Jul 042018
 

Craig Chisholm reviews ‘Enjoy’ music festival at Hazlehead Park. Photos by Craig Chisholm.

Enjoy Music festival returned for the fourth year on a fun packed, sun soaked weekend that drew the crowds, had some big name artists and will have left punters looking forward to next year’s event.
After three years of successful one day festivals the organisers took the brave step of making this year’s festival a two day affair.

And, after a bit of rain last year, also took the decision to make the main stage inside a giant 3000 capacity big top, rather than outdoors – but, typically, the Scottish weather conspired to make it to one of the hottest weekends of the year with not a cloud in sight.

Gates opened at 4 o’clock on the Friday afternoon, when a lot of attendees would still be at work, school or college. But those that did make it early were treated to electric sets by Fat Hippy Records signings, the Scottish indie band Miss Lucid and Manchester band Alias Kid, who are signed to Creation Record’s Svengali Alan McGhee’s management team.

After the up and coming bands had warmed the crowd up it was time for the big names to take the main stage.  Mark Morris, frontman of Britpop band The Bluetones, played an acoustic set that was well received by his fans.

With The Bluetones numbers such as ‘Slight Return’ and ‘Cut Some Rug’ he had no trouble commanding the stage and warming up the crowd for the next band on the bill – another Britpop band with a string of Top 10 hits behind them.

The tent is rammed for Cast.

They do not disappoint those in attendance.

Pulling such hits as ‘Sandstorm’, ‘Finetime’ and the ballad ‘walkaway’ out of their back catalogue has the tent buzzing.

But it’s their debut hit, ‘Alright’ that is the highlight with the crowd signing along word for word.

Completing the bill on the Friday, is a headlining set by dance legends Faithless.
The band’s keyboard player and writer, Sister Bliss, is behind the decks and delivers a high tempo, energetic set that has everyone dancing.

Filled with classic dance tracks, contemporary floor fillers and a healthy dose of Faithless’ biggest numbers she brings the crowd to a frenzy and closes off the first day of the festival in style.

Saturday brings in a bigger crowd and has more stages and family entertainment for all.

With amusements from Codona’s, bungee trampolines, Nerf Wars, craft workshops, a storytelling tent, face painting and much more there’s plenty there to keep kids entertained whilst their parents enjoy the music.

Performances in the family big top prove to be popular and with Love Rara providing walk around characters from Disney and superhero movies there’s a lot of happy youngsters on site. On the main stage, the music provides a wonderful soundtrack on a hot, sunny day.

Blues influenced rockers Full Fat play some engaging, competent blues influenced rock, whilst local band The Capollos storm through a frenetic indie rock set that has earned them a strong following locally and across Scotland.

Another Aberdeen band that are making waves are Cold Years. No less a publication than rock magazine Kerrang! described them as an ‘Aberdeen five piece [that] prove beyond doubt that rock ‘n’ roll lives’ and it’s certainly a sentiment that those who watched them that would agree with.

Glasgow band Colonel Mustard & The Dijon 5 are, quite possibly, the perfect festival act and will have gained a lot of new fans today.
An explosion of colour, the band engage the audience and make them part of the performance.
‘Dance Off’ is exactly what it says it is with children and adults alike strutting their stuff. The entire audience are led around the tent by a band member carrying a lollipop man’s sign to ‘Cross the Road’ and there’s a minor stage invasion by redheads to ‘Ginger Girl’.

Their eclectic mix of brass, disco, rock and humour is perfect for an event such as this, uniting old and young in one happy, joyous collective.

Dodgy singer Nigel Clark follows them with an acoustic set that includes hits such as ‘Staying Out for The Summer’ and ‘Good Enough’ to a rapt audience.

Welsh rap heroes Goldie Lookin’ Chain provide a humorous set with ‘Guns Don’t Kill People (Rapper’s Do)’ proving a popular highlight.

Over in the dance tent things are really hotting up – a day of beats and breaks is finished off with a couple of big names that have the tent rammed. The talented producer and DJ James Zabiela has the crowd dancing to a frantic and energetic set before handing over to one of the biggest names in dance music – Basement Jaxx.

The dance duo are no strangers to big stages and working large crowds as headlining performances at Glastonbury and Rockness with a full band prove.

In a smaller environment such as this they are flawless – with a back catalogue stretching back over 20 years they have no trouble at all and have the crowd eating out of their hand.

