Jun 032016
 

By Suzanne Kelly. Photos courtesy of Pirate Photography Aberdeen.

Egle2This year’s Gray’s School of Art Graduate Fashion Show lived up to expectations and in some areas exceeded them. The wide variety of designs on show, the craftsmanship, the wide range of inspirations all made this another memorable fashion event for the school.

Salmena Carvalho , Fashion & Textile Lecturer / Fashion Show Curator said:

“Our graduate fashion show is a great opportunity for our students to showcase their final year collections to an external audience. This year we presented a variety of work ranging from womenswear, menswear, knit, print and mixed media. It is always an exciting time for us as we are able to collaborate with other creatives for this annual event. “

It is difficult to pick out favourite pieces or designers from such a large field, but here in their own words are some of the designers, with a few comments from me.

Nicole Ferry – Corruption.

Nicole Ferry“My collection explores the current negative affairs in society and visual attributes which connect with this theme. From politics to riots, my collection aims to convey the extent of negativity in our everyday lives.

“Gray’s graduate fashion show was a complete success. Finishing my university journey on a high.

“Myself and fellow students are incredibly proud of the collections we produced and the blood, sweat and tears was definitely worth it when viewing your garments on the catwalk. “

Nicole brought us a futuristic vision in a collection which echoed social unrest and pending problems throughout – whether directly by slogans written on clothing or via clothes geared to obstruct your face, which I found food for thought in a world where surveillance and social activism are increasing.

Natalie Anderson said:

Natalie Anderson“The graduate fashion show is a great way to unveil our creations. There is a massive amount of planning and organising that our tutor Salmena undertakes in order to make it a success for us students.

“It was great to see it all set up and everything taking place.

“Everything is done with precision from the picking of the models to deciding the music for each individual catwalk collection.

“The running of the show went smoothly and was a great achievement for all involved. “

Natalie made several stunning pieces; a luxurious black coat with very interesting textures in the nape of the fabric was far more stunning than any real fur piece could ever be.

It was both echoing dramatic costumes of the past (I thought of a full-length portrait by Holbein of Christina of Denmark) and pointing to the future with its clean lines, flow and interesting textures.

April Hay commented on her work:

april hay“My collection is the result of a relationship I built between textile design and mineralogy.

“I believe very strongly that design and science go hand in hand and hope my work sets an example of how a cross disciplinary project could work between them.

“Working with The National Museum of Scotland enabled me to materialise a body of visual and mental research into mineral specimens whilst the facilities at Gray’s School of Art were used to create the garments and textile pieces.

“Photography, photoshop manipulation and digital print are the techniques used in my collection. “

Lisa Campbell helped organise the show; I’d seen the progress of her stunning work when I was taking an introductory course at Gray’s. The striking use of origami principles mixed with Op Art has created stunning, unique fashions.

Lisa CampbellShe says:

“The Fashion Show weekend was an exhilarating experience and I can’t quite believe that it’s all over.

“There was a huge buzz of excitement during both shows, seeing everyones collections finally come together and all the hard work finally paying off.

“We have received a lot of positive feedback following the fashion show.

“As a member of the fashion show committee it is particularly rewarding to see all the elements that I have helped organise come together to showcase the work of the class.”

Egle Mazeikaite had a very elegant and extremely feminine collection; Egle explained:

“The starting point for this collection was femininity and ways of expressing it through contemporary fashion. The focus is on the concept of envelopes being an enclosing structure which contains something personal – in this case the idea of femininity.

“Using the conceptual aspects of an envelope (such as triangular overlapping shapes and the shiny strip representing the glue strip which secures an envelope and conceals its contents) the pieces in my final year collection enclose a personal message, trying to find the balance between the feminine and masculine, containing the delicacy of colour in an enclosing structure and expressing the nature of a modern woman.

“My work is feminine and carries a personal message, encouraging the wearer to be empathetic and vulnerable in order to be in touch with her femininity.”

While I wish there were space for every artist and designer’s work here; finally we have Mhairi Buchanan who explained her work:

mhairi buchanan“Decomposition and Decay, my Fashion and Textile collection has been inspired by the decay of florals. Beauty is highly desirable in this day and age.

“I feel that we are too quick to discard items because they could be a little past their sell by date. My collection is digital images of dying flowers, that have been manipulated into arrangements to revive them, and make them beautiful again.

“With this in mind, I have created textiles that are embroidered with layers of digitally printed flowers. The skirts and tops have been designed with the idea that they can be worn at any occasion. Although they may look like ball gown attire, they are versatile and could be used as separates for any event.”

It’s quite a challenge for next year’s graduating class to equal this work; and we’ll see what they do, and where these talented designers will go – great things are expected of them all.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 242016
 

Sean Wheelan Pop 'round for 15 minutes2With thanks to John Morrison.

Peacock Visual Arts is proud to present an exhibition of works by 4th-year students from this year’s Contemporary Art Practice course at Gray’s School of Art. Albeit short, this 3-day exhibition gives us a privileged opportunity to see artworks from a new wave of artists, created using a wide variety of media.

Michael Agnew, Course Leader, Contemporary Art Practice at Gray’s School of Art said:

“This exhibition is a final external rehearsal for the big event opening on the 17th of June 2016 at Gray’s School of Art. From this point forward each of the 31 exhibitors will have all hands to the pump in producing their first one-person shows.

“The eclectic nature and diversity of their practices are there for all to see and I know there is enough breadth for everyone visiting this survey to whet the appetite for June and future creativity and sustainability beyond. I am positive that the knowledgeable audience from Aberdeen won’t be departing this show in disappointment.”

Date: 25-26 March 2016
Opening: Thur 24 March 2016, 6-8pm. All Welcome
Location: Peacock Visual Arts

Jun 222012
 

Voice’s Old Susannah comments on current events and enlightens us with definitions of some tricky terms with a locally topical taste. By Suzanne Kelly.

Tally Ho!  I’m not sure if this past week was more vibrant than it was dynamic or more dynamic than it was vibrant – but it’s been good on the whole.  Gray’s School of Art degree and fashion shows took place, I went along to the Sunday movie at The Moorings, and there were lots of cocktails.

