May 052017
 

David Innes reviews Craiginches – Life In Aberdeen’s Prison.

If you assume that any book about life in prison, even on the non-felon side of the bars, will tell horror stories of desperate bad-to-the-bone incarcerated people, and of the means used to control them, Bryan Glennie’s memoirs of his long career as a prison officer may come as a surprise.
Although Glennie never loses sight of the fact that prison, its inmates, and its culture can be brutal, and that dangerous situations can arise in the most innocuous circumstances, Craiginches concentrates on the more positive aspects, and rehabilitative opportunities offered to those serving sentences.

Of course, our own former Butlins-By-The-Dee never housed the most dangerous and desperate of miscreants housed in institutions like Peterhead, and the brutality and simmering tensions of such jails are only touched upon briefly when the author is a first-hand witness to the aftermath of a riot in the Blue Toon’s grim Victorian penitentiary.

Rather, Craiginches reveals Glennie’s own admirable belief that the primary purpose of prison is rehabilitation of offenders, and that if such second chances have the dual benefit of improving the communities in which prisons are located, there are no losers.

Thus, the reader will learn of the hard graft and dedication invested by prisoners and staff alike in charitable and community projects in Aberdeen and further afield in the city’s hinterland. The author’s enthusiasm for these, and his staunch belief in such projects’ contribution to prisoner welfare and societal re-integration is heartening.

Craiginches shows too the positive impact of initiatives designed to relieve the boredom and drudgery of cell-life, with art classes, sports events and musical entertainment among the devices employed to lighten the debilitating monotony of prison life.

There are also insights to the comradeship among those in the prison service, and of the change in culture from Officer Mackay-like mistrust and suspicion, to the more-humanised atmosphere in prison that, one hopes, prevails today. And, if the contents are occasionally just a little too homely, this is only because of the author’s admirable optimism and belief in the innate good of misguided people.

Craiginches – Life In Aberdeen’s Prison

Bryan Glennie with Scott Burns
Black & White Publishing
ISBN 978-1-78530-121-6
253 pages

£9.99

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May 052017
 

Alabama 3 perform another sell out gig at The Lemon Tree. Craig Chisholm reviews.

Many casual music fans may not know much about Alabama 3 apart from ‘Woke Up This Morning’, their theme tune to iconic TV series The Sopranos or from seeing their name on numerous festivals bills, from Rockness to Wizard and Belladrum to T in The Park, but for their die-hard fanbase they provide a near religious fervour which was evident in their performance at The Lemon Tree.

The band provided the sell-out crowd an entertaining 17 song set in support of their latest album, the minimalistically titled ‘Blues’.

But blues doesn’t even scratch the surface of the bands musical style – gospel, country, acid house, spoken word, rock and electronica are some of the genres that they touch upon over their 21 year, 12 album career.

The 9 piece band are a joy to watch in full flow. At the back of the stage, drums are handled by LB Dope, sequencing and effects by Wizard, bass and guitar by Rock Freebase, harmonica by Harpo Strangelove, and keyboards by The Spirit. It wouldn’t be a stretch to guess these are not their real names.

Stage front, vocals are handled by Larry Love, The Reverend Be Atwell and The Very Reverand Dr D Wayne Love.

The Reverand D Wayne – know to family and friends as Glaswegian Jake Burns – is less the shamanic, messianic figure of yore but more of a dapper East End villain in his look.

The long hair has gone, as have the sunglasses – replaced by a haircut more becoming to a man of his advanced years and a pair of spectacles. But he, along with lead vocalist Larry Love, still proves to be the driving force of the band, working a crowd into a euphoric frenzy with each song whilst co-vocalist Reverend Be Atwell cuts a dapper, but imposing, presence alongside them.

The set spans the bands entire career from old favourites to new tracks.

‘Hypo Full of Love’ from 1996s ‘Exile on Coldharbour Lane’ goes down a storm as the band members engage in a bit of synchronised swaying whilst newer cuts from their latest album. 

