Nov 192021
 

By Suzanne Kelly.

Aberdeen’s Evening Express’ long-serving columnist Frank Gilfeather was defenestrated after his opinion column on nightclub spiking attacks made on women sparked outrage.

An 18-year-old student in Aberdeen believed she had been spiked with a needle in an Aberdeen club, and Police Scotland were investigating.

Gilfeather, a retired boxer whose strapline was ‘The column that packs a punch’, took exception to a proposed Thursday night boycott of clubs for a girls’ night in protest and a petition to search clubbers.

In a column filled with misogynist mockery, he wrote:

“…surely it is the responsibility of the individual to keep themselves safe?”

While such incidents have been reported across the UK, Frank dismissed data on such attacks as being ‘sketchy at best’ concluding women suggesting full body and bag checks don’t ‘live in the real world.’

Unsurprisingly there was anger on social media.

The 23 October issue of the paper carried a full-page apology for Gilfeather’s column in lieu of its normal letters section. In ‘Frank Gilfeather’s column – apology’ editor Craig Walker announced Frank’s departure as the ex-pugilist refused to renounce his position. Walker declared:

“We are deeply sorry that our usually stringent editorial processes – the same processes which meant the column was not published on our website failed in the case of the printed edition.”

Walker continued:

“We pride ourselves on the quality of the journalism we publish…”

and on being

“… a trusted and constructive part of public debate.”

Readers with long memories were unconvinced. Former EE editor Damian Bates’ contributions to public debate and quality journalism included numerous puff pieces for Donald Trump while omitting that his wife Sarah Malone was the tycoon’s employee.

In 2007 the tabloid carried the headline ‘You traitors – fury as councillors kick out Trump’s £1bn golf plan’ with the faces of Aberdeenshire councillors who dared to vote down Trump’s initial golf resort plans.

The Evening Excess may have apologised for publishing Gilfeather, but it has never owned up to its persecution of these councillors, years of duping readers about the Bates/Malone connection or freezing protest group Tripping Up Trump out of the public debate Walker claims the paper values.

Such was the outrage over the spiking portion of his column that its other content was overlooked. Opining on the ‘let’s find something to offend us crowd’ Gilfeather was apoplectic over news that the National Theatre of Scotland had banned the word ‘spooky’, Writing:

“… but best impose a ban – just in case. Don’t you just love the flakiness of it all?”

Alas, the NTS had confirmed the story was untrue as per the Scottish Sun on 21 October, the same day Gilfeather was published.

Perhaps the EE’s stringent editorial policies and fact-checking still have a way to go?

‘Flakiness’ is the word for it.

 

Oct 212021
 

Review and photographs by Craig Chisholm.

Sunderland art-rockers, Field Music, returned to Aberdeen after a 9 year hiatus to play to a receptive crowd at The Tunnels on Carnegie Brae. Having released their 8th studio album – Flat White Moon – last April the band would have been relieved to finally get the show on the road in support of it, with this date being the opening night of a full UK tour.

First up, however, was local musician Steven Milne.

The Little Kicks frontman was drafted in early that afternoon after original support act – Galaxians – were unable to perform.

Milne is at pains to point out this is his first live appearance in 19 months. Coupled with the late call up, it could have proved to be a recipe for disaster.

However, he is nothing but naturally talented and that talent shone through in his solo performance.

Sitting behind a keyboard, he was captivating and engrossing as he ran through a set of Little Kicks tracks and a cover version of The Blue Nile’s ‘Tinseltown in the Rain’.
And it’s a credit to his song writing skills that his own material more than held its own even beside the sublime Blue Nile track.

A new Little Kicks album is due for April and should be on everyone’s shopping lists.

Brothers Peter and David Brewis have released 8 albums in the last 16 years under the moniker Field Music and tonight’s gig showcases songs across that time span.

Swapping roles between vocals / guitar and drums, there’s a real chemistry and understanding between the two siblings.

