ according to the city. Despite public money being used to create the building and the public purse subsidising multinationals and newspapers, the city has clammed up. The Scottish Information Commissioner’s office is expected to investigate.
ACC insists only management company CBRE knows how much rent each company pays, and that ACC only gets the total figure of rent CBRE collects. CBRE are saying nothing.
We do know that:
“The total rental income received via CBRE for Marischal Square to 30 September 2019 is £849,936.61.”
The start of that time period? ACC aren’t saying.
Exactly how much the building cost to build, how much in debt the cash-strapped city is, and what negative impact Marischal Square has on companies that were already desperate to rent existing office space remains a mystery for now. But, as the P&J reported in January 2020, the building is ‘an award-winning success’.
Things moved on a bit since the paper reported on what it once called a ‘controversial’ and ‘contentious’ project. Councillor Willie Young claimed it would cost millions not to proceed with the project, but the P&J reported on March 5 2015 that there was scope to cancel the plans as some protesters wanted.
What possibly could have changed the paper’s position?
This is part of the CHI/17/241 report that is meant to have closed the book on Wallgate. Risibly, the city refused a FOI request to release Appendix 1 of this report unredacted, claiming it did not hold the document (a document used as a part of its own report). The FOI in question can be found here:
Here is the city’s timeline, with a few annotations from Suzanne Kelly, red letters refer:
The FOI release of this report demonstrates two things in Suzanne Kelly’s opinion:
1. That ACC cannot be trusted to thoroughly, objectively investigate itself, and
2. Transparency is as bad as ever it was (she once received from ACC on a FOI request an email that was redacted so that only the word ‘Dear’ appeared). Below is a section of the report the city (eventually) released
A) Who has authority to approach SUSTRANS for £200k, not least without knowing whether it is ACC’s responsibility to fix or not?
B) Either Land Registry (which I find to be helpful, proactive when I deal with them) told whose name was on the title deed (and ACC should have bought a copy), or they said it was unclear.
If they knew who owned it – that party should have been hit with a repairs notice. If they didn’t know who owned it, they should have immediately told SUSTRANS the fact. They should have not done anything but close the path until they knew ownership.
C) Suddenly ACC ‘knows’ who owns the land – or do they…
D) Here Young’s consent is being sought for the work – and yet the timeline coyly does not say ‘William Young is deemed to be the owner.’ at this point, 25/7/2016, Young should have said one or all of the following :
as I own the land and as my wall collapsed, I am already on the case fixing it;
ACC should not be obtaining funds through SUSTRANS to fix my wall without first clearing the conflict of interest concerns up – or maybe I should pay for my wall to be repaired myself;
I don’t know if I own the land so you shouldn’t be seeking my permission;
my dad owns the land since I sold it to him in 1992 and he will fix it;
it would be improper for council resources to be used to fix my or my family’s private property; … or
all of my council business must be kept completely separate from my private business, so we will not meet in my office and we will not use my council email to pursue this matter.
Why did the council not issue a repairs notice? It is certainly quick enough to do that to other people. If this report fully exhausted these questions, it’s hardly evident due to the redacted nature of the released report.
E) between 24/8 and 28/9 we move from questioning the ownership to seeking Willie’s written consent. And yet, a year later he says he didn’t own the land.
F) bearing out at least one of the leaked emails, Young is being asked for written consent. As Young is in 2020 adamant, he never contacted SUSTRANS in his life, is ACC acting as an intermediary for the entire process and if so why?
Considering how cash-strapped the city is, it has now invested time from several of its departments helping a private person (Young) to get c £200,000 from a charity.
The three parties involved in the funding are ACC, Young (who has given verbal agreement) and SUSTRANS – to insist he has never contacted them is in my opinion disingenuous, or worse: have the city’s officers made a deliberate, conscious decision to be a wall between the two parties? To what end?
I could add more annotations, but it seems redundant. It is up to the reader to decide whether this is just another one of the quaint, haphazard escapades of ACC, or if this is perhaps extraordinarily sleazy – or somewhere in between.
