May 112012
 

Bobby Niven presents ISLAND, an exhibition using film, sculpture and found objects to explore the history and architecture of Inchgarvie, an uninhabited island located under the Forth Rail Bridge. With thanks to Peacock marketing manager Kylie Roux.

ISLAND is based around the strange architectural history of Inchgarvie whose now uninhabited ruins tell of past lives as a castle, a prison, a quarantine and a foundry and accommodation for workers who built the Forth Rail Bridge under whose shadow it sits. Like the Inchgarvie ruins themselves ISLAND comprises distinct but related parts: the film, the grey room of concrete sculptures and the orange room of objects and artefacts.

Shot on location the film evolves around a room full of sculpted birds and a lone inhabitant. There is a seemingly playful and humorous visual language to Niven’s film as the character prances and cavorts across his island but this quirky abandon is misleading.

Despite the humour a dark undercurrent runs through. Framed shots of sinister sculpted birds, contaminating deposits of guano, the lapping water, flotsam and jetsam and a manic trumpeted soundtrack all contribute to a feeling of suspense and isolation. (The suggestion that our island fellow is perhaps quarantined, the result of a modern day pandemic, alludes to the island’s history as a place of seclusion for syphilis and plague victims.)

The colonies of sea birds that occupy the island and their vast deposits of guano were the inspiration for the sculpted birds perched inside the concrete dingy rooms of the ruins that feature in the film. Niven further references and repeats these motifs by creating large-scale concrete abstract forms that take over the gallery in all their monochromatic splendour, paying tribute to the island’s concrete structures.

Continuing the narrative and landscape of the film found objects and artefacts that relate to the island, the structural forms of the bridge and the activity of the fictitious character are displayed with museum reverence inside an orange fluorescent box in the reception gallery.

About the artist:

Bobby Niven was born in Fife in 1981 and is currently based in Glasgow. He holds a 1st class honours degree in Fine Art from Glasgow School of Art and a masters degree from the University of British Columbia, Vancouver.

Niven has exhibited both in the UK and internationally. Exhibitions include: Sierra Metro, Edinburgh; Lowsalt Gallery, Glasgow and CSA Space, Vancouver; The Royal Standard, Liverpool; Glasgow International Festival of Visual Art (2010); TBC Gallery Melbourne; and Peterfabers Gallery, Copenhagen.

  • Preview night Friday 25 May, 6 – 8pm, all welcome!
    Exhibition runs 26 May – 7 July 2012
Other Exhibitions And Events

BIG JESSIE // Donald Urquhart
The Brunswick Hotel, Merchant City, Glasgow
http://www.peacockvisualarts.com/events/373/big-jessie-donald-urquhart
exhibition runs until 27 May 2012

CLASSES & WORKSHOPS
At PVA throughout 2012
http://www.peacockvisualarts.com/get-creative/courses-classes
call 01224 639539 for more info & to book

http://www.peacockvisualarts.com/

May 032012
 

With thanks to Claire McBain. 

Entries for North East Open Studios (NEOS) 2012 may have been declared closed but VSA, the UK’s largest city social care charity supporting people in Aberdeen and Aberdeenshire, has announced it still has space to accommodate further artists and creators at its annual NEOS event at Easter Anguston Farm, Peterculter.

NEOS is an award-winning, not-for-profit collective of artists, makers and galleries in the North East who open their doors to the public each September. VSA’s Easter Anguston Farm has been a venue for the last four years.

Belinda Rowlands, farm manager at VSA’s Easter Anguston Farm, said:

“We are so excited to be a NEOS venue again. It gets better and better every year. We’ve already attracted some great local talent for 2012 and, as usual, we’ll be celebrating the creativity of VSA service users, displaying artwork from Easter Anguston Farm trainees and Friends for Life clubs’ children with additional support needs.”

“However, there’s still space for many more to join us, whether old, young, a dab-hand or a newbie. It’s an ideal occasion for artists in Aberdeen and Aberdeenshire to present work to a captive audience and support the local community at the same time. Our space is most suited to sculptors, ceramicists, land artists and other outdoor exhibitors but there is very limited indoor space remaining too.”

