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Sunny Afternoon, The Musical At HMT: Duncan Harley Reviews

Aberdeen City, Featured, Opinion No Responses »

Nov 102016

Duncan Harley reviews ‘Sunny Afternoon, the Musical’ at HMT Aberdeen.

Garmon Rhys (Pete Quaife) Ryan O’Donnell (Ray Davies) Andrew Gallo (Mick Avory) Mark Newnham (Dave Davies)

Picture in your mind’s eye a musical about a 1960s band who, in their day, released around 28 albums, were ranked 65th on Rolling Stone magazine’s ‘100 Greatest Artists of All Time’ list and occasionally, just occasionally, swung from chandeliers.
The Kinks popped pills, used girls and fell out with America. If it wasn’t broke they took an axe to it. If it was broke they swung the axe again just to make sure.

Hotel rooms, promoters and, on occasion, fans bore the brunt of the angst of the tempestuous four.

And then, just to let off steam, they turned inwards and beat the hell out of each other both on – and offstage. Fuelled by a heady concoction of wild music and wild parties, they seesawed repeatedly from giddy success to rock-bottom oblivion and then back up again.

Headed by brothers Ray and Dave Davies, The Kinks did eventually make the Hollywood Bowl, but only after a very rocky ride.

Sunny Afternoon the Musical tracks the band’s career through a finely balanced combination of tribute numbers and snapshots of the band’s progress from the blandness of the Muswell Hill club scene through to the electrifying days on the international music circuit.

On opening night at His Majesty’s Aberdeen, word came that Ryan O’Donnell was unwell and that James Hudson would be playing the part of Ray Davies. He played it well and few in the audience would have even been aware of the substitution.

It was clear from the very start that this is no mere tribute show. Yes, there are musical numbers and yes there are stage strutting scenes, but there are also acres and acres of good solid bio to link the songs with the background stories which inspired them.

As the songs emerge, a tale of sibling rivalry and misunderstanding unfolds. The madly challenged Dave, sensibly dressed in a bright chintzy frock, swung from a chandelier while elder brother and leader of the band Ray tries to keep it together with wife Rasa. ‘A Dedicated Follower of Fashion’ led to the Pepsi cola’d ‘Lola’, and with Dave starting to resemble Ava Gardner on a massive bender, there were brotherly fights and band fallouts galore.

There are minor niggles. That drum solo in act two might be completely superfluous; and the colourfully Union-Jacked 1966 England World Cup Winners’ parade might not go too down too well in front of some Scottish audiences.

The transatlantic duet involving Rasa and Ray was particularly poignant, but it has to be said that although everyone on stage sparkled, Mark Newnham’s portrayal of Dave Davies sparkled most brightly.

His portrayal of the Mick Avory-hating guitarist left little to the imagination. Despite bad behaviour verging at times on the offensive, and a sometimes questionable dress sense, he emerged as a well-cast musical villain.

There’s humour galore. Harold McMillan takes it on the chin and long-dead Who drummer Keith Moon is revered as an eccentric Roller-owning rocker with a penchant for swimming pools.

Virtually all of the classic Kinks hits including ‘You Really Got Me’ and of course ‘Sunny Afternoon’ are up for grabs, and by the finale folk were rocking in the aisles to ‘Waterloo Sunset’ and ‘Lola’.
By the end of the night there was hardly a grey hair in the house.

Directed by Edward Hall with Barney Ashworth as Musical Director, Sunny Afternoon plays at HMT Aberdeen until Saturday 12th November

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley and Images © APA

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Businesses Urged To Comply With Waste Legislation Or Face Fine

Aberdeenshire, Environment, Featured No Responses »

Nov 102016

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

A leading Aberdeenshire organic recycling company is warning local food businesses to comply with Scottish waste legislation or face receiving new on-the-spot fines.
Keenan Recycling, which is headquartered in New Deer, is urging business owners to comply with their duty of care for waste to avoid the £300 fines that have been imposed on non-compliant firms since June this year.

Since 1st January 2016, it has been a legal requirement for all businesses that produce more than 5kg of food waste per week to have food preparation waste, spoiled items and plate waste collected separately for recycling by a registered waste carrier.

The Scottish Environment Protection Agency (SEPA) has started its fixed monetary penalty (FMP) campaign to identify businesses that are persistently non-compliant with the duty to separate food waste and other key materials for recycling.

Keenan Recycling, which turns food and garden waste into compost for farming and horticultural use, was the first company in Scotland to provide businesses with the opportunity to recycle items such as leftover food and coffee grounds.

