Feb 102012
 

With thanks to Dave Macdermid. 

The penultimate stage of the Glacier Energy Masters Under 12 winter grand prix takes place at Westburn Tennis Centre on Sunday from 8.45 am.

Stonehaven youngster Patrick Young currently stands ten points clear of second placed Cameron Edward (Cults).

The overall standings at present are – Patrick Young (Stonehaven) – 37 pts; Cameron Edward (Cults) 27; Ross Martin (DL Aberdeen) 19; Conor McMahon (Rubislaw) 18; Szymon Kierwaick (DL Aberdeen) 17; Anthony Low (Udny) 15; Fin Pearson (Banchory) 8; Michael Whelan (Cults) 5. Everyone, other than Michael, is playing this weekend.

North east clubs are reminded that all should be represented at the forthcoming meeting on Tuesday 6th March when details of this season’s leagues will be discussed including the introduction of the LTA League Planner which places new responsibilities on team captains.

The meeting will take place at Cults Tennis Club, commencing at 7 pm.

Feb 102012
 

The uncertain fate of the ancient elms in Union Terrace Gardens is highlighted by Mike Shepherd.

There are 77 mature trees in Union Terrace Gardens and a few more along the adjacent railway line. It is not clear how many of these will be felled during the construction of the proposed City Garden; however most will probably go. An Evening Express article suggested that they will all be removed, whilst it was mentioned at the January council meeting that some of the trees in the north-west corner may be kept.

Rather bizarrely, the same Evening Express article mentions that the wood from the Union Terrace Gardens trees could be recycled for the construction of the City Garden, that is for paths and the wooden roof of the outdoor stage, “keeping them in the garden”.

It is proposed that the new trees in the City Garden will comprise a “mini-forest” of 186 trees, mostly Scots Pines.

The fate of the twelve elms in the park is a highly controversial issue. A handful of these trees are considered by the council to be at least 200 years old. They may be even older. A report gives mention to the planting by the Town Council in 1764 of a thick woodland on the hillside to the west of the Denburn.

The trees in the park are disease-free. Occasional comments made by certain ill-informed councillors that Dutch Elm Disease is present in the Gardens are not true. The trees are inspected from time to time. The symptoms of the disease show up in the summer when leaves turn yellow and fall off early. This has not been seen in any of the Union Terrace Gardens elms.

 As far as mature trees in the city are concerned, the council can do what it wants.

The disease, a fungus carried by bark beetles, has devastated elm trees throughout most of the UK. It is estimated that more than 25 million elms have been killed by the disease with very few mature trees left.

The disease spread to the north of Scotland only in the last twenty years and pockets of relatively disease-free elms have survived here. Aberdeen city is one such pocket. The disease has been recorded in only a few trees in the west end of the city, but it is generally absent.

Elsewhere in the north-east, Dutch Elm Disease has recently been killing large swathes of elms. Most, if not all, of the elm trees on Drum Castle Estate have succumbed, for example. It is to be hoped that the city stays relatively clear of the disease for as long as possible.

Aberdeen is said to have “possibly the largest remaining population of elms in Northern Europe that has not yet succumbed to the deadly Dutch Elm Disease.”
http://frontpage.woodland-trust.org.uk/ancient-tree-forum/atfgallery/galleryphotographers/geoffbanks/images/geoffproject.pdf

The mature trees in Union Terrace Gardens have been assigned Tree Preservation Orders by the Council. A document is available online which explains the policy towards protected trees in Aberdeen. The following are quotes from the document:

“A tree preservation order (TPO) is an order made by us, giving legal protection to trees or woodland. A TPO prevents cutting down, uprooting, topping, lopping, wilful damage or destruction of trees (including cutting roots) without the council’s permission.

“The purpose of a TPO is to protect trees that contribute to amenity and the character and attractiveness of a locality. Other factors such as heritage and wildlife value can be taken into account. A TPO gives the council an opportunity to assess the impact of work to trees or proposals which may affect them.” However, it goes on:

“The existence of a TPO can not in itself prevent the development of land taking place, but the council, as planning authority, has a duty to have regard to the preservation and planting of trees and the likely effect of development proposals on trees is a material consideration.”
http://www.aberdeencity.gov.uk/nmsruntime/saveasdialog.asp?lID=25378&sID=13464 

In other words, as far as mature trees in the city are concerned, the council can do what it wants. A tree preservation order on the Union Terrace Gardens elms does not necessarily protect them.

