Dec 242014
 

By David Innes.

bluepromotions thmAlmost Blue Promotions, run by Martin Raitt and his wife Shona, celebrated its first birthday in August.

Dedicated to bringing high quality country and Americana acts to the city, I was curious as to how things have panned out with a full calendar year of promotions completed, having attended a fair number of the shows. Martin and I discussed Almost Blue’s progress over a virtual pint.

What have been the personal highlights?

“A definite highlight was managing to get to the one year anniversary. There were times when I didn’t think I’d carry on, but being an old trouper I made it.

“Sam Baker was someone I’d seen a few times in the past, so to be able to bring him to Aberdeen was a personal triumph.

“Another highlight was to give newcomer Ags Connolly his first Scottish booking. He’d played the Perth Southern Fried Festival before the Aberdeen date, but we had him booked before that. He now has a 2015 booking at The Fallen Angels Club in Glasgow.

“Also the friendships I’ve made along the way, including the artists and the regulars who come to the shows”.

What might have been better?

Well, if more punters (not the exact terms used…) got off their arses and came along to gigs instead of moaning that nobody of any worth comes to Aberdeen, that would be a start! Obviously, better gig attendances would be great but it’s a continuous work in progress trying to get the word out about those that are happening.  

It’s also a struggle to convince artists to travel to Aberdeen, but the whole reason for starting Almost Blue Promotions was to make Aberdeen a place artists wanted to come to. We’ve had some really positive feedback from all the artists we’ve had. This will give artists confidence that Aberdeen is a place to look at when routing tours”.

Your top three albums of 2014?

That’s a difficult one to answer as there were so many good albums out this year, and my answer will change if you ask me tomorrow!

Sturgill Simpson has taken the country music world by storm with his Metamodern Sounds In Country Music.

Two debut albums that I’ve really enjoyed this year are The New Madrids’ Through The Heart Of Town and Ags Connolly’s How About Now. I had the pleasure of bringing both to The Lampie this year.

JP Harris & The Tough Choices’ Home Is Where The Hurt Is is another great release, a real old-style honky tonk sound.

This shows why Martin is a promoter rather than a performer given his struggle with counting to three for those old-timey country waltzes.

Who do you predict for bigger things in 2015?

Ags Connolly has big plans for 2015 and should get more exposure, so I’d expect things will take off for him. Also, Cale Tyson released a terrific debut album this year and I think he’ll be one to watch. It’ll also be interesting to see what Sturgill Simpson does after the great year he’s had.

Any plans in place yet for 2015?

“We begin the year with The David Latto Band on Friday 30 January. They’re from Fife and it’s the same act we kicked off with in 2014.

“We’re promoting Cahalen Morrison & Eli West on Wednesday 6 May, which is very exciting, before we welcome back The Red Dirt Skinners on Friday 7 August.

“Our plan remains to have roughly one gig per month throughout the year and we’re in talks to have most months booked already, with announcements to follow soon

“It’s been a marvellous year. It’s really hard to pick out a favourite gig as I honestly think they’ve all been great. I’m really looking forward to 2015.”

www.almostbluepromotions.com

Apr 182013
 

With news that this duo were playing The Salmon Bothy, Portsoy, on 12th April, David Innes willingly raced to his native Banffshire to report for Voice.

On the back of scintillating live shows in the UK in late 2011, including a spellbinding night at Aberdeen’s Blue Lamp, and the unanimous industry approval of the duo’s latest album Our Lady Of the Tall Trees, this twosome have returned to our shores to play a considerable number of dates.

‘Shores’ is apt, for Portsoy’s cosy Salmon Bothy sits almost on the Moray Firth above the town’s rocky east beach and is a wonderfully-intimate, well-run and much-used community venue which we’ll feature in a future Voice  piece.

The setting also coincided with the realisation that the sea is a considerable influence on Cahalen’s writing, evidenced by the opening ‘Stone To Sand’ and continuing through ‘A Lady Does Not Often Falter’, ‘Jealous Seas’ and  ‘Fleeting Like The Days’.

The roots music which the pair deliver so splendidly is country and mountain-based, but their recordings and performances illustrate how traditional music, given the Cahalen and Eli treatment, can sound as old as the Appalachian Mountains, yet be as salty and fresh as the breeze that buffeted Portsoy.

“Cahalen and Eli’s music evokes a brotherhood of the road,” says the sleevenote of their 2010 album The Holy Coming of the Storm and their closeness as friends is as obvious as their instinctive and intuitive musical interplay and vocal harmonies.

Between songs, there is gentle teasing – about Cahalen’s small stature and his impressive moustache and about Eli’s attempts to learn the banjo and its negative effect on his IQ.  The setlist is in their heads, but they consult good-naturedly between songs, decide what feels right to play next and offer introductions laced with spontaneous wit and self-effacement.

When an audience member requests ‘Jealous Sea’, they shrug “OK, we love crowd participation in the setlist,” meet it head on and make a feature of Cahalen momentarily forgetting the words.  “It’s been a while”.

They also pay special mention to two visitors from Munich who made the trip specially to listen to the pair, last seen being herded post-gig towards The Shore Inn by Comrade Dunn in an effort to prove that between Bavaria and Banffshire there are no barriers when it comes to appreciation of wonderful music.

And beer, no doubt.

But it’s the performance that defines them and endears them to Banffshire hearts.

The songs are strong and the musicianship faultless and superbly honed.  The human voice, however, is the most spirit-affirming instrument available to us.  Both men are blessed with voices that are made to deliver emotion.

Cahalen’s is soulful, earthy and timeless – as rugged as the Portsoy cliffs yet, when needed, as gentle as the waves which kissed the rocky shore.

Eli’s softer tones and less intense delivery are a welcome foil.  Their enmeshment in harmony is the defining ancient sound of modern American roots music.

The surprise support for the tour is the duo The Kilcawley Family, whose short but entertaining warm-up and friendliness throughout the evening, as both performers and audience members, endeared them to the packed Bothy.

Fine singers both, Louiza’s autoharp and Damon’s guitar and harmonica provide ideal accompaniment to their own narratives and to a breathtaking arrangement of ‘Twelve Gates to the City’.  Now based in Morecambe and about to begin recording, they are worth keeping an eye on.