The firm is now working alongside organisations such as SEPA, whose FMP campaign targets offices, retailers, restaurants, hotels, bars, cafes and takeaways that are failing to acknowledge and adhere to the regulations.

SEPA is tackling the issue by working in partnership with local authorities to identify persistent non-compliance within organisations across Scotland. Those found to be making no effort to make improvements to their waste management system will face a £300 fixed monetary penalty.

Keenan Recycling provides comprehensive guidance and advice to its customers, ensuring that they are all fully up to date with waste regulation.

Eleanor Strain, senior policy officer for SEPA’s national waste unit, said:

“Since starting the campaign, most offenders are making a conscious effort to train their staff to recycle and secure an improved service from their waste management contractor. The penalty system we’ve introduced is a much more proportionate enforcement tool, and gets the attention of small business owners who may not be aware of the legislation.

“Whilst I appreciate that SMEs have lots of other pressures, it’s important that they are aware of laws which can have a direct impact on their business. It’s simple to remain within the law, make sure that recycling systems are established and all bins are labelled to avoid mixing food waste, recyclables and non-recyclables.”

Grant Keenan (pictured), managing director of Keenan Recycling, said:

“Companies need to ensure that they have suitable plans in place to keep them in line with the duty to recycle. Disposing of food waste will keep them within the law and also helps the environment.

“Businesses that are struggling to abide by waste legislation need to remember that they may lose their consumer confidence, as customers want to know that businesses are acting responsibly and are helping to look after the environment.”

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Charity Out To Show Glass Is Half Full With The BEN

Aberdeenshire, Charity, Featured No Responses »

Nov 102016

Scottish Licensed Trade Benevolent Society launches Glass Half Full campaign to encourage current and former industry workers in Aberdeen to sign up for support. With thanks to Duncan Fisher, Senior Account Manager, The BIG Partnership.

Senior figures from the Scottish Licensed Trade at the launch of The BEN’s Glass Half Full campaign, at Blair Athol Distillery in Pitlochry, which aims to help former and current industry workers across Scotland who have fallen on hard times.

The Scottish Licensed Trade Benevolent Society, known as The BEN, has launched a new campaign to increase the number of people it supports and is calling on potential beneficiaries from Aberdeen to get in touch.

The Glass Half Full campaign, which was launched with the help of leading industry figures at Blair Athol Distillery in Pitlochry, is targeting current and former members of the licensed trade who have fallen on hard times through illness, unemployment or other factors, and would benefit from financial aid.

As well as being backed by the national trade, the campaign is being rolled out regionally with the help of The BEN’s network of volunteers, known as ‘Visitors’, who will take on ambassadorial roles within their respective areas.

Established in 1864, The BEN has been providing social, financial and emotional support to members of the licensed trade for over 150 years. Financially, the charity offers regular discretionary payments as well as one-off grants for emergency situations such as housing repairs or transport costs.

To be eligible for support, applicants must have worked in the licensed trade (incorporating bars, pubs, restaurants, hotels, wholesalers plus packaging, production and distribution firms) for at least three years on a full-time basis. The three years do not need to be concurrent.

Commenting on the campaign, Alex Carnie, The BEN’s Visitor in Aberdeen said:

“The BEN works very hard to get its message out there and the Glass Half Full campaign gives us a platform to let potential beneficiaries know we are actively seeking more people to support.

“A lot of former and current workers of the licensed trade won’t know they’re eligible for support so the campaign is great for raising awareness of how the charity can help and hopefully it will encourage as many people as possible to contact us.”

As part of the Glass Half Full campaign, the charity conducted a survey of current licensed trade workers to gain an understanding of potential challenges faced by those in the industry. The survey found that 27% of respondents knew someone who would benefit from financial aid due to life difficulties.

The feedback also showed 25% of male workers had been unemployed during their time in the industry (up to 32% for males aged 26-40) while 14% of their female colleagues had received external financial support (excluding banks or student loans) at some point in their career (up to 20% for females aged 26-40).

The younger generation of workers was also found to be at risk of facing difficulties, with 21% of respondents aged 16-25 stating they had already been in a situation which required financial assistance from an external body. Although older workers, aged 41 and over, have needed less financial aid (5%) than their younger counterparts, 17% still confirmed that they have been unemployed at some point during their career.

Demonstrating that both current and former members of the industry have been in a challenging financial position, the figures highlight the relevance of The BEN in today’s society and the continuing demand for its services.

