The Comet is Coming @ Lemon Tree – Reviewed

 Aberdeen City, Featured, Opinion  No Responses »
Apr 052023
 

The Comet is Coming, the London-based experimental jazz trio, electrified the stage and lit up the late winter darkness at the Aberdeen Lemon Tree with their cosmic sounds and captivating performance. Craig Chisholm reviews.

The show started with the pulsating energy of stunning openers, Code and Summon The Fire, and that immediately drew the audience in as the group’s saxophonist Shabaka Hutchings (AKA King Shabaka), drummer Max ‘Betamax’ Hallett, and keyboardist Dan ‘Danalogue’ Leavers brought a fusion of spiritual jazz, cosmic funk, and electronica to the stage.

The trio’s improvisational style, coupled with their futuristic aesthetic, transported the audience to another dimension.

With intricate saxophone riffs, hypnotic drum patterns, and mesmerizing keyboard melodies, The Comet is Coming delivered a spellbinding performance that left the audience in awe.

Throughout the concert, the band showcased their eclectic range of influences, from Sun Ra’s space jazz to the cosmic funk of Parliament-Funkadelic, infusing each track with their unique sound. The audience was swept up in the band’s infectious energy, dancing and swaying to the pulsating rhythms.

Highlights of the show included the frenzied energy of aforementioned

Summon the Fire, Blood of the Past, Pyramids, and the driving funk of Final Eclipse.

The group’s dynamic stage presence, with each member contributing their own unique flair, kept the audience engaged and entertained from start to finish.

Overall, The Comet is Coming’s performance at Aberdeen Lemon Tree was a stunning showcase of their innovative sound and captivating stage presence.

The audience was left mesmerized by the trio’s cosmic sounds, and it was clear that the group’s experimental approach to jazz is pushing the boundaries of the genre in exciting new directions.

Gig of the year? In March? Quite possibly…..

The Slow Readers Club @ Lemon Tree – Reviewed

 Aberdeen City, Featured, Opinion  No Responses »
Apr 052023
 

Lead singer Aaron Starkie’s powerful vocals were a standout feature of the show.

Craig Chisholm reviews The Slow Readers Club at the Lemon Tree, Aberdeen.

The Slow Readers Club made a long overdue trip to Aberdeen Lemon Tree in support of their latest Top 40 album, Knowledge Freedom Power.
From start to finish, the band put on an impressive and energetic show that had the entire audience captivated.

The Manchester band opened with the new album’s first track, Modernise, which set the tone for the rest of the performance.

The band’s unique blend of indie rock and electronic music was on full display, and their sound filled the venue with a powerful energy that kept the audience engaged throughout the night.

Lead singer Aaron Starkie’s powerful vocals were a standout feature of the show, as he effortlessly belted out the band’s lyrics with passion and emotion. The other members of the band were equally impressive, with their tight musicianship and expertly executed arrangements.

The setlist included some of the band’s biggest hits, such as Plant the Seed and On the TV, as well as some newer material that showcased their evolving sound. Aaron Starkie also engaged with the crowd, creating an inclusive and celebratory atmosphere.

The lighting and stage design complemented the music perfectly, creating a visually stunning show that was both immersive and engaging. The sound quality was also excellent, with every instrument and vocal perfectly balanced.

Overall, The Slow Readers Club put on an outstanding performance at the Aberdeen Lemon Tree. They delivered an impressive show that was both sonically and visually captivating, leaving the audience wanting more.

Anyone who enjoys indie rock or electronic music should definitely make an effort to see this band live, especially when they support indie legends the Pixies in select UK dates.

Set List:

Modernise
Fool For Your Philosophy
All I Hear
The Greatest Escape
The Wait
How Could You Know
Plant the Seed
Everything I Own
Forever in Your Debt
Jericho
Afterlife
You Opened Up My Heart
Lay Your Troubles on Me
On The TV
Feet on Fire

Encore:

I Saw a Ghost
Wanted Much More
Knowledge Freedom Power
Lunatic

 

Suede @ Music Hall – Craig Chisholm Reviews

 Aberdeen City, Opinion  No Responses »
Apr 052023
 

Craig Chisholm reviews ‘Suede’ live at Aberdeen Music Hall.

