May 172012
 

Dave Macdermid has contacted Voice to invite members of the public to take part in this month’s gardening activities session organised by the Friends of Duthie Park.

It’s taking place this Sunday, 20th May, between noon and 2 pm, and volunteers will be preparing and sowing an area with grass seed beside the Riverside Drive entrance.

Anyone interested in helping should assemble at the David Welch Winter Gardens at noon.

Dress according to the weather conditions and bring a pair of gloves!

Apr 062012
 

By Bob Smith.

The first season o the ‘ear
Heralds the fresh breath o Spring
April shooers weet the grun
Birdies ti nests they cling

Syne the time o Simmer
Wi the sun heich in the sky
Fin thunner micht be rummlin
An yer skin can stairt ti fry

Simmer’s deen an it’s Autumn
Wi the leaves nae langer green
Fairmers they still wark the lan
Bi the licht o a gweed hairst meen

Fae Autumn inti the Winter
Wi it’s dark an broodin skies
The sna lyin’ deep an crisp
Ye’re maist affa sweir ti rise

The vagaries o oor climate
Am sure some wull agree
Are better fin yer hearin
“The Fower Seasons” by Vivaldi

©Bob Smith “The Poetry Mannie” 2012
Image Credit: Elaine Andrews

Mar 302012
 

By Bob Smith.

On mither earth faar we div bide
Thingies noo are fair on the slide
On iss sphere in the universe
The gweed life noo is in reverse

Flora an fauna are aa in decline
As the human race dis undermine
The basics fer the warld’s survival
Yet maist fowk’s brains are in denial

We build an drill an pull oot trees
The polar regions nae langer freeze
The kwintraside noo aa tar scarred
As motorin groups they lobby hard

Mair an mair hooses biggit near toons
Coverin fertile fields we kent as loons
Rape an winter wheat full fairmer’s parks
Nae placies left fer the peesies or larks

Aathing noo maun be neat an tidy
In winter time things canna be slidie
If sna faas doon at the rate o faist
It’s look’t upon as bein a bliddy pest

Yet sna we need ti fill lochs an rivers
It melts in the hills an rins doon in slivers
So we can aa drink a draught o H20
The watter levels shudna be ower low

We cut doon rainforests so cattle can graze
Or palm ile is socht ti mak soap fer yer face
An fowk faa hiv bade in thae forests fer ‘ears
Throwen oot o their hames bi firms’ owerseers

Mither Earth provides us wi aa wi need
Sustainable? Aye bit nae fin there’s greed
We maun use less of fit Mither Earth dis gie
Some fowk in oor warld iss they canna see

I hiv some hope Mither Earth wull survive
As the younger fowk weel they div strive
Ti gither an protest aboot fit’s aa gyann on
Mither Earth micht yet see a brand new dawn.

.

.
© Bob Smith “The Poetry Mannie”2012

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Image Credits:
GRASSHOPPERS © Steffen Foerster | Dreamstime.com 
PLANET EARTH © Foto_jem | Dreamstime.com

Mar 302012
 

With thanks to Dave Macdermid.

Hard on the heels of the return of Spike the Talking Cactus, another of the Duthie Park’s David Welch Winter Gardens favourite characters has been rejuvenated back to his former glory.

Friends of Duthie Park Chairman Tony Dawson explains:

“Since Spike made his welcome return, we have had so many people enquiring why ‘McPuddock The Mechanical Frog’ wasn’t working as well as he should and wasn’t gurgling. And I have to say it was mostly adults doing the asking!

“Sadly he had been below par for some years but, thanks to our wonderful friends at Richard Irvin, he’s now back and as good as new, freshly repainted and emerging from the pond with accompanying gurgles on a regular basis!

“For a certain generation, Spike and McPuddock are characters they grew up with and I’m absolutely thrilled they are now both back to their best, particularly at this time, with the major restoration project well underway.”

The David Welch Winter Gardens are open between 9.30 a.m. and 4.30 p.m., with closing time extended until 5.30 p.m. from Sunday onwards.

Mar 152012
 

Dave Macdermid updates Aberdeen Voice on the Glacier Energy Masters U -12  Winter Grand Prix.