Aberdeen Voice first interviewed actor Declan Michael Laird in June 2012, when he was a determined, optimistic 18-year-old trying to break in Hollywood.
Quite a few films, commercials and experiences have gone under the bridge since then. This catch-up seemed quite overdue.
“I believe that if things are meant to be, they’ll be” he said at the time – while putting in the hard work to make what he wanted to happen a reality.
Glaswegian Declan started out as a rising footballer, playing for Greenock Morton FC on a youth contract; football runs in the family. His brother Stefan is Aberdeen Football Club’s Academy Head and owns his own coaching company, SJL Coaching.
A combination of circumstances, accident, curiosity, luck, and mostly talent led Declan off the pitch and in front of the camera.
“It was all amazingly sudden,” Declan explained in an earlier Aberdeen Voice interview of his first brushes with acting,
“I went to the first filming and decided this was what I wanted to do – the cameras, the actors, being on set was amazing. Football, which had been my aim for 10 years, suddenly fell to the back. I did a few short films back home with independent filmmakers.”
Determination and drive saw him attend the prestigious Stella Adler school on a full scholarship (the previous person on a full ride to the famous school was Robert DeNiro).
Fast forward to our present talk, which comes on the heels of the film ‘Hot Air’ debuting on Amazon Prime Video.
Hot Air is the latest from the inimitable, incisive Steve Coogan. Laird has a supporting role in the film, also starring Neve Campbell and Taylor Russell.
Before I knew Declan was in this film, it had my attention.
Coogan plays a far-right wing, bitter, manipulative, cynical shock jock à la Bill O’Reilly: a man who plays his perpetually furious, far-right wing listeners like a violin, creating ratings from fomenting their anger.
He has some great lines indicting the kind of journalism that is now poisoning American minds in particular (a disease spread by the likes of Breitbart and Kate Hopkins).
As someone who was on the O’Reilly Factor show some years back, I wanted to see if the dirty tricks, psychological games and ruthlessness would be captured.
Coogan’s radio talk show host is emotionally wounded and the cuts have festered over time. The Dei ex Machina appearance of his niece (Taylor Russell), child of his damaged, addicted sister provides a way to see how he wound up so twisted.
He gets some killer lines (‘How do you sleep at night?’ Is answered by him with ‘On a mattress stuffed with cash and the broken dreams of Hillary Clinton’), climaxing in his soliloquy damning politics and far-right media near the end.
This movie has a lot to say, and I like how it does it.
Declan does an impressive turn in this supporting role
It was great to see Neve Campbell as the love interest. You can see in her face her conflicting emotions – fondness, perhaps love for the rather unlovable DJ, and turmoil when he gets things so wrong at different times.
If you remember Trump’s preposterous recent pronouncement that instead of a wall we should have a moat, he may have picked that up from this film
But there is humour, not least supplied by Declan’s character – a trustafarian young Russian man who lives in Coogan’s ultra-exclusive Manhattan apartment building who takes Taylor Russell out clubbing, to Coogan’s chagrin.
Declan does an impressive turn in this supporting role, from his accent, his movements from his hands through his fingertips.
I asked how he got his accent honed.
“I was always the guy doing impressions and mimicking people growing up – it came naturally to me. I did study dialect at Stella Adler as well; there were two years of accent training.”
“I asked the director ‘Do you want me to play it straight or do you want caricature?’ and he said ‘Well, we’re going to put you in an Adidas tracksuit with a thick gold chain.’ – so that told me all I needed to know.”
He was surprised to see Taylor Russell as a fellow actor on the project – he had met her before.
“It was the craziest thing – I met Taylor about three years earlier. We got introduced by a friend of a friend. Then she was in Lost in Space for Netflix.”
He saw her name on the scripts and that meeting came back to him.
“It’s funny how it’s such a small world.”
Ms Russell is in the acclaimed Waves, and has just had a 2020 breakthrough actor nomination for her work on the film in the Gotham Awards.
I didn’t ask Declan the predictable ‘So what was Steve Coogan really like?’ question, but I did ask what it was like to work with him. To many, Coogan is Alan Partridge; to others like me, Alan Partridge is a small part of Coogan’s work.
