Feb 242012
 

By Mike Shepherd.

The polling cards are out for the Union Terrace Gardens referendum and you have until March 1 to vote. The hype means you’ll have been bombarded with leaflets, pamphlets, news items and radio adverts.
If ‘connectivity’, a ‘21st century contemporary garden’, or ‘street-level access’ are key factors in deciding your vote, look no further; vote for the City Garden Project.

If you are undecided or swithering then read these very good reasons for voting to retain Union Terrace Gardens. 

1. Your vote will preserve the look and feel of the Granite City. Union Terrace Gardens are an integral part of the heritage of Aberdeen. Planned by the same architects who designed the Art Gallery and the frontage of Marischal College, they show an architectural harmony in the city centre which would be destroyed by a modernistic City Garden.

2. Your vote will not result in a ghastly modern structure replacing our park. Although described as the City Garden, it is in fact a mixture of buildings, flyovers, underpasses and parkland. The design has a passing resemblance to 1960s-style new town architecture. At one public meeting, someone said that the underpasses in particular were likely to end up as urban no-go areas. I have even heard a supporter of the scheme conceding that it will look dated after about five to ten years.

3. Your vote will stop a multitude of new glass box office blocks being built in the city centre. Council documents show that consideration has been given to plans to build a central business district in the city centre and encourage office block construction. The building of the City Garden Project, “will encourage development in the city centre sooner, and on a bigger scale, than might otherwise be the case without public investment in enabling infrastructure.”

4. Your vote will improve our much-loved park. Jimmy Milne, oilman and MD of Balmoral Group, has said:

“I and many of my business contemporaries, are committed to establishing a fund which will help bring the gardens back to their former glory. Without destroying our heritage, and without putting Aberdeen City further into debt, it would not be difficult to breathe fresh life into the park. Improved access, new planting, cleaning and restoration, park wardens and live events could all be relatively easily and cost effectively achieved.”

5. Your vote will ensure that the mature trees in Union Terrace Gardens will be saved. All 77 trees will be kept, including the twelve elms, some of which are at least 200 years old.

6. Your vote will stop our Council borrowing £70m they can’t afford. Aberdeen City Council, £562m in debt, is being asked to borrow £70m through a risky tax scheme to help fund the City Garden Project. If there is insufficient money to pay back the loan, Council funds will be required to service it.

7. Your vote will avoid significant disruption and pollution in the city centre for the near three years it will take to build the scheme. The technical feasibility study for the project estimates that the equivalent of 3,947 dump trucks of earth and 4,605 dump trucks of granite will be excavated from the Gardens causing ‘large environmental impacts from noise, transport, dust and energy use.’

8. Your vote will avoid the major traffic problems caused by the movement of heavy lifting equipment, dumper trucks and lorries in and out of the city centre. It is estimated that the City Garden will take almost three years to build. It is likely that there will be major traffic problems in the city for much of this time. City centre business will be impacted by this and may never recover.

9. Your vote will avoid much, if not all, of the Council’s cultural activities being displaced to the underground building in the City Garden. The council funds institutions occupying cosy, intimate venues such as the Music Hall, Lemon Tree and Belmont Cinema. A review of council-funded cultural activities will be made with a view to possible relocation to the underground concourse.

10. Your vote will avoid any consideration that the future of the HM Theatre could be in doubt. Two major performance venues will be built in the City Garden only yards from HM Theatre. Councillors have asked if this will have an impact on the future of HM Theatre. No specific assurances have been given.

Aberdeen could change forever if the City Garden is built, and probably not for the better.

We have the chance to keep the leafy, green heart of the Granite City. 

VOTE: RETAIN UNION TERRACE GARDENS

Feb 172012
 

Last Saturday, 58 members of The Aberdeen Chorus of Sweet Adelines headed south to Edinburgh to take part in their second audition for this year’s version of ‘Britain’s Got Talent’. With thanks to Linda Allan.

Having had very positive feedback from some of the programme’s producers in the first audition in the autumn,  the ladies were ready to brave the “fearsome 4” judges as well as a live audience in the magnificent Festival Hall.

The Chorus added some more polish to the ballad “At Last” and donned their “Black and Sparkle”  ( some of the visitors to the Kinross Service Station car park will never be the same again!).

