Apr 152013
 

“Please allow me to introduce myself
I’m a man of wealth and taste
I’ve been around for a long, long year”
–          Rolling Stones, Sympathy for The Devil

Please allow me to introduce myself. That would make a good opening line for a song.
In the pub we were discussing an absent punter whose specialist subject on Mastermind would be ‘Everything’.

On reflection I’m a bit like him – get me on to a subject and a flood of views, news and trivia can be unleashed.

Ask me to contribute an article about my website and I’m in my element, despite realising it’s partly an exercise in vanity publishing, and that I am that punter.

As a political activist, I campaigned in Aberdeen throughout the 1970s, a formative time of great international solidarity – anti-apartheid, Vietnam, Chile after the overthrow of President Allende. It was a decade of national, student and industrial struggles, an era of cultural upheaval. In Seventies Scotland, Gordon Brown became a radical student Rector of Edinburgh University.

On the industrial front, inspiration came from the building workers’ and miners’ strikes, from Jimmy Reid and the Upper Clyde Shipbuilders workers’ battles.

Bob Cooney would have a pint with us in the Adelphi Aberdeen Trades Council Social Club – his stories of the International Brigade and battles against fascists on the streets of Aberdeen brought working-class history to life. The decade culminated in the 1979 Devolution referendum, when I worked tirelessly for ‘Yes for Scotland’.

After school I got a job as a technical author with a helicopter manufacturer, and also contributed to the local newspaper as a ‘stringer’. Since then, I have written for the New Musical Express (NME), Morning Star and other radical journals.

I worked for an Aberdeen specialist black-and-white photo printing company before spending the Eighties cocooned offshore with diving firms. I spent four years in Mumbai in the Bombay High oilfields. I then managed small photographic businesses/labs in Aberdeen.

In 2003 Yvonne and I moved from East Cults (Garthdee) to Collieston, which I flew over when I worked in the North Sea. Now semi-retired and as busy as ever, I own and run a website www.forviemedia.co.uk  .

There, a career condensed into a few short paragraphs. ‘Perhaps my best years are gone. But I wouldn’t want them back. Not with the fire in me now.’ – Samuel Beckett 1906-1989. ‘Krapp’s Last Tape’ (extract).

Online since 2004, forviemedia began as a stock photo library with 120 images

Online since 2004, forviemedia began as a stock photo library with 120 images – four decades of strong views, my back pages in focus. I launched the current format in May 2012, when analytic tools indicated that ‘News’ was by far the most popular and searchable section of the site. So now it’s part-news, part-images, almost a blog.

Anything’s preferable to Faceboak – I’m sick of social media!

I combine articles and images – clicks of a mouse and shutter buttons. Our News section and site content are refreshed daily, constantly changing. The Menie estate rolling story is by far the most popular item, closely followed by lard. Don’t ask!

Over 280 images are currently displayed in nine Galleries. Site content includes Scotland and politics, campaigns, Green and Nature tourism, walks, dogs, architecture, Grampian produce, hostelries, industries, energy – North Sea Oil and renewables, exhibitions, events, contacts, extra news, science, history, heritage, humour, sport, film and theatre, and music.

My small Employment Support grant ends in May. I’m both saddened and heartened by the news that fifty percent of Scots farmers would not survive were it not for Working Tax Credit. Despite its worth, plus my restraint and compromise, forviemedia is too political for most business funding organisations, so I’m investigating community and educational grants at present.

Conversely, ‘The Canadian’ online magazine implied I was benefitting commercially by writing for them. Politicus wrote recently to say my website didn’t seem to have much politics in it, so I can’t win. I guess it depends on your stance; mine is possibly too close to Bob Cooney’s in the Castlegate.

It’s certainly difficult selling images online nowadays, although it’s never been technically easier. The North Sea Oil shots over twenty years have always brought in a trickle of income, with no marketing. The internet is a fantastic research tool, and better search engine optimisation helps folk find you, but it’s all about working one-to-one and finding a few discerning customers.