With thanks to Loudon Temple of Brookfield Knights for arranging Voice’s attendance.

Further information can be found at:

Cahalen and Eli                          – www.cahalenandeli.com
The Kilcawley Family                 – www.kilcawleyfamily.com
The Salmon Bothy, Portsoy      – www.salmonbothy.org.uk
Brookfield Knights                      – http://www.brookfield-knights.com

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May 312012
 

When you count ‘Whispering’ Bob Harris as a fan, it’s safe to assume there’s something very interesting happening, Loudon Temple tells Voice, as Hillfolk Noir prepare to storm the Gallowgate.

The former Old Grey Whistle Test figurehead and BBC Radio 2 presenter nailed his colours firmly to the mast when he discovered Hillfolk Noir earlier this year and went on to play tracks from the band’s ninth album, Radio Hour, over and over.
But Bob went one step further and told listeners to his show that he couldn’t wait for the four-piece from Boise, Idaho to arrive here for their first ever UK tour.

‘They’re amazing’, he said, ‘And I can’t wait to see them onstage.’

He’s not alone, as an army of UK fans have been urging the band to tour here ever since their last album, Skinny Mammy’s Revenge, was released to widespread acclaim.

They are one of the hardest-working bands on the US roots music circuit and have built themselves a huge Stateside following playing what has been described as music ‘filtered through a country-tinged, swampy-swingin’, hillbilly-delta-blues-ragtime word machine’.

Hillfolk Noir were widely recognised as one of the outstanding highlights at this year’s SXSW in Austin, Texas and Skinny Mammy’s Revenge established them as a force to be reckoned with on both sides of the Atlantic.

Americana UK writer Paul Kerr told readers it was ‘a delight’, and added:

‘Hillfolk Noir manage to capture the essence of American music in spades.’

Hillfolk Noir arrive in the UK with a brand new CD that’s been winning them even more praise. But which venue will Bob Harris favour with his company?

Band leader and main songwriter Travis Ward said:

 ‘Yes, of course, it’s completely and utterly amazing to have someone like Bob Harris on your side. But, the reaction from the UK press in general terms has been very encouraging and we are pretty excited to be embarking on our first ever tour here.

‘We basically make the music for ourselves because we love it; we are having a great time and hopefully that is infectious. We sing and play our guts out – every song. 

‘It’s particularly great to be playing The Blue Lamp as we’ve heard from our good friends, The Wiyos and Pokey LaFarge & The South City Three, that they always had a great time there with an audience that likes its old-time Americana, and particularly when it has a quirky rather than straight-down-the-middle edge to it.

“Sounds like they get in party mood and that suits us fine!’

Others have commented:

‘It’s a swampy, bluesgrassy, gospel-tinged, Depression-era prayer meeting medicine show of warped ragtime delta hillbilly blues/folk/country…or something like that’.  Nick Churchill, FATEA magazine

‘One of the most incredible bands’.  Seattle Weekly

‘This is roots music with attitude’.  R2 (Rock ‘n’ Reel)

 ‘Extraordinary 21st century old-time music’.   American roots UK

Hillfolk Noir Scottish dates:

FRI JUNE 1:
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SUN JUNE 3:
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TUES JUNE 5:
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WED JUNE 6:
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THURS JUNE 7:
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FRI JUNE 8:
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SAT JUNE 9:
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SUN JUNE 10:
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TUES JUNE 12:
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WED JUNE 13:
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THUR JUNE 14:
Birnam Arts, BIRNAM, by Dunkeld.
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Memorial Institute, MONIAIVE.
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The Old Library, KILBARCHAN.
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Douglas Robertson’s Studio, EDINBURGH.
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Woodlands Hotel, BROUGHTY FERRY.
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The Blue Lamp,ABERDEEN.
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Eden Court Theatre, INVERNESS.
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The Catstrand Arts Centre, NEW GALLOWAY.
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Stereo, GLASGOW.
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Eastgate Theatre, PEEBLES.
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Acoustic Music Club, KIRKCALDY.
Feb 172012
 

Old Susannah looks at the Granite Web, and the impressive effort it has taken to spin.

By Suzanne Kelly.

Tally Ho! Yet another vibrant and dynamic week in the Granite Web City.  Whilst Friends of Union Terrace Gardens, Aberdeen against Austerity, and Democracy Watch engaged in some inexpensive grassroots campaigning by flyer, the mysterious Vote for the CGP group pulled out all the stops and spent, spent, spent.

You could be forgiven for thinking that Northsound is playing City Garden Project commercials non-stop. The Art Gallery has a swish new display showing the Garden plan in its Alice-in-Wonderland perspective and garish colours, and issues of The Granite Web compete in the ugly stakes with the A3 VFTCGP colour flyer sent out before.

News reaches Old Susannah that visitors to Aberdeen Royal Infirmary are being cheered up no end by pro-City Garden Project posters on the walls. There is no escape at work either, as employees of Wood Group (no surprise really), Nautronix, and Taqa all seem to have received lovely e-mails from bosses hinting gently that they should vote for the CGP.

I do find it very touching that employers are looking after their employees so well and giving gentle guidance which puts no pressure on them at all.

Why do I call the VFTCGP members secret? Because I was told in so many words by the BIG Partnership, which does PR for this group and, coincidentally, the artwork for the CGP, that “if the members want to stay secret, it’s up to them.”

But before I return to my Myth-busting busting activities started last week – I only got through the first four of the ten Myths the CGP team say we’re suffering from – condolences to Rangers fans.

Was this one of the top Scottish clubs? Yes.

Will this leave a massive hole in Scottish football? Yes.

Will other sides face similar financial clubs? Looks like it.

I believe one tycoon is still paying some £60,000 of his own money each time his team plays. I do hope this mogul is not getting overly financially stretched. I’d again ask the question if Loirston Loch land – in a Special Area of Conservation – should really be turned into a 21,000 seat football ground with offices and museum in this climate.

  Donald’s granny was Scottish. This gives him good cause to call Alex Salmond ‘insane’

Well, I would ask, but the continuous concrete covering of anything green in Aberdeen seems unstoppable. Thankfully, we all have one tireless, gentle campaigner who is not giving up the fight for ‘Scotland’s heritage’. Step forward, Mr Donald Trump.