Suede, the legendary Britpop band, recently took the stage at Aberdeen Music Hall, and the audience was treated to a night of electrifying rock and roll.

The band, fronted by the charismatic Brett Anderson, proved that they are still at the top of their game and capable of delivering a powerful performance.

The setlist was a carefully curated mix of old classics and new material from recent album, Autofiction, with the band playing fan favourites such as Animal Nitrate, Trash, and a barnstorming encore of Beautiful Ones, as well as newer tracks like Personality Disorder and She Still Leads Me On.

Add in early B-side, Killing of a Flashboy, and you had a set that spanned the band’s entire career.

The crowd sang along to every word and danced the night away to the infectious beats and catchy hooks.

Anderson’s voice was in fine form, effortlessly hitting every note with his signature falsetto, which was particularly evident when he performed a solo acoustic version of The Wild Ones from their classic album, Dog Man Star.

The rest of the band was tight and polished, delivering a high-energy performance that left the audience begging for more. The guitar work was particularly impressive, with Richard Oakes and Neil Codling trading solos and creating a wall of sound that filled the entire venue.

Simon Gilbert and Mat Osman (brother of TV presenter and author Richard Osman) anchored the maelstrom with a solid backbone of drums and bass respectively.

The stage setup was minimalistic and stark, with a simple backdrop and lighting that perfectly complemented the music without distracting from it. The sound quality was excellent, with every instrument and vocal perfectly balanced and crystal clear.

Overall, Suede’s performance at Aberdeen Music Hall was a triumph, showcasing the band’s enduring talent and ability to captivate audiences with their unique brand of Britpop. The concert was a memorable night that left fans buzzing and eagerly anticipating the band’s next tour.

This was the band’s first time back in Aberdeen for nearly 25 years (and only their third ever) – you hope, given the reception at this sold-out show, that they come back sooner rather than later.

Setlist :

Turn Off Your Brain and Yell
Personality Disorder
15 Again
We Are the Pigs
Animal Nitrate
Trash
Killing of a Flashboy
Sleeping Pills
Down
The Only Way I Can Love You
She Still Leads Me On
Shadow Self
It Starts and Ends With You
The Wild Ones
That Boy on the Stage
So Young
Metal Mickey
New Generation

Encore:

Beautiful Ones

Mogwai/Rev Magnetic @Music Hall – Craig Chisholm Reviews

 Aberdeen City, Featured, Opinion  No Responses »
Feb 022023
 

Craig Chisholm reviews Mogwai plus support, Rev Magnetic at The Music Hall, Aberdeen.

With Idlewild playing down the road at the OGV Taproom and The Dons entertaining one of the Glasgow teams at Pittodrie (in a game best not talked about after a rather unpleasant ending), it’s pleasing to see a healthily packed Music Hall watch the wonderful Mogwai start a short run of dates before Christmas.

Opening the nights proceedings are Glasgow based Rev Magnetic, who are fronted by the multitalented, multi-instrumentalist and vocalist, the Orkney and Blairgowrie raised Luke Sutherland.

Not only is he the Rev Magnetic frontman but he’s a published author, former band leader of acclaimed 90s band Long Fin Killie and occasional Mogwai touring member.

The band deliver a 40-minute set of experimental avant-post-rock infused with pop hooks, jarring silences and folk influences that recalls bands such as near namesakes Mercury Rev at their most dream-like and the exploratory guitar work of Loop and My Bloody Valentine.

Sutherland’s congenial, friendly between song banter seems to win over a crowd that may not be familiar with the band or their 2019 album ‘Versus Universe’.

Hopefully they make it up to the Granite City again soon.

Headliners Mogwai are no strangers to Aberdeen having made their debut at the Lemon Tree 25 years ago.

“Hello, we’re Mogwai from Glasgow, it’s good to be back in Aberdeen” states frontman Stuart Braithwaite as the band take the stage.

