Aberdeen City Archives - Page 33 of 206

Aberdeen’s Premier Ice Hockey Team Scores New Sponsorship

Nov 172016

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

Members of The Aberdeen Lynx Ice Hockey Club with Andrew Maxwell, regional manager for Petrolink UK & Europe.

Aberdeen’s premier ice hockey team is celebrating after securing a primary sponsor just in time for its 2016/17 season in the Scottish National League (SNL).

The Aberdeen Lynx Ice Hockey Club, which is the second most supported sports team in the city after Aberdeen Football Club, has signed a one-year sponsorship deal with data solutions company, Petrolink Services.

The new sponsorship deal comes as a real boost to The Lynx, after it lost its previous main sponsor due to the downturn in oil and gas.

As a not-for-profit organisation, the club relies solely on donations, ticket sales and sponsorship from local businesses.

All money invested is generated straight back into The Lynx, which will help to keep costs down for junior players, fund new equipment and kit, and enable the SNL team to travel and play in games across Scotland and Northern Ireland.

The sponsorship also enables the club to continue focusing on the development of its youth teams. The Lynx provide first-class coaching and facilities to its junior teams, which cater for children from ages 12 and up, and its Mini Lynx Learn to Play programme, in a bid to encourage youngsters in the North-east to take up ice hockey.

Martin Hill, chair of The Aberdeen Lynx, said:

“The Lynx are absolutely thrilled to have secured a new sponsorship deal with Petrolink. We understand that many businesses in the North-east are struggling in the current climate, so we’re very appreciative of all their support.

“Thanks to Petrolink’s backing, we’re able to focus heavily on the development of young people in the area, as well as providing top-quality training to our SNL team. A large proportion of the money secured through sponsorship is reserved exclusively for our junior teams and allows us to educate and train them to the highest standard.”

Andrew Maxwell, regional manager for Petrolink UK & Europe, said:

“Petrolink are pleased to sponsor the Aberdeen Lynx, a winning SNL hockey team with strong community ties and a commitment to child development programmes .A number of my colleagues are interested in ice hockey and we’re keen to promote the benefits of sport to young people, so it made perfect sense to sponsor The Lynx.

“We’re fortunate enough to be in the position to be able to sponsor the club and we’re very proud to be associated with a winning team. It’s great that we’re able to give something back to a local organisation that focuses so strongly on developing young talent.”

For the second year in a row, the club has frozen its ticket prices for the 2016/17 season. Single tickets are priced at £7 for adults, £5 for kids and season tickets are also available at £70 for adults and £50 for kids.

The Aberdeen Lynx will face Kilmarnock Storm at 7.15pm on Saturday 10 December at the Linx Ice Arena.

For more information about the Aberdeen Lynx search Aberdeen Lynx Ice Hockey Team on Facebook, visit the website www.aberdeenlynx.com, or email contactus@aberdeenlynx.com.

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Aberdeen Inspired Secures Three Year Christmas Village Deal

Aberdeen City, News No Responses »

Nov 172016

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

Aberdeen-Inspired1 Aberdeen Inspired has secured three year deals with both Aberdeen City Council and Codona’s to manage the Aberdeen Christmas Village up to 2018.

The leading business organisation introduced the festive wonderland last year in partnership with the council and the family amusement firm, and has now committed to further delivery of the Yuletide event.

The Aberdeen Christmas Village will open to the public from November 25 to January 08.

The hugely popular ice-rink will make a return to the pocket park as part of the Christmas offering and has been doubled in size. Other attractions will include funfair rides, food vendors and an entertainment marquee as well as double the amount of market stalls offering a wide selection of goods.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We are thrilled to be bringing back the Aberdeen Christmas Village this month, which will be even bigger and better than last year.

“Codona’s did a fantastic job in managing the event last year and we are pleased to have now secured a three year commitment up to 2018. Now this has been finalised we are looking forward to working with them and Aberdeen City Council to deliver a fantastic Christmas experience for Aberdeen.

“Work has now begun on the build and we can’t wait to see the festive heart of the city centre start to take shape. We have worked hard to offer something fun for the people of Aberdeen and create something they will really enjoy. As well as building on the offering of last year, we will be introducing some new aspects to the village in association with local groups and look forward to sharing details on that in the near future.

