Oct 212019
 

Review and photos by Craig Chisholm.

Now in its 5th year Aberdeen’s True North Festival has long since proved itself to be the most entertaining, eclectic and rewarding event in the music calendar for the North East of Scotland.

Its wide range of events and artists have started to draw in the crowds from afar. 

Saturday night headliners, The Twilight Sad in particular attracted fans from across Europe and even as far afield as Australia, albeit via England.

Events kicked off with the now traditional Thursday night performance at the Lemon Tree – one which, quite literally, blew the roof off.

It’s a night of punk attitude and organised chaos as London alternative rock band Shame and hotly tipped up and coming Glaswegian band Rascalton entertained the crowds. Rascalton’s set is an engaging and entertaining blast of no-nonsense Clash inspired garage punk, soaked in Buckfast and Glaswegian street attitude.

They’ve already been hotly tipped by the NME as well as local and national press and it’s not hard to see why as they snarl, shout and pound through a adrenalin fuelled opening set. They’re back in Aberdeen on the 14th December at the Cellar – miss them at your peril.

Headliners, Shame share the same punk ethos backed up with boundless energy and enthusiasm.

The band are championed by the likes of Radio 6 Music DJ Steve Lamaq and contemporaries of bands such as Idles and Fontaines DC.

Frontman Charlie Steen is a blur of energy as he stalks the stage and dives into the crowd on numerous occasions.

And it’s on one of those occasions that he inadvertently brings the roof down by knocking tiles off the ceiling and into the crowd. The tiles are clutched like trophies by the hyperactive mosh pit as they lose themselves in a great energetic set.

Friday –thankfully – starts in a more laid back and relaxed fashion at the wonderful Tivoli Theatre with an opening set by the equally wonderful Martha Ffion.

The Irish born, Glasgow based songwriter runs through a set that’s influenced by classic songwriting, stirring dream pop and the shadow of Glaswegian indie stalwarts such as Belle and Sebastian.
Her melodic, catchy songs would have won a few new converts on the night.

Wick rock band Neon Waltz are next up. They’ve already played True North in previous years so will not be strangers to a lot of the crowd.
In that time they’ve matured in style and poise and have honed their stage craft, no longer naïve youngsters from the North of Scotland but a band capable of International appeal.

Headliner, Bill Ryder Jones is quite the veteran by now with over 20 years of experience at the still young age of 36.

He started playing with Merseyside rockers, The Coral as far back as 1996, when they formed, and was their guitarist for 5 albums, leaving in 2008.

Since then he has become an accomplished solo artist, standing on his own merits and releasing 5 solo albums and even scoring the music to a few short films.
His sound is dreamy and expansive recalling, at times, the sonic adventures of shoegaze whilst still displaying his song writing talents.

From the Tivoli, it’s a quick walk up to the Lemon Tree for the evenings other main performance.

Originally to be headlined by BC Camplight, he had to pull out the day previous due to illness.

Fortunately, local treasure Kathryn Joseph volunteered to step in and perform a short opening set which allowed original opening act The Ninth Wave to step deservedly up to headliner status.

Kathryn should be no stranger to anyone in the Aberdeen music scene, or even to those further afield.

She cut her teeth locally working in The Lemon Tree, performing in bars and venues such as the Tunnels.

Her sparse, haunting minimalist music, consisting mainly of piano and vocals, has led to critical acclaim, winning the 2015 SAY awards album of the year, and to recognition by her contemporaries and her musical influences, even appearing on the bill for The Cure’s feted 2018 Hyde Park concert at the behest of Robert Smith.

As usual she doesn’t fail to deliver with an inspiring set of melancholic songs and her now trademark swear word heavy between song banter. A joy to behold, as was expected.

Headline band, The Ninth Wave transport the crowd back in time to the early 80s New Romantic Blitz Club, whilst pushing forward with their synth heavy retro-futurism.

Their sound and style may not be for anyone old enough to remember the likes of Soft Cell or Japan but their ice cool demeanour and ability to engage the crowd provides an entertaining and enlightening set.
.

The weekend brings out the bigger events with both Saturday and Sunday’s early evening performances taking place at the newly refurbished Music Hall.

Headlining on Saturday is Scottish indie rock band The Twilight Sad.
It’s a triumphant gig for them, almost a homecoming as lead singer James Graham is no stranger to the area, having members of his Mother’s family staying in the North East.

He looks and sounds genuinely thrilled to be performing at the Music Hall, telling stories of passing it as a youngster and promising to his Dad that he would play there one day.

The band have played various smaller venues in Aberdeen in previous years – working themselves up from the Tunnels and the late, lamented Moshulu through the Lemon Tree and now to here.

Powering through a set heavy on tracks from latest album ‘It Won/t Be Like This All The Time’ and featuring an touching cover of Frightened Rabbit’s ‘Keep Yourself Warm’, it’s an emotional and powerful set that steals the weekend.

Opening for The Twilight Sad are Aidan Moffat & RM Hubbert.

This is the penultimate performance of their collaboration before they return to their solo careers.

To be honest, the two of them can do no wrong whether together or apart and tonight’s show is a wonderful showcase of their respective talents, their eye for a melody and the lyrical genius of their songs.

As much as it’s great they’ll be back performing solo you have to hope that there’s a reformation in a few years which produces new material of an equally high standard.

Late night at the Lemon Tree is more dance orientated the euphoric rave of Free Love and the Electro pop of Self Esteem.

Free Love are an entertaining and engaging live act, refusing to be constrained behind a bank of synths and mixers like most acts of this style.

Flanked by a pair of ladies in robes and holding flowers, lead singer Suzi Rodden throws herself completely into the performance, dancing barefoot into the crowd, writhing on the bar and spreading the gospel of Free Love’s high-NRG utopian dance music.
.

