Jun 242020
 

By Suzanne Kelly.

Rob Scott’s ‘Zombie Cake’.

March 17 – a day that is usually given over to a stereotypical but good-natured outbreak of beer-drinking to honour St Patrick.

This St Patrick’s Day, the UK was poised to go in a lockdown to slow the spread of the deadly Covid-19 virus. James Watt, co-founder of Ellon’s BrewDog, tweeted:

“At BrewDog we are doing all we can to make it through & protect as many jobs as we can. But we, like so many businesses have lost 70% of our income almost overnight.”

The growth of Brewdog is without precedent in the UK craft beer world, possibly without precedent anywhere.

In the beginning they were Watt, Martin Dickie, and a dog, selling 4 different brews at Aberdeen’s farmers’ market. They now employ thousands and have breweries in Columbus Ohio, Australia and Germany as well as their Ellon home.

From one Aberdeen Castlegate bar sprouted scores of bars on four continents. These bars are a key point of revenue – and just like that, all the UK’s hospitality sector was faced with the lockdown and all it implied.
This dog was not going to just roll over.

Sanitized News:

BrewDog first decided they would use their distillery to provide free-of-charge sanitizer for the NHS which had announced a shortage. They worked with the NHS and while the very first batch wasn’t quite strong enough (a BrewDog first), they’ve been pumping out sanitizer and packing it into any and all bottles and packages they can get. An NHS spokesman said:

“It’s heartening that firms like BrewDog are choosing to play their part, and helping protect our NHS workers on the frontline across Grampian.

“This serves as yet another example of the phenomenal support we’ve received from a number of businesses in the local community. By working together, and continuing to follow the government advice, we will get through this pandemic.”

The sanitizer is not for sale; BrewDog are now delivering some of it to North East Scotland’s nursing homes, and over 100,000 bottles have been distributed free.

Funding this initiative’s costs, and commenting on a government covid-19 scandal, BrewDog recently released a new product…

Barnard Castle Eye Test – Cummings’ Comeuppance:

While many of us were doing our part and following lockdown orders created by Boris Johnson and his advisers, he and his advisers seemed immune to these regulations they created.

BoJo shook hands with Covid-19 patients – later denying it- he caught the disease and passed it to others.

His unelected guru, Mekon-lookalike Dominic Cummings, decided that despite lockdown, despite being ill, and despite not able to see straight, he’d drive his family to stay with his dad (staying in a cottage on the property that seems to have no planning permission and for which no tax seems to be paid by the way. True: Dad owns a horse he named Barak because the horse is black and white: Racism is alive and well and in Barnard).

The country was outraged (save some Daily Mail readers) by these double-standards and all their implications. Watt told LBC Radio:

“If they’re asking the country to make sacrifices for the common good the government and its advisers should be abiding by the same rules.”

Following BrewDog’s longstanding history of ‘protest beers’ such as ‘Hello my name is Vlad’ (dig at Putin’s anti LGBT hardline actions), ‘Make Earth Great Again’ (a commentary on Trump) and more, BrewDog announced it would make a Cummings-related beer.

The name was put to a public vote, and within hours of being put on presale, ‘Barnard Castle Eye Test’ sold over 45,000 units: all profits going to the NHS hand sanitizer project.

Open Arms Welcome:

For many on lockdown, BrewDog provides a great online social resource, the BrewDog Open Arms https://www.brewdog.com/uk/onlinebar .

Every Friday at 6pm this virtual online pub opens up for a few hours of zany fun.

BrewDog told Aberdeen Voice:

“The Open Arms was started as soon as our bars shut so we could still bring our community together to be social and enjoy a beer. Since opening we’ve been blown away by the support and experience with over 100,000 people joining our sessions from all over the world.

“The Open Arms has hosted live music, virtual beer tastings, homebrew sessions, food & beer pairings and our weekly Friday session.

“We now have regulars joining us every week and, due to demand, have recently changed the Friday session to be unlimited entry via streaming on YouTube Live”.

Dawn Scott’s ‘Kamikazi Knitting Club’.

MCs Tim Warwood & Adam Gendle host the event and run a hilarious quiz with prizes randomly given out. James Watt and Martin Dickie are among the hundreds who attend. Musical guests have included Carl Barat from The Libertines and a host of upcoming talents performing from their homes.

It usually ends up with people dancing in their living rooms to the cheesiest of music, ending in Toto’s Africa (yes, really).