“Part of Aberdeen Inspired’s remit is to increase footfall within the city centre and the Aberdeen Christmas Village will help towards that, with the hopeful knock-on effect of bringing in benefits to local shops, restaurants and businesses. To achieve this aim, we need to support of the public and visitors to Aberdeen, so I would urge everyone to enjoy what is being offered on their doorstep and support their city centre.”

Union Terrace will be closed from November 18 in the evening to January 15 to accommodate the village, while the slip road between His Majesty’s Theatre and Union Terrace was closed from November 12 to allow construction of the open air ice rink to begin in the pocket park.

Deputy council leader Councillor Marie Boulton said:

“The Christmas Village was a major attraction last year and will be a popular part of the Winter Festival again. With work beginning on construction, we look forward to the opening of the village and are pleased to be working with our partners to deliver what is a fantastic addition to Aberdeen’s festive offering. For Aberdeen City Council the Christmas Village is part of a clear focus on ensuring a wide and varied programme of high quality events and attractions, both for the people of the city and with the aim of attracting visitors from at home and abroad.”

Alfred Codona, director of Aberdeen-based family amusement firm Codona’s, said: “We are delighted to have secured a deal with Aberdeen Inspired to deliver the Aberdeen Christmas Village, which was popular with locals and visitors alike to the city centre last year.

“At Codona’s we take great pride in ensuring fun and excitement for visitors to our attractions and we are looking forward to revealing more about our plans for the Village. This three-year deal will allow us to keep building on the event each year and we are looking forward to working with Aberdeen Inspired and other partners to bring together a festive experience on Union Terrace.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

For further information on the work of Aberdeen Inspired visit www.aberdeeninspired.com

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Rent, The Musical At HMT – Duncan Harley Reviews.

Aberdeen City, Featured, Opinion No Responses »

Nov 172016

Duncan Harley reviews ‘Rent, the Musical’ at His Majesty’s Theatre, Aberdeen.

It is Christmas Eve 1896. A painter, a philosopher, a musician and a writer are planning a bender.
The writer needs a bit more time to work on his play, and as his pals set off for the pub, he receives a visit from a neighbour Mimi, a poor seamstress, who chaps on his door in search of a light for her candle.

Mimi and the writer fall madly in love then they too head off to the pub.

Eventually it all goes pear shaped. Mimi contracts tuberculosis and dies of exposure. The writer is left bereft. Well, that at least was Puccini’s La Boheme operatic take on the cruel realities of inner-city poverty in Bohemian Paris.

Substitute Bohemian 1990s New York for 1890s Paris. In Rent the Musical, writer Jonathan Larson takes La Boheme, turns the opera on its head and gives the tale a garishly glorious modern twist.

The poverty and the ill health are still around, but instead of the scourge of tuberculosis, Larson has substituted the scourge of HIV. Instead of a lack of fuel for the fire we have a bad-ass landlord, in the shape of Javar La’Trail Parker’s Benjamin Coffin the Third, who cuts off the power on a whim. And in lieu of Mimi the Parisian tuberculous seamstress, we have a 20th century Mimi nicely portrayed, by Philippa Stefani, as an HIV-stricken East Village sex worker stroke exotic dancer overburdened by a major smack habit.

Puccini’s poverty-stricken painter is portrayed as an independent Jewish-American wannabe filmmaker by the name of Mark Cohen who, Super-8 in hand, is single-handedly tasked with recording for posterity the tribulations of the East Village community.

On first night at HMT the role of Mark fell to understudy Joshua Dever, since lead Billy Cullum had a chest infection.

A veteran of The Rocky Horror Picture Show, Grease and Jesus Christ Superstar, Joshua’s performance was seamless and came with the welcome bonus of a clearly enunciated commentary on what at times can be a convoluted and maybe even over-complicated tale.

There are rock arias galore, multiple phone messages from friends and even a little bit of tango. But perhaps the star turn was Layton Williams as the controversially clad Angel Schunard, a high-heeled power-dressed drag queen and committed partner to gay philosophy professor and sometime anarchist Tom Collins.

Caring, giving and kind, but with a penchant for murdering canines for cash, she/he, or is it he/she, executed an absolutely astonishing gravity-defying triple entendre somersault plus twist whilst clad in pink fluffy five inch heels!

Fast-paced, rock-solid, mega-loud and at points furiously intensive, Rent the Musical presents a heady mix of anti-establishment sentiment combined with perhaps an overload of doom-laden prophesy. The spectre of HIV and AIDS perches Damoclean over the entire production, and multisexuality is the order of the day.