The day passed in the Festival Hall with photo and video shoots, interviews, warm ups, run-throughs, wee glimpses into the Hall at some of the other acts, lots of chat, and endless trips to the facilities to check apparel and make-up – all of this punctuated regularly by the most awful foghorn sound of the dreaded buzzer bursting through from the stage.

As the day wore on and the programme schedule slipped further and further behind, it became quite clear that this Chorus was not going to see the Northern Lights of Old Aberdeen again till well into the “wee sma’ oors” – about 3:30am for some of the ladies!!  Never mind – more time to eat another snack, have another photo shoot on the staircase – and watch some performing dogs being interviewed and getting their costumes put on for their act.

There was time too to serenade the (very enthusiastic) public at audience change-over times with some Chorus songs.  It has to be said that the BGT crew members and Festival Hall staff were extremely pleasant, helpful, positive and encouraging, despite what must have been an extremely stressful day for them too.

A visit from the very pleasant and charming Ant and Dec added to the excitement

Then – at last – the intrepid songsters were escorted down endless flights of stairs, along miles of corridors, past mounds of cables and whole forests of cameras and microphones till arriving behind the curtain of the big stage where acts, comments from the judges and the scary buzzer could clearly be heard.

There they stood in excitement for – ages – along with a flea circus, 4 lycra-clad Scottish pipers in rather dubious pink, blue, and green all-in-one skin tight costumes, a very nervous singer experimenting rather gingerly with a microphone, and some curiously clad individuals with strange accents and weird instruments.

A visit from the very pleasant and charming Ant and Dec added to the excitement, as in between various stages of their duties, they ran the gauntlet of the rows of waiting ladies “high-fiving” as they went!  There was also to be more chat and filming with the duo just before going on stage, and later on some of the ladies of the chorus were able to pose with them for photos and autographs at the stage door.

So then – at last (again)- the culmination of the day – an entry on stage to a packed auditorium and the ‘fearsome 4’. There was some further filming, with some questions from the judges to the Director of the Chorus Gwen Topp and the Chorus President Debbie Pern, and then the ballad “At Last”.All judges acknowledged the technical expertise of the Chorus, and the polish and quality of the singing

So how did it go?  The Chorus sang extremely well. One judge liked the Chorus, 2 judges liked the song “At Last”. One judge commented on the lovely involved faces.  All judges acknowledged the technical expertise of the Chorus, and the polish and quality of the singing. In the end two voted for the Chorus to go through, and two voted against.

  As with everything the Chorus undertakes there are valuable opportunities for learning.

Because the judge who had the casting vote in a tie-breaking situation had voted against the Chorus and had in fact used the buzzer, the Chorus will not be going through to the next stage. The genre of music, in which the Chorus excels, was unfortunately simply not to their liking. They simply did not get it!

How does the Chorus feel?  As with everything the Chorus undertakes there are valuable opportunities for learning.  The experience gained from the preparation for the event, the process of being involved in performing at such a big event and dealing with uncertain procedures and ever-changing timelines is very valuable for any performer, and plays an important part in developing performing skills.  Listen, learn, and move on!

What now??  The Chorus will continue to work for the next important events in its calendar, including visits from international coaches and preparation for the annual competition in May in Birmingham.

Tribute must be paid to GwenTopp, Chorus Director and Debbie, Chorus President, for their work both in preparation for the event and also for their magnificent handling of interview questions at the various sections of the day.

Both succeeded in giving heart-felt, eloquent responses which went a long way to promoting not only the Aberdeen Chorus and The World Wide Organisation of Sweet Adelines, but also the value of singing in a group as great fun, a wonderful hobby, a promoter of well-being and a source of support and friendship to those who take part. This message has the potential of reaching many thousands of people, should the clips be televised.

Oct 142011
 

With thanks to Kylie Roux.

Exhibitions:

The Black And White Show – Various Artists
Preview Friday 9 September, 6 – 8pm, all welcome!

