Sep 022017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

Rugby World Cup winning coach Sir Clive Woodward will give a talk in Aberdeen during Offshore Europe on the importance of training and improvement to a successful business. Leading energy industry training provider, Mintra Group, will host the invitation only event, Raising the Bar, at its Carden Place training facility on Wednesday, September 6.

Sir Clive’s theories and techniques helped conquer the rugby world in 2003 and drive Team GB to their greatest success to date at the London 2012 Olympics.

He will speak to more than 100 guests about what makes a champion and how to create a winning culture, and cover themes including the ability to learn, performance under pressure and how marginal gains can lead to major success.

Sir Clive is looking forward to coming to Aberdeen for Offshore Europe and meeting the team at Mintra and their guests.

He said:

“The global energy industry has rightly focused on training and competency solutions to improve performance and develop winning teams.

“Investing in these areas can make a significant impact on the success of any business and I’m very pleased to share my knowledge and expertise.”

Mintra provides eLearning courses as well as training and competency management solutions to the global oil and gas and maritime industries.

Scott Kerr, CEO of Mintra Group, said:

“We’re absolutely delighted to have Sir Clive join us for our Offshore Europe event and I’m sure he’ll be a very popular draw for the business community.

“Sir Clive’s experience in training and performance improvement is a perfect fit for us and it promises to be a very interesting evening to learn more about how he has used his coaching and training techniques and developed them in the business arena.”

Mintra Group is owned by private equity firm, The Riverside Company, and has Norwegian roots. The company is a result of a recent merger between Mintra Trainingportal and OCS HR.

Mintra Trainingportal was established in Oslo in 1997, and specialised in tailor-made eLearning courses for the energy and petroleum sector.

OCS HR was founded in Bergen in 1983, and has since then grown into a leading international provider of HR, payroll and crew management for the offshore and maritime sector. Mintra Group has offices in Oslo, Bergen, Stavanger, Aberdeen, Dubai and Singapore.

Sep 012017
 

By Duncan Harley with thanks to Erica Banks – Communications Officer at HMT Aberdeen

Strictly Come Dancing’s Natalie Lowe stars at HMT next Monday alongside Strictly champions Louis Smith MBE and Jay McGuiness in a brand-new theatre show called ‘Rip It Up’.
Rip It Up’s promise is to bring the fabulous sounds of the 1950’s to life in an explosion of song and dance that will see Natalie, Jay and Louis swing, bop, jitterbug, lindy hop, jive and ballroom their way through the greatest songs from the greatest decade of music; from romantic ballads and crooner classics to many of the era’s defining pop and rock ’n’ roll hits.

Brought to you from the producers and director of 2017’s smash tour Remembering Fred, which stars Come Dancing’s Janette Manrara and Aljaz Skorjanec.

Says Natalie,

“To be able to work with these two incredible Strictly champions and choreograph routines with them to the music from music’s greatest decade is something that we are all very excited to be working on. Together we will dance through some of the most fantastic songs ever created.”

Jay McGuiness is best known as a vocalist in the boy band The Wanted, whose debut single ‘All Time Low’ hit the No. 1 spot on the U.K. singles chart in 2010. The band went on to have a further three No. 1 singles, including the global hit ‘Glad You Came’. In 2015, she was confirmed as a celebrity contestant on Strictly Come Dancing, partnering professional dancer Aliona Vilani.

The couple were to steal the public’s hearts with their routines, becoming the series winners to lift the Glitterball trophy. The pair’s now infamous jive to the Pulp Fiction-inspired medley of Chuck Berry’s ‘You Never Can Tell’ and Dick Dale & The Del Tones’ ‘Misirlou’ has become the show’s most watched routine ever, amassing over 5 million hits on YouTube.

Looking forward to being part of ‘Rip It Up’, Jay said,

“To perform with Radio Two’s Leo Green and his band, as well as share the stage with Natalie and Louis and such a talented cast of singers and dancers should be quite an experience. We have some great ideas and are looking forward to bringing them to the theatres around the country, singing and dancing to some of the greatest songs from one of the greatest decades.”

Louis Smith MBE is one of Britain’s sporting superstars after winning medals at three separate Olympic Games. He shot to fame at the Beijing Olympics in 2008 by winning a bronze medal in the pommel horse, before winning silver medals at both the London 2012 and Rio De Janeiro 2016 Olympic Games.