The music, the humour – it’s all interchangeable and on the same level between and during tracks. They’re the anti-Gallagher’s in that respect – brothers in music with no friction or individual ambition tearing them apart.

But that’s where the comparison begins and ends – the Brewis brother’s music isn’t steeped in conservative, classic rock, like Noel and Liam are, but in art-rock futurism and forward thinking of bands such as Talking Heads or Scritti Politti.

The set itself leans heavily on the recently released ‘Flat White Moon’ but there’s a dive into their back catalogue, with tracks such as ‘A House is not a Home’ and ‘(I Keep Thinking) About a New Thing’ given an airing.

Personal highlight for this correspondent was ‘Disappointed’, a near perfect pop tune steeped in a light funk backbeat.

The late, great musical genius Prince once tweeted their track ‘The Noisy Days Are Over’ without comment to his millions of followers – and that says a lot.

If anyone could recognise good music, you’d expect it from someone like him.

And the crowd recognise it tonight – it’s a magnificent set that has them clapping enthusiastically and begging for more.

After a good few years without a visit North to the Granite City, it was a joy to see them here again – hopefully they return sooner than later.

Oct 202021
 

Review and photographs by Craig Chisholm.

Just over three decades ago, The Quireboys released their debut album ‘A Bit of What You Fancy’.

Tonight, they revisited their commercial high point with a date at the Lemon Tree in Aberdeen.

First however, the crowd are entertained by up-and-coming slide guitarist Troy Redfern, backed with drummer Finn McAuley and bassist Keira Kenworthy.

Redfern is a virtuoso guitarist.

His guitar fireworks are astonishing to watch, his fingers running up and down the fretboard fluidly and gracefully.

But it’s not just a show in histrionics and shredding, it’s raw, gritty, heartfelt blues filled with emotion and belief.

Watching him, you know that he believes in the music he is singing, that he feels it – and that’s important.

It shows authenticity and a love for the genre.

For him to light up the guitar, he needs a strong groove and foundation to sit upon and his rhythm section are more than up to the job – they provide a solid, thunderous backbone to Redfern’s solos and slide guitar masterclass.

Closing his half hour set with a cover of Jimi Hendrix’s classic ‘Voodoo Chile’ you can see he’s made some new fans in the audience, many of whom are queued up minutes later to meet him and purchase his music.

“It’s 7 O’clock and time for a party” as their song goes – well, it’s not, it’s 9 o’clock when they hit the stage, but the party is most definitely on.

It’s been over 31 years now since their debut album ‘A Bit of What You Fancy’ was released.

It was halcyon times for the band back then – the album hit no.2 in the charts, singles went Top 40. There were support slots with the likes of Aerosmith and The Rolling Stones, on the bill of the Monsters of Rock festival at Castle Donington, appearances on Top of The Pops and huge headline tours of the UK, Europe and beyond.

But time moves on and tastes change – at the height of grunge in the early 90s, the band parted ways and went on an extended hiatus for a few years.

But The Quireboys are nothing but tenacious and not ones to shy away from a challenge.

Certain musical styles never go away either – and in the case of their bluesy, classic rock it’s a style that will always have its fans.

And the fans are out tonight as they revisit their debut, changing the running order to bring new focus on old songs and remind everyone why they had so much success with it.

The singles are all greeted with cheers – ‘7 O’Clock’, ‘Hey You’ and ‘There She Goes Again’ working the crowd on the frenzy and getting them dancing.

And there’s moments of poignancy and reflection such as the emotional ballad ‘I Don’t Love You Anymore’.

‘Whipping Boy’ is a particular highlight – low down and dirty slow blues, underpinned with some bass that reverberates through your soul.

The band seem to be enjoying it – lead singer Spike seems particularly happy to be on stage again after Covid’s shutdown of live music.

Between songs he’s humorous and friendly, speaking directly to members of the crowd, always with a twinkle in his eye.

