Apr 022018
 

Review and photos by Craig Chisholm.

Stiff Little Fingers yearly St Patricks gigs at The Barrowlands in Glasgow are stuff of legend.

For 27 years they’ve played the iconic venue on the fabled night of Irish celebrations that has become a pilgrimage for their fans.

For fans in the North East, however, the Irish punk legends trip to the Granite City, around the same time of the year, has also become a regular pilgrimage as a sell out crowd tonight can testify.

This might have been the smallest of the three venues the band are playing in Scotland this tour but that didn’t stop them from giving a memorable show that pleased the energetic and loyal crowd.

Before the influential Irish punk legends hit the stage another bunch of influential punks step up to warm the crowd up.

Ruts DC have a long, and sometimes complicated, history that stretches back to the original punk days of 1977. But their music is more varied and eclectic than straight ahead rock with a strong reggae influence shining through in songs such as the mighty ‘Jah War’.

They run though a strong set of a dozen songs with punk classics ‘Babylon’s Burning’, ‘In a Rut’ and ‘Staring at the Rude Boys’ all going down a storm with the attentive crowd.

Headliners Stiff Little Fingers last couple of shows in Aberdeen have been at a different venue – The Garage – but they are no strangers to the Lemon Tree having played here numerous times to sell out crowds.

It’s a partisan audience that greet them as they walk out to the regular intro tape of ‘Go For It’. The crowd are a sea of SLF t-shirts and hoodies – and anyone not wearing one could have bought from the dozen or so on sale at their merchandise stall.

Singer and guitarist Jake Burns tells the crowd that this is going to be a set that explores more of the deep cuts from SLF’s ‘forgotten’ albums but that doesn’t stop them singing and pogoing along to tracks that cover all eras of the bands four decade career.

However, it’s the bands first three albums that made up the bulk of the set – ‘Tin Soldiers’, ‘Nobody’s Hero’, ‘Roots, Radicals, Rockers & Reggae’, ‘Safe as Houses’ and ‘Barbed Wire Love’ from that era are all given a blast.

As with Ruts DC, reggae is also an influence on the band and there’s a nod to that with cover versions of Bob Marley and the Wailer’s ‘Johnny Was’ and ‘Doesn’t Make it Alright’ by The Specials.

Completing the night with a finale of ‘Alternate Ulster’ the band walk off to triumphant applause from an adoring crowd that will already be planning to see them again next year, whatever the venue.

Apr 112017
 

The Men in Black play a sold-out gig at The Beach Ballroom on their “The Classic Collection” tour. Review and photographs by Craig Chisholm. 

Original member Dave Greenfield is still there as well – hidden somewhere behind a bank of keyboards at the back of the stage

The Stranglers have been recording and touring for about 40 years now but they still provide an enthralling and entertaining show despite the years. The names and faces may change – original drummer Jet Black has stopped touring due to ill health and Baz Warne has only been the lead singer for the last decade – but the songs remain and the performances are still as lively and energetic as they were back in the 70s.

With 17 albums in their back catalogue, the band are not short of a choice of what to perform.

The 22 song set will have left the fans happy though and there can’t have been anyone too upset with what they play on the night.

First up, however, are fellow punk veterans Ruts DC.

Their ten song set includes punk classics ‘Babylon’s Burning’ and ‘Staring at The Rude Boys’ both of which are received ecstatically by the crowd.

Their brand of reggae influenced punk rock proves to be enduring and timeless and still stands up four decades after it was first performed.
Despite the crowd appreciating the special guests there’s no doubt that they’re here to see the main event though.

Hitting the stage at 9pm to the taped intro of ‘Waltzinblack’  The Stranglers blast through a 90 minute set filled with the hits, album tracks and the occasional deep cut.

Vocals are mainly handled by the aforementioned Baz Warne.

The amiable Geordie provides an ample replacement for original vocalist Hugh Cornwell and his subsequent replacement Paul Roberts.

Bassist JJ Burnell must have a Dorian Gray style painting of himself hidden in the attic as he still looks as young and as fit as he did years ago.

The hair may have traces of grey in it but, clad head to toe in black, he still cuts an imposing figure with a bass sound that rattles the pit of your stomach at times.

His rasping vocals on cuts such as ‘(Get a) Grip (On Yourself)’ and opener ‘The Raven’ among other have a rawness and punkiness about them that has the Ballroom’s sprung dancefloor working overtime to accommodate the rowdy crowd.

Original member Dave Greenfield is still there as well – hidden somewhere behind a bank of keyboards at the back of the stage. His organ sound is a big part of The Stranglers sound and provides a pop sheen to the punk chaos.

The set is sprinkled with hits that even a non-fan would know – such as the balladic ‘Always The Sun’, the classic ‘Golden Brown’ and the cheeky, bass heavy romp of ‘Peaches’.

After a blistering 20 song main set, the band return for an encore with ‘Go Buddy Go’ – the b-side of 1977’s ‘Peaches’ single –  before finishing with genuine classic track ‘No More Heroes’.

As the crowd head off out to the blustery North Sea wind, you’re left thinking that The Stranglers are wrong in one respect.

There are still some heroes; not all of them wear capes though – some wear black.

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