After the London 2012 Olympics, Louis took part in and won that year’s series of Strictly Come Dancing, lifting the coveted Glitterball trophy with his professional dance partner Flavia Cacace.

Louis will be returning to training shortly in an attempt to win a medal at his 4th Olympic Games in Tokyo in 2020. Before that, however, he is delighted to be part of the cast of ‘Rip It Up’.

Louis said,

“A lot of people think of the music of the ‘50’s as just rock ‘n’ roll. Whilst this was the decade that brought us Elvis, Buddy Holly, The Everly Brothers, Little Richard and more, we will also be celebrating the music of Sinatra, Nat King Cole, and all the beautiful vocal harmony groups from that special decade.”

Classics such as Why Do Fools Fall in Love and Good Golly Miss Molly feature in the show alongside Unchained Melody, Mona Lisa and of course that classic Put Your Head on My Shoulder.

What more could anyone want?

At HMT Aberdeen for the one night only – Monday 4th September – tickets from Aberdeen Performing Arts Tel: 01224- 641122

Sep 012017
 

Duncan Harley reviews Jane Eyre @ HMT, Aberdeen.

Locking-up a mad spouse in the attic is rarely a good idea.

If she’s not busy sharpening the axe, she’ll likely be playing with matches and, as Mr Rochester finds out to his cost, the malevolent spectre in the loft is never likely to go to rest peacefully.

Indeed, pyrotechnics are to the fore in this National Theatre/Bristol Old Vic collaboration, which brings Bronte’s Jane to life in a new adaptation of the novel for the stage.

It’s difficult to say anything much new about Jane Eyre. I mean, Bronte covered just about all of the bases.

Set in the Reign of Mad King George, the story has been told and re-told endlessly in print – the original ran to 400 pages or so, three volumes and 38 chapters – and the tale of resilience against overwhelming odds has seen film, television and opera take up the challenge of re-telling and re-interpretation.

Somewhat refreshingly, this staged version takes the raw essence of the original and portrays the essential Bronte themes in an intense and often moving way.

The central theme remains Jane’s mighty journey and, appropriately perhaps, the play opens with her birth.

Along her path to fulfilment we meet disillusionment, anger, grief and betrayal. Throughout however, Rochester’s dog ‘Pilot’ – played with delightfully canine humour by a whip-stock brandishing Paul Mundell – reminds us that there is indeed such a thing as unconditional love. As Tim Delap’s Rochester clumsily flirts with Jane, Pilot lends hilarity to the proceedings and lightens what is otherwise a largely gloomy tale.

Not that this is your standard period drama. Far from it! With a set fresh from flat-pack heaven and a delightful musical score including gems like Coward’s Mad about the Boy, nothing about this production is at all standard.

Yes, the period costumes are to the fore and yes, we are talking regional accents here; but the dressing room is the stage and the Bronte words are neatly cocooned within composer Benji Bower’s lively score.

In a recent interview, Nadia Clifford – who plays Jane – explained to sincerelyamy.com that she wanted to make Jane as human as possible in order to allow the audience to relate to her. If last night’s performance is anything to go by, she has certainly succeeded in this ambition and it would be difficult to fault her performance in any way.

Diva-wise, Melanie Marshall’s violently insane Bertha Mason is central to this stage adaptation and her haunting presence as the mad -spouse-in-the-attic works splendidly. With a list of credits including Broadway and Guys and Dolls her musical pedigree shines through.

All in all, Jane Eyre is one of those touring productions which comes under the category of must see. Highlights include a distinctly un-Brontian set of loud expletives uttered by an unsaddled and severely rattled Rochester plus of course the rare opportunity to witness the on-stage pyrotechnics as Thornfield Hall burns to the ground.

Directed by Sally Cookson, Bronte’s masterpiece plays at His Majesty’s Theatre Aberdeen until Saturday September 2nd.

Aug 252017
 

Wolf Alice @ The Garage. Review and photographs by Craig Chisholm.

It’s not often a band that has played Glastonbury’s pyramid stage go on to play such an intimate in Aberdeen such as The Garage, it must be said.

But tonight, it is happening and the sold out, 600-odd crowd are enjoying every second of that band – Wolf
Alice.

This date is part of a small low-key warm up tour to promote forthcoming second album ‘Visions of Life’ and to get them road-ready for a tour in October and November that will see them head to Japan and Europe before returning to the UK to play larger venues such as London’s Alexandra Palace and two nights at the Barrowlands Ballroom in Glasgow.

