Jan 122012
 

Controversy has raged over the fate of Union Terrace Gardens for the last three years. A major subtext to this has been the role of culture in Aberdeen life, particularly in view of the way the proposed Peacock Visual Arts centre for contemporary arts was gazumped by Sir Ian Wood’s Civic Square proposal in 2008, writes Mike Shepherd.

The £13.5m building was to contain a gallery, TV studio, print studio, restaurant and offices for Peacock Staff and provide a base for Aberdeen City Council’s Arts Development and Arts Education teams as well as extra space for the City Moves dance agency.

It was to be called the Northern Lights Contemporary Arts Centre.

When the Civic Square was first mooted, the emphasis was on the Square itself. Sir Ian Wood had described it as:

 “a cross between the Grand Italian Piazza and a mini Central Park”.
http://www.eveningexpress.co.uk/Article.aspx/935798?UserKey

An underground concourse was also proposed and at this stage, the main uses were identified in a Press & Journal report:

“The new square could have three underground levels, the first of them offering the potential for Peacock Visual Arts’ planned new centre, as well as restaurants, a heritage museum and visitor attractions linked to north-east attributes such as granite, paper, fishing, whisky and golf.”
http://www.pressandjournal.co.uk/Article.aspx/1259519

However, Peacock Visual Arts were understandably reluctant to be included within the Civic Square plans. In any case, an underground concourse would not be a suitable venue for an arts centre. A building receiving natural light would have been much more appropriate.

Sir Ian, perhaps frustrated at the reluctance of Peacock to get involved, told the Herald Scotland

“There is quite rightly a strong feeling about the arts in Aberdeen,” he says. “It is not for everyone but some people do feel intensely about it. I understand the emotional concern.

“What I find hard is that, frankly, this is about jobs and economic prosperity, for the wider interests of people in Aberdeen who don’t care about the arts. Eighty per cent of the people who spend time in the square will have no interest in the arts. You have to develop things for the good of everyone.”
http://www.heraldscotland.com/news/home-news/art-student-versus-millionaire-in-a-battle-for-a-city-s-heart-1.929558

Peacock’s arts centre was effectively killed off by the Aberdeen Council vote in May 2010 to progress instead Sir Ian Wood’s Civic Square proposal. This was later rebranded the City Garden Project.

Following the demise of Peacock, ACSEF started to develop an increasing interest in local culture. ACSEF are the non-elected body charged by both Aberdeen and Aberdeenshire Councils with promoting the economic development of the region. They have been involved in promoting the City Square, describing it as one of their flagship projects.

The ACSEF minutes for the 4th October 2011 noted comments by Professor Paul Harris, the recently appointed head of Robert Gordon University‘s Gray’s School of Art in Aberdeen :

“Paul Harris advised that he is a member of the Scottish Enterprise Tayside Regional Advisory Board.   At a national level he had been closely involved in taking forward the V&A project which illustrates how a collective vision could be translated into strategy and raise a city’s profile in an international context.

“Creative industries have an important role not only in their own right but also in terms of being key drivers of an area’s wider economic success in part through creating vibrant and attractive communities in which to live, work and visit and in fostering innovation, a key driver of economic success.

“Professor Harris concluded that the vibrant and valuable creative industries sector in Aberdeen City and Shire requires greater cohesion and visibility and suggested that a creative industries strategy be devised to address this and realise the sector’s potential for future growth.  In addition projects such as the City Garden offer opportunities for the city to achieve an international cultural venue. He suggested that a collective approach amongst partners could be achieved at no cost while a strategic voice supports funding bids.”

Some in the city might feel alarmed about the business–dominated board of ACSEF defining a top-down strategy for the “creative industries” in the Aberdeen area.

The link to the City Garden Project is of note. Paul Harris is mentioned in the news section for the City Garden Website – “City Garden Project Can Make Aberdeen Cool, Contemporary and Cultural”.

“Professor Harris is leading a City Garden Project sub-group representing culture, the arts and the creative sector to consider the potential content for the scheme which has a new centre for culture and the arts at its heart.

He added: “The V&A in Dundee is a perfect example of culture being a catalyst for wider regeneration. There we had an idea and had to develop the infrastructure. In Aberdeen we have the potential infrastructure and a unique opportunity to fill it creatively.

The sub-group is proposing a new model to enhance the performance and reputation of the region’s arts and culture locally, nationally and internationally based around the new infrastructure the City Garden Project can deliver above and below ground.

The vision is to create an internationally known facility that is a focal point for exchanging and showcasing excellence in cultural activities between countries, regions and cities located around the North Sea.

The so-called “Northern Arc” would form partnerships with key cultural organisations to present displays and exhibitions, diverse performances and events covering, history, science & technology, visual arts, design, film, music, dance and literature.

“The Northern Arc” will include a number of flexible spaces, centred in the City Garden, with on-going programmes of events and activities with a variety of local, regional and international organisations”
http://thecitygardenproject.com/news_full.asp?id=95&curpage&search=clear&section=news

The use of the name “Northern Arc” is unfortunate given that the City Garden Project had killed off the Peacock Visual Arts plan to build the “Northern Light” contemporary arts centre. The sub-group mentioned is believed to include most of the city’s existing arts organisations, which are largely publicly funded.  If the underground concourse is built, could it be that existing facilities such as the Belmont Cinema and the Lemon Tree will be relocated to the building?

The Press and Journal reported last October that Aberdeen Council is interested in making a bid for Aberdeen to become the UK City of Culture in 2017.

Council bosses are applying for a £92 million loan from the Scottish Government to fund five regeneration schemes, including the controversial City Garden Project. Approval of the ambitious plans could trigger a campaign for the prestigious title, officials confirmed yesterday.
http://www.pressandjournal.co.uk/Article.aspx/2488524

The bid to become city of culture could prove a hard sell to the people of Aberdeen. It was actively discussed with much scepticism on the Aberdeen Facebook page. Here are some of the comments:

–          Aberdeen has plenty of culture. What it doesn’t have is a council that knows what culture looks like. Culture is one of the indicators of true prosperity but you can’t make money off it directly. The council’s thinking process seems to be: Step 1 – culture, Step 2 – ???, Step 3 – Money!

–          I will say that there are signs of some joined up thinking re culture. A sign though… It’s not for the council to lead and make it happen though. It should come from the ground up to the point where the council starts listening to those that are doing and asking what is needed rather shoving another box ticking lecturing strategy in our faces. Far more people working across the arts know what is needed than there are people sitting at desks re writing old words. The city would need to give a decent amount of funding to Arts organisation and to arts within education instead of cutting funding almost to the point of extinction.

–          So much negativity in this thread, Aberdeen should be ambitious & go for this city of culture in 2017, Aberdeen despite is geography has lots of people doing innovative things in the arts. It did Liverpool no harm & only positives came out of it…

A group called AB+ is organising a cultural conference in the Arts Centre on 26 January.  Two of the speakers are Professor Paul Harris and Valerie Watts, Chief Executive of Aberdeen City Council.

