May 122017
 

By Fin Hall.

Back in the mists of time, just before punk raised it’s challenging head, there existed in Rosemount Viaduct a clothes shop that sold jeans and the like. This business was called Happy Trails, possibly named after a record by an American band who went under the name of Pure Prairie League.

In the back section of the premises, by the changing rooms if my memory serves me right, there was situated a couple of stands that sold second hand long playing records, or as they are fashionably known now, vinyl.

This part of the store was run by a very affable young man who originally came from Edinburgh. This man is called Raymond Bird.

After serving his time there, as it were, he decided to open up his own shop just a short distance up the road from Happy Trails. Taking his two record stands with him, he started selling new releases, and, as punk took off, t-shirts etc.

I had been friends with Ray for some time, and it was during this period of time that I helped him out on Saturdays in the shop, which all know as One Up. We were a tight band of people working there, as well as myself and Ray, there was Debbie, a lady who stuck with him all through the different locations of One Up, and a young proper punk lad called, Scars. I can’t remember his proper name.

Debbie, who was quiet and very friendly, and often Ray’s business rock, had no apprehensions about passing the odd scathing comment on the choice of record that a customer might be purchasing. Meanwhile Scars, who looked every bit the youth of the time with his sticky up hair and his leather jacket with his name painted on the back, was ever polite to the customers. 

We were both in our twenties at the time, and he often confided in me that he was only be going to do this until he was thirty.

I remember having One Up’s first anniversary and my birthday party as a joint do in the upstairs of the also now defunct, East Neuk.

As the guests started to arrive, the owner of the bar was showing signs of great consternation and concern. The leather jackets, bright clothing and safety pins and bondage trousers worn by a good proportion of the young people, fairly scared him. He thought that trouble was on the horizon. It took some persuading by the two of us to let the party go ahead. But afterwards he thanked us and told us we were the best behaved bunch of people he had had there.

Being the punk era, and being skint, we provided the food ourselves and we both acted as dj’s on a borrowed set of decks, with records from the shop and from my collection.

As business got better, he decided to open a second shop over in George Street. And this is where long term business partner Fred Craig came in. A man I have known even longer than I have known Ray. He told me he was going to offer Fred the running of this new venture over me as, rightfully, due my family commitments, I was a single parent at the time, I couldn’t be full time. I already had cut back working in the Rosemount shop.

Ray still insisted that he was only going to keep the business going until he was 40;

This shop took off, and before long they decided to amalgamate the two shops under one roof in Diamond Street. Such was the success, that they soon needed even bigger premises, and thus the legendary One Up in Belmont Street was born. The staff continued to espouse the tight, friendly (at times), and knowledgeable style that was always synonymous with this wonderful music shop.

When it closed in 2013, Ray had turned 60.

Why this bout of, no, not nostalgia, but history you may ask?

Well recently I was in 17 Belmont Street, looking at their contribution to the Look Again art festival.

It has been transformed into an imaginary record store called, Record Store.

“Record Store is a curated project created by visual artists Chris Biddlecombe and Janie Nicoll, aka Obstacle Soup. It is a hybrid fictional record store interior that is the result of a collaboration involving the creation of over 60 fictional record cover artworks and poster works by a range of Scottish artists each of whom have a strong interest in or connection to music making.

Previously shown in record shops, Record Store in Aberdeen takes the records into the gallery, adds work by 12 artists connected to the north east to the existing 25 artists’ previous installations.

Exploring ideas of authorship and fiction, art and merchandise, shared histories, and sound and performance interpreted through the visual, the project places the artwork at the centre of the action, while the music remains entirely in the viewer’ s head.

Record Store is also a celebration of the underground and the ‘grassroots’; the fertile ground of cross-pollination between visual arts and music that has so influenced Scotland’s cultural scene, and in which independent record stores have played such an important role. Seventeen, the creative hub and exhibition space in Belmont Street was formerly the much-loved One Up Records.” – From Look Again Festival website.