Songs include the classics ‘Seasons of Love’, ‘Goodbye Love’, ‘Over the Moon’ and ‘Light My Candle’. In all there are around thirty musical numbers in this revival.

Both the established Rent Heads amongst us and the newbies to the genre will be in rock heaven throughout this entire performance. And of course, Angel gets to heaven and Mimi’s tiny hand is frozen.

Directed by Bruce Guthrie. Lighting design Rick Fisher. Rent the Musical plays at HMT Aberdeen until Saturday 19th November

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley and Images © APA

Jazz Piano Goes Pop At The Blue Lamp

Aberdeen City, Featured, Opinion No Responses »

Nov 172016

With thanks to Rob Adams.

Louis Durra had a ready-made response when Bob Dylan was awarded the Nobel Prize for Literature last month. The Berlin-based Californian pianist, who brings his trio to the Blue Lamp on Thursday, November 24, has a very cool, groovy take on Tangled Up in Blue, one of the stand-out songs from Dylan’s Blood on the Tracks album.

So he was able to slot it into his live set instantly as a dedication to the new Nobel laureate.

The opening track on Durra’s 2012 release, The Best of All Possible Worlds, Tangled Up in Blue contributed to the pianist’s unlikely elevation to American college radio sensation. In a way reminiscent of Ramsey Lewis in the 1960s, Durra’s jazz piano trio versions of Dylan, Bob Marley, Alanis Morisette and Radiohead songs took a trick with deejays and became part of the soundtrack to student life across the U.S..

A follow-up, Rocket Science, released later the same year, made similar waves with its explorations of the Beatles, White Stripes, KT Tunstall and traditional Mexican and French Canadian material.

Durra is by no means the first jazz musician to explore Radiohead’s repertoire, for example, or the first to cover pop hits of the day. That’s an idea as old as jazz itself. Durra, however, takes it further than most, even finding jazz piano trio repertoire and inspiration in Scottish electronica band Boards of Canada.

“I’m not on a ‘say no to the mainstream jazz repertoire’ soapbox,” says Durra.

“I’m just as likely to play music by Cedar Walton, Hank Jones, Joe Henderson, Annie Ross or Brad Mehldau as, say, Snoop Dog. Jazz was once described as the sound of surprise and it’s my aim to make each piece have something unexpected about it, in the nicest possible way.”

Durra’s investigation of the wider popular music canon – his most recent album, Chromakey, has a typically understated exploration of country-noir singer Gillian Welch’s Orphan Girl – stemmed from his accepting a three-nights-a-week residency in a Los Angeles restaurant.

After years of playing an accompanying role, mostly in theatre, and having made a couple of jazz albums that sold disappointingly, Durra was in danger of losing interest. His residency, which presently expanded to four nights a week, allowed him to rediscover the hunger that had led to him turning onto jazz in his teens.

With four to five hours a night to fill he determined that he, his rhythm section and the bar staff and clientele alike wouldn’t get bored with the same tunes being played on rotation. So he worked up a repertoire of some two hundred items, ranging from jazz standards to songs by the Ting Tings, Radiohead and songwriter-rapper Ke$ha.

The restaurant’s customers liked what Durra calls his oddball pop covers. So he recorded a selection of them, gave the album to a publicist and found himself with a hit on his hands. When he then decided to investigate another market, he booked himself onto the Edinburgh Fringe and promptly won an award, a Herald Angel, one of the much coveted statuettes that Glasgow-based newspaper The Herald awards for performing excellence during Edinburgh’s festival season.

On his way back to California after his second Edinburgh Fringe run Durra stopped off in Berlin, loved the feel of the city and decided to move there. Wanderlust and the lure of the Parisian jazz scene will see him relocate to the French capital in the not too distant future but his raison d’etre as a musician remains as it was during his restaurant residency

“I want to connect with the public,” he says.

“And the best way to do that, the best way to draw them into my way of playing is to give them something they recognise every now and then. Just because you’re playing pop tunes doesn’t mean that you can’t make them artistic and expressive. Besides, there’s poetry in Bob Dylan’s music – it’s official.”

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Escale France: Cruel Fur Trade Hits Aberdeen

Aberdeen City, Opinion Comments Off

Nov 142016

escale-france-protestors-by-s-reid-sept-16b By Suz Reid.

Fur in Aberdeen is not a new thing, yet we became less aware that it was sold, even oblivious to it. Many, including myself, thought a ban on fur in the UK in the 1990s included imports. How very wrong we were.