Patrick Young consolidated his position as undisputed leader in the inaugural Glacier Energy Masters Under 12 Winter Grand Prix series with victory in the sixth and final event at Westburn Tennis Centre.
In the final, the Stonehaven youngster recovered from the loss of the opening set to edge it 0-4, 4-2, 1-0 (2) over Ross Martin (David Lloyd Aberdeen) in an entertaining match.

In the 3rd/4th place play-off, Rubislaw’s Cameron Edwards defeated his clubmate Conor McMahon 4-2, 4-2.

North East district coach Vikki Paterson was delighted with what will hopefully become an annual series.

“The grand prix has enabled the boys to enjoy regular high-level competition over the winter period and this is something we would wish to build on.”

District President Brian Morgan added.

“The standard of tennis was exceptional and I’m sure those involved will see the benefits of the grand prix going forward. We are indebted to Glacier Energy for their support as without their assistance, quite simply there would have been no event.”

Feb 292012
 

Shakhaf Barak wrote to a friend highlighting the history behind the current referendum that is dividing the city. He has kindly allowed Voice to use it, almost verbatim as the deadline approaches for voting.

Dear Friend,
Here in Aberdeen there is a bitter referendum taking place, and it could go either way. Over 70,000 people have voted thus far, in a city of barely 212,000 souls, and both sides have reported each other to the police. Central to this story is a 250-year old city centre park, Union Terrace Gardens, and the billionaire oil tycoon seeking to redevelop it.

Union Terrace Gardens are similar to Edinburgh’s Princes Street Gardens, lying in the natural amphitheatre of the Denburn valley, the Denburn being a stream which flows right through the city, underground where it borders the Gardens. Much of Aberdeen’s best architecture was clearly envisaged to overlook this area.

The Gardens are home to a cluster of 260-year old elms trees that once formed part of the Corbie Haugh, a historic wood which ran through the valley. This is among the largest concentration of healthy mature elm trees in Europe, and they are reputed to have escaped Dutch Elm Disease, not only due to their isolation, but also because the pollution of the city has afforded some sort of protection from it.

Both the park and its beautiful Victorian toilets are Grade A-listed, and all of the trees are under preservation orders. Up until as late as 2003, the Gardens formed the centrepiece of Aberdeen’s Britain In Bloom entry, and they were truly stunning, but since then expenditure has all but ceased, and the toilets have been closed for several years.

In 2008 a local arts organisation, Peacock Visual Arts (PVA) was granted planning permission for an award-winning and sympathetically-designed arts centre to be built into the hillside of the Gardens. This would have meant felling a small number of trees but none of the elms. The design was universally acclaimed and it was hoped that this scheme would help regenerate interest in the Gardens.

Enter Sir Ian Wood, one of Scotland’s richest men, and chief of Wood Group PSN. Sir Ian decided that he’d like to redevelop the Gardens by building a five-storey bunker in their place, whilst covering over the adjoining railway line and urban dual carriageway, with the entire roof of this construction forming a flat civic square at street level. It was not entirely clear what would be installed in the bunker, although speculation was rife to say the least.

He offered the council £50m towards the cost of this project, which was mooted to cost £140m. This was possibly an optimistic figure since Union Square, a similarly sized shopping mall with none of the technical difficulties or prior excavation work, cost £250m to build. The council felt this offer was too good to refuse, but the some members of the public were up in arms.

Sir Ian decided to put the proposal out to public consultation and promised to walk away should the public reject it.

The ‘consultation’ was commissioned by Aberdeen City and Shire Economic Future (ACSEF), a publicly-funded unelected QUANGO, and conducted by The BiG Partnership, Scotland’s largest PR company.

It many ways it resembled a marketing exercise. The bulk of participation was via a website, which asked several questions with a somewhat loaded feel to them. For technical reasons, the question on whether or not to proceed with the plan defaulted to a YES vote.

If, during completion of the questionnaire, any previously-given responses were subsequently amended, this again defaulted back to a YES vote. When the results were released, it became apparent from the comments sections that may people who had intended voting NO had instead been recorded as YES voters.

Over 10,000 people participated in the consultation, and In spite of it’s technical oversights, the public voted against the Civic Square proposal by 54%-46%, a healthy and significant majority. However the PR machine kicked in and somehow spun that the 202,000 people who had not participated possibly represented a silent majority in favour of this scheme.

