Nov 142011
 

Old Susannah pays her respects, but is unable to maintain her silence as she takes a look around what has been happening in our vibrant and dynamic city and beyond.

Things continue to be vibrant and dynamic this week in the Granite City.  On Friday 11 November some 4o-plus people gathered for a minute’s silence to mark those who fell in war.  Robert Martin who works nearby in Golden Square told me he first started coming to Union Terrace Gardens for the traditional minute of silence a few years back.
“What better, more peaceful place is there in the heart of the City to have the minute of silence,” he commented.

A gardener tried to tell the group they should be at the war memorial instead – he could not understand that we were all happier in the Denburn Valley.

For the record, this was not a celebration of nationalism, or glorification of war; it was a gesture of respect for those who lost their lives in war.  Wouldn’t it be nice if we could just stop killing each other, and sort out economic and social problems another way?  Maybe that day will still come.

Then there was the enjoyable opening night at Peacock for its winter exhibition.  The 400 or so works are on show until 23 December and  are all for sale.  Alicia Bruce is offering small prints of her iconic photo portraits from the Menie Estate which had such a good reception when she exhibited at Peacock.  There are abstracts, portraits, beautiful drawings, and even one or two offerings of mine.

A quick word about litter.

During the week I asked an older man who’d dropped litter to please pick it up.  He explained (with some interesting vocabulary words which I must look up) that ‘he didn’t know me’, ‘he didn’t have to’ and ‘I could not make him.’  It was a very impressive display indeed.

Days later I was at Sainsbury’s Berryden, and groups of students (probably just over 20 people in total) had stopped by the store to get their lunch.  They had wrappers, bags, papers, serviettes, bottles and so on.  And as I waited for a bus, I saw each and every student put their trash in the trashcan near the bus stop.

I am pretty sure they were from St Machar.  My appreciation to them and the other people who do the right thing.  It’s not difficult, it’s not brain surgery.  It does however make a huge difference.

But whatever you were doing this week, everyone’s thoughts were with one brave man who is fighting a valiant struggle of his own.  Yes, Stewart Milne’s case went to the Supreme Court on Thursday.

The Press & Journal had no room for this story on the day, due to the breaking news that geothermal energy exists.  This astonishing front page special even had a picture of a volcano to illustrate it.  I had personally expected a story about a cow with a ladder on its neck, but the geothermal story did the trick, and between it and the massive ads for Milne Homes, no room remained for the little matter of our City being called to the Supreme Court.

Then, Friday, the P&J did run with a story on Milne, which leads neatly to a little definition or two.

Negotiate: (verb, Eng) to settle a conflict or disagreement by compromise.

Those of us who read the Press & Journal story will have felt sorry for Stewart Milne.  He claimed the matter could have been settled had Aberdeen City council accepted his offer of negotiation.

According to the P&J, Stewart Milne Group claimed:

“We have offered to go to independent arbitration on several occasions over a long period of time,”

Usually negotiations happen when both sides have a valid argument or case to make.  To refresh everyone’s memory, the City sold land at Westhill to Mr M for far less than it was worth – the City’s clever business plan was not to sell the land on the open market, but sell directly to Milne (I am sure there was a great reason).

He got a great price on the understanding the City would eventually get any sale profit.  In a really clever and not at all dodgy-looking business manoeuvre, the land moved from one arm of the vast Milne empire to the next, at a cost around £500k –apparently more than what the 11 acres cost in the first place.  This was perfectly normal, and could have happened to anyone.  Quite truthfully, Milne then indicated that there was no profit to share.

This giant poster in no way looks like a desperate advertising ploy, but it does paper over some cracks nicely.

The City and subsequent courts have disagreed with Mr Milne’s logic (shocking!), and rather than enter ‘negotiation’ over the £1.7 million under dispute, the City decided to see the case all the way through.  Milne could have accepted the last court’s verdict, but he appealed all the way to the Supreme Court.  If you’ve only got £60 million, then you’ve got to hold onto every penny these days.

The trial was televised, and although Old Susannah is no legal expert, it didn’t look all that great for Stew.

Now we just have to wait for the outcome – at which point no doubt everyone’s favourite football club owner will immediately give Aberdeen the £1.7 million it is owed, plus court costs.  I think an apology is also due, and hope the City are drafting one to Mr Milne for taking things this far.

This expensive litigation obviously in no way impacts on the role Mr Milne plays in ACSEF, the City and Shire’s invention which is helping us out of economic chaos.  Aside from the bang-up job ACSEF has done so far for our city’s shops, it’s created a brilliant logo for itself, and now has a great big vibrant, dynamic mural at McCombie Court.  This giant poster in no way looks like a desperate advertising ploy, but it does paper over some cracks nicely.

In light of Stewart’s logic concerning negotiation, the next time you get mugged or have your wallet snatched, don’t go to the law.  Just find out who’s got your money and negotiate to get some of it back.  Sorted.

Reading this story about how Stew wanted to negotiate, I wonder if I’m not having déjà vu.  This sense comes from the P&J article some time back, when Milne and everyone’s favourite forum, ACSEF, were taking over Peacock Visual Art’s project and turning it into the great City Garden Scheme.

Just before the final, decisive and divisive voting on the project took place, ACSEF / Milne said that Peacock had been offered some kind of 11th hour alternative, but were unwilling to strike a deal.  Of course if you read the full story, you would have eventually discovered Peacock said ‘we were never contacted about any deal.’

I hope in future any Peacock person, Aberdeen City legal rep, etc. will just ‘negotiate’ when Stewart wants something – it will save the taxpayer lots of money to just go along with him from the start.

In fact, when I think of Loirston Loch, the Triple Kirks glass box scheme, Pittodrie and so on, I wonder if we haven’t just started to say yes to him already.

Geography: (noun) study of terrain, locations, types of environments and areas.

If you are out there, Pete Leonard, Director of Housing, perhaps you might consider a geography lesson or two.  Pete insists Tullos Hill is ‘urban’.  The hill is next to all the lovely industrial estates which have helped make Aberdeen the profitable centre of the universe it is, but the hill just isn’t all that ‘urban’.  It’s covered with plants, grasses, wildlife, pre-historic cairns and so on.