He also seems to be slightly lubricated; shall we say – despite his quips about having not drank for 10 years.

But it’s Friday night and most of the crowd are on the same level as him and it endears him to them even more.

Once a song starts, however, he is back to being the professional showman and singer. Every song is nailed perfectly, not a note dropped or lyric forgotten. And his voice, that raspy, 20 fags a day sound is spot on.

Despite tonight being a celebration of the past, it also points that there’s a strong future for the band – their unique take on that classic Stones or Faces sound, rooted in the blues, R&B and Country will always have listeners. And with over a dozen albums behind them and the potential for a dozen more, so will The Quireboys.

Oct 082021
 

With thanks to Craig Chisholm.

The Quireboys finally make it to Aberdeen after rescheduling due to Covid restrictions.

They will be appearing at The Lemon Tree on Friday, Oct 15, and will be performing their landmark album “A Little Bit Of What You Fancy”.

To celebrate the 30th Anniversary of that iconic debut album the Quireboys recently released a re-recorded version with their distinctive gypsy rock and roll sound.

“A Bit of What You Fancy is where it all began for the Quireboys,” says the band’s frontman Spike.

“It was an incredible album that launched our career. However, the way we sound and play now doesn’t do it justice. Henceforth, it has been a pleasure updating it to our modern-day gypsy rock and roll sound. I’m sure everyone will enjoy this new version in all its glory, marking its 30th Anniversary.”

The Quireboys have always remained true to their roots from the start. The boy’s mission is simply to keep the spirit of good time rock ‘n’ roll alive and kicking into the 21st century.

The 30th Anniversary Edition of “A Bit Of What You Fancy” can be pre-ordered from www.offyerrocka.com/product- category/artists/the-quireboys

Troy Redfern and his three-piece band will support The Quireboys at all shows.

Hailed as Britain’s King of Slide Guitar, Hereford-based singer songwriter, Troy will perform songs from his critically acclaimed new album “The Fire Cosmic” which features the single “Ghosts” that was playlisted on Planet Rock and many other radio stations.

Says Music News.com:

“Troy Redfern is one of the country’s best players and writers and the album is a blast from start to finish.”

Taking up the guitar as a teen, Troy quickly absorbed his musical influences of the early blues pioneers and the energy of the 70’s and 80’s rock icons. The turning point came when he discovered open tunings and slide guitar.

“I immediately felt like I’d come home the moment I put a bottleneck on my finger and started playing slide, it instantly felt completely natural to me. This style of playing helped me find my true voice on the instrument”

The last few years has seen Troy shift into creative overdrive releasing five full length albums in 2020 alone, all receiving worldwide airplay and overwhelmingly positive reviews from the international press, “Island” and “Thunder Moon” both receiving multiple 5-star reviews.

Tickets are available in person at Aberdeen Box or online at https://www.aberdeenperformingarts.com/whats-on/the-quireboys/

Oct 062021
 

By Craig Chisholm.

True North continued to cement its reputation as one of Aberdeen’s musical highlights of the year with another excellent event that showcased an eclectic and varied bill of excellent music.

After taking a brief hiatus from crowds last year – the event was online instead – it was encouraging to see people back in the Music Hall, Lemon Tree and numerous smaller venues and enjoying live music once more.

The number of events is slightly stripped back this with less late-night shows and no shows at The Tivoli Theatre but what was missing in quantity was more than made up in quality.

The Lemon Tree is the venue for the opening Thursday night event – a triple bill featuring Lavender Lane, Edinburgh’s Swim School and the indie pop of headliners Peaness. Providing the perfect start to usher in the weekend.

Friday night provides an even more varied bill. Opening musical proceedings is Aberdonian Katie Mackie.

Sat behind a keyboard she provides a short set of soaring baroque, chamber-pop that features a cover of Steely Dan’s ‘Dirty Work’.