No less restrained, but less likely to bump into you and spill your pint whilst you’re at the back of the venue, are Self Esteem. The new project of former Slow Club singer and multi-instrumentalist Rebecca Lucy Taylor, the band is a move from her former indie folk act and into pure pop.
Complete with choreographed dance moves, matching red outfits and loads of hooks and melody she easily wins over the Saturday night crowd and keep them dancing well past midnight.

There’s one more gig at the Lemon Tree and that’s late on Sunday night as Ibibio Sound Machine take to the stage.

Fronted by the colourful and flamboyant singer Eno Williams the band perform an impressive set of West African funk and electro. The clash of styles works well and their visual, eye catching style lends to the occasion, giving a cosmopolitan and worldly flair not usually seen in Aberdeen on a Sunday night.

Before that, at the Music Hall, the stars are out in force for a run through of Scottish rock and pop classics under the banner of Rip It Up Live!

Taking their name from the classic Orange Juice track and influenced by the 2018 National Museum of Scotland exhibition, an array of talented Scottish performers, both established and up-and-coming, run a through a 25 track set that covers everything from the Cocteau Twins to Simple Minds; Garbage to The Associates & from the Eurythmics to The Proclaimers it’s an entertaining and rewarding through Scottish pop history.

Curated by Radio DJ Vic Galloway, the all star cast includes TV presenter and frontman of The Skids, Richard Jobson, actress and legendry frontwoman of Altered Images, Claire Grogan, Del Amitri frontman Justin Currie, punk pioneers The Rezillos and many, many more.

Credit again for the festival must go to Aberdeen Performing Arts who have made it yet another weekend to remember. See you again in 2020!

Jun 212019
 

By Craig Chisholm.

Aberdeen’s award-winning music festival True North returns this September for another star-studded bill.
The main event will surely be `Rip it Up Live – A Celebration of Scottish Pop`, which takes place on Sunday, September 22.

This unique event follows previous years tributes to Kate Bush, Neil Young, David Bowie and Fleetwood Mac and will be curated and hosted by BBC broadcaster Vic Galloway.

Guest singers will include Claire Grogan of Altered Images, King Creosote, Emma Pollock from The Delgados, Richard Jobson of The Skids, Fay Fyfe and Eugene Reynolds of The Rezillos, Aberdeen’s own Kathryn Joseph, Honeyblood’s Stina Tweeddale, C Duncan, and Ross Leighton (Fatherson) performing some of their favourite songs from seven decades of Scottish pop.

Vic Galloway commented:

“Being involved in the ‘Rip It Up – The Story of Scottish Pop’ exhibition, book, TV and Radio Series was such a pleasure and an honour for me in 2018. The reaction at home and abroad was astonishing, and just showed how many talented musicians this country has created over the years.

“Taking the concept onstage as a LIVE concert at ‘True North’ adds a whole new dimension. With names from the past, present and future of Scottish Pop; it’s going to be a unique, one-off event celebrating seven decades of homegrown music at the festival.

“I cannot wait to share it all with festival goers from both near and far!”

The remainder of the weekend will see gigs taking place at the Music Hall, Lemon Tree, and Tivoli, as well as Fringe events in various locations across the city.

Scottish indie rockers The Twilight Sad will be taking to the Music Hall stage as Saturday headliners, fresh from a summer supporting The Cure, and will be joined by special guests Aidan Moffat and RM Hubbert.

True North will open on Thursday, September 19 at the Lemon Tree with critically acclaimed London punk band Shame.

The London five piece have swiftly earned a reputation as one of the most visceral and exhilarating live bands in the UK and are sure to raise the roof at the Lemon Tree, kicking off True North in style.

Support comes in the form of Glasgow 4-piece indie-rock outfit Rascalton, who will be opening the festival, and DJ Retrospectre.

The Tivoli Theatre will again host a festival gig this year. Friday night’s headline event will feature former guitarist and co-founder of The Coral, Bill Ryder-Jones.

Now a singer-songwriter, producer and composer in his own right, he has collaborated with some of the biggest names in UK music including Arctic Monkeys, The Last Shadow Puppets, Blur’s Graham Coxon and Paloma Faith.

Also on the bill at the Tivoli on Friday night are Neon Waltz, who were favourites when they performed at True North in 2017 and return off the back of a huge UK tour in 2018, and supporting Noel Gallagher at an open air gig in Inverness earlier this month.

Glasgow-based singer-songwriter Martha Ffion completes the Friday night Tivoli line-up.

Festival-goers can rock the night away with three late night gigs at the Lemon Tree featuring American singer-songwriter BC Camplight, with special guests The Ninth Wave along with a DJ set from Vic Galloway (Friday, September 20), Self Esteem and Free Love with All Night Passion DJs (Saturday, September 21) before electro afro-funk band Ibibio Sound Machine bring the perfect party atmosphere to close the festival in style on Sunday night.

In addition, there will be three special informal performances in the new Big Sky Studio at the Music Hall.

Starting on Friday with a performance by the very best of emerging local talent from Aberdeen Performing Arts’ Project Band programme,  Saturday and Sunday will feature two performances selected by that evening’s main stage artists.

On Saturday, The Twilight Sad has picked Glasgow singer-songwriter Michael Timmons and on Sunday Vic Galloway has chosen indie rock outfit Savage Mansion. The early evening performances are free with the purchase of a ticket for any other True North event.

Further details of the True North Fringe and a special programme of family and children’s events will be announced in the coming weeks, including the hugely popular ‘My First Gig’.

Tickets for all shows on sale now. 

Festival passes are also available at a cost of £30 for a day pass (Friday, Saturday, Sunday), or £95 for the whole weekend which includes tickets for all the concerts mentioned above.

