Jul 212017
 

Blink 182 plus support at AECC. Review and photographs by Craig Chisholm.

US pop-punk veterans Blink 182 returned to Aberdeen with a slick arena show filled with confetti canons, pyrotechnics and flamethrowers which pleased their fans old and young alike.

First band up on the three-band bill, however, were New Jersey band The Front Bottoms. 

Despite the Viz-like nature of their name, which has you suspecting they are less than serious proposition, the band play an introspective, but goofy, indie rock that is appreciated by the early arrivals in the arena.

Frontman Brian Sella formed the band nearly 10 years ago.

He stands stage front, strumming an acoustic guitar.

He engages with the crowd and endears himself with comments of wishing he could have lived his life in Scotland and a tale of getting hit by a golf earlier ball that day.

Flanked by his bandmates there is also the somewhat unusual spectacle of a couch on stage on which a couple of guys are sitting.

Their contribution to the set seems to involve nothing more than tapping away on their mobile phones and taking swigs from bottles of beer – nice job if you can get it, it must be said!

There are no couches or mobile phones on stage for the next act however as Frank Turner and The Sleeping Souls take to the stage.

Bahrain born Turner had a seemingly un-punk upbringing – the son of an investment banker who went to Eton and studied alongside Prince William; his grandfather – a “Sir” no less – was the former chairman of high street store BHS.
But despite this privileged upbringing it’s hard to deny that Turner has paid his dues, moving from small toilet venues to arenas over the years whilst playing a socially conscious and politically charged brand of folk-punk that has gained him a loyal band of followers.

He commands the audience well tonight.

The sight of him getting the crowd to sit down and jump up in unison was quite exciting and he also brings one lucky young fan out of the audience, hands her a harmonica and has her play a mouth organ solo during one track.

He ends his set by crowd surfing in the audience which has security scrambling to get hold of him as the crowd go wild. It would be fair to say he would have won over a few new fans this night.

Finally, at 9pm sharp, Blink 182 take the stage. Starting the set behind a curtain with a picture of their logo imposed over a Union Flag, whilst the haunting electronica of the Stranger Things theme tune plays, it drops to rapturous applause and pyrotechnic explosions as the band blast into opener Feeling This.

The backdrop at this point is the rather unsubtle word FUCK in huge flames at the rear of the stage.

But, let’s be honest, Blink 182 are not in a band that deal in subtly much.

There are fleeting moments of introspection though – the cello-drenched and catchy I Miss You is a touching tale of lost love and the title track of last year’s California album is a nostalgic missive to their home state.

It’s the unsubtly of the show that provides the arena rock experience though and there is plenty of spectacle and show that has the crowd in raptures – a huge screen flashes behind the band, flame throwers spit high into air from behind the drum riser, confetti canons fire and drown the crowd in ticker tape whilst pyrotechnic explosions bellow smoke into the venue and test the fire alarms to their limits.

And this day-glo stramash of sound and vision isn’t just on the odd occasion – it’s in almost every song the band perform.

There is another exception to this sensory overload though as they perform one track in the dark, lit only by hundreds of mobile phones in the crowd.

Highlight of the set for the crowd is first track of the encore their big hit and probably best known song All the Small Things. Released over 17 years ago, it is older than a good proportion of the crowd here tonight, all of whom go wild to the raucous, three-minute classic of the US pop punk genre.

And then, after a couple of more tracks, it’s over – 22 songs in a compact, and slightly short, 75-minute set. All that’s left is for drummer Travis Barker’s teenage son to play out as the crowd head out into the early evening.

As was said, Blink 182 are not a band that deal in subtlety but if high adrenaline, slightly juvenile, slick, over the top arena shows are your thing then this would have made you very happy indeed.

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Jul 212017
 

By Duncan Harley

The British Heart Foundation Scotland will be a major beneficiary from funds raised at ‘Blast from the Past’ – a Classic Car Show featuring rare and unique vehicles from across the North-east – on Saturday 22 July 2017.