As well as encouraging potential beneficiaries to get in touch, the Glass Half Full campaign aims to engage members of the licensed trade, and general public, to help spread the word and Chris Gardner, chief executive of The BEN, hopes it will enable the charity to support more people than ever before.

She said:

“Since it was established, The BEN has supported thousands of people across Scotland and we continue to strive to help as many as we can today. As a smaller charity this can sometimes prove challenging, largely due to a lack of awareness, but we hope the ‘Glass Half Full’ campaign will inspire people to either recommend our services or get in touch.

“We know there are hundreds of Scots out there who are eligible for support, but just don’t know it, so the campaign is a way for us to engage with them and let them know we are here to help. However, we understand the apprehension, and embarrassment, which can be caused by seeking financial support but would assure anyone considering contacting us that the application process is completely confidential and any arrangements are managed with the utmost discretion.

“The BEN will continue to support former and current members of the licensed trade for many years to come but we want to build our support network as much as possible. We believe the Glass Half Full campaign will help us expand our reach across Scotland and allow us to widen our impact on the lives of those who need it most.”

Paul Waterson, chief executive of the Scottish Licensed Trade Association (SLTA), and BEN director, is backing the campaign and calling on the industry to show its support:

“The BEN has been the licensed trade’s national trade charity for over 150 years and we are immensely proud of the services it provides. From bar workers to draymen from sales people to restaurant and hotel staff it’s our job to provide assistance when needed. The BEN is well known within the industry, but many people are still unaware of how it helps people and who is eligible for support.

“Therefore we’re asking audiences from both the licensed trade and beyond to help raise awareness of the campaign and encourage anyone that may benefit from support to get in touch.”

About The BEN:

The Scottish Licensed Trade Benevolent Society, known as The BEN, offers social, financial and emotional support to former and current members of the licensed trade facing difficulties in life.

The BEN supports people of all ages who have worked full-time in the sector for at least three years.

The charity can provide beneficiaries with discretionary financial support or one-off grants for emergency situations. Examples include support in covering utility and household bills, the provision of furnishings and injury rehabilitation equipment as well as supplying mobility and transport solutions among many others.

The BEN owns the BEN Pitlochry Estate, consisting of 18 bungalows, where it provides accommodation for current and retired members of the industry as well as ‘Respitality’ breaks for carers.

To find out more about The BEN or to enquire about support, please visit www.bensoc.org.uk or call 0141 353 3596.

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Theatre Of Hate Launch New Album To Krakatoa’s Delight

Aberdeen City, Featured, Opinion No Responses »

Nov 082016

Aberdeen Voice’s Fred Wilkinson and Suzanne Kelly spend a night at the Theatre; Krakatoa erupted (glad to get that bad pun out of the way) with possibly its most high voltage show and hyper audience ever. Photographed beautifully by Dod Morrison.

Feel sorry for yourself if you didn’t get into Theatre of Hate’s sold-out show if you love music, because it was one of those nights that will go down as legendary in Aberdeen’s live music history.
Theatre of Hate returned to The Granite City after a 30-something year absence touring new album, Kinshi, and we all went mad for it.

Theatre of Hate is Kirk Brandon (lead vocals, guitar, otherworldly stage moves); Adrian Portas (guitars; tonight, looming on a platform over the others on stage); Stan Stammers (bass guitarist whose playing flows like fine wine); John Lennard (saxophone – the most expressive you’d hope to hear) and percussionist Chris Bellcafe giving it his all.

The band formed in the early 80s, eventually morphing into Spear of Destiny. In 2014 they appeared for the first time in decades with a new EP of four diverse and powerful tracks which eventually led to…

The new album, Kinshi

Kinshi is Japanese for prohibited. The album artwork shows samurai warriors whose world and way of life was soon to be outlawed. While the samurai ways passed into legend, their warrior tradition persists – read into that what you will. The four songs from the EP included ‘Venice’ – a haunting/haunted ballroom love/break-up waltz.

The pre-apocalypse, politically volatile ‘Day of the Dog’s’ lyrics ask questions of East and West in terms of dogma and suffering:

“Breaking point / The Gateway to the West / Unhinged, broken / Flood makes the journey / Meanwhile warmongers / 7th century / Thirst for blood / All in the name of” (with ‘God’ being the unspoken name I conclude).

It makes me question our volatile world situation (God – if you’re reading feel free to weigh in).

It also makes me wonder why, when there is so much that needs to be said today, mainstream music shies away from reality and goes with safe, bankable lyrics and anodyne acts, or pointlessly salacious and pointlessly high-budget tracks (‘Bitch better have my money’ – thank you Rihanna). But I digress.