James and Martin announced, seemingly off the cuff that they’d give away £1,000 next week in beer vouchers for the best costume. Amanda Scott won the bar’s costume competition with a hyper-creative recreation of BrewDog’s ‘Homicidal Helpdesk Puppet’.

Runners-up included Jazza Crawford and Linz as ‘Super Bario Brothers’, while Rob Scott and his wife Dawn recreated BrewDog beer labels for ‘Zombie Cake’ and ‘Kamikazi Knitting Club’.

Rob said:

“I love the Open Arms Online bar…[it] lets us experience some of the vibe. We attend the Open Arms bar and afterwards we videocall each other and talk some more.

“Another reason I like the Open Arms is that I’m an introvert. This way I can take part of the experience on my own terms.”

Jazza said:

“Since the very first week both Linz and I have been enjoying catching up with friends and other Equity Punks in the BrewDog open arms.

“So far we have learned a lot more about the creation of some of our favourite beers and spirits. Learned how to cook some amazing dishes. Painted sharks and whales with Plague Fisher.

“Most of all our Friday night highlight is the quiz and after party. It’s been brilliant to have what feels like and escape from the home without actually leaving the house.

“I hope it stays after lockdown maybe as a once monthly catch up for the international friends that we have made through BrewDog.

“Brewdog Open Arms is a great community, it’s fun to see everyone and to hear James & Martin talk about the business and the new beers and sprits they’re making!”

The Open Arms session on 29 May featured a challenge which raised a massive £3,000 for the NHS. Sessions are occasionally held on other days, featuring beer yoga, recipes, virtual tasting sessions, and even an art tutorial from Craig Fisher, whose distinctive bold designs decorate BrewDog bars and breweries around the world.

Craig, who no longer works in-house for BrewDog, said:

“It’s been an awesome way to interact with the BrewDog fans who’ve followed my work, despite the current limitations.”

While many businesses are losing revenue, while many people are worried about finances, friends and lockdown, BrewDog is coming through with helpful initiatives – and it all started on our doorsteps in Fraserburgh, Ellon, and Aberdeen.

On a personal note, I am a shareholder (as I always disclose when I write about the company) – I’ve had many proud moments as such, but how they’ve handled lockdown’s challenges, but these initiatives re-set the scale and won’t be forgotten anytime soon.

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May 152020
 

With thanks to Alec Westwood.

A new series exploring true stories from Aberdeen’s mysterious and murky past has been launched.
Delivered as a podcast, ‘Darkside Of The Deen’ is presented by Aberdonian actor Alec Westwood.

Following on from playing Sgt Howie in the audio drama sequel to The Wickerman, Alec set up a home studio and began working remotely with writers and producers Richard Skinner (Turriff) and Cliff Hughes (Peterhead).

Known for his role Folly the Jester in cult childrens’ TV show Knightmare, Davy Reins in the BBC’s Roughnecks and portraying Robert Louis Stevenson on Radio 4’s Great Lives,  Alec also enlisted help from a number of fellow local actors and musician/Inverurie Postmaster, Rory Will to bring dark stories from Aberdeen’s past to life.

In the show Alec presents a different true story from the shadier parts of Aberdeen’s history in each new episode, from bubonic plague, to bodysnatching, all the way to more recent, intriguing, true crimes.

The first episode (available now) recounts the time in 1964 when the city was hit by the biggest typhoid outbreak in modern day history.

He investigates the causes of the outbreak, the effect it had on local individuals and the lessons learned that are relevant more than ever during the current Covid-19 crisis.

There will also be special episodes that will bring strange stories from further afield in Scotland, such as the mysterious disappearance of three lighthouse keepers from the remote island of Eilean Mor in the Outer Hebrides during the festive period of 1900 – an event which inspired the 2019 Gerard Butler film The Vanishing.

Alec is enthusiastic to bring interesting stories from Aberdeen’s past to a global audience via Darkside Of The Deen.

Episode one ‘The Summer of 64’ is available now on Acast, Spotify, Apple Podcasts and Youtube.

Listen on Instagram
Listen on Youtube

May 122020
 

By Suzanne Kelly.

The Scottish Information Commissioner has agreed to investigate Aberdeen Voice’s complaint as Aberdeen City Council claims ‘it doesn’t know’ how much rent Aberdeen Journals Ltd pays for space in controversial Marischal Square.

Several parties have tried to obtain this information; and the information commissioner is investigating Suzanne Kelly’s formal complaint into the city’s recent refusal to disclose details.