“We are delighted that Margaret and Ian McWilliam along with their daughters Jade and Iona have accepted our invitation to join us at the event” says co-organiser Alan Leonard.

“The McWilliams, a local family from Kintore, give up a lot of their time in support of the BHF as their lives have been directly impacted by the effects of heart disease.”

Co-organiser Alan Leonard and main sponsor Alan Wallace of Aberdeen’s AW Autotech chose the Inverurie venue for this inaugural event due to the suitability of the site.

“The area we are using is all in tarmac” says Alan “and we also have the exclusive use of the entire in-door shopping mall and display area.”

“More importantly” he says “From our first contact with Thainstone management they have offered us all of the professional support we could possibly wish for in order to ensure that the event will be a success.”

Alongside the classic cars, the day features family fun complete with kids rides, bouncy castles, music and competitions.

For the young and not so young the show features live action including an Auto-Test competition, parade laps of exhibitors cars and a giant Scalextric Track guaranteed to take the breath away from both adults and kids.

Alongside the more than 200 Classic Car display entries, the show will feature motor-cycles, commercial vehicles plus many rare and unique vehicles. Stars of the show include a 1936 Auburn ‘Boattail’ Speedster and a rare 1961 Daimler Dart.

‘A Blast from the Past’ runs from 10am – 4pm this coming Saturday.
Admission £5 – children under 12 free.
Free parking on site.
More information at http://www.nes-blastfromthepast.co.uk/car-show/

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Jul 142017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

Organisers of Celebrate Aberdeen have welcomed a sponsorship boost from a leading oil and gas company as they aim to hold their largest ever event in the city this year.
Nexen Petroleum UK Ltd have provided £8,500 in sponsorship for the summer extravaganza which features Union Street mile running races, a third sector parade and musical performances across the city centre.

Nexen joins existing sponsors CNR International (UK) Ltd, as well as event partners, Aberdeen City Council and Aberdeen Inspired, who help to fund the annual event which was first held in 2011, and media partner Northsound Radio.

As well as local charities, social enterprises and voluntary groups, musicians and city sports groups have been invited to take part in the event which will be held on Saturday, August 26 and Sunday, August 27, alongside the inaugural Great Aberdeen Run.

More than 140 local groups have signed up to ensure their place in the celebratory parade since the date of the event was announced earlier this year.

Ray Riddoch, Nexen’s Managing Director UK & Sr. VP Europe, said:

“Giving back to the communities where we live and work is deeply rooted in Nexen’s values and we are very excited about our partnership with Celebrate Aberdeen. Our investment in the event reflects the importance Nexen places on supporting the third sector and the excellent work they do. 

“Celebrate Aberdeen is a fantastic example of collaboration between charities, the local community and business and embodies Nexen’s cultural belief of ‘win together.’ We are looking forward to a fantastic weekend and to the most successful Celebrate Aberdeen to date.” 

Morven Mackenzie, the leading force behind Celebrate Aberdeen, added:

“We’re delighted to welcome Nexen to the Celebrate Aberdeen family and look forward to working with them in the lead up to our event this summer which will be the biggest and best yet.

“We rely on support from organisations like Nexen and CNR International, as well as our key partners Aberdeen Inspired, Aberdeen City Council and Northsound Radio, to make the event happen and I’d like to thank them for all of their fantastic support.

“As well as the parading organisations, we also look forward to welcoming performers from across the city who would like to take part. This year we are keen to hear from musicians, singers, bands and dancers, all of whom can all play a part in the weekend’s activities.”

More information about the Celebrate Aberdeen weekend can be found at: www.celebrateaberdeen.org

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Jul 062017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

Some of the most popular stand-up comedians from UK and beyond will return to the Granite City later this year for the second Aberdeen Comedy Festival.

Launched by Aberdeen Inspired in 2016, this year’s festival will run from Thursday, October 5 to Sunday, October 15.

The eleven-day festival, which has been organised with programming partner Breakneck Comedy, will feature national and international comedians performing at more than 20 venues throughout the city centre.