RGU was interesting; for some reason just as we arrived, I was puzzled as my friends abruptly scarpered in different directions.  I was told later that I’d been standing next to HoMalone, and my friends didn’t want to see what would happen next. Not that I would have confronted her; I would have said “Hello!  My deer!”, or asked her where she got the fluorescent mustard coloured blazer she wore at the vote count.

She was probably searching for the Gray’s designer who made clothing out of fur, or the jeweller using bone, or so I would imagine (NB there were some imaginative uses of fake fur on show – why use dead animals for decorative reasons?).

Before the RGU fashion show, Gray’s Head of School made a speech, concluding that Gray’s and RGU were firmly behind Aberdeen’s bid for the highly coveted ‘City of Culture’ title.  Hooray!

There were several interesting artists and designers on show; I particularly liked jewellery by Sarah Sidwick.  In a written statement Sarah claimed:-

“Body image dissatisfaction is on the rise, with more pressure than ever before put on both women and men to obtain society’s projected ideal beauty…. I believe we should all start taking the growing problem of bodily image dissatisfaction more seriously and question our view on what makes someone ‘beautiful’.

We all have different ideas of what is beautiful I guess.  As long as someone’s not to fat or too thin, or too tall or short, and doesn’t show any sign of ageing – and wears lots of designer gear, it’s safe to say they are beautiful.

For anyone who likes to watch a movie without interruptions or without listening to other people’s mobiles going off every five minute, I’d suggest the Sunday Movie at the Moorings Bar.  The lights are dimmed around 4pm-ish, the doors are locked, and the audience is quiet.  Last week’s movie was called ‘Dazed & Confused’.

Old Susannah found some of the film’s references difficult to follow, and was puzzled that the young people in it seemed to smoke roll-up cigarettes with excessive frequency; I can’t imagine why.

There were a few occasions for cocktails this week, and my first visit to 99 Back Wynd won’t be my last.  There is a ‘Painkiller’ cocktail which is delicious, and they have violet-flavoured alcohol, which I love.

  Saturday 23 June is nearly upon us, and the biggest party Union Terrace Gardens has ever seen will be on

Possibly best of all is that BrewDog is offering cocktails.  Beer cocktails.  BrewDog craft beer  cocktails.    These spirit-lifting cocktails include Pretty in Punk, Saint’s Delight, Hardcore Pornography and Orange Tide.   A girl in BrewDog had selected about 20 bottles of different beers to take away; she told me it was a birthday present for a friend.  I told her my birthday is 9 July.

And I launched an eBook this week.  It’s a very short work entitled ‘Old Susannah’s Handbook of Modern Manners – Part One’.  It is available on kindle via Amazon.  The introduction is available to read for free, but after that it gets a tiny bit sarcastic.  It is yours for about £1.90, and should I sell any copies, then 20% of any profit will be split between four animal welfare/sanctuary groups. No doubt the City of Culture Bid Committee will be interested.

It can be found at http://www.amazon.com/dp/B008C81M1I

Seeing as the City of Culture is the topic on everyone’s lips (why, I can barely sleep!), I will include a few relevant definitions.  Before that, just a reminder that Saturday 23 June is nearly upon us, and the biggest party Union Terrace Gardens has ever seen will be on.  Hope to see you there.

But amid all this fun, the Freedom of Information people wrote to me this afternoon about some of my deer cull questions.  It seems that despite public observation to the contrary, warning signs were posted at each and every entrance during the weeks the shooting took place.

The signs said ‘forestry operations’ were in effect.  Obviously, forestry operations meant hunters were shooting rifles and a lethal risk existed.  By the way, 23 deer were shot, none were just wounded (so the city says), and all were ‘clean kills’.  However, to shoot 23 deer, 33 rounds of ammunition were fired.

I put my hands up (especially if confronted with a high-powered rifle) – but if 23 animals were shot instantly dead, doesn’t this mean an extra 10 shots were taken?  Did it take more than one shot to kill the poor (hand-fed in some cases) creatures?  Did any bullets miss – therefore meaning there could have been some serious accidents?

Feel free to ask the City yourself about the cull, the correct warning signs as to lethal risk, and the 33 rounds needed to kill 23 deer.

Now onwards with a few definitions

Culture: (noun, Eng) 1.  the collective qualities, traits, idiosyncrasies that give an area, a group or a nation its individuality.

A Ms D Morgan sent a letter to the Press & Journal last week; in it she noted that Aberdeen has closed nearly a dozen of its museums and/or sold collections over the past decade and a bit.  We recently flogged off some of the Thomas Glover House artefacts as well.  And about time.

No one is interested in history, old buildings or old paintings; people want to see sharks in fish tanks, skulls covered with diamonds, and granite webs.  The sooner we can get more vibrant and dynamic the better.  This is how it works.

  • Sell off your old stuff.  Sell old trees for lumber in Hazlehead Park and use the money to plant trees on Tullos Hill (irrespective of the existing ecosystem, peoples’ wishes, or the fact the trees won’t grow).
  • Shoot the deer that lived on the hill and sell their carcasses for game meat.
  • Let your old buildings either rot, get burnt down, or just sell them.  Then you have cash in hand.
  • Close museums; throw any books you find in Marischal College’s basement museum into a skip.
  • Buy some trendy new art, and get lots of consultants in.
  • Build new venues, even if the existing venues have to be subsidised by the taxpayer.
  • Borrow lots and lots of money over what you got by selling the family silverware.
  • Give money to consultants.
  • Borrow more money.
  • Set up some private companies, preferably with the established quangos which you’ve helped to set up.
  • You will need more money.  Cut funds, stop benefits, close schools, pressure libraries.
  • Ask arts practitioners in the area what they want, and ignore those who are politically awkward, not dependent on you for funding, or who want a slice of the new pie.
  • Set up lots of meetings, think-tanks, new groups.
  • Select a random area of the city to be the quarter for arts.  Impose this new geography.  Then sit back and wait for the public’s grateful thanks, and grants to roll in, and tourists in their thousands to appear, hopefully generating the £122,000,000 you promised people your granite web and new ideas would bring in each year.  If you build it, they will come.

I do not think Aberdeen can be rivalled in its ambition.

