Mar 062014
 

Peacock Visual Arts to host a moving exhibition documenting histories, stories and memories of military conflict in Northern Europe.

Newburgh I, Aberdeenshire, Scotland. 2012 500

© Marc Wilson Newburgh I, Aberdeenshire, Scotland, 2012.

Terry O’Neill Award winner Marc Wilson is bringing his stunning series of photographs ‘The Last Stand’ to Peacock Visual Arts in Aberdeen. The exhibition will open to the public on Friday 28 March 2014 at 6pm.

So far 53 of the 80 images in the series have been photographed, focusing on military defence structures that remain and their place in the shifting landscape that surrounds them.

Over the years many of the wartime defence locations have disappeared from view, either subsumed or submerged by the changing sands and waters or by more human intervention. At the same time others have re-emerged from their shrouds.

Marc has so far travelled over 15,000 miles to 109 locations to capture these images along the coastlines of the UK, The Channel Islands, Northern France and Belgium. He has recently spent 8 days photographing in Orkney and Shetland and is soon to visit the Western coast of France down to the Spanish border, Holland, Denmark, and Norway.

This poignant exhibition at Peacock Visual Arts follows on from shows at The Anise Gallery, London and The Royal Armouries Museum in Leeds. The work has been featured on BBC online, TV and Radio and The Guardian.

The objects and zones of defence Wilson photographs serve as ‘a visual marker to the shadows of conflict’ (Wayne Ford) and are as such an important part of the fabric of our recent histories and memories.

Over the intervening years some of these ‘markers’ have been lost to the passage of time and shifting sands. Very recently on the Northern coast of France, at Wissant, the vast wartime defences were pulled apart and removed by the authorities. Marc was lucky to have photographed these defences last year but today there is nothing but the sand and tides in this place. No physical reminder of the past remains.

Yet at the same time in late 2013 some defences along the coast of the UK have re-emerged from the dunes after an extreme storm. These defences, although often submerged by waters or subsumed by sands are never really lost to us.

The exhibition at Peacock Visual Arts in Aberdeen will show a selection of 22 images from the series, including those from locations in Scotland, The Northern Isles, Northern France and England.

Exhibition Runs: 29 March – 10 May 2014.
Opening Times: Tuesday – Saturday 9:30 – 5:30pm
Exhibition Opening on Friday 28th March, 6 – 8pm.

Free entry. All welcome.

Jun 102013
 

By Suzanne Kelly.

The life of the River Don corridor has been unveiled in a photography exhibition launched at St Machar Cathedral on Saturday 1 June.

It is the largest visual celebration of the area in recent times, the result of a group of Aberdeen photography enthusiasts who embarked on an exciting and dynamic community-led project to capture the past, present and future of the area.

Award-winning artist Alicia Bruce supported the group in selecting, editing and presenting the touring exhibition and the publication Surfing the Don.

Following the launch it will tour city venues, the Scottish Parliament and Europe.

Alicia said,

“I’m delighted to be working with talented photography enthusiasts a few footsteps from where I grew up. The River Don gets overshadowed by its sibling the Dee. It’s time the ‘Donny’ got a share of the spotlight. 

“This project caught my imagination as I lost many hours looking at photographs on the SURF Aberdeen Facebook group seeing the places I went on childhood adventures. I can’t wait to see everyone’s faces light up as they see their work printed large scale for the first time. There is so much talent within our group and I’m certain some of these photographers will go on to bigger things.”

Aberdeen-born Alicia collaborated with a project team comprising local people from all walks of life, including postman Andy Coventry, Archaeologist Abeeer Eladany, her six year daughter old Nadine Ralston and photography graduate Blazej Marczak.

The images presented were taken on everything from professional cameras to camera phones. Project activities have involved regular collaborator meetings across the city, photo workshops, exhibition visits and online discussions.

Alicia added,

“It’s an iconic project for the River Don and we wanted to ensure we had a variety of iconic venues to showcase the work. St Machar Cathedral is the ideal venue to launch the exhibition. Its proximity to the river means visitors will view the images and, we hope, feel inspired to walk along the river.”

The exhibition is a community-initiated product of the Sustainable Urban Fringes (SURF) Aberdeen Project.

SURF Aberdeen is part of the Interreg IVB North Sea Region Programme, and is jointly funded by Aberdeen City Council and the European Regional Development Fund.

SURF brought people, organisations and ideas together to initiate a renewed focus to the River Don corridor.

Many of the community members met via the project’s Facebook page, where they had been posting their photographs and celebrating their enthusiasm for the river and surrounding areas.