The result of the referendum on the Gardens in March will also decide the fate of the elms. For some in the city, it is a major issue. They see the removal of the trees in Union Terrace Gardens as a crime against nature. These are amongst the last surviving mature elms in the country, Europe even.

For many it would be a sad day if and when they are chopped down. There is an online petition to save the 200-year old elms:
http://www.petitiononline.co.uk/signatures/save-the-200-year-old-elms-in-union-terrace-gardens-aberdeen/4168

Feb 102012
 

With thanks to Catriona Yule.

A new creative writing group is being launched in Aberdeenshire.
Grassic Gibbon Writers Group has been set up by Grassic Gibbon Centre manager, Isabella Williamson, and will be led by local poet, playwright and short story writer Catriona Yule.

The meetings kick off on Friday 17 February at 10.30 am and will run for six weeks initially. Each informal session will support and encourage new writers through workshop exercises and constructive feedback. Anyone is welcome to come along.

Catriona told Aberdeen Voice: 

“I’m absolutely delighted to be involved with this writing group and feel that this is an exciting opportunity for any budding writer wanting to learn more and share their experiences. The Grassic Gibbon Centre plays a crucial part in maintaining the heritage of the Mearns area and in keeping Lewis Grassic Gibbon’s legacy alive. It seems only fitting that it should have its own writing group to continue his passion. He was a very gifted writer who achieved an incredible output in his short life,”

For further information, contact the Grassic Gibbon Centre, Arbuthnott. Tel: 01561 361668.

www.grassicgibbon.com

Feb 032012
 

January and February always seem to represent a low time in the year. Christmas and New Year have been and gone and there seems little to look forward to. The days remain short and the nights long. It’s usually raw cold. Unwelcoming. The opening months of the year always cause something of a gloom to hang over Mick Miller’s household. Bung in a global recession for good measure and things seem pretty bleak. Then it got worse. What’s up, Mick?

The post arrived on Monday and out of the two-for-one pizza offer junk mail fell a gaudy catalogue.
Only it wasn’t a catalogue – it had “VOTE” written on it. Promotional blurb for the City Gardens Development.

How profoundly depressing. The front ‘cover’ illustration is of some futuristic landscape from another place.
Only on closer inspection it isn’t. It’s Aberdeen, or, more accurately, a version of Aberdeen which can only have be conceived in cloud cuckoo land.

Real people, in a REAL garden.       

It’s lurid, horribly-coloured, glib and vacuous. It is pervaded by a complete sense of the unreal. Semi-transparent people wander aimlessly inside a cartoon-flowered version of reality. Children trample unrestrained, yet the flowers survive.

Out-of-scale human forms laze in some sort of airborne meadow whilst below them, in a throwback connection to the real world, trade waste bins lurk ominously. A woman of Amazonian proportions accesses a laptop whilst sitting on surprisingly unbending grass stems. The remnant spire of the Triple Kirks emerges from a scrubland of low growth stock image shrubbery.

It all looks vaguely ill-tended, neglected, as if within this futuristic vision lie the discards of the past. Or perhaps its a tacit admission that should, god forbid, this monstrosity go ahead, there is just no way that the upkeep will be affordable. Delving deeper, the background is found to comprise of a realigned His Majesty’s Theatre and a hugely-inflated and decapitated William Wallace. A victim of the guillotine perhaps?

But the history, like the whole of this charade, is just plain wrong. Landscape dressed up as farce. A cityscape for Anywhereville. Inaccurate. Disjointed. A cut-and-paste pastiche.

Opening up, things don’t improve. A drab labyrinth of pathways which look like bridges over a motorway, criss-cross manicured lawns and monoculture grasslands. In one image the sun sets….or does it rise? Either way, it’s in the wrong place. What on earth, if we are still on earth, is going on? This is lazy work, a Standard Grade project gone catastrophically wrong. Everything is confusing.

The front page image shows a gaudy flower bed appearing to lie on a lower level of the structure. Moving inside the pamphlet the same floral, er…..’bombshell’, is miraculously elevated. Or is it that those bloody bins are just absolutely HUGE? I’m confused, disturbed even.

   I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

In the sunset image, an oddly-inclined piece of lawn totters precariously into the largely obliterated Denburn valley. In Woody Allen’s Manhatten, a character in a TV show is observed to have a toupee so badly-placed on his scalp that it looks like it has been dropped on to his head from a great height in an uncontrolled way.