You might have seen one or two small news items saying that this gentle giant wants to build the galaxy’s greatest golf course on a no-doubt-underused stretch of coastline. He’s got rid of many of the view-blocking trees, but there are horrible plans to build windfarms offshore which could actually be seen by his guests, if you can believe that!

Now, windfarms don’t actually work very efficiently yet. The technology can, and should improve. But I guess we’re all agreed there are few things in life worse than being a rich golfer who might have to look at an offshore wind farm. For those people in favour of this kind of blot on the seascape, I would remind you that you’re forgetting something very important.

Donald’s granny was Scottish. This gives him good cause to call Alex Salmond ‘insane’ for supporting renewable energy. Please try to keep that in mind, thank you.

Finally, it might have been Valentine’s Day this week, but it looks like the May to December romance between Callum McCaig and Aileen ‘Ho’Malone is over. One of them is an over-blown, over-hyped, over-rated, naïve, headline-seeking soul, blissfully unaware that they are dangerously out of their depth. The other is Callum McCaig.

No more will they share a coalition; there will be no more romps on Tullos Hill; there will be no more late-night negotiations. Maybe yet the SNP will change its tune over the ridiculous cull of deer to plant trees that cannot possibly grow on Tullos Hill. Watch this space.

  the taxpayers’ side of this great granite garden bargain is to borrow £92m and pay the loan, and its interest, back over decades.

There is certainly a current in that direction, not least fuelled by public anger and the wasting of some £43,800 to date. Still, a break-up is hard to take. Final confirmation of this great bust-up comes in newspaper stories announcing that the coalition is still absolutely fine. I am thinking of offering my condolences to Mrs Robinson, sorry, I mean Aileen.

I’m still thinking on it. PS. Message to Irene – feel better soon!

And now back to debunking the debunking of the Myths. The City Garden Project seems to be the only entity that’s been presented with these Myths, and I commented on the first four last week. Here are a few choice words on the remaining five Myths. Thank you CGP for printing these not-at-all-wild and not-at-all-made-up Myths – we’re all really onside now. Their comments are in bold. Old Susannah’s are in regular type

5. It will cost the taxpayer millions of pounds – FALSE.

Sure. All this happens for free, and you’ve not paid a penny, and you won’t pay a penny. I wonder if the CGP forgot about the £422,000, or probably more, of taxpayers’ money Scottish Enterprise has already spent on this project? And, no doubt, our CGP friends don’t think it matters that some of your city councillors voted to set aside up to £300,000 of your money for legal costs.

Old Susannah is still mulling that one over. A billionaire is ‘giving’ Aberdeen £50m, but there isn’t enough money on his side of the fence to pay the legal costs the city will incur? So, rather than getting granny a new wheelchair, or providing 24/7 care at homes which have just announced cuts etc etc, Wood wants your £300,000. But this £722,000, nearly quarter of a million pounds, is small change.  we’re going to chop down existing, healthy trees, thus getting rid of wildlife that’s called the trees home for decades, if not centuries

Multiply that figure by ten and you get close to the amount of interest on the loan Aberdeen City Council has to sign for this project to go ahead, according to one of last night’s radio show speakers. Thanks to Original FM (on 105FM) for hosting last night’s debate. Anyway, the taxpayers’ side of this great granite garden bargain is to borrow £92m and pay the loan, and its interest, back over decades.

If the 6500 new jobs don’t come in and we don’t make £122m each year (I can’t wait to see how this happens), if we go over budget, if anything goes wrong – then it will cost us an unknown additional amount of money in repayments. The trams fiasco has reached a cost of nearly one billion pounds.

But this won’t cost you a cent. Honest, guv.

6. Fake, plastic trees – FALSE.

It’s a great Radiohead song but a lousy Myth. It has been suggested that fake plastic trees will be planted in the City Gardens to act as vents for the giant car park underneath. If any fake trees are seen they will be beside the flying pigs. 186 new trees will be planted, some of them mature and many will be Scots Pines.

Old Susannah doesn’t know where to start with this alleged Myth. She does find it reassuring to find that a job in public relations entails so much creative writing talent. I know of no-one who’s heard of plastic trees being part of the plan. However, if we’re building underground, then we’ll need plants with very tiny root systems. Goodbye 250-year old elm trees, one of only a few surviving clusters of elms free from disease, and home to wildlife. In comes progress. Who needs fresh air, wildlife, shade and beauty when you can have ramps?

   we’re going to chop down existing, healthy trees, thus getting rid of wildlife that’s called the trees home for decades, if not centuries

My favourite bit is the announcement that the trees stay in the Gardens forever, as wood chip and seating. Well, you can’t say that’s not sensitive to nature. Still, the BIG Partnership’s student placement has managed to make a meal of a non-existent plastic tree myth. Perhaps someone will explain how mature trees are going to be magically planted in the new Gardens?

Where will their roots go, as there is meant to be underground parking? How do we get to have a thriving pine forest in the city centre – something that doesn’t seem possible according to experts including local architects?

If Old Susannah has this right, we’re going to chop down existing, healthy trees, thus getting rid of wildlife that’s called the trees home for decades, if not centuries, plant some new trees, and have the world’s only pine forest in a city centre.

The pines must grow faster than genetically-modified Leylandii hedges if the drawings I’ve seen are correct, and of course, no-one can fault the accuracy of these precision drawings. I like the giant transparent child romping over the flowerbeds best. So, replacing grass and trees with grass, concrete and trees can be done for only £92m. RESULT!

7. It will cost people their jobs – FALSE.

As a result of the project a projected 6500 new jobs are to be created, not taking into account the hundreds of jobs that will come as a result of the construction. In addition, a transformed city centre will breathe new life across the city, helping us become a World Energy City long after oil and gas has run dry in the North Sea. Existing businesses will be retained meaning existing jobs will be safe-guarded.

These 6500 jobs are going to be wonderful! What will they be? Well, for openers we’ve seen how well Union Square has protected high street businesses. Our small high street shops are struggling whilst multinationals got a cheap rent deal in Union Square. But clearly what we need is….more shops. Surely there is nothing we’d rather do than shop, and you can’t have enough shops can you? It’s not as if a glut of shops will ever result in shop closures, price wars and endless sales, especially ‘Going out of business’ sales.