“We’re also keen for students and other groups to consider working collectively on a NEOS project. For the last few years, we’ve been lucky enough to be home to the Knit Wits, a group of knitters led by VSA Trustee Rosy Wood, who come together for NEOS each September. The knitters covered the farm in multi-coloured woollen sheep last year and have already organised their 2012 designs. They’ve gone for a topical animal theme but to find out more, you’ll have to visit in September!”

Well-known local artist Alex Kay has been heavily involved with NEOS at Easter Anguston Farm over the past four years. She said:

“Easter Anguston sets itself apart from other galleries by creating a unique link with art and the community. Local creatives can showcase their work while raising awareness of the UK’s largest social care charity. That’s what drives me to be there every year.”

The Peterculter-based attraction, comprised of a 70-acre working farm and 20-acres of woodland, nurtures adults with learning difficulties. It provides meaningful work and training, in social skills as well as horticulture, aiming to eventually ensure trainees are confident about entering the potentially intimidating mainstream job market.
The farm is open to the public and has a coffee shop, education centre, farm shop and garden centre where the trainees sell their homegrown fruit, vegetables and plants.

To find out more or get an application form for exhibiting at NEOS at Easter Anguston Farm, contact Claire McBain, fundraising officer, on 01224 358611 or e-mail Claire.mcbain@vsa.org.uk 

More information about VSA:

  • VSA is the UK’s largest city social care charity, providing the best of care to the most vulnerable people in the community. VSA, established more than 140 years ago, looks after around 5,000 people in Aberdeen City and Shire each year.
  • Its work falls into three main categories: education and lifelong learning, older people services and social care and wellbeing, incorporating carers’ services. These services help children and families to build better futures, older people to lead more independent, dignified and fulfilling lives, adults with disabilities and mental health problems to get the most from life, and both adult and child carers to juggle everyday life with caring responsibilities.
  • The fact that 96p in every £1 donated goes on direct charitable expenditure really sets VSA apart from other not-for-profit organisations. Money raised in the north-east stays in the north-east. VSA encourages supporters visiting its services to see exactly how their money might be, or hopefully has been, spent.
  • For further information about VSA and its work in the local community, visit www.vsa.org.uk
Mar 292012
 

With thanks to Kylie Roux.

THE OBSIDIAN ISLE – Gayle Chong Kwan

The Obsidian Isle is a significant new body of work from Venice Biennale exhibitor Gayle Chong Kwan. The installation of large-format photographs & sculptures documents a fictional island located off the west coast of Scotland, on which reside one country’s lost and destroyed buildings and places.
The Obsidian Isle explores ideas of collective history, national identity, landscape, and tourism through the prism of the senses and the distortion of memories.

Exhibitions runs 24 March – 5 May 2012 

KIN – Gray’s pre-degree show

KIN is an exhibition by Gray’s School of Art’s BA Hons printmaking students.
The exhibition gives an exciting insight into a great variety of different approaches to print and printmaking and showcases a diverse range of works made in preparation for the students’ degree show later in the year. So come along to support the students and see the artistic talents of tomorrow.

Preview Night Friday 23 March | 6 – 8pm | all welcome!
Exhibitions runs 24 March – 5 May 2012

BIG JESSIE – Donald Urquhart

Drag queen turned draughtsman, Donald Urquhart presents Big Jessie, a selection of bold, new hand printed works in his distinctive cartoon-like black ink style, created at Peacock Visual Arts.

To be shown at The Brunswick Hotel, Merchant City, Glasgow.

Preview Thursday 26 April |Brutti Ma Buoni,
The Brunswick Hotel, Merchant City, Glasgow | 7pm – late
 Exhibition runs 27 April – 27 May 2012

TEMPORARY ART SCHOOL – Poets in the City Workshop + Meet-up

The Temporary Art School is a one month live project happening throughout the city of Aberdeen in March 2012. TAS was devised by a group of people living and working in both Aberdeen and Glasgow who have come together to put on classes and workshops for all which experiment with what an art school can be and continue in a long tradition of self-organised education.