Valerie will be describing her experiences in Northern Ireland with Londonderry’s bid to become European Capital of Culture and the impact this had on the arts there, whilst Paul will talk about bringing the V&A to Dundee.”
http://positiveaberdeen.wordpress.com/2011/12/21/conference-speakers-announced/

The conference is an opportunity to discuss cultural activities in Aberdeen and as such is to be welcomed. It is likely that some of the issues raised here will be touched upon by the speakers in the Arts Centre.

The City Garden Project will be launching its referendum campaign and will also soon be announcing the final chosen design. It is almost certain that the campaign for the City Garden Project will tie together local cultural activity, economics and Aberdeen City Council’s bid to become UK City of Culture for 2017.

It’s an explosive mix.

Dec 152011
 

Aberdeen Voice presents An Aberdeen Christmas Carol – A work of fiction, with apologies to Charles Dickens, by Suzanne Kelly and Fred Wilkinson.

The Characters

(any resemblance to anyone living, dead, or somewhere between the two is purely coincidental and not at all a deliberate attempt at parody.  This is a work of fiction and of Saltire satire )

Ianeezer Scrooge                          Old, wealthy miser, lacking in compassion but loaded with greed
Gruff and MeKeachruns                Servants to Scrooge, supplying his needs
Jenny Crawl                                   Companion to Scrooge, with whom he feeds
Jacob Milney                                  A Spirit – Once partner of Scrooge, now doomed for his deeds
Bruce the Robert                           A Spirit of Christmas Past, with Scrooge he pleads
ASIF                                               A Spirit of Christmas present, transparent indeed
Hoodie                                           A Spirit of Christmas future – but will Scrooge heed?
Spencer for Hire                             A waiter
Steve Peters Lord Provost             A dignitary
Kevin                                              An errand boy
Mr Mickie                                        Scrooge’s employee, head of a large family
Tiny Tim Mickie                              Youngest of the Mickie household
Katie Dee & Kevin Dum                 Washerwomen

  *                                              *                                              *

The careful shopper kept one eye on his purse and the other looking upwards, for the gigantic Christmas lights hung over all, like the giant orbs from ‘The Prisoner’, and were prone to falling, crushing the occasional small child or pensioner.

The pubs were filled with young ladies and gentlemen drinking eggnogs and Babycham.

The first snow would soon fall, and Christmas cheer was everywhere.  Well, almost everywhere.

A car drove towards an office block; not just any car, but the town’s very own Civic Car.  This chauffeur-driven car was the envy of all, and in it sat the Lord Provost Steve Peters himself, and the town’s wealthiest man, Ianeezer Scrooge.

“Listen Peters, I’m a patient man, but if construction doesn’t start soon on my Scrooge family car park and shopping mall, someone’s going to find less cash in their Christmas stocking this year – get the picture?”

The speaker was Scrooge, and although his voice was calm, he was turning a reddish colour.  Peters shook his head and rubbed his hands.

“Everything possible is being done – we have our best people ah, ‘volunteering’ to work on the project night and day.  Soon the Denburn Park will be officially yours.”  Peters answered Scrooge with a slightly nervous voice, for there had been far more opposition to this plan than was expected.  The public it seems did not want a little patch of ground turned into a car park.

This piece of ground had been given centuries ago to the people by the famed  hero king of old, Bruce the Robert.  A statue of him astride a trusty steed stood outside the newly-cleaned (and gutted) Marshall Academy building which now housed the city’s staff.  The Denburn Parkland was the property of the people, gifted to they by King Robert, but if Scrooge wanted the park, well, then he must have it.

Teams of lawyers toiled day and night to find some clever way to make it all work. The brilliant, peerless lawyer MeKeechruns could not have been more helpful.  Loopholes were exploited, companies set up, and there very best man, Berry Gruff was one of the lead figures making it all fall into place. ‘ If only the people would stop protesting!’ the Lord Provost thought.  ‘The wife’s on at me for some more designer jeans, and her clothes are costing a fortune.  Guess it’s all on expenses anyway, but still.’

“I want progress soon, understand!  You do want to stay Lord Provost, I’m sure, and all those other councillors know what side their bread is buttered on.  Get me a progress report tonight.”  Scrooge said matter-of-factly, as the chauffeur opened the door and Ianeezer Scrooge alit at the Scrooge Building.  He entered the doors, thrust his hat and coat at his assistant Mr Mickie, and strode off to his office, Mickie trotting at his heels.

“Have you written those letters yet?” Scrooge asked “They need to be out to James Brown at the funding office forthwith – but do send them second class – first class stamps are going up again.  And who turned the heat up in here?  I’m paying for this you know.”

Scrooge’s pet project depended to some extent on a funding application.  A Mr James Brown was in charge of the funds.  Most of Scrooge’s employees and lackeys had been set the task of writing to Brown, saying what a great project it would be and that funding must be granted.

“Oh, I’m sorry” said Mickie, “I’ll turn the heat off straight away.  Yes, I’ve written to ask for the funding for the Denburn project in my own name, in the names of all my wee children, including Tiny Tim, and as myself for all the companies you’ve put me in charge of – in name only of course” he added, seeing  Ianeezer had raised an eyebrow.

“Well, I’m out to lunch” said Ianeezer – and Mickie thought that was true enough.  “Have you made reservations for me ?  I’m taking Jenny Crawl out to the Clifmar for a nice long lunch.”

“Oh yes sir, everything is in place; do have a nice –“ but before Mickie could finish Scrooge was off again.

Mickie knew he had to work hard and do as Scrooge told him.  He had all his children to think of, including poor little Tiny Tim who needed a crutch.  Not only did Mickie work for Scrooge, he had to hold down several other jobs and even work at the local pharmacy to make ends meet.  If only things went Scrooge’s way, then no doubt Scrooge would pass some money onto Mickie as well – at least Mickie hoped so.  For Scrooge had pledged to leave the project millions of pounds, and hinted that those nearest to him would likewise be remembered in his will.

Across town Scrooge was peering at the lovely Jenny Crawl over the wine list.

“Is there anything else I can do for you sir, anything at all?  Just let me know, I’m your man.”  The little waiter, Spencer for Hire addressed Scrooge with great respect.  He too hoped to be a beneficiary of the as-yet unseen largess of Mr Scrooge.

“That will be all thank you Spence.” Jenny replied.  She was a tall stately woman with long blond hair.  She had worked her way up through the ranks and was now in the inner circle of Scrooge’s trusted business associates.  She worked long and hard helping Scrooge fulfil his dreams of seizing Denburn Park; it was after all the most desirable piece of real estate in town.  Of course they told the public that everything that Scrooge did was for their own good.  The truth was something else altogether.   If they could only turn this unprofitable bit of land with its trees, grassy banks, birds and flowers into a parking lot, they would become even richer.

They passed a pleasant few hours over caviar, champagne and fine foods.  Suddenly Scrooge felt unwell.  His head began to swim and his stomach ached.

