Nov 082013
 

HWC4Holburn West Church, in Ashley Park Drive, celebrates its sixth annual Church and Culture programme with another varied series of events bringing together faith and the arts, Alan Jackson tells Voice.

It meets at the church every Monday evening and Thursday afternoon throughout November. The series started on Monday 4 November when Hamish Mitchell read his poetry, describing moving childhood experiences of war and polio.

Future sessions will include discussions of Shakespeare’s history plays, C.S.Lewis’s Screwtape Letters, The Devil in Verse – Readings from Milton and Burns and a session of sacred music led by jazz-influenced John Montgomery.

Perhaps the highlight of the programme is a double drama bill featuring plays for voices, presenting Don’t Know Nothing, the story of Jo in Bleak House and a modern adaptation of The Parable of the Good Samaritan on Monday 18 November.

This will be followed by a discussion on poverty and compassion in our society.

All are welcome and full details of the programme can be obtained from the church website or by calling 01224-571120.

Jun 222012
 

By Bob Smith.

A quine ca’ed Annie Lennox
His kickit up an affa stir
Rubbishin the “gairdens” plan
Some fowk are in a birr

Gweed on ye Annie quine
Fer ca’in the plans jist crap
Ye’ve ruffled a fyow feathers
Widdie’s gang are in a flap

Ye’ve ivvery richt ti hae yer say
An hark back ti the 60’s folly
Fin biggin bliddy concrete trash
Wis thocht maist affa jolly

St Nicholas Hoose fer a stairt
Faa drimt up iss ugly wart?
Syne they blockit aff George Street
Planners didna gie a fart

Yon college doon bye Holburn
Wisna pleesin ti the ee
It seenwis aa knockit doon
In case students hid ti flee

The fauchie new Uni library
Some think it anither boob
A square biggin made o gless
A muckle giant Rubik’s cube

Oor toon is in an affa mess
Fer ‘eers hisna bin weel run
Noo if things still gyang agley
Shout “Annie Get Yer Gun”

©Bob Smith “The Poetry Mannie” 2012

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Mar 292012
 

Curriculum for Excellence has afforded Harlaw Academy pupils the opportunity to embrace Citizenship in more diverse contexts that ever before, and a Staff Working Group on Citizenship was set up almost 3 years ago.  For the last year the group has included pupils, who have played a major role in the running of the group and decision-making procedures. Depute Head teacher Aileen Hunter tells Voice readers.

Pupils in the group were very interested in forging a link with pupils in a school abroad, and unanimously favoured the work of  RSVP Charity which has as its Trustees several representatives in Aberdeen. This charity supports children in the Bugarama region of Rwanda by providing a daily meal at primary school, and sponsors older children to receive a secondary education at boarding school – “Education today for Zero Aid Tomorrow.”

Harlaw Academy has agreed to sponsor 5 children to attend boarding school for 6 years and the Citizenship Group’s responsibility is to ensure that adequate funds are raised to cover the costs of sponsorship.

Harlaw pupils are allocated to one of 5 Houses – Albyn, Carden, Holburn, Victoria, Waverley – and, as from January 2012, each house sponsors a child – Jeremy, Jean-Pierre, Giselle, Emmanuel, Esther. The initial cost per sponsored pupil was £20 for their starter pack at boarding school, followed by £10 per month for fees for 6 years.

The launch of the partnership with RSVP Charity reached its climax on 19th March 2012 when the entire school population celebrated AFRICA DAY.  In the lead-up to the event fund-raising event were organised, for example “Harlaw Spring (and Summer) Clean”, Forest Walk, end-of-term Talent Show, Rowing Challenge, “small change” collections at House Assemblies.

Each of the 5 House Captains selected an African country for their house to represent – Madagascar, Kenya, Morocco, Egypt, South Africa.  The Head Boy and Girl, and the Senior Management Team represented Rwanda.  On Africa Day pupils were encouraged to dress in the colours of their country’s flag and contribute £1 to RSVP Charity.  One pupil dressed as a “mummy” and collected £25 from staff and pupils in the canteen.

Staff from all curricular areas devised class-work to articulate with the Africa Day theme in preparation for an exhibition of material in the school hall which was open to all staff and pupils throughout the day.  Each house was responsible for a display of material.

Pupils worked in house groups in class on activities such as population pyramids, investigation of an issue of concern and how it is being resolved (animal extinction, poverty etc), African singing, African literature, mining, African masks, African dancing, African Flags, water-carrying race, letter to Pittodrie Football Club requesting used football boots which will be taken to Rwanda.

  The Harlaw PTA expressed great interest in the project.

Canteen staff baked cup-cakes and a large cake iced in the colours of the Rwanda flag.  The school technician filmed and photographed pupil presentations, fund raising events, assemblies and displays.