I was asked to share my memories of One Up, so I thought I would share them with you all too.

Record Store is open until May 27.

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May 052017
 

With thanks to Diane Smith.

The Moray Way Association has received £6000 from the Heritage Lottery Fund (HLF) to support the Moray Walking & Outdoor Festival and a project based along the Moray Way, Moray’s 96 mile long distance walking route.
Made possible by money raised by National Lottery players, the projects will focus on events that uncover the historical, archaeological, architectural, natural and the landscape heritage of Moray.

This year the festival, which runs from 16 June to 25 June 2017, will have a ‘heritage’ theme with more events than ever exploring Moray’s built and natural landscape.

Highlights of the programme will include two events by Moray based historian and writer of The Making of a Scottish Landscape, Dr John Barrett; Ghost Towns – deserted settlements in Strathavon, where you will be able to explore the remains of a lost culture and, A Royal Burgh: the making of Medieval Forres, a walk tracing the origins and development of the town. 

The events are proving to be popular as an extra date has been arrange for the Ghost Towns walk which was sold out in a week.

The programme has a wealth of other historical and natural heritage events organised by local community groups like Speyside Visitor Centre, Cullen, Deskford & Portknockie Heritage Group, Forres Footpaths Trust, the Dava Way, Belles on Bikes Moray and Findhorn Village Heritage, alongside organisations such as Wild Things!, Outfit Moray, Forestry Commission, Moray Council Ranger Service and Ace Adventures.

Over the 10 days there are 50 plus events right across Moray, from Tomintoul to Lossiemouth.

Back again this year is Moray Way Five Day Challenge in which participants walk the 95 miles of the Moray Way over 5 days.

The walk, which includes the Dava Way, Moray Coastal Trail and the Speyside Way, provides participants with a ‘park and ride’ service to make it easier to complete the long distance walk, with options to just walk sections of the route. Also, returning this year is the famous Dava Way Ghost Train Walk, the Secrets of Pluscarden and Secrets of Spynie which participants rated as excellent last year.

For those who are looking for adrenalin rush then Ace Adventures are running their water sports events every day of the festival at special reduced prices. You can see the River Findhorn from a different view with cliff jumping, canyoning and white water rafting. They are also running their growing activity, Disc Golf.

This year the programme has several firsts;

  • Moray Speyside Film Club are hosting a special “Outdoor” themed evening of films,
  • a Wild Swim event will be taking place in Lochindorb with Vivienne Rickman- Poole, artist, wild swimmer and listed in the top 19 San Miguel Rich List ‘alternative rich’ as well as Calum Maclean, of ‘Wild Swimming in Scotland’.
  • A unique and special opportunity with The British Biathlon Rifle Club to spend several hours learning to shoot small-bore rifles in the marvellously unique Olympic discipline of biathlon. 

As well as supporting events in the Moray Walking & Outdoor Festival the funding will also help the development of a long-term plan to increase awareness of the Moray Way. Funding will support a commission artist to work with communities along the Moray Way to gather stories which can then be used to promote the route. This project will expect to start in the summer.

Commenting on the award, Bea Jefferson, Chairperson of the Moray Way Association said:

“We are thrilled to have received support thanks to National Lottery players. Each year interest in the event flourishes and funding from the Heritage Lottery Fund ensures that we can keep growing. We look forward to celebrating Moray’s natural and built heritage through the Festival and our Moray Way project.”

About Moray Way Association

The Moray Way Association was founded in 2011 with the aim of creating Moray’s long distance walking route, The Moray Way, a 96 mile circular walking trail. Since 2012 the organisation has also organised the Moray Walking & Outdoor Festival with the purpose of encouraging walking and other outdoor pursuits in Moray. www.moraywalkingfestival.co.uk

For further information, images and interviews please contact Diane A Smith at Moray Walking & Outdoor Festival on 07764615517 or info@moraywalkingfestival.co.uk

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May 022017
 

Local Music Festival Returns – Promising to be Even Bigger and Better than Last Year! By Craig Chisholm.