‘(I’ll Never) Be Satisfied’, ‘Rattlesnake Woman’ and ‘Nothing to Lose But Your Chains’, prove infectious enough to have a sizeable proportion of the crowd lining up at the merchandise stall to purchase it and have it signed by the band.

Their most famous song, the aforementioned ‘Woke Up This Morning’ is played of course – but such is the bands confidence and faith in their material that it’s played mid-set rather than as an encore.

After over an hour and a half on-stage the band finish up with ‘Hello…. I’m Johnny Cash’ from 2005s ‘Outlaw’ album, leaving the crowd ecstatic and happy.

If you’ve not seen – or heard – Alabama 3 before then it’s recommend you check them out the next time they are in town.

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May 022017
 

Local Music Festival Returns – Promising to be Even Bigger and Better than Last Year! By Craig Chisholm.

“When it comes to Scotland’s greatest bands, Primal Scream are right up there.”

Last year’s Enjoy Music Festival had it all – a great line up, a sunny day and a crowd that loved every second of the day. With top acts such as Example & DJ Wire, Green Velvet, Former Seahorses singer Chris Helme and Dusky joining up and coming local acts such as Emerald Sunday, Ransom FA, Colin Clyne and even an appearance from the Portlethen Pipe Band it proved to be a roaring success with everyone that attended.

This year’s line is even better with headline performances from Scottish indie legends Primal Scream, a DJ set from Chase & Status, the iconic DJ John Digweed, local stars The Little Kicks, rappers Shy and DRS and premier Stone Roses tribute band The Complete Stone Roses.

A full supporting bill across 5 stages will see a mix of bands and DJs entertain patrons whilst a fun fair, family entertainment area, a Market Place and an exclusive VIP area will give people places to hang out and have fun throughout the day.

And all your food and drinks needs will be catered for in the numerous bars and the food village on site.

Speaking about headliners Primal Scream, who return to Aberdeen after a sold-out gig at the cities’ Beach Ballroom last year, the festival’s marketing director, Mark Lenthall said

“When it comes to Scotland’s greatest bands, Primal Scream are right up there. From the Pyramid stage at Glastonbury, to T In The Park and Reading, they have played them all, so we’re thrilled to be bringing the band to Aberdeen this summer. With T2 Trainspotting hitting cinemas now, what better festival act could we have!”

So, with no T in The Park this year why not make it along to Hazlehead Park on Saturday 3rd June to kick off the summer in style and make this the biggest and best Enjoy Music Festival to date?

Photographs from last years event  – goo.gl/2ZoHXs 

Tickets are on sale at www.skiddle.com/festivals/enjoy-music
Website www.digitalloveaberdeen.co.uk/enjoymusic
Facebook www.facebook.com/enjoymusicaberdeen
Twitter @EnjoyMusicAbdn

Apr 282017
 

With thanks to G Promo PR.

For those who don’t know Madison Violet, it all began in 1999 when Brenley MacEachern and Lisa MacIsaac met over coffee and omelettes, in a Toronto restaurant called The Green Room.

It was a chance meeting, 1900 km away from the small town where both Lisa and Brenley’s fathers were born. 

That was nearly 18 years ago, and the pair have been writing and creating beautiful music together ever since.

When you hear them, the first thing you’ll notice is that their voices blend together, symbiotically, like family: Born to sing the same songs. And over the past decade, the pair have taken to genre-bending, moving effortlessly from folk to pop to electronic to Americana.

In a word, they are musical chameleons.

Over their last two extensive tours of Europe, Madison Violet was overwhelmed by the incredibly warm reception that came from the fans, when they introduced their newer, bolder sound; one that came from their 2014 album Year Of The Horse. But Madison Violet knew that those songs had even more potential. And they felt an even bigger challenge would be to let the songs speak for themselves, recreating them in a more acoustic form. Their purest form.

And with that, came The Knight Sessions, which is both a re-imagining of previously recorded songs and a creation of brand new songs, inspired by their deep-seeded love of the modern acoustic sound and the human experiences shaping their world today.