Here in Aberdeen, there is a complete separation of contractors and councillors

On the word of Mr Leonard, I went to Tullos Hill the other day assuming it had been urbanised.   I looked for fast food, a coffee or a monorail ride, but there was nothing of the kind to be found.

It struck me that Ms Malone (who has lately been very, very quiet) might want to look for a new initiative to push. Perhaps if she abandoned the ‘tree for every citizen’ scheme and maybe had ‘a monolith for every citizen’ and/or ‘monorail for every citizen’ scheme, it might increase her popularity.  As I hear it, an improvement in her popularity stakes is currently the only possible direction.

Aside from Tullos, other urban areas in our city are easy to recognise by the well-maintained roads and footpaths, the general cleanliness, the complete lack of any crime, and all the many open local shops.

Corruption: (noun, English) a state of dishonesty, lack of integrity, self-interested behaviour of a person or body in a position of trust.

Edinburgh has faced accusations of council corruption. (“At least it couldn’t happen in Aberdeen!” I can practically hear you say.)

For openers, according to the BBC, the hospitality records are incomplete. ( This contrasts with our city’s up-to-date, perfectly set out, fully inclusive records which seem to indicate some councillors went to absolutely no events whatsoever in 2009 and or 2010).  But that’s the least of Edinburgh’s problems.

Edinburgh’s councillors are in the firing line for ‘possible fraud and serious wrongdoing’ with regard to building works and property.

Audit Scotland could not decide if the city was just a wee bit disorganised, or if there was a whiff of corruption

It also looks like a city councillor had a holiday paid for by a contractor.  Here in Aberdeen, there is a complete separation of contractors and councillors.  In those rare occasions when a councillor is somehow connected to a contractor, then they stay well out of any possible conflict situations.

Some years ago we had our own little trouble with Audit Scotland, you may remember.

They had a few uncertainties after a detailed investigation of our city’s property selling activities.  There were questions as to why so many properties were being sold below value.  Audit Scotland did tell the city to stop selling property at knock-down prices, and otherwise pay attention to details – like who is actually buying your property and what it should sell for.  In the end, Audit Scotland could not decide if the city was just a wee bit disorganised, or if there was a whiff of corruption.  In the end, they invited our local police to look into the issues.

After a completely thorough, detailed investigation, the police found nothing untoward.  Old Susannah is not sure when the investigation was conducted.  Then again, I’m not sure when exactly Stewart Milne Group started advertising on police cars, either.

Next week hopefully a Milne court and FOI case update; a fond look back at the careers of John Stewart and Neil Fletcher, who are not going to run for re-election in May.

Stop press Christmas Gift Solution:  Tired of the usual old boring gifts – the handbag-sized bottle of vodka, the city council carriage clock or branded pen?  Look no further for your gift requirements:  The City is selling photo prints of its greatest moments.  Rather than taking a picture of St Nicholas House or the ACSEF logo yourself to make a welcome gift for a loved one, just go to the City’s website.

What is the most popular subject on sale?  Why the Lord Provost of course!  There are only about 750 photos of him in action this year but fret not: there are two other years of Lord Provost photos as well.  Make a lovely print on canvas, or can be sent to an artist to create a portrait in oils.  I just might buy a photo of the Lord Provost handing over a gift and turn it into a mug, a mug for some reasons being the first thing that springs to mind.
See: http://aberdeencitycouncil.newsprints.co.uk/

Stop press 2:  there will be a further extension for getting your entries in for the Union Terrace Gardens art competition  – more news soon!

 

Oct 142011
 

With thanks to Kylie Roux.

Exhibitions:

The Black And White Show – Various Artists
Preview Friday 9 September, 6 – 8pm, all welcome!

A monochromatic medley of prints. Enzo Mari, Mike Giant, Scottie Wilson, John Byrne, Ian Hamilton Finlay, Donald Urquhart, Adam Bridgland, David Shrigley, Kenny Hunter, Rob Churm, John Bellany, Jock Mooney, Shepard Fairey and Alan Davie. Not to be missed.
Exhibition runs 10 September – 22 October 2011

Inchoate Landscapes – Toby Paterson
Preview Friday 9 September, 6 – 8pm, all welcome!
Toby Paterson’s Inchoate Landscapes draws around his newly completed suite of seven prints, creating an exhibition that sets them in the broader context of his practice and interest in the built environment.
Exhibition runs 10 September – 22 October 2011

Events:

Peacock @ Multiplied Art Fair, London
Friday 14 – Monday 18 October –  Christie’s South Kensington, London 

Peacock are one of only 40 galleries from around the world that are going to be exhibiting at this the UK’s first and only fair devoted exclusively to Contemporary Art in Editions, Multiplied Art Fair at Christie’sPeacock will be showcasing Inchoate Landscapes, a new seven-piece suite of prints by award winning artist Toby Paterson, as well as works by Kenny Hunter, Donald Urquhart and Adam Bridgland all recently completed in our printmaking workshops. 
Opening Hours –  Fri & Mon 9am-5pm, Sat & Sun 11am-6pm.

FREE entry – all welcome!

IMP Presents SOUND @ PVA
Fri 28 – Sun 30 October (Fri 7.30 – 11pm, Sat and Sun 3.30 – 11pm)

A festival within a festival. Not so much boutique as ‘guest house’.

Some of the best new music in Scotland (and some from further afield) over 3 days in the intimate surroundings of our gallery.  
Tickets available from One-Up Records (01224 642662)
& Aberdeen Box Office 01224 641122/ 
boxofficeaberdeen.com

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011

 Get Creative:

Peacock VIsual Arts – Summer Animation Classes
October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that!
Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!
Call 01224 639539 for more information or to book a place.

Open Submissions – The Winter Exhibition at PVA
It’s back! After a 2 year break, we would once again like to invite artists to submit work for the Christmas show. Previous years proved to be hugely popular, attracting many visitors and making it is a fantastic opportunity to have your work seen. And this year there are prizes on offer so even more reason to submit. Visit www.peacockvisualarts.com for more details.
Submission deadline Saturday 5 November 2011

Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
Oct 132011
 

Old Susannah looks back at the week that was and wonders who’s up to what and why. By Suzanne Kelly.