Sinclair Laing, SURF Aberdeen project manager, said,

“The River Don corridor cuts a beautiful swathe of blue and green through north Aberdeen. This urban fringe plays an important role by providing urban breathing space for Aberdeen’s people and wildlife. It also hosts important cultural and built heritage and helps to support opportunities for sport, recreation, employment and education

“This community-led exhibition project will help raise the profile of this valuable, yet often overlooked, part of Aberdeen. This is a stunning exhibition and I offer my congratulations and thanks to Alicia and the rest of the exhibition participants for their initiative, hard work and creativity.”

 Photographer Vicky Mitchell said,

“The exhibition means the chance to show off the beauty of the river and its importance to those who live in communities nearby. It also is giving me the opportunity to show my work to the people of Aberdeen. The project has been a great experience and full of lots of highlights such as working with some great people, securing some fantastic venues and spending even more time on the Don.”

Regular project contributors have been: Abeer Eladany, Alicia Bruce, Andy Coventry, Blazej Marczak, David Davidson, Darren Wright, Gregor McAbery, Katherine MacLean, Kirsty McAbery, Lynne Digby, Nadine Ralston, Sinclair Laing and Vicky Mitchell.

With additional exhibition contributors: Anita Welsh, Carrie-ann Holland, Craig Douglas, David Brazendale, Glenn Cooper, George Crighton, Ian Cairns, John Rutherford, Ken Dobbie, Mike Stephen, Nicola Youngson, Ruth Bone, Countryside Ranger Service, Susan Thoms, Stephen Bly and Hugh Mullady.

Tour dates

2 June – 6 July                       St Machar Cathedral – The iconic launch venue in the River Don Corridor.

7 July – 4 Aug                        Seventeen, Belmont Street – Supporting Aberdeen’s bid as UK City of Culture.

13 – 28 July                              Sir Duncan Rice Library, University of Aberdeen – Drawing parallels with Victorian wet-plate images by George Washington Wilson.

21 – 29 September                Natural History Centre, University of Aberdeen – A touch and feel exhibition incorporating taxidermied examples of local wildlife.

September 2013                    Regensburg, Germany – A cultural exchange made possible by Aberdeen Twinning.

 Other venues to be confirmed include The Scottish Parliament and venues along the River Don corridor itself

Alicia Bruce is an award-winning Scottish photographer and educator. She studied photography at Aberdeen College and Edinburgh Napier University. Her work is a collaborative process with the communities she photographs, addressing social and political themes and issues. Alicia’s photographs are held in various private and public collections, including National Galleries of Scotland.

Her education work is rooted in participatory practice. She regularly teaches in communities, schools and further education settings teaching courses for Street Level Photoworks, City of Glasgow College, Stevenson College, eca, The Fruitmarket Gallery and The National Galleries of Scotland. She is Freelance Specialist Interest Rep on Engage Council.

Alicia is an experienced and established arts educator, lecturer, and community worker. Her recent Valleys Project about an ex-mining town in Wales is currently being exhibited at Diffusion, Cardiff International Photography Festival alongside the work of David Bailey, Philip Jones Griffiths and Jeremy Deller. Alicia’s photographs were recently celebrated by The Scottish Parliament in a Parliamentary Motion.

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Sep 302011
 

Those irreverent scamps of Scotland the What?, in a live take on Harry Gordon’s ‘Fittie Folk, Kitty Folk’, once cheekily ended a contemporary refrain with, “Harlaw, Pointlaw, Babbie Law and Denis Law”, proof that the reputation of this scrawny blond loon from Printfield is as firmly scorched into the local psyche and folklore as those enduring, immovable, jutting-jawed Aberdeen landmarks. This is all the more impressive considering that apart from his 55 appearances for Scotland, Law’s football career was entirely spent in England and, briefly, Italy. Voice’s David Innes reviews Denis Law: My Life In Football.

I have to admit that I was first disappointed when I picked up My Life In Football. I did not know that it was a pictorial retrospective of Law’s life and career, expecting it to be an update of his previous biography The King.

It is only on the inner frontispiece that the alternative title My Life In Pictures is shown. There is also a Scottish Edition available, although there is no indication how this differs from the edition sent to Voice for review.

Do not let this put you off if you are a fan of the formerly Beautiful Game, however.

Law, in partnership with Ivan Ponting, has selected almost a thousand photographs, ranging from his gawky, bespectacled Kittybrewster schooldays in the late 1940s to contemporary images, showing one of the game’s elder statesmen happy and relaxed in well-deserved retirement.

In between, there are some stunning action images captured by the cream of the world’s sports photographers during football’s golden era. Unfortunately, the photo credits are only given to the image owners in the book’s acknowledgment appendix, as it would provide fellow obsessives with months of joy tracking down and drinking in the magnificent portfolios of the snappers whose work is featured.