In the last 5 years shops selling fur has increased dramatically.

Aberdeen has its own supply, quietly located in select elites shops of high end fashion.

Escale France run by Karine Franck is one shop who proudly displays her raccoon, fox, mink and rabbit fur products online and in store. Her designer is the top offender in cruelty fur Jean Paul Gaultier.

The first I saw of Escale France was on Facebook 6 months ago, sharing her new collection of fur items, thousands were up in arms.

“Fur in our area not in my name,” stated some comments.

I was certainly grieved by this and felt something needed to be done. Did the owner know where her fur had come from? How it was made? I asked her face to face, her response was arrogant and unemotional

“Yes I have seen the videos, I know how they die,” she stated unmoved.

A group of like minded people against the shop developed SAY NO FUR to Escale France Aberdeen UK Branch and discussed showing Karine Franck that we would not tolerate fur in her shop. We asked her to listen to her customers, many had commented on her page, disgusted at her products.

“You have such lovely items, why must you spoil it by adding real fur?” remarked one customer.

Our first three demonstration were duly noted by Karine and her male friend, who came out to give us his view which was quite frankly sickening:

“ I would skin my cat and wear it, I’ve eaten dogs killed alive in China, what is the difference?”

Since our fourth awareness event, one of our members acted out a caged animal being electrocuted. It drew a crowd, bringing the debate on fur in fashion to the forefront. Karine Franck responded by putting more fur items on her display, allegedly claiming to a few customers it was faux fur. These claims dismissed on evidence from her online marketing and advertising.

‘Yell.com; Real Fur Retailers and suppliers in Aberdeen – Escale France’

When I contacted her by email she responded:

“wearing fur is not morally worse that wearing leather or eating meat”

This I disagree with as the fur she is supplying is from China and Poland – both have little or no welfare standards. Animals are not killed straight away, often stunned before having their fur removed. In the rest of her email she deflected the subject, avoided direct questions and was not willing to continue in any discussion or debate.

Her justification for selling fur in fashion was:

“Some people watch the Peta videos showing the barbarism inflicted on some animals for the fur. Even if these are examples of bad ranches and slaughterhouses contravening codes of conduct, you can find some of them in leather and meat industries, and to compare with them, the fur production is small.”

I guess that makes it okay then! Even if the videos are real, so what…? Since when did we lose our compassion, become so disassociated with what is fashion acceptable?

We banned farming in fur for one main reason, it was deemed cruel to kill an animal just for its fur…and nothing else. When we investigated Aberdeen’s fur trade, I met a lovely lady Amanda who runs two fashion boutiques, one in Brighton and one in Aberdeen.

When she heard of our campaign she invited me to visit her shop. She was shocked that the public in Aberdeen would allow real fur when there are so many wonderful faux alternatives. Many of these faux items where in her store ‘Sirene’ in Union Street.

“It is a cruel method for a fur trim, why would you stock that when you have stunning traceable faux alternatives”

If Sirene boutique can select faux free and still satisfy her customers, why can’t Escale France?

This is just the beginning with all shops and stalls in Aberdeen/shire being added to a list and working with Animal Concern, Respect for Animals, Craft in future campaigns. If you don’t know what it’s all about please visit the above groups, who have investigated it at length, see what the barbaric trade is all about.

For forthcoming events in Aberdeen email us at saynofur@gmail.com.We have been collecting paper petitions and have an online petition. Please sign.

CLAN Seeks Prize Donations For Christmas Cracker Event

Aberdeen City, Charity, Information No Responses »

Nov 142016

CLAN logo2 With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

A leading north-east cancer support charity has asked businesses and members of the public to donate prizes for its largest fundraising event of the year.

CLAN Cancer Support’s annual Christmas Cracker event, The Nutcracker, will take place at the Ardoe House Hotel and Spa on the evening of Saturday, November 26.

The successful fundraiser, which sees individuals and businesses from across the North-east come together in support of the popular charity, includes a drinks reception, three-course dinner, entertainment and dancing.

Last year’s event raised more than £83,000 and businesses and members of the public have been asked to donate gifts and prizes for fundraising activities on the night.

Susan Crighton, CLAN’s fundraising manager, said:

“We’ve had a fantastic response to our Christmas Cracker fundraising event from across the north-east.