Scottish / Kenyan multi-instrumentalist and poet Beldina Odenyo performs under the moniker Heir of the Cursed. Tonight, she plucks on heavily reverbed guitar and her operatic, hypnotic voice is soothing, expansive, and ethereal.

Despite a light-hearted between song gripe about the cost of salad in Aberdeen, her set is calm and transgressive, taking the crowd to a higher spiritual and musical space.

Singer-songwriter Ayanna Witter-Johnson is another rare talent.

Opening – rather boldly – with a dance, she picks up the more familiar cello for the remainder of her set.

Using a loop pedal she sounds like an entire band as opposed to one woman and an instrument.

Despite an unexpected power cut, Witter-Johnson delivers a strong, inspiring set that uplifts the audience.

Saturday night is the first of the Music Hall gigs.

Opening act Rachel Sermanni plays an intimate, minimalistic set. She somehow manages to make the cavernous Music Hall seem small and cosy, drawing the crowd into her private space.

A unique Scottish talent, she returns to The Lemon Tree in December.

Headliner John Grant is magnificent.
He cuts quite an imposing figure on stage – a large, hirsute bear of a man – but his voice is soothing but powerful.

Alternating between piano led torch songs and disco influenced bangers, he runs through a 100-minute set of dark humour, heartfelt confessionals, and unbridled joy. A stunning performance well deserving of the standing ovation at the end.

For those still looking to party into the night then the Lemon Tree is the place to be. Local rapper Ransom FA headlines an evening of beats, breaks and raps with support from DJ Home Alone, Bemz and Sean Focus.

Sunday night at True North is the traditional tribute night, curated and performed by a star performer.

This year, the performer is the talented Grammy Winner Corinne Bailey-Rae, and the subject of the tribute is the mercurial Stevie Wonder.

Looking radiant in a sparkly gold sequined dress, Bailey-Rae is every inch the superstar.

But this is not about her tonight, and she happily gives over the spotlight to guest vocalists such as Paix, Angus Munro, Jalen N’Gona and Little Acres.

And each more than hold their own and breathe new life in the songs of Stevie Wonder. The hits are all there – ‘Signed, Sealed, Delivered’ and ‘Don’t You Worry About Thing’ by Bailey-Rae are particular highlights – but there’s also plenty of deep cuts, forgotten classics and album tracks to keep the die hard Wonder fans happy.

The night – and the weekend – is brought down with a rousing, run through of Wonder’s classic ‘Superstition’ that has the crowd on their feet, hungry for more and ecstatic at the collective feeling of joy.

Yet again, True North has proved to be a success and a jewel in the crown of the Aberdeen Music Scene.

With next to no concerts in the last 18 months, it’s been a cathartic and joyful event, a light at the end of a very long, very dark tunnel and credit is due to the organisers, the venues, and the performers for pulling it all together in such a short, potentially unpredictable time.

Here’s to True North 2022, long may it continue!

Oct 062021
 

Glasgow’s The Ninth Wave  release new single “Piece and Pound Coins”, a new taster of their next full length body of work, due 2022. By Craig Chisholm.

A compelling piece, “Piece and Pound Coins” was produced by the band themselves and mixed by Max Heyes (Massive Attack, Doves, Lucia & The Best Boys, Primal Scream). Amidst a distinctly chilling atmosphere, rolling piano lines weave their way through chugging percussion with the track standing as a stark examination of grief and loss.

Speaking on the release of “Piece and Pound Coins”, singer Haydn Park-Patterson said: 

“I wrote this song about a friend who passed away a number of years ago. I’ve never really felt like I wanted to/could write about him for a number of reasons, but I guess the main one was because that for a long time, I wouldn’t have known what to write.

“Writing about death is a world away from writing about heartache/love/friendships because there’s nobody to listen to the song and wonder “is that about me?”.

“It’s a strange feeling, to write a song about someone that you know can’t ever hear it. The song also touches on the thought of wondering what he’d be up to now, 5 years on in his life, and how weird a thought it is that we’ve all continued on with our lives but his had a start and end point, and that’s it. No more memories to be made.