Opening with the live debut of recent single (and, interestingly, non-album track) ‘Boltfor’, the band plunge straight into a hypnotic and hallucinatory set that features a mere 3 tracks their recent UK no.1 album ‘As the Love Continues’ and delves deep into their now extensive back catalogue.

Between song chat is minimal, kept to the odd “thanks” or similar display of appreciation. However, that’s a positive as unnecessary between song banter could break the spell that the band’s music induces.

The aforementioned Luke Sutherland makes a guest appearance during the seasonal appropriately named ‘Xmas Steps’ adding layers of violin to the band’s guitar heavy sound.

Vocal tracks, such as ‘Ritchie Sacramento’ and ‘Hunted By a Freak’, are rare, offering a different shade to the atmospherics of the instrumentals.
Closing with the epic 20-minute piece ‘My Father, My King’, which is based on the melody to a Jewish prayer, the band exit to a deafening cacophony of feedback and adulation from an adoring crowd.

A towering performance by one of the greatest bands Scotland has to offer – and much more fun than the entertainment at Pittodrie on the same night.

Mogwai Setlist:
I’m Jim Morrison, I’m Dead
How to Be a Werewolf
Hunted by a Freak
Party in the Dark
Don’t Believe the Fife
Drive the Nail
Christmas Steps
Old Poisons
Ceiling Granny
Remurdered
Ratts of the Capital

Encore:
Ritchie Sacramento
My Father, My King

Rev Magnetic Setlist:
Versus Universe
Like No Girl That Ever Was
Lip Gloss
Sunny Windy Winter Morning (Rainbows Spanning the Valley)
Gregor
La Haut
Don’t Let Joy Destroy You
Palaces

Kasabian @ The Beach Ballroom – Craig Chisholm Reviews.

 Aberdeen City, Featured, Opinion  No Responses »
Jun 282022
 

Craig Chisholm reviews Kasabian at The Beach Ballroom, Aberdeen.

Guitarist turned singer, Serge Pizzorno, is a hyperactive and overwhelming presence.

There’s an air of anticipation – and a hint of worry – in the air tonight as Kasabian take to stage for the first time in months in a relatively low key warm up show for their upcoming tour.
There was major upheaval in the Kasabian camp during lockdown that saw lead singer Tom Meighan convicted in court on a rather unsavoury charge of assaulting his then fiancée.

But Kasabian, to their credit, acted quickly and decisively, sacking him from the band and expelling him from their inner circle.

An incident like this may have spelled the end of many a band or, worse, a public show of contrition and the usual carefully worded apology. Not Kasabian, though, who are to be credited with the strong message that separating from their singer sends out.

There’s no messing around tonight. No easing in the crowd gently. No time for reflection or soul searching.

Hitting the stage in disconcerting and overpowering strobe lights they blast into the banging ‘Club Foot’ with such energy that everywhere in a mile radius of the Beach Ballroom must have thought there was an earthquake happening.

Guitarist turned singer, Serge Pizzorno, is a hyperactive and overwhelming presence at the front of the stage.

Moving from side to side, bouncing, running and jumping like a prize fighter in the ring, your eyes are drawn to him and you’re overcome by his intensity and energy.

Any questions regarding his ability to step up to front man – from his usual role of guitarist – or doubts about his voice being able to carry the tunes, are dispelled tonight. He’s a natural frontman, a consummate showman and his voice is perfect for the songs.

Blasting through a 17 song set, the band show they are more ready for their upcoming headline dates and their support slots with Liam Gallagher at Hampden Park and Knebworth among others.

The hits, such as ‘Empire’, ‘Vlad The Impaler’ and ‘Shoot the Runner’ are all played. There’s a live debut for ‘SCRIPTVRE’ from upcoming album ‘The Alchemists Euphoria’ (Due August 5th) and plenty of crowd pleasers in between.

The sprung floor at the Beach Ballroom was tested to its limits tonight and there’ll be a few lugs still ringing the following morning from the aural assault.