A monochromatic medley of prints. Enzo Mari, Mike Giant, Scottie Wilson, John Byrne, Ian Hamilton Finlay, Donald Urquhart, Adam Bridgland, David Shrigley, Kenny Hunter, Rob Churm, John Bellany, Jock Mooney, Shepard Fairey and Alan Davie. Not to be missed.
Exhibition runs 10 September – 22 October 2011

Inchoate Landscapes – Toby Paterson
Preview Friday 9 September, 6 – 8pm, all welcome!
Toby Paterson’s Inchoate Landscapes draws around his newly completed suite of seven prints, creating an exhibition that sets them in the broader context of his practice and interest in the built environment.
Exhibition runs 10 September – 22 October 2011

Events:

Peacock @ Multiplied Art Fair, London
Friday 14 – Monday 18 October –  Christie’s South Kensington, London 

Peacock are one of only 40 galleries from around the world that are going to be exhibiting at this the UK’s first and only fair devoted exclusively to Contemporary Art in Editions, Multiplied Art Fair at Christie’sPeacock will be showcasing Inchoate Landscapes, a new seven-piece suite of prints by award winning artist Toby Paterson, as well as works by Kenny Hunter, Donald Urquhart and Adam Bridgland all recently completed in our printmaking workshops. 
Opening Hours –  Fri & Mon 9am-5pm, Sat & Sun 11am-6pm.

FREE entry – all welcome!

IMP Presents SOUND @ PVA
Fri 28 – Sun 30 October (Fri 7.30 – 11pm, Sat and Sun 3.30 – 11pm)

A festival within a festival. Not so much boutique as ‘guest house’.

Some of the best new music in Scotland (and some from further afield) over 3 days in the intimate surroundings of our gallery.  
Tickets available from One-Up Records (01224 642662)
& Aberdeen Box Office 01224 641122/ 
boxofficeaberdeen.com

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011

 Get Creative:

Peacock VIsual Arts – Summer Animation Classes
October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that!
Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!
Call 01224 639539 for more information or to book a place.

Open Submissions – The Winter Exhibition at PVA
It’s back! After a 2 year break, we would once again like to invite artists to submit work for the Christmas show. Previous years proved to be hugely popular, attracting many visitors and making it is a fantastic opportunity to have your work seen. And this year there are prizes on offer so even more reason to submit. Visit www.peacockvisualarts.com for more details.
Submission deadline Saturday 5 November 2011

Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
Oct 092011
 

By Alex Mitchell.

Art Deco: a style in the decorative arts as defined by a major international exhibition held in Paris in 1925.   It had been planned for 1915, but was postponed because of the First World War.   The exhibition was a celebration of modernity, of modern materials and techniques.   The expression ‘Art Deco’ describes the style which predominated there; a jazzy application of a visual vocabulary derived from Cubism, Futurism, Functionalism and other recent movements to a variety of decorative, fashionable and commercial purposes.

There was a shift in emphasis from the Fine Arts to the Arts Decoratifs.   Artists now applied their aesthetic skills to all areas of design, ranging from architecture and interior decoration to fashion and jewellery.   Oddly enough, the expression ‘Art Deco’ did not come into use until a much later exhibition in London in 1968.   In its own time, the style was generally referred to as moderne (not to be confused with’modernist’) and sometimes as ‘jazz’ or ‘jazz-style’.  

Although it applies to the decorative arts and interior design of the 1920s and 1930s, the description ‘Art Deco’ can be extended to analogous styles in architecture, where it is characterised by smooth, sleek, aerodynamic or ‘streamlined’ motifs, reflecting the contemporary preoccupation with speed and the setting of new land, sea and air speed records.

Sunbursts, sunbeams and sun-rays are another very characteristic Deco motif, reflecting the new fashion for sunbathing and the perceived benefits of natural light and fresh air.   The ‘Deco’ style created clean simple shapes suitable for mass production in factories using modern materials such as plastic, chrome and aluminium.   Even mundane objects like vacuum cleaners and radios were given the Deco treatment, adorned with smooth, streamlined surfaces and sleek lines resembling those of racing cars and aircraft.

Following its revival in the 1960s, Art Deco has been seen as the natural sequel to the Art Nouveau of the 1890s, of which the early work of Charles Rennie Mackintosh (1868-1928) provides several examples, e.g., the Willow Tea Rooms in Glasgow.   Art Nouveau drew much of its inspiration from the natural world of plants and flowers and is characterised by a sinuous, curvilinear style.   A local example of Art Nouveau is the cast-iron Ventilator at the Holburn Street end of Justice Mill Lane.

But Art Deco is more a product of the machine age, and is characterised by flat, geometric shapes.  

Mackintosh at first incorporated a significant degree of Art Nouveau ornamentation in his work, but he later pared down these decorative elements in favour of a starkly elegant and geometrical aesthetic, e.g., the vertical emphasis of his notorious ladder-backed chairs.

