Nov 302012
 

Enduring Punk band The Vibrators will be at Glasgow’s Ivory Black on Friday 30 November. Touring in place of Knox is Nigel Bennett from The Members. Ivory Black is on Oswald Street, Glasgow.

The Vibrators just returned from an extended tour of the US.  Bennett, who has a solo album just out entitled ‘Truth or Consequences’ had this to say:-

“I love playing  Scotland; Ivory Black always has a good crowd and we’re all looking forward to being here again.”

The Vibrators were founded by Ian ‘Knox’ Carnochan, bassist Pat Collier, guitarist John Ellis, and drummer John ‘Eddie’ Edwards. They first came to public notice at the 100 Club when they backed Chris Spedding in 1976. On Spedding’s recommendation, Mickie Most signed them to his label RAK Records. Most produced their first single, “We Vibrate”. The band also backed Spedding on his single, “Pogo Dancing”. Knox is currently living in London and is involved in artwork and solo projects rather than the rigours of touring with the band.

The Vibrators recorded sessions for John Peel at BBC Radio 1 in October 1976, June 1977, and February 1978. They were one of the pioneering punk bands that played at London’s Roxy Club.

The Vibrators also play Edinburgh on Saturday 1 December .  They will be at The Citrus Club40-42 Grindlay Street; the Lurkers are supporting.

Feb 032012
 

The 2011 Annual Signal Gallery Punk Rock Artists show tribute to the late Poly Styrene (1957 – 2011) featured artwork from a majority of the acts that were the lights of British Punk Music.  Curated by Gaye Advert, featuring musical performances and great artwork, this was a highlight of UK winter art exhibitions as well as a perfect way to pay respects to Poly.  Voice’s Suzanne Kelly weighs in on a unique gallery and a unique collection of British artists.

The music world lost a number of real innovators in 2011 – people who were unlikely success stories in some ways, but whose individuality  shaped the history of music.  Amy Winehouse died in tragically predictable circumstances.  Nate Dogg had many personal problems and came from a world of violence, despite dice being loaded against him from the start, he worked with hip hop greats.

His style was sought after, and at the time of his death from  a stroke he’d been working on a new gospel project.  Then there was Marianne Joan Elliott-Said – or Poly Styrene to you and me.

Poly was born in 1957 – in a time where women had little prospects of exerting influence outside of the kitchen.  Women of the late fifties largely spent all their time trying to look conservatively, conformingly beautiful (and there is sad evidence that women are slipping back into wanting to look good more than wanting to be good at something).  Poly was having none of it.

She eventually wound up as the iconic, unpredictable, liberated, intelligent figurehead of punk band X-Ray Spex.  It was said the band formed after she and some friends saw the Sex Pistols perform.

Poly died in April 2011 from an advanced form of breast cancer.   Her unforgettable expressive vocals and X-Ray Spex’ music will always be around.

  Knox from the Vibrators is one of many musicians with artwork on show

The Signal Gallery near London’s Old Street Station has hosted exhibitions of music by punk musicians for some years now.   I’m sure many people who visit this extremely  popular show are there because of the musicians, but no one leaves without seeing a perfectly well curated group show of excellent, challenging art.

This year’s curator was Gaye Advert of (if you didn’t know) The Adverts.  She works in many media, and I’m particularly fond of pieces such as ‘bad squirrel’.  Knox from the Vibrators is one of many musicians with artwork on show; Knox is an extremely talented painter and has studied art.  He’s known for imaginative pieces as well as street scenes of London and overall for portraits of fellow musicians.  He had a portrait of Poly Styrene in this show as  had Charlie Harper and Chris Brief.

I missed the opening (and was cross with myself over it).  For an enthusiastic review of the opening with may photos, try http://retroman65.blogspot.com/2011/11/punk-beyond-gaye-advert-curated-art.html

I did however make it down for the Saturday 10 December acoustic sets by Knox and Charlie Harper of the  UK Subs.

Each played a solo set and then they played together to the Signal Gallery’s main room, totally filled from floor to ceiling with artwork and punk lovers young and old.  Nigel Benett  from The Members was among the audience.

I would love to have spoken more with Gaye Advert and the Gallery’s staff.  However, the former was busy trying to get artists to sign posters from the show, talking to press, being photographed, and trying to find Charlie when it was time for his set.  The posters  were sold at £50 each to raise money for a cancer charity in memory of Poly Styrene; I was lucky to get one.

The gallery owners were busy selling the few pieces of art that hadn’t already been sold, supplying countless beers to the crowd, and dealing with a pipe which started leaking on Charlie as he started his set.

The art was being talked about; some pieces such as a kinetic sculpture involving two dolls was sensational.  The art ranged from classic punk iconic art to abstracts and sculptures.

This show was a testimonial to the energy and talents that continue to keep punk going, and to the ongoing legend of Poly Styrene.

 

Jul 292011
 

Continuing on from Part One of Blood Feud, Voice’s Alex Mitchell offers up yet another slice of Scotland’s troubled and violent history.  Last week Alex looked at The Gordon, Forbes and Stewart Families in the Time of Mary Queen of Scots and King James VI  This week we see how the fortunes of Clan Gordon changes in the turbulent times of Mary, Queen of Scots. 

The Gordons, for their part, held back until the Earl of Huntly was ‘put to the horn’ or outlawed and rendered fugitive on a trumped-up charge of refusing to answer a summons from the Protestant-dominated Privy Council, of which he was still a member.

Huntly marched towards Aberdeenwith a force of about 1,000 men, almost all of them Gordon kinsfolk and dependents; no other gentry families joined his campaign to ‘rescue’ the Queen.