“When it comes to Scotland’s greatest bands, Primal Scream are right up there.”

Last year’s Enjoy Music Festival had it all – a great line up, a sunny day and a crowd that loved every second of the day. With top acts such as Example & DJ Wire, Green Velvet, Former Seahorses singer Chris Helme and Dusky joining up and coming local acts such as Emerald Sunday, Ransom FA, Colin Clyne and even an appearance from the Portlethen Pipe Band it proved to be a roaring success with everyone that attended.

This year’s line is even better with headline performances from Scottish indie legends Primal Scream, a DJ set from Chase & Status, the iconic DJ John Digweed, local stars The Little Kicks, rappers Shy and DRS and premier Stone Roses tribute band The Complete Stone Roses.

A full supporting bill across 5 stages will see a mix of bands and DJs entertain patrons whilst a fun fair, family entertainment area, a Market Place and an exclusive VIP area will give people places to hang out and have fun throughout the day.

And all your food and drinks needs will be catered for in the numerous bars and the food village on site.

Speaking about headliners Primal Scream, who return to Aberdeen after a sold-out gig at the cities’ Beach Ballroom last year, the festival’s marketing director, Mark Lenthall said

“When it comes to Scotland’s greatest bands, Primal Scream are right up there. From the Pyramid stage at Glastonbury, to T In The Park and Reading, they have played them all, so we’re thrilled to be bringing the band to Aberdeen this summer. With T2 Trainspotting hitting cinemas now, what better festival act could we have!”

So, with no T in The Park this year why not make it along to Hazlehead Park on Saturday 3rd June to kick off the summer in style and make this the biggest and best Enjoy Music Festival to date?

Photographs from last years event  – goo.gl/2ZoHXs 

Tickets are on sale at www.skiddle.com/festivals/enjoy-music
Website www.digitalloveaberdeen.co.uk/enjoymusic
Facebook www.facebook.com/enjoymusicaberdeen
Twitter @EnjoyMusicAbdn

Apr 112017
 

By Fin Hall.

Nuart Aberdeen has finally arrived. A first for the city, sees a collection of street artists, organised by Aberdeen Inspired gather to paint, talk and show films etc over the Easter

Old and rarely used doors on the streets within the city centre, mainly around the Merchant Quarter, are being painted in different styles by different artists.

Among the artists participating in this current international project is Julien de Casabianca, a French/Corsican artist.

His Outgoing project features images of paintings in art galleries, often taken by members of the public on their phones, the main subject from said painting isolated via photoshop, then printed onto paper.

This paper is then pasted on buildings, walls etc in public spaces.

To this end various primary schools were invited to send a group of children to Aberdeen Museum Treasure Hub in Northfield, a building which stores many of the works of art that have been relocated from the Art Gallery during the refurbishment that is currently ongoing.

I was in invited by Aberdeen Inspired and NuArt to catalogue this process, working with Manor Park, Riverbank and Walker Road schools.

On arrival, the children were told what the general purpose of their visit would entail, before being split into two or three groups. I would stick with one of the groups each time. This took place on three Thursdays in March.

In the first part of their session, the children would be in an almost classroom like situation where they were given practically free rein to express themselves art wise.

They had a large wall mounted monitor complete with a white screen where they could copy images from the Art Gallery’s digital representation of the art works in it’s collection, or just draw whatever they wished; there were props and dressing up clothes so they could utilise and get their friends to take photos of themselves, or take selfies, with their iPads.

Also, there were word searches and sheets of A4 paper which had a pre-printed frame on, so they could draw whatever took their fancy. It was interesting to watch and see how they reacted and the choice they made. Some would throw themselves wholeheartedly into it, others just sat quietly and concentrated on drawing.