It’s safe to say that tonight’s show will be the last we of see them in a local, small venue for a long, long time.

The London four-piece play type of rock music that would be more familiar to an older generation raised on the grunge of Dinosaur Jr or Hole; or the shoegaze dreaminess of Slowdive or early Lush rather than to the band’s own generation’s heroes.

They’re a band that are putting a bit of angst and noise back into guitar music whilst their contemporaries are currently more likely to be programming a sequencer on the PC to create pop-infused beats.

Kicking off their set with new track ‘Don’t Delete the Kisses’ the band power through an hour long set that’s received rapturously by their adoring audience.

Bassist Theo Elllis is stripped down to his vest in the intense heat after only a couple of songs as he bounds around the stage and into the pit to interact with fans.

Guitarist Joff Oddie wields his guitar like Sonic Youth’s Thurston Moore or Radiohead’s Johnny Greenwood – utilising noise as melody and not descending into clichéd ‘rawk’ poses.

Drummer Joel Amey maintains a steady and powerful beat behind the kit, driving the bands songs along, staying calm in the eye of the storm.

But it is singer/guitarist Ellie Rowsell that’s the focal point of the band – her vocals and guitar playing recalling hints of PJ Harvey, Mazzy Star and The Breeders all at their 90s-imperial phase.

She doesn’t say much between songs though – a few hellos here and thank yous there but no in-depth conversations and none of the arena rock crowd pleasing shout outs that a band of their size would be forgiven for doing.

But this is a good thing – it allows the music to the talking.

The lyrics talk of small town alienation and frustration such as in ‘Fluffy’ with its lines of “Searching for cheap thrills and we don’t know how” and “I got nothing in this dead-end town”, a theme that would resonate anyone that grew up in that particular environment, and one that would especially appeal to a teenager in the North East of Scotland on rainy, cold summer days such as this.

And that’s the x factor that makes Wolf Alice’s appeal clear to see.

They provide a noisy, dreamy escape for everyday life, an escape from the mundane.

There’s beauty in their noise; clarity in the chaos; tender melodies in their guitar maelstrom.

And as encore ‘Giant Peach’ ends with its ‘My dark and pretty town’ refrain that’s exactly where their fans head out to, into their dark and pretty town, after witnessing thrills that were anything but cheap.

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Aug 252017
 

With thanks to Ian McLaren, PR account manager, Innes Associates.

George Reid (foreground with green jacket) dressed in his Lonach Highlanders outfit.

One of the runners taking part in this Sunday’s inaugural Simplyhealth Great Aberdeen Run will have one of the most unusual warm-up routines of any participant.

George Reid of Tomatin will take part in a six-mile march and a four-mile hill race the day before he competes in the Simplyhealth Great Aberdeen Run 10k race.
The 63-year-old is a member of the Lonach Highland and Friendly Society, which holds its annual Highland Gathering and Games on Saturday, 26 August in the Aberdeenshire village of Bellabeg.

The event features the unique march of the Lonach Highlanders, a six-mile march through picturesque Strathdon that continues a near 200-year tradition. 

Dressed in full Highland regalia and armed with an eight-foot long pike, George will join around 170 other men as they visit a number of local properties where they toast the health of the owners and the local area.

With a membership numbering 227 men, the Lonach Highlanders are believed to be the largest body of non-military men to carry ceremonial weapons in Britain.  Clad in tartan, with pikes aloft, banners flying and led by a pipe band, the Highlanders create one of the most iconic cultural spectacles in north-east Scotland.

Getting underway at 8am on Saturday morning, the march precedes the Lonach Highland Gathering, which commences at 12 noon and features piping, highland dancing, tug o’ war, children’s races and light and heavy athletics events.

Having marched six miles and enjoyed a hearty lunch, George will join a field of around 100 runners of all ages to compete in the event’s hill race.  Runners interested in participating in the race, which is free to enter and features a £75 first prize, can enter on the day.

The challenging four-mile off-road course features a steep ascent as it winds its way round the hillside forest.  It’s a course that George knows well, having competed in the race 17 times, winning the competition for Lonach Society members six times.

For a man who has completed a number of marathons, ultra-marathons and is a member of Triathlon Inverness, the Saturday march and hill race will be ideal preparation for the Great Aberdeen Run, which he will run in his Lonach Highlanders uniform.