This Friday Poet Gerard Rochford will be giving a new workshop on the word whether it be spoken, written or sprawled in the streets. Please bring along a poem of two which you have written you would like someone to have a look at it and if you have never written one, in Gerard’s words ‘by the end you will have.’ email atemporaryartschool@gmail.com to reserve a space.

Friday 16 March | 5-9pm

ABERDUINO – Electronic Jiggery-pokery

Aberdeen’s own electronic tinkerers and artist’s hackerspace will be running on the second or third Tuesday of every month from now on – so put the date above in your digi-diary.

Come along if you’re interested in micro-controllers, soldering irons, circuit bending, electronic jiggery-pokery and chin scratching.

Tuesday 17 April | 6.30 – 8.30pm | FREE
*Note – The event is FREE but call us on 01224 639539 to let us know if you’re coming along.

RELIEF PRINTING WEEKEND WORKSHOP – Beginners

Come along to try out the oldest form of printmaking. No experience necessary.

Saturday 7 + Sunday 8 April | 10 – 4.30pm | £130/95 conc. 

ETCHING WEEKEND WORKSHOP – Beginners

Learn the techniques and processes involved in the traditional art of etching. No experience necessary.

Saturday 21 + Sunday 22 April | 10 – 4.30pm | £130/95 conc. 

GET ANIMATED AT PEACOCK

Ever wondered how Wallace and Gromit move? Well book onto our animation workshops to find out.

Throughout April, July, August & October | 10 – 4pm | age 10 + | £35 

Call 01224 639539 for more information and to book a place on any of our courses.

Mar 152012
 

With thanks to Kylie Roux.

THE OBSIDIAN ISLE – Gayle Chong Kwan

The Obsidian Isle is a significant new body of work from Venice Biennale exhibitor Gayle Chong Kwan. The installation of large-format photographs & sculptures documents a fictional island located off the west coast of Scotland, on which reside one country’s lost and destroyed buildings and places.
The Obsidian Isle explores ideas of collective history, national identity, landscape, and tourism through the prism of the senses and the distortion of memories.

 Preview Night Friday 23 March | 6 – 8pm | all welcome!
 Exhibitions runs 24 March – 5 May 2012 

Event – Gayle Chong Kwan in Conversation

Gayle Chong Kwan in conversation with Dr Dominic Patterson, a lecturer in modern and contemporary art and theory at the University of Glasgow. To reserve your place please email sarah@peacockvisualarts.co.uk or call 01224 639539.

Saturday 24 March | PVA | 3 – 4pm | FREE  

KIN – Gray’s pre-degree show

KIN is an exhibition by Gray’s School of Art’s BA Hons printmaking students.
The exhibition gives an exciting insight into a great variety of different approaches to print and printmaking and showcases a diverse range of works made in preparation for the students’ degree show later in the year. So come along to support the students and see the artistic talents of tomorrow.

Preview Night Friday 23 March | 6 – 8pm | all welcome!
Exhibitions runs 24 March – 5 May 2012

TEMPORARY ART SCHOOL – Poets in the City Workshop + Meet-up

The Temporary Art School is a one month live project happening throughout the city of Aberdeen in March 2012. TAS was devised by a group of people living and working in both Aberdeen and Glasgow who have come together to put on classes and workshops for all which experiment with what an art school can be and continue in a long tradition of self-organised education.

This Friday Poet Gerard Rochford will be giving a new workshop on the word whether it be spoken, written or sprawled in the streets. Please bring along a poem of two which you have written you would like someone to have a look at it and if you have never written one, in Gerard’s words ‘by the end you will have.’ email atemporaryartschool@gmail.com to reserve a space.

Friday 16 March | 5-9pm

ABERDUINO – Electronic Jiggery-pokery

Aberdeen’s own electronic tinkerers and artist’s hackerspace will be running on the second or third Tuesday of every month from now on – so put the date above in your digi-diary.