Closing with ‘Fire’, the band end a triumphant show that has dispelled any doubts about their future. They’re in for the long haul and will be headlining arenas and festivals for a long time to come.

Set List:

Club Foot
Ill Ray (The King)
Underdog
You’re in Love With a Psycho
ALYGATYR
Shoot the Runner
SCRIPTVRE
Bumblebee
Stevie
Pinch Roller
Treat
Empire
Switchblade Smiles
Vlad the Impaler

Encore:

Bless This Acid House
L.S.F. (Lost Souls Forever)
Fire

The Charlatans/Martin Carr @ The Music Hall – Reviewed

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Jun 232022
 

Craig Chisholm reviews The Charlatans and Martin Carr at Aberdeen Music Hall.

The Charlatans are treated as conquering heroes to a partisan crowd.

Has it really been nearly ten years since The Charlatans last played Aberdeen? Last time around they played a run through of their classic album ‘Tellin’ Stories’ and the odd b-side from that phase of their career.

Tonight is also a dive into the past – a retrospective set in support of last year’s compilation album ‘A Head Full of Ideas: The Best of Charlatans’

But before The Charlatans take to the stage for what was supposed to be a 30th – now 32nd – anniversary tour, it’s the turn of former Boo Radleys guitarist and songwriter Martin Carr and his band, What Future, to entertain the crowd.

Most of the crowd seem to be in the bar when they come on but by the end of the set the hall is suitably filled with an audience appreciative of his songwriting skills.

Martin Carr

His bright indie pop still retains a knack for the harmonies and hooks that made Boo Radleys stars in the mid 90s. Leaning heavily on his solo material for the 30 minute set there’s only the one nod to his former band with a closing performance of the brilliant ‘Lazarus’ – which is met with an applause as rapturous to the one given when he says “have a good night – fuck the Tories”.

The Thurso born, Wallasey raised, singer and his band may have won a few more fans tonight with both his music and his politics.

Coming on stage to the pulsating ‘Forever’, The Charlatans are treated as conquering heroes to a partisan crowd.

It’s hit after hit, hook after hook, as they blast through over 100 mins of classics selected from their back catalogue.

The LED backdrop plays videos and shows pictures from the past three decades of their career – ticket stubs, tour posters, old concerts and, poignantly, old footage of late keyboard player Rob Collins and drummer Jon Brooks, who tragically died of a brain tumour in 2013.

But this isn’t a wake, it’s not a simple case of nostalgia and they are certainly not resting on their laurels – this is a band that have embraced all genres, mixed up the past and looked to the future.

From the soulful ‘A Man Needs to be Told’ to the Chemical Brothers infused dance beats of ‘One to Another’ to the Stones-y swagger of ‘Just When You’re Thinking Things Over’, it’s a joyous and life affirming set by a band that have never stood still.

Highlights? Everything. There are no mishits, no songs that make you want to go to the bar.

It’s all killer, no filler, as they say.

Closing – as ever – with an extended ‘Sproston Green’, the band leave the stage tired and exhausted as the crowd, reluctantly, leave the exits the in the very same state.

Setlist:

Forever
Weirdo
Can’t Get Out of Bed
Then
So Oh
You’re So Pretty – We’re So Pretty
Sleepy Little Sunshine Boy
Just When You’re Thinkin’ Things Over
One to Another
Different Days
Future Tense (with Ian Rankin) (Spoken word)
Plastic Machinery
I Never Want an Easy Life If Me and He Were Ever to Get There
A Man Needs to Be Told
The Blind Stagger
The Only One I Know
North Country Boy
How High

Encore:

Sproston Green

Pictish Trail/Savage Mansion @ The Lemon Tree – Reviewed

 Aberdeen City, Featured, Opinion  No Responses »
Jun 162022
 

Craig Chisholm reviews Pictish Trail and Savage Mansion at The Lemon Tree, Aberdeen.

A Pictish Trail show isn’t your run of the mill concert.

It’s a glorious mish mash of one man and his acoustic guitar, a band playing electro-indie-psych-rock and some of the funniest between song anecdotes and asides to the crowd that’s guaranteed to bring a smile to your face and a spring to your step.

