Apr 282017
 

With thanks to G Promo PR.

For those who don’t know Madison Violet, it all began in 1999 when Brenley MacEachern and Lisa MacIsaac met over coffee and omelettes, in a Toronto restaurant called The Green Room.

It was a chance meeting, 1900 km away from the small town where both Lisa and Brenley’s fathers were born. 

That was nearly 18 years ago, and the pair have been writing and creating beautiful music together ever since.

When you hear them, the first thing you’ll notice is that their voices blend together, symbiotically, like family: Born to sing the same songs. And over the past decade, the pair have taken to genre-bending, moving effortlessly from folk to pop to electronic to Americana.

In a word, they are musical chameleons.

Over their last two extensive tours of Europe, Madison Violet was overwhelmed by the incredibly warm reception that came from the fans, when they introduced their newer, bolder sound; one that came from their 2014 album Year Of The Horse. But Madison Violet knew that those songs had even more potential. And they felt an even bigger challenge would be to let the songs speak for themselves, recreating them in a more acoustic form. Their purest form.

And with that, came The Knight Sessions, which is both a re-imagining of previously recorded songs and a creation of brand new songs, inspired by their deep-seeded love of the modern acoustic sound and the human experiences shaping their world today.

With that in mind, Brenley and Lisa decided to start their new adventure by visiting several pawn shops in Toronto, in a quest to find discarded items that they could use to make natural sounds in the studio. They sifted through an island of misfit toys and out of date electronics, and eventually found several instruments and percussive toys.

From children’s wooden blocks to ukuleles with missing strings, one by one, Brenley and Lisa gave these gems a home, and started working on their new album. These unique items are what gave The Knight Sessions a more organic feel. The textures of the wood. The plucking of the old strings. The stories that were already in these ‘toys’, came out through the songs.

So, as the tour nears, Brenley and Lisa will be packing their suitcases a little lighter. They will not only be returning to the UK and Europe for dozens of shows, but they will be arriving in their most organic form.

The way most Madison Violet fans discovered them. As a duo. No backing band. No big light show. No rock star after-show dance parties.

This will enable Brenley and Lisa to showcase The Knight Sessions as it was meant to be heard. Raw but refined. Stripped down but still packing a punch. And it will also find them, as they were in 1999, ‘Back To The Roots’.

Madison Violet · ‘Back To The Roots’ Ireland & UK tour · May 2017

Tue 2         Barnoldswick, Lancs.                  Barnoldswick Music & Arts Centre
Thu 4        Omagh, N. Ireland                         Strule Arts Centre
Fri 5          Carrig-on-Bannow, Co. Wexford    Colfers Pub
Sat 6         Rathfriland, N. Ireland                  The Bronte Music Club
Sun 7        Belfast                                      Black Box
Mon 8        Isle of Eigg, Inner Hebrides               Tea Rooms
Tue 9        Arisaig, Scottish Highlands               Astley Hall
Thu 11       Kinross                                     Backstage at the Green Hotel
Fri 12        Glassel, nr. Banchory                     Glassel Village Hall
Sat 13       Glasgow                                    CCA
Tue 16      Sheffield                                   Greystones
Wed 17      Leicester                                  The Musician
Thu 18       Birmingham                              Kitchen Garden Café 
Fri 19        London                                      Stanley Halls, South Norwood

Madison Violet Reviews:

“… swathed in glorious harmonies and delectable melodies.” – Country Music People

“Heartaching harmonies and tunes make Madison Violet a must-see act.” – The Independent

“They hold little back in their singing, as MacEachern’s sultry rasp dovetails with MacIsaac’s sweeter tones to create a kind of bluegrass-old-time sensibility with rock ‘n’ roll attitude that packs power as well as disarming honesty.” – The Herald

“There is something magical about duets, the way the voices interlace to create a sound that is neither one singer nor the other but something else altogether. Canadian duo Madison Violet make it sound the easiest thing in the world” – The Irish Times

“Utterly enchanting from beginning to end; Madison Violet provided an evening of unmissable entertainment, filled with warming anecdotes and beautifully told stories that was worth every minute.” – Maverick

“…beautifully sung…an all-acoustic cry from the heart” – Scotland on Sunday

Madison Violet – The Knight Sessions:

Format            CD & DL
Label                Big Lake Music
Cat. No.          471203-2
Release Date    May 5 2017

Links:

www.madisonviolet.com 
www.facebook.com/madisonviolet 
www.twitter.com/@madisonviolet
Audio: ‘We are Famous’ & ‘Ohio’ (acoustic)
Video: ‘Don’t Let Your Heart Be Troubled

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 282017
 

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

Local businesses are being encouraged to get behind Aberdeenshire’s newest cycling event by showcasing the best of what the region has to offer.
Organisers of the Chapelton Bike Ride, which takes place on Sunday, 3 September, are looking to expand on last year’s event by increasing the number of stalls and activities on offer.