My favourite song from the EP and the album is ‘Slave’ – hypnotic rhythm leads to a great crescendo of guitar/bass/drum/sax with Brandon’s vocals riding the curl of this rich wave of sound.

Theatre of Hate have this amazing sax and guitar layering over bass/drum no outfit I know can approach. The song is a surprisingly accurate insight into the pressures on women to conform to the media’s Barbie-doll beauty ideal – physically impossible of course. ToH’s ‘Slave’ offers further keen observations on the thoughts an ageing starlet or model might have; am astonished by these insights into women’s issues.

Slave’s lyrics start off suggesting a portrait of a self-absorbed ageing beauty

“She woke this morning / put on slave paint / living the life of glamour / the Hollywood land ideal… Self love and pity from a bottle / the media play the woman game.”

Then Brandon’s lyrics widen out to perhaps the moral of the song (well, for me anyway), as he invokes the famous Rubaiyat of Omar Kayyam:

“The moving finger writes; and, having writ, moves on: nor all thy piety nor wit shall lure it back to cancel half a line, nor all thy tears wash out a word of it.”

Brandon writes:

“No one can stop the clock that ticks / Or halt the calendar page / Fear itself, has made her slave / She’s the fashion, of her age – SLAVE.”

Ten points for including a beautifully illustrated booklet with lyrics with this album, and another ten points for Theatre of Hate for showing such understanding of the pressures the media and society put on women, particularly physically beautiful women to remain beautiful while time makes the feat impossible – it makes some of them slaves to vanity. ‘Slave’ is hypnotic; the way it builds is gorgeous – the album version is beautifully worked – and I can’t stop listening to it.

Back to the rest of the album. ‘Mr Mendacity’ is illustrated with an image of everyone’s least-favourite POTUS candidate, Mr Drumpf.

This timely piece of protest music is going down very well with anti-Trump factions (I wish it were on Youtube or somewhere I could share it more – hint hint) and reminds us what a good protest song can and should do.

“He’s got an ego, the size of his house / He’s got the money and he’s got a mouth / Flannels everyone he’s talking so loud / Suitably self impressed, working his muppet crowd” – and there in a few lines is a summary of a man no one should be taken in by.

There is a dub version of the album as well; I can’t wait to hear it. The project was crowdfunded, and contributors chose from a range of rewards and enjoyed periodic updates and tracks. Too late to be a crowd funder, but it’s not too late to order Kinshi, and from the look of how they were flying off the merchandise stall last night, looks like some of you are way ahead of me on the point.

The Krakatoa Show

There is a faithful core of people in Aberdeen who follow Spear of Destiny and Theatre of Hate; this first appearance in Aberdeen (last was apparently 30 years ago in Fusion) was highly anticipated, and there was an energy and enthusiasm in the crowded bar that night before the show started.
‘Black Irony’ was the first song of this set which balanced old and iconic ToH pieces perfectly.

The set was long and must have been gruelling, not least for Brandon whose operatic range and preternatural ability to sustain notes is well known – but it also all seemed to end far too soon. Twenty songs – or was it twenty-two? – filled the venue, and the crowd were ecstatic.

‘Black Irony’ is a dark, sinister indictment of western values :

“I believe in Micky Mouse, Snow White and the 7 dwarves / Snowden & Assange / I believe in Dr Strange”

Brandon menacingly intones; the sax is sultry, more than a bit sordid. Splendid work, and the crowd is responding to the new material, with many people already aware of the lyrics.

Towards the start of the set are ‘Americanos’ and ‘The Hop’ – clearly favourite songs of many people here. After ‘Ukraine Girl’ from the new album with its 1960s feel beat, things are calmed down with another haunting number this time classic ‘Love is as Ghost’. Loss, love, suicide, and pain in the lyrics are beautifully matched by the music, and the sax is mournful. Sticking to the dark side of romance is the classic (but angrier) Incinerator. The audience is very much there with them.

‘Conquistador’ then brings the set to ‘Mr Mendacity’ – and for a while I’m lost from my attempts to make notes on the night to just enjoying it. Floating along one moment, jolted then by ‘Legion’ and the chanting crowd, I’m enjoying the ride; we all are. Someone’s said to me at the end of ‘Legion’,

“That was a life-changing experience.”

The next thing I know Kirk’s getting everyone to sing ‘Original Sin’ with him. The fever pitch in Krakatoa is like no other night I’ve spent there and everyone’s shouting ‘Do you Believe in the Westworld’ at the top of their lungs before the final encore, ‘Propaganda’.