This elevated savanna has the same feeling about it. There will be a need for avalanche warnings in the snowy depths of winter.

In another image, a pipe band plays beneath a Formica-lined dome with random cut-outs that give the feeling that the design is based on half a panelled football booted around Pittodrie of a Saturday afternoon. Below this, a winter scene shows people so cold they have started to vapourise as, it would appear, has the Formica football, associated terraces and denuded trees, miraculously large for such a recent planting.

A lone child in a blue jacket has something so contagious that the populace in the foreground seek to distance themselves as quickly as possible. Is he the cause of the vapourisations? Oh I get it – we’re on the set of War of the Worlds and soon tattered clothing will rain down upon us from the sky. I know that was the only good bit. It all has an apocalyptic feel. I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

Aberdeen is a beautiful city, notwithstanding some recent disastrous architectural additions. It doesn’t need or deserve such ill-thought out attentions as this abomination.

Union Terrace Gardens are an integral part of what allows Aberdeen to maintain its architectural, cultural and civic dignity. The Gardens need some tender loving care, but they don’t need annihalation by the ‘solution’ that this tacky pamphlet proposes.

A heartfelt plea. Please, people, don’t let this thing go ahead. Make sure you vote to retain Union Terrace Gardens.

Feb 032012
 

With thanks to  Jenny and Kate at Willows

Willows Animal Sanctuary  invite you to come along to an open day on 18 February from 12 noon to 4.00 pm.

Willows Patron Sandi Thom will arrive around 1pm, and autographed photos will be for sale with all profits going to Willows. Lush Aberdeen have generously donated a collection of treats to be raffled off.
There will be baked goods, ferrets and many more of the great variety of creatures that live at Willows will be on show – farm, domestic and wild animals are all given a shelter, and no healthy animal is ever put down.

In addition, legendary singer Paul Rodgers, founding member and songwriter from Free and Bad Company and member of The Firm; and his wife Cynthia sponsored 13 of Willows Animals for Christmas.

Paul said:-

“We heard the unusual story about the piglet Babe and her great escape and dug a little deeper to find that all of the animals were in need of sponsoring.”

Paul has also donated 100 copies of his latest DVD “Live in Montreux Paul Rodgers and Friends” featuring appearances from Queen’s Brian May, Journey’s Neal Schon, Jason Bonham and others.

Signed copies of Paul’s DVD are available at £25 from Willows online shop.  Details of Willows at http://www.willowsanimals.com/ and DVD details/order form at http://shopatwillows.com/shop/catalog/search?shop_param , so even if you can’t make it to Willows on the 18th, you can still get a signed DVD.

Willows Animal Sanctuary is the largest sanctuary in Aberdeenshire and will try to help any animal in distress. We operate a strict no kill policy and only euthanise an animal on veterinary advice.

We look after over 300 animals including around 60 horses, ponies and donkeys, approximately 60 cats and dogs and many reptiles as well as over 100 farm animals and birds.

We are totally dependent on donations, legacies and grants from benevolent organizations to keep the sanctuary running.

We are entirely funded by public support and receive no government funding. Unlike larger charities we have no reserves of money and are desperately short of funds. We specialise in helping elderly or more vulnerable animals that have already been refused help by well known large national charities, but we can only continue to help needy animals with your support!

The Animal Assisted Therapy Unit at Willows

Willows helps many vulnerable people with its animal assisted therapy programme. The concept of allowing rescued animals to help vulnerable people on the road back to health is very innovative and has been independently evaluated and shown to be highly beneficial.The therapeutic placements and corporate team building days include equine management, animal husbandry, therapeutic music sessions, drama, bushcraft and mediaeval re-enactment  Please contact us if you would like more details.

Willows Animal Sanctuary is situated on the road between New Pitsligo and Strichen (B9093)

 

Feb 032012
 

It’s the American holiday Ground Hog Day this week, and Old Susannah wonders if she’s not reading the same old stories over and over again in the local news.  By Suzanne Kelly.

Happy Ground Hog Day!  In America people eagerly await the movements of groundhogs on 2 February (everyone has to have a hobby I guess), and allegedly can predict whether there will be an early spring by what the little things do.   Ground Hog Day was also a Bill Murray film wherein he kept reliving the same events over and over again.