George said:

“I started running about 19 year ago and haven’t really stopped.  I run about four times a week and love it.  I’ve covered all sorts of distances, including marathons in Edinburgh, London and Dublin, the 53-mile Highland Fling ultra and the 50-mile Highland Cross duathlon. 

“It’s brilliant to see the Great Aberdeen Run taking place and I’m looking forward to being part of it.  A 10k run round Aberdeen will be a superb way to end the weekend.  The Lonach Gathering is a fantastic day out and a stirring spectacle, one which I’ve been part of for the past 47 years.  Lonach is the ideal warm-up for the Great Aberdeen Run and an event that I’d encourage visitors to the north-east to attend.”

The Lonach Highland Gathering and Games takes place in the Aberdeenshire village of Bellabeg, which is around an hour’s drive from Aberdeen.  Events on the Highland Games field get underway at 12noon, with the Lonach Highlanders marching round the arena at 1pm and 3pm.  Tickets are priced from £10 for adults and £4 for children.

Established in 1823, by Sir Charles Forbes, 1st Baronet of Newe and Edinglassie, the Lonach Highland and Friendly Society is a charitable organisation based in Strathdon, Aberdeenshire. 

The society organises the annual Lonach Gathering at Bellabeg Park, Strathdon, which is held on the fourth Saturday of August.  The main attraction at the gathering is the march of the Lonach Highlanders, a unique body of non-military men.  Further information on the Lonach Highland and Friendly Society, the Lonach Highlanders and the annual Lonach Highland Gathering can be found at www.lonach.org.

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Aug 252017
 

With thanks to Yvette Rayner, PR Account Manager, Frasermedia Ltd.

Aberdeen’s performance swimming team is celebrating after an impressive end of season medal haul, leading to 14 swimmers being called onto national squads.
The University of Aberdeen Performance Swimming (UOAPS), led by Olympic, World, European and Commonwealth Games coach Patrick Miley, is a partnership between Aberdeen Sports Village, Aberdeen City Council, Scottish Swimming and the University of Aberdeen and seven of the city’s swimming clubs.

The ambitious programme, which was established to build on the city’s previous success with David Carry, Robbie Renwick and Hannah Miley, has seen early results, with swimmers bringing home an unprecedented collection of 12 medals at this year’s British Summer Championships.

In previous years, only a few swimmers from Aberdeen have qualified to be invited to the important end of season event, which invites swimmers ranked in the top 24 in their event. However, in July, 30 athletes from UOAPS headed to Sheffield.  The successful squad included swimmers as young as 13, with an impressive podium display of three golds, three silvers, and six bronze medals.

Rosie Morgan, 14, of Aberdeen won her first gold medal at the UK-wide competition, while fellow Aberdonian, Gaia Alcaras, 15, took home one gold, one silver and one bronze medal. 

As a result of this season’s success, 14 swimmers from Aberdeen have been invited to join the Scottish national squads, which will result in additional training and support for the potential champions.

Joining the 2017/18 Scottish national squad, which was announced this week, will be UOAPS swimmers Orla Adams, Fraser Agnew, Gaia Alcaras, Andrew Arthur, Thomas Beeley, Caroline McIntosh, Hannah Miley, Rosie Morgan, Connor Morrison, Yasmin Perry, Rebecca Reid, Anya Slessor, Jessica Thomson and Cameron Travis.

Mr Miley said:

“After just a few months, we have seen a tremendous change in the swimmers, resulting in much deserved medal wins. Taking 30 swimmers along to the championships for the first time made a real difference, as we had a fantastic team spirit, which really adds to the confidence of each individual performer.

“The swimmers have been training really hard, and everyone could feel the confidence growing with each new Aberdeen medal in Sheffield. We have been working on detailed training programmes, with every swimmer dedicating themselves to improving their performance. We have focused on a culture of success, and it was wonderful to see the results of our hard work on the podium at one of the most important meets in the country.”

Duncan Sinclair, CEO for ASV, said:

“The UOAPS programme has high ambitions, and it is working. Aberdeen was very well represented in Sheffield, and the outstanding medal haul is something to be proud of. Having a group of people dedicated to developing the very best athletes is a real benefit to the city and we hope to see this success continue into the next season.