After about 45 minutes, the group I was with were taken through into the first of two storage rooms, with their iPads, to view and photograph the paintings, or rather, parts of paintings, be it a figure, an animal or something like a tree.

the youngsters had ever seen such paintings, and they were quite amazed

This room contained paintings of various sizes and from various eras, stored in racks which slid out when pulled. These works of art were paintings done on either canvas or or other fabrics, but not paper.

Some of the works they weren’t able to capture because they are still under copyright, or were covered in protective tape and plastic, but many others were available.

This was the first time that many of  and interested in them. I had to explain to them that they should concentrate on just part of a painting, and not fill their screen with the whole thing, some of which, as you can imagine were rather large.

After that they were led into a smaller room where paintings and drawings done on paper, were stored in drawers. Some of these drawers were already pulled out and at just the right height for the children to stand over, making sure that their device covers were either removed or held securely up, and snap until their hearts’ content.

The net result is that selected photographs the children have taken will be chosen to be the ones used by Julian to paste up in the East Green – an area other artists will be utilising, and where the official opening ceremony on Saturday 15th April will take place.

This part of he city already has several doors from the Painted Doors project already in situ. So it is the perfect location for the hub of the event.

Saying that, there will be several events taking place in the few days leading up to that. See the NuArt website for details.

All in all it was a pleasure to be involved with the schoolchildren.

The Treasure Hub is available for group and organisation tours. It is well worth visiting. So, this coming week get out and about in the city centre and see this unique event.

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Apr 072017
 

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

Youngsters from Aberdeen schools have delved into the city’s prestigious art collection to get inspiration for their special involvement in Nuart Aberdeen.
Pupils from Manor Park, Woodside, Riverbank, Seaton and Walker Road primary schools got the opportunity to explore a wide range of art at the Treasure Hub in Northfield, currently being kept in safe storage while the Aberdeen Art Gallery undergoes its multi-million pound redevelopment. 

The sessions were held as part of The Outings Project, a participatory public art project founded by the globally renowned artist Julian de Casabianca.

The artist, who is participating in the inaugural Nuart Aberdeen festival, will work with the youngsters to paste their selected characters at specific sites in Aberdeen city centre.

Pupils had the opportunity to examine a number of paintings from the Aberdeen Art Gallery and Museums Collections, from Portrait of a Lady (The Artist’s Wife) by William Dyce to La Perla de Triana by John Phillip, among others, choosing and photographing their favourite characters to share with the Aberdeen public.

They will then enlarge and paste them up in the city centre under the guidance of Julian, as well as in their own schools and neighbourhoods – getting the change to turn the streets into temporary art galleries during the festival, which is taking place from Friday April 14 to Sunday April 16.

The artworks that the children accessed for this project aren’t currently on display, giving the public a wonderful opportunity to enjoy them in a new way.

It is hoped that the project will help children feel involved in the festival, especially as their efforts will also be displayed in their local areas, as well as encourage new audiences to engage with the Aberdeen Art Gallery and Museums collection.

There are a number of fun ways for youngsters and families to get involved in Nuart Aberdeen including street printing and chalk drawing workshops, walking tours and an Easter Sunday Street Art hunt.

Nuart Aberdeen will officially open on Saturday April 15, when Herakut’s monumental mural on the façade of Aberdeen Market will be unveiled before the guided Street Art tours begin.

Local breakdance group Bring It Boys will perform a ‘Street Art’ inspired routine created especially for the event.

Also on Saturday, the street printing workshop with Berlin-based collective Raubdruckerin will teach participants how to transform old clothes with street inspired graphic designs from the area in and around Castlegate.

The Chalk Don’t Chalk workshop, being held on St Nicholas Centre’s Rooftop Garden on Sunday April 16, gives children of all ages the “freedom of the city” to create their own chalk street art pieces, with professional artists on hand to teach and guide children on their designs.