As I read the Evening Express and the Press and Journal, I wonder if the same old stories aren’t coming back again and again just like Ground Hog Day.  Another car crash, more pictures of cute babies and cute pets, potholes and personal health stories I’d rather not read.

 And of course Union Terrace Gardens stories have sprouted up faster than the  ‘rare’ pine forest  the architects have now drawn fully mature in their ‘vision’ of the concrete future.  Guess the pines should appease all those environmental-type people.

I had really wanted to ‘keep off the grass’ and spend one week not writing about the City Gardens Project.  However, the issue continues to dominate our local newspapers, other than a few car accidents and cute pictures of babies and/or pets, there’s nothing else in the local news.

On the other hand our bus fares have gone up – by about £150 per year for weekly pass users.  This is to pay for all the improvements – the increased reliability, cleanliness, and improved frequency and so on that you are experiencing.  No doubt you likewise received a pay rise of 15% or more, so you don’t mind stumping up more for First Buses.  I hear their owners are a bit hard hit by the recession, and heating mansions isn’t as cheap as it used to be.

Last week I was one of the deputees at the City Council’s great vote on shovelling  money into the City Gardens Project.  If you’re interested in what I had to say, here’s a link:  http://oldsusannahsjournal.yolasite.com/

I spoke for 10 minutes, and answered 10 minutes of questions from our elected officials.  Councillor McCaig repeated the promise  made by Alex Haig the Scottish Infrastructure Secretary that the project will NOT go ahead if the people vote against it in the referendum.    We shall see.

But back to the Ground Hog Day theme.  Sir Alex Ferguson has stepped up to the plate concerning Union Terrace Gardens:  he’s in favour of the garden scheme (and ‘scheme’ seems like the operative word) going ahead, per the Evening Express.  But haven’t we heard from him on this score before?  Yes we have – several times.  You have a feeling of déjà vu for a reason.

  You can usually tell something is a fact if an authority figure tells you it is true

The pro City Gardens teams are still ramping up with their fantastic, well-planned campaigns.  The people in Aberdeenshire were the first to receive the glossy, beautiful (not at all fifties retro, dated, overly busy) A3 colour brochures telling them why they must vote for the City Gardens Project.

It was such a heart-breaking pity to realise that no one in the Shire gets a vote.

Easy mistake.  I just wonder exactly who has paid for these brochures and this little mistake. But this lovely piece of campaigning literature (for which we don’t know who wrote, created, paid for) leads nicely to a definition or two.

Facts: (plural noun; Eng) data based on measurable, demonstrable truths and observable phenomenon.

A triangle has three sides.   The sun rises in the East and sets in the West.  The City Gardens Project will create 6,500 jobs and make Aberdeen £122,000,000 every year for about 20 years.  All these are examples of facts.

You can usually tell something is a fact if an authority figure tells you it is true.  If you read something in print, it must be true as well.  All those lovely brochures that went to the Shire residents (who can’t vote on the issue) tell you to vote for for 6,500 jobs and all the millions of pounds the Teletubbie Park will bring.

Who would vote against these great things?  It’s not as if these figures for an as-yet unfinished design with no price tag on it are just wild, bloated fictional guesses paid for by, er, organisations that want this building project.  Or are they?

My favourite part of the brochure is the transparent boy running through the flower bed in front of the theatre.  If it were to scale, the wee lad is about 27 feet tall.

If you still aren’t sure what is fact and what is fiction, here’s an example from ACSEF meeting minutes from 22 March 2010:-

 “Reassurance was given that the consultation report commissioned by Scottish Enterprise on behalf of ACSEF will be independent, and the consultation process had been robust and transparent”. 

Even if the electronic voting went a bit strange, and even if all of the entities involved in ‘reassuring’ that the report would be ‘independent’ wanted the garden project to go ahead, it was all ‘robust and transparent’.  (and that’s a fact).

    You can’t say Aberdeen doesn’t have its fair share of celebrities

Another favourite fact of mine was when Sue Bruce left Aberdeen and claimed in a press release that our city had a budget surplus of a few million pounds after she’d done her bit.  (Yes, I miss her, too).  Pity the budget surplus didn’t even last as  long as she did here.

Celebrity: (noun or adjective) fame, or being famous.  You can’t say Aberdeen doesn’t have its fair share of celebrities:  There is Sir Alex Ferguson, Annie Lennox, Scotty from Star Trek, an’ tha quine fae Torry wi the accent naebody kens fa’s on ‘River City’ [Editor:  am I getting the hang of Doric yet?  Suz].