Old Susannah is having trouble sleeping at the moment for several reasons. Firstly, there is the sheer excitement over the UTG design competition – which design will I fall in love with?  What will be built that will make the world beat a path to Aberdeen for coffee, baguettes and monorail rides? Will Paris, New York and Rome empty as people come to Union Square and the new UTG?
Secondly, I am worried about Ms Aileen ‘Homalone’ who has dropped out of the public eye, and refuses (to date) to answer questions about the finances needed for the phase 2 attempt to plant trees on Tullos, and the money to shoot those extremely hungry deer.  It looks as if there isn’t any money, but no one’s talking to the public just now.

I did email to say ‘C’mon Aileen’ – and she replied that ‘an officer (if not a gentleman) would get back to me’.

I gently reminded Homalone that she had at least a little responsibility for the scheme to rid Tullos of vermin deer and plant 89,000 trees where trees had failed before, as she’d taken a wee bit of the public relations credit for this great scheme to begin with.  I expect as soon as she turns her razor-sharp mind to the task of analysing all the facts and figures regarding the tree planting, deer and slaughter, she’ll revert to me asap.

I don’t think I’ll hold my breath though.

You may recall the deer are under the death sentence because we must be cheap when using ‘the public purse,’ and Aileen being a good Lib Dem can’t stand any waste of public money.  Quite right.

No such restrictions apply to buying crucial carriage clocks and expensive pens from the Common Good Fund.  

If you are in Inverness, you have to apply to use the common good fund there, and a committee decides if your charity should get a bit of the fund. They seem to have helped quite a number of deserving causes, and the application procedure is the same for the rich and the poor, believe it or not.  It is not quite as easy to get a handle on who has their fingers on Aberdeen’s CGF sporran strings. But I digress – again.

Thirdly, I can’t sleep now that I know it’s OK to shoot small mammals and birds on Tullos Hill whenever you want – you just need a permit and the right kind of gun. I am amazed that no one’s been shot there yet. I am also amazed that people still like to hunt living things, but I guess I need to acknowledge that the law allows this.

So do keep walking on Tullos, but keep in mind bullets can travel long distances, and wear your bright clothes and your bulletproof vest.  And for goodness sake, don’t wear any of those novelty deer antler headbands.

Vermin:

(noun) 1. insects such as lice, ticks or fleas (or the more fashionable bedbugs plaguing New York at present) which can lead to infestations. 2. birds and mammals that eat other animals / game. 3. animals which are after the same food as people or domestic animals (How dare they!).

The police sent me some detailed answers about the gunman spotted on Tullos Hill in early September after I did one of my little FOI requests.  The hunter would not legally have been after the roe deer – but the police made it clear that such ‘sportspeople’ are allowed to shoot ‘vermin’. The police definition of what constitutes vermin seems to include deer. So the next time you and a roe deer are trying to nibble the same 2,000 trees, just kill it – as long as you have a permit and are using the right kind of bullets and rifle.  Result!

But if the deer aren’t after the same quarter-pounder you want, and the squirrels (red, black, grey – I don’t discriminate) aren’t after your chocolate shake – then are they really vermin? The vermin label put on these wild animals justifies the gamekeeper poisoning the birds of prey, the snare-setter (snares are still legal for some reason) who kills indiscriminately, and the council targeting the Tullos Hill deer.

Speaking of the council (well some of them anyway), I’d best move to another definition before someone comes gunning for me.  And for some reason, a related word comes to mind now that I’ve mentioned our City Council.

Parasite:

(noun – English ) an insect or other creature which feeds off of a host animal to the host’s detriment. 

Let’s consider bloodsuckers, worms, leeches and ticks. These are some of the parasitic vermin infesting your city council. You do have the right ammo to despatch them – or at least you will come May elections with your vote. The parasites in question feed of resources such as The Common Good Fund, Council Taxes and all-expense paid hospitality.

Like a swarm of locusts, they descend on areas such as the AECC and the Beach Ballroom if so much as a free sandwich can be had.  Parasites such as these are notoriously thirsty, and can empty cases of drink in nanoseconds.

Do not get too close to such creatures – they may well carry disease.  Do instead hide your money (offshore if possible), and guard any green spaces, which these parasites can easily destroy if not kept in check.

“Cultural” spaces:

(noun, English Modern) a wholly new concept of “space” where “Cultural” “events” can take place.  Not to be confused with existing businesses or arenas and spaces they have for cultural events.

If it’s not hard enough for me to get any sleep with everything else going on, the Evening Express told us on 8 October that there is a ‘plan’ to attract ‘top performers (!)’ to Aberdeen.  This brand-new idea, never before attempted, would see the ‘proposed new park over (?!!) Union Terrace Gardens’ filled with “cultural” spaces.  (By the way, the quotes around the word “cultural” appear in the Evening Express piece on this subject, so I’d better leave them in).

“Culture” of course is something that we people not in ACC, ACSEF, or SEG can’t really appreciate or understand.  ( Remember – Stewart  Spence, stalwart of the Marcliffe wrote to the P&J last week to call people opposed to these great new plans ‘NIMBYS and luddites’.  Who can argue with him?).

The AECC – long propped up by the taxpayer – and the Lemon Tree (likewise on a taxpayer sub) have never attempted to bring Top Performers here before.  Likewise none of the independently-owned  bars and clubs (not supported by taxpayers by the way) have tried this either.  Some years ago I got my hopes very high about Top Performers coming here, but in the end, Geri Haliwell had to pull out of doing the AECC.

Now in another guise, Scottish Enterprise might not really be permitted to shell out large amounts of taxpayer cash to create “cultural” spaces if these new inventions borne of taxpayer money would compete with already-existing public funded and/or private spaces. 

But the story with UTG is different somehow – kind of like when Scottish Enterprise took the money the Arts Council had earmarked for Peacock (who had wanted to , er, create a “cultural” space in UTG first).  Hmm – I must remember to soon define ‘intellectual property’, ‘copyright’, ‘lawsuit’ and ‘moral rights’.

I for one am happy to subsidise the AECC directly and indirectly (the City Council somehow needs to rent large amounts of office space at the AECC despite its large roster of properties) as well as subsidise the other city-owned venues AND find some 140 million towards yet another “cultural” space under/in/over  Union Terrace Gardens.  And if the private sector of the music/entertainment industry in Aberdeen can’t compete, then that’s just showbusiness.

We are in a democracy after all – the richest amongst us get to either be on boards or appoint boards to do what they want done with public spaces – all in the name of “culture”. 