With that in mind, Brenley and Lisa decided to start their new adventure by visiting several pawn shops in Toronto, in a quest to find discarded items that they could use to make natural sounds in the studio. They sifted through an island of misfit toys and out of date electronics, and eventually found several instruments and percussive toys.

From children’s wooden blocks to ukuleles with missing strings, one by one, Brenley and Lisa gave these gems a home, and started working on their new album. These unique items are what gave The Knight Sessions a more organic feel. The textures of the wood. The plucking of the old strings. The stories that were already in these ‘toys’, came out through the songs.

So, as the tour nears, Brenley and Lisa will be packing their suitcases a little lighter. They will not only be returning to the UK and Europe for dozens of shows, but they will be arriving in their most organic form.

The way most Madison Violet fans discovered them. As a duo. No backing band. No big light show. No rock star after-show dance parties.

This will enable Brenley and Lisa to showcase The Knight Sessions as it was meant to be heard. Raw but refined. Stripped down but still packing a punch. And it will also find them, as they were in 1999, ‘Back To The Roots’.

Madison Violet · ‘Back To The Roots’ Ireland & UK tour · May 2017

Tue 2         Barnoldswick, Lancs.                  Barnoldswick Music & Arts Centre
Thu 4        Omagh, N. Ireland                         Strule Arts Centre
Fri 5          Carrig-on-Bannow, Co. Wexford    Colfers Pub
Sat 6         Rathfriland, N. Ireland                  The Bronte Music Club
Sun 7        Belfast                                      Black Box
Mon 8        Isle of Eigg, Inner Hebrides               Tea Rooms
Tue 9        Arisaig, Scottish Highlands               Astley Hall
Thu 11       Kinross                                     Backstage at the Green Hotel
Fri 12        Glassel, nr. Banchory                     Glassel Village Hall
Sat 13       Glasgow                                    CCA
Tue 16      Sheffield                                   Greystones
Wed 17      Leicester                                  The Musician
Thu 18       Birmingham                              Kitchen Garden Café 
Fri 19        London                                      Stanley Halls, South Norwood

Madison Violet Reviews:

“… swathed in glorious harmonies and delectable melodies.” – Country Music People

“Heartaching harmonies and tunes make Madison Violet a must-see act.” – The Independent

“They hold little back in their singing, as MacEachern’s sultry rasp dovetails with MacIsaac’s sweeter tones to create a kind of bluegrass-old-time sensibility with rock ‘n’ roll attitude that packs power as well as disarming honesty.” – The Herald

“There is something magical about duets, the way the voices interlace to create a sound that is neither one singer nor the other but something else altogether. Canadian duo Madison Violet make it sound the easiest thing in the world” – The Irish Times

“Utterly enchanting from beginning to end; Madison Violet provided an evening of unmissable entertainment, filled with warming anecdotes and beautifully told stories that was worth every minute.” – Maverick

“…beautifully sung…an all-acoustic cry from the heart” – Scotland on Sunday

Madison Violet – The Knight Sessions:

Format            CD & DL
Label                Big Lake Music
Cat. No.          471203-2
Release Date    May 5 2017

Links:

www.madisonviolet.com 
www.facebook.com/madisonviolet 
www.twitter.com/@madisonviolet
Audio: ‘We are Famous’ & ‘Ohio’ (acoustic)
Video: ‘Don’t Let Your Heart Be Troubled

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Apr 202017
 

80s Hollywood hair metal legends reunite for an evening of rock to a small, but appreciative, audience. Craig Chisholm reviews.

Fate can be funny but also cruel at times.
Take the case of a couple of 80s rock bands that have seen members come and go but recently reunited their singers and lead guitarists for the first time in years. One of these bands is called Guns n’ Roses. You’ve probably heard of them and you know their story.

Singer Axl Rose and guitarist Slash are touring together for the first time since the early 90s.

It’s a huge, lucrative, money-spinning event that takes in stadiums all over the globe. If you want to see them then their only British dates are at the London Stadium in June where they’ll play in front of 160,000 fans over two nights.

The other band are their former peers – the similarly titled LA Guns.