But alas:  no longer can Aberdeen lay claim to being the home of ‘Willie’ – school janitor from  ‘The Simpsons’.  Willie is apparently from The Orkneys.  The Evening Express carried this exclusive this week – I think they did a telephone interview with Willie or something.  DOH!

At least we still have Mr Scott, and of course our own talking cactus, Spike.  Neither has yet released statements through their agents or directly as to their view of Union Terrace Gardens.  Annie Lennox has in the past stated that it’s up to Aberdonians to vote for what they want, but that she is a supporter of the gardens as they are.

She is clearly not as vibrant, dynamic and forward-looking as the much more hip Sir Alex Ferguson.  Sir Alex took a break from throwing football boots at players’ heads long enough to yet again pop up in the press in favour of the skateboard park – sorry granite web.  In the Evening Express Sir Alex is reported as saying:-

“I would urge everyone not to be scared of change and to look upon this as an opportunity and something which will allow Aberdeen to be favourably compared with cities both in the UK and further afield”

Well, we can safely assume his friend Stewart Milne looks at the gardens as being ‘an opportunity.’

Perhaps Sir Alex has hit it on the head (which he’s good at doing):  I’m really just scared of change.  I’m not scared of killing off the existing wildlife by removing the vital feeding and living grounds the wildlife depends on.  I’m not scared of destroying beautiful, listed, healthy 200 year-old trees that clean the surrounding air.  I’m not even scared of the city taking a £70 million (or probably more) gamble on an as-yet untried financial gambit:  Nope, I’m just scared of change.

As to how the granite web will make Aberdeen compare to other cities and places, I’d suggest that Milton Keynes, Siberian work camps and Ceausescu’s Romanian architectural projects would be the best place to start.

I think I’ll leave it there for now.   Keep a look out for your full colour brochure from the pro City Garden Project now, won’t you.  It should arrive any day now (if you live in Yorkshire).  You may wonder who printed it and who stands proudly behind its facts.  You may wonder for quite some time, as they didn’t bother to say who they were on this flyer.

There is a helpful web address on it, even if it doesn’t work at the time of writing, I’m sure that’s just another one of the few dozen small errors that’s hit the publicity campaign.

Question:  if the people supporting this project are throwing your money around on inaccurate full colour A3 leaflets that are going to the wrong houses today, what will they do with a giant architectural project tomorrow?

– Next week:  disappearing press releases, Press Complaints Commission, and Code of Practice for Public Relations Agencies – and more.

 

 

Feb 032012
 

By Bob Smith. 

Trees are fair perfection
Shapes ti please the ee
Soughin in the  gintle breeze
Hames fer the birdies ti

Green fin in first canopy
Syne gold in autumn’s glow
Stark fin in winter’s depths
Gales blaw them ti and fro

Shelter ti a traiveller
Fae the faain rains
Hivven ti danderin luvvers
Waakin doon widdit lane

Deein leaves fae the trees
Turn inti a gweed mould
Gairdeners ken the value o
Aat fit is naitur’s gold

©Bob Smith “The Poetry Mannie” 2012
Image Credit: Mike Shepherd

Feb 032012
 

Mike Shepherd examines the potential for cost over-run on the City Garden Project and asks …

Where’s the money coming from? 

Money’s Too Tight To Mention is the title of a 1980’s Valentine Brothers pop song covered by Simply Red.

It is also thematic of the City Garden Project (CGP), the controversial proposal to develop Union Terrace Gardens.

The nominal costs for the project are £140m, of which it has been proposed that the private sector provides £70m and Aberdeen City Council borrows £70m through a tax scheme to fund the rest.

A commonly-asked question over the last three years has been, “Who pays for any cost over-run if the project runs out of money?” It is a question that has never been properly addressed and it now looks as if the answer is: “there is no obvious source of money should the costs exceed £140m”.

At a public meeting at Cults Academy in May 2010, it was stated that the Council would pay any excess costs. A month later, Sue Bruce, the then chief executive, decreed at a council meeting that the Council would most certainly not pay for any cost over-run and put the responsibility on to the private sector. This has been the understanding ever since.

At this stage, there are no identified funds should costs ramp up.

However, the private sector has managed to raise no more than £55m of promised funding for the CGP to date. Assurances have been made to the Council that £70m will be on the table and this sum’s availability is one of the conditions for the CGP progressing to the planning stage.