I wonder if there is any reason that a cafe culture has never really taken off in Aberdeen? Could it be that it’s often too cold, too windy or too rainy? Could it be because the City Council consistently refused to allow anyone to run a snack bar or coffee kiosk in the shelter of Union Terrace Gardens? Clearly not. One wave of the granite wand, and just like those convincing concept drawings, we’ll all be sitting outdoors in short-sleeved shirts, drinking decaf mocha lattes while Toto play on the brand new stage, in front of the existing indoor theatre.

Right. The taxpayer is propping up the AECC with extra money since it can’t make enough by holding events. Same for the Lemon Tree. But the new theatre won’t have any problems making a massive profit and creating loads of jobs.

 So, ‘how many theatres should a taxpayer prop up?’ is one question.

I for one can’t wait to sit through an outdoor electronic folk music competition in February. But, by winter, this theatre will be an ice rink, thereby competing with the ice rink the city tried to kill off before.

But no, there won’t be any harm to jobs. We’ll need people to cut down the trees and get rid of the wildlife. Then there will be jobs cleaning the graffiti off the Web. Yes, the Web will create more permanent jobs in small Aberdeen than the 2012 Olympics will create in Greater London. Rest as assured as I am on that point.

8. It will be entirely made from concrete – FALSE.

Obviously concrete will be used – would you like to relax, visit an exhibition or attend a concert on top of a cardboard box? The project has been carefully designed so there will be 95% more open, green space with a series of pathways providing access for people through, across and in and out of the gardens. These paths will be made of granite, crushed granite and wood.

By now, Old Susannah is finding the content of the dispelled Myths by BIG just a little bit patronising and smarmy. They thought they had to talk us out of believing in plastic trees. Now they explain that we need to sit on something more robust than a cardboard box. Thanks for that! Appreciated.

So, ‘how many theatres should a taxpayer prop up?’ is one question. ‘How many competing businesses should Scottish Enterprise suggest?’ is quite another. They used to have rules on displacement and suchlike, but these seem to have gone, probably about the same time as your employer started to tell you how to vote.

This project has been carefully designed. Of course it has. More green space, but somehow it manages to have a giant concrete, sorry, granite theatre which takes up some 15% minimum of the existing Gardens. They count the giant granite potato-crisp shaped thingy over the stage as green space.

 what if the architects were to give us some drawings showing how these ramps will work safely now rather than later?

Of course it won’t sustain any wildlife, and at best will be a thin wedge of sod over concrete, but if they want to call it green space, fine.

I guess these people call anything green space if they can colour it green with Crayolas on their paper plan.

Looking at the slope of the ramps both up and downwards, I’m wondering how the aged, infirm or wheelchair-bound are going to find this system easier than the current access. The current access could use an additional ramp and you could probably do this for less than £92m as well. For the truly baffled, there is ground level access on the north side, not far from the theatre. This is where vehicles somehow manage to get in.

Clearly there is no other way to ‘relax and visit an exhibition or attend a concert in this town.’ Let’s borrow £92 million and build this beauty.

9. There will be no railings in the Granite Web, people will fall from the paths – FALSE.

Safety will be paramount. The concept design shows the various walkways at different levels but the final design will show how these work safely. And, seriously, do you think any development in a country obsessed with health and safety would get off the ground without proper safety measures?

Our PR work placement is patronising us again. I might be old, but here’s a crazy idea – what if the architects were to give us some drawings showing how these ramps will work safely now rather than later? Are they going to be enclosed, and of course, not at all potential rat traps? Are they going to have fencing that somehow won’t look like Stalag 17? How will wheelchair users go up and down these steep ramps? Details, details.

Well, Old Susannah has run out of space for one week. We will return to normal definitions next week, and take a closer look at who is behind ‘Vote for the City Garden Project’. You will, of course, want to know what businesses are in this group, to make sure you can reward them with your custom. Or not.

Finally, many thanks to those brave business people who have stuck out their necks in favour of saving our city’s only unique, free, green garden.

That’s you, J Milne. It is appreciated.

Feb 102012
 

Old Susannah wades in with her chainsaw rattling in the direction of Union Terrace Gardens, but the elms need not fear, she is only out to cut through the misinformation presented as ‘myth busting’ by the City Garden Project.

By Suzanne Kelly.

Old Susannah has been busy with Union Terrace Gardens this past week, like so many of us.  Another few short weeks, and the people will have voted one way or the other as to whether or not our environment, heritage and common good land are better served up with concrete ramps or not.

Then I can get back to the important work of singing the praises of our elected officials, unelected quangos and council officers, and local millionaires.

Before I get down to the Gardens situation, I thought I’d look back at all the wonderful artwork that the City’s children sent in for the Christmas time art competition and event in the gardens, organised and funded in large part by the Bothwell family.

Hundreds of children sent in their artwork, and at this chilly time of the year with Christmas past, they make a cheerful reminder of a great day, and what it’s like to be a child again.  And each and every one of the childrens’ artwork exceeds by miles the A3 takaway flyer sent by a group of anonymous business people telling you we must vote for the granite web.

Do have a look – you will be glad that you did.
http://oldsusannahsjournalchildrenschristmasartwork.yolasite.com/

On with some definitions then.

Propaganda:  (noun) Material, slogans, misinformation designed to advance a particular point of view often by discrediting or ignoring opposition.

My email inbox is bursting this week with details of employers who are sending their employees all of the leaflets, letters and testimonials which support the garden project.  Most of these are written in the names of associations or groups which have – but crucially do not declare in the literature in question – a member or members who are directly involved with promoting the scheme.  This is very clever indeed.

An employee wants to be told by their boss how they should think and want and vote.  It would therefore be most unfortunate if the employees were given some way to read the many arguments against going ahead with an undefined project with an undefined budget using an as-yet untested in the UK financial borrowing mechanism with a debt-ridden city council borrowing money.