According to an article published on Jan 27:

“Marischal Square.. is 75% let [after] just over two years… it is on track to achieve 100% occupancy later this year, defying critics who opposed the scheme and claimed it would become an expensive white elephant…”

Whichever Press & Journal hack wrote this piece praising Aberdeen City Council’s contentious (and ugly) Marischal Square development likely did so from the offices the paper got cheaply from…ACC.

You could be forgiven for thinking a newspaper should not take a free rent deal from a council it should be investigating (and there is plenty to look into), but the P&J and sister paper Evening Express did just that.

The £107 million Marischal project achieved the unthinkable: replacing a hideous 70s building with an even uglier office complex, while managing to immure the 16th c Provost Skene’s House inside a claustrophobic glass tomb. It ruins the setting for Marischal College across the road, as previously reported on by Piloti.

Other businesses thought to be enjoying sweetheart deals and free rent periods include multinationals with Chevron and EY set to move in. Why precisely such firms need to be subsidised is a mystery.

True to form, the city is releasing as little information as possible, however many FOI requests it receives.

It reluctantly admitted:

“Aberdeen Journals have been offered a rent-free period,”

and the current headline rent is £30 per square foot.

What dates the free rent covered, who agreed this deal and other details are ‘confidential’ according to the city. Despite public money being used to create the building and the public purse subsidising multinationals and newspapers, the city has clammed up. The Scottish Information Commissioner’s office is expected to investigate.

ACC insists only management company CBRE knows how much rent each company pays, and that ACC only gets the total figure of rent CBRE collects. CBRE are saying nothing.

We do know that:

“The total rental income received via CBRE for Marischal Square to 30 September 2019 is £849,936.61.”

The start of that time period? ACC aren’t saying.

Exactly how much the building cost to build, how much in debt the cash-strapped city is, and what negative impact Marischal Square has on companies that were already desperate to rent existing office space remains a mystery for now. But, as the P&J reported in January 2020, the building is ‘an award-winning success’.

Things moved on a bit since the paper reported on what it once called a ‘controversial’ and ‘contentious’ project. Councillor Willie Young claimed it would cost millions not to proceed with the project, but the P&J reported on March 5 2015 that there was scope to cancel the plans as some protesters wanted.

What possibly could have changed the paper’s position?

Apr 212020
 

By Duncan Harley with thanks to Andy Kite.

In March 2020 Aberdeen Performing Arts switched off the lights in its three iconic venues: His Majesty’s Theatre, Aberdeen Music Hall and the Lemon Tree amid the COVID-19 outbreak.
Shows were cancelled and staff put on furlough. Lockdown had struck and, like it or not, the theatre doors slammed shut on 17th March ironically on the very eve of a week long run of ‘A Monster Calls’.

You really couldn’t make it up.

Cancellations of Buddy Holly, Once and Something About Jamie swiftly followed and a planned May run of The Gondoliers described in glowing terms as ‘Sunny, funny and with more ‘tra la la las’ per square inch than any other opera in the canon’ is as they say, dead in the water.

But, as they say, the show must go on and today Aberdeen Performing Arts has announced a set of stay-at-home projects and initiatives designed to keep the North-east connected and engaged in arts and culture during the pandemic lockdown.

Titled ‘We’re Here For You’, the initiative spans a range of activities for all ages, from re-creating favourite album covers, to online piano recitals, all with the aim of encouraging contact and creativity in the North-east while under lockdown.

Aberdeen Performing Arts Chief Executive, Jane Spiers, says:

“There’s never been a time when we need to be more connected and here for each other. Here for You is about celebrating the amazing creativity we all have within us and across the North East.

“We’ve been so impressed with the entries we’ve had for our ‘Build Your Own HMT’ project, and we can’t wait to see what our ‘When Life Gives You Lemons’ project brings, re-creating your own album cover!

“Our Here for You activities are also a small thing we can do to say thank you to our audiences who have been so supportive and raised £50,000 to date to keep our charity alive when we rely so heavily on ticket sales.”

An early project, ‘Keep The Lights On At HMT’, seemingly resulted in a flood of home built model versions of His Majesty’s Theatre and a new initiative, ‘Armchair Audiences’, gives theatre goers a chance to sit back, relax and join a weekly theatre discussion each Tuesday at 6pm (bring your own ice cream).