“Jenny my dear” he sighed.  “Not feeling all that well, perhaps I had too much stilton and port.  Going home for a lie-down.  See you later I trust?  Just sign the bill for the project, it was a working lunch after all.”

“Dear Dear Ian” she said; she called him by his shortened name “you must go home and lie down at once!  We mustn’t let anything happen to you!”  She genuinely looked alarmed.  How she must care for him, Scrooge thought.

Before he knew it, Jenny and Spencer for Hire had bundled him back into his limo –  he thought they mumbled something about a will –  and he was being driven home through town.  It was twilight.  The moon shown over the Denburn Park as the limo drove past.  A shadow crossed the moon and for a moment, Scrooge thought he heard a moan.  The car then stopped at traffic lights at the Academy building, just by the Statue of Bruce the Robert.

The moonlight danced on the statue and as Scrooge froze – the horse lifted his hoof and the great Robert leaned forward and pointed at Ianeezer.  Scrooge closed his eyes and rubbed them – and when he opened them, there was the statue as motionless as it always had been.  ‘I must not eat any more of those funny chocolate brownies Katie my cleaning woman makes.  Trick of the eyes.’ He thought to himself.

As he arrived at the Scrooge mansion, his servants Katie D and Kevin Dum were at hand to help him into the house.  He ordered his faithful lackeys to bring him his dinner in his room; he would watch television in his bed and get an early night’s sleep.

Some funny programme was on, some old film called ‘It’s a Wonderful Life’.  Scrooge stopped to watch for a few moments.  In the scene that was playing, a young man called George Bailey was talking to a wealthy man called Mr Potter.

“Just remember this, Mr. Potter, that this rabble you’re talking about… they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn’t think so. People were human beings to him. But to you, a warped, frustrated old man, they’re cattle. Well in my book, my father died a much richer man than you’ll ever be!”

Ianeezer Scooge couldn’t quite fathom what was wrong with the young man, and thought that the Mr Potter character seemed like an admirable fellow.

Just then a gust of wind caused a tree branch to tap on the window at the opposite wall.  The noise caught Scrooge’s attention and he turned.  For a split second he thought he saw the statue of Bruce the Robert again.  A feeling of dread crept over him, but then the moment was gone.  Scrooge gradually drifted off to sleep.  He though of Christmas and how much it would cost him in holiday wages.  ‘Christmas!  Bah Humbug!’

Scrooge had a troubled, strange sleep.  Waking with a start he noticed the room glowed red in the dark.  ‘what the hell is that irritating red light and how is anyone supposed to get any sleep with it on’ he thought when suddenly he realised he was not alone.  He clutched the bedclothes and sat upright, heart pounding.

There to his horror was a hideous figure – bald and short in stature with an undefined, characterless face.  It wore a red football jersey marked ‘AFC’.

“Ianeezer Scrooge!  It is I, your former business partner  Jacob Milney come to warn you!  Mend your ways, or you too will be damned for all eternity as I am!”

“Milney – is that you?”  Scrooge could not believe it – there stood the ghastly apparition which looked exactly like his former business partner Jacob Milney.  Poor Milney had blotted his copy book.  First there were some funny dealings with the city and a queer land deal. Then Milney alienated the people by buying their city champion curling team, and running it into the ground.  People whispered that Milney did not really care for curling at all, and simply wanted to grab as much land as possible.  True enough – and Scrooge in the old days felt a paternal fondness for Jacob Milney.  But as the tables turned on Milney and he lost credibility and got into trouble, Scrooge quite rightly cut him off.

“Er, look here Milney, I’m hallucinating right?  You are just an undigested bit of cheese aren’t you?” Scrooge demanded.

“I’ve been called far worse,” said Milney looking at the floor and shaking his head sadly “Ian, I have been sent here tonight to warn you – you must give up your greedy ways.  Three spirits will visit you this night to show you your past present and your terrible future if you don’t get off the path you are on.”

“What’s that thing you’re wearing?” demanded Ianeezer “and what makes you think I’m doing anything wrong?

At this Milney let out a ghostly long wail.  “For my greed, dishonesty, destruction of green spaces and miserly treatment of the curling club, I am forced to glow red in the dark like the stadium I built in the nature reserve.  I must wear this long chain.  It is made from all the trophies and silver that the curling team could have won had I not treated it as a real estate vehicle.  And believe me, this is a pretty long chain.”

Jacob shook it for effect.

“Learn from my greed and turn back.  Pay your UK taxes.  Stop getting rid of green space – and above all:  YOU MUST NOT BUILD THE MONOLITH.  My time here is ending.  I return to my punishment – I am forced to read the fan website and all the newspaper articles denouncing my stewartship of the curling club.  Ianeezer….,,”

Milney seemed to shrink to an even smaller shape than he had been in life, and with a final moan (which Ianeezer was used to from their long years of association) he was gone.

“Phew!” Thought Scrooge “If that was poor old Milney, he’s really lost his business sense.  But it was only a dream.  No more Brewdog ‘Tactical Nuclear Penguin’ for me before bedtime.

He rolled over and soon was sleeping again, but not very soundly at all.

*                                              *                                              *

Somewhere far off a horse whinnied and steel crashed against steel.  Scrooge sat up, and there was the great heroic figure of Bruce the Robert.

“Get up ye wee futtret!”  Robert demanded.

“Now look here” Scrooge cried ” Don’t speak to me like that, dead hero or not!  I’m Ianeezer Scrooge – or Mr Scrooge to you.”

“AAARRGH!” Cried Bruce the Robert, swinging his huge sword close to Scrooge who seemed to regret his earlier rudeness.  “Ah’ve focht bloody battles tae win the lands Ah hae noo – but fit aoot yersel? A’ you’ve ivver daen is stan idle watchin rival firms struggle, an’ like a hoodie cra’ pick their banes fan they’re ower puggled tae fecht back.

“Ah dinna ken why Ah should gee ma bahookie ower sic a grippy flechbite as yersel, but somebody hid tae come ower an gie ye a bollockin, an’ as ayewis, it wis left tae Muggins.

“Hemen, ye’ve mair money than ye ken fit tae dae wi, an’ still aye yer needin mair. Ah’m tellin ye noo tae cut it oot!

“Ah ken fit it’s like tae a fair puckly siller. Ae time Ah could hae went onywye an daen onythin Ah likit. Twis naebody’s business fit Ah did wi siller Ah workit for. But Ah gaed awa! ‘At’s richt, glaikit as it micht soun’, Ah gaed awa ma siller tae ornry workin fowks…. an as lang as Ah’m still kent as the Big Bob, fit Ah gied tae the fowks will bide wi the fowks. D’ye underconstumble?

“So if you as much as pint yer finger at ae tree in the fowk’s perk at Denburn, Ah’ll come doon on ye like a ton o’ bricks.