Their origins are intertwined – Tracii Guns was the original guitarist for Guns n’ Roses back in 1984 before falling out with Axl Rose and departing the band. He then formed a new band and worked with various singers before teaming up with vocalist Phil Lewis and having some minor commercial success in the late 80s and early 90s.

The commercial peak didn’t last long though, mostly due to the rise of Nirvana and grunge, before Lewis and Tracii Guns finally parted company in the late 90s.
Weirdly, both toured as separate incarnations of LA Guns for most of the early noughties before, like Axl and Slash, reuniting again last year. They too are currently on a UK European tour and if you wanted to see them then you could have wandered down to The Assembly where they played in front of less than 160 people.

Fate can definitely be cruel and you have to wonder if Tracii Guns ever wondered what could have been if he hadn’t fell out with Axl 30 years ago. But, if he does, he doesn’t show it in front of the sparse crowd on this occasion.

In fact, the band put on a solid and professional performance that goes down well by the fans in attendance.

The band, wisely, stick to the early albums for most of the set – their self-titled debut providing almost half of the main set alone – from openers ‘No Mercy’ and ‘Electric Gypsy’ though ‘Sex Action’, ‘Bitch is Back’ and more.

Lewis and Guns look to be enjoying themselves and put on an energetic performance that has sections of the crowd head-banging or singing along all night. Lewis in particular interacts and chats with the fans at the front in a colloquial and friendly manner.

During encore track ‘The Ballad of Jayne’ he even hands the mic to fans in the front row to sing along – kudos to the first two of the singers for pretty good performances that leaves the band impressed. However, the third audience member given the chance to shine probably only deserves praise for his enthusiasm, if not his voice, and his heroic level of drunkenness. 

The band finish their set with a boisterous ‘Rip and Tear’ from their second album ‘Cocked And Loaded’ before leaving the stage and on to the next gig of their reunion.

Whether there are more in attendance than in Aberdeen remains to be seen but those diehard fans who do attend will appreciate what they witnessed on stage.

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Apr 202017
 

With thanks to Emma Brown.

Today sees the launch of a stunning new photo book showcasing one of Britain’s favourite mammals and at the same time making the case for the expansion of its native woodland home.

The Red Squirrel: A future in the forest features jaw-dropping imagery by award-winning wildlife photographer Neil McIntyre, who has spent the last 20 years documenting the lives of the red squirrels near his home in the Cairngorms National Park.

Neil’s astonishing portfolio of images, captured deep in the heart of one of Scotland’s largest remaining fragments of Caledonian Pine Forest, is accompanied by insightful and evocative words from celebrated writer Polly Pullar, to create a beautiful and thought-provoking book which aims to raise awareness of the plight of the red squirrel.

With native woodland covering just 2% of Scotland’s land area, red squirrel populations are fragmented on isolated islands of trees and their long-term future remains uncertain.

Conservation photographer and Director of SCOTLAND: The Big Picture, the book’s publisher, Peter Cairns said:

“Neil’s beautiful images shine a unique light on one of Scotland’s best-loved mammals, but squirrels need forests just as much as forests need squirrels. I hope this book will ignite fresh conversations about that crucial link.”

The publication of The Red Squirrel: A future in the forest follows a successful crowdfunding campaign, which ran throughout November 2016 and was supported by over 500 backers.
It is the first in a series of stunning conservation books from SCOTLAND: The Big Picture, a project which works to amplify the case for a wilder Scotland.

The Red Squirrel: A future in the forest is available now from www.scotlandbigpicture.com.

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Apr 202017
 

Young fans pack The Garage out for a triple bill of rock. Review and photos by Craig Chisholm.

The Garage on Windmill Brae was the place to be for rock fans where they were treated to a triple bill of British rock bands as part of their extensive UK tour.

First up, at the very un-rock n’ roll time of 7:15pm are Scottish rockers Fatherson.

The band are no strangers to Aberdeen having played The Lemon Tree, The Garage and, most recently, Café Drummonds at Christmas time.