The first event in the Armchair Audiences series is a collaboration with The National Theatre and features a free streamed performance of Jane Eyre.

More @: https://www.aberdeenperformingarts.com/

Apr 062020
 

Day 11 in the Old Susannah House. Old Susannah is feeding her cats, making pottery, and bothering her editor, asking him to print this pretty please: Three of the North East’s largest animal rescue charities, Halfpenny Farm, The New Arc and Willows Animal Sanctuary, are all in crisis and are seeking help from the Public.

For many years these charities, all members of R.E.A.C.H. (Reputable Animal Charities), have provided rescue, rehabilitation and specialised care for over 50,000 animals in the North East.

Together, they have cared for all types of animals from neglected, unwanted, abandoned, orphaned and injured animals ranging from domestic pets, exotics, farm and equines to our local wildlife. Between them their centres currently care for over a thousand creatures requiring their specialist help.

These charities are completely dependent on the good will of the public.

They receive no income from the Government and rely on their own fundraising activities and initiatives to continue their work.

Their only source of revenue has been through a variety of avenues.

  • Charity shops …. Closed.
  • Open Days….Postponed.
  • Fun events…Cancelled.
  • Fund raising such as pub quizzes, sponsored walks, charity tins and the like which have all been suspended.

In this current situation, everyone’s first concerns are understandably with family and friends.

However these charities continue to do what they can to rescue and care for animals in need. But if they fail then there is no replacement when things get better. They will be gone!

They are the animals ‘Front Line’. Please help them to continue their work!

Click on the following links.

Donate to Halfpenny Farm 
Donate to The New Arc 
Donate to Willows Animal Sanctuary 

Mar 212020
 

Three former Torry community councillors have lodged a complaint against Depute Lord Provost Jennifer Stewart with The Commission for Ethical Standards in Public Life. By Suzanne Kelly (one of the three).

The Commission for Ethical Standards in Public Life received a complaint from Bee Kerr, Renee Slater and Suzanne Kelly against Councillor Jennifer Stewart.
They have asked the Commission to investigate, and if appropriate, censure or suspend Jennifer Stewart on account of her behaviour following Councillor Alan Donnelly’s sexual assault of a person at a civic function.

Councillor Donnelly, who has represented Torry and Ferryhill in the past, was placed on the sex offenders register by the Aberdeen Sheriff Court. The court found him guilty of sexually assaulting a waiter.

The offence occurred while Donnelly was at a civic function in his capacity as councillor.

Donnelly tried to deny events; the court said he should be ashamed. He refused to step down despite his criminal act being a clear violation of the Code of Conduct for councillors.

Renee Slater launched a petition demanding Donnelly resign, which was signed by over 700 people.

The Standards Commissioner’s office announced his suspension one day after he voted on a crucial budget during a stormy council session, to the benefit of the council’s majority group. If he doesn’t resign, he will face a public trial.

Prior to this vote, Cllr Stewart took to radio and commented that the sexual assault didn’t sound serious.

She said:

“I would wonder if it was an attack. To me an attack is a much more physical and aggressive thing, but sentence has been passed.”

Her remarks infuriated many including councillors, residents and people connected to victim support groups.

The signatories to the complaint and experts they spoke to feel it is hard enough to cope as a victim of an assault; it is harder still to report it.  Getting to trial is stressful, and many trials end with no conviction.

It is arguably harder for a man to be a victim of sexual assault given some societal attitudes. Elected officials should not use their office to question the judgment of the courts and to add to the burden of the victim, who has had to endure the harmful insult by way of the Depute Lord Provost suggesting the assault was not serious.

It is quite probable, the complainers feel, that future sex assault victims who are aware of Stewart’s widely-reported remarks may be reluctant to come forward fearing she may weigh in to judge them too.

Undoubtedly, her comments on the assault would not have been published had she not been the Depute Lord Provost. She has not responded to a request for comment.

In press coverage almost immediately following her remarks, she accused both the SNP and Liberal Democrats of contributing to her confessed mental health problems through bullying and intimidation.

She named no names; the Liberal Democrats denied any such wrongdoing, and the SNP wished her recovery.

The complainants know the Ethics Commissioner will look into her remarks, which, as they stand, smear the entire opposition with serious accusations of breaking the Code of Conduct – accusations they cannot counter as they are not levelled at any one person or persons.