The inaugural Chapelton Bike Ride took place last year and welcomed hundreds of cyclists and spectators to the village of Chapelton, near Newtonhill.

The event featured stalls from local businesses such as Serenity Scented Candles, and local artist, Bee Struthers, as well as food and drink from The Bay Fish & Chips, Cav & Co and Bannerman Butchers.

Held in aid of North East Sensory Services (NESS), a charity that supports over 6,000 people with sensory impairments across the North-east, last year’s bike ride raised over £6,500 for the charity, enabling it to continue to provide life-enhancing services to people with sight and/or hearing loss. 

Alastair Struthers, sales executive at ZeroC Homes, an organiser of the event, said:

“The first ever Chapelton Bike Ride was a huge success, so we’re looking forward to making this year’s event even bigger and better, with more stalls, food stands and activities for everyone to get involved with.

“As well as raising money for NESS, we are committed to creating a sporting event for people of all ages and abilities to enjoy. Involving local businesses will help to establish the Chapelton Bike Ride as a real community event that people will continue to look forward to year after year.”

Neil Skene, fundraising co-ordinator at NESS, said:

“We’re very pleased to hear that there are plans to increase what is on offer at the next Chapelton Bike Ride, as it should encourage even more people to attend this year’s event.

“It looks set to be a very enjoyable day for all of the community and we’re very thankful to everyone who is participating and raising funds for NESS on the day.”

If you are interested in becoming a stallholder at this year’s Chapelton Bike Ride, please contact Alastair Struthers on a.struthers@zeroc.co.uk. More information about the bike ride can be found at www.chapeltonbikeride.co.uk.

Registration costs £15 per person for the 42-mile route, £5 per person for the 12-mile route, or £15 for a team of four for the 12-mile cycle. Register for the Chapelton Bike Ride at https://www.q-buster.co.uk/chapelton.

North East Sensory Services (NESS) promotes the needs of people with a sight or hearing loss.   

NESS supports people with serious sight or hearing loss to overcome practical and emotional challenges and achieve independence.   

Formerly Grampian Society for the Blind (GSB), North East Sensory Services (NESS) works with over 6,000 people with a sensory impairment in Aberdeen, Aberdeenshire, Moray, Dundee, Angus and Perth & Kinross.   

Awards:   

2016: Winner, IIP Award Excellence in Third Sector   
Finalist Elevator Awards and Trend Awards   
2015: Winner, Elevator Award, Winner, Trend Award 

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 132017
 

Port of Malaga. Photo by Daniel Bichler.

By Ian Baird.

When in December Aberdeen Harbour Board’s Chairman Alistair MacKenzie signed the contract with Dragados’ representative in Scotland – Daniel Paunero Alonso – to build the harbour’s £350 million expansion into the Bay of Nigg, it was the culmination of an an idea which had been conceived six years earlier.

Against stiff local opposition, with multiple planning and maritime applications to overcome, and complex loan agreements to negotiate, Chief Executive Colin Parker, the Chairman, and his fellow Board members must have breathed a huge sigh of relief when finally reaching the stage where building could commence.

But Daniel Alonso would have had a smile on his lips too. He had helped secure a huge contract for his firm in his operating region of Scotland.

Three years earlier, Daniel’s star wasn’t shining so brightly. In October 2013 in his then capacity of Manager of Dragados in Spain, together with Sanchez Domines, President of Dragados’ parent company Sando, he was summoned to testify as a defendant in a tribunal case in Malaga. The pair’s presence was required to answer allegations of irregularities in projects undertaken by the two companies at the Port of Malaga in 2008.

The Port was claiming losses amounting to a total of €5.3 million as a result of work carried out which subsequently proved not to be done to specification. The prosecution in the case, which is still ongoing after 5 years of investigation, is demanding a total of 26 years of imprisonment for 5 directors and engineers of the two companies for the crimes of document falsification, embezzlement and fraud.

Is this important as far as the Harbour Board is concerned?