I worry about language use being compromised due to deliberate keyword use – catchy titles for images for example. Connectivity and broadband speed are particular issues in rural areas.

In the future I’d like to become a major ‘portal of call’ for news and debate in the Buchan area, and provide a (free) service for Aberdeenshire artists and photographers. When I told Yvonne that I intended to utilise my bus pass to take the dog and do pub reviews, it raised a smile and then an eyebrow. I am that punter.

Chris Ramsey.  5th April 2013.

Feb 172012
 

Last Saturday, 58 members of The Aberdeen Chorus of Sweet Adelines headed south to Edinburgh to take part in their second audition for this year’s version of ‘Britain’s Got Talent’. With thanks to Linda Allan.

Having had very positive feedback from some of the programme’s producers in the first audition in the autumn,  the ladies were ready to brave the “fearsome 4” judges as well as a live audience in the magnificent Festival Hall.

The Chorus added some more polish to the ballad “At Last” and donned their “Black and Sparkle”  ( some of the visitors to the Kinross Service Station car park will never be the same again!).

The day passed in the Festival Hall with photo and video shoots, interviews, warm ups, run-throughs, wee glimpses into the Hall at some of the other acts, lots of chat, and endless trips to the facilities to check apparel and make-up – all of this punctuated regularly by the most awful foghorn sound of the dreaded buzzer bursting through from the stage.

As the day wore on and the programme schedule slipped further and further behind, it became quite clear that this Chorus was not going to see the Northern Lights of Old Aberdeen again till well into the “wee sma’ oors” – about 3:30am for some of the ladies!!  Never mind – more time to eat another snack, have another photo shoot on the staircase – and watch some performing dogs being interviewed and getting their costumes put on for their act.

There was time too to serenade the (very enthusiastic) public at audience change-over times with some Chorus songs.  It has to be said that the BGT crew members and Festival Hall staff were extremely pleasant, helpful, positive and encouraging, despite what must have been an extremely stressful day for them too.

A visit from the very pleasant and charming Ant and Dec added to the excitement

Then – at last – the intrepid songsters were escorted down endless flights of stairs, along miles of corridors, past mounds of cables and whole forests of cameras and microphones till arriving behind the curtain of the big stage where acts, comments from the judges and the scary buzzer could clearly be heard.

There they stood in excitement for – ages – along with a flea circus, 4 lycra-clad Scottish pipers in rather dubious pink, blue, and green all-in-one skin tight costumes, a very nervous singer experimenting rather gingerly with a microphone, and some curiously clad individuals with strange accents and weird instruments.

A visit from the very pleasant and charming Ant and Dec added to the excitement, as in between various stages of their duties, they ran the gauntlet of the rows of waiting ladies “high-fiving” as they went!  There was also to be more chat and filming with the duo just before going on stage, and later on some of the ladies of the chorus were able to pose with them for photos and autographs at the stage door.

So then – at last (again)- the culmination of the day – an entry on stage to a packed auditorium and the ‘fearsome 4’. There was some further filming, with some questions from the judges to the Director of the Chorus Gwen Topp and the Chorus President Debbie Pern, and then the ballad “At Last”.All judges acknowledged the technical expertise of the Chorus, and the polish and quality of the singing

So how did it go?  The Chorus sang extremely well. One judge liked the Chorus, 2 judges liked the song “At Last”. One judge commented on the lovely involved faces.  All judges acknowledged the technical expertise of the Chorus, and the polish and quality of the singing. In the end two voted for the Chorus to go through, and two voted against.

  As with everything the Chorus undertakes there are valuable opportunities for learning.

Because the judge who had the casting vote in a tie-breaking situation had voted against the Chorus and had in fact used the buzzer, the Chorus will not be going through to the next stage. The genre of music, in which the Chorus excels, was unfortunately simply not to their liking. They simply did not get it!

How does the Chorus feel?  As with everything the Chorus undertakes there are valuable opportunities for learning.  The experience gained from the preparation for the event, the process of being involved in performing at such a big event and dealing with uncertain procedures and ever-changing timelines is very valuable for any performer, and plays an important part in developing performing skills.  Listen, learn, and move on!