For tickets or further information visit www.aberdeenperformingarts.com, phone (01224) 641122 or visit the box office at the Music Hall, His Majesty’s Theatre or the Lemon Tree.

https://shamebanduk.bandcamp.com/
https://www.facebook.com/Rascalton/
https://billryderjones.co.uk/
https://www.neonwaltz.com/music
https://marthaffion.bandcamp.com/
https://www.facebook.com/BCCamplightMusic/
https://theninthwave.online/
http://thetwilightsad.com/
https://michaeltimmonsmusic.bandcamp.com/
https://www.facebook.com/RLTSELFESTEEM/
https://freelovenrg.bandcamp.com/music
https://www.facebook.com/AllNightPassion/
https://ibibiosoundmachine.com/
https://www.facebook.com/thehothotsauce/

Oct 302018
 

Craig Chisholm reviews True North 2018. Photographs by Craig Chisholm.

Game Of Thrones’ Aiden Gillen pays tribute to the ‘Thin White Duke’  with David Bowie tribute, ‘Lady Stardust’.

True North returned once again to the heart of Aberdeen with another exciting bill that boasted an eclectic range of artists, a variety of venues, screenings of movies, informative talks and appreciative audiences over its four days.

The best new talents and hotly tipped newcomers shared stages with old pros and veteran performers – and even a ‘Game of Thrones’ star who was there to pay tribute to the late, great David Bowie.

Kicking off on the Thursday night, the Lemon Tree hosted an opening concert that boasted some of the best up and coming Scottish talent.

Opening the night, Glaswegian Zoe Graham provided a low key, intimate performance.

Aided only be an acoustic guitar and her voice this was a display of a mature and introspective talent that’s unusual and impressive for a such a young performer.

Eclecticism was the defining theme of the night as the next two acts explored different musical paths.
.

Scottish rapper Solareye – backed on-stage tonight by DJ Harvey Kartel – is the frontman of the hip hop band Stanley Odd.

His socially conscious lyrical flow gave the crowd food for thought and displayed a unique and absorbing talent that deserves to be heard by a wider audience.
.
.
.

Final act Man of Moon were a tour-de-force of guitar driven rock.

Their music recalls The Jesus and Mary Chain, Spacemen 3 and a host of krautrock bands. Their droning, feedback drenched wall of noise is absorbing and overpowering, drawing you into their ocean of sound and leaving you exhausted and shell-shocked by the time it’s over.

A fitting end to a wonderful night.

The following night starts with a much more laid back and intense but no means any less absorbing acts as the Tivoli theatre hosts Tracyanne & Danny along with opening act Charles Watson.

The combination of singer songwriters Tracyanne Campbell (Camera Obscura) and Danny Couglan (Crybaby) works well and their soul-warming, indie pop sound is appreciated by a reverential crowd.

Drawing from their highly acclaimed, self-titled debut album their set was both intimate and expansive, offering heart breaking and personal lyrics that had the crowd absorbed, rapt and appreciative.
.

Opening for them was Charles Watson.

The London based singer / songwriter / producer is possibly best known as the lead singer of indie band Slow Club but he came into himself onstage and gave a great performance that would have won over new fans on the night.
.
.
.

The Lemon Tree hosted the second of the nights performances.

Kicking off proceedings was Manchester based singer-songwriter Ren Harvieu.

Backed by tonight’s headliners, The Magic Numbers, she runs through an engaging support slot that displays influences of soul, rock, indie and jazzy torch songs.
.

Headline act The Magic Numbers have a wealth of material to draw from.

Their late-night slot keeps the crowd on their toes and out of their beds as they pull out Top 40 hits such as ‘Forever Lost’, ‘Love’s a Game’ and their biggest hit ‘Love Me Like You’.

.

.
If there was ever a case of opposites attracts then Saturday nights pairing of the stately, grandeur of His Majesty’s Theatre hosting the feedback heavy, post rock of Mogwai and the apocalyptic electronica of Blanck Mass was it.

Blanck Mass are not an easy listen.

It’s a punishing yet rewarding set that sole member Benjamin John Power performs whilst hidden in virtual darkness with only a screen displaying fractual, confusing and trippy images behind him.

But beneath the pulverising noises are rewarding harmonies and hints of melody – they’re not easy to find at times but are rewarding to the listener that does.

Mogwai also have beautiful and harmonic melodies but unlike Blanck Mass they’re not always as hidden. Their elegant,  engaging, compositions are counteracted by ferocious, feedback driven guitars in what must have been the loudest act to tread the boards of the HMT.

Effortlessly one of the greatest and original talents to emerge from Scotland in the last two decades their revelatory live performances deserve to be seen at least any music fan at least once.

Their ear-splitting volume is balanced beautifully with moments of solace and breath-taking beauty – it’s an amazing performance by the Glaswegian band.

After those pulverising and draining performances it might have been preferable for some to have headed home for a lie down in a dark room to recover, but the Lemon Tree still had something to offer for those with still functioning ear drums.

Singer Colin McIntyre has performed as Mull Historical Society since the turn of the 21st Century and his music is still as fresh and heart-warming now as it was then.

The multi-talented McIntyre – singer, songwriter, playwriter, author – gives a wonderful show that draws heavily from his latest album ‘Wakelines’ as well as early hits such as ‘The Final Arrears’, ‘Animal Cannabus’ and ‘I Tried’.

It’s a great performance and he’ll be back at The Lemon Tree next year with a band that will feature none other than former Suede guitarist in its ranks. Don’t miss him.

Opening for Mull Historical Society is up and coming artist Emme Woods. Her mix of blues, rock, grunge and good old fashioned strong song writing displays a depth of talent that is inspiring to see in someone aged only 23 years.

She may be one of few acts – if not the only – that has a family pet on stage. Nestled on a fur coat to Woods’ left is her dog, Bubbles, who is comfortable enough with the performance to enjoy a snooze during the set.

Hopefully no one else in the crowd had a sleep as they’d have missed a strong performance by someone who is sure to go on to bigger things.

The fourth and final night of the festival still has a couple of big shows to go.

The Lemon Tree provides the late-night setting for Glaswegian indie stars Glasvegas.