Art Deco and other aspects of Modernism as applied to architecture were in conscious rebellion against pre-1914 styles such as Victorian Gothic, Scottish Baronial and Edwardian Baroque, which came to be seen as dark, stuffy, cluttered, over-decorated, pompous and impractical. It was now felt that design should reflect function, that function should dictate form, and that buildings serving modern purposes such as railway stations or schools should not be disguised so as to resemble medieval cathedrals or castles.

Modernism came to favour asymmetrical compositions, unrelievedly cubic shapes, metal and glass framework often resulting in large windows in horizontal bands, and a marked absence of decorative mouldings or ornamentation.  The pendulum of fashion had swung from the one extreme to the other, from Gothic extravagance and whimsy to a style, or absence of style, often described as ‘Brutalist’, if not as ‘Stalinist’.

Art Deco may be seen, at its best, as a via media, a happy medium between the over-ornamentation and clutter of the Victorian-Edwardian era and the stark, totalitarian style too often characteristic of the 20th century.

Art Deco emphasised stylishness attuned to domestic use and popular consumption, and was characterised by geometric patterning, sharp edges and flat, bright colours, often involving the use of enamel, bronze and highly polished chrome.

The simplicity of the style can be seen as Classical in spirit, apparent in the extensive use of Egyptian, Aztec and Greek motifs.   This reflected the widespread interest in the discovery of the tomb of the Egyptian boy-king Tutankhamun in 1922.

The craze for all things Egyptian coincided with the spate of cinema construction in the 1920s and 1930s, and was often incorporated into both exterior and interior designs, being very apparent in Odeon, Gaumont and other chain-cinemas of the period.

Sumptuous picture-palaces were built in Aberdeen during the inter-war period, the ‘Age of Deco’, including:

The Palace Cinema; the old Palace Theatre was substantially extended in 1931 to create its impressive Rubislaw granite frontage on Bridge Place, which itself stands on a ridge extending from Holburn Street to Crown Terrace. The Palace became a dance-hall in 1960. The building was owned by Scottish & Newcastle Breweries from 1993 until recently, and its shabby and neglected condition did them no credit.   It is now a nightclub, operated by Luminar, who have tidied it up considerably.

The Regent Cinema in 1927, by Tommy Scott Sutherland (1899-1963), was built on the site of the Upper Justice Mill, at the Holburn St. end of the ridge described above.   The Lower Justice Mill was down the brae in Union Glen; its mill-pond lay between the two buildings.   The two mills had been in operation well before 1320, when they were granted to the Burgh of Aberdeen by King Robert I, Robert the Bruce, and were still in operation 600 years later in the 1920s.

The Capitol had the most remarkable interior of all the Aberdeen cinemas, which included a Compton theatre pipe organ

The Lower Mill pond was drained and filled, the three streams diverted and covered and the site was levelled by excavating it back towards Justice Mill Lane.   The Regent cinema occupied the eastern part of the site formerly occupied by the Upper Mill; the western part of the site is occupied by the McClymont Hall.

The frontage of the Regent Cinema (latterly the Odeon) was of Rubislaw granite, decorated with bands of red terracotta, with a polished black granite base.   The vertical central windows, giving the impression of height, became something of a Sutherland trade-mark, later deployed to useful effect in the Kittybrewster Astoria and the Majestic.

The Regent opened on Saturday 27 February 1932, a few months after the Palace.   The building is now occupied by the Cannon sports centre and health club.   The new owners have renovated the exterior to a high standard, extending to the rear of the car park, where it abuts Union Glen.

The Capitol in Union Street in 1932, by A. G. R. Mackenzie, had a sparkling dressed granite frontage, slightly asymmetrical in layout.   Above the entrance were three tall windows with two shorter windows to the left and three such to the right.   The frontage was/is surmounted by a plain but elegant pediment which had the effect of concealing from street view the high, steeply pitched roof of the auditorium.

The Capitol had the most remarkable interior of all the Aberdeen cinemas, which included a Compton theatre pipe organ, and it was also the most influenced by Art Deco, both inside and out, e.g., the outer doors with their stainless-steel semi-circular hand plates, forming full circles when the doors were closed.

The Capitol opened on Saturday 4 February 1933.   Its more recent conversion for Luminar involved the horizontal division of the auditorium into two complementary night-clubs, one upstairs, one downstairs.   We are unable to say how this affects the Compton organ, or just what remains of the Art Deco interior.