“He was kind of a quiet person, very polite. He thought I was Russian. When he asked me where I was from and I answered ‘Glasgow’, we got talking more. He was a great person to talk to and had lots of good advice.”
It was a bit odd how Declan landed the role – it was via one Skype call. He had done a reading of one scene with only one read through, and no input came back from the director – which can be very good or it can mean they’re not remotely interested.
“Forty-five minutes later my agent called and said I got it.”
“It was funny… I went to see it in a theatre with my girlfriend and this couple looked at me, and the man did a double-take. I heard him say afterwards to his partner, nodding in m y direction, ‘That’s the guy who was in the film!’ And she said ‘Don’t be ridiculous!’
Declan tells me about his girlfriend – they met in New York; she went to NYU and plans to direct and did casting for Netflix. I ask him if he has any interest in directing.
“Directing doesn’t interest me. I look at acting, writing, producing, and she talks about shots, cinematography, lightning.”
What’s next seems to be more acting and some producing.
“Zak Kadison has taken me under his wing,” Declan says of the producing side.
Acting-wise, he will be appearing in Green Fever next year.
Green Fever is a tale of a marijuana farm in California at a time of transition, directed by Gerard Roxburgh, written by Danny Acosta and Paul Telfer.
It is based on true events, but as Declan puts it
“My role is the only real fiction in it; I play a younger brother of a farm owner. The focus is on politics around the time weed was made legal. It’s an action/thriller/heist film.”
I cheekily ask whether the cast are taking the method acting approach to the project; Declan laughs and replies:
“There was a strong talk from the director to everyone about not smoking!”
A Scottish coincidence arises in the film’s crew;
“Gerard’s (the director’s) family come from down the road from my family in Greenock, and Telfor’s roots are in from Paisley.”
By this time, we’d talked politics, Trump (inevitably), earthquakes, San Francisco, football and more, and before I talked him hoarse, we wound up the call.
It is wonderful in such a time of upheaval and problems, and frisson between generations to see someone like Declan whose mature and hard-working beyond his years getting closer to the nearly impossible dream of Hollywood stardom.
If anyone can get there though, it’s him. I can’t wait to see where he’ll be in a further nine years.
Duncan Harley takes a tour of the newly refurbished Aberdeen Art Gallery
It rained and there was a bag search on the way in to the gallery space, but fortunately we had arrived late and there was no queue. The drenched security operatives cheerfully let me through since I had no bag and just a stick.
A cursory glance into my companion’s crowded handbag convinced them that she was no una-bomber and off we went to see the pictures.
It was day one of the re-opening of the newly refurbished Aberdeen Art Gallery and a tiny sense of foreboding clouded the event – the renovation had included the discovery of plague skeletons – there were 92 of them.
And the original quite splendid white-marbled staircase had it seems been consigned to the dustbin of history.
Clutching our, now soggy, Eventbrite passes we made our way into what might once have been a familiar space.
Various dog-tagged staffers welcomed us into the new space. Commemorative tin-badges were handed out and a quite splendid map detailing the various new gallery spaces immediately made clear that the old, and perhaps dowdy, gallery space had gone to that dusty place where such things go to die.
Seven years and £35m in the making, the new interior is quite breath-taking.
Where the staircase stood, there is now an open central space linking three floors.
Not an atrium in the true sense but not far off in terms of lighting, and acoustically splendid.
Opening morning was accented by a set of coloured musical notes titled ‘The Big Picture’. By Judith Weir – a formidable composer with Boston Symphony and various operas under her belt.
Conducted by John Horton and directed by Roger Williams, the celebratory piece, written specially for the opening of the gallery, took the form of a synaesthesia where listeners were invited to experience five colour-themed movements (Green, Blue, Gold, Red/White and finally Colour) in a cantata for two choirs plus an instrumental ensemble spread amongst the gallery floors.
The resulting sound experience was quite breath-taking, especially when heard for the very first time in a public space.
As Judith’s Big Picture gently reverberated around the building, we headed for the upper floor before making our way down the staircase and through the various new gallery spaces.