Meanwhile, the main stage is closing out to a couple of eclectic big names.

With 5 albums behind them, Starsailor have no problems working the big stage and pulling out some major hits. ‘Alcoholic’, ‘Silence is Easy’ and ‘Good Souls’ are particular highlights and has the crowd singing along in rapture.

After their set there’s a change of tempo as drum and bass act Sigma end the evening. Hidden behind a cloud of dry ice and flashing lights the duo gives a sensory overloaded set closing the festival in euphoric fashion.

With 10,000 people through the gates over the weekend, some stunning entertainment and beautiful weather Enjoy Music can only be declared a success yet again – here’s to next year and to another bill that will put Aberdeen firmly on the festival map.

Apr 052018
 

Craig Chisholm looks ahead to this summer’s ‘Enjoy’ music festival.

After last year’s successful festival that saw storming sets from Primal Scream, Chase & Status, The Little Kicks and many more, Enjoy Music returns to Hazlehead Park in June with a stellar line of dance and rock acts on the bill.

Now expanded to a two day festival, the fourth Enjoy boasts some of the biggest names in music – from Glastonbury headliners to Britpop legends.

Held over the weekend of Friday 1st and Saturday 2nd June, Aberdeen’s biggest outdoor music festival will see bands such as Starsailor, Cast, Colonel Mustard & The Dijon 5 and Welsh rappers Goldie Lookin’ Chain perform alongside DJ set from Faithless, Basement Jaxx, Sigma and James Zebeila.

Bluetones frontman Mark Morris and Dodgy singer Nigel Clark will also be attendance to provide crowd pleasing acoustic sets chock full of their Britpop classics.

Festival boss Russell Aitchison said:

“We’re delighted to have added these amazing acts, to make this our biggest line up ever. There’s a real range of music on offer over the weekend with something to suit all tastes.”

Marketing Director Mark Lenthall added:

“We’re here to give the North East a large-scale music festival we can all be proud of, and 2018 is shaping up to be just that. Tickets are selling fast and I am sure music lovers will want to be part of the Aberdeen’s biggest event this summer” 

But if you’re planning to attend then be quick – 2nd release tickets have already sold out and the third release of tickets in mid-March are already selling fast!

Tickets can be purchased at:

Jul 252017
 

With thanks to Leanne Carter, Account Manager, Tricker PR.

With over 40,000 different types of plants in bloom this summer, Pitmedden Garden is more than used to hosting colourful spectacles.

But nothing could prepare the historic country house for the vivid display of lycra and sequins worn by ABBAMANIA – the world’s longest-running ABBA tribute concert.

As classic hits like Waterloo and Dancing Queen ring out from the stage and the scent of honeysuckle and jasmine wafts through the air, the captivating show on Saturday, July 29 will be a true assault on the senses.

The elegant renaissance garden in Aberdeenshire, which is now managed by the National Trust for Scotland, will be one of the more unusual venues that ABBAMANIA has graced.

However, it’s a stage that the band members have been looking forward to all summer – and one which they believe the original line-up of Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngsta would have loved.

Scots singer Sharon Fehlberg – who has the alter ego of Anni-Frid – says,

“We have performed there once before and it is an absolutely fantastic venue. We were lucky enough to have beautiful weather, so fingers crossed the sun will shine for us again.

“People still love the music of ABBA after all these years because they created timeless pop songs. You just don’t get music like that now.

“The film and stage show Mamma Mia has introduced a new generation to their music, but we have always seen people of different ages in our audience, from five-year-olds to grandparents.

“We love playing in the north because audiences get so into it. The audience reaction is always the same – no matter what the age, they want to have fun and enjoy listening to great music. That kind of enthusiasm lights up the whole place, and as a performer that feeling is amazing.”

ABBAMANIA features the Eurovision winners’ most memorable hits from Winner Takes It All to Take A Chance. The group, which also includes Ewa Scott, Adam Robertson and Steven Galet, focuses on recreating ABBA gigs as audiences would have seen them in the 1970s.

That means that, unlike other tribute acts, there are not scores of backing dancers and complex dance routines. The ABBAMANIA show brings the energy of the performance, but focuses on vocals, musicianship and musical arrangements.

It’s an approach that has resulted in the act, which has been going since 1999, touring all over the UK, Europe and the Philippines, and a trip to the States is also on the cards for 2018.