The band power through a set that revisits their classic debut album from start to finish that gives the crowd a nostalgic but entertaining finale to the weekend.
.

The big, star-studded show of the weekend happens earlier in the evening, however, at His Majesty’s Theatre.

‘Lady Stardust – Camille O’Sullivan and friends present the Music of David Bowie’ is a majestic and life affirming show that draws in a crowd of all ages and backgrounds, proving how timeless and all-encompassing the Thin White Duke’s music was.

Irish torch singer O’Sullivan is an inspired host for the evening.

.

Her performance is chameleon-like and theatrical and she takes on the role with gusto, really getting into the spirit of the performance and taking on Bowie’s ability to get into a role and bring the audience with him.

Her choice of friends and peers to accompany her on this journey are eclectic and diverse.

From Paul Noonan, singer with Bell XI, performing ‘Ashes to Ashes’ to folk singer-songwriter Kathryn Williams performing ‘Kooks’ and with performances by ‘Game of Thrones’ and ‘Peaky Blinders’ star Aiden Gillen, pianist Duke Special and Cathal Coughlan from The Fatima Mansions, it’s an evening of sheer joy for Bowie fans old and young alike.

And special mention must go to comedian and writer Christopher Green.

The towering, flamboyant performer gives a show stopping performance that captures the spirit of Bowie.

His performance is revelatory – camp; serious, touching and funny in the space of a 3-minute pop song. A credit to himself and a credit to Bowie, whose spirit he truly captures.

The spirit of the evening truly reflects the nature of True North – an eclectic, interesting, diverse mix of music that crosses all boundaries and showcases a wide-ranging display of talent.

Sep 052018
 

Duncan Harley reviews Alan Stewart’s new book.

Five years in the making, Alan Stewart’s new book ‘North East Scotland At War’ will appeal to anyone even remotely interested in the history of the North-east of Scotland.
There are plenty of books out there which record the difficult years between the Chamberlain peace accord and the Soviet conquest of Berlin. Osborne’s ‘Defending Britain’ and Gordon Barclay’s ‘If Hitler Comes’ are the classics.

But this book is slightly different and there is certainly room for further historical accounts of the dark days when Hitler threatened our shores.

With a decidedly local slant, North East Scotland At War launches the reader into the minutiae of the defence of the North-east against what was, for a brief few years, perceived as the Nazi threat.

The archaeology of those distant times is laid bare and many of the official documents which record the difficult days inhabit the pages.

A ground-based Invasion never came. But preparations were firmly in in place and Alan’s finely researched history brings the day to day story of those difficult times sharply into focus.

Fougasse – developed by the Petroleum Warfare Department as an anti-tank weapon, Dragon’s Teeth and Railway Blocks feature in this book along with the stories of the stop-lines, the Home Guard roadblocks and of course that secretive plan to harry the invaders using suicide squads tasked with assassinating both their own commanders – who might betray them under torture – and German officers.

Air crashes also inhabit these pages. Alongside the enemy casualties, and they were in the hundreds, Alan details the stories behind some of the Commonwealth gravestones which litter the cemeteries of the North-east.

Training accidents accounted for many of the casualties.

A Czech fighter pilot killed when his Spitfire spiralled into the ground, an air-sea rescue crew lost in a collision with railway wagons on the perimeter of RAF Dyce Airfield and the gravestone of Flight Lieutenant Wheelock – killed attempting an emergency landing – again at Dyce – are featured.

This is one of those books which is difficult to set aside. The minutiae of the location of pill boxes and the stark reality of the bombing maps, feature alongside some difficult tales of children killed on the local sands, not by the Germans, but by the very defences intended to keep them safe.

Landmines and barbed wire were as much a hazard as air-borne bombs and machine gun bullets.

Alongside the difficult descriptions of civilian carnage, Alan has included a number of images of official documents which give a flavour of the times. In a memo marked TOP SECRET, a Colonel Geddes, commander of Aberdeen Garrison, expresses his concern regarding the vulnerability of Tullos Hill.

“I am a little uneasy” he writes, 

“about the defence of TULLOS HILL – Area 4624. This is a very commanding feature, on which the following units are located: A.B. 2 Site, Heavy A.A Bty, Detachment 319 Search-Light Regiment, RAF Wireless Installation and Royal Observer Corps Post.”

And there are literally dozens of such so-far hidden documents sprinkled throughout this account of the time when the invasion of our shores seemed such a certainty.

Profusely illustrated and replete with a plethora of new information gleaned from both local and national records, this is a local history book which I am pleased to include on my bookshelves.

North East Scotland At War – by Alan Stewart is Available from http://www.cabroaviation.co.uk/book.html at £21.99 + £3 P&P

ISBN 9781527215689
Cover image © Alan Stewart

Nov 082017
 

With thanks to Roger White.

A prestigious North-East Scotland magazine of new writing and the visual arts, Pushing Out The Boat (POTB), is reminding young writers and artists in the North East and
beyond that they’ve got less than a month left to submit entries for their new online venture, ‘ePOTB’.

ePOTB will be the magazine’s first e-zine and will be devoted entirely to work by young people aged 12-17.

Like its parent magazine, ePOTB submissions will be subject to the same distinctive ‘blind selection’ process, which ensures that work is selected on merit alone.

Prize-winning author Juliet Lovering, chairing the ePOTB team, said:

“We know there’s a wealth of young writing and artistic talent out there but this is the first time we’ve given young people the chance to shine in their own publication. Three prizes of £50 are also on offer for the best contribution in the prose, poetry and art categories.”

The ePOTB team encourage anyone considering entering to read previous editions of the magazine, which are available on its website, to understand the variety of work accepted in years gone by.

Young writer Hannah Kunzlik, one of POTB’s previous contributors, said:

“I was published in POTB when I was 16 and it remains one of my proudest moments. Submitting a piece is something I would advise any young person to do with even a passing interest in writing or art. Apart from the creative fulfilment, it’s like gold dust on a CV for college or work.”