Perhaps people think first of Kirk, Stan and Lennard – the original ToH members.

This night would not have hit the heights without Adrian Portas’ talents and Farrant’s percussion. Watching and hearing Portas is a pleasure; wish I could have seen more of Farrant behind the crowd and the guitars – but we all felt and heard his work (must be exhausting mentally as well as physically).

Verdict – virtuoso (yeah an overused word) performances from all, with every member of ToH having moments when they particularly shone as individuals, and a night of wholly original music performed with conviction and spirit of a kind we rarely enjoy. There was one passage where Stan Stammers was remarkable, but as my notes were eventually covered in beer, I can’t quite tell you which bit I’d been particularly struck by.

During one moment of Zeppelin’s film ‘The Song Remains The Same’ Plant is backstage at Madison Square Garden and comes out with an odd statement:

“This is a song that sometimes takes a building in a manner which our forefathers were very used to. Did you hear that? It’s right though, isn’t it? That feeling that’s left everybody, the cosmic energy! Everybody goes yeah! Bash!”

I never knew what he was on about until this show.

Don’t take my word for it:

“They’ve disposed of traditional structures – chorus, middle 8. When you get it, you get it. I can’t predict what they’re going to do next. What an excellent night.” – Fred Wilkinson (Toxik Ephex, Aberdeen Voice editor, said while clutching his copy of Kinshi. Fred also wanted to mention how spot on he found the sound engineer’s work tonight)

“It was triumphant return to Aberdeen for TOH after 34 years and good to see the Aberdeen people come out and support a local venue that is keeping music alive” – Dod Morrison, photographer

“Aberdeen was brilliant” – Jayne Pirie

On A personal note:

I wish I’d made it to more of these dates; it’s a genuine regret as I’ve read such glowing reports about the shows. Fred Wilkinson wasn’t going to stay at first (he was there for a meeting earlier in the evening, but he was persuaded, and wound up very happy he remained, although when I pointed out the Trump artwork in the Kinshi lyrics, he had a funny turn.

Admission – I was a miserable, useless failed bass student; no matter how hard I practiced scales and lines, whatever I played sounded mechanical and stilted. So it was absolute thrill listening to Stan Stammers make such fluid, melodious, emotive music.

Another admission – I usually don’t like saxophone in rock such as Springsteen – Clements was a huge talent I admit – but there was always something so wholesome, American, clean-cut about most sax in rock that it just left me cold. Lennard’s playing is as far removed from the kind of sax I find cloying as is possible to get, and I loved it. Lastly I hope Hen is recovering well, and Craig Adams – thanks for yet another great night.

Let’s not leave it so long next time please. Encore.

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Millions Watch Trump Films As US Election Edges Closer

Aberdeen City, Aberdeenshire, Featured 5 Responses »

Nov 072016

Director Anthony Baxter catches up with Aberdeen Voice about his film being released for free before the US elections. With thanks to Suzanne Kelly.

Just the ticket. Director Anthony Baxter relaxes following the UK premiere of You’ve Been Trumped Too at Aberdeen’s Belmont Filmhouse.

A soaring number of Americans tuned in Sunday night to a special live streaming of two films Donald Trump has battled to suppress – multi award winning You’ve Been Trumped and the critically acclaimed You’ve Been Trumped Too.
Official figures show that more than half a million potential voters tuned in to watch one or both films over the course of two Facebook live events, with over 3 million more reached through Facebook shares, twitter and other social media.

Trump has reacted furiously to the content of You’ve Been Trumped Too – threatening to sue cinemas showing the film – adding to previous blistering attacks on both the film’s director launched on Twitter and lashing out at local residents branding them ‘morons’.

Following Trump’s legal threats, the filmmakers took the unprecedented decision to get the films out to as big an audience as possible through Facebook.

Director Anthony Baxter, who is currently touring Scotland’s cinemas with You’ve Been Trumped Too took part in a groundbreaking Q&A live to Facebook viewers from Inverness last night. Thousands of viewers reacted with fury to revelations contained in the film, that 92 year old Molly Forbes had been without a working water supply for 5 years, ‘all because of Trump’.

Now with just hours to go before Americans go to the polls, some UK cinemas are busy planning special You’ve Been Trumped Too events in defiance of Trump’s threats. For example, At Nottingham’s Broadway theatre a distinguished panel of political experts has been assembled to discuss the film following tomorrow night’s screening. They’ll also be hosting a presidential quiz as the first results come in.