Sharon Fehlberg of ABBAMANIA – the world’s longest running ABBA tribute act.

Sharon (36) joined ABBAMANIA four-and-a-half years ago after fending off competition from dozens of other hopefuls at an open audition.

She was writing dance music in the studio at the time, but never regrets her decision to don catsuits and capes every weekend.

Some might say that she was destined for a career in showbusiness. Her father is a musician and her mother – Lorraine – was lead singer in the 1970s pop group Middle of the Road, best known for their hit Chirpy Chirpy Cheep Cheep.

She was just three-years-old when she entered a recording studio for the first time, and spent much of her childhood on the road touring with her mum when she was not at school.

Sharon says,

“Music is in my bones and I knew the very first time that I put a microphone in my hand that I wanted to sing. I never thought of doing anything else.

“However, the music business is very, very tough. My mum was quite well known but that meant nothing: I’ve had a lot of doors slammed in my face and a lot of disappointments over the years.

“But eventually your time comes and I was over the moon to join ABBAMANIA. It’s like a dream come true and I have loved every minute of it. I’ve always been a fan of their music, probably because I grew up around that European poppy harmony sound.

“My favourite ABBA song, ever since I was a little girl, is Dancing Queen. It is such a feel-good song and I never get bored singing it. Audiences love it, and it’s amazing to look out and see people enjoying themselves, singing along and dancing.”

ABBAMANIA at Pitmedden Gardens is one of a range of special events being held by the National Trust for Scotland, the country’s largest conservation charity, at its properties over the summer months.

Pitmedden Gardens is an outstanding example of a Scottish renaissance garden and the parterres at its heart are a masterpiece of intricate patterns and colour. It also has six miles of clipped boxed hedging.

The original garden was built in 1675, and it was recreated by the National Trust for Scotland in the 1950s based on designs found at the Palace of Holyrood House in Edinburgh.

Fancy dress is, of course, optional at the ABBAMANIA show, but all are advised to dress warmly. Audience members are encouraged to take a picnic and a rug – or low seating – and some marquee seating is also available.

Tickets are priced £12.50 for adults and £6.50 for children, and are available at www.nts.org.uk. Gates open at 6pm with the show getting underway at 7pm.

The National Trust for Scotland is the charity that celebrates and protects Scotland’s heritage. It relies on the support of its members and donors to carry out its important work of caring for the natural and built heritage of Scotland for everyone to enjoy.

You can join the National Trust for Scotland for as little as £7.50 per month for a family. To become a member, visit http://www.nts.org.uk/Join/Benefits/.

You can make a difference and help protect everything in our care. Donate online at https://www.nts.org.uk/Donations/

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Jun 082017
 

Aberdeen’s Very Own Music Festival Returned for its Third Year, and Aberdeen Voice’s Craig Chisholm was there to review. Photos by Craig Chisholm.

With no T in The Park planned this year what are Scottish music fans supposed to do for their Summer festival fix?

Well, for residents of the North East, the answer was right on their doorstep as Enjoy Music returned for its third and, arguably, most successful year.

Boasting headliners such and Chase & Status, John Digweed and the legendary Primal Scream the festival moved up a league and proved not only was it here to stay but that it was also ready to expand and become a fixture of the festival circuit.

Unfortunately, however, things do not always go without a hitch.

A minor issue of missing toilets caused the opening of the festival to be delayed a couple of hours.

But times of hardship can bring out the best in people and it’s to the eternal credit of the organisers and their team that they managed to not only get things back on track but also not drop any of the acts from the bill.

Credit must also go to the bands performing on the main stage in the afternoon as they truncated their sets slightly to accommodate all acts and give everyone their time in the limelight.

Kicking things off are Aberdonian rockers The Ruckus who deliver a short set of, as they describe it, “no nonsense guitar driven rock n roll” and as far as descriptions go that’s certainly one that describes things perfectly.

Afternoon slots are also performed by Montrose band Emerald Sunday with their indie and britpop influenced rock and hugely popular local cover band FUBAR who provide some technically impressive renditions of Queen and AC/DC among others.

The hard rock takes a back seat for a while after this and gives way to the more soulful and funk sounds of FaR.

Led by the striking and powerful vocalist Fifi Greasly the band prove the perfect sound to an afternoon in the sun.

The same also applies to the magnificent Ransom FA. Mixing the urban sounds of hip hop, grime and trap the Aberdeen based crew pull of a short but energetic and forward thinking set to an obviously impressed crowd.