Well, it may be the end of the planning and approval stage, but it’s only the beginning of what will be, at a minimum, three years of construction. Entrusting Dragados with this major project should mean that the Harbour Board has exercised due diligence in satisfying itself that the company has a sufficiently impressive record to give them confidence that the construction will be completed on time, on budget and to the required specification.

Is it possible that in their haste to ensure that planning, financial and contractual matters all fell into place, the Harbour Board, inexperienced in awarding such a large contract and struggling to raise the necessary finance, were overly hasty in agreeing a deal with Dragados, lured by the most attractive tender price to the exclusion of other considerations?

Had the Harbour Board investigated the details of the problems in Malaga, they would have found that there were two projects that ran into problems after their completion.

what happened in Malaga should, at the very least, have sounded a warning bell or two

The first was at the South cruise ship mooring in the Port which had been built in a joint venture between Sando and Dragados. Following a slight collision with the mooring by a cruise ship in 2008, an investigation into the damage to the pier established that fewer, and thinner, pilings had been used in its construction than had been specified.

In this case a State General Inspection concluded that the discrepancy in value between what was paid for by the Port and what was built by the two companies amounted to €1.8 million.

The second project which ran into trouble at the Port was at container dock no. 9. This was also a joint venture with Sando, but in this case Dragados was the leading partner.

After a particular vessel was unable to access the dock, it was discovered that the excavated depth of the mooring was less than had been specified and, additionally, that debris had been dumped in it. In this case the discrepancy between what was charged for by the companies and what was delivered was estimated at €3.6 million.

In addition to these very specific problems with a failure to build to specifications, there were also in both cases significant cost hikes.

The budget estimate for building the South mooring was €8 million but eventually cost €12.21 million – 50% over budget; the budget estimate for container dock 9 was €28.2 million but eventually cost €35.9 million – 25% over budget.

From the perspective of Aberdeen Harbour Board what happened in Malaga should, at the very least, have sounded a warning bell or two. Of course it is true that Dragados have been involved as contractors in many major projects without landing in court as in this highlighted case. But globally their record of completing projects on time and on budget where they are a major contractor on very large projects is very patchy [1].

By giving Dragados the major responsibility for a £350 million (budgeted) project (almost 10 times as much as the budgets for the two Malaga projects combined), has the Board considered a) the likelihood and b) the implications, of a cost increase and/or a delayed completion time?

Let’s say there was a 20% increase in costs and a 30% increase in construction time. Can the Board finance, for example, a £420 million project which takes four years to build instead of three?

Even if they can, will future business be able to service the loan or will the cruise ship and decommissioning markets prove to be elusive in the face of aggressive competition and a possible severe economic downturn? The combination of a cost escalation, a delayed completion date and a continuation of the oil downturn in the North Sea could prove to be a fatal combination for the Harbour Board’s ambitions.

if the Bay is to be lost it should at least be for very tangible benefits for Aberdeen

This article does not accuse Daniel Alonso of being complicit or having any knowledge of the failings in the two projects in Malaga and perhaps not too much should be read into the fact that he is now in Scotland rather than managing the company’s home territory.

But it seems extraordinary that with so much at stake, the Harbour Board is totally reliant on a company which has proved in the past that its management team failed to ensure adherence to specifications on two major harbour projects and exceeded budgeted costs so spectacularly.

Historically, one of the benefits to local communities of Trust Ports has been that no profits are dispensed to shareholders. That has meant that all profits have been re-invested in port improvements to help increase traffic and enhance local economic activity, as indeed has been the case with Aberdeen Harbour Trust until now.

But the absence of shareholders can have an adverse effect when projects that require external financing are considered. Because there is no financial risk to any individual Board Member or employee, the Board is in a position to back projects knowing that it is risk-free from their own personal perspective. That same phenomenon was responsible for the reckless trading by bankers prior to the 2008 crash.

If this project fails badly, either because of delays, escalating costs, unpredicted market conditions, or a combination of all three, the individuals who currently comprise the Board and the Executive will quietly retire (Chief Executive Colin Parker has already announced his imminent retirement), leaving a badly crippled Trust Port to recover from a gamble which didn’t pay off.

The residents of Torry who opposed the harbour development in the Bay of Nigg did so because of the loss of the Bay as an amenity, and the resulting general degradation of the local environment through increased traffic and pollution.

Whether the harbour would ultimately prove a commercial success or not has not been a major consideration. But now that it appears about to become a reality, I’m sure the concensus will be that if the Bay is to be lost it should at least be for very tangible benefits for Aberdeen and the wider community.