What now??  The Chorus will continue to work for the next important events in its calendar, including visits from international coaches and preparation for the annual competition in May in Birmingham.

Tribute must be paid to GwenTopp, Chorus Director and Debbie, Chorus President, for their work both in preparation for the event and also for their magnificent handling of interview questions at the various sections of the day.

Both succeeded in giving heart-felt, eloquent responses which went a long way to promoting not only the Aberdeen Chorus and The World Wide Organisation of Sweet Adelines, but also the value of singing in a group as great fun, a wonderful hobby, a promoter of well-being and a source of support and friendship to those who take part. This message has the potential of reaching many thousands of people, should the clips be televised.

Nov 172011
 

Bucksburn in Bloom was born because we wanted to brighten up our neighbourhood with floral displays and to try and make it a brighter place to live. Drew Levy,  President of Bucksburn in Bloom writes.

For a good many years I as an individual had entered into Aberdeen in Bloom and after 6 years of effort in 2011 our garden was awarded 1st prize.
However back in 2007 we were asked what we could do with our street.

To start with I suggested we could get some brackets on the lamp-posts and have two hanging baskets on each lamp-post, then as well as making our own planters we also looked into asking the council if we could have 4 planters as well.

Since 2007 we have added different things to our area and it was one of these improvements, at the entrance to our  our street,  after seeing an article for “Britain’s Best Flowerbed Photo Competition” in a Beautiful Scotland & the RHS News Letter, that we decided to enter into the competition.

At around this same time we were making improvements with floral displays to Bucksburn and also choosing a name and so: Bucksburn in Bloom was born.

Back to the photo competition, we decided to send in the photos of our flowerbed and the entry letter to go with it. We did not expect to win anything, and when you consider that the competition was across the whole of the UK and we are just a new group, you can imagine our surprise when a couple of months later we had been awarded 2nd Prize in our class.

There was more to come, as a result of the prize we were given a 7mtr x 4mtr flowerbed at the North of England’s largest show – The RHS Tatton Park Flower Show in 2009, similar to the Chelsea Flower Show in London .

Once the shock and surprise had eased off we set about designing the flowerbed with all the plants and landscaping. We submitted our design which was a floral oilrig, themed “Scotland’s Homecoming”. In July we packed up all the plants and accessories and we were off to Manchester to take part in our first RHS show.

We had three days to build the flowerbed and on the Wednesday it was judged. We were awarded an RHS Merit, the first they have ever given and we were very proud of it especially as we were up against 26 local council’s in the same category. On the Wednesday after judging the show was opened to 90,000 visitors until the Sunday. We were not just representing Bucksburn but Aberdeen and the North of Scotland and as such we were proud to be dressed in our national costume- the full kilt outfit.

Another great surprise was when we were asked to come back next year in 2010. When asked what our theme would be, we decided that we were going to look into doing a flowerbed around the Highland Coo (cow) complete with its long horns.

Well, in 2010 our entry was accepted and in July  we collected “Gracie” – the coo from the Loch Katrine Centre & headed off to Tatton Park flower show.
We drove all through the night to get there for the Friday morning.

We had incorporated not just the coo, but a block of local Kemnay granite into our bed , which our Lord Provost Mr Peter Stephen had chosen the design of a thistle to be carved into its 4 sides.

Much to our delight and all our hard work this flowerbed was awarded an RHS Bronze Medal!

Sadly, we could not go this year (2011) due to my very bad health, but we have used this time to our advantage. The Tatton Park Show Manager phoned me to say that I had to get well for next year as Bucksburn in Bloom is part of the Tatton Park Family now and we have our place for 2012. We have designed our next flowerbed in the form of a flower canoe and paddles entitled “2012 Paddling to Success “.

If anyone would like to visit our web site you will see not only the first and second flower beds, but also our work around Bucksburn and  you will also see our design for the 2012 show when it goes onto the site in a few weeks time.