If we don’t ‘get it’, then we are indeed the NIMBYS and luddites Spency thinks we all are.  I shall remember his words when I next book a dinner or a hotel.

Those who oppose the UTG project (not that it is defined yet – not even Old Susannah could do that if the city can’t) will be laughing out of the other side of their faces when I’m having a large latte before Toto opens up for Geri Haliwell near the monorail at the Wood memorial car park “cultural” space centre.  So there.  Gives those luddites something to think about doesn’t it?

I have to digress again – it is because some of us can’t understand how wonderful the whole project is that we oppose it.  It is all crystal clear, but here is a little helpful guide as to who’s doing what about our “culture” space / UTG project.  Here is my little luddites guide to the simple way things work

1.  Locum Consultants – apparently a part of the Collier Group – have been hired to ‘find uses’ for ‘some kind of performance and exhibition space’ created by the UTG project.  Appointed (by whom I don’t know).

(By the way I can find a ‘Locum Consultants’ in Surrey and a ‘Collier International’ in Manchester.  Unless there are companies with those names in Scotland, I guess no one here was up to the job of filling the “cultural” space.  I could be wrong, I could be right).

2.  The Aberdeen City Gardens Trust (ACGT) – works on ‘how to use “cultural” spaces inside (?!!) the proposed new park over Union Terrace  Gardens’.  Unelected.  (This seems to be a “Private, Limited by guarantee, no share capital, use of  ‘Limited’ exemption” kind of an affair – which makes sense as the Taxpayer is paying for it at least in part, and it will be involved in the future of a public asset.  Result!)  Or in words a child could understand – taken from the website:  http://thecitygardenproject.com/news

“Aberdeen City Gardens Trust has been set up, under the auspices of the City Garden Project management board, as a special purpose vehicle to channel funding for the project and deliver key activities within the project plan. The Trust will operate using best practice procurement procedures and will be accountable for the delivery of activities to project management board.

“The Trust will also receive £375,000 of Scottish Enterprise funding from its available funds for major infrastructure projects.

“Cllr John Stewart, chairman of the City Garden Project management board, said: “The fact that Aberdeen City Council is making no revenue contribution to the project means it is necessary to be imaginative in the way in which non-council finance levered into the project is managed. The creation of the Trust presents us with an ideal solution. Equally, it will allow for contracting of the required services involved in the next steps and for the project to progress to the design competition stage and complete the business case for the TIF application. Through the TIF we will be to access funding not otherwise available to invest in the art gallery and the St Nicholas House site, enhancing and reinvigorating our city centre.”

“The founding directors of the Trust are Tom Smith and Colin Crosby who will be joined by Directors from Aberdeen City Council and others involved in the project in due course”.

3.  The City Gardens Monitoring Group – exists to hide its doings and to  decide that the public should not vote on the option of leaving the gardens as they are in the current design competition for the 6 finalists (chosen by an unelected group and guaranteed loads of dosh for getting this far).  The Group redacted its minutes to the point you had no idea who was in it (unless you cut and pasted the redacted text and found none other than Aileen Malone was involved).  Unelected.

But for those of you still not clear, here is an excerpt of who’s who and who’s doing what where from our City’s very own website:  http://www.aberdeencity.gov.uk/

“The membership of the Project Monitoring Group comprises Councillors Malone (Chair), Boulton, McDonald, Kirsty West, Wisely, Young and Yuill.

“For reference, the membership of the City Garden Project Management Board comprises Councillor John Stewart (Chair), Councillor Callum McCaig and Valerie Watts, ACC; Tom Smith and Colin Crosby, ACSEF; Jennifer Craw, the Wood Family Trust; Bob Collier, Aberdeen and Grampian Chamber of Commerce; John Michie, Aberdeen City Centre Association; Lavina Massie, the Aberdeen City Alliance, Maggie McGinlay, Scottish Enterprise and Paul Harris, Gray’s School of Art.

“The membership of the Project Implementation Team comprises Tom Smith (Chair), Colin Crosby and John Michie, ACSEF; Gerry Brough, Hugh Murdoch and Patricia Cassidy, ACC; Jennifer Craw, the Wood Family Trust; Maggie McGinlay, Scottish Enterprise; Derick Murray, Nestrans; Audrey Laidlaw, Network Rail and Iain Munro, Creative Scotland”.

This diverse membership of people with no vested interests in the project going ahead or not will reassure us all.  But somehow, I still can’t get any sleep.

4.  Malcolm Reading – a design consultancy which shortlisted the winning entries in the design competiton, an amazing feat, as there was and is no design brief in existence approved by ACC.  What Malcolm Reading will earn is unknown; how exactly it was appointed is also a mystery to me.

5.  The BIG Partnership – a PR consultancy which tells us how great it all is going to be.  I don’t know how they were appointed or what they will earn. (not to be confused with ‘The Big Sleep’.)  STOP PRESS:  The BIG Partnership has recently announced a new client:  The Wood Family Trust.

6.  ACSEF – A board of business people and city officials who, well, do what they like.  Includes one impartial Mr S Milne.  Known for issuing warning as to dire consequences for Aberdeen if we don’t build on the garden.  ACSEF is an invention of ACC, and funded at least in part by the public purse which we are all so keen to use sparingly.

7.  Genus Loci – a document produced supporting ideas for the Garden’s future as long as these don’t include a garden for the future.  Famous for proposing the monorail idea.

8.  Scottish Enterprise – a quango, unelected, on a mere £750 million or so per year which holds meetings, and supplies members to sit on the board of ACSEF, and who gave the world Jennifer Craw, now on the Wood Family Trust.  Which of course has a seat or seats on the secretive City Gardens Monitoring Group – or was it the Aberdeen City Gardens Trust.  Unelected and expensive.

9.  Wood Family Trust – er, apparently the wood family and/or friends who want to get rid of the wood in the gardens apparently, for “cultural” spaces.  Apparently not elected.  This Trust has possibly one or two overlapping areas with some of these other groups,  maybe.

10.  Project Implementation Team – are on hand to implement the project whether or not the public want them to.

Now that you see how simple it all is, I trust that there will be no more whining about the expense of paying all these companies off, signing a lease for a few thousand years for the gardens, or whinging about issues of ‘transparency’.