“The aim of UOAPS is to produce the best, and with 14 young people representing Aberdeen in the Scottish national squads, and look forward to competing at Commonwealth and Olympic level, the programme is more than meeting its objectives.”

Councillor Jenny Laing, leader of Aberdeen City Council, said:

“Aberdeen City Council has made a significant investment in high performance swimming to help ensure that elite talent stays and is nurtured within the city. It is hugely encouraging to see that investment paying off at such an early stage with the team’s successful performance at the British Summer Championships. I am sure that this is just the beginning  of what we and our partners hope will be an amazing success story in establishing Aberdeen as a major centre for elite swimming.”

University of Aberdeen Principal, Professor Sir Ian Diamond, said:

“The team’s performance at the British Summer Championships demonstrates the level of talent we are developing here in Aberdeen as part of this ambitious programme.

“Their impressive medal tally is not only a testament to the swimmers themselves, but to the dedicated coaching staff headed by Patrick Miley.  On this form I expect the team to enjoy continued success, and I wish them all the best for the season ahead.”

Medal winners:

Gaia Alcaras, 15, gold, women’s open 400m IM; silver, women’s open 200m IM; bronze, women’s open 100m butterfly
Orla Adams, 22, bronze, women’s open 400m IM; bronze, women’s open 200m breaststroke
Kirsty Simpson, 21, silver, women’s open 100m backstroke
Thomas Beeley, 18, gold, men’s open 200m butterfly; bronze, men’s open 100m butterfly
Yasmin Perry, 16, bronze, women’s open 50m butterfly (16 yrs)
Connor Morrison, 20, silver, men’s MC 100m breaststroke
Aberdeen Performance A team, bronze, women’s 17 years/over 4 x 200m free team
Rosie Morgan, 14, gold, women’s open 100m free

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Aug 252017
 

With thanks to Esther Green, Senior Account Executive, Tricker PR

The two-day pop-up festival is being delivered by the team behind the world-famous Spirit of Speyside Whisky Festival.

We’ll drink to that! Countdown on to Speyside food and drink festival.

If you’re looking for beer that promises to be – in the words of a Speyside brewer – a refreshing change from “mass produced mouthwash” or cool ideas like adding a slice of apple, rather than a wedge of lemon, to enhance a gin and tonic, then Spirit of Speyside: Distilled is the place to be.

Keith Brewery and Caorunn Gin feature in the 30-strong line up of exhibitors taking part in the two-day celebration of the region’s gastronomy on September 1 and 2 at Elgin Town Hall.

Spirit of Speyside: Distilled offers the chance to meet the producers – like the chocolate maker from Favour-it Flavours who is isn’t afraid to experiment with new tastes, with crushed Oreo, caramel biscotti and jelly bean being among the most recent trials, and she’s never short of volunteers to help with a spot of new product sampling.

Find out the best cuppa to start the day, with Cairngorm Leaf and Bean and discover how Macleans Highland Bakery add a twist to their oatcakes offering ranges that have a touch of chilli, haggis, seaweed and black pepper or vanilla.

Bartenders, baristas, brewers, whisky makers and foodies will be there so expect to find samples and tastings, demonstrations, food and drink pairings, storytelling and masterclasses.

It’s the second of the new-breed event celebrating the vibrancy of Speyside’s food and drink producers, from artisanal operators to the globally renowned drinks brands.

It seeks to show the region’s wide range of gourmet delights with surprising flavours from alternative producers who, alongside the region’s well-known whisky brands, are keeping the region at the fore of the Scottish food and drink scene.

The craft producers join the big hitters and they all have one thing in common – people passionate about making great tasting food and drink.

The two-day pop-up festival is being delivered by the team behind the world-famous Spirit of Speyside Whisky Festival.

Festival chairman James Campbell said:

“A new generation of people want to seek out artisanal products while enjoying the produce of pioneering businesses that placed the region on the food and drink map.

“What makes Distilled stand out is that food and drink producers come together under one roof. There are so many great food and drink companies operating in the region and this event is a good way of highlighting that diversity while making it easily accessible to visitors.

“It’s a chance to discover new tastes and products, and to try some punchy tastes and flavours, some of which may be familiar and some which will be new. Tickets are selling fast and places are limited so pre-ordering them is the best way to ensure you don’t miss out.”