Come along if you’re interested in micro-controllers, soldering irons, circuit bending, electronic jiggery-pokery and chin scratching.

Tuesday 17 April | 6.30 – 8.30pm | FREE
*Note – The event is FREE but call us on 01224 639539 to let us know if you’re coming along.

RELIEF PRINTING WEEKEND WORKSHOP – Beginners

Come along to try out the oldest form of printmaking. No experience necessary.

Saturday 7 + Sunday 8 April | 10 – 4.30pm | £130/95 conc. 

ETCHING WEEKEND WORKSHOP – Beginners

Learn the techniques and processes involved in the traditional art of etching. No experience necessary.

Saturday 21 + Sunday 22 April | 10 – 4.30pm | £130/95 conc. 

GET ANIMATED AT PEACOCK

Ever wondered how Wallace and Gromit move? Well book onto our animation workshops to find out.

Throughout April, July, August & October | 10 – 4pm | age 10 + | £35 

Call 01224 639539 for more information and to book a place on any of our courses.

Feb 242012
 

By Mike Shepherd.

The polling cards are out for the Union Terrace Gardens referendum and you have until March 1 to vote. The hype means you’ll have been bombarded with leaflets, pamphlets, news items and radio adverts.
If ‘connectivity’, a ‘21st century contemporary garden’, or ‘street-level access’ are key factors in deciding your vote, look no further; vote for the City Garden Project.

If you are undecided or swithering then read these very good reasons for voting to retain Union Terrace Gardens. 

1. Your vote will preserve the look and feel of the Granite City. Union Terrace Gardens are an integral part of the heritage of Aberdeen. Planned by the same architects who designed the Art Gallery and the frontage of Marischal College, they show an architectural harmony in the city centre which would be destroyed by a modernistic City Garden.

2. Your vote will not result in a ghastly modern structure replacing our park. Although described as the City Garden, it is in fact a mixture of buildings, flyovers, underpasses and parkland. The design has a passing resemblance to 1960s-style new town architecture. At one public meeting, someone said that the underpasses in particular were likely to end up as urban no-go areas. I have even heard a supporter of the scheme conceding that it will look dated after about five to ten years.

3. Your vote will stop a multitude of new glass box office blocks being built in the city centre. Council documents show that consideration has been given to plans to build a central business district in the city centre and encourage office block construction. The building of the City Garden Project, “will encourage development in the city centre sooner, and on a bigger scale, than might otherwise be the case without public investment in enabling infrastructure.”

4. Your vote will improve our much-loved park. Jimmy Milne, oilman and MD of Balmoral Group, has said:

“I and many of my business contemporaries, are committed to establishing a fund which will help bring the gardens back to their former glory. Without destroying our heritage, and without putting Aberdeen City further into debt, it would not be difficult to breathe fresh life into the park. Improved access, new planting, cleaning and restoration, park wardens and live events could all be relatively easily and cost effectively achieved.”

5. Your vote will ensure that the mature trees in Union Terrace Gardens will be saved. All 77 trees will be kept, including the twelve elms, some of which are at least 200 years old.

6. Your vote will stop our Council borrowing £70m they can’t afford. Aberdeen City Council, £562m in debt, is being asked to borrow £70m through a risky tax scheme to help fund the City Garden Project. If there is insufficient money to pay back the loan, Council funds will be required to service it.

7. Your vote will avoid significant disruption and pollution in the city centre for the near three years it will take to build the scheme. The technical feasibility study for the project estimates that the equivalent of 3,947 dump trucks of earth and 4,605 dump trucks of granite will be excavated from the Gardens causing ‘large environmental impacts from noise, transport, dust and energy use.’

8. Your vote will avoid the major traffic problems caused by the movement of heavy lifting equipment, dumper trucks and lorries in and out of the city centre. It is estimated that the City Garden will take almost three years to build. It is likely that there will be major traffic problems in the city for much of this time. City centre business will be impacted by this and may never recover.