Tommy Scott Sutherland went on to design the Astoria Cinema in Clifton Road, Kittybrewster, which opened on Saturday 8 December 1934.

This was followed by the Majestic in Union Street, (opposite the Langstane Kirk), which TSS regarded as his finest creation.   It had a fairly plain and austere frontage of Kemnay granite in the style by now known as Sutherland Perpendicular.
It opened on Thursday 10 December 1936.   By then, Aberdeen could boast one cinema seat per seven inhabitants, more than double the ratio in London.   (For more on this, see The Silver Screen In The Silver City by Michael Thomson, 1988.)

Other Deco-influenced buildings in Aberdeen are:

Jackson’s Garage in Bon-Accord Street/Justice Mill Laneof 1933, by A. G. R. Mackenzie.   This is a rare example of excellent commercial architecture of the inter-war period in Aberdeen, and has many Deco characteristics.   It incorporates the distinctive horizontal banding of windows and glazing, curving around the corner to Justice Mill Lane.   The Bon-Accord Street frontage has an impressive central section with three very tall vertical windows surmounted by a distinctive 1930s clock.   The building is now occupied by Slater’s Menswear.

The Bon-Accord Baths in Justice Mill Lane, of 1937, is one of the most characteristically 1930s buildings in Aberdeen, being a giant buttressed granite box.   Inside, there is an abundance of curved blond wood and shiny metal; the swimming pool roof is supported on concrete arches.   The window glazing is distinctively ‘Deco’.

Amicable House, Nos. 250-252 Union Street, of 1933, by Tommy Scott Sutherland, built just west of his Majestic Cinema, embodies some Art Deco motifs and characteristics.   The Majestic was demolished in the early 1970s and replaced by the present bland, characterless office block.

The 1930s Medical School at Foresterhill.

The King’s College Sports Pavilion of 1939-41, by A. G. R. Mackenzie; one of the few Modernist buildings in Aberdeen before World War Two.

Tullos Primary School, begun 1937, but not completed until 1950, by J. Ogg Allan; one of the best 1930s buildings in the city.

I should mention the Carron Tea-room in Stonehaven, built 1937 and recently fully refurbished; it may be the finest Art Deco building in the north of Scotland.

Finally, the Northern Hotel, Kittybrewster, of 1937, by A. G. R. Mackenzie.   Its curved frontage is dominated by broad horizontal banding of windows and glazing.   The Northern Hotel is the most distinctively ‘Deco’ building in Aberdeen, and has recently been fully restored.   The interiors are well worth seeing.

For all that, the Northern Hotel is arguably more a thing of interest than of great beauty.   The Deco style seems to work better in pastel colours and in sunny locales.

I used to walk past the Northern Hotel regularly, and it never occurred to me to think of it as a beautiful building; striking, yes, beautiful, no.   By the time it was built, in the late 1930s, the new architecture of Aberdeen had perhaps slipped too far down that long descent from Victorian Gothic to Stalinist Brutalism; all the way from the splendid Flemish-Medieval Town House of 1867 to the irredeemably awful St Nicholas House of 1967.

These bitter-sounding thoughts were occasioned, quite some years ago, whilst walking from the Castlegate back to the Brig o’ Dee.   It occurred to me that every building I liked along the way dated from long before I was born, and that almost nothing put up in my own lifetime was any good at all.   I like to think that things bottomed out, perhaps as far back as the 1970s or ‘80s, and are now on an improving trend, but the evidence is still uncertain.

That said, ‘Deco’ influences are apparent in at least three recent buildings in Aberdeen, as follows:

The Lighthouse Cinema; I like those sleek glass curves along the line of the old Shiprow.

The huge block of student flats in Mealmarket Street/West North Street is distinctively ‘Deco’ in style, brightly coloured in pastel shades of blue, white and pink/orange.

Talisman House in Holburn Street is another symphony in tinted glass with its undulating green roofline, now complemented by Gillie’s new furniture store across the street.

Talisman House is certainly a big improvement on the old College of Commerce; but is the Boots/Currys building by the Brig o’ Dee an improvement on the former, much-unloved, Dee Motel?   At least the Dee Motel was a low-rise building, set well back and largely obscured by trees and shrubs.   The Boots/Currys building might be acceptable somewhere else but, on this prominent corner site, is too big, too far forward and too close to the historic Brig; and it completely dominates the view all the way down South Anderson Drive and out Holburn Street.