Described as ‘a ticking timebomb’ by Indiewire and ‘the most important film of the year’ by The Irish Times, You’ve Been Trumped Too continues to stream live at trumpedfilm.com and at the film’s Facebook page. The film is also playing at a growing list of cinemas despite Trump’s legal threats.

Among those showing the film are London’s Picturehouse Central, the GFT Glasgow (where Baxter will be present for a Q&A tonight at the 8.45 screening), the Eden Court in Inverness, St Andrews New Picturehouse, the MacRobert Centre Stirling, Dundee DCA, Aberdeen Belmont Filmhouse and Edinburgh’s Filmhouse. The film has also been playing in theatres in the United States and Canada.

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Provost Skene House: A History As Alarming Photos Emerge

Aberdeen City, History, Opinion 10 Responses »

Nov 042016

There are few people taking to social media to profess love for Muse’s Marischal Square development which is growing up and around – and now under Provost Skene House. Photographs from the site show that far from respecting the house, it is not only surrounded by this oversized new office structure, but also digging works are also taking place which certainly seem less than safe for the Provost Skene House. Article by Jon Symons, Photographs by Suzanne Kelly of the Provost’s House as it now sits, and from Writing from Scotland – by Christine Laennec.

Photographs which have appeared on social media make it look as if the fabric of Lord Provost Skene House is not being respected by the builders. Aberdeen Voice has been promised access to the site and a statement from the builders.

This will be published in due course.

So what is it about Provost Skene House (PSH) that inspires an abiding affinity with most Aberdonians?

Is it the fact it was initially built in 1545 and is 471 years old?

Is it the fact Mary the First was on the Scottish throne when the foundation stones were laid?

Perhaps it’s because PSH is the oldest surviving house in Aberdeen and one of the few remaining examples of early burgh architecture in the city.

It has an exceptional interior with outstanding examples of 17th century plasterwork and a painted gallery with an unusual cycle of religious tempera paintings.

The first records of the house date back to 1545 and the vaulted basement is likely to be from this period.

In 1622 this former three storey house was bought by Matthew Lumsden who added a two storey and attic gabled section to the south west side. His Coat-of-Arms, dated 1626 is clearly visible in one of the dormer gables.

The house was then bought in 1669 by the wealthy merchant and later Provost of Aberdeen, George Skene of Rubislaw and he reconstructed the original house and built the square tower on the north west side.

The house is steeped in history and was used by the marauding Duke of Cumberland’s troops in 1746 and for a long time after was known as ‘Cumberland’s House’.

In 1732, the house was divided into two separate tenements but was then brought together again in the mid 19th century and later used as a lodging house (Victoria Lodging House) but thereafter it slowly fell into disrepair.

Many of the slum buildings surrounding it were demolished in the 1930s but a public campaign (purportedly supported by the Queen Mother) saved Provost Skene House from Council vandalism.

The painted gallery is important and unusual.

Originally depicting The Life of Christ in 10 panels the ceiling is by an unknown artist although it does show Flemish and Germanic influences.

Some of the armorial devices included in the paintings may be those of previous owner Matthew Lumsden and this suggests the ceiling may have been painted between 1622-44.

The smaller painted room depicts landscapes with figures all done in a Classical style.

The archway, now removed at Muse’s instigation, was transported from Union Terrace Gardens and rebuilt at the house in 1931.

In the sixties the then Council decided to erect the monstrosity known as St Nicholas House and PSH was virtually hidden from public view from 1968 until 2013 when the Council’s carbuncle was finally demolished.

You could be forgiven for thinking Aberdonians had forgotten about their historical city centre jewel but that was not the case. During the limited (some might say derisory) consultation with the public on what should be done with the site it became obvious that Aberdeen’s residents had rediscovered their love for PSH.

Even the present Council realised this and determined, in recognition of the importance of the Broad Street site to the future of the city centre, officers should explore the options open to the council to ensure any development was of the highest quality and sympathetic to Provost Skene House and Marischal College and ruled that should include consideration of the council developing the site through a joint venture and the possibility of a design competition tender exercise.

Of course, saying one thing and doing something completely different would seem to be the hallmark of the current Council administration and it appears they have put money and potential profit ahead of all other considerations.

The final design (Muse Developments) was supposedly chosen by an unbiased and independently minded ten person working group based on Urban Design, Culture and Heritage but only five of the group were Councillors. The other five were Council Officers and an employee of Ryden, the site selling agent and later the company Muse chose to market the property.

More recently photographs have shown the apparent disregard the contractor has shown for PSH as they appear to dig under the south west gable end foundations with no obvious support for the four hundred and seventy one year old building.