9. Your vote will avoid much, if not all, of the Council’s cultural activities being displaced to the underground building in the City Garden. The council funds institutions occupying cosy, intimate venues such as the Music Hall, Lemon Tree and Belmont Cinema. A review of council-funded cultural activities will be made with a view to possible relocation to the underground concourse.

10. Your vote will avoid any consideration that the future of the HM Theatre could be in doubt. Two major performance venues will be built in the City Garden only yards from HM Theatre. Councillors have asked if this will have an impact on the future of HM Theatre. No specific assurances have been given.

Aberdeen could change forever if the City Garden is built, and probably not for the better.

We have the chance to keep the leafy, green heart of the Granite City. 

VOTE: RETAIN UNION TERRACE GARDENS

Feb 162012
 

By Stephen Davy-Osborne.

This weekend will see secondary school pupils from across the region create a right song and dance in the Aberdeen heat of Rock Challenge UK.
The event, which takes place at the AECC on Saturday, will see performances put on by pupils of the city and shire’s academies on the big stage in front of a huge audience, each hoping to win a coveted place in the first ever Scottish final.

Scottish Regional Representative for Rock Challenge UK, Lesley-Ann Begg, said:

“This really is such a special event. It allows young people to get up there on the stage, at somewhere as big as the AECC, and put on a performance, doing something that they love, in front of all their friends and family.”

Rock Challenge is a world-wide performing arts competition for children aged 12-18. Young people perform with their school and are given eight minutes to express themselves through dance or drama. Ms Begg said:

“The idea behind Rock Challenge is to try and promote an adrenaline high, getting young people away from drink and drugs and into something more creative.”

After the Aberdeen heat this weekend, the winning acts will join the winners from the two other Scottish heats, held earlier in the month in Inverness and Arbroath, for the Scottish final in Dundee on June 23.

“This really is quite exciting,” Ms Begg added. “We’ve never had a final in Scotland before. In the past we have always had to travel down to Grimsby. This just shows how popular the event is becoming.”

Tickets for Saturday’s heat are available from the AECC Box Office and ticketmaster.co.uk

Feb 032012
 

The 2011 Annual Signal Gallery Punk Rock Artists show tribute to the late Poly Styrene (1957 – 2011) featured artwork from a majority of the acts that were the lights of British Punk Music.  Curated by Gaye Advert, featuring musical performances and great artwork, this was a highlight of UK winter art exhibitions as well as a perfect way to pay respects to Poly.  Voice’s Suzanne Kelly weighs in on a unique gallery and a unique collection of British artists.

The music world lost a number of real innovators in 2011 – people who were unlikely success stories in some ways, but whose individuality  shaped the history of music.  Amy Winehouse died in tragically predictable circumstances.  Nate Dogg had many personal problems and came from a world of violence, despite dice being loaded against him from the start, he worked with hip hop greats.

His style was sought after, and at the time of his death from  a stroke he’d been working on a new gospel project.  Then there was Marianne Joan Elliott-Said – or Poly Styrene to you and me.

Poly was born in 1957 – in a time where women had little prospects of exerting influence outside of the kitchen.  Women of the late fifties largely spent all their time trying to look conservatively, conformingly beautiful (and there is sad evidence that women are slipping back into wanting to look good more than wanting to be good at something).  Poly was having none of it.

She eventually wound up as the iconic, unpredictable, liberated, intelligent figurehead of punk band X-Ray Spex.  It was said the band formed after she and some friends saw the Sex Pistols perform.

Poly died in April 2011 from an advanced form of breast cancer.   Her unforgettable expressive vocals and X-Ray Spex’ music will always be around.

  Knox from the Vibrators is one of many musicians with artwork on show

The Signal Gallery near London’s Old Street Station has hosted exhibitions of music by punk musicians for some years now.   I’m sure many people who visit this extremely  popular show are there because of the musicians, but no one leaves without seeing a perfectly well curated group show of excellent, challenging art.