City of Culture: (noun, mod. English) title bestowed upon a UK/European City by vote. 

The irreverent magazine ‘Private Eye’ has previously pointed out how Liverpool, previous City of Culture, spent a great deal of money on events which sadly people weren’t sophisticated enough to appreciate or support, and wasted a fortune.  But Valerie  Watts, our Chief Executive, came from Derry.  Derry won City of Culture, and she wants another similar victory here!

Only a minority of negative people in Derry think that money was wasted on this award.  £12  million or so was needed for Derry’s ‘Millennium Way’.  If you and I haven’t heard of it, it is because we are uncultured.    Here is some criticism of what I am sure was a brilliant idea:-  http://www.lurganmail.co.uk/news/local/city-of-culture-not-a-priority-1-3761381

But suddenly as I read these old stories, everything fell into place for Old Susannah as she remembered one of the huge white elephants of Liverpool.  Actually, it was not a white elephant

We have seen some of our quangos and LibDem / SNP politicians desperate to build a giant granite web.  I can now reveal the reason we are desperate for the giant web is that a city of culture must have:  A Giant Spider.

City movers and shakers in Liverpool,  (home of the Beatles, Echo  & the Bunnymen, classical performers, painters and sculptors) decided to ignore all that art nonsense and get really cultural – with a giant spider called ‘the princess project’.  The spider’s cost was nearly £2,000,000.  What a bargain!

Why DaVinci, Mozart, Bach, Turner and so on ignored the cultural importance of a giant spider is beyond me; I guess we’re just more enlightened now.  But ‘Liverpool Culture Company (in turn funded by the city, the Arts Council and the Department of Culture, Media and Sport) decided to get a giant Japanese spider.  I guess Godzilla, Mothra and Rodan were not available at the time.

Who were the creative geniuses behind this entire ‘city of culture’ invention?  Who wanted a giant spider above classical arts and indeed before serving the needs of the Liverpudlian citizen?

The entire concept of a Department of Culture, Media & Sport was an ancient dream we can thank Tony Blair for.  One of the first Ministers for this crucial cabinet post was the talented David Mellor.  He was famous for having his toes sucked by Antonia de Sancha, as reported widely at the time.

Was it a Shakespearean scholar, Tom Stoppard or another luminary who helped devise this spider scheme and run Liverpool’s year?  Indeed:  it was creator of Brookside Close, Phil Redmond, who was Liverpool Culture Company’s artistic director. To quote Wikipedia, which is quite accurate on this story, Redmond said :-

“At £1.5m I think it’s (the giant spider) actually cheaper than (booking) Macca (Sir Paul McCartney) and it has got us on the front of the South China Morning Post. So it’s good value for money.  However, the project has come in for criticism [whatever for? – Old Susannah asks] in some quarters: the UK mental health charity Anxiety has highlighted the potentially traumatic effect of the production upon those suffering with arachnophobia, and the TaxPayers’ Alliance has called the artwork an “outrageous waste of taxpayers’ money”.

The vast majority of the public response was … that “The Liverpool Princess’ performance was the highlight of the city’s Capital of Culture 2008 celebrations.”

I can well believe that was the highlight, remembering some of the other non-events Private Eye covered.  There were cancelled performances, people giving work to acquaintances, and all sorts of dubious goings-on.

None of that could happen here however.

Patronage: (noun) to support, pay for or otherwise assist an artist, project, sportsman, etc.

In a far distant past, the fine artist was paid by the rich to portray the wealthy patron in a favourable light.  The artists were obliged to do as they were told, but often they left clues behind in their work to say how they really felt about their patron (stone masons would leave small caricatures behind in the back of their work).

Later, the role of patron switched to the State.  If your artwork pleases the government, you get grants.

For instance the man who was paid £9,000 (or so) to paint our Lord Provost told the press:

”I think he ( Provost Stephens) is a really nice man.” 

Well, he would say that wouldn’t he? It’s not like he feels any obligation to the system that commissioned him; or that would mean we have the state controlling what artists do – heaven forbid! – whereas the negative, fault-finding, duo of Anthony Baxter and Richard Phinney were denied grants from Creative Scotland, as ‘no one would be interested in a documentary about Donald Trump and the Menie Estate’.

Thankfully, by letting the government dish out money to the artists they like is that we can try to prevent another ‘You’ve Been Trumped’ from getting made.  I wonder how many people with similar projects which were turned down didn’t find the resources to realize their artistic visions.

Thankfully, we will never find out.  Another benefit is we don’t have to think too much about what is good or bad art – the state chooses for us.  Result!

Old Susannah has already been a bit longer-winded than she had intended; apologies.

Next week:  No Creative Scotland commissions for me.

Mar 292012
 

With thanks to Kylie Roux.

THE OBSIDIAN ISLE – Gayle Chong Kwan

The Obsidian Isle is a significant new body of work from Venice Biennale exhibitor Gayle Chong Kwan. The installation of large-format photographs & sculptures documents a fictional island located off the west coast of Scotland, on which reside one country’s lost and destroyed buildings and places.
The Obsidian Isle explores ideas of collective history, national identity, landscape, and tourism through the prism of the senses and the distortion of memories.

Exhibitions runs 24 March – 5 May 2012 

KIN – Gray’s pre-degree show

KIN is an exhibition by Gray’s School of Art’s BA Hons printmaking students.
The exhibition gives an exciting insight into a great variety of different approaches to print and printmaking and showcases a diverse range of works made in preparation for the students’ degree show later in the year. So come along to support the students and see the artistic talents of tomorrow.

Preview Night Friday 23 March | 6 – 8pm | all welcome!
Exhibitions runs 24 March – 5 May 2012

BIG JESSIE – Donald Urquhart

Drag queen turned draughtsman, Donald Urquhart presents Big Jessie, a selection of bold, new hand printed works in his distinctive cartoon-like black ink style, created at Peacock Visual Arts.

To be shown at The Brunswick Hotel, Merchant City, Glasgow.