Belgian street artist Jaune has been busy hiding his mischievous bin men and women around Aberdeen city centre for the Easter Sunday Street Art hunt also on Sunday. Children can follow the hints provided to find six hidden artworks and win a special Easter Sunday prize.

Elaine Farquharson-Black, director at Aberdeen Inspired and partner at sponsor Burness Paull, said:

“It was wonderful to see the children enjoying the sessions at The Treasure Hub and getting so involved. Nuart Aberdeen is a legacy project for us and we are really looking forward to seeing their paste-ups in the city centre and their local communities.

“This particular project was the brainchild of Julian de Casabianca and it was intended for local children to feel ownership of these images. It is also hoped that they will bring their families to enjoy the Art Gallery when it re-opens in 2018/19 because it will feel, quite rightly, as if they are artists, in the same way as those displayed in our local art space are.

“We would like to extend our thanks to Aberdeen City Council for supporting school staff during these project, as well as community staff who will help with the next stage, and of course, the Aberdeen Art Gallery staff who facilitated the sessions at the Treasure Hub.

“There will be a range of fun events that youngsters and their families can take advantage of during Nuart Aberdeen and I would urge everyone to check out the programme and enjoy what is on offer.”

An Aberdeen City Council spokesman said:

“We are absolutely delighted that our schools and pupils are participating so enthusiastically in the latest festival offering in Aberdeen’s cultural calendar. We have placed a huge emphasis on culture and education and to bring the two together at the Treasure Hub and for the children to work with a globally renowned artist is absolutely fantastic.”

For more information on Nuart Aberdeen please visit http://www.nuartaberdeen.co.uk/

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

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Apr 012017
 

With thanks to Julia Heys, Marketing Executive, VisitAberdeenshire.

Scottish Traditional Boat Festival at Portsoy 2010 © Kathy Mansfield

Aberdeen Festivals has announced the addition of the Scottish Traditional Boat Festival in Portsoy to further strengthen its portfolio of local member festivals.

Aberdeen Festivals, set up in 2014 to collectively promote festivals, develop audiences and strengthen the cultural sector, has welcomed the Scottish Traditional Boat Festival to its ranks.

The renowned festival, which takes place from 24-25 June 2017, will join 10 existing and diverse festivals including; SPECTRA, Aberdeen Jazz Festival, Look Again, May Festival, Aberdeen International Youth Festival, TechFest, True North, North East Open Studios, DanceLive and sound.

Roger Goodyear, co-chairman of Scottish Traditional Boat Festival commented:

“Joining Aberdeen Festivals has been on the festival’s horizons since the collective was formed in early 2014. We have since watched the success of Aberdeen Festivals through its facilitation of collective marketing and collaborative efforts to profile the cultural offering of Aberdeen and Aberdeenshire.”

In its 24 year history, the Scottish Traditional Boat Festival has become well known locally and internationally as it uniquely showcases the local marine and cultural heritage of North-east Scotland. The annual festival reports on average 16,000 visitors each year with a high proportion of international attendees.

Roger continued:

“We already have a well-established audience and brand but, of course, there is always room for growth and we are looking forward to the various cross-collaborations with other festivals as well as taking part in the extensive and successful Aberdeen Festivals marketing campaign.”

Festivals in the Aberdeen Festivals group have consistently reported significant increases in audiences and ticket sales. In February this year, SPECTRA welcomed 63,000 visits, up by 28,000 on 2016 whilst Aberdeen Jazz Festival, which took place earlier this month, has already reported a 100% increase in ticket sales.

Steve Harris, chair of Aberdeen Festivals commented:

“Aberdeen Festivals has made substantial strides in its three years of existence. This has been recognised with continued local and private funding, audience and sales increases for each festival and numerous prestigious award shortlisting’s. The addition of the Scottish Traditional Boat Festival to the collective, with its well-connected, high profile festival and large international audience, will bolster this success of Aberdeen Festivals further in profiling the North-east as a top cultural tourism destination.”