Let us hope therefore that suitable precautions are taken to prevent employees reading the literature from different groups available at the following:-
http://oldsusannahsjournal.yolasite.com/

Myth:  (noun) work of fiction, often including gods, goddesses and challenges and tasks.

Not since the rainbow bridge of Asgard joined heaven and earth, not since the legend of Hercules and his impossible labours has there been a tale as far-fetched as that of the granite web that launched 6,500 jobs and paved the streets annually with £122,000,000.  Sure, it may look more like one of the circles of Hades or the Minotaur’s maze, but the web is already passing into myth.

Those clever people who bring us this gift from the gods are worried we mortals can’t undertand the benefits, and are misunderstanding (or mythunderstanding) their benevolent intentions.  They’ve written a handy guide (something called a ‘blog’) The City Garden Project – The Myths, dispelled’ which can be found at:-
http://www.voteforcitygarden.co.uk/blog/17-the-city-garden-project-the-myths-dispelled

And to its words in bold italics, are my little responses.

The City Garden Project – The Myths, dispelled.

  • We want you to make your decision based on truth, not incorrect claims, speculation and downright nonsense!

Fine – we are all in agreement.

  • Myths have been at the heart of the campaign against the City Garden Project and if some of them were true then the opposition could be justified.

Which myths and what are they?  Where did you get them from?  I remember the initial consultation:  we were shown a beautiful, expensive colour brochure (which the taxpayer had funded) – the cover of which had a flat concrete giant square with some plants in planters.  Later on we were told the project was not going to look like the picture.  Maybe we could have saved some taxpayer money and time by waiting for a consultation and poll until such time we knew what the proponents had up their collective sleeve.  But it is not for us to question the gods.

  • But, whether by mischief-making or simply misinterpretation, the rumours have been rife.

So here we have an implication of mischief-making.  Was it the god Loki at work?  Or of the opposition being too thick to be able to ‘interpret’ what is proposed.  I have not personally heard ANY RUMOURS.  I have read serious questions about the project’s economic, ecological, sociological and regeneration benefits.

I have read people asking where the ventilation will be for underground car parking.  That is one example of the sort of criticisms and questions that I’ve experienced.  ‘Dante’s Inferno’ has a version of heaven, hell and earth without any ventilation, so I guess these miracles can happen here as well.  

  • So, let’s dispel some of these myths! 

Fantastic!  Let’s go!

1. The “green lung” of our city will be lost – FALSE. 

The City Garden will double the amount of green space in our city centre. The new “green lung” will be more usable, more accessible and brought into the sun-light. New garden areas will be created, including a colourful, blossoming area, a forest, a Learning Garden, a quiet tree-lined Bosque area with street furniture and open green space for relaxing in or having a picnic.

Patches of grass do not clean the pollutants and particulates out of a city – established, large, leafy trees do.  As the goal posts keep moving on what trees are to be lost by the City Garden Project engineers, it is hard to imagine which trees are going.

I am still very disappointed we will not have a MONOLITH at which we can make sacrifices to the gods.  I guess we’ll just have to sacrifice the trees, animals, birds, and money to these new gods instead.  But are you going to be reassured that the existing mature trees are somehow going to be replaced overnight by trees with equal pollution / C02 management capabilities by people – sorry gods – who think they can plunk a pine forest in the midst of a city centre?

Most people question where the trees’ roots will be – nearly all trees have extremely large, spreading root systems which require soil.  By the way these roots and soil are what prevents flooding.  I have read points made by experts who say it is not viable to grow a pine forest in the middle of a city centre for a number of reasons.  I don’t know the science – but I look forward to the City Garden Project team showing me examples of such cities.

  I do enjoy looking at the photos of people sitting on the concrete wedge over the ‘stage’ area which is covered with a bit of sod.

There are examples of cities with great open plazas which flood as there is insufficient soil / tree roots to absorb  heavy rains.  At least rain isn’t much of a problem here in North East Scotland.  As to bringing everything into the sunshine, err, the sun shines in the valley as it is – with the added advantage of the valley providing a very valuable wind break.

At Tullos Hill the soil matrix is very poor – which in the words of the soil report prepared by the Forestry Commission leaves any trees planted subject to ‘wind throw’.  If the roots don’t have a good firm earthy soil to hold onto, then a strong wind – like the kind that will inevitably blow across any area brought to street level – may well bring trees toppling on top of the granite web – or people.

Just by elevating a hunk of potato-chip shaped concrete and putting a few inches of sod over it, you are not creating a natural green lung/habitat/area,  even if it is the prettiest thing you’ve ever seen.  As far as doubling the space of the gardens, I do enjoy looking at the photos of people sitting on the concrete wedge over the ‘stage’ area which is covered with a bit of sod.

There is a woman sitting in a chair – a very neat trick indeed for such a steep slope.  Maybe she has a specially-constructed chair with short legs at the back and longer ones in the front?  Perhaps she is a goddess and is floating?  But as many observers point out, the ‘concept’ drawings are inconsistent in this and other ways, such as changing scale.

No, if you are losing the mature, healthy trees that are there – which are home to animals such as EU protected bats and rooks – you are indeed losing a major part of what makes the park valuable to our health.  There is no doubt of this in my mind, so I’m glad we have such a great team of pro-garden project personnel ready willing and able to explain all.  They’ve just not got round to it yet.

2. The city can’t afford the City Garden Project – FALSE.  ( Seriously? )

We have a once-in-a-lifetime opportunity to get a £182m investment in our city at NO cost to the City Council or the citizens of Aberdeen.

One way or the other, the citizen is going to pay.  IF the scheme somehow goes perfectly to plan and we have a bunch of new shops (without hurting further the existing ones) the business rates will be used to repay a loan – a loan at an unknown rate of interest on an as-yet to be determined sum.

And if it doesn’t go well, and Aberdeen gets its very own Trams project fiasco to match Edinburgh’s – the City has to find a way to pay for the TIF.  As far as the donations from private sources are concerned, at last report Sir Ian had promised to put the £50 million he pledged into his will.  Well, if I were one of his children, I’d contest the will if it ever came to that:  an ageing parent throwing £50 million on concrete webs should convince any court that something is wrong upstairs, and a will might get thrown out.

  Some say taking a loan is borrowing money.  But seems we would just be ‘unlocking’ funds – so no problem there.