The call for submissions to ePOTB opened a month ago. Full details and registration are available at www.pushingouttheboat.co.uk.

The deadline for submissions is 30 November 2017 and the e-zine will be published on the Pushing Out The Boat website in Spring 2018.

Sep 282017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

A team of Methlick superheroes tested their metal on an inflatable obstacle course and raised a four-figure sum for a north-east cancer charity.

The ‘Methlick Marvels’ raised more than £1,000 for Friends of ANCHOR by taking part in the charity’s ANCHOR Wipeout event which was held in Aberdeen’s Hazlehead Park in August.

ANCHOR Wipeout, which is in its fifth year, is a key fundraising event to support the ANCHOR Unit and ensure north-east Scotland’s cancer and haematology patients receive the best possible care, treatment and support.

The team, which comprised Scott Mitchell, Michael and Claire Fotheringham, Graeme and Emma Tallis, Hugh Robertson, Alex Hall, Karen Campbell and Mick McGrath, all dressed in superhero costumes to complete the course and scored the winning points total on the Saturday competition against 27 other teams.

Each of the twelve games involved teams tackling obstacles and inflatables in a bid to score as many points as possible.

Mr Michael Fotheringham, who is a partner at James Milne Chartered Accountants, helped the team achieve their success and said they were inspired to raise money for the charity in recognition of what it has done to help a good friend.

He said:

“One of our friends, Yvonne Mitchell, is undergoing treatment for cancer and during her time in hospital she received a huge amount of support from Friends of ANCHOR. We decided to enter a team for ANCHOR Wipeout and were determined to raise as much as possible for this fantastic charity.

“Tackling the course was great fun and we must have made for a colourful sight in our superhero outfits. We scored the most points on the day which was a great feeling to end the day. The team would like to thank everyone who sponsored us to take part in the ANCHOR Wipeout, every penny counts to help people across the north-east.”

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Sep 222017
 

Review and Photography by Craig Chisholm.

As the darker nights draw in at the start of September, there was still time for one more music festival in Scotland. But, unlike your TRNSMT’s, Enjoy Music’s and Electric Field’s, this was one that didn’t require waterproofs and sunscreen as it wasn’t outdoors but in the more comfortable surroundings of His Majesty’s Theatre, The Lemon Tree and The Tivoli Theatre, right here in the heart of town.

True North is now in its third year and has drawn at eclectic range of artists over the years – from Tom O’Dell to Richard Hawley, King Creosote to Laura Mvula, a Neil Young Tribute to a night of Kate Bush songs.

This year continues that eclectic mix with sets from Arab Strap, Pictish Trail, Public Service Broadcasting, Wild Beasts and 2015 Scottish Album of The Year winner Kathryn Joseph.

And this year’s tribute? A evening of Fleetwood Mac songs that included a full live performance of their classic, mega selling 1977 album ‘Rumours’.

Pictish Trail at The Lemon Tree.

As well as the main headlining sets the festival also offered a range of fringe events for all ages – acoustic performances at the Maritime Museum by Pictish Trail and Neon Waltz; gigs at local record shop & bar, Spin, by The Great Bear, Willson Gray, Katie Mackie, The Sea Atlas and Leanne Smith; talks and panel discussions at the Lemon Tree and, most impressively, a Sunday afternoon gig for children aged 9-12 at the Lemon Tree featuring Be Charlotte and Findlay Napier – one that even provided a day care crèche in the bar downstairs for adults whilst the kids rocked out upstairs.

Lunchtime sessions at The Lemon Tree also had The 101, Harmonica Movement and The Deportees play sets for those that like a bit of music whilst having a drink and bite to eat.

It’s the headline events that are the big draw though – and these kicked off on Thursday evening at the grand environs of His Majesty’s Theatre as Public Service Broadcasting and BDY_PRTS played to a large crowd of theatre goers and rock fans.

Support act BDY_PRTS, dressed in matching eye catching yellow and green outfits are a beguiling mixture of indie pop tunes mixed with Bjork style weirdness and some nifty choreography.  

The female duo, consisting of former Sparrow & The Workshop singer Jill O’Sullivan and ex-Strike the Colours musician Jenny Reeve – who has also guested on tracks by artists such as Arab Strap, The Reindeer Section, Idlewild and Snow Patrol among others.

With a new album, due later in the year, you’d be wise to check the band out as their infectious, quirky songs will see them go from strength to strength in time.

Headliners Public Service Broadcasting are no strangers to Aberdeen, this being their fourth visit to town.

However, the crowd at His Majesty’s Theatre is much larger than the previous concerts at The Lemon Tree.

Not that this daunts them – they’re a much more polished act, used to the big stage and more confident than the they were on earlier visits, three or four years ago, when promoting their debut album.

Since their last visit, they’ve released a further couple of albums – 2015’s ‘The Race for Space’ and this year’s ‘Every Valley’, which is a concept album based on the Welsh Mining Industry.

If that seems to be quite a dry and boring idea for an album then you’d be wrong, as the band mix spoken word samples from old film and radio with a light, Kraftwerk-esque, danceable pop sheen.

There’s a pathos and depth to their music that can be sometimes be lost by instrumental electronic bands. But you can dance to it as well – although in the all seated environs of HMT there’s no real rush to do this by all audience members. But, by the end, the crowd are on their feet in rapturous applause as the band power through set filled with tracks such as ‘Progress’, ‘Go!’, ‘The Other Side’ and ‘Everest’ from their three studio albums.

Special mentions must also go to the horn section and the spaceman that appear onstage with the band for their own individual brand of enthusiastic dancing.

Hopefully it won’t be another three years before we see them back in town.

The night isn’t over yet though. For the brave, foolhardy and those without work the following day, there’s still a late-night gig at The Lemon Tree to attend.