At last week’s council meeting, the question of potential cost over-run was put to Colin Crosbie of the Aberdeen City Garden Trust, the organisation created to take the CGP through to the construction phase. Colin mentioned that the project costs will be less than the nominal £145m and that this gives a built-in margin. The intention is also to put rigorous project and cost management in place.

There could be a problem in finding funds above the projected £70m private sector input. It appears that local businesses are concerned about public goodwill should they be seen to contribute money for the controversial project.

At this stage, there are no identified funds should costs ramp up. One obvious solution is that Sir Ian Wood could make a guarantee to handle this, but there is no sign of this happening as yet.

Could costs over-run on the City Garden Project?

One group of professionals have expressed severe misgivings about the potential for cost over-run on the City Garden Project. Architects.

Scottish architects met at a convention in 2010, and in a straw poll, almost unanimously rejecting the Aberdeen proposal, stated that:

“The costing is absurdly light, making this proposal both technically extremely difficult and financially potentially draining.”
– See:  http://www.urbanrealm.co.uk …_delegates_unanimously_reject City_Square_plans

Neil Baxter, secretary of the RIAS, the professional body for Scottish architects, has also said:

“A further significant concern is the much-publicised budget for this proposal. You will be well aware that the highest profile architectural competition in Scotland in recent years was that for the Scottish Parliament and the lengthy and difficult process which ensued from the risible budget initially set for that endeavour. Considering that, in recent years, buildings of comparable scale in Aberdeen and elsewhere in Scotland on straightforward urban sites have cost easily twice the quoted budget figure for this particularly problematic and challenging site we would be very concerned about launching a competition based upon such a questionable budget.”
– See: http://fraserdenholm.blogspot.com/2010_05_01_archive.html

I talked to one architect who had concerns about the allocated budget for the scheme. He told me that the project has “cost over-run written all over it”. There are two tricky areas:

  • The project involves a large amount of rock and soil extraction from the site, whilst shoring up both Union Terrace and Rosemount Viaduct.
  • It is not easy to build over an existing railway line.

The latter concern possibly derives from a previous situation in the south of England, where a tunnel built to support a new Tesco store above a railway line collapsed. This caused a five-year delay to the original project.
– See: http://en.wikipedia.org/wiki/Gerrards_Cross_Tunnel

What would happen if costs massively over-run?

As mentioned, there are no obvious sources of funds identified to handle any cost over-run above £140m. Aberdeen City Council certainly can’t afford it and the private sector is cash-limited at present. Should it occur, the most likely situation is, to save costs, not everything would be built. Failing that, the project would come to a halt if there is no money left to proceed.

In this instance, there could be a half-built steel and concrete shell where Union Terrace Gardens used to be, clearly the worst case scenario. This would also have the unfortunate effect of causing the tax scheme, underpinning the council’s borrowing, to collapse. This is based on the CGP creating new businesses in the city to provide rates to pay off the £70m loan.

Without a completed project, the Council will be left to service a massive loan. This would be a disaster on a horrendous scale.

The ever-present potential for massive cost over-run on the CGP is a major concern and without a clear plan and identified funds to handle excessive costs, the project is far too risky to consider.

Aberdeen City Council could be sleep-walking to disaster if the scheme gets approved.

Feb 032012
 

The 2011 Annual Signal Gallery Punk Rock Artists show tribute to the late Poly Styrene (1957 – 2011) featured artwork from a majority of the acts that were the lights of British Punk Music.  Curated by Gaye Advert, featuring musical performances and great artwork, this was a highlight of UK winter art exhibitions as well as a perfect way to pay respects to Poly.  Voice’s Suzanne Kelly weighs in on a unique gallery and a unique collection of British artists.

The music world lost a number of real innovators in 2011 – people who were unlikely success stories in some ways, but whose individuality  shaped the history of music.  Amy Winehouse died in tragically predictable circumstances.  Nate Dogg had many personal problems and came from a world of violence, despite dice being loaded against him from the start, he worked with hip hop greats.

His style was sought after, and at the time of his death from  a stroke he’d been working on a new gospel project.  Then there was Marianne Joan Elliott-Said – or Poly Styrene to you and me.

Poly was born in 1957 – in a time where women had little prospects of exerting influence outside of the kitchen.  Women of the late fifties largely spent all their time trying to look conservatively, conformingly beautiful (and there is sad evidence that women are slipping back into wanting to look good more than wanting to be good at something).  Poly was having none of it.