It would be a cruel blow indeed if the Bay was sacrificed for a speculative project which ultimately proves under-utilised and a financial millstone to the Harbour Board, and the Bay of Nigg is destroyed for no useful gain.

Notes:

  1. To cite just three examples, Dragados USA is 3 years behind schedule and $223 million over budget in a tunnel-boring project in Seattle; the company was removed from the Florida Department of Transportation’s list of qualified contractors because of project delays and other problems, it being stated that on some projects they “have a variety of materials and workmanship issues that will have to be addressed before FDOT will accept the work.”; and Los Angeles Metro Agency refused to give a major contract to Dragados, despite being the cheapest bidder, because they considered they had a high probability of exposing the agency to cost overruns and project delays,

Sources:

Dársena Case’ by Marta Sánchez Esparza / Malaga, El Mundo,  23/10/2013
http://www.elmundo.es/elmundo/2013/10/13/andalucia_malaga/1381659778.html

Article, by Agustin Rivera, El Confidencial, 5/10/2013
http://www.elconfidencial.com/espana/andalucia/2013-10-05/el-presidente-de-sando-imputado-por-el-agujero-del-puerto-de-malaga_37380/

Article by S. Sánchez, Málaga, Málaga Hoy , 16/10/2013
http://www.malagahoy.es/malaga/presidente-Sando-descarga-tecnicos-puerto_0_743925794.html

‘Sacramento sewer contractor faced delays, minority hiring violations’ The Sacramento Bee, June 4, 2016
http://www.sacbee.com/news/investigations/the-public-eye/article81843937.html

‘Beleaguered Seattle tunnel project facing $223M cost overrun, 3-year delay’, Construction Dive, July 25, 2016
http://www.constructiondive.com/news/beleaguered-seattle-tunnel-project-facing-223m-cost-overrun-3-year-delay/423164/

‘The prosecution asks for 26 years of imprisonment for five people responsible for port works’, Ignacio San Martin, La Cadena SER, 16 November 2016 http://cadenaser.com/emisora/2016/11/18/ser_malaga/1479473619_856001.html

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 132017
 

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

Seb Coles leads a team of developers creating and engineering software-based solutions.

A team of specialist software developers from a leading Aberdeen-based managed print services company recently revealed their latest support app developments at a major print management industry event.
Four in-house developers from Xeretec Scotland’s Aberdeen office travelled to Uxbridge, near London, for the Xerox Application Forum on Wednesday, 5 April.

Senior software developer, Seb Coles, announced the development of the Xeretec Support Application Suite, an on-device customer service that provides immediate, next-generation support for users of Xerox devices.

The team of developers, led by Seb Coles, specialises in creating and engineering software-based solutions that optimise the print experience for end users and spent 12 months developing the support apps.

Mr Coles said:

“I am extremely proud of my team and what we have achieved over the past year. We have dedicated a lot of time and effort to developing the Xeretec Support Application Suite, so to be able to demonstrate how it works at the Xerox Future of Work event was an incredible experience.

“The app enables Xeretec to access the printer’s health and deliver the user an unparalleled level of support immediately at the device. It was designed to simplify and speed up fault resolution, while maximising user convenience and productivity, as we are constantly aiming to bring a higher level of customer service to our clients.”

Marino Keith, operations manager at Xeretec Scotland, said:

“I would like to offer my congratulations to Seb and the software development team for continuing to create industry-leading applications that aim to improve the overall customer experience. The work they do is completely unique to the industry and differentiates Xeretec from its competitors.

“Customers today expect instant, multi-channel support when encountering a problem. With the Xeretec Support Application Suite, Xeretec has created a new era of on-device customer service that meets the need for simplified instant access to support.”

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 132017
 

With thanks to Leanne Carter, Account Manager, Tricker PR.

Bob Bain, partner at Hall Morrice LLP, welcomes Tom Faichnie and Melanie Gilmour to head up the new Hall Morrice Corporate Finance team.

Aberdeen chartered accountants Hall Morrice LLP has launched a new corporate finance division as part of its strategy to prepare for the north east’s economic recovery.

The independent firm has made two key appointments to lead the new team, which will largely focus on working with corporate entities and private equity houses seeking to invest in oilfield services companies.

Tom Faichnie has been appointed to the post of managing director with Hall Morrice Corporate Finance, while Melanie Gilmour takes up the post of manager.