Those quick enough to hot foot in down from HMT would have hopefully been able to catch the bulk of C.Macleod’s opening set. Hailing from the Isle of Lewis, the singer songwriter is alone on stage with only his electric guitar and rootsy, raw vocals to fill the space.

And it’s the voice that grips you – a deep rasp that has hints of Springsteen, the authentic roar of heartfelt Americana and the raging howl of the seas of his native shores in there. It’s a voice that has no business coming from someone so young – it’s the sound of experience and age. Check him out now before he goes on to bigger things.

Headliners Wild Beasts are a different proposition – flanked either side of the stage by banks of keyboards, the band are an exciting mix of indie synth pop and art-rock cool.
Singer Hayden Thorpe is a confident front man, standing centre stage commanding the crowd. Unlike opener C.MacLeod, his voice is a high falsetto that fits well over the band’s music. He jokingly interacts with the crowd and engages them in a friendly, jovial manner that endears him to them.

It’s well after midnight when the band finishes but the night is not over yet as a late-night set by Hot Sauce DJs keeps the stragglers entertained well into the wee small hours.

Friday night and it’s down to The Tivoli theatre and a double bill of Geordie folk singer Richard Dawson and Falkirk’s finest miserablists, the mighty Arab Strap.

Calling him a folk singer doesn’t do Richard Dawson justice – he’s a much more bamboozling and entertaining performer than that. Singing either a cappella or accompanied by a guitar that constantly goes out of tune he is a revelation, winning over new fans in his 30-minute set.

Apparently inspired by Faith No More’s Mike Patton, his vocal range is enormous – from low depths to soaring highs, all in the space of verses and choruses of the same songs. The music is traditional but also experimental and Avant Garde – accessible but difficult, impenetrable but melodic.

Between songs, he is funny, self-depreciating and, quite truthfully, a bit mad. Random tall tales include staying at the ‘doggy hotel’ and getting showered down in the yard, about how in the future babies will be made on spaceships by computer and of confusion as to the fate of Judas Iscariot (Dawson preferred the gorier version of this particular tale).

And, to top it off, he introduces his last song by saying that after it he’s then going to “get drunk…. And have a poo”. And that sums him up really – there’s no boundaries to him or his music.

Arab Strap at The Tivoli.

Not many performers have trod the boards of the Tivoli and opened with the couplet “It was the biggest cock you’d ever seen / But you’ve no idea where that cock has been” – but, then, not many performers are Aidan Moffat of Arab Strap.

A year after the bands reformation, vocalist Moffat and guitarist Malcolm Middleton have finally made it up north, a full 11 years after their last performance here. Good things come to those who wait,
however, and Arab Strap are a good thing tonight
for sure.

Moffat, stage front and centre, is an amiable and friendly frontman and he’s in a buoyant, good humoured mood tonight with his between song tales. One highlight being a story of buying a parachute jump as present for a girlfriend who he subsequently found out was cheating on him so they finish. Next time he sees her she’s on crutches – after breaking her legs doing the parachute jump.

But it’s the songs that are Arab Strap’s greatest strength, as they should be. It’s a great feeling to hear classics such as ‘Girls of Summer’ and ‘Here We Go Again’ live once more. But it’s set closer ‘The Last Big Weekend’ that’s their stone cold classic and it’s still as thrilling and exciting nearly two decades after it was first released.

Late night at The Lemon Tree on Friday offers up another double bill of live acts as well as Radio Scotland DJ Galloway spinning tunes till late at night.

The opening act are Indigo Velvet, a young band from Edinburgh who first made a splash on the scene by playing T in The Park’s T Break Stage last year. Headlining are Manchester band Dutch Uncles.
It’s their first time in the Granite City and, according to singer Duncan Wallis, “It’s very grey”.

A lone voice pops up from the crowd to say “Aye, 50 shades of” to his bemusement.

It’s Wallis that’s the centre point of the band – his bendy legged dancing and high pitched, androgynous vocals proving to be quite a talking point.

Come Saturday and it’s time for the main event of the weekend at HMT as a stellar line up of guest vocalists perform Fleetwood Mac’s classic magnum opus in its entirety to celebrate its 40th anniversary.

Previous years have seen similar tributes to Kate Bush and Neil Young and proved to be a great success and this was also to be the case tonight.

Backed by musicians Start to End, the singers include luminaries such as Eugene Kelly (The Vaselines), Be Charlotte, Duglas T Stewart (BMX Bandits), Martha Ffion and last year’s compere and band leader, Emma Pollock.

The first half of the night comprises of a Fleetwood Mac greatest hits set with cuts such as ‘Rhainnon’, ‘Seven Wonders’, ‘Big Love’, ‘Little Lies’, ‘Tusk’ and more given an airing.

After the interval, it’s straight in ‘Rumours’ from beginning to end with a different singer taking each song before everyone takes to the stage for an encore of ‘Everywhere’.

It’s a fun experience that drew a mixed crowd – older HMT regulars that you wouldn’t necessarily see at the Lemon Tree gigs; gig regulars that are there to see the singer of their favourite band and, of course, Fleetwood Mac fans that are at the venue for the first time that might not be going to any other event.

I’m generalising slightly, but it’s good to see such an eclectic mix of punters and it’ll be interesting to see which singer or band gets the tribute next year.

Once that is over, it’s time to head to the Lemon Tree for the True North After Party, with headliner Pictish Trail and newcomers Neon Waltz.

Neon Waltz are tipped for big things – and it’s easy to see why.

The band are based in Thurso and John O’Groats and were subject of an article in The Guardian just days after their appearance here.

They have the looks – and the adoring female fans – that will take them places. Their sound is reminiscent of The Verve, Stone Roses, Oasis and Britpop – a pleasant, keyboard drenched indie sound with 90s influences and the polished sheen of current pop.

Behind the dry ice and red lighting singer Jordan Shearer could pass for a young Tim Burgess of The Charlatans – hunched over the mic in a similar fashion with that distinctive bowl cut.