Their folky rock is similar to fellow Kilmarnock band Biffy Clyro with shades of Frightened Rabbit thrown in for good measure.

Despite the line of people that are still queued up outside the venue there are diehard fans pressed hard against the barrier and already a good crowd have filled the dance floor to see the band.

Their short seven song set is over in a flash and leaves the crowd wanting more. In all honesty, bottom band on the bill does them a disservice – a recent headline performance at Glasgow’s iconic Barrowland’s Ballroom show they are capable of bigger things.

However, there’s no time to mourn Fatherson’s short set time as Cambridge band Lonely The Brave are next up after the briefest of switch overs.

The band are an altogether heavier proposition than the openers whilst still retaining a stadium rock commerciality to it.

The five piece are tight and heavy throughout their set which, again goes down a storm with the packed venue’s crowd.

Vocalist David Jakes is actually the least animated of the band – he stands to the rear clutching his mic stand for dear life whilst spitting the lyrics out to each song.

Between songs, however, the hardcore image is slightly punctured as he fills a mug from a kettle he has sitting in front of the drums. It’s an unusual sight and provides a bit of light relief to the bands otherwise hard sound.

Headliners Mallory Knox take their name from Juliette Lewis’ character in Natural Born Killers – however their sound isn’t as hard, or indeed downright violent, as the character in question. Instead they provide a hook laden, hard rock that appeals to their legions of fans.

By this point, the barrier has a high number of young females pressed against it and they sing along to every word of every song and cling to each bit of between song banter from frontman Mikey Chapman.

Their latest album, ‘Wired’, released only a week or so earlier, provides a fair chunk of the set –  from opener ‘Giving It Up’ to the final encore track ‘Better Off Without You’. Despite the album being out for only being out for 10 days the young crowd are familiar with the tracks and receive each rapturously as if they’d known them their whole lives.

Overall the three bands provide an entertaining, lively and good value for money night that will have left the crowd satisfied on their way home and probably wanting even more.

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Apr 112017
 

The Men in Black play a sold-out gig at The Beach Ballroom on their “The Classic Collection” tour. Review and photographs by Craig Chisholm. 

Original member Dave Greenfield is still there as well – hidden somewhere behind a bank of keyboards at the back of the stage

The Stranglers have been recording and touring for about 40 years now but they still provide an enthralling and entertaining show despite the years. The names and faces may change – original drummer Jet Black has stopped touring due to ill health and Baz Warne has only been the lead singer for the last decade – but the songs remain and the performances are still as lively and energetic as they were back in the 70s.

With 17 albums in their back catalogue, the band are not short of a choice of what to perform.

The 22 song set will have left the fans happy though and there can’t have been anyone too upset with what they play on the night.

First up, however, are fellow punk veterans Ruts DC.

Their ten song set includes punk classics ‘Babylon’s Burning’ and ‘Staring at The Rude Boys’ both of which are received ecstatically by the crowd.

Their brand of reggae influenced punk rock proves to be enduring and timeless and still stands up four decades after it was first performed.
Despite the crowd appreciating the special guests there’s no doubt that they’re here to see the main event though.

Hitting the stage at 9pm to the taped intro of ‘Waltzinblack’  The Stranglers blast through a 90 minute set filled with the hits, album tracks and the occasional deep cut.

Vocals are mainly handled by the aforementioned Baz Warne.

The amiable Geordie provides an ample replacement for original vocalist Hugh Cornwell and his subsequent replacement Paul Roberts.

Bassist JJ Burnell must have a Dorian Gray style painting of himself hidden in the attic as he still looks as young and as fit as he did years ago.

The hair may have traces of grey in it but, clad head to toe in black, he still cuts an imposing figure with a bass sound that rattles the pit of your stomach at times.

His rasping vocals on cuts such as ‘(Get a) Grip (On Yourself)’ and opener ‘The Raven’ among other have a rawness and punkiness about them that has the Ballroom’s sprung dancefloor working overtime to accommodate the rowdy crowd.

Original member Dave Greenfield is still there as well – hidden somewhere behind a bank of keyboards at the back of the stage. His organ sound is a big part of The Stranglers sound and provides a pop sheen to the punk chaos.