Contributed by Alex Mitchell.

Sep 122011
 

With thanks to Kylie Roux.

Exhibitions:

The Black And White Show – Various Artists
Preview Friday 9 September, 6 – 8pm, all welcome!

A monochromatic medley of prints. Enzo Mari, Mike Giant, Scottie Wilson, John Byrne, Ian Hamilton Finlay, Donald Urquhart, Adam Bridgland, David Shrigley, Kenny Hunter, Rob Churm, John Bellany, Jock Mooney, Shepard Fairey and Alan Davie. Not to be missed.
Exhibition runs 10 September – 22 October 2011

Inchoate Landscapes – Toby Paterson
Preview Friday 9 September, 6 – 8pm, all welcome!
Toby Paterson’s Inchoate Landscapes draws around his newly completed suite of seven prints, creating an exhibition that sets them in the broader context of his practice and interest in the built environment.
Exhibition runs 10 September – 22 October 2011

Events:

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011  

Get Creative:

Peacock VIsual Arts – Summer Animation Classes
October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!
Call 01224 639539 for more information or to book a place.

Open Submissions – The Winter Exhibition at PVA
It’s back! After a 2 year break, we would once again like to invite artists to submit work for the Christmas show. Previous years proved to be hugely popular, attracting many visitors and making it is a fantastic opportunity to have your work seen. And this year there are prizes on offer so even more reason to submit. Visit www.peacockvisualarts.com for more details.
Submission deadline Saturday 5 November 2011
Etching Weekend Workshop
17 + 18 September | 10 – 4.30pm | £130/95 conc.

Learn the techniques and processes involved in the traditional art of etching. No experience required.
Call 01224 639539 for more information and to book a place.

Bookbinding Weekend Workshop
24 + 25 September | 10 – 4.30pm | £130/95 conc.

Learn how to create your own hand-crafted notebooks and journals that make colourful and unusual gifts. No experience required.
Call 01224 639539 for more information and to book a place.

Note: Aberdeen voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
Sep 082011
 

With Thanks to Dave Macdermid.

In conjunction with this year’s Enchanted Castle event at Crathes Castle, which will run from Wednesday 23rd to Sunday 27th November, there are a number of fantastic prizes up for grabs in a new digital photography competition which is launched today. The competition is open to two age groups, namely 15 and under, and 16 and over.
You can enter both competitions online, via a link on Carlton Resource Solutions Ltd’s website at www.carltonrs.com/castle  and all entries for both categories will be visible so entrants can weigh up their competition!

The theme of the competition is ‘The North East’s Natural Beauty’ and, as Gerry Muldoon from EC organisers GM Events outlines, this can encompass a wide range of subject matter.

“Entries can be anything from landscape shots to wildlife or even the sky at night, the only prerequisite being that the image can be sent digitally.

“The winners will be  selected by Logan Sangster of Deeside Photographics in early November. 

The photographs will be on display throughout the five days of the Enchanted Castle at the Milton Gallery in Crathes and at Crathes Restaurant.  Huge thanks are due to recruitment specialist, Carlton Resource Solutions Ltd, the lead sponsor of the Enchanted Castle, for co-ordinating the photo competition and also to the organisations that have donated fantastic prizes for the winners.” 

Prizes for the senior competition include a family meal at The Milton Restaurant, an overnight stay at the Raemoir House Hotel and a £250 voucher for Deeside Photographics for a full family portrait.

The  organisers hope to see local schools getting involved and for everyone to delight in the region’s top photography talent and share their entries with their friends and family. Among the prizes for the junior competition is a new digital camera, courtesy of GM Events and family membership to the National Trust for Scotland.

The Enchanted Castle event itself will see the grounds of Crathes Castle transformed thanks to cutting edge light and sound technology and stunning choreographed effects, moods and backdrops that will be a ‘must’ for family members of all ages. 

An evening walk will take place in a truly magical ambience, and a host of complementary, themed attractions including storytelling sessions, fire breathers and jugglers, magicians and children’s enchanted craft activities, will all add much to the magical experience.