Pictish Trail is better known to his Mum as Johnny Lynch. He’s a resident of Eigg, a prolific song writer, the head honcho of the Lost Map record label and, as cliched as it sounds, one of the best live acts around just now.

But before he and his band entertain the crowd, it’s the turn of Lost Map signees Savage Mansion to warm up attendees.

The Glasgow based band play an infectious brand of shambolic indie pop that’s a treat to the ears. There are shades of Pavement in there, a hint of Lou Reed in the vocals, all of which combine to create an enjoyable and listenable experience.

Keyboard player Kate is from Aberdeen and, when put on the spot, is asked to name something good about her hometown. She opts for the number 19 bus, which is given a shout out by singer Craig Angus.

Shout out to Savage Mansion too, for a great set.

Headliner Pictish Trail bravely starts the show with two solo acoustic tracks – ‘Easy With Either’ and ‘Nuclear Sunflower’ before being joined by “Eigg’s sexiest man 2009, Joe” on guitar for another track.

Pictish Trail, of course, moved to Eigg in 2010.

Whereby Joe won the award again, apparently.

This sort of quip is just a precursor for the between song banter and shaggy dog tales, including a tale about a near death experience involving a log filled truck with his passengers, comedians Josie Long and James Acaster.

But the humour and laughs are only a small part of an eclectic and joyful set that shows the breadth and depth of Johnny’s talent.

Songs are well crafted, catchy, and clever. Folkie, indie, danceable but draped in a pop sheen.

As he dances through the crowd at one point, still singing, you’re transported to a place of happiness, an escape from the world and its troubles.

Pictish Trail is no stranger to Aberdeen and hopefully he’ll be back soon – if you can’t wait then be sure to catch him in Glasgow, Dunfermline, Arisaig, Oban, Lockerbie and, more local-ish, Findhorn in August.

Set List:

Easy With Either (Johnny solo)
Nuclear Sunflower Swamp (Johnny solo)
Slow Memories (Johnny and Joe)
Double Sided
Island Family
Far Gone (Don’t Leave)
It Came Back
Melody Something
The River It Runs Inside Of Me
Fear Anchor
Turning Back

Encore:

Natural Successor

Paul Weller/John Rush @ The Music Hall – Reviewed

 Aberdeen City, Featured, Opinion  No Responses »
Jun 142022
 

Craig Chisholm reviews.

Like every other gig happening just now, it’s a been a long time coming.
It’s been two long years since tickets went on sale for The Modfather’s Music Hall gig.
But Weller hasn’t been sitting idly by – he’s released a couple of albums – On Sunset and Fat Pop Vol 1.

There’s been a live stream – Midsommermusick – and there’s even an orchestral live album out this month.

So, that alone would be a lot to cram into a setlist for the new tour – but add in another 14 solo albums, 5 Style Council albums and another half dozen by The Jam then there’s a wealth of material to choose from.

But if choosing a set from such a large back catalogue is daunting, it must be nothing compared to being the opening act for such an icon.

However, if John Rush is nervous then he doesn’t let it show. In fact, his solo set is a confident and accomplished performance.

Hunched behind an acoustic guitar, absorbed in his songs he is humorous, appreciative and seems genuinely happy to be given the opportunity to perform in front of a decent sized crowd.

His folk-tinged pop tunes go down well, and he even gets a sing-a-long going near the end with the crowd joining in on backing vocals. In front of a crowd that likely didn’t know about him before tonight, he does well and will have gained a few fans.

Striding confidently onto stage in a seasonally appropriate crimson jumper, Weller oozes confidence and is every inch the rock legend.

Flanked by two drummers, a bassist, keyboard player, sax player and, crucially, Ocean Colour Scene guitarist Steve Craddock, he blasts through a set that lasts well over 2 hours but feels like it passes in half that time, such is how enjoyable it is.