  Critics described it as a cross between Tellytubby Land and a skate park

Sir Ian decided not to walk away, and the project went to a council vote. The council voted in favour of taking the plan forward at the expense of PVA who by that time had 80% of their £20m funding in place. It has subsequently been alleged that some of the PVA funding was diverted into the new project.

The BiG Partnership now re-launched the plans under a new name, The City Garden Project (CGP). It was claimed that the outcome of the public consultation was that the public were broadly in favour of a garden as opposed to a civic square. Any implication that they were actually in favour of preserving the existing gardens was ignored.

The interested parties now felt that the best option was to redevelop the Gardens by building a five-storey bunker in their place whilst covering over the adjoining railway line and urban dual carriageway, with the entire roof of this construction forming a new garden at street level.

The whole thing had an air of déjà vu.

This time it was decided to hold an international design contest, paid for with public money. Six designs were shortlisted from hundreds of entrants. One, The Granite Web, bore a striking resemblance to Civic Square concept, albeit with less concrete and more greenery. Critics described it as a cross between Tellytubby Land and a skate park.

The local press heavily promoted the Granite Web design from the outset of the contest, leading with it on their front page and providing it with more photo coverage than the other designs. It was almost as though it had been ordained.

The public voted, and spoiled ballots aside, all indications were that The Winter Garden design proved the most popular. An independent poll confirmed this and put The Monolith in second place.

Tellingly both of these designs retained much of the topology of the existing Gardens. Word on the street was that The Granite Web was not a popular choice, but we’ll never know for sure, because a decision was taken not to release the results of the so-called public vote to the public.

It was then announced that the winner of the private-public vote would be put forward to the selection panel, along with another design. The self-appointed selection panel consisted of Sir Ian, some other influential people from the oil industry, an architectural consultant on the project payroll, and a councillor who backed the project.

The two designs discussed were the acknowledged public favourite, The Winter Garden, and you’ve guessed it, the joker in the pack, The Granite Web. When the panel announced the result, it should have come as no surprise to anyone that they had chosen The Granite Web, yet there was a shocked silence, and even those had come out in favour of the redevelopment initially appeared bemused if not downright confused.

The original Civic Square was mooted to cost £140m, with £50m coming from Sir Ian, £20m from the private sector, and the rest to be borrowed through a Tax Incremental Funding (TIF) scheme. Any over-run would be covered by the council (read local taxpayer) .

Only £5m of the private sector contribution has materialised thus far, but there has been an announcement that The Granite Web would be significantly less expensive to build than the previously-envisaged, but somewhat less complex, civic square. Sir Ian has offered to personally fund up to £35M of any cost over runs, should they occur.

The TIF proposal cheerfully bends all the guidelines of TIF funding. TIF is intended to be used to redevelop brownfield sites, with the loan being repaid over a 25 year period through increased rates recouped from any businesses setting up in the redeveloped area. The city council had already approved planning permission for two new industrial estates on the outskirts of town, under the business case for the TIF funding, these new estates become part of the TIF zone, so in The Granite Web’s case, sections of the TIF zone are located several miles away from the actual redeveloped area.

The predictions are for 6,500 jobs and £122m annual revenue to the local economy, all based on the new industrial estates, which have no obvious linkage to The Granite Web, operating at full capacity. Even if one were to accept that any new jobs could be somehow attributed to The Granite Web, the figure of 6,500 seems unlikely given that the London Olympics is only projected to create 3,500 jobs.

Either way, the setup feels a bit shaky; the truth is that these jobs and their associated revenue will accrue with or without The Granite Web.

By this time, councillors seemed to be getting edgy and unwilling to green-light the project, so they decided to hold a public referendum. Any group wishing to campaign was required to adhere to an £8,000 spending limit, and for this they were provided with 300 words of text in the voting pack.

The packs went out, but unfortunately some of the Retain lobby’s statements were mangled due to a ‘computer error’. The voting packs were closely followed by a big money public relations mail bombing campaign by The BiG Partnership promoting The Granite Web. Publicity materials went through every letter box, pro Granite Web articles dominated the press, and adverts were played around the clock on the local radio stations.

Apparently this expenditure was permitted by virtue of being funded by an ‘unregistered’, and as yet anonymous, campaign group – whatever that means! I guess it’s a bit like not having to pay tax because your parents never applied for a birth certificate, who knows? By this point, things were becoming surreal to say the least.