Both have come from RSM Aberdeen, where they specialised on deals activity within the energy sector.

Mr Faichnie has a strong track record in corporate finance, having previously worked for international accountancy firms and leading banks. He has been based in Aberdeen for almost 20 years, and believes that Hall Morrice has launched its new division at exactly the right time as the region readies itself for recovery.

He says,

“We have been seeing the green shoots of recovery for the region since the middle of last year and this is absolutely the right time to get ahead of the game and invest in Aberdeen.

“The decline in trading results seen during the period of low oil price appears to have stabilised and we can see that order books are now tipping back in the right direction. As companies start to build up again, they will need working capital to deliver and grow their order books and many will require funding.

“We also anticipate that we will see a lot of exits coming in the next six months, especially from companies at the smaller end of the scale. There now appears to be a steady base level of profitability upon which to structure a transaction and many shareholders who may have delayed selling their businesses are likely to see increased interest from the UK and overseas.

“Hall Morrice has been operating in Aberdeen for over 40 years: they understand the city and they understand corporate finance, and that, combined with our knowledge and experience, creates an excellent platform that will allow Melanie and I to build a very strong proposition.”

In addition to the external engagements, the new division will also undertake corporate finance and financial due diligence services for existing Hall Morrice clients. The firm, which employs a team of over 50 people in its offices in Aberdeen and Fraserburgh, works across a number of different sectors from property and construction to retail and leisure.

Miss Gilmour is a qualified chartered accountant having previously worked for one of the big four, and has extensive transactional experience across different industries in addition to her oil and gas background.

Hall Morrice Partner Bob Bain says the new team arrives with an exceptional track record in deal initiation and advisory services which will benefit the firm’s existing clients and new prospects.

He adds,

“The marketplace has been volatile for the past two years, but despite that we are confident that there is a now a requirement – and more so in the future – to service corporate entities and private equity houses from a diligence capacity.

“Although we remain cautious, we are optimistic of an increase in deals activity and believe that we have an excellent team in place to respond to that uplift. Tom has worked in Aberdeen for almost 20 years and during that time has established a first-class reputation as being the ‘go to’ for oil and gas corporate finance and diligence.

“Working alongside Tom, Melanie has been able to benefit from his wealth of experience and has emerged as an incredibly knowledgeable individual who will be a valuable asset to the corporate finance team.  With support from the wider Hall Morrice team, we believe that this provides a strong platform to develop our transactional offering in both Aberdeen and the wider oilfield services market.”

Founded in 1976, Hall Morrice is one of Scotland’s leading independent firms of chartered accountants and has offices in Aberdeen and Fraserburgh. Based at 6 and 7 Queens Terrace in Aberdeen, Hall Morrice can be contacted on 01224 647394 or at accounts@hallmorrice.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 112017
 

By Fin Hall.

Nuart Aberdeen has finally arrived. A first for the city, sees a collection of street artists, organised by Aberdeen Inspired gather to paint, talk and show films etc over the Easter

Old and rarely used doors on the streets within the city centre, mainly around the Merchant Quarter, are being painted in different styles by different artists.

Among the artists participating in this current international project is Julien de Casabianca, a French/Corsican artist.

His Outgoing project features images of paintings in art galleries, often taken by members of the public on their phones, the main subject from said painting isolated via photoshop, then printed onto paper.

This paper is then pasted on buildings, walls etc in public spaces.

To this end various primary schools were invited to send a group of children to Aberdeen Museum Treasure Hub in Northfield, a building which stores many of the works of art that have been relocated from the Art Gallery during the refurbishment that is currently ongoing.

I was in invited by Aberdeen Inspired and NuArt to catalogue this process, working with Manor Park, Riverbank and Walker Road schools.

On arrival, the children were told what the general purpose of their visit would entail, before being split into two or three groups. I would stick with one of the groups each time. This took place on three Thursdays in March.

In the first part of their session, the children would be in an almost classroom like situation where they were given practically free rein to express themselves art wise.

They had a large wall mounted monitor complete with a white screen where they could copy images from the Art Gallery’s digital representation of the art works in it’s collection, or just draw whatever they wished; there were props and dressing up clothes so they could utilise and get their friends to take photos of themselves, or take selfies, with their iPads.

Also, there were word searches and sheets of A4 paper which had a pre-printed frame on, so they could draw whatever took their fancy. It was interesting to watch and see how they reacted and the choice they made. Some would throw themselves wholeheartedly into it, others just sat quietly and concentrated on drawing.