But who is our mystery £5 million pound donor?  If this is a public project (debatable – the Aberdeen City  Gardens Trust is a private limited company with two people in it), then the public should know where all of the money is coming from.  If someone pledges money, what guarantee is there it will come in?  Some of our current millionaires are feeling the economic pinch, sad but true.

And if are they using this £5 million promise as a lever to tip the balance of public opinion towards the scheme  – then if they stand to gain personally, then we should be told.

I hear varying reports that other private people are pledging something like £20 million.  Now that’s a myth I’d like more info on.

Once in a lifetime?  How on earth is that conclusion reached?  That claims sounds  very much like the scaremongering the pro garden project have been accusing others of.  There are six trial TIF schemes at present.  There may well be more.  But if this were a once in a lifetime chance, then all the more reason to take our time and make a cohesive, desirable bid, perhaps even one based on something less nebulous than a scheme that has a forest one week, an ice rink the next – and so other many unknowns to it.

TIF is only in the pilot stage in Scotland – so let’s get in there first!  Test case Aberdeen!  Some say taking a loan is borrowing money.  But seems we would just be ‘unlocking’ funds – so no problem there.

A minor detail, as we’ll all be rolling in dosh in no time, but do we know the interest rates on the £182 -192 million pounds Aberdeen City Council is going to borrow?  I’ve not been told.  Over to you, City Garden Project.

Again I will say that mere mortals choose to live in an area that is clean, safe and has excellent schools and hospitals.  I must have missed the part when someone proposed to the City Council that it should cut services and schools, and replace green space and our environmental heritage for concrete.

I don’t remember agreeing to continuously expand the City’s footprint into its green space while there are so many empty buildings in the city centre.  I guess I wasn’t paying attention that day – probably got distracted by reading about a cute baby competition in the news or something.

  • 40% of the cost of the City Garden has already been secured. The Scottish Government have pledged that, if the development is supported by the public, a TIF will be used to fund the rest of the costs for the City Garden Project. 

Fine.  Let’s see the legal papers showing exactly how much has been pledged and how ironclad or otherwise these pledges are.  Forty percent?  What is the figure?  We still do not have any genuine, concrete, specific project (no timescale, no costings done, and no precise scope – these are what you learn in ‘Projects 101’ are the building blocks).  You cannot  possibly say you have 40% of the money you need for something which you don’t even have defined or costed.  Not without godlike wisdom anyway.

  • TIF is a bit like a mortgage. The cost of the “property” is £182m. The “property” is the City Centre Regeneration Scheme (Aberdeen Art Gallery, St Nicholas and North Denburn redevelopments, the new public realm and the City Garden Project). The £55m of philanthropic donations already secured for the City Garden, along with the £15m to follow from the private sector, is the deposit.   

First, please define ‘the new public realm’ for me – just so that we are all talking about one specific defined term, thanks.  I’ll bet TIF is a bit like a mortgage:  if you don’t pay up, you lose your property.  Again Aberdeen City Council are going to borrow the money via TIF.  Not Ian Wood.  Nor the private limited ‘Aberdeen City Gardens Trust Company’.

Just as well we’re told it will bring in over a hundred million a year – we’ll be needing it.

Back to the mathematics.  OK – let’s assume the £55 million is £50m of Ian Wood’s, plus the mystery philanthropist.

We should also be told who the £15 million is coming from, but leaving that aside, that’s apparently £70 million pounds.

Some people would question what kind of tax breaks if any will be given to the donors, and whether or not the tax that does not get into the treasury (because it’s being put in a hole in the ground) would be of benefit to our ever-dwindling services instead.

Right – 70 million is forty percent of 175 million.  We have just been told that the ‘cost of the property is 182 million’.  Sorry – I would have thought that the 182 million is the value of the assets, but there it is.  Just for the record: forty percent of 182 million is 72.8 million.  And just so you know, Scottish Enterprise had by May of this year spent over £420,000 on this project on consultations and PR and the like, and the City Council have just agreed to spend up to £300,000 of our money on the legal costs.

Just as well we’re told it will bring in over a hundred million a year – we’ll be needing it.  Hands up anyone who suspects this project will have many little extras here and there.  Do you think at the end of the day the estimates we are getting now (nebulous as they are) will:  a.  stay exactly the same, b.  decrease and cost less than we think, or c.  cost more?

  • The City Council takes out a loan to pay for the remainder. This loan is paid back over 25 years using the income from the new business rates raised. The City is therefore being given both the deposit and the income to pay back the loan – clever eh? That’s why TIFs are so widely used in the States and promoted in Scotland by the Government. But remember a TIF can only be used for this – not for anything else and if we don’t use our TIF, other cities will!

Well, it is indeed time for some myth- busting, because depending on who you listen to, this either is or is not a commercial venture.  TIF is supposed to be for commercial ventures – and it is unclear how anything but a commercial venture can make the millions in loan repayments we would need to make.

In fact, I seem to recall seeing a video of one of the ‘philanthropists’  saying this is ‘Not a commercial venture’.  ‘Clever eh?’  – I am not exactly convinced.  I do think risky, untested, potentially fiscally disastrous.

And overall, unnecessary to my way of thinking.  Nothing is wrong with the gardens.  We could regenerate the city’s shops by lowering our extremely high business rates.  Making more shopping spaces, eating places and entertainment venues creates more competition for the venues we have.

Did you know we as taxpayers are subsidising the AECC and the Lemon Tree – and now they want us to borrow money to build competition for these venues we’re already paying for?  It would be to my way of thinking like betting on several horses in a race.  You might win on one of them, but you will lose money.

3. The City Garden is a commercial development – FALSE

This is about creating a new civic space and gardens that will be brought back into daily use… 

(note – see definition above of ‘propaganda’)

…and become part of the daily life of the people of Aberdeen. The space will include exciting new venues for everyone to use and enjoy including a cultural and arts centre, a 500-seat black box theatre and 5,000 seat amphitheatre and stage.  

See my quotes above about these theatre/stage options.  We don’t need them.  We’re already paying for such venues.  The writer of this paper has first set out to ‘bust myths’.  However, they are lapsing into emotive, subjective prose when they say how wonderful this will all be.  We don’t know that – we don’t know anything of the kind.