This year’s curator was Gaye Advert of (if you didn’t know) The Adverts.  She works in many media, and I’m particularly fond of pieces such as ‘bad squirrel’.  Knox from the Vibrators is one of many musicians with artwork on show; Knox is an extremely talented painter and has studied art.  He’s known for imaginative pieces as well as street scenes of London and overall for portraits of fellow musicians.  He had a portrait of Poly Styrene in this show as  had Charlie Harper and Chris Brief.

I missed the opening (and was cross with myself over it).  For an enthusiastic review of the opening with may photos, try http://retroman65.blogspot.com/2011/11/punk-beyond-gaye-advert-curated-art.html

I did however make it down for the Saturday 10 December acoustic sets by Knox and Charlie Harper of the  UK Subs.

Each played a solo set and then they played together to the Signal Gallery’s main room, totally filled from floor to ceiling with artwork and punk lovers young and old.  Nigel Benett  from The Members was among the audience.

I would love to have spoken more with Gaye Advert and the Gallery’s staff.  However, the former was busy trying to get artists to sign posters from the show, talking to press, being photographed, and trying to find Charlie when it was time for his set.  The posters  were sold at £50 each to raise money for a cancer charity in memory of Poly Styrene; I was lucky to get one.

The gallery owners were busy selling the few pieces of art that hadn’t already been sold, supplying countless beers to the crowd, and dealing with a pipe which started leaking on Charlie as he started his set.

The art was being talked about; some pieces such as a kinetic sculpture involving two dolls was sensational.  The art ranged from classic punk iconic art to abstracts and sculptures.

This show was a testimonial to the energy and talents that continue to keep punk going, and to the ongoing legend of Poly Styrene.

 

Feb 032012
 

With thanks to Kylie Roux.

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

Based on an event from November last year at The Scottish National Portrait Gallery, Your Leaning Neck is a performance project that aims to challenge institutional representations of national identity by giving voice to non-institutional values.

A silent video installation showcasing last November’s event from two perspectives will be shown in the Peacock gallery.

Saturday 18 February – Saturday 10 March 

– Live Performance

Starting off at Peacock’s gallery then moving onto the Episcopal Cathedral Church of St Andrew, visitors will be treated to a live re-contextualisation of the performance event created as a site-specific response to the Scottish National Portrait Gallery’s collection of portraits from the Scottish Enlightenment. Within the performance, oral tradition singers are presented alongside contemporary artists who also use their unaccompanied voice as a means of expression.

Friday 24 February | 7 – 9pm | Peacock Visual Arts | FREE 

GIG IN THE GALLERY – Martin John Henry

Recently praised by Sound-Scotland, as “one of Scotland’s finest songwriters”, Gargleblast Records and Peacock Visual Arts present Martin John Henry.

The Lanarkshire born singer songwriter is best known for fronting Scottish Rock Band De Rosa – critically lauded and championed by John Peel and Steve Lamaq – as well as writing, recording and playing with many of Scotland’s finest musicians including Barry Burns (Mogwai), Robert Johnston (Life Without Buildings), King Creosote and Malcolm Middleton.

Saturday 4 February | 8pm | £8 on the door 

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

ONE MAN UNIT is a hybrid of man and sculpture. Through a variety of outputs, audiences are invited to interact with and experience the spontaneous and unexpected developments of this creative beast, as it evolves during the artists’ two-week residency at Peacock.
You can follow the construction of this half man half machine via their daily blog on Peacock’s Facebook page. The ONE MAN UNIT will then be let loose on the public on two occasions:

Saturday 28 January – Friday 10 February

– Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
e: kylie@peacockvisualarts.co.uk
Website: www.peacockvisualarts.com
Online Print Store: www.peacockvisualarts.culturelabel.com

Jan 062012
 

Over three years ago, Sir Ian Wood announced the City Square Project with the intention of replacing Union Terrace Gardens with “a cross between the Grand Italian Piazza and a mini Central Park.” It has since been renamed the City Garden Project. The cost of building the project is nominally £140 million, of which it has been proposed that £70M of this would be borrowed by Aberdeen City Council involving a tax scheme.  Mike Shepherd offers some analysis of current local government trends, the recession, and what it may mean for Aberdeen.