After about 45 minutes, the group I was with were taken through into the first of two storage rooms, with their iPads, to view and photograph the paintings, or rather, parts of paintings, be it a figure, an animal or something like a tree.

the youngsters had ever seen such paintings, and they were quite amazed

This room contained paintings of various sizes and from various eras, stored in racks which slid out when pulled. These works of art were paintings done on either canvas or or other fabrics, but not paper.

Some of the works they weren’t able to capture because they are still under copyright, or were covered in protective tape and plastic, but many others were available.

This was the first time that many of  and interested in them. I had to explain to them that they should concentrate on just part of a painting, and not fill their screen with the whole thing, some of which, as you can imagine were rather large.

After that they were led into a smaller room where paintings and drawings done on paper, were stored in drawers. Some of these drawers were already pulled out and at just the right height for the children to stand over, making sure that their device covers were either removed or held securely up, and snap until their hearts’ content.

The net result is that selected photographs the children have taken will be chosen to be the ones used by Julian to paste up in the East Green – an area other artists will be utilising, and where the official opening ceremony on Saturday 15th April will take place.

This part of he city already has several doors from the Painted Doors project already in situ. So it is the perfect location for the hub of the event.

Saying that, there will be several events taking place in the few days leading up to that. See the NuArt website for details.

All in all it was a pleasure to be involved with the schoolchildren.

The Treasure Hub is available for group and organisation tours. It is well worth visiting. So, this coming week get out and about in the city centre and see this unique event.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 072017
 

With thanks to Martin Ford.

The two councillors in Aberdeenshire’s Democratic Independent and Green Group (DIGG) – Paul Johnston and Martin Ford – are both seeking re-election to Aberdeenshire Council on 4 May. Cllr Johnston (Democratic Independent) is standing in and currently represents the Mid-Formartine ward. 

Cllr Ford (Green) is standing in and currently represents the East Garioch ward.

Both Paul Johnston and Martin Ford are experienced councillors. Cllr Johnston has been a member of Aberdeenshire Council since 1995 and before that served as a Grampian Region councillor. Cllr Ford has been a member of Aberdeenshire Council since 1999.

As the DIGG, Martin Ford and Paul Johnston have had a big influence on Aberdeenshire Council, punching well above their weight for a group of just two councillors.

The DIGG played a particularly crucial role when in 2015 changes in allegiance by other councillors meant neither of the two large councillor groupings on Aberdeenshire Council had enough councillors to form an administration that could run the Council.

Rather than join either side, the DIGG reached an agreement to give limited support to the incoming minority administration, bringing stability to the Council. In return, the new administration committed to supporting a range of policies and other changes put forward by the DIGG.

Benefits and other changes secured by the DIGG since 2015 include:

  • a new budget of £100,000 for youth work;
  • for the first time, public consultation on specific budget proposals to inform the Council’s budget decisions;
  • a new budget of £150,000 for ‘traffic calming and speeding reduction’;
  • no cuts to community learning and development funding;
  • additional investment by the Council in renewable energy generation by solar panels on Council building to reduce future energy bills and;
  • cut greenhouse gas emissions; additional funding for active travel (cycling and walking).

The DIGG also secured Council support for work to examine the feasibility of re-opening the Buchan railway to at least Ellon, and for the Council setting an annual carbon budget to help it meet climate change targets.

Cllr Martin Ford said:

“It’s been an eventful five years since 2012 and the DIGG has made a real difference to what the Council has done.

“Particularly noteworthy locally has been the completion of the major extension to Kemnay Academy and the new Kintore Midmill School. And the Council gave important support to getting the Axis Centre built in Newmachar and The Bothie in Kintore. These are all welcome improvements.

“It has always been a privilege to represent the area where I live on the Council. I’m keen to continue working for the good of the area and so am standing for election again on 4 May.”

Cllr Paul Johnston said:
 
“Thanks to all those who have encouraged me to run again and seek re-election to Aberdeenshire Council.

“I am happy to stand on local issues as this is not a national election. It’s not about brexit or indyref. It is about housing, roads and paths in our towns and villages. It’s about teacher shortages in our schools and protecting our environment and creating great places to live.

“It’s about improving how our Council engages with its community councils and citizens everywhere. I have fought for all that with some successes, but I recognise there is a lot more to do.”