But, unfortunately, the sun doesn’t last and, as is customary at music festivals in Scotland, the heavens open.

It rains during sets by The Complete Stone Roses and acclaimed local indie band The Little Kicks.

That doesn’t stop the crowd from enjoying them however – The Complete Stone Roses pull off a pretty good approximation of their Manchester heroes.

The Little Kicks, led by frontman Steve Milne, perform an infectious and memorable set in support of their latest album, Shake Off Your Troubles.

The rain does however provide an unexpected bonus for bands and DJs playing in the tents as a lot of the crowd take shelter.

The Retro and Alternative tent has an eclectic bill that combines acoustic (Mark Buchan, Peterhead’s Marc Culley and others), the melodic Byrds and britpop influenced rock from Keith band The Carousels and hip hop from local rap legends SHY & DRS.
The retro part of the day is provided by a quite compelling performance by Bob Wyper in his guise as Rod Stewart, which goes down a storm in the packed tent as he runs through Rod’s big hits as the actual storm rages outside.

Also performing some covers, albeit in a unique style, are young band Gleadraich.

Hailing from Carnoustie the band perform songs by Blondie and The Undertones and many more with the added attraction of a bagpipe player taking centre stage, mimicking the vocal parts of the songs in most cases. It’s an unusual and entertaining concept that wins them over new fans of all ages.

The night in the tent is rounded off by a set by Ransom FA’s official DJ, Nojan and a set by Aberdonian alternative rockers The Cappolos.

Festivals aren’t just for grown-ups though, and Enjoy has catered for the kids as well – a whole section of the field is set aside for them which has slides, football challenges, colouring in walls, Disney princesses and Marvel Superheroes casually walking past. A family tent provides such entertainment as hip hop dancing for the eager kids. 

In the middle of it all is a Wrestling ring manned by Wrestlezone Scotland. There is a constant crowd packed  around the ring (not all of them children either!) as the Wrestlezone boys and girls provide action packed entertainment throughout the day.

There must have been a few parents pestered afterwards to get tickets to Wrestlezone’s Aberdeen Anarchy event at the Beach Ballroom on the 10th June once they’d seen this performance.

Back to the music however, and for those that prefer dance beats to electric guitars, two venues are available on site.

The TLF & Rondevue wigwam is steady all day with the crowd appreciating sets by a talented DJs such as Danny Reid, Tim Haux and Flexi.

It’s the perfect place to chill out in the sun and appreciate the day.

The Digital Love & Majestic Tent is the bigger of the dance stages and it proves immensely popular throughout the day to clubbers.

By the time that dance titan John Digweed takes the stage for a two hour set the tent is rammed with the faithful who witness a peerless set from the legendary DJ.

Closing off the Main Stage are the two biggest bands of the night.

Primal Scream are, as usual, a breath-taking live act. Their 75 minute set contains a few choice cuts from their latest album – 2016’s Chaosmosis – such as 100% or Nothing, Where The Light Gets In and Golden Rope as well such classics as the southern fried boogie of Jailbird, the laid back dubby grooves of Star, and the psychedelic dance classic Slip Inside This House.

The band close off their set with four of their absolute classics – Loaded, Country Girl, Rocks and Movin’ On Up before departing the stage to appreciative and ecstatic audience. The bands next Scottish performance is as special guests to The Stone Roses at a sold out Hampden Park in a few weeks so it’s a genuine thrill and a commendable coup to the Enjoy organisers to have them perform in a much more intimate outdoor setting.

In another coup of a booking, Chase & Status take the stage for a DJ set of high energy dance and rap.

Credit to the crowd at this point too.

After over 9 hours of music they are still packed at the front and “giving it large” for their set which the faithful clearly never want to stop.

But eventually it must end, and as the crowd depart after the last acts they must already be looking forward to next year’s event – and possibly making a mental note to take a rain jacket next time, just in case.

How the promoters top this year’s event remains to be seen. But one thing for sure is Enjoy Music is only going to get bigger and better as it goes on.

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Jul 212016
 

Duncan Harley reviews ‘Jackie the Musical’ at His Majesty’s Theatre Aberdeen.

Jackie_3The 1970s was an era when people actually spoke face to face or, in extremis, resorted to sending handwritten letters through the post.

Although home computers were beginning to appear, digital media was largely the prerogative of the military, academia and government.