Aberdeen Festivals has to date secured private sponsorship from energy company, Nexen, major funding from VisitScotland’s Growth Fund along with ongoing support from VisitAberdeenshire, Aberdeen City Council and Aberdeenshire Council. The group recently secured an E Award, organised by EventIt, for its excellence in digital marketing.

For more information about Aberdeen Festivals, please visit www.aberdeenfestivals.com.

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Jan 132017
 

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

The local business community has expressed its support for the Aberdeen Christmas Village, which helped boost trade during the festive period.

Spearheaded by Aberdeen Inspired in partnership with Aberdeen City Council and Codona’s, hundreds of thousands of people visited the winter wonderland over the five weeks it was open.

Organisers have received positive feedback from visitors, artists, craftsmen/women as well as local business owners, who commented on increased footfall through their doors and a rise in sales.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“The Aberdeen Christmas Village is exactly the type of event which is needed to drive increased footfall and dwell time in the city centre. It was our ambition, along with our partner organisations, to build on the success of last year and create an even larger festive event.

“It was brilliant to see the public get into the Christmas spirit and enjoy everything the Village had to offer. We have also been pleased with the response from the businesses in the city centre, a number of which have been in touch with us to comment on the positive difference they noticed throughout the festive period in terms of increased footfall. It was a key aim of ours to achieve a knock-on effect for local businesses, which further emphasises the tremendous benefits of big events like this in Aberdeen.”

Julie Haig, owner of Haigs Food Hall, Schoolhill, said:

“We were delighted with the footfall the Christmas Village brought to Aberdeen city centre and our business. It created a real buzz in the city and it was great to see so many people out and about enjoying the Christmas Village.

“We are looking forward to seeing it back again this year and would like to give a huge thank you to Aberdeen Inspired and Aberdeen City Council for all of their hard work making this event happen.”

Aberdeen City Council leader Councillor Jenny Laing said:

“The Aberdeen Christmas Village has once again been a tremendous success and we are delighted to have worked with our partners to provide what has become a mainstay of the city’s events calendar.

“Running alongside the village, Aberdeen City Council also brought the Christmas Tree Maze to Union Terrace Gardens and the response from the public was fantastic.

“By coming out and supporting these attractions in numbers, people have demonstrated they will support bright, engaging and innovative events and that provides great confidence as we seek to build on the foundations we already have in place.

“We are planning for a bigger, better and busier programme of events for 2017 than we have ever had before in Aberdeen. There are a number of major dates in the diary already and more to follow.

“Aberdeen City Council is looking forward to working with our many partners in the year ahead, investing in events and facilities, as the city’s role as a cultural hub and tourist destination continues to grow.”

Mr Watson added:

“This year we were also happy to offer stalls to up to 30 hugely talented local artists and designers to give them a platform to sell their products. It was fantastic to see their presence being enjoyed by the public.

“We would like to thank everyone who visited and enjoyed the Village, the stallholders and our staff and partners for all their hard work. Our talented team will continue to work hard to bring projects to fruition that will enhance the city centre and drive footfall. We are always looking to build on our successes and in doing so we take on board all constructive feedback. We are very excited about our current plans, which include the globally renowned Nuart street art festival in the spring.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

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Dec 062016
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

aberdeen-christmas-village-festive-fun-day2

Lord Provost George Adam with Adrian Watson, chief executive of Aberdeen Inspired.

North-east charities, community groups and people with additional support needs enjoyed a free festive event in the heart of Aberdeen today.

Aberdeen Inspired, which delivers the Aberdeen Christmas Village in partnership with Aberdeen City Council and Codona’s, laid on a special Festive Fun Day and invited guests to enjoy the winter wonderland in a relaxed atmosphere.