Africa Day was preceded by a series of Assemblies led by the House Captains who introduced their sponsored child and gave a brief profile of their chosen country.  The Head Boy and Girl led 3 Assemblies that gave pupils and staff information on Rwanda and the RSVP Charity, and highlighted the background to why the children need our support.

We were thrilled that Jean Main (a trustee of RSVP Charity ), Simon Mbarushimana (also a trustee, formerly a  sponsored Rwandan child and now a doctor at A&E in Aberdeen) and our school chaplains attended one of the assemblies.

The events and projects detailed above are all  documented in photographs, video footage and a display in the school’s Meeting Room.

The launch of the project, including Africa Day, was reviewed by Senior Management of the school who commented on the scope of awareness-raising among the entire school community.  The Harlaw PTA expressed great interest in the project.

The Citizenship group will review the launch at their next meeting in April, and continue to plan for the next stages in the project – direct communication with the sponsored pupils, the prospect of a visit to Rwanda by staff and pupils, and strengthening the links with the school community and RSVP Charity through Jean and Simon.

Jan 272012
 

By Bob Smith.


There’s jist nithing ti dee
Young eens cry in Aiberdeen
Iss wisna muckle o a problem
Fin I wis aroon seventeen
.
There wis cafes bi the dizzen
Faar ye cwid sit an chat
The famous Holburn Cafe
Or maybe the Kit Kat
.
Syne later on alang Union Grove
Ye cwid dander wi ease
An cum upon The Rendezvous
Better kent as Mama G’s
.
I learnt the airt o duncin
At Garlogie, Echt an Skene
Syne twis  ti the dunce halls
In bonnie Aiberdeen
.
Wednesdays – Abergeldie Jazz Club
Ti listen or jive ti Sandy West
Setterday – doon ti “The Beach”
Faar Leslie Thorpe wis at his best
.
There wis ither eens o coorse
The Palace, Douglas or the Palais
Faar ye cwid fin a bonnie quine
Ti snog up some dark alley
.
There wis Rock n’ Roll an ballads
Maybe jazz it wis yer choice
Played on the latest record players
Made bi Decca or His Master’s Voice
There wis lots o drainpipe troosers
Sweaters wi necks ca’ed crews
There wis Tony Curtis haircuts
An ticht winkle picker shoes
.
Ti the open air duncin at Hazleheid
Ye wid wanner hand in hand
Ti listen ti the music
Or waltz ti Bert Duff’s Band
.
On Sundays ye’d “waak the mat”
An see lassies bi the score
Maybe ye’d bump inti een
Ye’d snogged the nicht afore
.
There wis hullocks o picter hooses
The Majestic an a haill lot mair
The Capitol an the Astoria
Even hid an organ player
.
Ye ask’d a lassie ti the picters
She wis dolled up ti the nines
Ye really felt a cheapskate
Gyaan in the one an nines
.
The faavrit meetin plaicies
Fer the young an gallus
Wis ootside the “Monkey Hoose”
Or near the statue o William Wallace
.
There wis Eric, Bill, Neil, Ian an me
We fairly thocht we war dashin
Noo we’re aa ower sixty five
An rinnin oot o passion

©Bob Smith “The Poetry Mannie” 2011

Oct 092011
 

By Alex Mitchell.

Art Deco: a style in the decorative arts as defined by a major international exhibition held in Paris in 1925.   It had been planned for 1915, but was postponed because of the First World War.   The exhibition was a celebration of modernity, of modern materials and techniques.   The expression ‘Art Deco’ describes the style which predominated there; a jazzy application of a visual vocabulary derived from Cubism, Futurism, Functionalism and other recent movements to a variety of decorative, fashionable and commercial purposes.

There was a shift in emphasis from the Fine Arts to the Arts Decoratifs.   Artists now applied their aesthetic skills to all areas of design, ranging from architecture and interior decoration to fashion and jewellery.   Oddly enough, the expression ‘Art Deco’ did not come into use until a much later exhibition in London in 1968.   In its own time, the style was generally referred to as moderne (not to be confused with’modernist’) and sometimes as ‘jazz’ or ‘jazz-style’.  

Although it applies to the decorative arts and interior design of the 1920s and 1930s, the description ‘Art Deco’ can be extended to analogous styles in architecture, where it is characterised by smooth, sleek, aerodynamic or ‘streamlined’ motifs, reflecting the contemporary preoccupation with speed and the setting of new land, sea and air speed records.

Sunbursts, sunbeams and sun-rays are another very characteristic Deco motif, reflecting the new fashion for sunbathing and the perceived benefits of natural light and fresh air.   The ‘Deco’ style created clean simple shapes suitable for mass production in factories using modern materials such as plastic, chrome and aluminium.   Even mundane objects like vacuum cleaners and radios were given the Deco treatment, adorned with smooth, streamlined surfaces and sleek lines resembling those of racing cars and aircraft.