The referendum closes on 1 March and it’s a bitter fight that has divided the city. For example, an oil company boss has made a complaint to the police alleging mail hacking and cyber bullying. The police claim they are taking this allegation seriously. There have also been two arrests possibly related to claims of vote-rigging, but ultimately no one was charged.

The town has gone berserk and it’s civil war all over Facebook. It’s as if we’re all experiencing a really, really bad shared dream. I just dread to think what we’ll all be waking up to on Saturday morning.

Feb 222012
 

Almost every time Karin Flavill looks at the design for the Granite Web, the same question comes to mind. “What would Howard Roark think?” Intrigued? Read on.

Howard Roark is the hero of The Fountainhead, a novel by Ayn Rand.

Rand is a controversial writer; aspects of her objectivist philosophy were transported across the Atlantic decades ago and transformed into what we call Thatcherism, so it’s safe to say that she draws strong opinion, from those who have heard of her, both here and in the US.

The attraction of The Fountainhead for me was that it gave me a glimpse into the unknown, that a philosophy designed to help the wealthiest members of society feel not simply financially superior to those who struggle, helps them feel morally superior to them too.

What is it that tyrants see that allows them to derive a sense of well-being when they look in the mirror? Reading Rand can help you find out, even if it’s unlikely that in reality, many of society’s bullies and elitists have the personal qualities and ethics Rand depicts in her heroes.

Roark may be a more interesting and relevant reference point than some other fictional characters who have entered the Granite Web versus Union Terrace Gardens debate. Jake the Ghost and Morris the Monkey for example, as promoted by the BIG Partnership, seem to have a peculiar and hopefully incorrect impression of what moves Aberdonians to vote.

Roark is his own man, and is Rand’s idea of the Perfect Man. A gifted and original architect, loathed by the majority for his innovation and commitment to the future, he despises architecture which draws irrelevantly from the past. His designs are modernistic and often hard for people to understand. The few who do understand become his friends, and are held up to the reader as exemplary beings.

In some ways, Howard Roark would seem to be another ideal spokesperson for the City Garden Project. On the other hand, this objectivist hero’s deepest contempt would be reserved not for those who disliked his designs, but for that partnership between business and government which is so conducive in the long run to crony capitalism. Hello, ACSEF.

  The pro-Union Terrace Gardens lobby regards the existing Gardens as a unique prize which could be something magical

Leaving the politics aside for a moment, would Roark look at the design and love it? I don’t know. I’m not an expert on architecture, but I do know a little more about people, and about conflict, and about the factors causing people beginning to feel alienated in their own city. Such doubts seem to be at the heart of this debate.

The pro-Granite Web lobby feels that Aberdeen requires a drastic makeover for it to become a place they would want to continue living in and that others would want to move to. The pro-Union Terrace Gardens lobby regards the existing Gardens as a unique prize which could be something magical if only people who understood it were listened to. The original Peacock Visual Arts design symbolises what could have been.

Throughout The Fountainhead, examples and analyses of the character’s genius as an architect are provided. One passage is, for me, particularly telling. Self-made man Mr Mundy has heard that Roark is a great architect, and would like Roark to design a house for him. Roark meets with him to ascertain what kind of man he is and subsequently what kind of house he would be happiest in.

“There was a place,” said Mr Mundy, “Down there near my home town. The mansion of the whole county. The Randolph place. An old plantation house, as they don’t build them any more. I used to deliver things there sometimes, at the back door.”

He goes on to describe the ways in which he would like to recreate that dream house, the house of his aspirations. From what we already know of Roark, he would dislike the notion of recreating something from the past. However, that’s not at the root of his disapproval of Mr Mundy’s aspirations. This is:

“It’s a monument you want to build, but not to yourself. Not to your life or your own achievement. To other people. To their supremacy over you. You’re not challenging that supremacy, you’re immortalizing it….Will you be happy if you seal yourself forever in that borrowed shape?…You don’t want the Randolph place. You want what it stood for.”

In other words, it’s not simply technical skill, the vision of the artist and the ability to give the client what he wants that makes Roark a great architect. He sees who people are, not as they want to be seen, or as they try to be seen, but as they are. It’s this ability to look past the hype, the pretence, self-advertising and PR that enables Roark to build houses in which people can feel truly at home.