“Noo Ah’ve heard ye bumpin yer gums aboot gaein yer siller awa tae fowk, but dinna kid yersel, the Aiberdeen fowk are nae blin’, an’ they’re nae as feel as ye think. So fit is’t yer buildin onywye? Ah’ve haen a lookie an’ Ah’ve nae seen siccan a sair sotter in a’ ma puff. Fit’s wi’ the muckle gless worm thingmy? Are ye wise??”

“Clearly”  Scrooge replied, “You just don’t understand this wonderful gift I’m giving the people.

“There will be underground parking, shopping, ramps to walk on, a monolith, and a great big covered space to sit in.    It is the way to ensure our economic future, and people will come from afar to see this wonderful site.  And spend money.  There will be jobs creation, vibrancy, dynamism.  It is a focal point for the civic heart of the city which – “

“Haud yer wheesht min!” interrupted the ancient hero’s ghost forcefully  “Div Ah look like a gluepot? Div ye think fowk are feel enough tae believe the tripe comin oot yer mou? Div ye believe it yersel min? If ye dae, then yer mair o’ a neep than Ah taen ye for. Ah’m tellin ye yince mair min jist in case the penny hisna drapped. That perk is tae bide the wye it is … so snoot oot –  or ye’ll ken a’ aboot it.

“Richt, Ah’m awa noo, but mind fit Ah telt ye.”

“Is your time on this earth up?” asked Scrooge “You see, if you could just understand why we need to build these ramps and monoliths, then –“

“Nah, ma time’s ma ain” the Robert growled, prodding his finger into his chest “But the verra sicht o’ yer soor coupon is daein ma napper in, so Ah’m aff. But Ah’ll be clockin ye. So get a grip ye grippy git. Yer needin tae heed the wise or wise the heid. Itherwise min, it’s tatties!”

And the ghostly horse reared; the Robert charged the window, and was gone into the night.

“Hm… I guess I believe in ghosts!” Thought  Ianeezer – “Hmph!  It’s easier to believe in spirits than in any of this public relations ‘vibrant and dynamic’ nonsense – whatever that means.   I just want that land, some parking, some shops and of course a statue to ME, which the grateful populace will insist is built.  But the spirit was right – perhaps I need to do some more thinking about this project.”

Scrooge shook his head up and down with satisfaction before plumping his pillow, and laying down again.

*                                              *                                              *

“You sit around here and you spin your little webs and you think the whole world revolves around you and your money. Well, it doesn’t, Mr. Potter. In the whole vast configuration of things, I’d say you were nothing but a scurvy little spider!”

The television was still on – these words woke Scrooge up, and he rubbed his eyes.  The room was filled with a fuzzy glow.  There was some kind of shape in the room, cloudlike with little form.  It however spoke in a girl’s voice.

“Hi there!  I’m ASIF, the ghost of Christmas present!  But you can call me Jan.” the thing said.

“What are you?  I can’t figure out what you’re supposed to be?” Scrooge asked, turning his head to one side.  The thing existed, yet he could see straight through it but could not tell what it was.  It kept changing.  Truly this ghost was vibrant and dynamic.  At one point he thought he saw a big translucent worm.  Another moment and it seemed to be either a big spiderweb or a great big square block.

“You should understand” the voice said “for you are creating me.  I am ASIF, your project.  I’m not exactly defined yet – no one – not even you  – knows what I will look like.  You only know that you want me built, and you hope to have a statue of yourself – like the statue of Bruce the Robert.  I am here to show you the truth of Christmas Present.  You will see what your actions have created in this city for people this very Christmas night.  Now come with me.  Take hold of my robe and you will be uplifted in more than this.  Whatever that means.”

“Now hold on Jan” said a sceptical Scrooge.  “I had Milney in her not long ago pretending to be some kind of spirit – just the kind of silly caper that gets him into trouble every time.  Why should I think you are ASIF, some kind of a ghost?”

“Well, I’m fully transparent aren’t I?” ASIF answered.

“Very well spirit, show me what Christmas looks like this year.”

They flew out the window.  And this is what they saw.

They saw a homeless man shiver in the cold, mourning for his friend who had frozen to death earlier in the week.  They saw bulldozers tearing into the remaining countryside; they saw other green fields nearby.  They saw some people suffering, and others feasting.  They saw pensioners and people with special needs trying to make do.  They saw crumbling NHS hospitals and closed down schools.  They saw poor ailing Tiny Tim Mickie sitting in a corner of his room, writing letters at his dad’s bidding to James Brown, begging for the Scrooge project to go ahead.  They saw the happy, the sad, the rich and the poor.  Then they saw the richest man in town’s mansion, and it was Scrooge’s.

“All those people with all their hopes and dreams.  All of the land being built on, leaving animals without shelter, space or feeding ground. All the suffering.  And yet Mr Scooge, here we are back at your billionaire pad with its comforts and servants.  Does this teach you anything at all?”  The spirit asked.

“Yes, indeed it does.  Thank you ASIF.  I have learned much.”  Scrooge answered thoughfully.  “But what are those two child-like figures clinging to you, hidden under your robes?”

“Fear them Scrooge” answered ASIF “the little boy is Ignorance; he is what happens if schools are closed.  The little girl is called Want, and what you waste in a day could save her.”

“Would I get any tax break if I make a donation?” Scrooge asked.  The spirit pretended it hadn’t heard this question.

“I shall leave you now, and another spirit will soon appear to show you the future.”ASIF said.  With that, the ghostly shimmery giant worm thing was gone.

“I shall make use of what she showed me.  I shall change” Ianeezer thought. “And now I await my last spectral visitation.”  He sat on his bed, and noticed the movie was still playing.  It felt as if this night was never going to end, yet if the movie was still on, only moments had passed.

*                                              *                                              *

A wild wind was blowing; Scrooge’s windows were thrown wide open by an invisible force.    Before the spectre, who was wearing a hoodie that covered its face entirely could speak, Ianeezer began.

“Look, I know who you are and why you’re here – let’s see the future, for I’ve been given much food for thought tonight.  Time’s money, let’s get a move on.”  The spectre grabbed Scrooge’s arm and they flew forward in time.

They  were still in Scrooge’s house, but according to the calendar some 20 years had passed.  Two old haggard ladies were arguing, and the draperies were closed around Scrooge’s bed.  They were his faithful servants, Katie D and Kevin Dum.

“I’ll have that for all the years of suffering I’ve endured.” Said one of the washer women.  She was grabbing a casket of silverware.

“Fine – take that, I’ll get the old fool’s fillings from his teeth!” said the other scrubber.  More voices were heard, and the two washer women scarpered.  Soon a party of lawyers, councillors, and the lovely Jenny Crawl dressed head to toe in black entered.  They all sobbed.

“See spirit!  See how they miss me!” said Scrooge, who realised it was his deathbed they were seeing.  He felt most proud at this outpouring of grief.

“Bollocks!” said Jenny.  “After all those  years of crawling, the old bastard not only didn’t leave money to the Denburn project, he’s  not left me more than an old photo of himself!  The nerve!”

“Years I printed what I was told, and more to the point I didn’t print what he didn’t want out.  And it’s all been for nothing.”  A man with a folded up newspaper under his arm simmered angrily.