Following its revival in the 1960s, Art Deco has been seen as the natural sequel to the Art Nouveau of the 1890s, of which the early work of Charles Rennie Mackintosh (1868-1928) provides several examples, e.g., the Willow Tea Rooms in Glasgow.   Art Nouveau drew much of its inspiration from the natural world of plants and flowers and is characterised by a sinuous, curvilinear style.   A local example of Art Nouveau is the cast-iron Ventilator at the Holburn Street end of Justice Mill Lane.

But Art Deco is more a product of the machine age, and is characterised by flat, geometric shapes.  

Mackintosh at first incorporated a significant degree of Art Nouveau ornamentation in his work, but he later pared down these decorative elements in favour of a starkly elegant and geometrical aesthetic, e.g., the vertical emphasis of his notorious ladder-backed chairs.

Art Deco and other aspects of Modernism as applied to architecture were in conscious rebellion against pre-1914 styles such as Victorian Gothic, Scottish Baronial and Edwardian Baroque, which came to be seen as dark, stuffy, cluttered, over-decorated, pompous and impractical. It was now felt that design should reflect function, that function should dictate form, and that buildings serving modern purposes such as railway stations or schools should not be disguised so as to resemble medieval cathedrals or castles.

Modernism came to favour asymmetrical compositions, unrelievedly cubic shapes, metal and glass framework often resulting in large windows in horizontal bands, and a marked absence of decorative mouldings or ornamentation.  The pendulum of fashion had swung from the one extreme to the other, from Gothic extravagance and whimsy to a style, or absence of style, often described as ‘Brutalist’, if not as ‘Stalinist’.

Art Deco may be seen, at its best, as a via media, a happy medium between the over-ornamentation and clutter of the Victorian-Edwardian era and the stark, totalitarian style too often characteristic of the 20th century.

Art Deco emphasised stylishness attuned to domestic use and popular consumption, and was characterised by geometric patterning, sharp edges and flat, bright colours, often involving the use of enamel, bronze and highly polished chrome.

The simplicity of the style can be seen as Classical in spirit, apparent in the extensive use of Egyptian, Aztec and Greek motifs.   This reflected the widespread interest in the discovery of the tomb of the Egyptian boy-king Tutankhamun in 1922.

The craze for all things Egyptian coincided with the spate of cinema construction in the 1920s and 1930s, and was often incorporated into both exterior and interior designs, being very apparent in Odeon, Gaumont and other chain-cinemas of the period.

Sumptuous picture-palaces were built in Aberdeen during the inter-war period, the ‘Age of Deco’, including:

The Palace Cinema; the old Palace Theatre was substantially extended in 1931 to create its impressive Rubislaw granite frontage on Bridge Place, which itself stands on a ridge extending from Holburn Street to Crown Terrace. The Palace became a dance-hall in 1960. The building was owned by Scottish & Newcastle Breweries from 1993 until recently, and its shabby and neglected condition did them no credit.   It is now a nightclub, operated by Luminar, who have tidied it up considerably.

The Regent Cinema in 1927, by Tommy Scott Sutherland (1899-1963), was built on the site of the Upper Justice Mill, at the Holburn St. end of the ridge described above.   The Lower Justice Mill was down the brae in Union Glen; its mill-pond lay between the two buildings.   The two mills had been in operation well before 1320, when they were granted to the Burgh of Aberdeen by King Robert I, Robert the Bruce, and were still in operation 600 years later in the 1920s.

The Capitol had the most remarkable interior of all the Aberdeen cinemas, which included a Compton theatre pipe organ

The Lower Mill pond was drained and filled, the three streams diverted and covered and the site was levelled by excavating it back towards Justice Mill Lane.   The Regent cinema occupied the eastern part of the site formerly occupied by the Upper Mill; the western part of the site is occupied by the McClymont Hall.

The frontage of the Regent Cinema (latterly the Odeon) was of Rubislaw granite, decorated with bands of red terracotta, with a polished black granite base.   The vertical central windows, giving the impression of height, became something of a Sutherland trade-mark, later deployed to useful effect in the Kittybrewster Astoria and the Majestic.

The Regent opened on Saturday 27 February 1932, a few months after the Palace.   The building is now occupied by the Cannon sports centre and health club.   The new owners have renovated the exterior to a high standard, extending to the rear of the car park, where it abuts Union Glen.

The Capitol in Union Street in 1932, by A. G. R. Mackenzie, had a sparkling dressed granite frontage, slightly asymmetrical in layout.   Above the entrance were three tall windows with two shorter windows to the left and three such to the right.   The frontage was/is surmounted by a plain but elegant pediment which had the effect of concealing from street view the high, steeply pitched roof of the auditorium.