Preview Thursday 26 April |Brutti Ma Buoni,
The Brunswick Hotel, Merchant City, Glasgow | 7pm – late
 Exhibition runs 27 April – 27 May 2012

TEMPORARY ART SCHOOL – Poets in the City Workshop + Meet-up

The Temporary Art School is a one month live project happening throughout the city of Aberdeen in March 2012. TAS was devised by a group of people living and working in both Aberdeen and Glasgow who have come together to put on classes and workshops for all which experiment with what an art school can be and continue in a long tradition of self-organised education.

This Friday Poet Gerard Rochford will be giving a new workshop on the word whether it be spoken, written or sprawled in the streets. Please bring along a poem of two which you have written you would like someone to have a look at it and if you have never written one, in Gerard’s words ‘by the end you will have.’ email atemporaryartschool@gmail.com to reserve a space.

Friday 16 March | 5-9pm

ABERDUINO – Electronic Jiggery-pokery

Aberdeen’s own electronic tinkerers and artist’s hackerspace will be running on the second or third Tuesday of every month from now on – so put the date above in your digi-diary.

Come along if you’re interested in micro-controllers, soldering irons, circuit bending, electronic jiggery-pokery and chin scratching.

Tuesday 17 April | 6.30 – 8.30pm | FREE
*Note – The event is FREE but call us on 01224 639539 to let us know if you’re coming along.

RELIEF PRINTING WEEKEND WORKSHOP – Beginners

Come along to try out the oldest form of printmaking. No experience necessary.

Saturday 7 + Sunday 8 April | 10 – 4.30pm | £130/95 conc. 

ETCHING WEEKEND WORKSHOP – Beginners

Learn the techniques and processes involved in the traditional art of etching. No experience necessary.

Saturday 21 + Sunday 22 April | 10 – 4.30pm | £130/95 conc. 

GET ANIMATED AT PEACOCK

Ever wondered how Wallace and Gromit move? Well book onto our animation workshops to find out.

Throughout April, July, August & October | 10 – 4pm | age 10 + | £35 

Call 01224 639539 for more information and to book a place on any of our courses.

Mar 152012
 

With thanks to Kylie Roux.

THE OBSIDIAN ISLE – Gayle Chong Kwan

The Obsidian Isle is a significant new body of work from Venice Biennale exhibitor Gayle Chong Kwan. The installation of large-format photographs & sculptures documents a fictional island located off the west coast of Scotland, on which reside one country’s lost and destroyed buildings and places.
The Obsidian Isle explores ideas of collective history, national identity, landscape, and tourism through the prism of the senses and the distortion of memories.

 Preview Night Friday 23 March | 6 – 8pm | all welcome!
 Exhibitions runs 24 March – 5 May 2012 

Event – Gayle Chong Kwan in Conversation

Gayle Chong Kwan in conversation with Dr Dominic Patterson, a lecturer in modern and contemporary art and theory at the University of Glasgow. To reserve your place please email sarah@peacockvisualarts.co.uk or call 01224 639539.

Saturday 24 March | PVA | 3 – 4pm | FREE  

KIN – Gray’s pre-degree show

KIN is an exhibition by Gray’s School of Art’s BA Hons printmaking students.
The exhibition gives an exciting insight into a great variety of different approaches to print and printmaking and showcases a diverse range of works made in preparation for the students’ degree show later in the year. So come along to support the students and see the artistic talents of tomorrow.

Preview Night Friday 23 March | 6 – 8pm | all welcome!
Exhibitions runs 24 March – 5 May 2012

TEMPORARY ART SCHOOL – Poets in the City Workshop + Meet-up

The Temporary Art School is a one month live project happening throughout the city of Aberdeen in March 2012. TAS was devised by a group of people living and working in both Aberdeen and Glasgow who have come together to put on classes and workshops for all which experiment with what an art school can be and continue in a long tradition of self-organised education.

This Friday Poet Gerard Rochford will be giving a new workshop on the word whether it be spoken, written or sprawled in the streets. Please bring along a poem of two which you have written you would like someone to have a look at it and if you have never written one, in Gerard’s words ‘by the end you will have.’ email atemporaryartschool@gmail.com to reserve a space.

Friday 16 March | 5-9pm

ABERDUINO – Electronic Jiggery-pokery

Aberdeen’s own electronic tinkerers and artist’s hackerspace will be running on the second or third Tuesday of every month from now on – so put the date above in your digi-diary.

Come along if you’re interested in micro-controllers, soldering irons, circuit bending, electronic jiggery-pokery and chin scratching.

Tuesday 17 April | 6.30 – 8.30pm | FREE
*Note – The event is FREE but call us on 01224 639539 to let us know if you’re coming along.

RELIEF PRINTING WEEKEND WORKSHOP – Beginners

Come along to try out the oldest form of printmaking. No experience necessary.

Saturday 7 + Sunday 8 April | 10 – 4.30pm | £130/95 conc. 

ETCHING WEEKEND WORKSHOP – Beginners

Learn the techniques and processes involved in the traditional art of etching. No experience necessary.

Saturday 21 + Sunday 22 April | 10 – 4.30pm | £130/95 conc. 

GET ANIMATED AT PEACOCK

Ever wondered how Wallace and Gromit move? Well book onto our animation workshops to find out.

Throughout April, July, August & October | 10 – 4pm | age 10 + | £35 

Call 01224 639539 for more information and to book a place on any of our courses.

Jan 122012
 

Controversy has raged over the fate of Union Terrace Gardens for the last three years. A major subtext to this has been the role of culture in Aberdeen life, particularly in view of the way the proposed Peacock Visual Arts centre for contemporary arts was gazumped by Sir Ian Wood’s Civic Square proposal in 2008, writes Mike Shepherd.

The £13.5m building was to contain a gallery, TV studio, print studio, restaurant and offices for Peacock Staff and provide a base for Aberdeen City Council’s Arts Development and Arts Education teams as well as extra space for the City Moves dance agency.

It was to be called the Northern Lights Contemporary Arts Centre.