Tickets for the November event are now on sale at:
Aberdeen Box Office,
Music Hall,
Union Street,
Tel 01224 641122
www.boxofficeaberdeen.com
– and at:
www.nts.org.uk

Inclusive tickets for all the attractions cost £10 for adults, £8 concessions, £5 for Under 16’s and free for Under 5’s. Ample free car parking is available at Crathes Castle.
Full details can be found on  www.theenchantedcastle.info

In addition to Carlton Resource Solutions as headline sponsor, Scottish Enterprise, Aberdeenshire Council, Rural Aberdeenshire LEADER Programme, EventScotland, Royal Deeside and the Cairngorms DMO have all assisted in ensuring the Enchanted Castle will be one of the winter’s major events in the area.

Jul 152011
 

With thanks to Kylie Roux.

Upcoming Exhibitions:

Migrate, Replicate // Natalie McIlroy
Preview Friday 15 July | 6 – 8pm | all welcome!  

Natalie McIlroy presents Migrate, Replicate, combining large-scale video projections of Scottish landscapes, ephemeral architectural interventions and an intriguing soundscape of the Pied Butcherbird.
Exhibition runs 16 – 30 July 2011    

Drawing Connections // Hannah Redpath
Preview Friday 15 July, 6 – 8pm, all welcome! 
 

A new series of prints by Hannah Redpath produced during a one-year residency in the printmaking department at Gray’s School of Art. Exhibition runs 16 – 30 July 2011

EAF – Katri Walker // North-West
Opening Saturday 6 August | 3 – 6pm | Old Ambulance Depot, 77 Brunswick Street Edinburgh

As part of the Edinburgh Art Festival 2011, Peacock Visual Arts presents North West by Katri Walker. First exhibited at Peacock in March 2011, the audio-visual installation explores Scotland’s historic and contemporary relationship with Wild West visual culture.
Opening Saturday 6th August, 3-6pm with a BBQ & live performances by experimental musician Wounded Knee.
Exhibition runs 7 August – 4 September 2011,   Tue – Sun, 12 – 6pm.

VOLUNTEERS NEEDED for NORTH WEST at the Edinburgh Art Festival
Peacock is seeking enthusiastic and friendly volunteers to join us for the Edinburgh Art Festival where we will be presenting North West by Katri Walker in the Old Ambulance Depot (just off Leith Walk). You will be an integral part of the festival team responsible for invigilation of the exhibition and general gallery duties.
All applicants are asked to work a minimum of six hours per week and must be able to commit to volunteering with us for the duration of the festival, 6 Aug – 4 Sep 2011.
Please note, all volunteer posts are unpaid. To find out more and how to apply please contact Angela Lennon on 01224 639539 or email: angela@peacockvisualarts.co.uk
Deadline for application is Friday 29th July 2011.

 

Events:

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011  

Peacock At The Aberdeen Art Fair
13 + 14 August | 10 – 4pm | AberdeenMusic Hall

 Peacock is partaking in the inaugural year of the Aberdeen Art Fair – which promises to become an annual showcase event for the Scottish arts scene.

Exhibiting work by renowned artists including Frances Walker, Toby Paterson, John McLean, James Furneaux and Barbara Rae and a selection of handprinted posters from the Peacock archive – there’s sure to be something for everyone’s taste and budget!

Get Creative:

Collagraph Weekend Workshop
23 + 24 July| 10 – 4.30pm | £130/95 conc.

An exciting introduction to the printmaking process of Collography. Using thick card as a base, textures are glued to the block to build up and create an image before inking it up and then printing it using the etching press.
Call 01224 639539 for more information or to book a place.

Peacock VIsual Arts – Summer Animation Classes
July  20, 27 + October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!

Call 01224 639539 for more information or to book a place.

Peacock VIsual Arts – Monster Making Fun // Kids Screenprinting
2 + 9 August| 10 – 4pm | age 8 – 12 | £35/class

Get your little monsters to create their own little monster!
We’ll spend the morning drawing all the different body parts of a monster before learning how to transform them into colourful screenprints.
We’ll then use all the different parts to build lots of  monster designs…scary monster, happy monsters, mad monsters – whatever you decide!
Call 01224 639539 for more information or to book a place.

Screenprinting Weekend Workshop
20 + 21 August | 10 – 4.30pm | £130/95 conc.

Explore the creative possibilities of this colourful, graphic and immediate approach to making repeat prints. No experience necessary – just a few images and a bit of creativity.
Call 01224 639539 for more information or to book a place.


Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

 

Jun 182011
 

With thanks to Kylie Roux.