Personal mobile phones were available, but tended to be the size of bricks, and the social media app of choice was the humble GPO land line.

Remembered for its bell-bottoms, the miners’ strike and the rise of disco, the 70s heralded a few wars, a moon landing or two, plus a good few political scandals. The US had its Watergate, and in the UK we had Rinkagate, perhaps better known as the Jeremy Thorpe Affair.

While Maggie and Arthur battled it out on the picket lines, the gender-bending Bowie performed on Top of the Pops; pirate radio, the precursor to local radio, was moving shore-side, and novelist Tom Wolfe’s ‘Me Decade’ was welcoming in the recovery of the self in a flawed and corrupted society.

Boys read Commando Comics, sneaked the odd copy of naturist magazine ‘Health and Efficiency’ into the classroom and occasionally, just occasionally, thumbed through big sister’s personal copy of Jackie Magazine.

With tips on how to meet Mister Right, and with a distinctly interactive format for the day, Jackie the Magazine proved an enduring read, and by the mid 70s it was selling over 600,000 copies per week to teenage girls hooked on a heady mix of girl meets boy comic strips, advice columns and pop star pull-outs.

Then of course there were those agony aunts Cathie and Claire. In reality a randomly rotating team of DC Thomson staffers, Cathie and Claire received up to 400 letters each week from troubled teens asking about anything from the mysteries of menstruation to the mysterious nature of Mister Right.

The magazine ceased publication in 1993 after 1,534 issues, and although vintage copies can be found on eBay, perhaps the best way to connect, or re-connect according to your age, is via Jackie the Musical.

Jackie_2The show is built around a well trodden plot familiar to many. Jackie, played by Janet Dibley, is divorcing errant husband John, Graham Bickley.

He has fallen for Gemma, Tricia Adele-Turner, but has doubts about the new relationship. John and Jackie have a teenage son David, Michael Hamway, who aspires to pop star status, but he is in a state of unrequited love with Prosecco-saturated older woman Jill, Lori Haley Fox.

While packing for the inevitable divorce-led house move, Jackie discovers her long forgotten hoard of Jackie Magazines nestling under the stairs.

Opening the dusty boxes releases a genie in the form of a fresh-faced and sweetly naive teenage version of herself, played by Daisy Steere. A tranche of cliché-ridden 1970s-era dating advice is proffered by the younger Jackie, and things soon become heated in Jackie-land.

A convoluted but well-engineered farce ensues. The punch lines are at points slightly laboured, and the tree-dancing sequence was a bit on the odd side of fabulous; but overall the toe-tapping, gut-busting energy of this production more than makes up for those minor niggles.

The musical framework and the story line generally work seamlessly to create a powerfully nostalgic musical spectacular, fully laden with beautifully choreographed textbook 70s jukebox hits from the likes of the Osmonds, David Essex and T Rex.

Jackie_1Musical numbers include the classic ‘Love Hurts’, ‘I Beg Your Pardon’ and ‘Crazy Horses’. A highlight is Michael Hamway’s hilarious bump ‘n’ grind groin-shuffling rendition of the T-Rex hit ‘20th Century Boy’: even Bolan might have loved it!

For my money though, the proof of the pudding often lies in the audience reaction. At the finale, the theatre audience were literally dancing in the aisles. Nuff said!

This is a feel-good production intended to do just that, make folk feel good, and Jackie the Musical succeeds brilliantly.

Resident Director Harry Blumenau. Choreographed by Arlene Philips.
Jackie the Musical plays at HMT Aberdeen until Saturday 23rd July.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley and Images © DC Thomson & Co Ltd

Feb 122015
 

eofe_hammersmith_tomleishman-2__large (1)With thanks to Jenny Entwistle, Chuff Media.

Black Country 5-piece EofE are coming to play Aberdeen Downstairs on 23rd February, supporting UK metallers Glamour of the Kill. The tour will be in support of their brand new single ‘Stars In Hollywood’ (out 09/03) which is currently on the Kerrang! Radio and XFM playlists.

Last year, the band supported both McBusted and The Vamps on their mammouth UK tours, culminating 2014 with their own headline tour which resulted in them selling out their hometown date at Birmingham Institute.

Following the unveiling of their debut track ‘Bridges’ in November, EofE, continue to leave their mark with the release of the band’s first official single, ‘Stars In Hollywood’, due March 9th.