We bring all our plants back to Bucksburn & plant them around the area. The granite pillar used in the “coo” flowerbed was presented to the Lord Provost who accepted it on behalf of the people of Aberdeen. It has been placed in the floral courtyard at the Winter Gardens in Duthie Park for all to see.

Our flowerbed and Bucksburn in Bloom were featured live on TV at the time on Gardeners World Live

We feel the floral work that we are doing is going some way in not only  helping the area look nicer but in hopefully bringing people together and I can think of no better way than community gardening. You are out in the fresh air, you are improving your environment and everyone young and old can always learn about gardening.

At 59 and with my years of gardening experience I am still learning all the time and it is good that as you grow older you can pass on your skills to the younger up and coming gardeners.

Our entries to the show are all paid for by sponsors and donations, which allows us to represent Bucksburn and Aberdeen at the RHS Tatton Park show. Our flowerbed and Bucksburn in Bloom were featured live on TV at the time on Gardeners World Live.

We always need sponsorship & donations to help us represent the area. Anyone wishing to make a donation or sponsor our flowerbed entries or even wishing to become a volunteer or just wanting to look us up on our web site,  the details are as follows:
http://www.bucksburninbloom.btck.co.uk

On a final note; one of next biggest projects and working alongside Bucksburn and Newhills Community Council is to try and turn an old school playing field into Scotland’s and Aberdeen’s first solar powered, totally green Community Park for the people & visitors to Bucksburn.  We will be needing volunteers to help with the project for the 5 years it will take to build it.

Whether you are young or old always enjoy your gardening.

Nov 072011
 

A Photoessay by Earl Solomon and Suzanne Kelly

Autumn is surely one of the best times to experience Union Terrace Gardens.

The leaves are changing colour; the air is cool but very clean (that’s what trees do), and in this unique valley garden people are enjoying themselves.

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We spoke to Gaye who had been cleaning up rubbish on the morning of the 29th October.  She had been down earlier with a group of school children who had planted bulbs.

The variety of plants and flowers in bloom even at this late stage of the year is an impressive draw to many, and we were far from the only photographers there Saturday. 

Many were Scottish; some were Dutch tourists.

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We looked at a tree we both particularly like – the ‘Friendship Tree’.  This is a Madagascar Cedar, known there as The Tree of the Gods.  

  It was a gift to Aberdeen in the 1970s by the Indian High Commission, and the then Provost, James Wyness, attended a planting ceremony with His Excellency the Ambassador.  

It has delicate, long needles and is a very attractive tree, although it seems to have had its top badly pruned (or perhaps it was an unfortunate accident during a storm). 

It is a nice addition to the other ancient, listed trees.

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How very different the garden was on the night of 1st November. 

It was the scene for the Pumpkin Parade. 

Dozens of carved jack o’lanterns were lit up and gave the park a very atmospheric Halloween feeling. 

Many children were present, and spent a happy hour or so running around on the grass.

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This park is perfect for this city. It is its city centre lungs; it is the city’s green heart and it doesn’t need a heart operation. It needs to be better manicured and for its animals and flora to be respected.

And that is all it needs.

Sep 302011
 

Those irreverent scamps of Scotland the What?, in a live take on Harry Gordon’s ‘Fittie Folk, Kitty Folk’, once cheekily ended a contemporary refrain with, “Harlaw, Pointlaw, Babbie Law and Denis Law”, proof that the reputation of this scrawny blond loon from Printfield is as firmly scorched into the local psyche and folklore as those enduring, immovable, jutting-jawed Aberdeen landmarks. This is all the more impressive considering that apart from his 55 appearances for Scotland, Law’s football career was entirely spent in England and, briefly, Italy. Voice’s David Innes reviews Denis Law: My Life In Football.

I have to admit that I was first disappointed when I picked up My Life In Football. I did not know that it was a pictorial retrospective of Law’s life and career, expecting it to be an update of his previous biography The King.

It is only on the inner frontispiece that the alternative title My Life In Pictures is shown. There is also a Scottish Edition available, although there is no indication how this differs from the edition sent to Voice for review.