“My project, my beautiful project!” said Gruff “who’s going to pay for it now!?  Hundreds of millions of pounds are needed, or the city will go broke.”

“I thought I had all the angles covered,” wept MeKeechruns “I’m usually so very, very brilliant!”

The miserable party railed at the dead man.  “Show me no more of this!” cried Scrooge.  He blinked and found himself at the home of his servant, Mickie.  Tiny Tim’s crutch lay along against the fire place.

“Where’s Mickie’s son Tiny Tim?” asked Scrooge

Before the spectre of Chrismas Future could answer, the Mickies entered the room.

“My poor wee Tim!” cried Mrs Mickie “Who would have thought he could die from writer’s cramp?  It was bad enough he  had to bombard James Brown with letters demanding that the funding for Scrooge’s project be granted.” She sobbed, “But it was just too much for wee Tim to have to also forge all those referendum ballots too.  Ah, my poor boy!”.

Scrooge and the spirit were suddenly in the fresh air, in the middle of what seemed like a party.  It was the Denburn Park, but not as Scrooge remembered it.  A giant steel skeleton with smashed glass panes lay to his left.  A giant huge monolith with no windows stood nearby.  A schoolboy threw empty bottles of Buckfast off of a giant concrete ramp covered in graffiti.

On a stage under the ramp, Status Quo played to an audience of OAPs. Groans intermixed with the sound of car engines emanated from the oversized Monolith.  It bore a sign that read “The Ianeezer Scrooge memorial Monolith – parking, shopping and children’s Workhouse.” But all were rejoicing as overhead a grafittied monorail limped to a halt.

“He’s dead!  He’s DEAD!” they all cried, raising glasses of latte or vodka overhead.  Scrooge did not want to know who’s death the rabble were cheering – he had his suspicions.

“Spirit, show me no more.  I have learnt my lessons well.  Thank you.  I promise I will make changes!”  And with these words from Scrooge, a bolt of lightning blinded him for a moment.  Then, he was in his own room again.  The calendar showed he had returned to the present time.

Scrooge was much changed by what he had seen.

*                                              *                                              *

“Remember, George: no man is a failure who has friends”

Incredibly, the movie ‘It’s a Wonderful Life’ was only just now ending, although Scrooge felt his ordeal had lasted several nights not hours.  Scrooge sat straight up in bed, and the sunlight streamed through the window.  He laughed out loud.  Throwing on his robe he raced to the window, still laughing, and threw open the sash.  A boy was visible nearby.

“You there boy, what day is this?” Scrooge demanded.

“Why sir, it’s Christmas day!” the puzzled lad answered.

“Then a merry Christmas to you!  See this twenty-pound note?” Ianeezer asked, waiving a bill in the air

“Yes Sir!” answered the boy

“Go and fetch me the biggest turkey in the whole town!” Scrooge commanded

“Dean, Fletcher or Malone?” asked the lad

“Ho ho – smart lad!  Fetch me them all! – and Gruff and MeKeechruns as well!” Scrooge answered, and disappeared from the window.  “Much to do today!  Much to change!” he thought to himself.

In a little under an hour later, a somewhat disgruntled motley crew of councillors, officials and others connected to the Denburn Park project found themselves in Scrooge’s drawing room.

“I’ll bet you wondered why I called you hear today” he asked.  A chorus of “we are happy to be here, and ‘merry Christmas sir” greeted him.

“I’ve been thinking about the project, and have a new suggestion or two – believe me, these changes are very forward looking.” Ianeezer  announced.  The assembled great and good replied ‘fantastic!’ ‘can’t wait!’ and so on.

“We’re going to electrify the worm, and throw anyone in prison who touches it.  Now the monolith idea – what if as well as underground parking we put in a workhouse? We’ll save money putting the kids in workhouses and closing more schools.  Do you think that will be possible – I mean think of the labour saving and government grant possibilities!”

There was a moment’s silence “Well, are you with me – remember the money I’m leaving in my will!” Scrooge said with a hint of threat.

“Astounding!” “Visionary” “Vibrant!!” “Dynamic!”  “Inclusion!”   the buzzwords he so loved rang out across the room.

“Merry Christmas  – now back to your homes.  Jenny – stay for a drink won’t you?”  A shadow seemed to cross her face for an instant, but it was gone.

Ianeezer Scrooge was a happy man indeed, and remained grateful to the spirits to the end of his days.

“Please sir – the twenty pound note?” asked a wee boy in the back of the great drawing room.   “Yes, here it is” Scrooge said waving it, “And if you do me another favour sometime, I’ll show it to you again.”

Amid the approving nervous titters of the council bigwigs, the boy was shown the door.

Somewhere far away, an icicle formed under the eye of a bronze statue of a former king of Scotland.

THE END.

Nov 042011
 

With thanks to Aberdeen Amnesty International chair Gail Riekie.

The Aberdeen Amnesty International Group will launch ‘Poetic Justice’, their newly published collection of poems on the theme of human rights, at the John Skinner Centre on Thursday 10th November 7:30 – 9:30 pm.

The evening will feature readings of the poems by their authors, live music and a bar. The collection ‘Poetic Justice’ will be available for sale for £5.
Entry is free – donations to Amnesty welcome.

The idea for a collection of poetry sprang from the Aberdeen Group’s desire to do something special this year to celebrate the 50th Anniversary of the founding of Amnesty International.

They also wanted to honour two local activists, John and Daphna Williams, who both died in the last two years. ‘Poetic Justice’ is dedicated to the memory of this remarkable couple.

The poems in the collection were written, mostly by NE Scotland poets, in response to a competition that the Aberdeen Amnesty group held earlier in the year. Olivia Farrington, the group’s Burma co-ordinator, organised the competition. The poems cover a broad range of topics and themes, from the Highland Clearances to modern day Baghdad, and from meditations on liberty to experiences of manning an Amnesty stall in the Bon Accord shopping centre.

Aberdeen Amnesty Chair Gail Riekie said:

“I am absolutely delighted with the way this project has turned out. Aberdeen’s poets have done us proud. The collection would make a beautiful and though provoking seasonal gift!”

Contact Aberdeen Amnesty International via our email aberdeengroup@amnesty.org.uk to order a copy of ‘Poetic Justice’.

See also the group’s website: www.aberdeen.amnesty.org.uk

Oct 212011
 

By Bob Smith.

A’ve bin haen an e-mail natter
Wi a mannie fae the P&J
Aboot their lack o recogneetion
Fer the film aboot the Menie affray

Nae meention o it’s Scottish premiere
Fit wye?  A thocht a wid speir
“You’ve Been Trumped” is a success
The P&J winna mak iss clear

Na Na,  the chiel wisna haen iss
The paper hid scriven some spiel
On mony occasions said the mannie
He must think a’m bliddy feel !!