When completed the Council seems determined to dumb down the house and use some of the rooms to showcase the likes of Joey Harper, Annie Lennox and other lesser known Aberdeen celebrities.

They have also decided not to reopen the once popular PSH tea room and this may well be because they hope to rent the ground floor retail units of Marischal Square to fast food outlets.

Provost Skene House is a national, never mind a city, treasure and most Aberdonians hoped and thought it would finally be showcased in the green grassed and tree lined surroundings it deserved.

Unfortunately it seems this Council, just like the one in the nineteen thirties, has little if any regard for the needs and wants of Aberdeen’s long suffering citizens but then again, why on earth should we be surprised?

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More Backing For Buchan Rail Re-Opening

Aberdeenshire, Information No Responses »

Nov 042016

With thanks to Martin Ford.

Aberdeenshire councillors Paul Johnston and Martin Ford have welcomed support from sustainable transport charity Transform Scotland for the re-opening of the Buchan rail line to at least Ellon.

Writing to Councillors Johnston and Ford, Paul Tetlaw, rail spokesperson for Transform Scotland, said:

“In our view Aberdeen is very poorly served by rail and cities of comparable size in continental Europe would most likely enjoy a suburban rail network and some form of tram or metro system. So we would certainly support plans to re-open the railway from Dyce at least as far as Ellon.

“You are in the fortunate position that the former track bed is largely in local authority ownership. In contrast large parts of the Borders railway had been dispersed into multiple ownerships and it is estimated that as much as 40% of the cost of re-opening the Borders line was incurred through having to retrieve and suitably re-instate the sections of the route that had been lost.

“There are other lessons to be learned from the Borders line – and these may well have parallels for you. The passenger forecasts for the re-opened stations in the Borders were hopelessly pessimistic. Indeed it is probably true to say that of all the recent rail re-openings across the UK the projections for the stations at Tweedbank and Galashiels were by far the most inaccurate.

“Passenger numbers at Galashiels have in reality been five fold those projected while those at the Tweedbank park and ride site are ten fold the projections. Clearly such errors in the projections led to a poorer business case for the railway and politicians found themselves needlessly having to defend the case for the re-opening. Had the correct projections been used then it would have been clear to all concerned that the railway would be a great success and would be much welcomed by people in the Borders.

“The parallels that I would draw in your case are for potential stations in Ellon (Galashiels) and a park and ride beyond (Tweedbank). It is interesting to note that from day one the car park at Tweedbank has been full and overflowing – clearly demonstrating that people are quite prepared to drive in from surrounding towns and villages and then leave their car and take the train into the city.

“As a final point I would draw attention to the declared ambitions at both national and local government level to increase the use of public transport and decrease the reliance on the car. It is therefore clear that only a scheme that improves the public transport offering will deliver on these ambitions, any further road building will simply ensure yet greater car use with all the negative impacts on air quality, public health and congestion.”

Mr Tetlaw came to Aberdeen last week for a meeting with Nestrans but also met Cllr Ford and Cllr Johnston during his visit.

Cllr Martin Ford said:

“The very positive comments from Mr Tetlaw highlight that re-opening the Buchan line presents less of a difficulty than other lines where the track bed has been sold off piecemeal to multiple owners. Also, that we must not underestimate the potential for park-and-ride when forecasting likely levels of use.”

Cllr Paul Johnston said:

“The proposal to re-open the Buchan line to at least Ellon is gaining more and more support.”

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#WeAreAberdeen, Celebrating Diversity in the North East

Aberdeen City, News No Responses »

Nov 042016

With thanks to Christian Allard.

#WeAreAberdeen, has today (Friday, November 4th) launched an online campaign, to hear the many local voices of immigrants and people from ethnic minority backgrounds who live here, and everyone else who wants to celebrate our diversity in the North East.

To add photos and stories to those already shared online, the campaign is inviting people to visit the Facebook and Twitter pages.

The campaign brings people and communities together to respond to the recent rise in intolerance in our society. The North East of Scotland is not immune to what has happened recently in other places across the UK and Europe.

The message from the campaign has already been adopted by Aberdeen Trades Union Council (ATUC) as the theme for this year’s St Andrews March, in Aberdeen on November 26th.

Kate Ramsden, President of ATUC, said:

“We are delighted to be working with #WeAreAberdeen to celebrate the diversity of our communities. Everyone is welcome on the march and I would love to see people bringing their own stories, positive messages, such as colourful banners, placards and posters”.