There are thankfully a few familiar images amongst the thousand or so exhibits. Eric Auld, Joseph Farquharson, Glasgow Boys and Monet feature. But in the main, the new space is full of new pleasures and a somewhat brave set of decisions.
Photography is allowed – and why should it not be. Accessibility has also been splendidly addressed and the artwork on display boldly embraces most tastes.
Tracey Emin vies with George and George. Martin Parr vies with the old masters who painted Finzean sheep and Victoria’s kilted Albert. And a multitude of previously unseen works inhabit the walls, Dick Turpin amongst them.
And the justice on the cake? The new gallery is free to enter and as often as you like. All we need now is an Aberdeen Museum.
Duncan Harley is author of two books about the North-east of Scotland. Both – The A-Z of Curious Aberdeenshire and The Little History of Aberdeenshire – are available from Amazon.
Now in its 5th year Aberdeen’s True North Festival has long since proved itself to be the most entertaining, eclectic and rewarding event in the music calendar for the North East of Scotland.
Its wide range of events and artists have started to draw in the crowds from afar.
Saturday night headliners, The Twilight Sad in particular attracted fans from across Europe and even as far afield as Australia, albeit via England.
Events kicked off with the now traditional Thursday night performance at the Lemon Tree – one which, quite literally, blew the roof off.
It’s a night of punk attitude and organised chaos as London alternative rock band Shame and hotly tipped up and coming Glaswegian band Rascalton entertained the crowds. Rascalton’s set is an engaging and entertaining blast of no-nonsense Clash inspired garage punk, soaked in Buckfast and Glaswegian street attitude.
They’ve already been hotly tipped by the NME as well as local and national press and it’s not hard to see why as they snarl, shout and pound through a adrenalin fuelled opening set. They’re back in Aberdeen on the 14th December at the Cellar – miss them at your peril.
Headliners, Shame share the same punk ethos backed up with boundless energy and enthusiasm.
The band are championed by the likes of Radio 6 Music DJ Steve Lamaq and contemporaries of bands such as Idles and Fontaines DC.
Frontman Charlie Steen is a blur of energy as he stalks the stage and dives into the crowd on numerous occasions.
And it’s on one of those occasions that he inadvertently brings the roof down by knocking tiles off the ceiling and into the crowd. The tiles are clutched like trophies by the hyperactive mosh pit as they lose themselves in a great energetic set.
Friday –thankfully – starts in a more laid back and relaxed fashion at the wonderful Tivoli Theatre with an opening set by the equally wonderful Martha Ffion.
The Irish born, Glasgow based songwriter runs through a set that’s influenced by classic songwriting, stirring dream pop and the shadow of Glaswegian indie stalwarts such as Belle and Sebastian. Her melodic, catchy songs would have won a few new converts on the night.
Wick rock band Neon Waltz are next up. They’ve already played True North in previous years so will not be strangers to a lot of the crowd. In that time they’ve matured in style and poise and have honed their stage craft, no longer naïve youngsters from the North of Scotland but a band capable of International appeal.
Headliner, Bill Ryder Jones is quite the veteran by now with over 20 years of experience at the still young age of 36.
He started playing with Merseyside rockers, The Coral as far back as 1996, when they formed, and was their guitarist for 5 albums, leaving in 2008.
Since then he has become an accomplished solo artist, standing on his own merits and releasing 5 solo albums and even scoring the music to a few short films. His sound is dreamy and expansive recalling, at times, the sonic adventures of shoegaze whilst still displaying his song writing talents.
From the Tivoli, it’s a quick walk up to the Lemon Tree for the evenings other main performance.
Originally to be headlined by BC Camplight, he had to pull out the day previous due to illness.
Fortunately, local treasure Kathryn Joseph volunteered to step in and perform a short opening set which allowed original opening act The Ninth Wave to step deservedly up to headliner status.
Kathryn should be no stranger to anyone in the Aberdeen music scene, or even to those further afield.
She cut her teeth locally working in The Lemon Tree, performing in bars and venues such as the Tunnels.