I syne askit plain an ti the pint
Dates please faan iss wis printed
The chiel widna say nae mair
So a didna git fit a wintit

Noo the craitur wis maist pit oot
Fer hintin they war Trumpie’s freen
Maybe if the mannie hid ‘s wye
A’d be run oot o Aiberdeen

A’ve aywis thocht a newspaper
Wis supposed ti report the news
Tho aboot  “You’ve Been Trumped”
We’ll nivver read the P&J’s views

©Bob Smith “The Poetry Mannie” 2011
Image Credit: © Guy Shapira | Dreamstime.com

Oct 132011
 

Old Susannah looks back at the week that was and wonders who’s up to what and why. By Suzanne Kelly.

Old Susannah is having trouble sleeping at the moment for several reasons. Firstly, there is the sheer excitement over the UTG design competition – which design will I fall in love with?  What will be built that will make the world beat a path to Aberdeen for coffee, baguettes and monorail rides? Will Paris, New York and Rome empty as people come to Union Square and the new UTG?
Secondly, I am worried about Ms Aileen ‘Homalone’ who has dropped out of the public eye, and refuses (to date) to answer questions about the finances needed for the phase 2 attempt to plant trees on Tullos, and the money to shoot those extremely hungry deer.  It looks as if there isn’t any money, but no one’s talking to the public just now.

I did email to say ‘C’mon Aileen’ – and she replied that ‘an officer (if not a gentleman) would get back to me’.

I gently reminded Homalone that she had at least a little responsibility for the scheme to rid Tullos of vermin deer and plant 89,000 trees where trees had failed before, as she’d taken a wee bit of the public relations credit for this great scheme to begin with.  I expect as soon as she turns her razor-sharp mind to the task of analysing all the facts and figures regarding the tree planting, deer and slaughter, she’ll revert to me asap.

I don’t think I’ll hold my breath though.

You may recall the deer are under the death sentence because we must be cheap when using ‘the public purse,’ and Aileen being a good Lib Dem can’t stand any waste of public money.  Quite right.

No such restrictions apply to buying crucial carriage clocks and expensive pens from the Common Good Fund.  

If you are in Inverness, you have to apply to use the common good fund there, and a committee decides if your charity should get a bit of the fund. They seem to have helped quite a number of deserving causes, and the application procedure is the same for the rich and the poor, believe it or not.  It is not quite as easy to get a handle on who has their fingers on Aberdeen’s CGF sporran strings. But I digress – again.

Thirdly, I can’t sleep now that I know it’s OK to shoot small mammals and birds on Tullos Hill whenever you want – you just need a permit and the right kind of gun. I am amazed that no one’s been shot there yet. I am also amazed that people still like to hunt living things, but I guess I need to acknowledge that the law allows this.

So do keep walking on Tullos, but keep in mind bullets can travel long distances, and wear your bright clothes and your bulletproof vest.  And for goodness sake, don’t wear any of those novelty deer antler headbands.

Vermin:

(noun) 1. insects such as lice, ticks or fleas (or the more fashionable bedbugs plaguing New York at present) which can lead to infestations. 2. birds and mammals that eat other animals / game. 3. animals which are after the same food as people or domestic animals (How dare they!).

The police sent me some detailed answers about the gunman spotted on Tullos Hill in early September after I did one of my little FOI requests.  The hunter would not legally have been after the roe deer – but the police made it clear that such ‘sportspeople’ are allowed to shoot ‘vermin’. The police definition of what constitutes vermin seems to include deer. So the next time you and a roe deer are trying to nibble the same 2,000 trees, just kill it – as long as you have a permit and are using the right kind of bullets and rifle.  Result!

But if the deer aren’t after the same quarter-pounder you want, and the squirrels (red, black, grey – I don’t discriminate) aren’t after your chocolate shake – then are they really vermin? The vermin label put on these wild animals justifies the gamekeeper poisoning the birds of prey, the snare-setter (snares are still legal for some reason) who kills indiscriminately, and the council targeting the Tullos Hill deer.

Speaking of the council (well some of them anyway), I’d best move to another definition before someone comes gunning for me.  And for some reason, a related word comes to mind now that I’ve mentioned our City Council.

Parasite:

(noun – English ) an insect or other creature which feeds off of a host animal to the host’s detriment. 

Let’s consider bloodsuckers, worms, leeches and ticks. These are some of the parasitic vermin infesting your city council. You do have the right ammo to despatch them – or at least you will come May elections with your vote. The parasites in question feed of resources such as The Common Good Fund, Council Taxes and all-expense paid hospitality.

Like a swarm of locusts, they descend on areas such as the AECC and the Beach Ballroom if so much as a free sandwich can be had.  Parasites such as these are notoriously thirsty, and can empty cases of drink in nanoseconds.

Do not get too close to such creatures – they may well carry disease.  Do instead hide your money (offshore if possible), and guard any green spaces, which these parasites can easily destroy if not kept in check.

“Cultural” spaces:

(noun, English Modern) a wholly new concept of “space” where “Cultural” “events” can take place.  Not to be confused with existing businesses or arenas and spaces they have for cultural events.

If it’s not hard enough for me to get any sleep with everything else going on, the Evening Express told us on 8 October that there is a ‘plan’ to attract ‘top performers (!)’ to Aberdeen.  This brand-new idea, never before attempted, would see the ‘proposed new park over (?!!) Union Terrace Gardens’ filled with “cultural” spaces.  (By the way, the quotes around the word “cultural” appear in the Evening Express piece on this subject, so I’d better leave them in).

“Culture” of course is something that we people not in ACC, ACSEF, or SEG can’t really appreciate or understand.  ( Remember – Stewart  Spence, stalwart of the Marcliffe wrote to the P&J last week to call people opposed to these great new plans ‘NIMBYS and luddites’.  Who can argue with him?).

The AECC – long propped up by the taxpayer – and the Lemon Tree (likewise on a taxpayer sub) have never attempted to bring Top Performers here before.  Likewise none of the independently-owned  bars and clubs (not supported by taxpayers by the way) have tried this either.  Some years ago I got my hopes very high about Top Performers coming here, but in the end, Geri Haliwell had to pull out of doing the AECC.

Now in another guise, Scottish Enterprise might not really be permitted to shell out large amounts of taxpayer cash to create “cultural” spaces if these new inventions borne of taxpayer money would compete with already-existing public funded and/or private spaces. 

But the story with UTG is different somehow – kind of like when Scottish Enterprise took the money the Arts Council had earmarked for Peacock (who had wanted to , er, create a “cultural” space in UTG first).  Hmm – I must remember to soon define ‘intellectual property’, ‘copyright’, ‘lawsuit’ and ‘moral rights’.

I for one am happy to subsidise the AECC directly and indirectly (the City Council somehow needs to rent large amounts of office space at the AECC despite its large roster of properties) as well as subsidise the other city-owned venues AND find some 140 million towards yet another “cultural” space under/in/over  Union Terrace Gardens.  And if the private sector of the music/entertainment industry in Aberdeen can’t compete, then that’s just showbusiness.

We are in a democracy after all – the richest amongst us get to either be on boards or appoint boards to do what they want done with public spaces – all in the name of “culture”. 