He mistakenly believed that many of the Queen’s troops would join his side.

He took up a commanding position on the Hill of Fare, near Banchory, but his men melted away.   His troops, now reduced to about 500, were assailed by some 2,000 men under the command of the Earls of Moray, Morton and Athole, and were forced down on to the swampy field next to the Corrichie Burn.
The Earl of Huntly, aged 50, corpulent and in poor health, and suffocated by his heavy armour, suffered a heart attack or stroke, and dropped down off his horse, dead.

Huntly’s body was thrown over a pony and taken to Aberdeen, where it was put in the Tolbooth and gutted, salted and pickled.   The body was then taken by sea to Edinburgh, where it was given a more comprehensive embalming.   After lying unburied in the Abbey of Holyrood for some six months, the mummified corpse of the one-time Cock o’ the North was brought in its coffin before the Scottish Parliament on29 May 1563 on a charge of  High Treason.

The coffin was opened and propped up on end so that the deceased Earl could stand trial and ‘hear’ the charges against him.

Those present included the Queen and Huntly’s eldest son George, himself under sentence of death, later repealed.   A sentence of forfeiture was passed, stripping the Gordons of all their lands and possessions, which reverted to the Crown and were redistributed amongst favourites, not least the Earl of Moray.

The Gordon armorial bearings were struck from the Herald’s Roll and the once-great dynasty was reduced to “insignificance and beggary”.   Huntly’s body lay unburied in Holyrood for another three years until21 April 1566, when it was finally returned to Strathbogie and interred at Elgin Cathedral.

It has to be said that Mary’s behaviour at this time makes little sense.

Two days after the Battle of Corrichie, Huntly’s son, young Sir John Gordon, aged 24, was ineptly beheaded in front of the Tolbooth inAberdeen, to the visible distress of Queen Mary, who was in residence just across the Castlegate and was seen to observe the proceedings from an upstairs window.

It had been rumoured that the Queen and Sir John Gordon were lovers, although this is unlikely given that Mary was constantly under the guard of the Protestant Lords.   They had achieved their twin purposes of destroying the Gordons of Huntly, the leading Catholic family inScotland, and of reassuring those Protestant Reformers suspicious of the Queen’s own Catholic leanings.

It has to be said that Mary’s behaviour at this time makes little sense.   She was a devout and observing Catholic herself, yet she acquiesced in the legalised persecution of fellow-Catholics and the forfeiture and redistribution of their land and property.

The assumption has to be that she was not in control of events, partly because she was young and inexperienced and was disorientated by her return to Scotland, a country she had departed for France at the age of five; but also because she was fatally uninterested in the processes and responsibilities of government, seldom attending meetings of her own Privy Council at Holyrood.   The judicial destruction of the Gordons of Huntly meant that Mary Stuart had lost her most substantial and dependable base of support, and put her thereafter in the grip of her political and religious enemies.

Mary Queen of Scots was made, probably unlawfully, to abdicate her throne on 24 July 1567, in favour of her infant son James, born 19 June 1566, by her second husband (and cousin) Henry Stewart, Lord Darnley, from whom she was already irretrievably estranged.   Mary’s effective reign had lasted just six years, and was over before she reached the age of 25.

The birth of a male heir to the throne meant that she had served her purpose, was now surplus to requirements and was in any case by this time dangerously out of control, having fallen under the destructive influence of James Hepburn (1535-78), the widely-detested 4th Earl of Bothwell, a Protestant, but intensely hostile to England.

The Queen’s remaining authority was destroyed by the sensational murder of her husband Darnley, not yet 22 years of age, at Kirk o’ Field on10 February 1567.   Bothwell was instantly identified as prime suspect and the Queen as obviously complicit, an accessory, having gone to great lengths to seduce Darnley away from the protection of his Lennox Stewart relations in Glasgow and back to Edinburgh.

But how much did Mary really know?   She would not have stayed overnight in the house at Kirk o’ Field, just inside the Edinburgh city walls, only two miles from Holyrood, if she had known that its foundations were being stuffed with gunpowder.   To the end of her life, Mary Stuart was convinced that the plot had been to blow up her and Darnley together.   This is unlikely, given that the explosion, which literally blew the house sky-high, took place after Mary had left Kirk o’ Field for Holyrood, which most people took to mean that Mary must have been party to the plot to murder Darnley.

But was she? And which plot? Or whose plot?

No-one as unpopular as Darnley was going to survive very long in 16th centuryScotland; but why murder him in such a sensational, attention-grabbing manner, when he could have been quietly dispatched back at Holyrood?   Whatever the case, the ensuing scandal was hugely compounded by Mary’s subsequent marriage to Bothwell (in a Protestant church) on 15 May 1567.

Prior to all this, on 8 October 1565, Mary had restored George Gordon, the eldest surviving son of the 4th Earl of Huntly, to most of his father’s titles, including that of Lord High Chancellor, and some part of his former lands and property.   This was little more than two years after the deceased 4th Earl had been found guilty of High Treason, his son George imprisoned and put under sentence of death, and his entire family reduced to “insignificance and beggary”.

Mary was presumably trying to rebuild her support in the North-East, but it was too little, too late.   On top of everything else, the 5th Earl’s sister, Lady Jean Gordon, had made the mistake of marrying the Earl of Bothwell at Holyrood on24 February 1566.   She was cruelly thrown aside and divorced within the year in order that Bothwell could marry his Queen.

Coming in Part 3:   Alex Mitchell analyzes the changes sweeping through all aspects of Scottish life – dynasties rise and fall, clans battle for power and dominance, and religious conflicts dominate.