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Popular Aberdeen Webcams To Show Fireworks Extravaganza

Aberdeen City, Articles 1 Response »

Nov 042016

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

Webcams which have become increasingly popular with the public will stream the fireworks extravaganza at Aberdeen Beach this weekend.
Live images from The Roundhouse, home to Seacroft Marine Consultants, will, weather permitting, show the colourful 20 minute long display, which gets underway at 8pm on Saturday (November 5).

The Seacroft team has repositioned the north webcam (one of four) to allow those unable to attend the popular display to watch it online.

Jennifer Fraser, director at Seacroft, said:

“We get a brilliant view of the fireworks display from our office which we wanted to share with those who might not be able to attend it.

“To do this we have repositioned one of the webcams which has the best vantage point, so weather allowing, people will be able to tune into our website and watch the display from our north webcam.

“We have been delighted with the response we have received from the public about our webcams over the past year and have been thrilled by the number of people that have got in touch and been talking about them.

“We are pleased to be able to utilise them to enable the fireworks display to be enjoyed online and we are all very much looking forward to Saturday.”

Images from Seacroft’s webcams have developed a global following with viewers from as far afield as the United States, Australia and Canada tuning in.

Established in 1995 by Captain Roderick MacSween, the firm has been owned and operated by the founder’s daughter Jennifer Fraser and Michael Cowlam since 2004.

Synonymous with its location, Seacroft has built its reputation in the marine assurance and consultancy sphere – and has expanded its expertise to offer a range of services to clients with maritime interests worldwide.

Specialisms include marine assurance packages, OVID and CMID inspections, marine warranty work, rig move services, International Safety Management audits and dynamic positioning assurance as well as simulator training in ship handling and bridge team management and specialist recovery and rescue assurance services.

The four webcams set up from the firm’s C-listed building focus on Aberdeen Beach and Bay to the north, the harbour entrance and out to sea eastwards, across the harbour navigation channel to Girdleness in a Southerly direction and across the main harbour turning basin to the west of the building.

For further information visit www.seacroftmarine.com and click on ‘Webcams’ to see Seacroft’s view. The fireworks display will be visible from the north webcam.

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Financial Company Recognised For Charitable Efforts

Aberdeen City, Charity No Responses »

Nov 042016

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

An Aberdeen financial services company has been recognised for its continuous support of non-profit-making organisations in the North-east.

Phil Anderson Financial Services, which has offices in Aberdeen, Ellon and Caithness, was awarded as the regional winner of the Small Business Big Heart Award for Aberdeen.

The accolade, which recognises small businesses across the UK that go to great efforts to support their local communities, was presented to Phil Anderson, managing director of Phil Anderson Financial Services, by Scott Baxter, deputy chief executive of Aberdeen Cyrenians, for the company’s dedication to helping local causes.

The financial services company, which specialises in mortgages, investments and pensions, donates £10 to Aberdeen Cyrenians every time one of its clients sets up a mortgage. The initiative has raised a total of £1710 for the charity so far this year, which helps to support homeless and vulnerable people in the area.

As well as this, Phil Anderson Financial Services supports numerous sports and social clubs in Aberdeen, Ellon and Oldmeldrum and regularly donates raffle prizes to nearby schools and charities. Through its sponsorship of the Oldmeldrum Charity Golf Open Day, the firm was able to select Diabetes UK as a beneficiary.

Rufus Bazley, marketing director at BusinessesForSale.com, the organiser of the Small Business Big Heart campaign, said:

“We were very impressed with the charitable efforts of Phil Anderson Financial Services, as it’s evident that the entire team are committed to creating a positive impact for the area through donations and participating in fundraising activities.

“It’s very inspiring to see a small business so involved with its local community and we can only hope that it encourages other SMEs across the UK to regularly support causes in their area.”

Phil Anderson, managing director of Phil Anderson Financial Services Ltd, said:

“It is an honour to receive the Small Business Big Heart award, as supporting local, worthwhile causes means a lot to me and the team.

“My staff often participate in fundraising events and I support this by giving them the time off work. I also like to take part and raise money for charity, this year was the third year that I’ve swam 22-miles to raise money for Diabetes UK and Aspire.

“Not all companies are in the position to hand out big cheques all the time, but it doesn’t need to be about large gestures. We’re able to do our bit through a number of small activities that will help those local to us.”

Scott Baxter, deputy chief executive of Aberdeen Cyrenians, said:

“We are very appreciative of Phil’s ongoing support, as all the money raised by the company goes towards our frontline services, which have experienced a significant increase in demand over the last 12 months.

“As well as this, we are all well aware of his amazing efforts for other causes across the North-east, so the award is extremely well deserved.”

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