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 072017
 

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

Youngsters from Aberdeen schools have delved into the city’s prestigious art collection to get inspiration for their special involvement in Nuart Aberdeen.
Pupils from Manor Park, Woodside, Riverbank, Seaton and Walker Road primary schools got the opportunity to explore a wide range of art at the Treasure Hub in Northfield, currently being kept in safe storage while the Aberdeen Art Gallery undergoes its multi-million pound redevelopment. 

The sessions were held as part of The Outings Project, a participatory public art project founded by the globally renowned artist Julian de Casabianca.

The artist, who is participating in the inaugural Nuart Aberdeen festival, will work with the youngsters to paste their selected characters at specific sites in Aberdeen city centre.

Pupils had the opportunity to examine a number of paintings from the Aberdeen Art Gallery and Museums Collections, from Portrait of a Lady (The Artist’s Wife) by William Dyce to La Perla de Triana by John Phillip, among others, choosing and photographing their favourite characters to share with the Aberdeen public.

They will then enlarge and paste them up in the city centre under the guidance of Julian, as well as in their own schools and neighbourhoods – getting the change to turn the streets into temporary art galleries during the festival, which is taking place from Friday April 14 to Sunday April 16.

The artworks that the children accessed for this project aren’t currently on display, giving the public a wonderful opportunity to enjoy them in a new way.

It is hoped that the project will help children feel involved in the festival, especially as their efforts will also be displayed in their local areas, as well as encourage new audiences to engage with the Aberdeen Art Gallery and Museums collection.

There are a number of fun ways for youngsters and families to get involved in Nuart Aberdeen including street printing and chalk drawing workshops, walking tours and an Easter Sunday Street Art hunt.

Nuart Aberdeen will officially open on Saturday April 15, when Herakut’s monumental mural on the façade of Aberdeen Market will be unveiled before the guided Street Art tours begin.

Local breakdance group Bring It Boys will perform a ‘Street Art’ inspired routine created especially for the event.

Also on Saturday, the street printing workshop with Berlin-based collective Raubdruckerin will teach participants how to transform old clothes with street inspired graphic designs from the area in and around Castlegate.

The Chalk Don’t Chalk workshop, being held on St Nicholas Centre’s Rooftop Garden on Sunday April 16, gives children of all ages the “freedom of the city” to create their own chalk street art pieces, with professional artists on hand to teach and guide children on their designs.

Belgian street artist Jaune has been busy hiding his mischievous bin men and women around Aberdeen city centre for the Easter Sunday Street Art hunt also on Sunday. Children can follow the hints provided to find six hidden artworks and win a special Easter Sunday prize.

Elaine Farquharson-Black, director at Aberdeen Inspired and partner at sponsor Burness Paull, said:

“It was wonderful to see the children enjoying the sessions at The Treasure Hub and getting so involved. Nuart Aberdeen is a legacy project for us and we are really looking forward to seeing their paste-ups in the city centre and their local communities.

“This particular project was the brainchild of Julian de Casabianca and it was intended for local children to feel ownership of these images. It is also hoped that they will bring their families to enjoy the Art Gallery when it re-opens in 2018/19 because it will feel, quite rightly, as if they are artists, in the same way as those displayed in our local art space are.

“We would like to extend our thanks to Aberdeen City Council for supporting school staff during these project, as well as community staff who will help with the next stage, and of course, the Aberdeen Art Gallery staff who facilitated the sessions at the Treasure Hub.

“There will be a range of fun events that youngsters and their families can take advantage of during Nuart Aberdeen and I would urge everyone to check out the programme and enjoy what is on offer.”

An Aberdeen City Council spokesman said:

“We are absolutely delighted that our schools and pupils are participating so enthusiastically in the latest festival offering in Aberdeen’s cultural calendar. We have placed a huge emphasis on culture and education and to bring the two together at the Treasure Hub and for the children to work with a globally renowned artist is absolutely fantastic.”

For more information on Nuart Aberdeen please visit http://www.nuartaberdeen.co.uk/

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 012017
 

By Fred Wilkinson.

News has reached Aberdeen Voice that younger brother of US President Donald J Trump has bought a popular, iconic cafe located on Aberdeen’s beach front. It is widely rumoured that the Washington Cafe, currently being renovated, is to be renamed ‘The Windmill Views Restaurant’ by new owner Robert Trump.
In order to find out more, I tracked down local shopfitter, Archibald ‘Erchie’ Morrison who has been awarded the contract to refurbish the property. 