Do not let this put you off if you are a fan of the formerly Beautiful Game, however.

Law, in partnership with Ivan Ponting, has selected almost a thousand photographs, ranging from his gawky, bespectacled Kittybrewster schooldays in the late 1940s to contemporary images, showing one of the game’s elder statesmen happy and relaxed in well-deserved retirement.

In between, there are some stunning action images captured by the cream of the world’s sports photographers during football’s golden era. Unfortunately, the photo credits are only given to the image owners in the book’s acknowledgment appendix, as it would provide fellow obsessives with months of joy tracking down and drinking in the magnificent portfolios of the snappers whose work is featured.

Each image has been captioned by Law, and although he and his editor will have had access to historical statistics and tele-visual resources to inform these mini-narratives, there is little doubt that Law’s own memory has played its part in writing the captions.

The detail proves that his memory remains as sharp as those deadly penalty box reflexes were when this legend was the goal area nemesis of rugged, brutish defenders, when football was tough and hard and its physicality celebrated as a challenge to the skilful and brave. One cannot imagine Law ‘simulating’ to gain a penalty under a robust assault by Chopper Harris, Jackie Charlton or Norman Hunter. That would have been an admission of defeat, of weakness, and viewed as an unworthy, cowardly way of gaining a tarnished advantage.

My Life In Football is unashamedly for football fans, so does not set out to philosophise about the game or give deep insights into the consciousness of one of the finest footballers of all time.

The captions, the narrative if you will, are therefore non-controversial and written in the ubiquitous ribbing, deprecating style, an incessant feature of football in dressing rooms at every level in the UK and which are a bit wearing unless you happen to be part of it.

The same can be said of the contributions made by Law’s fellow protagonists in the images, Paddy Crerand, Bobby Charlton, the late George Best and a variety of other teammates and rivals, but behind the mickey-taking, the comments are made with obvious affection and respect for Law’s outrageous ability.

This is a coffee table book, designed for repeated reference, packed with magical memories for those who had the privilege of living through the era when supremely-gifted craftsmen such as Denis Law made football, when it was The People’s Game, exciting, compelling and the best possible release from stupid, stressful reality.

It is also a worthy historical tome which will help inform those who believe that football began with Serie A, La Liga and the Premiership and the out-of-proportion sums of money falsely keeping such structures afloat.

Denis Law: My Life In Football (Scottish-edition)  
Simon and Schuster.
ISBN 978-0-85720-084-6.
250 pages.
£25.

Aug 182011
 

After months of auditions and much speculation, the North East has spoken and chosen the winner of the first ever NEX Factor. Voice’s Stephen Davy-Osborne reports, with thanks to Yasmeen Ali.

The singing contest, organised by Aberdeen based charity Malaika Africa and Cove based event management company Valley Events, encouraged teenagers to put their musical skills to the test in order to raise funds to build a learning centre for street kids in Mirerani, Tanzania.

The first rounds of auditions were held during June and July in Aberdeen, Dundee and Elgin and out of a total of 45 hopefuls including bands, ten finalists were chosen to perform at the Aberdeen Exhibition and Conference Centre in the live grand final.

Whittling the ten semi finalists down to three were judges Alex Miller, Steven Milne, Joanne Randall and Ross Milne who selected Rowan Ah-See, Amber Hughes and Cara Mitchell to perform again, leaving the final decision to the audience, who chose 16-year old Rowan – from Aberdeen – as the winner of the first ever NEX Factor thanks to his fantastic voice and guitar playing skills,

Rowan Ah-See ( pictured ) walked away with the much coveted prizes of £1,000 in cash, a professional photo shoot, a recording session at a local recording studio and a luxury car to take the winner to the photo shoot.

Yasmeen Ali and Mirjam Meek were very pleased with how the evening went and with all the positive feedback received:

 “We couldn’t have wanted for a better event and it will be a challenge to do even better next year because the standard of talent was already so high”.

The sell-out evening was a huge success and the charity managed to raise nearly £6,000.

More info and Pictures of the event here: The-NEX-Factor-2011.html