Distilled is sponsored by Bruce Stevenson Insurance Brokers and runs over four sessions, from 1-5pm and 6-10pm on both the Friday and Saturday. Tickets are priced at £20 and this includes entry, six vouchers for tasting samples of gin, whisky or beer, a lanyard and a Glencairn crystal nosing and tasting glass.

All whisky, gin, beer and foods on offer will have a Speyside provenance and there will be the chance to purchase products from stand holders. Festival merchandise will also be on sale.

For more information and to book tickets, visit www.distilled.scot

Distilled is active on social media at www.facebook.com/distilledscot on Twitter and Instagram @distilledscot. Follow the festival at #distilled17

 

Aug 202017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

North-east artists have been adding their own splash of colour to Aberdeen city centre as part of an annual project to promote arts and culture. Aberdeen Inspired’s Summer of Art programme is already in full swing this year with a range of creative projects being held across the city centre, including the Painted Doors project.

The project will see artists work on decorative paintings on doors of local businesses, shops and other premises on Langstane Place, Windmill Brae and around Aberdeen Market until the end of the month.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“The Summer of Art programme is about working in partnership with local artists to make art accessible to all, as well as being a fantastic way to utilise and brighten the city centre.

“Our Painted Doors project is underway again following a very successful debut last year. Several new doors have already been completed and there are more in the pipeline to be completed before the end of August.”

As part of Summer of Art, plans are also being developed for the city centres first outdoor creative space which will allow artists to use a wall in the near Aberdeen Market at the East Green, as a canvass to create their own colourful murals following the successful Nuart Aberdeen Festival earlier this year.

Mary Butterworth, Summer of Art Curator, said:

“It has been an amazing year for art and culture in Aberdeen, it’s been a joy to see it all so well received by the public and the creative community is buzzing. 

“Last year’s Summer of Art was a catalyst for change in the city and I was proud to curate the Painted Doors project with Aberdeen Inspired. The project recognised our city’s artists and put stunning artworks on the street for the public to enjoy. Public appetite for street art is overwhelming and this was demonstrated by the success of Nuart Aberdeen.

“Aberdeen’s own creativity, sometimes overlooked, has always been here but now we can see it every day, in our doorways and on our streets.

“This year we’re adding new doors and artists to the Painted Doors line up, building upon the foundation we laid last year. Seeing art and all forms of creativity and culture on the streets is a vital part of the energy and atmosphere of any city. 

“We have worked hard on creating some new initiatives for this year’s Summer of Art, including developing plans for a creative space, to inspire the public to get involved and unleash more of that local creative energy.”

Aberdeen Inspired is also now reviewing applications for its Grass Roots fund which was launched to support the delivery of local and independent creative arts projects and interventions in the city centre over the summer.

The programme aims to cultivate and support ideas and talent in Aberdeen whilst enriching the heart of the city with street and visual arts as well as music and drama this summer. Applications were sought from individuals and groups for grants in three categories: up to £500; up to £2,000; and more than £2,000.

Aberdeen Inspired is the banner under which the Aberdeen BID operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information about Aberdeen Inspired is available at www.aberdeeninspired.com

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Aug 112017
 

Duncan Harley reviews The Curious Incident of the Dog in the Night-Time – at HM Theatre, Aberdeen.

The last time I reviewed Curious I was over the moon.
A complete blast from beginning to end, the production enthralled, captivated and amazed.
Intense doesn’t even begin to describe the audience experience.

It’s more of an immersive introduction to the reality of not being able eat the yellow portions of a Battenberg cake – the pink squares are OK –  and finding that the toilet is out of bounds because a complete stranger has used it.

Based on the book of the same nameThe Curious Incident of the Dog in the Night-Time highlights some of the issues faced by those who come into contact with those who differ markedly from the norm and of course many of the issues faced by those who are by nature quite different.

The book’s author Mark Haddon comments that:

“Curious is not really about Christopher at all, it’s about us.”

He may have a point.

Christopher, played by Scott Reid, exhibits what can really only be described as mind-blowingly challenging behavioural traits. He cannot bear to be touched, he becomes unbearably swamped by external stimuli, he cannot use a stranger’s toilet, he cannot tell a lie and takes everything completely literally – the list goes on and inevitably ticks all of the diagnostic boxes.

The play presents as a reading of Christopher’s own written thoughts, read aloud in segments mainly by his mentor and school-teacher Siobhan, played beautifully by Lucianne McEvoy. The unfolding story takes place within a high-tech multi-media cuboid-set representing a gateway into Christopher’s consciousness. The drama literally takes place in Christopher’s head.