As that little Meerkat person on TV would say, ‘Simples’.

I was going to define ‘Impartiality’ this week as well, and how it relates to TIF, BID, and so on.  However, I now have a headache for some reason, and there is a knock on my door which may be the sherrif coming for my furniture.  ‘Impartiality’ it is for next week then.  And ‘Old Boys’ Network’, ‘Nepotism’ and ‘Greed’.

Good night all.

Sep 302011
 

By Mike Shepherd. 

A document has appeared purporting to reveal and counter ‘myths’ about the proposed Union Terrace Gardens development.  It has been posted on the Aberdeen and Grampian Chamber of Commerce (AGCC) website.
Some of the claims are disingenuous and others stretch the idea of a ‘myth’ somewhat.

AGCC: “Fiction: This is Sir Ian Wood’s project. Fact: The City Garden is not and never has been Sir Ian Wood’s project.”

The City Square has always been seen as Sir Ian Wood’s project. Sir Ian announced his proposal at  HM Theatre in November 2008.  The Evening Express reported the launch with the headline;

Options revealed in Sir Ian Wood’s vision for Union Terrace Gardens EE13/11/08

The same article also states:

The businessman wants to raise Aberdeen’s Union Terrace Gardens to street level and create a civic square.”

A media quote picked at random clearly shows that it has invariably been perceived as Sir Ian’s project.

Back my vision for the city or lose £50m, Sir Ian warns P&J 14/04/2010

So exactly whose vision is it then, Sir Ian?

What is referred to as ‘my vision’ is in fact the vision, aspiration and hopes of many, many Aberdonians for the future economic and civic wellbeing of our city and region as North Sea oil winds down.” BBC20/4/10

Excuse me, I don’t think so.

AGCC:  “Fiction: The City Garden Project will destroy the only green space in the city. Fact: It will create new, bigger, greener and more attractive gardens. It is about gardens and open, distinct spaces on different levels, using the natural slopes, for all sorts of activities.”

The development will destroy the existing Gardens and according to the technical feasibility study, all 78 mature trees including the old elms will be chopped down. It is hard to accept that the new “City Garden” could ever support mature trees on the existing scale.

AGCC: “Fiction: It will destroy our history and heritage. Fact: Wherever possible, the project will preserve and enhance our history and heritage.”

This is the most disingenuous of all the ‘myths’ in the document.  The first draft of the design brief for the City Squarecalls for a …

“21st century contemporary garden”

…to be built in place of the Victorian park. Union Terrace Gardens was planned by Alexander Marshall Mackenzie, who also designed many of the surrounding buildings including the Art Gallery. If Union Terrace Gardens feel as if they belong, this is the reason why. The city square WILL destroy a key part of our history and heritage.

AGCC:  “Fiction: Aberdeen City Council is selling off public land for this project. Fact: The land involved will remain in public ownership.”

This is misleading as it doesn’t explain the whole picture. The land will most likely remain with the Council for the time being. However, the ground will probably be leased for a long period, 125 years has been suggested. A lease-hold on this time-scale while technically not ownership, is nevertheless a significant property deal.  Any structure on the land, including the so-called City Garden, will not be publically owned. This will belong to the private company or trust if they get planning permission.

AGCC: “Fiction: Aberdeen City Council is spending money it cannot afford on this project, money that could be better spent elsewhere. Fact: Aberdeen City Council has not allocated any revenue expenditure to the City Garden Project, over the past year.”

We know that considerable Council officer time has been allocated to work spent on the project. We do not know if the City Garden Project intends to reimburse the Council for this or not. ACC minutes show that the Council lawyers have not yet signed  off the relevant project agreement that would allow this to happen.

AGCC: “Fiction: The City will be taking on-board future liabilities relating to the construction and operation of the City Garden.  Fact: The City has agreed to consider a TIF scheme to provide public sector funding for the project. This will involve the City borrowing funds to invest in the project. The project will stimulate new business investment and generate additional extra economic activity in the area, resulting in an increase in the amount of business rates collected in future years. This will be used to repay the loan plus the interest charges.”

Doh! – “Fiction: The City will be taking on-board future liabilities” but then we are told “This will involve the City borrowing funds to invest in the project”.

The Council are £562M in debt and cannot afford any more borrowing for anything. As has been explained on these pages before by Mick Miller, the version of TIF suggested for the City Square Project involves major financial risk. If the amount of business rates does not increase sufficiently to pay back the loan, then the Council get left holding the baby.

AGCC: “Fiction: The majority of Aberdeen public has voted against redeveloping Union Terrace Gardens. Fact: 11,000 people (less than 10% of the population) participated in the public consultation which revealed that just over half were against the proposal. Many of those were basing their decision on misinformation. The majority indicated a need for change and for the location to be more attractive and accessible.”

This is probably the most outrageous of the so-called myths. A public consultation was held, the public voted No by a significant majority and it was ignored. The public were told that their votes would count. Even Sir Ian Wood acknowledged this in an interview as can be seen on an STV located on Youtube.

“”The citizens of Aberdeen…  will have the right to choose. There will be full consultation, it’s coming to the end of it now and they will decide. And that’s democracy in operation. That’s great.”
http://video.stv.tv/bc/news-l2-gardens-190210/?redirect=no

The scale of participation in the consultation was significant. ACSEF, who helped set up the consultation, noted:

“11,943 people went on to submit formal responses that have been recorded in the statistics.  This is a huge response rate when compared to similar style consultations. For example, the Edinburgh Tram consultation had just under 3,500 direct responses.”

When, later ACSEF discussed the results of the consultation at a board meeting onthe 22d March 2010, they discussed how to frame the result of the consultation as a favourable outcome for the city square in spite of the No vote:

“If views are roughly split there is an opportunity to say that although the public has spoken this is only in relatively small numbers.  Those wishing to see the status quo are in the minority compared to those who wish to see change such as updating and modernising the gardens.”
http://www.acsef.co.uk/uploads/reports/21/22%20March%2010.doc

The statement that the majority indicated a need for change is misleading, the majority said no to the City Square Project and did not endorse it.

If the public were misled during the consultation, who was responsible for the misinformation?  Where did these myths come from?