Peacock VIsual Arts – CRA/CKED // Bill Thompson

New works by Bill Thompson exploring cracked aesthetics with broken technology, data bending and transliteration in sound and video. Exhibition runs 14 May – 25 June.
Exhibition Ongoing until 25 June 2011, Open Tue – Sat, 9.30 – 5.30pm.

Upcoming exhibition: EAF – Katri Walker // North-West
Opening Saturday 6 August | 3 – 6pm | Old Ambulance Depot, 77 Brunswick Street Edinburgh

As part of the Edinburgh Art Festival 2011, Peacock Visual Arts presents North West by Katri Walker. First exhibited at Peacock in March 2011, the audio-visual installation explores Scotland’s historic and contemporary relationship with Wild West visual culture.
Opening Saturday 6th August, 3-6pm with a BBQ & live performances by experimental musician Wounded Knee.
Exhibition runs 7 August – 4 September 2011

Peacock VIsual Arts – Gig in the Gallery
Saturday 25 June | 8pm | £6 on the door

Interesting Music Promotions (imp) and Vocoustics present No More Soundchecks – the latest in a series of unplugged shows. WOODPIGEON, EAGLEOWL and ROB ST JOHN will be performing in PVA’s intimate gallery.

Peacock At The Aberdeen Art Fair
13 + 14 August | 10 – 4pm | AberdeenMusic Hall

 Peacock is partaking in the inaugural year of the Aberdeen Art Fair – which promises to become an annual showcase event for the Scottish arts scene.

Exhibiting work by renowned artists including Frances Walker, Toby Paterson, John McLean, James Furneaux and Barbara Rae and a selection of handprinted posters from the Peacock archive – there’s sure to be something for everyone’s taste and budget!

Peacock VIsual Arts – International Summer School // Beyond Monotype
4 – 8 July | 10 – 4pm | £400

Only a couple of places left in this week long course that will teach you a wide range of techniques possible in the monotype process, expanded through the use of collage, drawing, and multiple plate projects. With an energetic and open approach, each participant’s individual style will help to dictate the direction of the workshop.

For more information and to book a place, please contact Angie Aitchison on a.aitchison3@rgu.ac.uk
or call 01224 263600.

Peacock VIsual Arts – Summer Animation Classes
July 6, 13, 20, 27 + October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?

Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!

Call 01224 639539 for more information or to book.

Peacock VIsual Arts – Monster Making Fun // Kids Screenprinting
2 + 9 August| 10 – 4pm | age 8 – 12 | £35/class

Get your little monsters to create their own little monster!

We’ll spend the morning drawing all the different body parts of a monster before learning how to transform them into colourful screenprints.

We’ll then use all the different parts to build lots of  monster designs…scary monster, happy monsters, mad monsters – whatever you decide!
Call 01224 639539 for more info and to book a place.


Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

May 062011
 

By Bob Smith.

 

Nivver myn The Duncin in Kyle
Lit me tak ye back a fyle
Fin on duncin I wis richt keen
In the halls o’ Garlogie,Echt an’ Skene  

Ye  birled ti bands like Bert Duff
Fin loons like me wid strut their stuff
Some at duncin war fair fleet
Ither eens  they hid twa left feet

There wis ither bands like Mary Milne
Fa hid ye waltzin wi great will
Ye war up duncin an eichtsome reel
Hoochin an skirlin like a feel

Maist couldna afford a motor car
Bit they cam fae near an far
Buses, bikes an usin their feet
At wikkends they war nivver beat

Ye’d ask a quine up for a dance
Roon an roon the hall ye’d prance
Quicksteps, waltzes an foxtrots
Sometimes yer feet war tied in knots

 

Great times ye hid tull near midnicht
Some loons wid be an affa sicht
Een or twa hid ower muckle booze
The chunce o’ a date they wid lose

Duncin wis the time for ti chat

Ither quines fa maybe cam fae Clatt
Or deems fa bade up in Midmar
Fower o’ them cam doon by car 

Noo an again a fecht wid occur
Like fin some feel wid cast a slur
On the virtue o’ a local quine
Oor dander wis then up ti ninety nine

We were aa Jock Tamson’s bairns
Ti the duncin for tae learn
Foo ti dee an eichtsome birl
An aa the lassies wid hooch an skirl.

 

 

©Bob Smith “The Poetry Mannie” 2011