When the Civic Square was first mooted, the emphasis was on the Square itself. Sir Ian Wood had described it as:

 “a cross between the Grand Italian Piazza and a mini Central Park”.
http://www.eveningexpress.co.uk/Article.aspx/935798?UserKey

An underground concourse was also proposed and at this stage, the main uses were identified in a Press & Journal report:

“The new square could have three underground levels, the first of them offering the potential for Peacock Visual Arts’ planned new centre, as well as restaurants, a heritage museum and visitor attractions linked to north-east attributes such as granite, paper, fishing, whisky and golf.”
http://www.pressandjournal.co.uk/Article.aspx/1259519

However, Peacock Visual Arts were understandably reluctant to be included within the Civic Square plans. In any case, an underground concourse would not be a suitable venue for an arts centre. A building receiving natural light would have been much more appropriate.

Sir Ian, perhaps frustrated at the reluctance of Peacock to get involved, told the Herald Scotland

“There is quite rightly a strong feeling about the arts in Aberdeen,” he says. “It is not for everyone but some people do feel intensely about it. I understand the emotional concern.

“What I find hard is that, frankly, this is about jobs and economic prosperity, for the wider interests of people in Aberdeen who don’t care about the arts. Eighty per cent of the people who spend time in the square will have no interest in the arts. You have to develop things for the good of everyone.”
http://www.heraldscotland.com/news/home-news/art-student-versus-millionaire-in-a-battle-for-a-city-s-heart-1.929558

Peacock’s arts centre was effectively killed off by the Aberdeen Council vote in May 2010 to progress instead Sir Ian Wood’s Civic Square proposal. This was later rebranded the City Garden Project.

Following the demise of Peacock, ACSEF started to develop an increasing interest in local culture. ACSEF are the non-elected body charged by both Aberdeen and Aberdeenshire Councils with promoting the economic development of the region. They have been involved in promoting the City Square, describing it as one of their flagship projects.

The ACSEF minutes for the 4th October 2011 noted comments by Professor Paul Harris, the recently appointed head of Robert Gordon University‘s Gray’s School of Art in Aberdeen :

“Paul Harris advised that he is a member of the Scottish Enterprise Tayside Regional Advisory Board.   At a national level he had been closely involved in taking forward the V&A project which illustrates how a collective vision could be translated into strategy and raise a city’s profile in an international context.

“Creative industries have an important role not only in their own right but also in terms of being key drivers of an area’s wider economic success in part through creating vibrant and attractive communities in which to live, work and visit and in fostering innovation, a key driver of economic success.

“Professor Harris concluded that the vibrant and valuable creative industries sector in Aberdeen City and Shire requires greater cohesion and visibility and suggested that a creative industries strategy be devised to address this and realise the sector’s potential for future growth.  In addition projects such as the City Garden offer opportunities for the city to achieve an international cultural venue. He suggested that a collective approach amongst partners could be achieved at no cost while a strategic voice supports funding bids.”

Some in the city might feel alarmed about the business–dominated board of ACSEF defining a top-down strategy for the “creative industries” in the Aberdeen area.

The link to the City Garden Project is of note. Paul Harris is mentioned in the news section for the City Garden Website – “City Garden Project Can Make Aberdeen Cool, Contemporary and Cultural”.

“Professor Harris is leading a City Garden Project sub-group representing culture, the arts and the creative sector to consider the potential content for the scheme which has a new centre for culture and the arts at its heart.

He added: “The V&A in Dundee is a perfect example of culture being a catalyst for wider regeneration. There we had an idea and had to develop the infrastructure. In Aberdeen we have the potential infrastructure and a unique opportunity to fill it creatively.

The sub-group is proposing a new model to enhance the performance and reputation of the region’s arts and culture locally, nationally and internationally based around the new infrastructure the City Garden Project can deliver above and below ground.

The vision is to create an internationally known facility that is a focal point for exchanging and showcasing excellence in cultural activities between countries, regions and cities located around the North Sea.

The so-called “Northern Arc” would form partnerships with key cultural organisations to present displays and exhibitions, diverse performances and events covering, history, science & technology, visual arts, design, film, music, dance and literature.

“The Northern Arc” will include a number of flexible spaces, centred in the City Garden, with on-going programmes of events and activities with a variety of local, regional and international organisations”
http://thecitygardenproject.com/news_full.asp?id=95&curpage&search=clear&section=news

The use of the name “Northern Arc” is unfortunate given that the City Garden Project had killed off the Peacock Visual Arts plan to build the “Northern Light” contemporary arts centre. The sub-group mentioned is believed to include most of the city’s existing arts organisations, which are largely publicly funded.  If the underground concourse is built, could it be that existing facilities such as the Belmont Cinema and the Lemon Tree will be relocated to the building?

The Press and Journal reported last October that Aberdeen Council is interested in making a bid for Aberdeen to become the UK City of Culture in 2017.

Council bosses are applying for a £92 million loan from the Scottish Government to fund five regeneration schemes, including the controversial City Garden Project. Approval of the ambitious plans could trigger a campaign for the prestigious title, officials confirmed yesterday.
http://www.pressandjournal.co.uk/Article.aspx/2488524

The bid to become city of culture could prove a hard sell to the people of Aberdeen. It was actively discussed with much scepticism on the Aberdeen Facebook page. Here are some of the comments:

–          Aberdeen has plenty of culture. What it doesn’t have is a council that knows what culture looks like. Culture is one of the indicators of true prosperity but you can’t make money off it directly. The council’s thinking process seems to be: Step 1 – culture, Step 2 – ???, Step 3 – Money!

–          I will say that there are signs of some joined up thinking re culture. A sign though… It’s not for the council to lead and make it happen though. It should come from the ground up to the point where the council starts listening to those that are doing and asking what is needed rather shoving another box ticking lecturing strategy in our faces. Far more people working across the arts know what is needed than there are people sitting at desks re writing old words. The city would need to give a decent amount of funding to Arts organisation and to arts within education instead of cutting funding almost to the point of extinction.

–          So much negativity in this thread, Aberdeen should be ambitious & go for this city of culture in 2017, Aberdeen despite is geography has lots of people doing innovative things in the arts. It did Liverpool no harm & only positives came out of it…

A group called AB+ is organising a cultural conference in the Arts Centre on 26 January.  Two of the speakers are Professor Paul Harris and Valerie Watts, Chief Executive of Aberdeen City Council.