If we don’t ‘get it’, then we are indeed the NIMBYS and luddites Spency thinks we all are.  I shall remember his words when I next book a dinner or a hotel.

Those who oppose the UTG project (not that it is defined yet – not even Old Susannah could do that if the city can’t) will be laughing out of the other side of their faces when I’m having a large latte before Toto opens up for Geri Haliwell near the monorail at the Wood memorial car park “cultural” space centre.  So there.  Gives those luddites something to think about doesn’t it?

I have to digress again – it is because some of us can’t understand how wonderful the whole project is that we oppose it.  It is all crystal clear, but here is a little helpful guide as to who’s doing what about our “culture” space / UTG project.  Here is my little luddites guide to the simple way things work

1.  Locum Consultants – apparently a part of the Collier Group – have been hired to ‘find uses’ for ‘some kind of performance and exhibition space’ created by the UTG project.  Appointed (by whom I don’t know).

(By the way I can find a ‘Locum Consultants’ in Surrey and a ‘Collier International’ in Manchester.  Unless there are companies with those names in Scotland, I guess no one here was up to the job of filling the “cultural” space.  I could be wrong, I could be right).

2.  The Aberdeen City Gardens Trust (ACGT) – works on ‘how to use “cultural” spaces inside (?!!) the proposed new park over Union Terrace  Gardens’.  Unelected.  (This seems to be a “Private, Limited by guarantee, no share capital, use of  ‘Limited’ exemption” kind of an affair – which makes sense as the Taxpayer is paying for it at least in part, and it will be involved in the future of a public asset.  Result!)  Or in words a child could understand – taken from the website:  http://thecitygardenproject.com/news

“Aberdeen City Gardens Trust has been set up, under the auspices of the City Garden Project management board, as a special purpose vehicle to channel funding for the project and deliver key activities within the project plan. The Trust will operate using best practice procurement procedures and will be accountable for the delivery of activities to project management board.

“The Trust will also receive £375,000 of Scottish Enterprise funding from its available funds for major infrastructure projects.

“Cllr John Stewart, chairman of the City Garden Project management board, said: “The fact that Aberdeen City Council is making no revenue contribution to the project means it is necessary to be imaginative in the way in which non-council finance levered into the project is managed. The creation of the Trust presents us with an ideal solution. Equally, it will allow for contracting of the required services involved in the next steps and for the project to progress to the design competition stage and complete the business case for the TIF application. Through the TIF we will be to access funding not otherwise available to invest in the art gallery and the St Nicholas House site, enhancing and reinvigorating our city centre.”

“The founding directors of the Trust are Tom Smith and Colin Crosby who will be joined by Directors from Aberdeen City Council and others involved in the project in due course”.

3.  The City Gardens Monitoring Group – exists to hide its doings and to  decide that the public should not vote on the option of leaving the gardens as they are in the current design competition for the 6 finalists (chosen by an unelected group and guaranteed loads of dosh for getting this far).  The Group redacted its minutes to the point you had no idea who was in it (unless you cut and pasted the redacted text and found none other than Aileen Malone was involved).  Unelected.

But for those of you still not clear, here is an excerpt of who’s who and who’s doing what where from our City’s very own website:  http://www.aberdeencity.gov.uk/

“The membership of the Project Monitoring Group comprises Councillors Malone (Chair), Boulton, McDonald, Kirsty West, Wisely, Young and Yuill.

“For reference, the membership of the City Garden Project Management Board comprises Councillor John Stewart (Chair), Councillor Callum McCaig and Valerie Watts, ACC; Tom Smith and Colin Crosby, ACSEF; Jennifer Craw, the Wood Family Trust; Bob Collier, Aberdeen and Grampian Chamber of Commerce; John Michie, Aberdeen City Centre Association; Lavina Massie, the Aberdeen City Alliance, Maggie McGinlay, Scottish Enterprise and Paul Harris, Gray’s School of Art.

“The membership of the Project Implementation Team comprises Tom Smith (Chair), Colin Crosby and John Michie, ACSEF; Gerry Brough, Hugh Murdoch and Patricia Cassidy, ACC; Jennifer Craw, the Wood Family Trust; Maggie McGinlay, Scottish Enterprise; Derick Murray, Nestrans; Audrey Laidlaw, Network Rail and Iain Munro, Creative Scotland”.

This diverse membership of people with no vested interests in the project going ahead or not will reassure us all.  But somehow, I still can’t get any sleep.

4.  Malcolm Reading – a design consultancy which shortlisted the winning entries in the design competiton, an amazing feat, as there was and is no design brief in existence approved by ACC.  What Malcolm Reading will earn is unknown; how exactly it was appointed is also a mystery to me.

5.  The BIG Partnership – a PR consultancy which tells us how great it all is going to be.  I don’t know how they were appointed or what they will earn. (not to be confused with ‘The Big Sleep’.)  STOP PRESS:  The BIG Partnership has recently announced a new client:  The Wood Family Trust.

6.  ACSEF – A board of business people and city officials who, well, do what they like.  Includes one impartial Mr S Milne.  Known for issuing warning as to dire consequences for Aberdeen if we don’t build on the garden.  ACSEF is an invention of ACC, and funded at least in part by the public purse which we are all so keen to use sparingly.

7.  Genus Loci – a document produced supporting ideas for the Garden’s future as long as these don’t include a garden for the future.  Famous for proposing the monorail idea.

8.  Scottish Enterprise – a quango, unelected, on a mere £750 million or so per year which holds meetings, and supplies members to sit on the board of ACSEF, and who gave the world Jennifer Craw, now on the Wood Family Trust.  Which of course has a seat or seats on the secretive City Gardens Monitoring Group – or was it the Aberdeen City Gardens Trust.  Unelected and expensive.

9.  Wood Family Trust – er, apparently the wood family and/or friends who want to get rid of the wood in the gardens apparently, for “cultural” spaces.  Apparently not elected.  This Trust has possibly one or two overlapping areas with some of these other groups,  maybe.

10.  Project Implementation Team – are on hand to implement the project whether or not the public want them to.

Now that you see how simple it all is, I trust that there will be no more whining about the expense of paying all these companies off, signing a lease for a few thousand years for the gardens, or whinging about issues of ‘transparency’.

As that little Meerkat person on TV would say, ‘Simples’.

I was going to define ‘Impartiality’ this week as well, and how it relates to TIF, BID, and so on.  However, I now have a headache for some reason, and there is a knock on my door which may be the sherrif coming for my furniture.  ‘Impartiality’ it is for next week then.  And ‘Old Boys’ Network’, ‘Nepotism’ and ‘Greed’.

Good night all.

Oct 132011
 

By Bob Smith.