Now in its second year, the Festive Fun Day attracted groups from Rosie’s social enterprises, Children First, Aberlour/Families First, Kaimhill School Rainbow Room pupils, Hazlewood School and Befriend a Child, to name but a few, who got into the Yuletide spirit at the attraction on Union Terrace.

They were treated to the rides, a session on the ice, free snacks and a soft drink in one of the marquees, where a disco took place all day.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We’re proud to host the Festive Fun Day at Aberdeen Christmas Village and it’s great to be able to give something back to good causes in the city and beyond.

“We were delighted with the response from charitable organisations and groups across Aberdeen and the wider north-east, the uptake has been fantastic once again this year.

“It’s been wonderful to see our guests smiling and enjoying themselves throughout the day and I hope they have lots of happy memories from their visit.”

The Aberdeen Christmas Village is open until Sunday, January 8. Union Terrace is closed until Sunday, January 15 to accommodate the village, with a number of traffic measures in place until then. For more information visit: www.aberdeenchristmas.co.uk/plan-your-visit

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates.

It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and drive footfall to the zone.

More information about Aberdeen Inspired is available at www.aberdeeninspired.com

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Dec 062016
 

With thanks to Julia Heys, Marketing Executive, VisitAberdeenshire.

In light of its continued collaborative work, a group of 10 major North-east festivals has again announced its shortlisting for a national art award.

Aberdeen Festivals, a group formed to bolster the festival product on offer in the region, has been shortlisted for an award at the upcoming Arts & Business Awards 2017.

The shortlist recognises the group’s collective work with local destination management organisation (DMO), VisitAberdeenshire, in positioning the region as an exciting, culturally diverse, place to visit.

The valuable relationship is in the shortlist to win the ‘Placemaking Award’.

Angela Michael, Festivals & Culture Director at VisitAberdeenshire commented;

“We are delighted to have our hard work recognised on such a high-profile scale. The shortlisting reinforces the work this group has undertaken to promote Aberdeen as a culturally distinctive place.”

She continued;

“The successes of this campaign have shown through each of our festivals significantly increased profile and many have reported considerable audience growth. Aberdeen Jazz Festival saw an audience increase of 40% whilst 35,000 people attended Spectra in 2016, compared to the 10,000 that visited in 2015. VisitAberdeenshire’s support, expertise as well as market entry has been pivotal to this.”

The partnership between Aberdeen Festivals and VisitAberdeenshire saw, for the first time, Aberdeen being promoted as a cultural destination. The group, with the DMO’s support, collectively undertook substantial marketing campaigns locally, nationally – across Scotland, as well as London and Newcastle, and internationally – predominantly in Norway.

Steve Harris (pictured), CEO of VisitAberdeenshire and Chair of Aberdeen Festivals added;

“Our collaborative work with Aberdeen Festivals is going a long way towards profiling this region for something other than industry. One of our core goals is to reposition Aberdeen and Aberdeenshire in the minds of our audiences as a creative place, whilst marketing it as a region of cultural prominence. We have already seen great success in profiling the region as a cultural destination and we look forward to continuing this wonderful partnership over the coming years.”

The Arts & Business Scotland award ceremony, which celebrate the most creative and innovative partnerships, will take place on Thursday 23 March 2017, in Glasgow.

Aberdeen Festivals is a cultural initiative representing 10 member festivals and is sponsored by Statoil, and supported by VisitAberdeenshire and Aberdeen City Council. For more information visit www.aberdeenfestivals.com. VisitAberdeenshire is the destination marketing organisation for the region of Aberdeen & Aberdeenshire, further information can be found at www.visitabdn.com.

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Nov 252016
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

kadriIt’s not often that someone lands their ideal job, but for Kadri Soerunurk her dream of being part of a major cultural festival has become a reality.

Rising through the ranks of the Sound Festival, which finished it’s 2016 programme in early November, Kadri began her journey as a volunteer and is now an integral part of the team that organises the festival every year.