Valerie will be describing her experiences in Northern Ireland with Londonderry’s bid to become European Capital of Culture and the impact this had on the arts there, whilst Paul will talk about bringing the V&A to Dundee.”
http://positiveaberdeen.wordpress.com/2011/12/21/conference-speakers-announced/

The conference is an opportunity to discuss cultural activities in Aberdeen and as such is to be welcomed. It is likely that some of the issues raised here will be touched upon by the speakers in the Arts Centre.

The City Garden Project will be launching its referendum campaign and will also soon be announcing the final chosen design. It is almost certain that the campaign for the City Garden Project will tie together local cultural activity, economics and Aberdeen City Council’s bid to become UK City of Culture for 2017.

It’s an explosive mix.

Oct 132011
 

Old Susannah looks back at the week that was and wonders who’s up to what and why. By Suzanne Kelly.

Old Susannah is having trouble sleeping at the moment for several reasons. Firstly, there is the sheer excitement over the UTG design competition – which design will I fall in love with?  What will be built that will make the world beat a path to Aberdeen for coffee, baguettes and monorail rides? Will Paris, New York and Rome empty as people come to Union Square and the new UTG?
Secondly, I am worried about Ms Aileen ‘Homalone’ who has dropped out of the public eye, and refuses (to date) to answer questions about the finances needed for the phase 2 attempt to plant trees on Tullos, and the money to shoot those extremely hungry deer.  It looks as if there isn’t any money, but no one’s talking to the public just now.

I did email to say ‘C’mon Aileen’ – and she replied that ‘an officer (if not a gentleman) would get back to me’.

I gently reminded Homalone that she had at least a little responsibility for the scheme to rid Tullos of vermin deer and plant 89,000 trees where trees had failed before, as she’d taken a wee bit of the public relations credit for this great scheme to begin with.  I expect as soon as she turns her razor-sharp mind to the task of analysing all the facts and figures regarding the tree planting, deer and slaughter, she’ll revert to me asap.

I don’t think I’ll hold my breath though.

You may recall the deer are under the death sentence because we must be cheap when using ‘the public purse,’ and Aileen being a good Lib Dem can’t stand any waste of public money.  Quite right.

No such restrictions apply to buying crucial carriage clocks and expensive pens from the Common Good Fund.  

If you are in Inverness, you have to apply to use the common good fund there, and a committee decides if your charity should get a bit of the fund. They seem to have helped quite a number of deserving causes, and the application procedure is the same for the rich and the poor, believe it or not.  It is not quite as easy to get a handle on who has their fingers on Aberdeen’s CGF sporran strings. But I digress – again.

Thirdly, I can’t sleep now that I know it’s OK to shoot small mammals and birds on Tullos Hill whenever you want – you just need a permit and the right kind of gun. I am amazed that no one’s been shot there yet. I am also amazed that people still like to hunt living things, but I guess I need to acknowledge that the law allows this.

So do keep walking on Tullos, but keep in mind bullets can travel long distances, and wear your bright clothes and your bulletproof vest.  And for goodness sake, don’t wear any of those novelty deer antler headbands.

Vermin:

(noun) 1. insects such as lice, ticks or fleas (or the more fashionable bedbugs plaguing New York at present) which can lead to infestations. 2. birds and mammals that eat other animals / game. 3. animals which are after the same food as people or domestic animals (How dare they!).

The police sent me some detailed answers about the gunman spotted on Tullos Hill in early September after I did one of my little FOI requests.  The hunter would not legally have been after the roe deer – but the police made it clear that such ‘sportspeople’ are allowed to shoot ‘vermin’. The police definition of what constitutes vermin seems to include deer. So the next time you and a roe deer are trying to nibble the same 2,000 trees, just kill it – as long as you have a permit and are using the right kind of bullets and rifle.  Result!

But if the deer aren’t after the same quarter-pounder you want, and the squirrels (red, black, grey – I don’t discriminate) aren’t after your chocolate shake – then are they really vermin? The vermin label put on these wild animals justifies the gamekeeper poisoning the birds of prey, the snare-setter (snares are still legal for some reason) who kills indiscriminately, and the council targeting the Tullos Hill deer.

Speaking of the council (well some of them anyway), I’d best move to another definition before someone comes gunning for me.  And for some reason, a related word comes to mind now that I’ve mentioned our City Council.

Parasite:

(noun – English ) an insect or other creature which feeds off of a host animal to the host’s detriment. 

Let’s consider bloodsuckers, worms, leeches and ticks. These are some of the parasitic vermin infesting your city council. You do have the right ammo to despatch them – or at least you will come May elections with your vote. The parasites in question feed of resources such as The Common Good Fund, Council Taxes and all-expense paid hospitality.

Like a swarm of locusts, they descend on areas such as the AECC and the Beach Ballroom if so much as a free sandwich can be had.  Parasites such as these are notoriously thirsty, and can empty cases of drink in nanoseconds.

Do not get too close to such creatures – they may well carry disease.  Do instead hide your money (offshore if possible), and guard any green spaces, which these parasites can easily destroy if not kept in check.

“Cultural” spaces:

(noun, English Modern) a wholly new concept of “space” where “Cultural” “events” can take place.  Not to be confused with existing businesses or arenas and spaces they have for cultural events.

If it’s not hard enough for me to get any sleep with everything else going on, the Evening Express told us on 8 October that there is a ‘plan’ to attract ‘top performers (!)’ to Aberdeen.  This brand-new idea, never before attempted, would see the ‘proposed new park over (?!!) Union Terrace Gardens’ filled with “cultural” spaces.  (By the way, the quotes around the word “cultural” appear in the Evening Express piece on this subject, so I’d better leave them in).

“Culture” of course is something that we people not in ACC, ACSEF, or SEG can’t really appreciate or understand.  ( Remember – Stewart  Spence, stalwart of the Marcliffe wrote to the P&J last week to call people opposed to these great new plans ‘NIMBYS and luddites’.  Who can argue with him?).

The AECC – long propped up by the taxpayer – and the Lemon Tree (likewise on a taxpayer sub) have never attempted to bring Top Performers here before.  Likewise none of the independently-owned  bars and clubs (not supported by taxpayers by the way) have tried this either.  Some years ago I got my hopes very high about Top Performers coming here, but in the end, Geri Haliwell had to pull out of doing the AECC.