A weel myn o Jimmy’s Cafe
‘Twis a placie in John Street
Faar fowk fae aa waaks o life
Fer denner they wid meet

There wis larry an van drivers
Quines fae local shops
Office loons jist like me
Wifies faa war Mrs Mops

Nae falderals an funcy decor
Jist  plain wa’s o pinted plaster
If ye winted fite tablecloths
Ye war in for a stammygaster

It wis maistly widden tables
Aa covered wi a gweed  ile cloth
Iss wis affa easily wippit ower
If ye happen’t ti spill yer broth

Doon a step wis anither roomie
Ye wint if the placie wis pakkit
Wi lang widden tables an benches
On fit fowk’s doups war parkit

Halesome  maet wis aye served up
Mince an tatties wi a mealie puddin
Or fine stew wi a doughball or twa
As fowk throwe the door war floodin

Fer puddin ye aye hid a choice
Custard wi aipples or a tart
Ice cream an fine jeely as weel
Fegs ye didna ken far ti start

Nooadays wi iss health an safety
Jimmy’s micht nae hiv passed the test
Bit at servin up gweed tastin fare
Jimmy’s Cafe wis amang the best

  ©Bob Smith “The Poetry Mannie” 2011

Oct 072011
 

By Bob Smith.

Hark the “Sunday Herald”  did sing
An ti us aa the news did bring
Trump  he wintit oor cops ti be
Jist like the lot in the NYPD

Donald he cam fae oot the sky
An ti oor bobbies wint in bye
Askin they aa did his biddin
Fowks the mannie wisna kiddin!!

Fit dis the silly bugger fear
Molly Forbes in combat gear?
Maybe David Milne wi bows an arras
Dis Susan Munro train “Suicide sparras” ?

The tap bobbies noo they warna convinced
Bein accused o bias they maybe sensed
Bi drappin aathing at Trumpie’s request
Yet twa filmin chiels they did arrest

Aberdeenshire Cooncil think Donald’s a god
An were maybe happy that PC Plod
Wid flee aroon at Trumpie’s biddin
Checkin fit’s happenin at “Michael’s Midden”

Faa’s tellin the truth aboot the windfairm
Did Scottish Government agree nae ti hairm
The bonnie view fae Donald’s mansion
An turbine plans they winna sanction

The fowk faa work in MacLeod Hoose
Are feart that vandals are on the loose
Wull Dod Sorial an aa Trump’s posers
Be shoutin “Donald Faar’s Yer Rozzers?”

©Bob Smith “The Poetry Mannie” 2011
Picture Credit:  © Daniel Wiedemann | Dreamstime.com

 

 

 

 

 

Sep 302011
 

You’ve Been Trumped – the documentary film branded ‘a failure’ by Donald Trump has just won its third major documentary award – and first in Scotland – clinching the Scottish Screen Archive Prize for Best Feature Documentary at the Edindocs Festival in Edinburgh. Suzanne Kelly reports.

The award means the film will be archived as an important piece of Scotland’s history and stored at The National Library of Scotland ‘forever’.

This latest award follows two other major festival awards for the film.

In June You’ve Been Trumped won the Green Prize – the top environmental award for UK documentaries – at the Sheffield International Documentary Festival.  And in August, the film scooped the Special Jury Prize at Michael Moore’s Traverse City Film Festival in Michigan.

You’ve Been Trumped was rejected for funding by Creative Scotland and passed over for this year’s Edinburgh International Film Festival

However, it has proven to be a hit at some of the world’s most prestigious documentary festivals and will shortly be screened in Australia, Taiwan, Bermuda and at several major film festivals in the United States.

You’ve Been Trumped tells the story of Donald Trump’s attempts to build what he claims will be ‘the greatest golf course in the world’ on a supposedly protected environmental site in Aberdeenshire.   The plan involves building 1500 houses and a luxury hotel on what scientists have described as ‘the crown jewels of Scotland’s Natural Heritage.’

You’ve Been Trumped has just begun a Sheffield Doc/Fest winners’ tour – playing at major independent cinemas across the UK and is also part of the Take One Action Film Festival which takes in Glasgow, Edinburgh and Inverness.    The film is also due to return to cinemas in Aberdeen and Dundee next month.  Meanwhile, You’ve Been Trumped will be travelling to the Vancouver International Film Festival later this month and will unspool for its official New York premiere in early October.

Director Anthony Baxter said:

“It’s a great honour for You’ve Been Trumped to be recognised as an important historical document and reassuring to know that future generations will be able to learn lessons from the environmental destruction that’s been unfolding on the Menie Estate for precious little economic benefit.”

Scottish folk singer-songwriter Karine Polwart (“exceptionally subtle and melodic” Q Magazine) is currently penning a new song inspired by events captured in the film, which will be unveiled when You’ve Been Trumped is screened at the FilmHouse in Edinburgh on 2nd October as part of the Take One Action Film Festival.

Footnotes:

  • You’ve Been Trumped (UK, running time 95 minutes) was made by Angus based independent production company Montrose Pictures Ltd.
  • The film score features music from world the world renowned Sigur Rus and the band’s front man Jonsi.
  • Many of You’ve Been Trumped’s future screenings can be viewed here – with more dates to be added.
  • Latest news on the film can be seen here.
  • For further information call Montrose Pictures: +44(0)1674 677 233 or email: projects@montrosepictures.co.uk
Aug 042011
 

By Tom Shepherd. 

Idle banter, useless prattle
Blether, gossip, tittle-tattle
“Have you heard?”
“No, what’s the matter?”
 Scuttle-butt and empty chatter.

Vacant news and hollow lies
Scarring friendships, breaking ties
Neighbours gossip, rumour mills
Seeds of distrust sown, great ills
Harvested without a care
People once who trusted, stare.
Curtains twitch and heads are turned
Lovers part and colleagues spurned.

As threads through which we all relate
Are severed by fear, doubt and hate,
Where honeyed tongues drown honesty
In stagnant mire of false decree
When speculation, most uncouth,
With hateful slander strangles proof.
Let voices soar, cry from the roof;
“Whatever happened to the truth?”

Image credit: © Guy Shapira | Dreamstime.com

 

 

 

Aug 042011
 

By Bob Smith.

There’s ti be a public inquiry
Aboot a new brig ower the Don
Fit raised a puckle objections
Fae the residents o Tillydrone

Noo its thocht that maybe CPOs
Micht be used ti pinch fowk’s lans
A fair fyow bits o gairdens
Wid be teen oot o their hauns

As weel as kickin up a stink
Aboot the use o thae CPOs
Fowk in Tillydrone an Widdside
Are feart faar the traffic flows

Cars an larries fae aff the brig
Wull roar bye hoose front doors
Nae a thocht  fer folkies wellbein
As the car coont it fair soars

Eence they bigg mair hooses
Oot ower the Brig o Don wye
A fowerth brig crossin the river
Wull nae doot bi the cry

Noo here’s a thocht ma freens
An iss we jist maan speir
If aa iss happened  near Rubislaw Den
Wid plans git oot o first gear?

Support the fowk fae Tillydrone
Tell the planners ti back aff
Eence mair some in iss toon
Are threatened wi plans richt naff

.
.
.
©Bob Smith “The Poetry Mannie” 2011