It’s a confident and measured set – just enough of the hits to please the more chart minded fans; a couple of tracks by The Jam to send the punk fans home happy; a nod to The Style Council for the 80s fans and a fine spread of solo tracks from the last 30 years for the solo performer fans.

It’s a tricky skill to keep everyone happy but Weller retains that skill whilst ploughing his own furrow, not afraid to cut loose and experiment.

Highlight of the set is a quintet of tracks from the solo commercial high point, the classic ‘Stanley Road’, performed back-to-back – the title track itself, followed by ‘Broken Stones’, ‘The Changingman’, ‘Porcelain Gods’ and a sublime ‘You Do Something to Me’.

But the biggest cheers of the night go to a couple of classics by The Jam – ‘That’s Entertainment’ and ‘A Town Called Malice’ which bring the house down at the end of the night.

An epic set by an epic performer.

Set List:

White Sky
Cosmic Fringes
Peacock Suit
My Ever Changing Moods (The Style Council song)
Hung Up
Saturn’s Pattern
Old Father Tyme
Shout To The Top
Village
More
That Pleasure
Stanley Road
Broken Stones
The Changingman
Porcelain Gods
You Do Something to Me
Still Glides the Stream
Shades of Blue
Above the Clouds
Wild Wood
Brushed
Into Tomorrow
Friday Street
Can You Heal Us (Holy Man)
On Sunset
That’s Entertainment (The Jam song)
Town Called Malice (The Jam song)

Nouvelle Vague @ The Lemon Tree – Craig Chisholm Reviews

 Featured, Gigs and Concerts, Opinion  No Responses »
Mar 152022
 

Craig Chisholm reviews ‘Nouvelle Vague’ – Lemon Tree, 4th March 2022.

The girl singer covering a rock song in more downbeat, acoustic or similar fashion has become a tired trope over the last few years in the pop landscape.

From Birdy releasing a whole album of whispery covers to the Hawaiian singer Malia J sound-tracking the trailer to Marvel’s ‘Black Widow’ with Nirvana’s ‘Smells Like Teen Spirit’, the style has become mainstream, familiar and, unfortunately, a bit stale.

However, one band are the original and the best in the genre and bring more to re-interpreted cover versions than a lot of others – a swipe of Parisian cool, a knowledge that they were the original trendsetters and a simple, joyous fun to their live show.

Starting off with both singers deep in the Lemon Tree audience, lit only by a single torch directed from the stage, the band start the show in atmospheric fashion with New Romantic electro classic ‘Fade to Grey’, originally by Visage.

What follows is a peerless 90-minute show that takes in an inspired selection of songs by acts as diverse as Yazoo (‘Don’t Go’), The Cramps (‘Human Fly’), XTC (‘Making Plans for Nigel’) and The Clash (‘Guns of Brixton’) among others.

At their best, Nouvelle Vague subverts and twist the original narratives of the songs and add new meaning and added depth to them.
The masculine toxicity lampooned in Dead Kennedys punk classic ‘Too Drunk to Fuck’ is retooled for the modern era and raises issues of consent when sang by a woman. Joy Division’s ‘Love Will Tear Us Apart’ allows us to see the other perspective of a break down in a relationship, far removed from the original male narrator’s perspective. 

It’s moments like those that make you stop and think, to re-analyse the song and the song writer – what is the meaning of Generation X’s ‘Dancing with Myself’ when sang by a woman? What does a female perspective bring to The Undertones ‘Teenage Kicks’?

All valid questions and the punters will all have their own opinions or ideas if they stopped to consider the song in question. However, it’s also a Friday and time to unwind – and The Specials ‘Friday Night, Saturday Morning’ is an appropriate choice, with its tales of drunken abandon and living for the moment.

The range of musical styles in their interpretations also adds to the occasion – whilst they are steeped in the Nouvelle Vague’s original Bossa Nova style, they’re not scared to let go with wild disco abandon or an introspective acoustic led style.

Entertainment is ultimately the name of the game and theatrical flourishes such as synchronised movement by the singers, a toast with a glass of wine before ‘Too Drunk to Fuck’ and a spirited kazoo solo during ‘Human Fly’ make a good show.