“Throughout the night we will be running a tombola, a silent auction and a live auction to help us raise as much money as possible so we can continue to provide our free services to those who have been affected by cancer.

“From luxury ‘money can’t buy’ prizes to gifts of around £10 or more, we would be delighted to hear from businesses and members of the public who would like to donate a prize to help support the vital work we do for people across the north and north-east of Scotland.”

CLAN Cancer Support is an independent charity which provides comfort, support and information, free of charge, for anyone, of any age, affected by any type of cancer. CLAN aims to support people to reduce anxiety, stress and to increase their ability to cope with the effects of a serious illness.

Based in Aberdeen, the charity covers the whole of north-east Scotland, Moray, Orkney and Shetland. CLAN has a presence in Ballater, Banchory, Elgin, Buckie, Inverurie, Fraserburgh, Lossiemouth, Peterhead, Stonehaven, Turriff, Kirkwall and Lerwick.

To donate a prize or for more details about CLAN’s Christmas Cracker, please call 01224 647 000 or email jackie.craig@clanhouse.org

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Orchid’s General Manager Titled Mixologist Of The Year

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Nov 142016

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

mixologist-nick-gordon A young North-east bar manager has been announced as a winner in the Scottish Licensed Trade News (SLTN) Awards 2016.

Nick Gordon, Orchid’s general manager, was awarded Mixologist of the Year at the prestigious ceremony, which took place at Glasgow’s Hilton Hotel last week.

The 24-year-old was selected as the judges winner out of a number of entries from budding mixologist’s around the country.

With a total of 22 awards up for grabs, the sought-after awards ceremony highlighted the rich diversity and unparalleled expertise Scotland’s world famous hospitality sector is known for.

Orchid was also shortlisted for Cocktail Bar of the Year and Late Night Venue of the Year, both of which it was highly commended for.

Nick Gordon, said:

“I’m ecstatic to be named as SLTN’s Mixologist of the Year, it really is a huge personal achievement for me. I’m also very proud that Orchid was highly commended for two other awards, as the whole team has worked very hard to position Orchid as the forward-thinking cocktail bar it is today.

“For me, it’s about placing Aberdeen on the map as boasting some of the country’s best bar and cocktail venues, which I think was highlighted on the night, being up against the likes of 99 Bar & Kitchen and The Tippling House. It was a brilliant evening that housed the country’s finest bars and bartenders all under one roof.”

Orchid has been upping its game this year, with a couple of its bartenders being recognised in prestigious awards such as Monkey Shoulder’s Ultimate Bartender Championships, the Buffalo Trace Mystery Migration Cocktail Competition and Glenfiddich’s Experimental Bartender Competition.

The late night cocktail bar also represented the UK in The Reykjavik Bar Summit that took place in March.

For more information on Orchid and its cocktail offering, visit www.orchidaberdeen.com

Aberdeen Comedy Festival Success Hailed By Organisers

Aberdeen City, News No Responses »

Nov 102016

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

aberdeen-comedy-festival-2 It involved more than 65 shows, over 250 comedians and 25 venues throughout the city centre – all aiming to bring a smile and some laughs to the Granite City.
23 days later, the first Aberdeen Comedy Festival, organised by Aberdeen Inspired in partnership with Breakneck Comedy, drew to a close, with organisers delighted with the fantastic response from the North-east public.

Night after night of the festival, which was kindly sponsored by local bar/pub McGinty’s Meal An’ Ale, has seen people pack out city centre venues and enjoy a huge array of comedic talent.

From the sold out launch event at the Tivoli Theatre on October 14 featuring Tom Stade, Billy Kirkwood, Liam Withnail and Gary Little to the final show at Park Inn by Radisson with John Scott, Pearse O’Haloran, The Reverend Obadiah Steppenwolfe III and Martin James Walmsley on November 5, more than 3,100 tickets have been sold during the laugh filled extravaganza, as well as over 1,500 tickets from APA and Beach Ballroom promoted events.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“The response from the public, local businesses and visitors to the Aberdeen Comedy Festival has been fantastic and we are delighted with the success of all the shows.

“It was ambitious to undertake to put on an event on this scale, which is already, in only its first year, Scotland’s third biggest event of its kind. We can’t thank our sponsors, all the venues that took part and the teams from Aberdeen Inspired and Breakneck Comedy that have worked so hard to make it a reality.

“The great feedback we have received from visitors to the festival proves there is a big appetite for events on this scale in the Granite City and at a time when Aberdeen is going through a difficult period, it was great to see people enjoying themselves so much in the city centre.