It is now acknowledged by all involved that the absence of a reference design was a fundamental flaw in the consultation. The consultation asked if people supported the project or not but the common perception was that the conceptual illustrations, based on the technical study, represented a final design. Many based their decision on not liking what they believed was a final design.”
http://thecitygardenproject.com/background.asp

The proponents of the City Square do not accept that they lost the consultation fairly. They cannot believe that the public cogently preferred either the Peacock scheme or the preservation of the existing gardens to a modern city square. But this is what happened.

AGCC: “Fiction: It will be a flat, concrete square. Fact: This is not the case. The design teams have been given a very clear brief that new gardens and space which will have street level access from all four sides will use the existing topography of the site to provide a unique, dramatic and creatively landscaped setting to better reveal and blend with the surrounding historic architecture.”

OK guys, explain to me how you can ”raise the level of the Gardens to that of the surrounding streets” (the Council’s words not mine) and use the existing topography to any significant extent?  So where did the idea of a unique and dramatic setting come from?

Here is the description of the existing Gardens as noted in the City Centre Development Framework:

They have a “topography which provides a unique and dramatic setting for the surrounding historic townscape and bridges and an essential component of the identity of the City Centre. “

I suspect that this is just the start of a large PR campaign to sell the concept of the “City Garden Project” to the Aberdeen Public. It will have only a limited impact. Aberdonians are highly educated and can think for themselves. They can make their own mind up about what they want the city centre to look like, whether it is the existing Gardens or a city square at street level. They are smart enough to see what is plausible and what isn’t.

Sep 122011
 

With thanks to Kylie Roux.

Exhibitions:

The Black And White Show – Various Artists
Preview Friday 9 September, 6 – 8pm, all welcome!

A monochromatic medley of prints. Enzo Mari, Mike Giant, Scottie Wilson, John Byrne, Ian Hamilton Finlay, Donald Urquhart, Adam Bridgland, David Shrigley, Kenny Hunter, Rob Churm, John Bellany, Jock Mooney, Shepard Fairey and Alan Davie. Not to be missed.
Exhibition runs 10 September – 22 October 2011

Inchoate Landscapes – Toby Paterson
Preview Friday 9 September, 6 – 8pm, all welcome!
Toby Paterson’s Inchoate Landscapes draws around his newly completed suite of seven prints, creating an exhibition that sets them in the broader context of his practice and interest in the built environment.
Exhibition runs 10 September – 22 October 2011

Events:

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011  

Get Creative:

Peacock VIsual Arts – Summer Animation Classes
October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!
Call 01224 639539 for more information or to book a place.

Open Submissions – The Winter Exhibition at PVA
It’s back! After a 2 year break, we would once again like to invite artists to submit work for the Christmas show. Previous years proved to be hugely popular, attracting many visitors and making it is a fantastic opportunity to have your work seen. And this year there are prizes on offer so even more reason to submit. Visit www.peacockvisualarts.com for more details.
Submission deadline Saturday 5 November 2011
Etching Weekend Workshop
17 + 18 September | 10 – 4.30pm | £130/95 conc.

Learn the techniques and processes involved in the traditional art of etching. No experience required.
Call 01224 639539 for more information and to book a place.

Bookbinding Weekend Workshop
24 + 25 September | 10 – 4.30pm | £130/95 conc.

Learn how to create your own hand-crafted notebooks and journals that make colourful and unusual gifts. No experience required.
Call 01224 639539 for more information and to book a place.

Note: Aberdeen voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
Jul 152011
 

With thanks to Kylie Roux.

Upcoming Exhibitions:

Migrate, Replicate // Natalie McIlroy
Preview Friday 15 July | 6 – 8pm | all welcome!  

Natalie McIlroy presents Migrate, Replicate, combining large-scale video projections of Scottish landscapes, ephemeral architectural interventions and an intriguing soundscape of the Pied Butcherbird.
Exhibition runs 16 – 30 July 2011    

Drawing Connections // Hannah Redpath
Preview Friday 15 July, 6 – 8pm, all welcome! 
 

A new series of prints by Hannah Redpath produced during a one-year residency in the printmaking department at Gray’s School of Art. Exhibition runs 16 – 30 July 2011

EAF – Katri Walker // North-West
Opening Saturday 6 August | 3 – 6pm | Old Ambulance Depot, 77 Brunswick Street Edinburgh

As part of the Edinburgh Art Festival 2011, Peacock Visual Arts presents North West by Katri Walker. First exhibited at Peacock in March 2011, the audio-visual installation explores Scotland’s historic and contemporary relationship with Wild West visual culture.
Opening Saturday 6th August, 3-6pm with a BBQ & live performances by experimental musician Wounded Knee.
Exhibition runs 7 August – 4 September 2011,   Tue – Sun, 12 – 6pm.

VOLUNTEERS NEEDED for NORTH WEST at the Edinburgh Art Festival
Peacock is seeking enthusiastic and friendly volunteers to join us for the Edinburgh Art Festival where we will be presenting North West by Katri Walker in the Old Ambulance Depot (just off Leith Walk). You will be an integral part of the festival team responsible for invigilation of the exhibition and general gallery duties.
All applicants are asked to work a minimum of six hours per week and must be able to commit to volunteering with us for the duration of the festival, 6 Aug – 4 Sep 2011.
Please note, all volunteer posts are unpaid. To find out more and how to apply please contact Angela Lennon on 01224 639539 or email: angela@peacockvisualarts.co.uk
Deadline for application is Friday 29th July 2011.

 

Events:

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011  

Peacock At The Aberdeen Art Fair
13 + 14 August | 10 – 4pm | AberdeenMusic Hall

 Peacock is partaking in the inaugural year of the Aberdeen Art Fair – which promises to become an annual showcase event for the Scottish arts scene.

Exhibiting work by renowned artists including Frances Walker, Toby Paterson, John McLean, James Furneaux and Barbara Rae and a selection of handprinted posters from the Peacock archive – there’s sure to be something for everyone’s taste and budget!

Get Creative:

Collagraph Weekend Workshop
23 + 24 July| 10 – 4.30pm | £130/95 conc.

An exciting introduction to the printmaking process of Collography. Using thick card as a base, textures are glued to the block to build up and create an image before inking it up and then printing it using the etching press.
Call 01224 639539 for more information or to book a place.

Peacock VIsual Arts – Summer Animation Classes
July  20, 27 + October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!

Call 01224 639539 for more information or to book a place.