Now in another guise, Scottish Enterprise might not really be permitted to shell out large amounts of taxpayer cash to create “cultural” spaces if these new inventions borne of taxpayer money would compete with already-existing public funded and/or private spaces. 

But the story with UTG is different somehow – kind of like when Scottish Enterprise took the money the Arts Council had earmarked for Peacock (who had wanted to , er, create a “cultural” space in UTG first).  Hmm – I must remember to soon define ‘intellectual property’, ‘copyright’, ‘lawsuit’ and ‘moral rights’.

I for one am happy to subsidise the AECC directly and indirectly (the City Council somehow needs to rent large amounts of office space at the AECC despite its large roster of properties) as well as subsidise the other city-owned venues AND find some 140 million towards yet another “cultural” space under/in/over  Union Terrace Gardens.  And if the private sector of the music/entertainment industry in Aberdeen can’t compete, then that’s just showbusiness.

We are in a democracy after all – the richest amongst us get to either be on boards or appoint boards to do what they want done with public spaces – all in the name of “culture”. 

If we don’t ‘get it’, then we are indeed the NIMBYS and luddites Spency thinks we all are.  I shall remember his words when I next book a dinner or a hotel.

Those who oppose the UTG project (not that it is defined yet – not even Old Susannah could do that if the city can’t) will be laughing out of the other side of their faces when I’m having a large latte before Toto opens up for Geri Haliwell near the monorail at the Wood memorial car park “cultural” space centre.  So there.  Gives those luddites something to think about doesn’t it?

I have to digress again – it is because some of us can’t understand how wonderful the whole project is that we oppose it.  It is all crystal clear, but here is a little helpful guide as to who’s doing what about our “culture” space / UTG project.  Here is my little luddites guide to the simple way things work

1.  Locum Consultants – apparently a part of the Collier Group – have been hired to ‘find uses’ for ‘some kind of performance and exhibition space’ created by the UTG project.  Appointed (by whom I don’t know).

(By the way I can find a ‘Locum Consultants’ in Surrey and a ‘Collier International’ in Manchester.  Unless there are companies with those names in Scotland, I guess no one here was up to the job of filling the “cultural” space.  I could be wrong, I could be right).

2.  The Aberdeen City Gardens Trust (ACGT) – works on ‘how to use “cultural” spaces inside (?!!) the proposed new park over Union Terrace  Gardens’.  Unelected.  (This seems to be a “Private, Limited by guarantee, no share capital, use of  ‘Limited’ exemption” kind of an affair – which makes sense as the Taxpayer is paying for it at least in part, and it will be involved in the future of a public asset.  Result!)  Or in words a child could understand – taken from the website:  http://thecitygardenproject.com/news

“Aberdeen City Gardens Trust has been set up, under the auspices of the City Garden Project management board, as a special purpose vehicle to channel funding for the project and deliver key activities within the project plan. The Trust will operate using best practice procurement procedures and will be accountable for the delivery of activities to project management board.

“The Trust will also receive £375,000 of Scottish Enterprise funding from its available funds for major infrastructure projects.

“Cllr John Stewart, chairman of the City Garden Project management board, said: “The fact that Aberdeen City Council is making no revenue contribution to the project means it is necessary to be imaginative in the way in which non-council finance levered into the project is managed. The creation of the Trust presents us with an ideal solution. Equally, it will allow for contracting of the required services involved in the next steps and for the project to progress to the design competition stage and complete the business case for the TIF application. Through the TIF we will be to access funding not otherwise available to invest in the art gallery and the St Nicholas House site, enhancing and reinvigorating our city centre.”

“The founding directors of the Trust are Tom Smith and Colin Crosby who will be joined by Directors from Aberdeen City Council and others involved in the project in due course”.

3.  The City Gardens Monitoring Group – exists to hide its doings and to  decide that the public should not vote on the option of leaving the gardens as they are in the current design competition for the 6 finalists (chosen by an unelected group and guaranteed loads of dosh for getting this far).  The Group redacted its minutes to the point you had no idea who was in it (unless you cut and pasted the redacted text and found none other than Aileen Malone was involved).  Unelected.

But for those of you still not clear, here is an excerpt of who’s who and who’s doing what where from our City’s very own website:  http://www.aberdeencity.gov.uk/

“The membership of the Project Monitoring Group comprises Councillors Malone (Chair), Boulton, McDonald, Kirsty West, Wisely, Young and Yuill.

“For reference, the membership of the City Garden Project Management Board comprises Councillor John Stewart (Chair), Councillor Callum McCaig and Valerie Watts, ACC; Tom Smith and Colin Crosby, ACSEF; Jennifer Craw, the Wood Family Trust; Bob Collier, Aberdeen and Grampian Chamber of Commerce; John Michie, Aberdeen City Centre Association; Lavina Massie, the Aberdeen City Alliance, Maggie McGinlay, Scottish Enterprise and Paul Harris, Gray’s School of Art.

“The membership of the Project Implementation Team comprises Tom Smith (Chair), Colin Crosby and John Michie, ACSEF; Gerry Brough, Hugh Murdoch and Patricia Cassidy, ACC; Jennifer Craw, the Wood Family Trust; Maggie McGinlay, Scottish Enterprise; Derick Murray, Nestrans; Audrey Laidlaw, Network Rail and Iain Munro, Creative Scotland”.

This diverse membership of people with no vested interests in the project going ahead or not will reassure us all.  But somehow, I still can’t get any sleep.

4.  Malcolm Reading – a design consultancy which shortlisted the winning entries in the design competiton, an amazing feat, as there was and is no design brief in existence approved by ACC.  What Malcolm Reading will earn is unknown; how exactly it was appointed is also a mystery to me.

5.  The BIG Partnership – a PR consultancy which tells us how great it all is going to be.  I don’t know how they were appointed or what they will earn. (not to be confused with ‘The Big Sleep’.)  STOP PRESS:  The BIG Partnership has recently announced a new client:  The Wood Family Trust.

6.  ACSEF – A board of business people and city officials who, well, do what they like.  Includes one impartial Mr S Milne.  Known for issuing warning as to dire consequences for Aberdeen if we don’t build on the garden.  ACSEF is an invention of ACC, and funded at least in part by the public purse which we are all so keen to use sparingly.