“We are determined to carry this positive momentum forward and are excited to bring the Aberdeen Comedy Festival back next year.”

Operations Director, Alan Aitken of McGinty’s Meal An’ Ale, said:

“It has been great to see what a success the Aberdeen Comedy Festival has been and as a local business, we were very proud to support it.

“The festival really has brought the city together and it is a great incentive to encourage the public to enjoy everything the city centre has to offer. We can’t wait to welcome the comedy lovers back to have some laughs next year.”

Proceeds are used to fund projects designed to improve the business district. More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

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Shine On You Crazy Diamond

Aberdeen City, Opinion No Responses »

Nov 102016

floydplay2 By Chris Ramsay, Forviemedia.

‘One thinks of it all as a dream’ is a play written by Alan Bissett and directed by Sacha Kyle. It charts the 1967 release of Pink Floyd’s début album, ‘The Piper at the Gates of Dawn’ and the erratic behaviour of frontman Syd Barrett. Is he having a drug-induced breakdown, or is he playing an elaborate joke on the band and the music industry?

The play takes the form of dreamlike sequences and vignettes; occasionally it verges on pantomime.

I took loads of LSD and it was nothing like what the play shows, but that’s how acid and theatrical interpretation should be.

I saw the Floyd live a couple of times at festivals back then – that and the fact I once spent a weekend in Roger Waters’ Mum’s house made aficionados of the band jealous. These fanatics carried Floyd albums around with them. I told them that I thought Floyd was a great singles band, that I was totally wasted during my late teens and beyond. It confirmed what they suspected – I was the one with a problem, the wayward idiot winding them up.

In ‘One thinks of it all as a dream’, acid guru and Scottish psychiatrist RD Laing puts in a couple of surprise appearances.

“How do you know it’s Syd who has the problem?” he asks Roger Waters.

This poignant play was specially commissioned by the Mental Health Foundation for the Scottish Mental Health Arts & Film Festival. It was co-produced with A Play, A Pie and A Pint, Traverse Theatre, Òran Mór and Aberdeen Performing Arts. The hour-long play manages to paint a vivid portrait of a revolutionary period in pop music and to sketch a character study of one of its most influential, enigmatic and complex figures. It stars Euan Cuthbertson as Syd Barrett.

Syd was the principal songwriter behind ‘The Piper at the Gates of Dawn’, a masterpiece, and he wrote a handful of strong early singles that helped define the psychedelic age. Syd however was happiest when he was painting. Unlike many of his contemporaries – Jimi Hendrix, Brian Jones, Janis Joplin – Roger ‘Syd’ Barrett survived that era; he died in July 2006 aged 60.

‘One thinks of it all as a dream’ was performed at the excellent Lemon Tree. A Play, A Pie and a Pint is great value for £11, and the format has whetted the appetite of Aberdeen’s culture vultures – the venue was packed for the matinee performance on November 4th. The audience was principally of a certain vintage: I didn’t spot anyone having acid flashbacks.

Alan Bissett is a playwright, novelist and performer who grew up in Falkirk, where he has a street named after him. He won the Glenfiddich Scottish Writer of the Year award in 2011. Alan and Sacha Kyle are one of Scotland’s most acclaimed writer-director teams, creators of Edinburgh Festival Fringe hits such as The Moira Monologues, The Pure, The Dead and the Brilliant and Ban this Filth! Sacha’s recent credits include Turbo Folk and What the F**kirk?

Related reading:

http://www.sachakyle.com Sacha’s website

https://www.opendemocracy.net/uk/alan-bissett/david-maclennan-portrait-of-life-in-theatre Alan Bissett article – ‘Portrait of a life in theatre’

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Aberdeen Voice

Aberdeen’s Premier Ice Hockey Team Scores New Sponsorship

Aberdeen Inspired Secures Three Year Christmas Village Deal

Rent, The Musical At HMT – Duncan Harley Reviews.

Jazz Piano Goes Pop At The Blue Lamp

Escale France: Cruel Fur Trade Hits Aberdeen

CLAN Seeks Prize Donations For Christmas Cracker Event

Orchid’s General Manager Titled Mixologist Of The Year

Aberdeen Comedy Festival Success Hailed By Organisers

Shine On You Crazy Diamond

Sponsored Sleep-Out Helps Apprentices Smash Charity Target