I could see Erchie and his colleagues were extremely busy, so Aberdeen Voice is grateful to have been given the time for a chat.

Erchie told me:

“Ah couldna believe it when Ah got the call fae Robert Trump’s agent. Ah thought somebody wis pullin ma leg, and Ah near hung up the phone. But, ken? Bein self employed ye canna jist gie up on gettin jobs – nae as lang as there’s a chunce it could be a genuine offer.

“Onywye, Ah had tae ask if he wis haein a fun wi ma, but nah … the job’s richt enough.”

I asked Erchie how he felt about working for the brother of the controversial US President.

“Ah wisna affa sure” Erchie commented.

“Ah did ask the agent, like in a funnin kind o’ wye, if he thocht eez client wisna aff eez heid buyin a business in Aiberdeen – fit wi a the stooshies we’ve had wi eez brither.

“He jist laughed and tellt ma he wid send ma the paperwork.”

“And that wis that until Ah got a notey fae Robert Trump eezsel. Ah near fell in a heap!”

Robert reached for the top pocket of his boiler suit where the prized letter has taken up permanent residence. Already well fingered, having been eagerly shown off to his family, friends and colleagues, the handwritten letter reads: 

“Dear Erchie.

Thank you for accepting the contract for the refurbishment of my newly acquired property. I look forward to working with you on this project.
My agent indicated to me that you have some concerns, which I’m sure can be addressed.

I am very aware of the ‘stooshies’ you have had to endure on account of my brother Donald’s actions. I trust you will judge our working relationship on my words and my actions, and not those of Donald J. We may share a country of origin, and the same parents, but I assure you, there the similarity ends. Brothers we may be, I’m afraid there’s nothing I can do about that, but we aint peas in a pod.

Only one of us actually loves Scotland and does not need to exploit the good name and memory of our Mom to prove it.
Only one of us gives our employees the correct payment for work carried out, and only one of us thinks Donald J is an asshole.

I trust you can work out which. Come and see me soon … the Glenfiddich’s are on me

Yours,
      Robert Trump.”

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 242017
 

With thanks to Richard Bunting, Director, Richard Bunting PR.

European Beaver (Castor fiber)
July 2010

Conservation charity Trees for Life is seeking support in raising £15,000 for a project aimed at bringing beavers back to the northwest Highlands.

The charity’s Bring Back the Beavers appeal will fund site assessments, work with local communities, and beaver habitat restoration work such as tree planting and natural regeneration.

This will enable Trees for Life to prepare for a formal application for a licence to re-establish beavers in the Highlands.

“Beavers were a key native species of the Caledonian Forest before being hunted to extinction some 400 years ago. We now have an unprecedented opportunity to bring them back,” said Alan Watson Featherstone, Founder of Trees for Life.

“We are asking the public to help us pave the way for beavers to come home to the Highlands – improving the region for other wildlife, and providing a tourist attraction to boost the local economy.”

Last November, the Scottish Government announced that European beavers were officially accepted as a native species in Scotland.

Trees for Life has been preparing for the return of beavers for more than 25 years. This has involved creating suitable habitat by planting aspens and willows along loch shores and riverbanks. In 2015, the charity commissioned an expert survey of some of the key sites where it works, which confirmed that these locations could support beavers.

Beavers are superb ecosystem engineers. They create and manage wetland habitats ­– benefitting insects, fish, bats and birds. Their small dams help regulate water flow. Their felling of trees provides dead wood that benefits many organisms, and stimulates regeneration by causing new shoots to grow from tree stumps.

Beavers cannot colonise the northwest Highlands on their own, as the Great Glen is a natural barrier to beavers from the existing populations in Argyll and Tayside. So the only way to be sure they will return to the region will be to give them a helping hand.

In Europe, 24 countries have reintroduced beavers, with significant benefits. The official Scottish beaver trial in Argyll also showed substantial positive results, both for the local ecology and from increased tourism.

The Scottish Government has recognised that some residents may be concerned about the possible impact of beavers on their interests, and that this requires careful management.

Any surplus funds raised by the Bring Back the Beavers appeal will be used by Trees for Life to fund other activities to help restore the wild forest habitat.

For more details and to support the appeal, visit www.treesforlife.org.uk.

Pictured: European beaver © Laurie Campbell (N.B. One-time free use with this story; please delete image afterwards and for any future use contact Laurie Campbell www.lauriecampbell.com)

  • Comments enabled – see comments box below. Note, all comments will be moderated.