The Capitol had the most remarkable interior of all the Aberdeen cinemas, which included a Compton theatre pipe organ, and it was also the most influenced by Art Deco, both inside and out, e.g., the outer doors with their stainless-steel semi-circular hand plates, forming full circles when the doors were closed.

The Capitol opened on Saturday 4 February 1933.   Its more recent conversion for Luminar involved the horizontal division of the auditorium into two complementary night-clubs, one upstairs, one downstairs.   We are unable to say how this affects the Compton organ, or just what remains of the Art Deco interior.

Tommy Scott Sutherland went on to design the Astoria Cinema in Clifton Road, Kittybrewster, which opened on Saturday 8 December 1934.

This was followed by the Majestic in Union Street, (opposite the Langstane Kirk), which TSS regarded as his finest creation.   It had a fairly plain and austere frontage of Kemnay granite in the style by now known as Sutherland Perpendicular.
It opened on Thursday 10 December 1936.   By then, Aberdeen could boast one cinema seat per seven inhabitants, more than double the ratio in London.   (For more on this, see The Silver Screen In The Silver City by Michael Thomson, 1988.)

Other Deco-influenced buildings in Aberdeen are:

Jackson’s Garage in Bon-Accord Street/Justice Mill Laneof 1933, by A. G. R. Mackenzie.   This is a rare example of excellent commercial architecture of the inter-war period in Aberdeen, and has many Deco characteristics.   It incorporates the distinctive horizontal banding of windows and glazing, curving around the corner to Justice Mill Lane.   The Bon-Accord Street frontage has an impressive central section with three very tall vertical windows surmounted by a distinctive 1930s clock.   The building is now occupied by Slater’s Menswear.

The Bon-Accord Baths in Justice Mill Lane, of 1937, is one of the most characteristically 1930s buildings in Aberdeen, being a giant buttressed granite box.   Inside, there is an abundance of curved blond wood and shiny metal; the swimming pool roof is supported on concrete arches.   The window glazing is distinctively ‘Deco’.

Amicable House, Nos. 250-252 Union Street, of 1933, by Tommy Scott Sutherland, built just west of his Majestic Cinema, embodies some Art Deco motifs and characteristics.   The Majestic was demolished in the early 1970s and replaced by the present bland, characterless office block.

The 1930s Medical School at Foresterhill.

The King’s College Sports Pavilion of 1939-41, by A. G. R. Mackenzie; one of the few Modernist buildings in Aberdeen before World War Two.

Tullos Primary School, begun 1937, but not completed until 1950, by J. Ogg Allan; one of the best 1930s buildings in the city.

I should mention the Carron Tea-room in Stonehaven, built 1937 and recently fully refurbished; it may be the finest Art Deco building in the north of Scotland.

Finally, the Northern Hotel, Kittybrewster, of 1937, by A. G. R. Mackenzie.   Its curved frontage is dominated by broad horizontal banding of windows and glazing.   The Northern Hotel is the most distinctively ‘Deco’ building in Aberdeen, and has recently been fully restored.   The interiors are well worth seeing.

For all that, the Northern Hotel is arguably more a thing of interest than of great beauty.   The Deco style seems to work better in pastel colours and in sunny locales.

I used to walk past the Northern Hotel regularly, and it never occurred to me to think of it as a beautiful building; striking, yes, beautiful, no.   By the time it was built, in the late 1930s, the new architecture of Aberdeen had perhaps slipped too far down that long descent from Victorian Gothic to Stalinist Brutalism; all the way from the splendid Flemish-Medieval Town House of 1867 to the irredeemably awful St Nicholas House of 1967.

These bitter-sounding thoughts were occasioned, quite some years ago, whilst walking from the Castlegate back to the Brig o’ Dee.   It occurred to me that every building I liked along the way dated from long before I was born, and that almost nothing put up in my own lifetime was any good at all.   I like to think that things bottomed out, perhaps as far back as the 1970s or ‘80s, and are now on an improving trend, but the evidence is still uncertain.

That said, ‘Deco’ influences are apparent in at least three recent buildings in Aberdeen, as follows:

The Lighthouse Cinema; I like those sleek glass curves along the line of the old Shiprow.

The huge block of student flats in Mealmarket Street/West North Street is distinctively ‘Deco’ in style, brightly coloured in pastel shades of blue, white and pink/orange.

Talisman House in Holburn Street is another symphony in tinted glass with its undulating green roofline, now complemented by Gillie’s new furniture store across the street.

Talisman House is certainly a big improvement on the old College of Commerce; but is the Boots/Currys building by the Brig o’ Dee an improvement on the former, much-unloved, Dee Motel?   At least the Dee Motel was a low-rise building, set well back and largely obscured by trees and shrubs.   The Boots/Currys building might be acceptable somewhere else but, on this prominent corner site, is too big, too far forward and too close to the historic Brig; and it completely dominates the view all the way down South Anderson Drive and out Holburn Street.