This will probably be their last support slot in the Lemon Tree – they’ll be headlining it soon enough.

Headliner Pictish Trail is no stranger to this venue, having played it numerous times. And if you’ve never seen or heard him before then you’ve missed out.

His music is folky, electronic and rocky – sometimes all in the same song. Between songs, he could pass as a comedian, such is his wit – droll and downright funny. He has a toy plastic horse on stage and changes into what can only be described as a psychedelic orange dress.

Oh, and he has a large beard and is wearing sparkly makeup.

All of which would mark him as a novelty act but he is anything but. Tracks from albums ‘Secret Soundz Vol 1 & 2’ and the recent ‘Future Echoes’ sound fantastic tonight – especially the wonderful and haunting ‘Far Gone (Don’t Leave)’ written about “The greatest film ever made” according to the man known to his Mum as Johnny Lynch.

The movie is question is ‘Fargo’ incidentally. There’s a good chance he’s completely correct as well.

It’s always a pleasure to see him live and tonight was no exception.

Despite this being the festival after party, there’s still one major gig to come on the Sunday night at The Tivoli theatre – and that’s a double bill of 2015 Scottish Album of the Year winner Kathryn Joseph and Frightened Rabbit front Scott Hutchison.

Hidden behind her piano with a glass of red wine and accompanied by percussionist Marcus Mackay, Joseph is first on stage.

Her songs are objects of beauty – her whispery voice plunging the depths of despair and depression whilst floating poetically over the haunting music.

She genuinely takes you places sonically and emotionally, with tracks that are, at turns, poignant and angry but somehow comforting and warm.

Soul baring lyrics are sung with a whisper, but are an inner scream to her fragility, to her openness and to her wounded soul.

It’s easy to compare her to Kate Bush or Tori Amos but such comparisons are superficial and lazy – based purely on her voice and her gender. But her music, and her words, transcend gender and classification – she may not sound like Nick Cave or Tom Waits vocally, but these are good comparisons. There’s a Gothic bleakness in there, beneath the melodies, and subjects so weighty that no 3 minute could do them justice.

The crowd are rapt – silently trapped in her songs, only taken back to reality by her whispered between song monologues.

Her next Aberdeen date is on December 28th at The Tunnels – don’t miss it.

Headliner Scott Hutchison has an equal depth to his words and emotions – something that can sometimes be hidden when backed by a loud rock band.

But tonight, accompanied only by acoustic guitar, the emotions are there to see. His music, and musings, make a perfect accompaniment to Joseph. As well as similar themes and emotions the two share a genuine friendship and camaraderie as shown by their joking conversations during the gig as he talks to her in her seat on the balcony.

His acoustic renditions of Frightened Rabbit songs are equal to, or in some cases better than, the originals.

If there’s any complaint, however, is that his band have sold out both the Music Hall and Beach Ballroom in recent years but tickets remain for tonight. Sorry, but if you’re a Frightened Rabbit fan and you weren’t there then you genuinely missed something special.

And after Hutchison leaves the stage that’s it all over – the gig, the weekend and the wonderful True North Festival. It’s been an overwhelming and impressive few days and praise must go to the attendees, the artists and especially to the unsung organisers behind the scene who have made it a fantastic weekend of music and song.

Here’s to next year and to more of the same.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Sep 022017
 

A protest is to take place at Trump International Golf Course on Saturday 9th Sept 12 noon in opposition to the frightening standoff between the US and North Korea. With thanks to Jonathan Russell Chair Aberdeen and District Campaign for Nuclear Disarmament

The cycle of threat and counter-threat is creating an appalling situation in which warfare between nuclear states is being discussed as a serious option on both sides.

The threat of the use of nuclear weapons by both sides has never happened before

Trump’s outbursts against the North Korean regime are deeply troubling. What impact can threat’s of ‘fire and fury’ have but to escalate tension and increase the likelihood of a catastrophic confrontation?

The urgent priority must be the opposite, to de-escalate and pursue a negotiated resolution to the crisis, which major players in the region are trying to achieve and most commentators recognise as possible.

China and Russia have put forward a proposal that the United States, Japan and Korea stop its military exercises and North Korea suspend its ballistic missile programme.

This would, however, require a sharp change of direction from both sides, including from the US, which has dramatically increased its military capabilities in South Korea and its military presence in the area. Already US B-1 bombers capable of delivering nuclear weapons have flown from Guam over the Korean peninsula, joining the South Korean and Japanese air forces in joint exercises.

The North Koreans have fired a missile right across Japan. Such provocative actions on both sides must end. We must demand our governments focus on a peaceful resolution to this confrontation.

The alternative is not worth contemplating as not only would the Korean people who historically have already faced huge suffering be effected but China could also be dragged into a war which could include the use of Nuclear weapons. Leading to parody Trump to fire and fury like the world has never seen. We have to hope that sense will prevail.

Don’t let Trump and Kim Jong-Un lead us into Nuclear War. Protest at the entrance to the Trump International Golf Course by the A90, Saturday 9th Sept 12 noon.

The standoff between the US and North Korea is frightening. Be part of the protest which will present an open letter to Trump International Management.

Come by car or bus numbers 61, 62, 63 or 68 from stances 10, 11 or 12 at Union Square bus station, Aberdeen. The bus will take you to the stop at Menie – a short walk back to the Trump International entrance.

For more info contact Jonathan Russell by phone on: 01224-586435 or 07582-456-233 or via email: jhamiltonrussell@hotmail.co.uk 

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 232017
 

With thanks to Craig Chisholm.

Aberdeen’s very own festival in the city returns in September in what promises to be an entertaining weekend. True North, now in its’ third year, has announced another strong line up over the weekend of 7 – 10 September. Kicking off proceedings are highly acclaimed act Public Service Broadcasting

With their new album released in July their date at His Majesty’s Theatre on Thursday 7th September is sure to be a sell-out.