The Evening Express have been asked to explain how they verified her later claims of mental health problems caused by the SNP and Liberal Democrats; 5 days on, we still await their response

Anyone who wishes to add their name to the complaint or lodge a complaint against a councillor can contact the Commission here: info@ethicalstandards.org.uk

Mar 122020
 

Duncan Harley reviews On Your Feet – The Story of Emilio and Gloria Estefan at His Majesty’s Theatre, Aberdeen.

Despite the expansive title, this is really a biopic of Gloria.

Thin character development leaves husband/manager Emilio, played here by George Ioannides, lagging.

Portrayed as caring, charming and occasionally comedic, that’s about all you get of the essence of the man.

Gloria, a splendid Philippa Stefani, and her mum and her gran hold the plot strings and the show is really about the Estefan brand.

Plot-wise, an attempt is made to set the bands rise against a mid-20th century geo-socio-political scene in the aftermath of the Cuban Revolution. Havana born Gloria’s family flee to Miami following Castro’s takeover.

Dad Jose – Elia Lo Tauro, participates in the disastrous Bay of Pigs CIA inspired invasion of Cuba and is later exposed to a toxic chemical defoliant whilst serving in Vietnam. He gets ill and dies.

A later traffic accident leaves Gloria wheel-chair bound. She miraculously recovers. The band face determined music industry hostility. They overcome this.

In short, the link-story is all about triumph in the face of adversity. But it’s still paper-thin in places and perhaps over-reliant on tear-jerkers.

There are better musicals in the biopic juke-box pack, think Jersey Boys and Beautiful. But of course, none have a back catalogue which crosses over so many musical genres.

Ballad, disco, pop, samba all feature and in both Spanish and English.

Combined with the shows drop dead gorgeous dance numbers and, as a piece of uplifting entertainment, it works. Staging, and lighting and sound – superb. Ensemble/swing/band all good.

In all there are some twenty-one stunningly performed musical numbers. But please can I have some more plot sir?

Entertainment: 3/5
Stars: 3/5

On Your Feet is @ HMT Aberdeen until Saturday 14 March.

Words © Duncan Harley, Images © Aberdeen Performing Arts

Mar 022020
 

Will a convicted sex offender hold the key vote on Aberdeen City budget cuts? Suzanne Kelly writes.

Disgraced Alan Donnelly was found guilty, in an Aberdeen Sheriff court, of sexually assaulting a waiter at a civic function.
Despite this completely contravening the Councillors Code of Conduct, he’s staying in power and may hold a key vote on swinging budget cuts at the council’s meeting Tuesday 3 March: and some councillors are happy with him staying put.

The council’s ‘Urgent Action’ Committee have removed him from committees he was on, and reported him to the Commission for Ethical Standards in Public Life in Scotland (they had to really – so many people have done so, the Commission won’t take more complaints).

However, it does not appear they asked the Commissioner to exercise the power and suspend Donnelly. Instead, some councillors have been making statements in their official capacity to support Donnelly. Many believe this is because his vote is needed.

Repercussions.

While publications such as Private Eye (Eye 1516) cover this scandal and, as the Commissioner confirms, it is investigating Donnelly’s breaking of the code, Donnelly is still being allowed to attend civic functions and represent the city – and vote.

If he hangs on, he will be the subject of a public hearing by the Commission.

The Commission may be asked to look into what the council did to protect people from Donnelly, not least as there are reports Donnelly, who once was attached to ACC social services, bought alcohol for a sex offender in violation of protocol.

Did the city really do all it could to prevent this sexual assault? Were councillors’ remarks and actions appropriate? The commission’s remit is apparently widening by the day.

A petition started by Renee Slater, a former Torry Community Councillor (Donnelly’s ward) has over 770 signatures asking for Donnelly’s swift departure from office.

Reaction: Survivors UK say ‘he should step down or be removed’

“I agree wholeheartedly that he should step down or be removed from being a Councillor,” said Alex Feis-Bryce, Chief Executive Officer of SURVIVORS UK.

SURVIVORS UK helps sexually abused men as well as their friends and family, no matter when the abuse happened, and challenge the silence and attitudes.

Mr Feis-Bryce added:

“I say this as a survivor, the CEO of an organisation supporting thousands of survivors and a former Councillor.” 

According to the group, an estimated 12,000 men are raped in the UK every year, and more than 70,000 are sexually abused or assaulted.

Which witch hunt? What Jennifer Stewart did next.