Think of your own dream house. Would it be one that somebody else had designed? A talented design team who would create something that was a compromise between their personal tastes and your picture of who you would like to be? Who furnished it in accordance with those same principles? Would it be your home, or would it be a design piece reflecting aspirations of who you wish you were, rather than who you really are?

  Who are we, in Aberdeen? A conflict like this forces us to consider that question in some depth

The promotional video for the Granite Web presents a futuristic world peopled with white, transparent figures ambling aimlessly through flower beds, staring uncomprehendingly at car parts dangling from a roof, drinking coffee. Observe, consume, observe and consume.

These transparent figures aren’t creators or innovators. They simply absorb, passively, that which has been transported from elsewhere to make the city seem more impressive to outsiders. A place that might, at some future date, be awarded City of Culture status!

The promotional literature keeps insisting that this will be the people’s park. It encourages readers to imagine themselves consuming all that the park has to offer, in the belief that this will result in them achieving a sense of ownership over it. There will, we’re promised, be spontaneous performances, but it’s not clear who will provide these. Perhaps musicians drafted in from outside.

Who are we, in Aberdeen? A conflict like this forces us to consider that question in some depth. My impression, living here, has always been that Aberdonians tend towards reserve, despite night-time scenes on Union Street when alcohol loosens inhibitions. The notion that we can buy a totally different character for Aberdeen, via an expensive raised park, seems dubious at best.

Union Terrace Gardens exemplifies the typically reserved nature of the Aberdonian. Like a Christmas tree that contains only a few, semi-concealed fairy lights, it is capable of emitting the magical quality that a garishly decorated tree cannot. The magic of mystery and discovery, and something very different from the usual variation on the iconic city centre park that is springing up all over the world.

One person’s iconic, radical, inspirational park is another person’s pretentious vision of future dystopia. I’ll admit I belong to the latter category, which is why I’ve already voted to retain, and improve, Union Terrace Gardens. Peacock Visual Arts was a local initiative which would have provided a place where people interested not just in consuming the arts but in contributing actively to them could have congregated. That was an exciting notion.

The Granite Web, on the other hand, constitutes yet another ‘space’ in which the people who live here may perform a passive consumer role.
Sir Ian Wood believes that he is giving Aberdeen a gift, and has expressed hurt that many in the city fail to appreciate this. The difficulty is that altruism doesn’t always create a sense of self respect in the recipient.

The price paid for that altruism is that the opportunity to create and innovate is taken away from people in the community, limiting their opportunity to participate to that of being passive consumers. For some, regardless of the risk of being branded ingrates, that may be too high a price for them to enter voluntarily into this particular contract.

Feb 102012
 

City support organisation the Friends of Duthie Park (FODP) has welcomed the news that an action group has been formed to investigate ways of re-establishing Hazlehead Park as a top Aberdeen attraction, Dave Macdermid informs Voice.

Tony Dawson, FODP Chair commented:

 “I was delighted to hear that an Action Group had been formed for Hazlehead Park. In recent years, it has visibly suffered from a lack of investment.

“However, all is not lost, as can be seen with the developments in Duthie Park, itself visited by over 700,000 people annually.

“This year will see significant restoration works to Duthie Park and its iconic Winter Gardens, thanks to the grant awarded by the Heritage Lottery Fund. The ponds and mound will be completely revamped, as will several other areas, to benefit the people of Aberdeen and tourists from all over the world, allowing the Park once again to be an attraction we can truly be proud to have in our city.

“A substantial amount of work has gone into the £5m HLF-funded project. For this, Aberdeen City Council, and the dedicated officials involved, deserve great credit especially in these cash-strapped times.

“It was the largest HLF project in the UK for 2011 and this year will see the regeneration of large parts of this great Park.

“The Friends wish every success to the Hazlehead Park Action Group and are more than happy to support them wherever necessary. But why stop there? What about Victoria , Westburn and Seaton Parks as well as Johnston Gardens? Let’s get support organisations set up from those parks’ users. It’s amazing how far a bit of enthusiasm and commitment can go and we cannot depend on the City Council to do it all. Such successful projects can go a long way towards restoring civic pride in our great city.”