The set is sprinkled with hits that even a non-fan would know – such as the balladic ‘Always The Sun’, the classic ‘Golden Brown’ and the cheeky, bass heavy romp of ‘Peaches’.

After a blistering 20 song main set, the band return for an encore with ‘Go Buddy Go’ – the b-side of 1977’s ‘Peaches’ single –  before finishing with genuine classic track ‘No More Heroes’.

As the crowd head off out to the blustery North Sea wind, you’re left thinking that The Stranglers are wrong in one respect.

There are still some heroes; not all of them wear capes though – some wear black.

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Mar 312017
 

Duncan Harley reviews ‘Scalan – Leaves from the Master’s Day Book’ by John Watts.

Commissioned by the trustees of the Scalan Association to mark the 300th anniversary of the secret seminary at Glenlivet, Leaves from the Master’s Day Book, is a fictional account of the day to day activities at the seminary during the post-reformation years 1741-1756.

John Watts is no stranger to the Scalan story having previously published the thoroughly researched Scalan – The Forbidden College, 1716-1799, a detailed chronological account of the history of the clandestine community from inception right through to eventual closure following the repeal of the Penal Laws.

In this new book, Dr Watts has used his extensive knowledge of both the history of the times and the specific history of Scalan to create a daily diary, or day book, recording both the mundane aspects of daily life at the seminary and the wider political events which impacted on religious life in those troubled times.

Written in a style typical of the mid-eighteenth century the text consists of entries from a fictional diary kept by the college’s tenth master Mr William Duthie detailing events from fifteen of his seventeen years at the college. There is of course no surviving diary however William Duthie was indeed a master at the college and his tenure included a period of reconstruction following the destruction of Scalan by government troops on 17th May 1746.

“Yester afternoon our greatest fear was confirm’d. A troop of 8 Red soldgers marched up to Scal. at about 2 ½ of the clock. Of course they found it empty, w’ nought within, and nought w’out but the peat stack. I imagine they were much chagrin’d to find the birds flown, for now they took out their spite upon the house itself … W’in 2 hours they were away back whence they had come, leaving us only black walls and ashes.”

Scripture study, the arrival of visiting Bishops and the wider context of the politics of the time are all detailed in the diary alongside mentions of whisky smugglers, cattle thieves and events surrounding the 1745 rebellion.

From the outset, Dr Watts states his intention that Leaves from the Master’s Day Book should allow the reader an open door to Scalan and few would disagree that he has indeed achieved his aim.

Available from The Scalan Association and Blairs Museum, Aberdeen (95pp) at £3 plus postage.
ISBN 978-1-903821-81-7

Words © Duncan Harley. First published in the March issue of Leopard magazine.

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Mar 242017
 

On March 12th, in California, a Trump Golf course was vandalised by protesters. By contrast, in this very British protest, the important issues were discussed over a cup of tea!

Dr Jo House, University of Bristol with Ms Yashinee Aulum, TIGLS.

With thanks to Martin Ford.

On Saturday 18th March, climate scientists travelled to Trump International Golf Links, Scotland (TIGLS) to present a copy of The Ladybird Expert Guide to Climate Change, authored by HRH The Prince of Wales, and a statement on the importance of science and evidence in climate change policy making issued earlier this week by the Royal Meteorological Society.

The climate scientists wanted to highlight concerns that recent rhetoric and decisions from the Trump administration are contrary to the overwhelming evidence base on climate change and how it needs to be addressed.

Unexpectedly, they were offered the opportunity to discuss their concerns over a cup of tea!

The Head of Hospitality and Guest Services for TIGLS, Ms Yashinee Aulum, was pleased to receive the presentation. TIGLS is a business greatly affected by day-to-day weather, and one potentially at risk from future climate change.