“The song also lets out a bit of confused anger that I felt not long after he passed, as I watched how a few people reacted to his death and the way in which they talked about it. That’s the meaning behind the line ‘death makes some people sad and some people ugly / and some people took your name for their own sake’.

“I like to think that he’d like the song, as he was one of the most supportive and positive-minded people I’ve ever had the pleasure of knowing.”

The track has been released alongside a stunning video directed by Rianne White. She commented: 

“I feel completely in awe of this song and Haydn’s ability to frame such an immense feeling. Embraced by the catharsis of nature, the heights of grief and identity are expressed through a journey of Haydn’s internal growth accompanied by a symbolically poignant lone wolf.

I like to think of Hayden and the wolf as one, both finding their way back to their truest states of being with wild untamed hearts of companionship and eternal loyalty. “

The new single arrives off the back of the band’s recent singles ‘Everything Will Be Fine’ and ‘Maybe You Didn’t Know’; their Faris Badwan (The Horrors)-produced EP ‘Happy Days!’ (2020) and their AIM Award and Scottish Album of the Year-nominated debut album Infancy (2019).

Constantly developing and pushing their sound into exciting new territory, sonically The Ninth Wave are challenging expectations and preconceptions of their music with this new material.

Leaning toward influence from contemporaries such as Massive Attack, Young Fathers, Mount Kimbie and Portishead – the quartet assuredly retain their own distinct songwriting craft and approach.

Lyrically the new material also promises to be more upfront than ever before.

Celebrating honesty and real life, The Ninth Wave want their listeners to find comfort in their music. They want their fans to feel safe; to be confident in who they are, and to know they’re not alone with their feelings and anxieties.

“It’s a cathartic thing for both us and the listeners; we want to help with normalising being emotional and finding comfort within your stadness”, the band went on to say.

The Ninth Wave are widely praised across the board from The Guardian to Wonderland Magazine, NME, Dork Magazine, DIY Magazine and more – with radio support from BBC Radio 1 (Jack Saunders, Huw Stephens, Phil Taggart and Abbie McCarthy), BBC 6 Music (Steve Lamacq), and Radio X (John Kennedy).

Elsewhere the band’s music has been remixed by The Horrors, Dream Wife, The Twilight Sad, Mogwai, Low Spirits and Working Mens Club, along with tours and shows with Editors, Pussy Riot, CHVRCHES, Franz Ferdinand, Suede, The Magic Gang, Yonaka, and The Blinders.

The band play a date at Aberdeen Tunnels on 19th October.

Tickets are available here.

Band Website – https://theninthwave.online

Watch, “Piece and Pound Coins”: https://youtu.be/Sods9jZatuw

Stream, “Piece and Pound Coins”: https://theninthwave.lnk.to/PAPC

Sep 172021
 

Ayanna Witter-Johnson

By Craig Chisholm.

Aberdeen Performing Arts’ award-winning music festival, True North will return from 23-26 September for a weekend of live music and free events, boasting an inspirational and vibrant line up of shows and Fringe events at venues across the city.

True North will be based around the theme of Rise Up, celebrating freedom of expression, diversity and community as we prepare to re-open and welcome back audiences to the Music Hall, Lemon Tree and His Majesty’s Theatre for the first time since March 2020.

American singer songwriter and former Czars frontman John Grant will headline True North at the Music Hall on the Saturday evening.

John Grant

Described as ‘the misfit’s misfit’, Grant is too weird to be mainstream, too mainstream to be weird; too sad to be happy, too sharp not to crack a mordant joke about it.

The dolorous ace in his song-writing pack is to gauge impressionistic childhood experiences against their amplified adult consequences.

Rachel Sermanni

He will be supported by acclaimed Scottish performer Rachel Sermanni.

Grammy and MOBO award-winning star Corinne Bailey Rae will close the festival on Sunday with a specially curated concert at the Music Hall called “A Celebration of Stevie Wonder by Corinne Bailey Rae.”