Peacock VIsual Arts – Monster Making Fun // Kids Screenprinting
2 + 9 August| 10 – 4pm | age 8 – 12 | £35/class

Get your little monsters to create their own little monster!
We’ll spend the morning drawing all the different body parts of a monster before learning how to transform them into colourful screenprints.
We’ll then use all the different parts to build lots of  monster designs…scary monster, happy monsters, mad monsters – whatever you decide!
Call 01224 639539 for more information or to book a place.

Screenprinting Weekend Workshop
20 + 21 August | 10 – 4.30pm | £130/95 conc.

Explore the creative possibilities of this colourful, graphic and immediate approach to making repeat prints. No experience necessary – just a few images and a bit of creativity.
Call 01224 639539 for more information or to book a place.


Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

 

Jun 182011
 

With thanks to Kylie Roux.

Peacock VIsual Arts – CRA/CKED // Bill Thompson

New works by Bill Thompson exploring cracked aesthetics with broken technology, data bending and transliteration in sound and video. Exhibition runs 14 May – 25 June.
Exhibition Ongoing until 25 June 2011, Open Tue – Sat, 9.30 – 5.30pm.

Upcoming exhibition: EAF – Katri Walker // North-West
Opening Saturday 6 August | 3 – 6pm | Old Ambulance Depot, 77 Brunswick Street Edinburgh

As part of the Edinburgh Art Festival 2011, Peacock Visual Arts presents North West by Katri Walker. First exhibited at Peacock in March 2011, the audio-visual installation explores Scotland’s historic and contemporary relationship with Wild West visual culture.
Opening Saturday 6th August, 3-6pm with a BBQ & live performances by experimental musician Wounded Knee.
Exhibition runs 7 August – 4 September 2011

Peacock VIsual Arts – Gig in the Gallery
Saturday 25 June | 8pm | £6 on the door

Interesting Music Promotions (imp) and Vocoustics present No More Soundchecks – the latest in a series of unplugged shows. WOODPIGEON, EAGLEOWL and ROB ST JOHN will be performing in PVA’s intimate gallery.

Peacock At The Aberdeen Art Fair
13 + 14 August | 10 – 4pm | AberdeenMusic Hall

 Peacock is partaking in the inaugural year of the Aberdeen Art Fair – which promises to become an annual showcase event for the Scottish arts scene.

Exhibiting work by renowned artists including Frances Walker, Toby Paterson, John McLean, James Furneaux and Barbara Rae and a selection of handprinted posters from the Peacock archive – there’s sure to be something for everyone’s taste and budget!

Peacock VIsual Arts – International Summer School // Beyond Monotype
4 – 8 July | 10 – 4pm | £400

Only a couple of places left in this week long course that will teach you a wide range of techniques possible in the monotype process, expanded through the use of collage, drawing, and multiple plate projects. With an energetic and open approach, each participant’s individual style will help to dictate the direction of the workshop.

For more information and to book a place, please contact Angie Aitchison on a.aitchison3@rgu.ac.uk
or call 01224 263600.

Peacock VIsual Arts – Summer Animation Classes
July 6, 13, 20, 27 + October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?

Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!

Call 01224 639539 for more information or to book.

Peacock VIsual Arts – Monster Making Fun // Kids Screenprinting
2 + 9 August| 10 – 4pm | age 8 – 12 | £35/class

Get your little monsters to create their own little monster!

We’ll spend the morning drawing all the different body parts of a monster before learning how to transform them into colourful screenprints.

We’ll then use all the different parts to build lots of  monster designs…scary monster, happy monsters, mad monsters – whatever you decide!
Call 01224 639539 for more info and to book a place.


Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

May 122011
 

With thanks to Kylie Roux.

Peacock Visual Arts – CRA/CKED // Bill Thompson
OPENING! Friday 13 May, 6-8pm, with a live performance by the artist. All welcome.

New works by Bill Thompson exploring cracked aesthetics with broken technology, data bending and transliteration in sound and video. Exhibition runs 14 May – 25 June.
Exhibition runs 14 May – 25 June 2011, Open Tue – Sat 9.30 – 5.30pm.

Peacock Pinhole Photography
14 May | 10-1pm & 2-5pm (1 hour sessions) | Age 8+ | £5
Come along and try your hand at this amazingly easy & fun technique. Sessions take place throughout the day and last 1 hour. All camera & materials provided. Call 01224 639539 or email info@peacockvisualarts.co.uk to for more details and to book.

Bookbinding Weekend Workshop
Sat 14 & Sun 15 May | 10 – 4.30pm | £130/95
It’s amazing what you can do with some card, a needle and a bit of ribbon! Learn how to create your own stunning hand-crafted notebooks and journals that make colourful and unusual gifts..
Call 01224 639539 or email
info@peacockvisualarts.co.uk to book.

Calling All Artists!

Peacock would like to announce an open call for submissions from artists, collectives, curators and filmmakers. Closing date for applications is 30/05/2011.
Entries by email only to
info@peacockvisualarts.co.uk.
For more information visit
www.peacockvisualarts.com.

Thursday Print Club
12 May – 16 June | 5.30 – 8.30pm

Thursday Print Club aim is to help Peacock users become more familiar with the workshops, to practise techniques and to gain confidence and benefit from regular supervision from Peacock Staff in relief, etching, collagraph, screenprint or bookbinding..
Contact
linsay.croall@peacockvisualarts.co.uk for more details and to book.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

Apr 252011
 

By John Aberdein.

The Council leadership has got itself into a fankle. Schemes for the future of Aberdeen city centre have now got more sticky holes than a spider’s web. It is time the Council leadership either extricated itself – or demitted office.
The task of a council is to regulate the city on behalf of the public good, the good of all its citizens.

If it spurns that duty, and thinks it exists to promote the projects of the big business minority, then it has to be replaced.

If the bleakest, most expensive, utterly illogical, and environmentally crass scheme were to be implemented for, say, the top of the Broad Hill, for the width of the Castlegate, or for the area between Denburn Viaduct and Union Bridge, then the construction industry would stand to make a hefty profit. And if it had all to be restored –  assuming it was still possible to be restored – then the reconstruction industry would stand to make another whopping killing. It can be seen immediately that big business has no interest in things remaining the same: there is no profit in that. So big business – and its tame political followers – have to create the conditions for constant change: by decrying the status quo.