Sponsored by McGinty’s Meal An’ Ale, the festival will comprise around 50 events, including five free stand-up shows, comedy workshops for children and adults, kids shows, local talent showcases and comedy films screened at the Belmont Filmhouse.

Described as the Canadian Billy Connolly, Craig Campbell (pictured) will headline the launch of the festival at the Lemon Tree in partnership with Aberdeen Performing Arts (APA).

Scottish comedian Fred MacAulay, who performed at the festival last year, will make a return alongside other comedians, including Justin Moorhouse, Gary Delaney and Shazia Mirza – who have all recently featured on a range of panel shows on TV.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We’re delighted to launch the second Aberdeen Comedy Festival following its tremendous success last year. It really captured the imagination and people turned out in strength for shows across the city centre which had a positive knock-on effect for businesses in the area.

“As well as Aberdonians, we welcomed people from the wider north-east area and beyond, and a group even travelled from Norway to see their favourite comedians perform on stage.

“Our aim is to provide the best comedy for both residents and visitors to Aberdeen to enjoy. We have some fantastic comedians already confirmed and the full line-up will be announced soon.

“We hope the public will take the opportunity to enjoy the fantastic range of comedy which will be performed on their doorstep.”

Alan Aitken, Operations Director of McGinty’s, added:

“As a local business, it’s great to welcome cultural events like the Comedy Festival to our city and following the success of last year, we’re really delighted to support the event again.

“It was great to see the people from Aberdeen and around the north-east out in force and enjoying a laugh, and we hope to see even more this year.”

More than 3,100 tickets were sold during the laughter filled extravaganza in 2016, as well as over 1,500 tickets from APA and Beach Ballroom promoted events.

Aberdeen Performing Arts’ director of programming and creative projects, Ben Torrie, said:

“We’re very excited to be supporting the Comedy Festival and we are looking forward to kicking things off with the gala launch night here at The Lemon Tree.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information about Aberdeen Inspired is available at www.aberdeeninspired.com

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Jul 062017
 

With thanks to Ian McLaren, PR account manager, Innes Associates.

Heavy athlete Kyle Randalls competing at the 2016 Aboyne Highland Games

As Aboyne Highland Games prepares to mark its 150th anniversary next month, the event is moving its competitor registration process
online.

Individuals looking to compete in the highland dancing, piping and fiddle competitions, light and heavy
athletics events, and the hill race, and teams in the tug o’ war contest, will need to register their entry online before Monday, 31 July.

The move is designed to speed up the process of checking in competitors on games day by removing much of the administration that normally takes place.

Advance registration for the children’s races is not required and entries for these events will be accepted on games day in the normal manner.

Those competing at this year’s Aboyne Highland Games will receive a special pin badge to mark their participation in the event as it celebrates its 150th anniversary. 

To coincide with that milestone, organisers have announced that the field for the popular Fungle Hill Race is being limited to 150 places. This year, the 6.8-mile race, which follows part of the historic Fungle Road and circles the base of Craigendinnie hill, will have both men’s and women’s sections with £100 prizes for the first male and female runners to complete the route.

After a near 40-year absence, pole-vaulting will return to this year’s programme. The sport featured in the first Aboyne Highland Games in 1867 and is being included in the 2017 programme to acknowledge the contribution it made to that inaugural games 150 years ago.

One of north-east Scotland’s leading summer events, this year’s Aboyne Highland Games will take place in the Royal Deeside town on Saturday, 05 August. The event, which attracts around 10,000 visitors every year, features a packed programme of 98 traditional highland events. Leading athletes, dancers and musicians from across the country will compete for a combined prize fund of over £13,000.

Alistair Grant, chairman of Aboyne Highland Games, said:

“This year’s games is shaping up to be a great day with our 150th anniversary being marked in many ways. Aboyne Games has always kept pace with the times and our decision to move competitor registration online is reflective of that.

“The change is designed to remove some of the administration that normally takes place on games day. Competitors will still need to sign in in the normal manner, but by pre-registering we’re aiming to remove unnecessary waits and hassle, making their day at Aboyne more enjoyable.”