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The visit to TIGLS followed a public science meeting at the University of Aberdeen entitled ‘Science and climate change in an alternative facts world’ which was held as part of British Science Week. The meeting was chaired by Prof Jo Smith (University of Aberdeen), and talks were given by:

Prof Piers Forster, University of Leeds,
Prof Terry Dawson, Kings College London,
Prof Pete Smith, University of Aberdeen,
Dr Jo House, University of Bristol,
Cllr Dr Martin Ford, Aberdeenshire Councillor.

Before the meeting, Prof Pete Smith, University of Aberdeen, who has served as Convening Lead Author for the United Nations Intergovernmental Panel on Climate Change said:

“Climate change, and the way to deal with it, has been accepted by 196 countries at the Paris Climate Agreement, but Mr Trump has appointed a climate denier as the head of the US Environmental Protection Agency, and has previously pledged to withdraw from the Paris Agreement. The fact is, we need the US to cut its greenhouse gas emissions in order to meet the ambitious targets set out in the agreement.

“We all share the same atmosphere, so misguided actions in the US will not only affect Americans, it will affect everyone on the planet. We cannot allow decisions based upon ideology to replace those based on scientific evidence – and that is why we are holding this meeting today, during British Science Week – to urge Mr Trump’s administration to take the advice of its own climate scientists, and stick to US commitments under the Paris Agreement.

“The US will benefit from this. Failing to act when you don’t have the evidence is in some cases understandable – but failing to act when you are in full possession of the facts, which amounts to wilful ignorance, is inexcusable, and will cause great damage to the world we leave for our children and grand-children.”

Prof Piers Forster, Director of the Priestley International Centre for Climate, University of Leeds said:

“The US is a democracy that I am not part of so they are entitled to pass what ever crazy laws they want. If they want to burn more coal it upsets me but it is ultimately not my call.  However, I worry when their policies threaten science.

“The US administration are really contradicting themselves, saying there is not enough evidence that carbon dioxide causes global warming, then promptly threatening to cut agencies that collect the evidence. Scientists around the world depend on NASA and NOAA satellites and on the efforts of many US colleagues. More than ever we should be basing decisions on evidence rather than ideologies, and I hope the US administration wakes up and realises this.”

Prof Jo Smith, University of Aberdeen added:

“The lives of people in low income countries are already challenged by extreme weather events; climate change will make this worse. We can’t gamble with their lives. Climate change will mean more droughts and floods, and more people will die. The science is clear, so climate policies must be based on this evidence.”

Prof Terry Dawson, Chair in Global Environmental Change, Department of Geography, King’s College London commented:

“This year, the United Nations predicts the worst humanitarian crisis since World War II with several East African Countries being severely affected by drought. The lack of rain has contributed to massive livestock deaths, food and water shortages, acute malnutrition and widespread famine.

“Future climate change is expected to increase the magnitude and frequency of extreme climate events, such as droughts or floods and it is the poorest people in society that are most vulnerable to its negative effects.

“Climate change is a serious risk to poverty reduction and we, as scientists, feel a moral imperative to urge our political leaders act now – inaction or delay is inexcusable.”

Dr Jo House, Cabot Institute, School of Geographical Sciences, University of Bristol said:

“The Trump administration is choosing to ignore or deny the overwhelming scientific consensus on dangers of climate change to people’s health and well-being already, as well as in the future, and the urgency of putting in place long-term plans.

“We are affected in the UK by America’s emissions, but I have no voice there. Sadly similar denial or lack of action is taking place in our own country from a small number of newspapers, businesses and politicians.  UK governments since Margaret Thatcher have been at the forefront of climate action, as they, like the 196 governments who just signed the Paris Agreement, listened to the evidence and understood its importance.

“Climate change has recently slipped down the agenda of the Government. Many countries, states, and businesses have managed to slow or reduce their emissions while still increasing profitability. I am taking part in this meeting to stand up for evidence and for action, not just in America, but here at home.”

Aberdeenshire councillor Martin Ford said:

“Mr Trump is an environmental disaster. We knew that from his actions in Aberdeenshire over the last ten years, but now he can take decisions with global consequences. Mr Trump’s denial of climate change science will make progress with tackling the biggest threat facing the world immensely more difficult.”

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