Her sparse, haunting minimalist music, consisting mainly of piano and vocals, has led to critical acclaim, winning the 2015 SAY awards album of the year, and to recognition by her contemporaries and her musical influences, even appearing on the bill for The Cure’s feted 2018 Hyde Park concert at the behest of Robert Smith.
As usual she doesn’t fail to deliver with an inspiring set of melancholic songs and her now trademark swear word heavy between song banter. A joy to behold, as was expected.
Headline band, The Ninth Wave transport the crowd back in time to the early 80s New Romantic Blitz Club, whilst pushing forward with their synth heavy retro-futurism.
Their sound and style may not be for anyone old enough to remember the likes of Soft Cell or Japan but their ice cool demeanour and ability to engage the crowd provides an entertaining and enlightening set. .
The weekend brings out the bigger events with both Saturday and Sunday’s early evening performances taking place at the newly refurbished Music Hall.
Headlining on Saturday is Scottish indie rock band The Twilight Sad. It’s a triumphant gig for them, almost a homecoming as lead singer James Graham is no stranger to the area, having members of his Mother’s family staying in the North East.
He looks and sounds genuinely thrilled to be performing at the Music Hall, telling stories of passing it as a youngster and promising to his Dad that he would play there one day.
The band have played various smaller venues in Aberdeen in previous years – working themselves up from the Tunnels and the late, lamented Moshulu through the Lemon Tree and now to here.
Powering through a set heavy on tracks from latest album ‘It Won/t Be Like This All The Time’ and featuring an touching cover of Frightened Rabbit’s ‘Keep Yourself Warm’, it’s an emotional and powerful set that steals the weekend.
Opening for The Twilight Sad are Aidan Moffat & RM Hubbert.
This is the penultimate performance of their collaboration before they return to their solo careers.
To be honest, the two of them can do no wrong whether together or apart and tonight’s show is a wonderful showcase of their respective talents, their eye for a melody and the lyrical genius of their songs.
As much as it’s great they’ll be back performing solo you have to hope that there’s a reformation in a few years which produces new material of an equally high standard.
Late night at the Lemon Tree is more dance orientated the euphoric rave of Free Love and the Electro pop of Self Esteem.
Free Love are an entertaining and engaging live act, refusing to be constrained behind a bank of synths and mixers like most acts of this style.
Flanked by a pair of ladies in robes and holding flowers, lead singer Suzi Rodden throws herself completely into the performance, dancing barefoot into the crowd, writhing on the bar and spreading the gospel of Free Love’s high-NRG utopian dance music. .
No less restrained, but less likely to bump into you and spill your pint whilst you’re at the back of the venue, are Self Esteem. The new project of former Slow Club singer and multi-instrumentalist Rebecca Lucy Taylor, the band is a move from her former indie folk act and into pure pop. Complete with choreographed dance moves, matching red outfits and loads of hooks and melody she easily wins over the Saturday night crowd and keep them dancing well past midnight.
There’s one more gig at the Lemon Tree and that’s late on Sunday night as Ibibio Sound Machine take to the stage.
Fronted by the colourful and flamboyant singer Eno Williams the band perform an impressive set of West African funk and electro. The clash of styles works well and their visual, eye catching style lends to the occasion, giving a cosmopolitan and worldly flair not usually seen in Aberdeen on a Sunday night.
Before that, at the Music Hall, the stars are out in force for a run through of Scottish rock and pop classics under the banner of Rip It Up Live!
Taking their name from the classic Orange Juice track and influenced by the 2018 National Museum of Scotland exhibition, an array of talented Scottish performers, both established and up-and-coming, run a through a 25 track set that covers everything from the Cocteau Twins to Simple Minds; Garbage to The Associates & from the Eurythmics to The Proclaimers it’s an entertaining and rewarding through Scottish pop history.
Curated by Radio DJ Vic Galloway, the all star cast includes TV presenter and frontman of The Skids, Richard Jobson, actress and legendry frontwoman of Altered Images, Claire Grogan, Del Amitri frontman Justin Currie, punk pioneers The Rezillos and many, many more.
Credit again for the festival must go to Aberdeen Performing Arts who have made it yet another weekend to remember. See you again in 2020!