“What I see is that there is a bit of a witch hunt to get him (Donnelly) out.”
– Depute Lord Provost of Aberdeen, Jennifer Stewart

As Survivors UK’s web page says:

“we know male sexual abuse has profound effects on those who experience it and can deeply affect their mental health and relationships.”

Most people understand sexual assault does not have to be a penetrative rape or involve being beaten. Not Cllr Stewart.

Jennifer Stewart, now in Donnelly’s former role as Depute Lord Provost went to the press in her official capacity and said:

“I would wonder if it was an attack. To me an attack is a much more physical and aggressive thing but sentence has been passed.”

In other words, the Depute Lord Provost of Aberdeen went to the press to call into question the robustness of an Aberdeen Sheriff court decision and to denigrate the sexual assault victim.

She said that those seeking to get Donnelly out were on a ‘witch hunt’.

Was she trying to conflate a hysterical persecution of the innocent (witch hunt) with trying to protect people from a sex offender, protect the council’s reputation, and ensuring the code was adhered to by councillors? Surely she knows the definition of the phrase ‘witch hunt?’

The barrage of justified criticism of her words was swift. Stewart immediately took to the press again and released a story, again in her official capacity, claiming she suffered mental health problems. These, she said, were so bad she was scared to walk down certain council corridors.

Stewart said:

“The level of pressure that was brought on me by the SNP and Liberal Democrats caused me significant mental health issues and anxiety, something I have never suffered from before.

“I have been ostracised, shunned and prevented from walking down certain corridors.

“Other councillors have no right to go on a witch-hunt to try and get rid of someone.”

In her next press outing, she was praised for her work to help female victims of domestic abuse in a new initiative with the police and a charity.

(NB – The most recent figures (Scottish Government 2012a) show that in 2011/12 there were 9,569 reports to the police of a domestic abuse incident where the ‘victim’ was male and the perpetrator female and 659 reports where there was a male ‘victim’ of a male perpetrator (where the sex of the parties were recorded).

A day or two later she was portrayed in the press again sympathetically, talking about the death of a friend.

Ms Stewart was asked to comment but has not replied. If it is true, she has mental health issues which she is willing to talk to the press about while accusing political opponents of causing these problems, then the Standards Commission should be asked to investigate these as a matter of urgency.

However, if she suffers mental health problems because of bullying, perhaps she should not go around contradicting the sheriff court’s finding a man was a victim of sexual assault, and in her official role telling the press ‘an attack is a physical (it was) and aggressive (it was) thing’.

If, however she has cynically made a false claim of mental health problems caused by political opponents (who strenuously deny such claims – and Stewart named no names) as a means of garnering sympathy and to deflect attention from her contentious remarks over Donnelly’s victim, this must be investigated.

For a woman who uses the term ‘witch hunt’ about those wanting Donnelly out, she has herself started a genuine witch hunt with her claim unnamed people gave her mental health problems.

She has tarnished her every opponent and by not naming anyone has made the public wonder who is harming her mental health, thereby causing people to mistrust those who would do such a thing: with absolutely no evidence for her claims.

It is understood Ms Stewart’s conduct will be reported to the Standards Commission shortly too.

Reaction.

At least some members of ACC recognize the crime of sexual assault is serious. Councillor Alex Nicoll and Steve Delaney want Donnelly out now.

The calls came not long after Donnelly was seen at a Town House event to celebrate the success of local food bank (the ‘oil capitol of Europe’ should not need food banks, by the way).

Lord Provost Barney Crockett told the BBC the city must:

“ensure everybody is treated appropriately, and that’s what I’ll continue to do.”

How he is treating Donnelly’s victim appropriately remains to be seen.
Mr Nicoll demanded Crockett must:

“clarify why he feels the sex offender should be treated the same as everyone else.”

Responsibility.

Mr Nicoll added:

“It is utterly disgraceful that Councillor Donnelly continues to attend events, by invitation, as if nothing has happened.

“I would urge the Lord Provost to ban him from civic events if he is serious about protecting the public and ensuring Aberdeen City Council is not a laughing stock.”

When asked where the responsibility for protecting the public from a further Donnelly attack lies, a spokesman for Aberdeen Sheriff Court said

“This would be a matter for Aberdeen District Council.”

Risible.

As things stand, Donnelly is on the council, attending events, drinking alcohol, enjoying himself, laughing with other councillors.

He is poised to vote, and may be key to getting a controversial budget passed. Depending on what ACC do over this vote, it looks as if the Standards Commission is going to be very busy with investigations indeed.