Big business says the city centre is a disgrace, that they cannot take visitors there. And to an extent that is true: the state of Aberdeen’s main street is a disgrace, with many a shabby shopfront and with weeds hanging off ledges. But it is not actually Union Street that big business and its political servants want to change: it is the beautiful bit, the secluded haven, the sunken Victorian garden with its intense vivacity and charm.

When a council leader can allow himself to be quoted as saying that Union Terrace Gardens is only grass and a few trees, we would remind him that by such definition a human being is only some chemicals and a few gallons of water.

When a council deputy leader says that Peacock could not go ahead because there was a funding gap (of around £3.5 million), yet is prepared to give a fair wind to an enormous project with a gargantuan funding gap (£70 million and seriously upwards), then we suggest he check his sums.

Big business has no business case – that’s how much of a bad joke this scheme has become.

When a Lord Provost says that the Council is obliged to take a £50 million-with-strings offer because he is afraid of being laughed at in the world outside, then he deserves to be pitied. That is not true civic leadership, not in a thousand years.

The reason that so many people are entirely wary of the City Square project as it now stands, is that it is a very unusual beast: a chameleon with three wooden legs. Is there to be a double-storey car park? We hear changing stories about that. Why? Is there to be a retail presence? No. Yes. If yes, why? How would that help an already retail-denuded Union Street? Is there to be an underground art gallery, an entombed conference centre? Point: we already have an art gallery and a conference centre, above ground, in the light.

And the three wooden legs?

1. The misleading description.

2.  The duff funding method.

3. The failure of vision.

The description first of all: The existing gardens are to be raised. No, very largely they will be razed to the bare earth, and anything placed atop the new decking will have to be shallow-rooted. Strangely, 140-year-old elms cannot be grown in pots.

The funding-method: The funding gap will be met by TIF. TIF is for brownfield sites. Union Terrace Gardens is not a brownfield site. No business case has been presented. Big business has no business case – that’s how much of a bad joke this scheme has become. The real risk is that the massive funding requirement – unless it can be laid on some magic new volume of city centre trade – will absolutely hammer ordinary ratepayers and council taxpayers.

The failure of vision: Union Terrace Gardens, as noted above, is a secluded haven, a sunken Victorian garden of intense vivacity and charm. Most flat or flattish cities would give a lot to have one. Plazas and piazzas are two-a-penny worldwide in comparison.

There are countless appreciative minds and hearts, and rich imaginations, in the city

Melbourne’s Federation Square was the exemplar held up by ACSEF in their presentation at Cults Academy on 12th May last year. Well, no, actually, ACSEF, I don’t really think so. Melbourne’s Federation Square (built over old railway yards, not over an elegant garden) is 8 acres, whereas the proposed Aberdeen City Square is 6.

But metropolitan Melbourne has a population of 4 million. So the city of Aberdeen – with a population a little over 5% of Melbourne’s – suddenly needs a City Square 75% as big? The casual numerical incompetence of the thinking here almost beggars belief.

As we know, there are many achievable schemes to improve Union Terrace Gardens and the Denburn Valley. They are schemes which start by looking at what already exists, appreciating what is there, and pondering how it can be enhanced. There are countless appreciative minds and hearts, and rich imaginations, in the city.

Taking the area as a whole, I have seen drafts and sketches for pleasurable fountains and waterways, for smooth cylindrical lifts, for tubular pedestrian connection to the station, for an airy bridge to Belmont Street  – yea, and for restored toilets and giant draughts, for sculpture and a bandstand! No doubt many more joyful and stately ideas can be brought to the democratic table. Joyful and stately both: for Union Terrace Gardens is Aberdeen’s Xanadu.

So, improve the Gardens and their wider setting and their facilities and their accessibility and their connectivity – by such affordable and imaginative means as the people collectively will.

An international design competition – to one man’s parameters? Destroy what exists with money you do not have? The Council leadership may have lost the plot, but the people, it is extremely likely to find, have not lost their senses.

Maist Cooncillors Wid Mak Ye Cry

 Aberdeen City, Articles, Creative Writing, Opinion, Satire and Humour  Comments Off on Maist Cooncillors Wid Mak Ye Cry
Mar 182011
 

By Bob Smith.

(Ti bi sung ti the melody o “Ghost Riders in the Sky”)

As I gid waakin ower the wye doon bye Union Street
The scene fit I could see wid mak ye bliddy greet
Aathing noo are multiples wi jist the odd local shoppie
Nae ony sma businesses or cafes ained by the Giulianottis

Noo on the scene cams Sir Ian Widd he is a local chiel
Treatin aa the fowk wi disdain as tho they’re bliddy feel
Wi a vision fer UT Gairdens we fin affa hard ti bear
The bonnie trees an shrubbies oot the grun he’d like ti tear

Numpties  yi Ohhhh
Numpties yi Yaaaay
Maist cooncillors wid mak ye cry

The Acsef gowks an the cooncillors hiv noo backit iss scheme
Ti cover ower the gairdens an realise oor Widdie’s dream
Despite the public votin no an sayin jist bugger aff
Leave oor bonnie gairdens, yer ideas they are naff

Up pops wee Stewartie Milne wi plans for the Triple Kirks
Sir Ian Widd’s ideas fit in wi his so he thinks we’re stupid birks
A biggin fit’s nae pleasin, jist fu o gless an steel
Aa the architecture roon aboot wid loss it’s great appeal

Numpties yi Ohhhh
Numpties yi Yaaay
Maist cooncillors wid mak ye cry

They’re pluntin trees on Tullos Hill for us aa ti enjoy
Yet cullin o the resident deer iss seems a stupid ploy
Oor cooncillors ti protect the trees winna spend ony dosh
They’re  thinkin o the venison steaks, ti bi served ti them as nosh

Oor cooncillors they hiv nae sense, fowk noo think  they’re mad
Lossin  the grant for the Peacock scheme iss wis maist affa sad
It’s nae the only thing the cooncil’s tint, they’ve lost the plot as weel
Nae wunner Aiberdonians think the haill damn’t lot are feel

Numpties yi Ohhhh
Numpties yi Yaaay
Maist cooncillors wid mak ye cry

© Bob Smith “The Poetry Mannie” 2010