The Friends of Duthie Park AGM will take place on Tuesday 6 March at 1900 in the Winter Gardens and is open to all. To add to a successful year for the group, Tony is appealing for additional expertise in specific areas.

“We have a wonderful committee but everyone is a volunteer and we could certainly do with some help in fundraising, IT and last, but definitely not least, in finding more people who would be willing to help by being the voice of Spike, the Talking Cactus!”

Anyone who is interested in assisting the FODP can attend the AGM or contact: info@friendsofduthiepark.co.uk .

Feb 032012
 

January and February always seem to represent a low time in the year. Christmas and New Year have been and gone and there seems little to look forward to. The days remain short and the nights long. It’s usually raw cold. Unwelcoming. The opening months of the year always cause something of a gloom to hang over Mick Miller’s household. Bung in a global recession for good measure and things seem pretty bleak. Then it got worse. What’s up, Mick?

The post arrived on Monday and out of the two-for-one pizza offer junk mail fell a gaudy catalogue.
Only it wasn’t a catalogue – it had “VOTE” written on it. Promotional blurb for the City Gardens Development.

How profoundly depressing. The front ‘cover’ illustration is of some futuristic landscape from another place.
Only on closer inspection it isn’t. It’s Aberdeen, or, more accurately, a version of Aberdeen which can only have be conceived in cloud cuckoo land.

Real people, in a REAL garden.       

It’s lurid, horribly-coloured, glib and vacuous. It is pervaded by a complete sense of the unreal. Semi-transparent people wander aimlessly inside a cartoon-flowered version of reality. Children trample unrestrained, yet the flowers survive.

Out-of-scale human forms laze in some sort of airborne meadow whilst below them, in a throwback connection to the real world, trade waste bins lurk ominously. A woman of Amazonian proportions accesses a laptop whilst sitting on surprisingly unbending grass stems. The remnant spire of the Triple Kirks emerges from a scrubland of low growth stock image shrubbery.

It all looks vaguely ill-tended, neglected, as if within this futuristic vision lie the discards of the past. Or perhaps its a tacit admission that should, god forbid, this monstrosity go ahead, there is just no way that the upkeep will be affordable. Delving deeper, the background is found to comprise of a realigned His Majesty’s Theatre and a hugely-inflated and decapitated William Wallace. A victim of the guillotine perhaps?

But the history, like the whole of this charade, is just plain wrong. Landscape dressed up as farce. A cityscape for Anywhereville. Inaccurate. Disjointed. A cut-and-paste pastiche.

Opening up, things don’t improve. A drab labyrinth of pathways which look like bridges over a motorway, criss-cross manicured lawns and monoculture grasslands. In one image the sun sets….or does it rise? Either way, it’s in the wrong place. What on earth, if we are still on earth, is going on? This is lazy work, a Standard Grade project gone catastrophically wrong. Everything is confusing.

The front page image shows a gaudy flower bed appearing to lie on a lower level of the structure. Moving inside the pamphlet the same floral, er…..’bombshell’, is miraculously elevated. Or is it that those bloody bins are just absolutely HUGE? I’m confused, disturbed even.

   I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

In the sunset image, an oddly-inclined piece of lawn totters precariously into the largely obliterated Denburn valley. In Woody Allen’s Manhatten, a character in a TV show is observed to have a toupee so badly-placed on his scalp that it looks like it has been dropped on to his head from a great height in an uncontrolled way.

This elevated savanna has the same feeling about it. There will be a need for avalanche warnings in the snowy depths of winter.

In another image, a pipe band plays beneath a Formica-lined dome with random cut-outs that give the feeling that the design is based on half a panelled football booted around Pittodrie of a Saturday afternoon. Below this, a winter scene shows people so cold they have started to vapourise as, it would appear, has the Formica football, associated terraces and denuded trees, miraculously large for such a recent planting.

A lone child in a blue jacket has something so contagious that the populace in the foreground seek to distance themselves as quickly as possible. Is he the cause of the vapourisations? Oh I get it – we’re on the set of War of the Worlds and soon tattered clothing will rain down upon us from the sky. I know that was the only good bit. It all has an apocalyptic feel. I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

Aberdeen is a beautiful city, notwithstanding some recent disastrous architectural additions. It doesn’t need or deserve such ill-thought out attentions as this abomination.