But, alas for Cllr Nicoll, Aberdeen is now a laughing stock throughout the UK and is on record as being an institution callous to sexual assault victims.

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Feb 262020
 

Duncan Harley reviews Hamish Napier’s new album, The Woods.

In this, the third part of his Strathspey Pentalogy musical journey, composer Hamish Napier celebrates the ancient forests of the Scottish Highlands.

I’ve ranted on about the man’s music on a few occasions. Once or twice in the, now defunct Leopard Magazine, a couple of times in Aberdeen Voice and in the blogosphere.

So, here I go at it again.

The first album dwelt on vivid sonic images of the River Spey – The River, and part two of the five-part journey – The Railway, was dedicated to railwaymen all around the north-east.

In this new collection there are 21 new tracks which according to Hamish incorporate 28 new tunes and pieces in a folk-tune cycle. Legends, folklore and a heady mix of jigs, reels, marches and slow airs inhabit the album.

Themed around the medieval Ogham alphabet, there is says Hamish:

“A track for every letter of the Scottish Gaelic tree alphabet.” 

Venus of the Woods, an upbeat polka, reflects the cheerful mood of the ash while the elm, a coffin tree, is celebrated in a melancholy lament – The Tree of the Underworld. Birch, gean, holly, alder and rowan all get a mention as do willow, oak and hawthorn and more.

Hamish recalls his childhood playing in the Anagach Woods over at Granton as being the primary inspiration.

‘What I viewed as simply the woods is now a gathering of characters and personalities … my work is about celebrating my homeland, finding hidden gems and stories in the surrounding landscape.

“I have used the Scottish Gaelic alphabet, which is centred around Scotland’s native trees, to explore the folklore, natural and social heritage of Strathspey.

“I’ve composed tunes for all 18 Gaelic letters. There’s also music for the people who lived in the woods locally, and who explored, worked, foraged, mused, trained, flourished and died there.

“I explored the flora and fauna of the Caledonian forest, riparian woods, montane scrub and other woodlands, in particular the properties and uses of our twenty or so native trees.’

Hamish is joined in this new production by an array of talent including Calum MacCrimmon, Steve Byrnes, Ross Ainslie and James Lindsay.

All in all, this is a quite splendid album. Go buy/download.

The full 21 track album will be released on 20th March (the Spring Equinox) and is available now for pre-order @ http://www.hamishnapier.com/

Feb 212020
 

Duncan Harley reviews Dial M for Murder at His Majesty’s Theatre, Aberdeen.

The unfaithful Margot – a splendid Sally Bretton, kills the hitman hired by tennis-pro husband Tony and heads to death row. Enter Inspector Hubbard who, assisted by Margot’s lover Max, solves the crime and cheats the hangman.

Well, truth is Hubbard got it wrong first time around but he eventually gets his bearings.

Case solved, end of story, all live happily ever after. Well not quite.

Dial M is one of those classic thrillers where we, the audience, are in on the perfect-murder plot from the start. But, and all power to them, it takes ages for the police to catch on. If only they had asked us at the start.

But that’s not how these things work.

This is a four-hander which means you won’t ever see hitman Captain Lesgate and DCI Hubbard on stage at the same time since both are ably played by Christopher Harper. Of the two, Hubbard is the most believable and has the unenviable task of sorting out who did what to whom and how.

Lesgate just has to do and die and frankly he deserves the latter. An unlovable rogue, he joins Tom Chambers’ Tony in the over-egged dialogue stakes.

In truth though, the Inspector really is neither one thing nor another.

Although things pick up in the second act, the DCI Hubbard character bumbles early on between watered-down Taggart and smartened up Columbo.

The sharp suits certainly fit the era but a sometimes-thin script detracts and the police assault on Max – played by Michael Salami, seems without context.

The convoluted plot is eventually unravelled. But it’s still laboured at times.

Perhaps the period setting is partly to blame. Originally a 1950s piece, Dial M has been re-imagined within the 1960s for this production.

2020 might have been better. Beset by references to the likes of ‘press button A’, kerb appeal might have been enhanced by the addition of a mobile phone or two.

All in all, though, this is a decent stab at the perfect crime thriller. And there’s nothing more entertaining than a good murder.

Entertainment value: 4/5

Stars: 3/5

Dial M for Murder is showing @ His Majesty’s Theatre Aberdeen until 22 February

Words © Duncan Harley and Images © APA

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