Each image has been captioned by Law, and although he and his editor will have had access to historical statistics and tele-visual resources to inform these mini-narratives, there is little doubt that Law’s own memory has played its part in writing the captions.

The detail proves that his memory remains as sharp as those deadly penalty box reflexes were when this legend was the goal area nemesis of rugged, brutish defenders, when football was tough and hard and its physicality celebrated as a challenge to the skilful and brave. One cannot imagine Law ‘simulating’ to gain a penalty under a robust assault by Chopper Harris, Jackie Charlton or Norman Hunter. That would have been an admission of defeat, of weakness, and viewed as an unworthy, cowardly way of gaining a tarnished advantage.

My Life In Football is unashamedly for football fans, so does not set out to philosophise about the game or give deep insights into the consciousness of one of the finest footballers of all time.

The captions, the narrative if you will, are therefore non-controversial and written in the ubiquitous ribbing, deprecating style, an incessant feature of football in dressing rooms at every level in the UK and which are a bit wearing unless you happen to be part of it.

The same can be said of the contributions made by Law’s fellow protagonists in the images, Paddy Crerand, Bobby Charlton, the late George Best and a variety of other teammates and rivals, but behind the mickey-taking, the comments are made with obvious affection and respect for Law’s outrageous ability.

This is a coffee table book, designed for repeated reference, packed with magical memories for those who had the privilege of living through the era when supremely-gifted craftsmen such as Denis Law made football, when it was The People’s Game, exciting, compelling and the best possible release from stupid, stressful reality.

It is also a worthy historical tome which will help inform those who believe that football began with Serie A, La Liga and the Premiership and the out-of-proportion sums of money falsely keeping such structures afloat.

Denis Law: My Life In Football (Scottish-edition)  
Simon and Schuster.
ISBN 978-0-85720-084-6.
250 pages.
£25.

Sep 302011
 

You’ve Been Trumped – the documentary film branded ‘a failure’ by Donald Trump has just won its third major documentary award – and first in Scotland – clinching the Scottish Screen Archive Prize for Best Feature Documentary at the Edindocs Festival in Edinburgh. Suzanne Kelly reports.

The award means the film will be archived as an important piece of Scotland’s history and stored at The National Library of Scotland ‘forever’.

This latest award follows two other major festival awards for the film.

In June You’ve Been Trumped won the Green Prize – the top environmental award for UK documentaries – at the Sheffield International Documentary Festival.  And in August, the film scooped the Special Jury Prize at Michael Moore’s Traverse City Film Festival in Michigan.

You’ve Been Trumped was rejected for funding by Creative Scotland and passed over for this year’s Edinburgh International Film Festival

However, it has proven to be a hit at some of the world’s most prestigious documentary festivals and will shortly be screened in Australia, Taiwan, Bermuda and at several major film festivals in the United States.

You’ve Been Trumped tells the story of Donald Trump’s attempts to build what he claims will be ‘the greatest golf course in the world’ on a supposedly protected environmental site in Aberdeenshire.   The plan involves building 1500 houses and a luxury hotel on what scientists have described as ‘the crown jewels of Scotland’s Natural Heritage.’

You’ve Been Trumped has just begun a Sheffield Doc/Fest winners’ tour – playing at major independent cinemas across the UK and is also part of the Take One Action Film Festival which takes in Glasgow, Edinburgh and Inverness.    The film is also due to return to cinemas in Aberdeen and Dundee next month.  Meanwhile, You’ve Been Trumped will be travelling to the Vancouver International Film Festival later this month and will unspool for its official New York premiere in early October.

Director Anthony Baxter said:

“It’s a great honour for You’ve Been Trumped to be recognised as an important historical document and reassuring to know that future generations will be able to learn lessons from the environmental destruction that’s been unfolding on the Menie Estate for precious little economic benefit.”

Scottish folk singer-songwriter Karine Polwart (“exceptionally subtle and melodic” Q Magazine) is currently penning a new song inspired by events captured in the film, which will be unveiled when You’ve Been Trumped is screened at the FilmHouse in Edinburgh on 2nd October as part of the Take One Action Film Festival.

Footnotes:

  • You’ve Been Trumped (UK, running time 95 minutes) was made by Angus based independent production company Montrose Pictures Ltd.
  • The film score features music from world the world renowned Sigur Rus and the band’s front man Jonsi.
  • Many of You’ve Been Trumped’s future screenings can be viewed here – with more dates to be added.
  • Latest news on the film can be seen here.
  • For further information call Montrose Pictures: +44(0)1674 677 233 or email: projects@montrosepictures.co.uk