When Wellington, the next-door neighbour’s dog, is found impaled; fifteen-year-old Christopher Boone, a brilliant mathematician with some pretty complex personal issues, turns sleuth.
Emulating his hero Sherlock Holmes, he must solve the mystery of who killed Mrs Shears’ pet and absolve himself of complicity.

After a long and often painful journey, including the realisation that Holmes was in fact a fictional detective, he solves the crime and is absolved. However, in the course of the exhaustive investigation he discovers skeletons galore in the family cupboard.

At times funny, often terrifyingly intense and always challenging, Curious is a superb production and Scott Reid’s performance as Christopher is both electrifying in its intensity and engaging in its complexity.

There are lighter moments. Animal lovers will drool over the cute Andrex Puppy.

They may even take a fancy to Toby, Christopher’s pet rat.

David Michaels and Emma Beattie excel as the long suffering and often desperate parents, kindly neighbours peek into his life and at one point a cheerily upbeat railway policeman takes time out to help him on his quest but it has to be said that this is essentially a stage show all about Christopher.

The technical aspects of the production are worthy of a Hollywood blockbuster and have to be experienced to be believed. Aboyne born video designer Finn Ross has worked on everything from Festival Fringe through to Broadway and his expertise in combining live and pre-recorded imagery takes this live performance into exciting new realms. Lighting, sound and set design are likewise superb.

Ultimately this play examines the nature of abnormality and the challenge of defining limitations. Having solved the gruesome dog murder and dismissed lingering doubts regarding his mathematical ability Christopher asks teacher Siobhan “Does this mean I can do anything?”
She does not reply.

Somehow, Aspergers will never quite seem the same ever again …

Directed by Marianne Elliott, The Curious Incident of the Dog in the Night-Time plays at HMT Aberdeen until Saturday 12th August.

Words © Duncan Harley and images courtesy of Aberdeen Performing Arts.

Aug 112017
 

Tiny Toadstools and Monster Mushrooms make for magical event at Crathes Castle, Garden and Estate. With thanks to Esther Green, Senior Account Executive, Tricker PR.

With its harled façade, magnificent turreted towers and walled gardens, Crathes Castle is a standout property from the 16th century.

Fungi, folklore and fairy tales come together in the grounds of a magical North-east castle where woodland secrets and stories will be shared with young visitors and their families.

Green goblets that elves might use to drink from are likely to be among the finds during the Tiny Toadstools and Monster Mushrooms walk at The National Trust for Scotland’s Crathes Castle, Garden and Estate on Tuesday, August 15.
The ‘goblet’ is in fact the green elf cup, a fungus which creates a vivid green stain on dead wood and looks like a drinking vessel for an elf, and which is among hundreds of different fungi that can be found in the grounds of Crathes, a stunning castle that looks like it has come straight from the pages of a story book.

The setting makes Crathes ideal for sharing stories of fungi and fairy tales and visitors will learn how the fly agaric toadstools, synonymous with Enid Blyton books, get their spots and have the chance to find out about the largest fungi in the world which is visible from space.

Ranger Stephen Reeves says:

“Crathes is home to hundreds of different species of fungi due to the wide variety of habitats that can be found here. Some mushrooms like open grass lands, some live on dead wood and some on trees and we have all these different mixes.

“Our ranger-led walk isn’t about identifying mushrooms and toadstools but it is about sharing some really cool stories and games. Some mushrooms turn purple when they are cut and the biggest organism in the world is the honey fungus which is found in Siberia.

“There’s lots of fascinating stores and some interesting folklore too around them and we think adults will be every bit as intrigued by the stories as children are.

“Mushrooms and toadstools are so often overlooked but we have them in abundance at Crathes at this time of year and they will be very much at the heart of our storytelling.”

The ranger-led walk on August 15 is from 10.30am to 12 noon and is ideal for families with children aged between 5-11 years. Entry is £5 per child and adults go free.

Places are limited and so booking is essential at https://nts.cloudvenue.co.uk/crathestinytoadstoolsandmonstermushrooms

With its harled façade, magnificent turreted towers and walled gardens, Crathes Castle, which is managed by the National Trust for Scotland, is a standout property from the 16th century.

The castle and its gardens will be open to visitors during this summer programme event.

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