Contributed by Alex Mitchell.

Jan 072011
 

Voice’s Old Susannah tackles more tricky terms with a locally topical taste ( but do bear with her …. I believe some lengthy, yet justified aeriation may preclude ).

Congratulations to Ms Valerie Watts, formerly of Chief Executive of Derry; she will become the third Aberdeen City Chief Executive in as many years.  Readers who can remember back as far as 2008 will recall Douglas Paterson taking early retirement.  This was coincidentally just before Audit Scotland came to call, and just after he said he would not leave his post over the little matter of being at the helm when the City sold off various properties for a fraction of their market value.

Nothing to do with him.  The auditors were unable to conclude whether these sales – some £5 million less than conservative market value – were a great idea, incompetence, or possibly even shady.  For instance, the City claimed to believe it was selling property to the NHS, but sold it to a private developer.  If only there had been someone who was invovled with both the City Council and the NHS.  Granted Kate Dean would have been one of the most senior people Old Susannah can think of involved with both these entities, but she would have been too busy to notice a deal worth a mere few millon.

Next in the Chief Executive office was Ms Bruce, who  left us for Edinburgh, claiming she brought us to a £9 million budget surplus.  It actually looks like we need to make about £90 million budget savings immediately, but all the best to her.

Ms Watts may have to get a part-time job to make ends meet; the post of Chief Exec of our fair city only pays £141, 834, with 5% based on how well they perform.  Then again, she will want to take a 5% pay cut (that’s about £22K) to show solidarity with the City Council workers who have happily agreed to such a cut themselves.  While it may be true that the UK Prime Minster  and his cabinet ministers all earn less than our City Chief Exec, they won’t have nearly as much responsibility as Ms Watts, who will need to meet heads of state, tell the Queen what to say in her speech, and build shopping malls and community stadiums.

A person could make a few comparisons between Aberdeen and Derry.  For a start the population figures are similar – Derry c. 237,000 and per an Aberdeen report “In the period up to 2031, the population of Aberdeen City is forecast to rise to a peak of 215,000.  Both cities have airports as well as countryside areas.  Derry had a budget surplus of just over £1 million in 2008, and, well Aberdeen was in the red by tens of millions for the same period.  Derry however has a biodiversity policy which has seen it take important ecological steps, and financially speaking it reported an income from its services of £9,140,000 and rates earned it 38,717,000 circa 2008.  Obviously Ms Watts has a lot to learn about local developers and what should be done with greenbelt land.

This is most impressive, but clearly can’t work in Aberdeen – we have builders to look after

If anyone can penetrate the Aberdeen City Council finances and find out more than Old Susannah can as to how we compare to Derry financially, I would love to hear from you.

Clearly they have skimped on hospitality, new office furniture, travel, and clothing to make its Lord Provost (actually mayor in Derry) look good. We managed to write off about £11 million in bad debts in a similar period, sold real estate to developers for a fraction of its actual value, and continued to have a discrepancy in pay women earned compared to their male counterparts.

Ms Watts won’t be used to such creativity.   Rumour has it that Derry’s schoolchildren still have things like small classes and music lessons – but this is unconfirmed.

Looking again at the two cities and how they regard the environment, Derry has something called a ‘Local Biodiversity Plan’, which reads in part:

“Derry City Council is further meeting its corporate objectives by protecting and enhancing biodiversity in rural and urban areas, and thus providing a clean, diverse, accessible and sustainable environment for people to enjoy while also looking after the health and well being of its communities.

“Natural habitats are being compromised as development progresses in Northern Ireland and in the Northwest. Many species are now living in much smaller fragmented pockets of their previous habitat range. These islands of good habitat are more vulnerable to population decline. Developments of new housing schemes, industrial estates, commercial premises and office space in urban and rural areas, new transportation infrastructure, infilling… are all contributing to habitat loss and fragmentation in the area.  Construction projects alongside or close to waterways are particularly sensitive and potentially damaging to flora and fauna”.

This is most impressive, but clearly can’t work in Aberdeen – we have builders to look after, don’t you know?

I can think of nothing that would succeed more than a luxury goods store on Vicky Road

Necessity: Necessity is defined as experiencing a lack of a desired or essential commodity.  As anyone in genuine need can tell you, necessity is also a mother.

Aberdeen suffers from need; we identified the necessity of an £80 million pound re-fit for Marischal College for Council offices, and we met that need with new furniture – also necessary.  Some things are luxuries, or can be described as ‘nice to have’.

In our City these include road surfaces, services for the disabled, help for the elderly, sports facilities, reasonably-sized classes for students, parks and music lessons.

And as our high-street stores close one by one, there is another thing we need….