She eventually wound up as the iconic, unpredictable, liberated, intelligent figurehead of punk band X-Ray Spex.  It was said the band formed after she and some friends saw the Sex Pistols perform.

Poly died in April 2011 from an advanced form of breast cancer.   Her unforgettable expressive vocals and X-Ray Spex’ music will always be around.

  Knox from the Vibrators is one of many musicians with artwork on show

The Signal Gallery near London’s Old Street Station has hosted exhibitions of music by punk musicians for some years now.   I’m sure many people who visit this extremely  popular show are there because of the musicians, but no one leaves without seeing a perfectly well curated group show of excellent, challenging art.

This year’s curator was Gaye Advert of (if you didn’t know) The Adverts.  She works in many media, and I’m particularly fond of pieces such as ‘bad squirrel’.  Knox from the Vibrators is one of many musicians with artwork on show; Knox is an extremely talented painter and has studied art.  He’s known for imaginative pieces as well as street scenes of London and overall for portraits of fellow musicians.  He had a portrait of Poly Styrene in this show as  had Charlie Harper and Chris Brief.

I missed the opening (and was cross with myself over it).  For an enthusiastic review of the opening with may photos, try http://retroman65.blogspot.com/2011/11/punk-beyond-gaye-advert-curated-art.html

I did however make it down for the Saturday 10 December acoustic sets by Knox and Charlie Harper of the  UK Subs.

Each played a solo set and then they played together to the Signal Gallery’s main room, totally filled from floor to ceiling with artwork and punk lovers young and old.  Nigel Benett  from The Members was among the audience.

I would love to have spoken more with Gaye Advert and the Gallery’s staff.  However, the former was busy trying to get artists to sign posters from the show, talking to press, being photographed, and trying to find Charlie when it was time for his set.  The posters  were sold at £50 each to raise money for a cancer charity in memory of Poly Styrene; I was lucky to get one.

The gallery owners were busy selling the few pieces of art that hadn’t already been sold, supplying countless beers to the crowd, and dealing with a pipe which started leaking on Charlie as he started his set.

The art was being talked about; some pieces such as a kinetic sculpture involving two dolls was sensational.  The art ranged from classic punk iconic art to abstracts and sculptures.

This show was a testimonial to the energy and talents that continue to keep punk going, and to the ongoing legend of Poly Styrene.

 

Feb 032012
 

With thanks to Kylie Roux.

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

Based on an event from November last year at The Scottish National Portrait Gallery, Your Leaning Neck is a performance project that aims to challenge institutional representations of national identity by giving voice to non-institutional values.

A silent video installation showcasing last November’s event from two perspectives will be shown in the Peacock gallery.

Saturday 18 February – Saturday 10 March 

– Live Performance

Starting off at Peacock’s gallery then moving onto the Episcopal Cathedral Church of St Andrew, visitors will be treated to a live re-contextualisation of the performance event created as a site-specific response to the Scottish National Portrait Gallery’s collection of portraits from the Scottish Enlightenment. Within the performance, oral tradition singers are presented alongside contemporary artists who also use their unaccompanied voice as a means of expression.

Friday 24 February | 7 – 9pm | Peacock Visual Arts | FREE 

GIG IN THE GALLERY – Martin John Henry

Recently praised by Sound-Scotland, as “one of Scotland’s finest songwriters”, Gargleblast Records and Peacock Visual Arts present Martin John Henry.

The Lanarkshire born singer songwriter is best known for fronting Scottish Rock Band De Rosa – critically lauded and championed by John Peel and Steve Lamaq – as well as writing, recording and playing with many of Scotland’s finest musicians including Barry Burns (Mogwai), Robert Johnston (Life Without Buildings), King Creosote and Malcolm Middleton.

Saturday 4 February | 8pm | £8 on the door 

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

ONE MAN UNIT is a hybrid of man and sculpture. Through a variety of outputs, audiences are invited to interact with and experience the spontaneous and unexpected developments of this creative beast, as it evolves during the artists’ two-week residency at Peacock.
You can follow the construction of this half man half machine via their daily blog on Peacock’s Facebook page. The ONE MAN UNIT will then be let loose on the public on two occasions:

Saturday 28 January – Friday 10 February

– Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
e: kylie@peacockvisualarts.co.uk
Website: www.peacockvisualarts.com
Online Print Store: www.peacockvisualarts.culturelabel.com