But now we get to the ‘venues for everyone to use and enjoy’.  Right.  At present, we can come and go as we please when the gardens are open.  No one can prevent us from enjoying the space as we see fit – no one can charge us any fee to use the gardens.  Why?  Because they belong to each and every one of us as Common Good Land.  Are these ‘non-commercial’ theatres going  to be free of any admission charge?  If yes, then fine – they are not commercial.  If no – then they can’t make money and pay off the TIF loan.

And if they charge you money to be on your common good land, then whoever holds the deeds to the land, it is no longer common good land in reality.  Are we going to borrow millions to make a theatre that is free to go to?  If so, why don’t we just close the AECC and Lemon Tree and be done with them?

Who is responsible for joining up all these fuzzy, competing concepts – and why aren’t they actually doing it?

  • The land and all the facilities will remain in the ownership of the City of Aberdeen and its citizens.  

Oh yes, we’ll still own it – but better, wiser, richer people will control it.  You might own it – but try going to a concert for free or getting one of the 25-30 car parking spaces free.  There is every possibility that one private entity or another (why does the two-person Aberdeen City Gardens Trust spring to my mind?) will get a very long lease at a very low rate.  In terms of ownership, ‘possession is 9/10 of the law’.

4. Union Terrace Gardens will be turned into a giant car park – FALSE.

I don’t know where our friends picked up this ‘myth’  – I’ve not heard it.  But there you go.

Parking is at a premium in the city and while many people would indeed wish to see more car-parking in the centre, it will not be in the City Garden. There will be between 25 and 30 underground parking spaces to service the new development.  Old Susannah is no mathematical genius like the ones who work out our city’s budgets; but if we are putting in a 5,000 seat venue and a smaller venue in a city centre already pressured for car parking spaces, then I predict some car parking and car congestion problems.  Wild conclusion I know.

However, if there are 30 underground spaces, they will still need ventilation.  Nothing like that is shown on the plans I’ve seen yet.  But back to the maths.  If we have 5,000 people going to see a Robbie Williams tribute act in the brand new space and 30 parking spaces available at the venue, there just might be a little bit of an issue.

That nice Mr Milne (owner of Triple Kirks – soon to be developed, Chair of ACSEF, one of the anonymity-seeking businesspeople behind the beautiful Vote for the City Gardens Project…) seems to need some car parking space for his beautiful glass box offices which will be adjacent to this great ‘non-commercial’ granite web.  I guess the 30 spaces will take care of that nicely.  Either that, or there will be more than 30 spaces.  A lot more.

As I posted on Facebook this week, it comes down to these points (leaving out the environmental carnage and the Common Good Status, that is):

  • 1. Is TIF a tried and tested financial model in the UK? Not yet.
  • 2. Do we know exactly what this project will cost? No – because the scope is unknown and ever-changing. That is one of the main flaws with Edinburgh’s trams scheme – it kept changing – and now we are looking at nearly one billion cost for it.
  • 3. Is the design fully fleshed out enough for anyone who supports it to fully explain the engineering (vents, how will trees – esp. pines grow, how will ramps be made safe, etc)? No.
  • 4. As the taxpayer is already propping up entertainment venues with tax money, venues that cannot survive without financial aid, does it make any financial sense to create venues to compete with them? No.

So – if you’re not sure about any of these points  – and who is? – then maybe we should not rush into anything.

Oct 212011
 

Old Susannah looks back over a week in Aberdeen which felt like a month whizzing by in a day and wonders how much of it was real, and how much more connectivity she can make sense of.

The past week in the Granite City was as vibrant and dynamic as you could have hoped for.  There were walks and photos on Tullos Hill, and photos taken on Belmont Street, to the outrage of security guards.

The opening of the exhibition at the Pier (that’s one of the empty shops at the Academy shopping centre in case you didn’t know) for the six design finalists was of course the pinnacle of everyone’s week if not existence.

On the VIP ONLY opening day, an entire 5 people showed up before 9am to marvel at the designs.

These were our very own Lord Provost, Jennifer Craw, Aileen ‘Ho’Malone, Kate Dean, and a charming blonde woman with clipboard, supposed by many to be Zoe Corsi from the BIG Partnership.

It was as if all my Halloweens had come at once.

She saw me about to take a photo (yes, I fully admit I was going to take a picture, it is a fair cop) and came out of the building to tell me photos weren’t allowed.  Laughingly I told her that I was on a public street.  To teach me a good lesson I shan’t soon forget, she said ‘OK then’ and obligingly struck a pose.  I feel obliged to reproduce it here, along with the picture that Security initially banned.

Look away now if you are of a sensitive disposition.  It all becomes clear why they were so keen to stop me.

There are six finalists.  The competition was very, very stiff (so stiff I suspect rigor mortis had set in), and there were many good submissions.

But there can be only six. Choosing these finalists was very difficult, and a bit of an agonising process as well, I don’t mind admitting.  And I put my hand up – there is no way I could do a better job than any of these finalists; and probably could not have done as well as they did either.

All are to be congratulated for getting this far, and I mean that sincerely.

Without further ado here are the six finalists – for the best reviews of the preposterous, ridiculous, unworkable, ugly, childish, regressive, anti-elegant pieces of tripe which were shortlisted to destroy Union Terrace Gardens.

1.  The Monolith

A beautiful and concise summary of the design which looks like a game of Jenga played badly at 3am.  Nothing to do with Aberdeen.  Even less to do with the garden.  Everything to do with’ 2001: A Space Odyssey’.    In the words of those on Facebook (which all the young people use for ‘connectivity’ and so on), the Monolith design is something ‘we can worship at the foot of’.

The supporters of Monolith are 30 strong,  at the time of writing, the Official City Garden Project Exhibition Facebook site has 68 members.  Yes, that’s right:  the ‘silent majority’ who want the gardens built on have come out in full force.  Please do visit the Monolith Facebook Page https://www.facebook.com/VOTEMONOLITH?sk=wall for a full set of photos, and some colourful prose.