Retail Rocks! Retail Rocks is a private company that will bring new life back to Torry’s boarded up shops as well as a few other closed business premises here and there.  Clearly the closed down toy store and art materials shop near Bon Accord, ‘Globally Sweet’ on Union Street, and a dozen shops on Holburn closed as the owners were just too lazy or were bad managers.  After all, Scottish Enterprise was always on hand to help, and at a cost to the taxpayer of £700 million a year – that is a lot of help. However, there is only so much that a small, unelected quango can accomplish, and Retail Rocks has stepped in to help enterprise in Scotland where Scottish Enterprise could not.

How hard in those conditions can it be to compete with international chain stores

It was not as if the rates in Aberdeen are astronomically high, or that there are not enough police to stop robberies (I can only think of two knife attacks in Torry stores in the last year or two, so that’s not so bad is it?) or to stop the occasional drunk breaking shop windows.

Theft is certainly not an issue – unless you count the dozens of stories in the press each month (and my favourite, the ‘hoodie’ who robbed the Torry PDSA charity shop last Christmas).  Seeing as the citizens of Aberdeen have so much expendable income, I can think of nothing that would succeed more than a luxury goods store on Vicky Road.  It’s only laziness that stops the family corner shop from completing the one or two bits of paperwork needed for tax, insurance, sales, licensing, transport and so on.

How hard in those conditions can it be to compete with international chain stores, one or two of which you may notice dotted around our town?  Aside from their centralised administration, bulk buying power, brand recognition, control of suppliers and use of enterprising children in Asia to produce cheap goods, they really don’t have much of a competitive edge.

Soon the streets will be wholly regenerated with a dozen or so new shops for the ‘Retail is Rocky’ – I mean the ‘Retail Rocks’ competition winners.  Get your groundbreaking idea in now.  You could wind up a shopkeeper.  With the recession in full bloom, there is only one way to go and that is up, and with VAT at 20%, it is easier to calculate it when it was 17.5%.  Good luck to all of you – and remember to install security cameras and metal shutters.

Next week:  more of the City Council’s committees, ‘conflict of interest’, and ethics

Dec 232010
 

“We will protect and enhance the city’s wildlife and biodiversity and preserve the land we manage.”

By Ahayma Dootz.

I had almost lost count of the days we had spent struggling through the overgrown wilderness of Allenvale in search of my ancestor’s tomb when D’oad returned from a scouting trip with alarming news. It seemed that this land was indeed inhabited. A few miles ahead he had spotted signs of a small village or ‘clachan’ nestled in a clearing by a small river which he assumed to be a tributary of the mighty D’ee – possibly the Holb’urn.

“The fowk seem tae be peaceful,” he said. “Ah believe they’re the people ye thocht ye saw back at Sk’inner’s gravestone. Ah heard music.”

We decided to approach cautiously, offering trade goods  – ‘tees’, baseball caps, t-shirts from Trumpistan and the like – in exchange for information and fresh supplies. Little did I suspect that this encounter would completely change the nature of my quest!

It was several days later that D’oad and I sat with the headman discussing our plans. It seemed that cousin Walter had also encountered these people. Five years earlier, a man answering Walter’s description had wandered into the village babbling about ‘lost treasures’, a ‘hidden garden’ and a ‘red spire’.

He had been well-equipped but exhausted, and half starved. While he recovered his strength he had told of how, long ago, his own people had once lived in these lands and that while searching for his ‘roots’ he had come across information concerning his family’s lost ‘birthright’. Some fabulous treasure which had mysteriously disappeared causing the time of turmoil that local legends call the ‘Hard Times’.

The headman, G’illie, shook his head.

“Oor aul’ fowk kent a bittie oboot this.”  he explained while D’oad translated ( these people were riddled with the ‘doric’.). “Afore oor fowk turnt their backs on a’ they mad gods – K’ooncil, D’ean, Ah’ksef   an’ the ithers – we kent fine that the tribute gaithered ower the years had disappeared – aye, that the treasury wis toom!”

He explained that there had always been rumours of how this wealth had somehow been hidden in a secret valley called the ‘Gairdens’ guarded by a tall tower –the ‘red spire’. It appeared that after finding Mary McWalter’s tomb, cousin Walter – always prone to obsession –  had gone off in search of these lost riches and that after his arrival here he had pressed on, heading north towards ‘T’oonhoos’.

Despite the corrosion I could make out a shield flanked by two blurred upright figures

I considered my position.  Returning home empty-handed had never been an option for me – Walter and I were family after all – but I knew the native bearers would not venture further no matter how many ‘gowfba’s’ I offered. I was delighted, however, when D’oad offered to accompany me.