The evening will see Corinne joined by special guests to perform the many legendary hits from the catalogue of Stevie Wonder songs in what promises to be an extraordinary evening of music.

.

With previous True North curated concerts celebrating the music of Neil Young, David Bowie and Kate Bush among others, this concert at True North has become a highlight of the festival and a firm favourite among audiences.

Headlining on Friday night at the Lemon Tree with a Night of New Voices is the soulful, eclectic Ayanna Witter-Johnson.  A singer, songwriter, cellist, composer, producer and arranger with phenomenal musical prowess, mesmerising vocals, uncompromising lyrics and mastery of the cello. Ayanna unapologetically imprints her unique musical signature into her music.  

Heir of the Cursed, Robyn Davidson and DJ Rebecca Vasmant complete the line-up.

Ransom FA

Aberdonian grime rapper Ransom FA will head up late night at the Lemon Tree on Saturday.  The fast-rising artist, was a contestant on the UK TV show, The Rap Game, where he battled other budding rappers for a record deal.  

Prior to the Rap Game, Ransom had already shared the stage with many of the biggest UK rappers, such as Skepta, Wiley, Mist, M Huncho to name only a few. He will be joined by Chef, Sean Focus and DJ HomeAlone.

Playing on Thursday 23 September and kicking off True North 2021 will be Peaness, who will be bringing their catchy, fuzzy, harmony-driven indie-pop songs about love, friendship, frustrations, Brexit and food waste to the Lemon Tree.

Formed in 2014 in Chester university digs, the trio have secured nationwide and international shows with bands such as The Beths, Kero Kero Bonito, The Cribs, We Are Scientists, The Big Moon and Dream Wife. They will be joined at the Lemon Tree by Swim School and Lavender Lane.

A spoken word event specially commissioned by Aberdeen Performing Arts and headed up by award winning poet and three-time slam champion Jo Gilbert will focus on the festival’s theme of Rise Up.

Four local spoken word artists will produce new work based around this theme and showcase their work at the Lemon Tree on Sunday in an event which promises to challenge and inspire in equal measure.

Fringe events are planned to take place in venues across the city over True North weekend and details will be announced shortly.

Ben Torrie, Aberdeen Performing Arts’ Director of Programming and Creative Projects said:

“We are thrilled to announce the lineup for True North 2021, which feels like a huge step in the return of live performance at our venues. It feels really good to be able to bring the festival to a live audience once again.

“It means a lot to us to be able to put this on for people in Aberdeen, and to shine a spotlight on so many talented performers and musicians is a privilege that has never been so important.

“The theme of this year’s festival is Rise Up. It’s a positive message about rising up to bring people together, marking the re-opening of our venues, and celebrating the power of music to help us stand up for the things we believe in. We could not be prouder of this festival at this time.”

Tickets for all True North events are available from www.aberdeenperformingarts.com

 

Sep 072021
 

By Craig Chisholm.

After a COVID induced hiatus, live music is finally making a return to the Granite City and one of the first major events to happen will be a gig by veteran Scottish indie legends Teenage Fanclub at the city’s iconic Beach Ballroom.

Touring in support of recent acclaimed album ‘Endless Arcade’ – their 12th studio album – the iconic band will undertake an extensive UK & Irish tour that includes dates in Edinburgh, a sold-out Glasgow Barrowlands and, of course, Aberdeen.

The band are no strangers to Aberdeen having played some of the city’s most famous venues including the Lemon Tree, Moshulu, Music Hall & AECC. They actually played the Beach Ballroom in one of their earliest gigs in Aberdeen, supporting Primal Scream way back in 1989.

Teenage Fanclub play the Beach Ballroom on Wed, 15th September. Support provided by Poster Paints’.

Tickets to the Beach Ballroom are available on Ticketmaster now.

Sep 072021
 

By Craig Chisholm.