The album, entitled Every Valley, depicts the history of industry in Wales, chronicling the rise and decline of the country’s coal industry.

Following previous concerts at The Lemon Tree, this is Public Service Broadcasting’s biggest date in Aberdeen and, as anyone that has seen them before will testify, they are sure to put on another memorable performance.

If one gig isn’t enough on Thursday night, then be sure to pop past the Lemon Tree afterwards for a late show by art-rockers Wild Beasts. The band are scheduled to release a new album – Boy King – in August so this will provide an early opportunity to see them perform tracks from it.

Friday night again offers two bills in two venues –  cult Scottish indie band Arab Strap at The Tivoli whilst The Lemon Tree plays host to art-pop quartet Dutch Uncles.

The recently reformed Arab Strap recently sold out two nights at Glasgow’s Barrowland Ballroom and at forthcoming events at the Kelvingrove Bandstand. The more intimate settings of The Tivoli will provide a perfect setting for the band’s unique storytelling and singular musical vision.

Manchester band Dutch Uncles take musical inspiration from Low-era Bowie, Kate Bush’s The Red Shoes, East European Techno and, they claim, “some slightly less fashionable records belonging to their Dads”. With inspirations like that how could you afford to miss them?

Saturday night at The Lemon Tree also provides the opportunity to stay up late as Lost Map Records main-man The Pictish Trail, better known to friends and family as Johnny Lynch, brings his unique blend of folk, electro and humour to the stage there once again. Guest DJs will also be on hand to spin tunes into the wee small hours.

It’s His Majesty’s Theatre that provides the most intriguing performance of the weekend – a full band interpretation of Fleetwood Mac’s legendry album Rumours. Start to End provide the musical backing and they will be joined onstage by musicians from Pronto Mama, Fat-Suit, Admiral Fallow and a few special guests still be announced. This should again prove a big draw and will appeal to fans of all ages.

Rounding up the weekend is a double bill of two Scotland’s most talented young performers as The Tivoli plays host to Frightened Rabbit singer Scott Hutchison and Kathryn Joseph, who was the winner of 2015 Scottish Album of the Year.

On top of the main performances there’ll also be a Fringe festival over the course the weekend at venues such as The Lemon Tree and intimate sessions at the Maritime Museum.

Tickets go on sale for all concerts on Friday 23rd November – http://www.aberdeenperformingarts.com/truenorth

Jan 192017
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

VisitAberdeenshire is teeing up for success by heading Stateside to showcase Aberdeen and Aberdeenshire’s world-class golf facilities to a global audience.

The tourism organisation will visit the PGA Merchandise Show in Orlando from 24-27 January – one of the world’s biggest golf shows – where they will meet with key industry professionals in a bid to boost the region’s golf tourism trade.

The trip is the latest initiative in VisitAberdeenshire’s drive to increase golf tourism in the north east of Scotland, following sponsorship of the Northern Ireland Open last year.

Jenni Fraser (pictured), business development manager at VisitAberdeenshire, says,

“Golf has long been one of the biggest draws for visitors to the north east, attracting both leisure and business tourists throughout the year.

“Holidaymakers looking to play at some of the world’s most famous links courses, and business visitors using the fairways for networking and incentive travel, have lots to discover in Aberdeen and Aberdeenshire.

“Golf is worth around £220 million to the Scottish economy every year, and it is estimated that golfers spend 120% more than other visitors. With such fantastic facilities in Aberdeen and Aberdeenshire, there is a real opportunity for local golf courses and tourism businesses to capitalise on and benefit from that income.

“By attending the PGA Merchandise Show – a major event in the golf world – we’ll be able to communicate the strength of the offering that we have here in Aberdeen and Aberdeenshire to hundreds of key contacts.”

Research commissioned by Scottish Golf Tourism and VisitScotland shows that Scotland is third on a list of desirable golfing destinations across the globe (#1 Spain, #2 Portugal, #5 Ireland, #9 England).

Jenni continues,

“The north east of Scotland is home to over 50 top golf courses, including some of the sport’s most recognisable names: Royal Aberdeen, Trump International, Cruden Bay and Newmachar. But it also features some of the UK’s quirkier and more historic courses, including Britain’s highest 18-hole course at Braemar, and Fraserburgh where play dates back to at least 1613.

“Aberdeen and Aberdeenshire have something to offer golfers of all levels, whether serious enthusiasts looking to tick a renowned course off their bucket list or casual players seeking a friendly nine-hole challenge. From stunning links courses to incredible inland courses, the north east has it all.”

VisitAberdeenshire will be joined at the PGA Merchandise Show by tour company Bonnie Wee Golf, which creates exclusive golf trips to some of the most exclusive courses in Scotland – including many in the north east – and Meldrum House Country Hotel & Golf Course.

David Harris of Bonnie Wee Golf says,

“For a long time, golf has been a key attraction in Aberdeen and Aberdeenshire, and every year we see golfers coming from America to play some of the most famous courses in the world, right on our doorstep.

“The chance to visit one of the world’s biggest golf exhibitions with VisitAberdeenshire is a fantastic opportunity to network with industry professionals, discuss the sport’s latest developments, and show what we in the north east of Scotland have to offer the global golfing community.”

Andy Burgess of Meldrum House Country Hotel and Golf Course adds,

“We are delighted to be partnering with VisitAberdeenshire and Bonnie Wee Golf at the 2017 PGA Show in Orlando. We have been attending the show for the last seven years, and as a result have welcomed hundreds of American golfers to stay at Meldrum House to play golf around the north east.

“Attending events like the PGA Show sends out a very positive message and shows that we are serious in developing our international golf market, encouraging as many global visitors as possible to experience golf in Aberdeen and Aberdeenshire.”

For more information about golf facilities and in Aberdeen and Aberdeenshire, visit www.visitabdn.com/attractions-and-activities/golf

  • Comments enabled – see comments box below. Note, all comments will be moderated.