G’illie allowed us to study old maps and consult with his storytellers then, supplied with fresh provisions and information,  D’oad and I prepared to follow the Holb’urn north. As we packed, I asked him why he had decided to continue this uncertain journey. Beckoning me to follow, he walked over to an ancient bench which stood outside G’illie’s hut. Looking closely, I realised that although the seat was made of wood, the frame was cast-iron! D’oad pointed to what seemed to be a coat of arms on the backrest. Despite the corrosion I could make out a shield flanked by two blurred upright figures.

“That is the auld symbol of the ‘Deen,” he said, “Div ye see thae twa craturs either side o’ the shield? They were the ancient guardians o’ the ‘Deen – some wid say they’re only myth, ithers that long, long ago, such things walked this land. There is a legend amongst my people that if ever they are seen again, then the lands o‘ Deen shall be healed –  united once again – and returned to their former glory! Noo, ah’ve heard rumours of sightings tae the north. Jist rumours, mind, but if there’s ony hope at a’ then….” , he tailed off.

“But what on earth are they?” I asked.

He told me.

“Aaaaarrrgh!!!” I screeched, “That’s disgusting!” I recoiled from the bench. ”Surely not! Not even here in this benighted land! I mean, medical science…I mean…” words failed me.

D’oad frowned, looking puzzled for a moment; then his face cleared.

“Na, na, na, ya deef gype.” He exclaimed.” Nae lepers, ya bluidy eedjit! Leopards, min, leopards! Muckle big spotty cats, ye ken?” he began to laugh uncontrollably. “Lepers!”

Sheepishly at first, I began to giggle.

Nov 052010
 

By Alex Mitchell.

There is widespread concern about the dingy and run-down state of Aberdeen’s principal thoroughfare of Union Street which runs all the way from Holburn Junction to the Castlegate and the town end of King Street. This is manifest in the number of empty shops and in the distinctly low-rent character of many of such shops as there are.

It seems the more odd that this situation has developed during some thirty years of oil-boom prosperity, low unemployment and substantially-increased population.

If one thinks back to the Union Street of the nineteen fifties and sixties, the following comes to mind: Union Street was jam-packed with shoppers along its entire length every Saturday, as was also St Nicholas Street/George Street. People dressed up to go ‘doon the toon’, and you met everyone you knew in Union Street. In that sense, Aberdeen really was a village. The open-air markets in the Green and Castlegate were very much going concerns. Buses went all the way from Hazlehead to the Sea Beach and back again, via Queen’s Cross, Union Street and the Castlegate, which served as the city’s main bus interchange, where you nipped off one bus and on to another.

As a result, far more people had reason to go to the Castlegate than nowadays. Union Street and St Nicholas Street/George Street were full of interesting, up-market shops: grocer Andrew Collie & Co. Ltd. at the corner of Union Street and Bon Accord Street; Watt & Grant’s department store; McMillan’s toy shop, under the Trinity Hall; Woolworth’s, backing on to the Green; Falconer’s, Isaac Benzie’s, the Equitable, the handsome and elegant old Northern Co-op building in Loch Street; the Rubber Shop.

So what happened? Much of the population moved out of down-town tenements and into the new housing estates and suburban residential developments, ever-further from the city centre. Car ownership became the norm, and car-borne customers prefer shops they can park next to. Supermarkets became superstores and greatly extended their range of merchandise, destroying one specialist retailer after another. Butchers, bakers, fishmongers, hardware and electrical stores, shoe-shops and, most recently, pharmacists, bookshops and record shops have all been subsumed into superstores.

The obvious way for the city-centre to fight back was to build down-town malls like the St Nicholas and Bon Accord shopping centres

Superstores and their car-parks require huge expanses of land and prefer edge-of-town locations where large sites are available and cheap and accessible for both customers and delivery lorries. DIY sheds like B&Q, furniture and carpet stores and ‘big box’ retailers like Curry’s similarly prefer edge-of-town retail parks.

Edge-of-town retail complexes, such as that at Garthdee, may be banal, unhistorical and characterless, but they are also convenient as to access, offer easy and free parking, and are generally clean, safe and relatively easy to secure against break-ins and vandalism. The obvious way for the city-centre to fight back was to build down-town malls like the St Nicholas and Bon Accord shopping centres. These offer the kind of accommodation retailers want, and are relatively secure overnight, but they may tend to abstract business and custom from the High Street. The case is unproven. Without the down-town malls, the major retailers might have moved out of the city centre altogether.   Or they might not.

If, however, the supply of retail premises outruns the demand, it follows that the less attractive premises and locations will become hard-to-let, the rent obtainable falls, lower-status tenants have to be accepted; ultimately, premises may become unlettable on any terms. This is what seems to have happened in the west end of Union Street, and not only there.

We are assured that Aberdeen is not oversupplied with shops, but there have been significant increases in the down-town stock of retail premises in recent years, e.g., the Academy in Belmont Street and the Galleria in Bon Accord Street, neither of which were quick to fill up with tenants. The proposed Bon Accord Quarter will substantially increase the capacity of the present St Nicholas and Bon Accord malls and the Union Square development at Guild Street comprises some sixty new retail premises.