2.  The Alternative City Gardens Design Contest

The artwork here is superior to anything you will see in the Pier.  The people who created this page understand design principles, scale, colour and aesthetics to a degree our shortlisted official designers can only dream of.  There are pterodactyls, sunken Statue of Liberties, giant slides, flying saucers and other elements worthy of your attention.  The designs I see on this page are as affordable, attainable and desirable as anything you will find in the Pier.  Please register your approval at:

https://www.facebook.com/VOTEMONOLITH?sk=wall#!/pages/Alternative-City-Gardens-Design-Contest/251979328187602 At present this worthy effort has 40 people who like it.  Do scroll all the way down, or you might miss the ‘Colossus of Woods’.  Beautiful and stirring.  And I do like stirring.

3. TeletubbyLand

I nearly spat out my Tubby ‘ustard and Tubby toast when I came across this entry, immediately shortlisted as one of the six finalists.

Yes, someone has gone back to the set of the Teletubbies and re-created all those walkways.  I see no potential problems with concrete walkways ascending and descending some 50 feet or better above the gardens.  No one will fall, jump, slip or be pushed; they will be great for bobsled practice in the winter, and police will be able to respond to any crime on the ground in seconds.

If we covered these great concrete slabs with something to stop anyone throwing empty beer cans at those below, then we’d have a giant cage.  Result!  A Facebook poster has revealed that Tinky Winky is the mysterious £5 million pound donor towards the garden project going ahead.  To this particular vision of our future, just say ‘Po.’

I only hope there will be a chance in all of this for me to attend an event where the designer(s) of Teletubbyland have to explain to a room full of grown-ups just what they were thinking.

Oh, and as reminder, for the shortlisted designers, a prize is awarded of somewhere in the region of £135,000.  £135,000 for a drawing of the set of a kids’ tv show or a monolith.  I must go find a definition of either ‘value for money’ or ‘old rope.’   Dipsy would be proud.

4.  The Giant Glass Worm on ‘The Future Is Here’

We aren’t supposed to reveal who any of these creative masterminds are, but when you visit this website – which is a must – you will soon realise that No. 4 and No. 5 of my shortlist are both by this design giant.  His observation of the glass structure proposed somehow to cover pedestrians, cars and trains may be one of the worthiest submissions yet:

“The worm doesn’t actually devour the humans, It appears to simply wine and dine them. Like a giant larval bad date” – Fraser Denholm

Obviously there won’t be any issues with air quality, safety, cleanliness (or just plain stupidity) if we make a giant glass worm cover people, trains and cars.   Will smell lovely inside I’m certain.  Birds will persuaded not to deface the beautiful worm by either defecating on it or crashing into it.  Likewise vandals would never be tempted to do anything to a giant glass structure covering a road or train track.  Why didn’t we think of this sooner?

Hats off to you Mr Denholm.  A job at Foster & Partner surely awaits.

The best part of the serious submission is some giant banners in the worm’s body which for no particular reason read ‘science’  on them.  These will soon be for sale as tea towels in every city centre souvenir shop which this project will deliver.
http://fraserdenholm.blogspot.com/2011/10/future-is-here.html

5.  ‘I can’t believe it’s not Halliday Fraser Munro!’ (the underground bunker with no ventilation and with trees without roots growing on top of it).

Mr Denholm delivers some spectacular laughs, but we do have only six places on the shortlist.  His prose is brief on this lovely design, but is incisive.

This design gives us all the underground lifestyle we can only dream of – no sun, no natural light, and not even any air vents of note, for if they were included, they would be very large and visible in the garden.  The garden features giant trees which very thoughtfully don’t  need to have any roots.  Most plants have underground parts that are at least as large as their ‘aerial’ parts.  Not these ones.

Four-hundred-year-old trees are so yesterday

Get rid of those, the things living in them, and get some of these magic, rootless trees.  Denholm also correctly identifies the rice paddies (they can’t be anything but) which grace another shortlisted design.

With all this connectivity business,  I’m starting to wonder whether all these people pushing the project forward are in some way ‘connected.’  Maybe even well connected.

6.  The Garden of Earthly Delights (H Bosch)

Normally in an important competition, it would be wrong to include yourself, friends or family members, but this is my late-breaking entry for the competition.  It’s not as if there are any family ties between the official competition companies, entities, sponsors, backers and so on.

Feel free to vote for my design, which is also on the Alternative Garden Project site.

I think it nicely captures the place where the garden scheme movers and shakers are heading.  And it’s got a space for musical performances, and access at all sides.

When you do visit the Pier, pay attention to all the lovely drawings.  See the trees that cannot exist if something is built under them.  See the lovely people walking around casually, just like you’ll be doing in February.

See the complete absence of logic.  If Star Trek’s Mr Spock were real and went to this show, he’d have a breakdown.  Comfort yourself with the fact there are several good pubs nearby.  You will need one.

And there you have it.  I have sadly taken up so much space with the finalists that there is only room for one definition.  For some reason this sprang to mind.

Boycott

(noun, verb – modern English)  to embargo, ban or cease trade or activities with a person, company or entity. 

Folks – has someone or some company taken advantage of your good nature for too long?  Is, say, a football mogul asking you to ultimately pay (via an ‘uplift’ in retail tax) to turn your Victorian garden into Teletubby land?  Has such a person sent letters to the press ‘warning’ that unless we build a monolith or worm, the city is going to fail?  Has a certain chemist likewise said that a concrete spider web will save us and we must all stick to it?  Has a certain councillor said that you need to support a monolith and monorail?  Has a hotelier called you a luddite NIMBY for not wanting a big bunker in er, your backyard?

Whatever can you do about it?

Well, if you wanted, you could boycott these and other like-minded businesses and business people.  Don’t shop with them.  Don’t use their premises.  Don’t for the love of Pete vote for them.  Don’t spend your hard-earned money to watch their football team lose, and don’t (for many reasons) buy a house from them.

If everyone were to boycott people who used their power in ways the public did not wish, then things would change.  And not into a giant worm either.

Next week:  who knows?

Reminders: 
1. Please keep your artwork coming for the Union Terrace Gardens art contest, which (because of lots of stuff) has not closed yet.  Alternative designs for the garden project most welcome.
2. Anti-deer cull postcards still available – get in touch if you need some; I know where they can be found.