Those looking to compete at this year’s Aboyne Highland Games can register at www.aboynegames.com.

Founded in 1867, Aboyne Highland Games is a traditional Scottish highland games held annually on the first Saturday in August. The Aberdeenshire event, held under the patronage of Granville Gordon, the 13th Marquis of Huntly, attracts crowds of up to 10,000 people each year.

Featuring a programme of traditional highland games events, including highland dancing, tossing the caber and piping, the event on the town’s green attracts visitors from around the world and makes an important contribution to the local Deeside economy. 

Further information on Aboyne Highland Games can be found at www.aboynegames.com.

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Jul 032017
 

David Innes reviews  St Valéry And Its Aftermath by Stewart Mitchell.

Although it is almost inevitable that events are overtaken by time, and that the effect of history on localities dissipates, the name St Valéry-en-Caux, a small Normandy fishing village, continues to resonate in NE Scotland, even 77 years on from the scenes that accord that tiny French port a special place in Scottish military history.

It is said that there is scarcely an NE family which hasn’t been touched in some way by the events of June 1940, the surrender of the stranded and embattled 51st (Highland) Division, and the incarceration of thousands of Scottish soldiers in prisoner of war camps for the duration of the Second World War.

These were our forgotten casualties of that conflict, and it was a gross unfairness and insult to these brave, fortitudinous men who suffered the privations of capture, forced march and imprisonment to be described as having enjoyed an Easy War.

Stewart Mitchell, who named the Gordon Highlanders’ Museum’s excellent 2011 POW exhibition The Easy War, re-tells the story of the lead-up to Dunkirk and St Valéry, using personal accounts, some of which are now in the public domain for the first time, without resorting to military tactical terminology and technical jargon, often confusing to the lay reader.

Those of us who have had a long fascination with this episode of military and social history will have read accounts of the 51st’s manoeuvres, capture, treatment and liberation and of the social outcomes of returning home after half a decade of imprisonment. Tony Rennell, Sean Longden, Saul David, Alan Allport, Julie Summers, and Banffshire’s own Charles Morrison have all contributed to building a picture of a time of uncertainty, fortitude and, all too often, personal and familial misfortune.

It is in the re-telling of personal accounts that Mitchell excels, and he succeeds in making St Valéry more than just another military history. We hear of regular soldiers, Territorials and militiamen called up to serve when war was declared in September 1939, their backstories often of innocent city, village and country loons thrown into the jaws of an unforgiving mechanised conflict, and losing some of their most promising youthful years behind barbed wire.

Yet, there are personal recollections of derring-do, heroism, resourcefulness, smeddum and survival against heavily-stacked odds, told in fitting tribute to often forgotten men.

The volume’s appendix is unique in imbuing a personal touch to what is a harrowing, yet spirit-affirming story. Mitchell’s painstaking research has seen him identify from military records, every Gordon Highlander captured or killed in France in 1940.

My own maternal grandfather, army number 2870474 among the oldest of the Territorials called up at 37, who was 38 by the time of capture, and 44 before he was liberated, is included. That that saw my emotions well up 77 years after that fateful morning in Normandy, verifies that this a book that goes way beyond normal military history, as a chronicle of a part-generation of NE men. For that, it deserves your support.

Stewart Mitchell is making a generous contribution from the book’s sales to the Gordon Highlanders’ Museum Appeal. Please consider giving this splendid local cultural venue your support too.

STEWART MITCHELL
St Valéry And Its Aftermath
The Gordon Highlanders Captured In France In 1940
Pen & Sword Military
235 pp
Hardback ISBN 978 1 47388 658 2
£25.00

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Jul 032017
 

With thanks to Ian McLaren, PR account manager, Innes Associates.

Murray Brown peeling the bark from the log.

Athletes competing in the heavy events at this summer’s Aboyne Highland Games will have a new challenge on their hands as organisers have unveiled a new caber to mark the event’s 150th anniversary.