What else happened? Down-town, the general decline in church attendance after the First World War, combined with the exodus of population from the city centre, rendered many churches redundant. Similarly, whatever else we may say about the banks, they did put up some very handsome and impressive buildings. But, by the 1990s, the Bank of Scotland had abandoned its splendid and purpose-built 1801 premises at the corner of Castle Street and Marischal Street, as did the Clydesdale Bank its 1842 Archibald Simpson premises at the corner of Castle Street and King Street.

What was once the centre of business activity in Aberdeen was so no longer.   Aberdeen Journals moved from Broad Street out to Lang Stracht. Aberdeen University withdrew from Marischal College and the Student Union (and Bisset’s Academic Bookshop) closed down. The Robert Gordon University moved out to Garthdee.

There never was a time when things stood still. Old trades and occupations become obsolete, redundant or move elsewhere, often when displaced by newer, more profitable activities in the Darwinian contest for the use of economic resources, land, labour, capital etc. There are no fishing boats in Aberdeen harbour now because they have been replaced by oil-industry vessels. Planning applications for change-of-use are the normal and desirable state of affairs. But neighbourhoods and communities go into a decline when long-established firms and industries fade out and fail to be replaced by new enterprises and activities, or are replaced by activities which are in some way damaging or undesirable.

bars, nightclubs, etc., are a youth-orientated business, and the relevant age-group is shrinking as families move out of the city

The increased number of vacant retail premises in Union Street results from the fact that fewer tenants are moving in than are moving out; there is a net exodus of retailers.   The sad truth is that Union Street is not nowadays that good an environment in which to try to run a shop.

Old buildings and ground-floor premises are difficult to make secure against break-ins and vandalism. Delivery access for lorries is difficult. Shop staff and customers are harassed by drunks, beggars and drug abusers. Shop doorways, windows and their surroundings are often in a filthy state at the start of each day’s business. It is difficult to find and retain staff who will put up with this. It is not surprising if retailers follow their customers and withdraw to the relatively clean, safe and secure environment of the down-town malls and edge-of-town retail parks.

Aberdeen has generally been a better-run city than most. But the situation described arises from the non-delivery, or inadequate performance, of very specific council and governmental responsibilities, e.g., to maintain law and order, to enforce the law, e.g., against drinking in public places, to deal with anti-social and criminal behaviour, to collect the rubbish and clean the streets and pavements. Putting down the odd tub of begonias is not enough.

As banks, churches and big stores have withdrawn from Union St, so mega-pubs and bars, nightclubs and fast-food providers have moved in. To an extent, the new arrivals have been welcome, occupying old buildings which would otherwise have remained empty and neglected. In addition, some of this may be regarded as legitimate change-of-use, in response to changing tastes and lifestyles.

Similarly, there is a place for pubs, bars and nightclubs; but perhaps for fewer of them, and of a different character. The bars, nightclubs, etc., are a youth-orientated business, and the relevant age-group is shrinking as families move out of the city in search of better-value housing and more stable and higher-achieving schools.

In the meantime, the issue is one of whether the alcohol industry can peacefully co-exist with other economic sectors, retailers etc., and with the resident population of the city centre. All the evidence is that a neighbourhood which loses its settled, long-term resident population is doomed, finished, over. So if the interests of the local resident population and the alcohol industry are in conflict, then the former must take precedence.   It may be that the drugs, alcohol, gambling, etc. sectors will be cut down to size only as and when people get bored with and/or turn against this kind of activity, much as they mostly have in relation to tobacco.

Similarly, a locality and micro-economy which has long been in decline, such as the Castlegate, can be revived only by rebuilding its resident population and base of custom and trade from the ground up. The buildings at the west end of Union Street (originally Union Place), used to be private houses; people did their shopping in the street markets or in Archibald Simpson’s New Market of 1842, Aberdeen’s first enclosed shopping mall.

One of the more positive developments in recent years is the conversion of the upper floors of these old buildings, often long out-of-use, into modern residential accommodation.

It is a pity that the long-proposed Bon Accord Quarter was put on hold, possibly whilst the proprietors of the two down-town malls assessed the impact of the Union Square development, south of Guild Street.

This writer was broadly in support of the outline scheme for the Bon-Accord Quarter, because it would have secured the desirable objectives of removing St Nicholas House and bringing Marischal College back into an appropriate usage; also because it confirmed and consolidated the traditional retail heart of Aberdeen as the premier shopping destination in the North-East, the natural and obvious location for up-market and quality retailers like Marks & Spencer, John Lewis, Debenham’s, Next etc., which serve to pull shoppers and visitors into the city centre to the benefit of all the other retailers and service-providers.

Contributed by Alex Mitchell.