So what is the justification being put forward for this expensive project, a project that has caused so much controversy since it was announced?

The project’s supporters allege the City Garden Project is needed to ensure that Aberdeen is attractive enough to retain energy professionals long term and to ensure Aberdeen’s economy is based on tourism post-oil.

For instance, an advert by ACSEF in the Press and Journal (January 2010) stated that:-

“Creating a new heart for Aberdeen presents a unique opportunity to put the city on the ‘must visit’ list.”

 Aberdeen City Council is £562 million in debt (2010 figure).
See:
http://www.scotland.gov.uk/Publications/2011/02/21143624/4

Last November, Perth and Kinross Council approved demolishing the listed Perth Town Hall to build a Civic Square in its place, a move that has raised much controversy.  The BBC reported:

“The council said many local businesses supported the civic square proposal. And council officers have argued that full demolition and reuse of the site as a public space would provide the most additional value to the local economy.  The cost of scheme is estimated at £4.4m, but the report said an additional 15,000 people per year would extend their stay in the city, with an extra 60,000 coming for events. “This would result in a combined additional spend per person per visit of £23 generating a total gross expenditure of £1.65m per annum,” it added.
See:
http://www.bbc.co.uk/news/uk-scotland-tayside-central-15742937

Perth and Kinross Council is £222 Million in debt (2010 figure).

A similar controversy has been raging in Cork, Ireland, where the struggling Cork Council has been involved in a plan to install the Sky Garden Project. Celebrity TV gardener Diarmuid Gavin’s Irish Sky Garden won the gold medal at the Chelsea Flower Show (It looks like a giant hanging flower basket).

  There is a pattern here. Local governments the world over are in serious debt

The Council agreed to put the garden on permanent display in the city’s Fitzgerald Park at a cost of at least €300,000, with more than €1.7 million given to the project by Fáilte Ireland, the Irish tourism body.

In tones, redolent of the Aberdeen controversy, the Irish Independent wrote:

“THE taxpayer could be hit with a further bill of over €100,000 in costs connected to Diarmuid Gavin’s award-winning garden.

“Workers’ Party councillor Ted Tynan said the council needed to clarify precisely how much the garden cost, and what the council would pay in transport, insurance and operating costs. He also expressed disbelief that the garden — including its 30-metre high floating ‘pod’ and crane — may only open for three months each year.

“I love gardens and flowers and parks, but this is absolutely ridiculous. You’d put a hell of a lot of flower beds around the city for this kind of money. We should keep our feet on the ground not in the clouds with a sky garden’,” Mr Tynan said

“There are 500 boarded-up council houses in Cork and 120 people with various disabilities waiting on home adaptations. But the funding to go to all this has been cut by central government,” he added.

“Last night, the council said support for the “iconic garden” was in line with the policy that led to the creation of successful visitor attractions in the city.”

“This is part of a long-term policy to create a necklace of top tourist attractions that will bring people to Cork, get them to stay longer here and spend more money here,” a council spokesman said.

“Fáilte Ireland insisted that the garden would generate significant tourism earnings.”

See: http://www.independent.ie/national-news/diarmuid-gavinrsquos-euro2m-lsquosky-gardenrsquo-growing-in-cost-2661548.html

There is a pattern here. Local governments the world over are in serious debt. Services and amenities are being cut, yet it doesn’t stop them from spending money on expensive big-ticket items that might bring visitors in.  There is a feedback loop between local government, chambers of commerce and national government that serves to create the syndrome, “if we build it, they will come”.

  While a worthy cause, this has caused controversy as the annual budget will be part-funded by the city’s Common Good Fund

Where local economies have failed as in Cork for example, tourism may be the last throw of the dice to engender outside income.  There will be much competition for the dwindling number of international tourists as the recession bites. Recent reports suggest that countries such as Greece and Spain will focus relentlessly on promoting tourism as the last glimmer of light in their busted economies.

Aberdeen has caught up on the trend of pushing long-term tourism. The local chamber of commerce have been promoting a new destination marketing organisation for the city called ‘Visit Aberdeen’.