Young British guitarists Mikhail Asanovic and Jake Wright, together known as The Showhawk Duo, have dazzled audiences worldwide with their spectacular approach to playing the guitar, breaking down barriers between acoustic and electronic music.

Whether playing old-school trance classics or modern funky house, their live show knows no boundaries and will leave you amazed.

Mik is a classical guitarist at heart, having studied at Manchester’s RNCM whereas Jake is an electric junkie and grew up playing in rock and metal bands. Mik’s classical foundation shines through in the music with Jake’s raw percussive approach always keeping the crowd moving.

Together they create a truly unique and impressive sound, and have turned many “acoustic” nights into a thumping rave. 

Together, they started out as buskers and have since gone on to play all over the globe.

They have appeared on BBC Radio 1 on the Nick Grimshaw’s Breakfast Show,  did a 40 minute live broadcast for the LAD Bible, BBC Radio Bristol, and have performed at most of the UK’s large festivals including Main Stage at Bestival, Glastonbury, Isle of Wight Festival, Secret Garden Party, Wilderness, Somersault, Lost Village, Boomtown and more.

They played sell-out shows on their 2015, 2016, 2017, 2018 & 2019 UK tours, headlining The O2 Forum in the most recent, and five star reviews followed an official sell out show at Edinburgh Fringe.

International performances include F1 Grand Prix in Singapore, Seychelles, club tours in Spain, Switzerland and the Netherlands and a 20 – date residency at Pacha in Ibiza. 

Now, the duo will perform on stages across the nation, as they embark on their mammoth UK and Ireland tour.

Spanning 26th different dates – including a date at Unit 51 in Aberdeen on Saturday, October 9th – the duo will unleash their fiery acoustic sound to audiences far and wide, as they turn soft acoustic guitars into the ingredients for an unforgettable night of raving.

Support comes from Zen Lewis.

Ages 14+ // Under 18s must be accompanied by an adult. Tickets available now at Skiddle.

Aug 242021
 

When the granite stairs went temporarily missing from the custodianship of Aberdeen City Council and its contractor Balfour Beatty, questions arose over how the city looked after its valuable property. The conclusions are shocking. By Suzanne Kelly

Aberdeen City Council cannot say with certainty where 1,500 valuables in its possession are.

This information was acquired in response to a freedom of information request by Aberdeen Voice following the confusion over the whereabouts of the Victorian granite steps which are part of Union Terrace Gardens.

The request was to cover items in the Aberdeen Art Gallery, Town House including gifts from outside organisations, and in entities such as Provost Skene’s House.

The city responded as follows:

“Although c. 1500 items have a ‘missing’ status, we have assigned around 3100 items with temporary numbers; many of which have become disassociated from their accession number e.g. the label with the number has become separated from the object.

“It is highly likely that there is an overlap between these two categories and we will be able to reconcile in the future by undertaking research in to the extensive paper files pre-computerisation. The remaining temporary numbers are items stored in the buildings but not accessioned into the collections.

“Many of the ‘historical loss pre-TMS’ records refer to a ‘missing’ date of 2020. It is important to note that these items were missing before we began using TMS in 2002, however, their status was confirmed as ‘still missing’ in 2020 as data cleaning work was undertaken.

“A number of items have been recorded as ‘missing’ and requiring further investigation during the decant of the art gallery in 2015. As we were moving thousands of items between buildings we suspected an admin error occurred in the recording of blocks.”

The city is meant to supply, electronically is the preference, an inventory of the valuables in question, but they advise they are having difficulties with the spreadsheet.

The city said no insurance claims have been made in the past 5 years.

The request is on the ‘What Do They Know’ Freedom of Information request website, visible to any other reporters or newspapers that are interested in Aberdeen City Council, where the city’s reply was posted on 29 June.

What Do They Know helps anyone who wants to make FOI requests or look at existing FOI requests. They run on donations and can be found here https://www.whatdotheyknow.com/

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