And after enjoying the success of this year’s festival, Kadri has even more cause for celebration – her stellar efforts have been recognised with a nomination in the Regional Rising Star category of the 2016 Aberdeen City and Shire Tourism Awards.

Moving to Aberdeen from her home in Estonia in 2010, Kadri enrolled at Robert Gordon University to study Events Management. As part of her degree, she had to gain at least 100 hours of work experience in events each year – a challenge which she completed in part by working at the Belmont Filmhouse.

But it was a chance encounter with a Sound Festival brochure in a coffee shop that led her onto the path to her dream career.

Kadri (29) says,

“I saw a flyer for the Sound Festival in 2010 and instantly knew it was something I wanted to get involved in. Even if I hadn’t needed to gain experience for my course, I would still have applied to be a volunteer. I got in touch and was offered a front of house role for the 2011 festival, taking tickets and handing out programmes.

“I missed the 2012 festival as I was studying overseas in Limerick, but in 2013 I came back and became more involved with the running of some of the festival events. Every year from then on, my duties increased and I became more involved in the organisation of the festival until I was offered a full-time position on the team.”

The only full-time member of staff on the four-strong Sound Festival team, the position of festival co-ordinator was created when the organisation restructured and Kadri jumped at the chance to embrace this new opportunity.

Kadri explains,

“My work is very varied and no two days are the same, which is perfect for me. Sometimes I’m updating the website and social media, and then the next day I’ll be co-ordinating school workshops which run throughout the year outside of the festival weeks.

“Throughout the festival, I liaise with all the artists and ensure they have everything they need, co-ordinate the logistics of all the rehearsal space required, and make sure everything is where it needs to be in the venues. I also look after the volunteers – having started as one myself, I know how important it is to keep them up to speed.”

Throughout her time with the Sound Festival, Kadri has had many amazing experiences. Her highlight of 2016 was the Freedom o(r) Speech event at ACT Aberdeen which saw musicians from Scotland, Belgium and Norway come together – along with actor Simon Callow – to create a unique performance. Seeing it all come together, she says, was a proud moment.

But one of Kadri’s greatest adventures with the Sound Festival allowed her to travel across the globe. She explains,

“Sound commissioned an opera in 2012 – The Garden – which had toured a bit in London and Berlin. Last summer, it was performed as part of the Edinburgh Fringe Made in Scotland programme, and after seeing the show a promoter from Shanghai wanted to bring it to China in 2016.

“It was a fantastic experience, and a major operation to get everyone there. I had to organised travel, visas and rehearsals for all the performers. The production was presented as a kind of dinner-theatre in Shanghai, which also brought some additional challenges, but it was a great success and an amazing opportunity to visit a country I might not have had the chance to otherwise.”

Festival director Fiona Robertson, who nominated Kadri, says that she has quickly become an invaluable member of the team. She adds,

“As festival co-ordinator, Kadri is part of the external face of the Sound Festival, and she is already hugely respected and trusted by our partners and stakeholders.

“I have rarely worked with someone who is so young, so hardworking and so talented. She contributes more than her weight in gold both in her day-to-day job, and holds her weight against us more experienced staff members in ideas for the future strategic development of the organisation.”

Kadri will face competition from Gemma Cruickshank (VisitAberdeenshire) and Craig Rochester (Eat on the Green) in the Regional Rising Star category of the 2016 Aberdeen City and Shire Tourism Awards. The award celebrates individuals under the age of 30 who have shown initiative and excelled in their tourism organisations.

The winners of each category category will be announced at an awards ceremony and gala dinner on November 25, 2016 at Ardoe House Hotel and Spa, and many will then go on to represent the region at the national Thistle Awards.

For more information about the Aberdeen City and Shire Tourism Awards, visit www.acsta.co.uk  

Follow the awards on Twitter @ACSTourismAward or on Facebook at www.facebook.com/acstourismawards

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