While a worthy cause, this has caused controversy as the annual budget will be part-funded by the city’s Common Good Fund; £107,000 for 2011 / 2012 and potentially for the next six years also. Arguably this is more ‘commerce good’ than ‘common good’.

The draft business plan recognises the future of the City Garden Project / Union Terrace Gardens as a primary issue. It is to be hoped that an organisation part-funded by Common Good money will not be promoting the controversial development of a public park that lies on Common Good land.
See: http://committees.aberdeencity.gov.uk/mgConvert2PDF.aspx?ID=15678

Are the citizens of Aberdeen willing to support the allocation of scarce resources to “a build it and they might come” vision for the city, allowing a public park to be developed for the sake of possible future tourists? Or is this all pie in the sky stuff that will use up money desperately needed elsewhere and will result in the appearance of the Granite City changing forever?

You have the chance to decide yourself.  The referendum on the fate of Union Terrace Gardens will be held in February.

 

 

 

 

 

Dec 292011
 

By Mike Shepherd.

The jury for the City Garden Project will announce the final scheme for the proposed development of Union Terrace Gardens sometime in January.  The choice will be between two designs, one with a web-based motif and the other with a big glass building in the middle which looks like a giant worm.

It is clear from both designs that most of the existing trees will be removed to build the new ‘garden’, whichever is built. 

New trees could of course be planted, but it would be decades before these grew to a comparable size, and this may not even be possible in those areas with a shallow concrete substrate. There will be claims that some of the smaller trees could be replanted, although the practicalities of this are obvious.

The big trees are particularly important as they absorb carbon and filter more pollution from the air compared to smaller trees. One study concluded that for this purpose:

“Big trees, the ones the Victorians planted for us, are what we need to maintain, but they are few and far between.”
See: http://www.theecologist.org

This week saw the shocking news that people living in Scottish cities are being exposed to dangerously high levels of pollutants. A WWF Scotland report identified three pollution hotspots in Aberdeen; Union Street, Market Street, and Wellington Road. These show  levels that are in breach of EU targets intended to protect human health. The main problem is the high levels of nitrogen dioxide caused by traffic fumes.
See: http://www.pressandjournal.co.uk

Aberdeen has a highly-polluted city centre. The solution to the problem would be to reduce the level of traffic in the city centre; pedestrianising Union Street has been suggested as an option.

It is also clear that we need to maintain the tree population of the city centre to help absorb the pollution. The key areas are Bon Accord Gardens, St. Nicholas churchyard and Union Terrace Gardens itself. Otherwise, Aberdeen city centre can hardly be described as awash with trees.

Yet, the proposed City Garden Project will remove a population of mature trees from the city centre. The problem is acknowledged in the Technical Feasibility Study for the project.

“Removal of mature trees and existing ecological habitat; 78 mature trees would be lost including 17 number mature Elm trees. The ecological value of these trees would take decades to replace as many of the trees are up to 200 years old.”

The City Garden Project will itself be a major source of pollution while it is being built (for the duration of almost two and a half years according to the same study).

“Excavation of rock/earth; It is anticipated that 30,000m3 of earth and 35,000m3 of granite will need to be removed from site. This which will cause large environmental impacts from noise, dust, transport and energy use. The removal of this volume of material is equivalent to approximately 3,947 dump trucks of earth and 4,605 dump trucks or more of granite to be removed from site or re-used where possible on site. This would have large environmental and social impacts on the local area and community surrounding the gardens.”
See:  
http://www.acsef.co.uk

It is clear from this, that the ecological downside of building the City Garden Project is substantial. The construction phase will see a protracted period of dirt and pollution in the city centre. By contrast, it is no exaggeration to describe Union Terrace Gardens as the green, living heart of the Granite City; its big trees acting as a natural washing machine, helping to keep us healthy by removing noxious pollution.

Those living in Aberdeen City will receive a postal ballot in mid February allowing them to decide between retaining Union Terrace Gardens or sanctioning the construction of the City Garden Project.

I will vote to retain Union Terrace Gardens.