7.  Genus Loci – a document produced supporting ideas for the Garden’s future as long as these don’t include a garden for the future.  Famous for proposing the monorail idea.

8.  Scottish Enterprise – a quango, unelected, on a mere £750 million or so per year which holds meetings, and supplies members to sit on the board of ACSEF, and who gave the world Jennifer Craw, now on the Wood Family Trust.  Which of course has a seat or seats on the secretive City Gardens Monitoring Group – or was it the Aberdeen City Gardens Trust.  Unelected and expensive.

9.  Wood Family Trust – er, apparently the wood family and/or friends who want to get rid of the wood in the gardens apparently, for “cultural” spaces.  Apparently not elected.  This Trust has possibly one or two overlapping areas with some of these other groups,  maybe.

10.  Project Implementation Team – are on hand to implement the project whether or not the public want them to.

Now that you see how simple it all is, I trust that there will be no more whining about the expense of paying all these companies off, signing a lease for a few thousand years for the gardens, or whinging about issues of ‘transparency’.

As that little Meerkat person on TV would say, ‘Simples’.

I was going to define ‘Impartiality’ this week as well, and how it relates to TIF, BID, and so on.  However, I now have a headache for some reason, and there is a knock on my door which may be the sherrif coming for my furniture.  ‘Impartiality’ it is for next week then.  And ‘Old Boys’ Network’, ‘Nepotism’ and ‘Greed’.

Good night all.

Aug 132011
 

Aberdeen is renowned as the Granite City and for it’s oil industry. However, there is soon to be a new connection to the city and that is fashion promotion business – S.T.A.G Studio.  Emma Noble and Toni Roddie share their plans with Aberdeen Voice.

Established by two fourth year fashion design students at Gray’s School of Art, Emma Noble and Toni Roddie have set up S.T.A.G Studio.

The company name stands for Scottish Talent and Graduates. It is a unique group dedicated to help promote Scottish fashion whether they are  newbies to the industry, newly graduated or established designers.

S.T.A.G Studio aims to feed fashion within Aberdeen and help promote the Scottish fashion industry as a whole. They offer designers the opportunity to connect and network with like-minded folk within the city and to help build collaborations through fashion shows, photo shoots and unique fashion events.S.T.A.G Studio is holding Aberdeen’s first and only unique pop-up fashion and styling event in the great granite city on Saturday 20th August at Korova Klub from 1pm-6pm. S.T.A.G. Studio is aiming to promote independent fashion design throughout Aberdeen and connect the fabulous design talent that they have to offer here in the city and throughout the shire. One half of the fashion duo, Emma Noble commented:-

“We feel there is a real lack of support in terms of Scottish fashion, with so much talent thriving amongst the city and shire we feel the best way to show off a slice of the creative flair is to showcase it at our very first pop up shop- giving you the opportunity to buy selective one off pieces directly from the designers”

 With free hair styling from Profile Hair of Aberdeen along with Harlequin Make Up Artistry and The Closet Vintage it is sure to be a packed afternoon not to be missed. Toni Roddi also commented:-

“The Pop Up Shop will create a great shopping environment which is new and fresh to the city! It will bring everything you need under one roof – fashion designers, textiles designers, vintage shops, models, photographers, make-up artists, hairdressers, stylists and much more!”

S.T.A.G Studio Pop Up Shop will be held at the Korova Klub on Bridge Street, Aberdeen on Saturday 20th August from 1pm – 6pm. Tickets cost £2, available from Korova or £3 on the door.

Peacock Events – March/April

 Aberdeen City, Articles, Community, Events, Featured, Information  Comments Off on Peacock Events – March/April
Mar 172011
 

With thanks to Kylie Roux.

Peacock Visual Arts have announced a  series of  exciting events from this weekend up until the end of April including visual arts exhibitions, live music, audio-visual installation, film and workshops.

Previews of exhibitions by Katri Walker and Gray’s School of Art’s BA Hons printmaking students take place on Friday 18th of March. See below for details.

Exhibition – North West // Katri Walker
Preview Friday 18 March | 6 – 8pm | All welcome!

Katri Walker presents video work exploring Scotland’s historic and contemporary relationship with Wild West visual culture. Featuring a collaborative audio-visual installation with experimental musician Wounded Knee.

Launch night will feature live performances from Wounded Knee and some real cowboys on the scene from the Northern Roughriders- yeehah! Supported by anCnoc Highland Single Malt Scotch Whisky

Exhibition runs 19 March – 30 April 2011

Exhibition – WORK // GSA Printmaking Students
Preview Friday 18 March | 6 – 8pm | All welcome!

WORK is an exhibition by Gray’s School of Art’s BA Hons printmaking students giving an exciting insight into a great variety of different approaches to print and printmaking.

A diverse range of works made in preparation for the students’ degree show later in the year will be on display in the reception gallery space of Peacock.

Exhibition runs 19 March – 30 April 2011

CINECLUB // Run Down Aberdeen
Tuesday 22 March | 7pm | All welcome!

A film by Fraser Denholm exploring the perceived wealth of Aberdeen as the city at the centre of the European Oil Industry, while on the other side of the equation it is a city with areas of multiple deprivation, insufficient infrastructure for the heavy industry it supports and a city council dealing with a £150 Million deficit. An open discussion on the issues raised in the film will follow.

( See article by Fraser Denholm for more details )

Thursday Print Club
17 March – 21 April | 5.30 – 8.30pm | £60 (6 sessions)

After the success of recent weekend printmaking classes Peacock have been encouraged to offer supervised evening sessions. The aim is to help users become familiar with the workshops, to practice techniques and to gain confidence and benefit from regular supervision from Peacock Staff.

If you are interested, and wish to book a place, email linsay.croall@peacockvisualarts.co.uk and please state which area you would like to work in – either relief, etching, collagraph, screenprint or bookbinding.

 

PEACOCK VISUAL ARTS
21 Castle Street
Aberdeen
01224 639539
info@peacockvisualarts.co.uk
www.peacockvisualarts.com
Open Tue – Sat 9.30 – 5.30pm

e: kylie@peacockvisualarts.co.uk