Union Terrace Gardens are an integral part of what allows Aberdeen to maintain its architectural, cultural and civic dignity. The Gardens need some tender loving care, but they don’t need annihalation by the ‘solution’ that this tacky pamphlet proposes.

A heartfelt plea. Please, people, don’t let this thing go ahead. Make sure you vote to retain Union Terrace Gardens.

Jan 192012
 

By Mike Shepherd.

The final design for the City Garden Project was picked this week.  The proposed plan is to replace Union Terrace Gardens with a futuristic design of curving walkways and grass called the “Granite Web”.
The announcement stoked up even more controversy as it appears that the design was not the first choice amongst those that voted in the exhibition in October last year.

Favoured was the “Winter Garden”, the design with the big greenhouse resembling a giant glass worm.

A letter in the Scotsman gave a typical response to this ‘consultation’:

Pointless poll. Of the six designs submitted for the development of Aberdeen’s Union Terrace Gardens, one emerged as the clear favourite during a protracted public consultation in which the Aberdeen electorate took part.

Yet a panel of judges has selected one of the other designs, and the Aberdeen public is apparently to be given the choice between this one or nothing. What is the point of holding a public consultation and treating the result as if it didn’t exist?

Derrick McClure, Aberdeen
http://www.scotsman.com/news/letters/letter_pointless_poll_1_2061360

It is not the first time that a consultation on the fate of Union Terrace Gardens has been ignored. A public consultation run in 2010 saw a majority of the public rejecting the scheme.

The design itself is also controversial. John Glenday, the editor of the magazine for Scottish architects the Urban Realm, commented:

“Diller Scofidio & Renfro’s ‘granite web’ of interconnected walkways has been sold as a vision of the future for Aberdeen. However the seductive sixties sci-fi vision presented may be out of date before the journey from concept to reality has even begun. In their submission the architects have spun a tale of making Aberdeen “throb” again but the history of elevated walkways and underpasses, as anyone who has ever traversed any concrete New Town will attest, is often dystopian.

“Health and Safety officials are also likely to have a field day with the walkways and platforms as presented, inevitably leading to a compromised design with fencing, signage and other clutter once the demands of building regulations are met.”
http://www.scotsman.com/news/cartoon/analysisagrandschemebutitmayjustbealittletoolate

Others have been more  sceptical. It has been variously likened to a Teletubbies TV set, a skatepark and even  ‘Mounthooly Roundabout on steroids’. The City Garden Project have however reached for their dictionaries to praise the ‘vision’, with press releases abounding with words such as ‘transformative’, ‘vibrant’ and ‘dazzling’. Despite the hype there are very few facts being presented. We still do not know how much it will cost or how long it will take to build.

In another development, Aberdeen City Council are to hold a special council meeting next Wednesday to discuss the City Garden Project.
http://committees.aberdeencity.gov.uk/mgConvert2PDF.aspx?ID=18252

The report for the meeting asks councillors to approve the final City Garden Project design , expects the private sector to commit at least £70 million towards the project and discusses some of the land ownership issues.

There is no discussion in the report as to what happens if the City Garden Project goes into massive cost over-run. In 2009 the then Chief Executive, Sue Bruce,  decreed the private sector would be responsible for any cost over-run. Since then, no procedure has been discussed on ensuring agreement about this. In my opinion, Aberdeen City council are being grossly negligent here.

Councillors are effectively being asked to approve the final City Garden Project design ahead of February’s public referendum.

Yet the report mentions that:

ACGT has produced initial draft proposals in respect of the likely uses of any internal and external space to be created by the proposed development and are currently redrafting these proposals to reflect the space provision within the design recently selected by the Design Competition Jury.”

It is difficult to see how councillors can approve a project when there is no clear statement as to what the scheme is going to be used for.

The requests to councillors to spend up to £300,000 on legal costs from Council funds will be very controversial. We have been repeatedly told that the City Garden Project will have no impact on Council budgets, yet this is clearly not the case here. Some will ask how such costs can be justified when services and amenities are being drastically cut elsewhere.

Polling cards for the referendum are to be issued to Aberdeen residents on or around the 16th February. We will be asked for a third time – what do we want our city centre to look like?

The public are being treated with disrespect on this issue. Nevertheless, Aberdonians should ensure that they vote in the referendum.  This one counts.