With their ever-growing army of devoted supporters, ‘Stars In Hollywood’ is a second helping of scintillating pop rock from EofE, sending out a real statement of intent. The song lyrically explores the theme of determination and hope, with aspirations of eventually leaving their hometown, moving on to bigger things and rising to the top.

‘Stars In Hollywood’ is the next chapter of the EofE story, placing the band firmly alongside the likes of fellow UK rockers You Me At Six and Mallory Knox .

“EofE are going to be the next big thing” – Sophie K (Team Rock Radio)

Tour Dates:

23rd February – Aberdeen, Downstairs 

24th February – Glasgow, Audio

25th February – Newcastle, Think Tank

26th February – Manchester, Sound Control

27th February – York, Fibbers

28th February – London, Underworld

1st March – Bristol, The Exchange

3rd March – Wolverhampton, Slade Rooms

4th March – Stoke, Sugarmill

5th March – Nuneaton, Queens Hall

6th March – Nottingham, Rock City Basement

7th March – Gloucester, Guildhall

8th March – Milton Keynes, Crauford Arms

Nov 072014
 

Shane_Filan_Aberdeen__October_2014_by_Dod_Morrison_photography_(79)Words by Rock Chick pics by Dod Morrison.

On a cold Wednesday night in October, Shane Filan came to Aberdeen Music Hall and played to a venue full of excited females.

Shane first came to the attention of his loyal fans back in 1998 when the Irish band Westlife appeared on the scene.

They continued to have hit after hit for many years, including 26 top ten singles – 14 of these were number ones before disbanding and going their own ways in 2012.

Shane has since gone solo and is touring his current album, You and Me. He played a mixture of his new songs, interspersed with all the old Westlife hits ,including What makes a man (2000), Uptown Girl (2001), which had the whole crowd singing along, and the all-time favourite Flying Without Wings (1999), much to the delight of the crowd.

In between songs a girl shouts,

“Shane it’s my birthday.”

He starts to sing happy birthday to her , she moves nearer the stage and he bends down and pecks her on the cheek. When it finishes someone shouts from the balcony:

“I got my pension today.”

He says,

“Really?”

She says,

“No, it was 2 years ago.”

He laughs,

“this is why I love coming to Scotland it’s always a bit madder than anywhere else….”

Whether you like this kind of music or not , you have to admire the man, the crowd are on their feet from the moment he came on stage and continue to stand throughout. And that’s what entertainment is about, pleasing all the fans that come to see you.

Mar 282013
 

The launch of Grampian Transport Museum’s 2013 season offers the public a host of exciting additions. Aberdeen Voice photographer Rob attended a preview and was highly impressed with the pride and passion which museum personnel have invested in the preparation of the exhibitions, epitomised by Marketing and Events Organiser Chris Anderson spending 3 hours polishing the chrome on the royal Daimler.

In this its 30th anniversary year, staff and volunteers at the Grampian Transport Museum in Alford have been busy making preparations for it re-opening on Friday the 29th of March.
A brand new exhibition area, ‘Pop Icons’, will reflect popular culture and design from the 1960s to the 1990s, bookended by one of the first and last Minis ever built.

This winter has also seen the addition of several exciting new exhibits to the museum’s collection including Billy Connolly’s motor trike – as featured in his world tour of England, Wales and Ireland – and a stunning supercar manufactured by Ascari, a company with fascinating connections to the North East of Scotland.

Grampian Transport Museum are also delighted to announce that a star of the big screen will also be unveiled at it’s preview event tomorrow evening.

A late addition to the 2013 season, ‘Chitty Chitty Bang Bang’ will be on display to visitors from this Friday.
The car is one of 6 built for filming the iconic 1960’s movie and is coming to the end of an extensive restoration which GTM visitors will be able to view for the first time.

For the first time those visiting the museum in 2013 will be able to scan QR codes to view further content on their mobile device.

To facilitate this, codes will be placed next to various exhibits in order that visitors can view a range of images and video content from both the museum’s own archive and the British Pathe archives.

Looking forward to the opening Museum Curator Mike Ward said:

“Our staff and volunteers have been working hard to prepare for the new season and we are now putting the final touches together before we welcome our first visitors of 2013 on the 29th March. 

“We are sure that visitors will enjoy the new exhibition and the opportunity to interact further with the collection through the use of new technology.”

The new season will be launched when the museum opens at 10am on Friday 29th March.

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