The band close their set with Modern English’s ‘I Melt Into You’, an appropriate and timely song with current events in Ukraine, which was written originally under the fear of nuclear war and depicting a couple making love as the bomb drops.

But such weighty topics are no excuse to not party and have a good time – and Nouvelle Vague easily provide that and leave a Friday night crowd in Aberdeen more than happy to carry on socialising into Saturday morning.

Setlist:
Fade to Grey (Visage cover)
Blue Monday (New Order cover)
Dancing With Myself (Generation X cover)
Ever Fallen in Love (With Someone You Shouldn’t’ve) (Buzzcocks cover)
Making Plans for Nigel (XTC cover)
Too Drunk to Fuck (Dead Kennedys cover)
Teenage Kicks (The Undertones cover)
Human Fly (The Cramps cover)
All My Colours (Zimbo) (Echo & the Bunnymen cover)
The Guns of Brixton (The Clash cover)
Enola Gay (Orchestral Manoeuvres in the Dark cover)
Road to Nowhere (Talking Heads cover)
Just Can’t Get Enough (Depeche Mode cover)
Heaven (The Psychedelic Furs cover)
Bela Lugosi’s Dead (Bauhaus cover)
Friday Night, Saturday Morning (The Specials cover)
Love Will Tear Us Apart (Joy Division cover)

Encore:
Don’t Go (Yazoo cover)
In a Manner of Speaking (Tuxedomoon cover)
I Melt With You (Modern English cover)

Field Music & Steven Milne @ The Tunnels

 Aberdeen City, Featured, Opinion  No Responses »
Oct 212021
 

Review and photographs by Craig Chisholm.

Sunderland art-rockers, Field Music, returned to Aberdeen after a 9 year hiatus to play to a receptive crowd at The Tunnels on Carnegie Brae. Having released their 8th studio album – Flat White Moon – last April the band would have been relieved to finally get the show on the road in support of it, with this date being the opening night of a full UK tour.

First up, however, was local musician Steven Milne.

The Little Kicks frontman was drafted in early that afternoon after original support act – Galaxians – were unable to perform.

Milne is at pains to point out this is his first live appearance in 19 months. Coupled with the late call up, it could have proved to be a recipe for disaster.

However, he is nothing but naturally talented and that talent shone through in his solo performance.

Sitting behind a keyboard, he was captivating and engrossing as he ran through a set of Little Kicks tracks and a cover version of The Blue Nile’s ‘Tinseltown in the Rain’.
And it’s a credit to his song writing skills that his own material more than held its own even beside the sublime Blue Nile track.

A new Little Kicks album is due for April and should be on everyone’s shopping lists.

Brothers Peter and David Brewis have released 8 albums in the last 16 years under the moniker Field Music and tonight’s gig showcases songs across that time span.

Swapping roles between vocals / guitar and drums, there’s a real chemistry and understanding between the two siblings.

The music, the humour – it’s all interchangeable and on the same level between and during tracks. They’re the anti-Gallagher’s in that respect – brothers in music with no friction or individual ambition tearing them apart.

But that’s where the comparison begins and ends – the Brewis brother’s music isn’t steeped in conservative, classic rock, like Noel and Liam are, but in art-rock futurism and forward thinking of bands such as Talking Heads or Scritti Politti.

The set itself leans heavily on the recently released ‘Flat White Moon’ but there’s a dive into their back catalogue, with tracks such as ‘A House is not a Home’ and ‘(I Keep Thinking) About a New Thing’ given an airing.

Personal highlight for this correspondent was ‘Disappointed’, a near perfect pop tune steeped in a light funk backbeat.

The late, great musical genius Prince once tweeted their track ‘The Noisy Days Are Over’ without comment to his millions of followers – and that says a lot.

If anyone could recognise good music, you’d expect it from someone like him.

And the crowd recognise it tonight – it’s a magnificent set that has them clapping enthusiastically and begging for more.

After a good few years without a visit North to the Granite City, it was a joy to see them here again – hopefully they return sooner than later.

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