One of the most iconic disciplines in the highland games programme, tossing the caber requires competitors to possess strength and good balance.

Measuring 23ft 6in (7.15m) in length and weighing approximately 130lbs (59kg), the new anniversary caber is set to test these skills when it is attempted to be thrown end over end into the perfect 12 o’clock position at this year’s games on Saturday, 05 August.

Founded in 1867, Aboyne Highland Games has become one of north-east Scotland’s most popular traditional summer events, attracting up to 10,000 visitors each year. Held on the town’s green, the games is a highlight of the Royal Deeside summer events calendar.

Overseas visitors to highland games watch in awe as competitors toss the caber – many are amazed by the ability of heavy athletes to run with and throw such a lengthy and weighty object. The caber is often described by foreign tourists as a tree trunk – its most natural form – and fail to realise the work involved in creating this carefully crafted piece of sporting equipment.

Organisers of Aboyne Highland Games decided to commission a new caber as the discipline was one that had been a fixture of the games’ programme since the event’s inception 150 years ago.

At the inaugural games, local athlete Donald Dinnie, who would go on to become one of the world’s most revered athletes, outclassed competitors in most disciplines, including tossing the caber. It was reported in the Aberdeen Journal of Wednesday, 04 September 1867 that: “In tossing the caber again, Dinnie was far superior to any of the others, and tossed clean over twice an enormous tree, which none of the others could turn until fully three feet were cut off the thick end.”

Timber for the commemorative caber was donated by Dinnet Estates and came from a 50-year-old Douglas Fir that stood in woodland at Rhu-na-Haven Road, Aboyne. Since the 70ft tree was felled in January, the timber has undergone a number of processes that have seen it transformed from tree trunk to slender caber.

The work is being carried out by Murray Brown, who is convenor of heavy events at Aboyne Highland Games. Murray, who himself competed in the heavy events at highland games during the 1970s and 80s, has made a number of cabers in recent years. Over the past five months Murray and a team of volunteers have spent around 50 hours creating the new Aboyne caber, which will be unveiled at the games.

Tommy Fyvie of Aboyne tossing the caber at the 2016 Aboyne Highland Games

The first stage of the process was to allow the sap within the wood to dry out, before the log was peeled of its bark and sculpted and sanded into the iconic gently tapering pole. A number of coats of oil have also been applied to the caber to preserve its finish. One end of the caber has a smaller circumference, allowing competitors to safely hold it with ease.

The 150th anniversary caber will be used in a special event that will be contested the winner of the open caber throwing competition on games day.

If they are deemed to have successfully tossed the anniversary caber into the perfect 12 o’clock position they will be rewarded with a £500 prize.

Murray Brown, convenor of the heavy events, said:

“Many foreign visitors are unaware of the work that is involved in creating a caber. Some think we merely cut down a tree, strip the trunk of its bark and put it to use on the games field. However, it would still be full of sap which would make it too heavy and its girth at both ends too broad to be held by the majority of competitors.

“The new anniversary caber is a beautiful piece of timber. The wood is very straight and has few blemishes, which has made working with it over the last few months much easier. I look forward to seeing competitors throwing it on games day.”

Aboyne Highland Games has a tradition of creating cabers that challenge the strength and skill of competitors. In 1961, the games sent new cabers to Australia following a request from the Highland Society of New South Wales. However, it proved too tough a challenge for Australian heavy athletes. It was reported in the Canberra Times of October, 21 1965 that “nobody could toss it” and that it was subsequently replaced.

Marcus Humphrey, whose family owns Dinnet Estate, was inspired to donate wood for the anniversary caber after recalling that he was at the quayside in 1961 when the cabers arrived down under.

He said:

“I got the idea when I remembered that Aboyne gave two cabers to the Highland Society of New South Wales in 1961. The society was keen to obtain a caber from a Scottish forest for use at its own games and Aboyne duly obliged. By chance I was in Sydney and witnessed the cabers being unloaded from a ship at the harbour.”

Alistair Grant, chairman of Aboyne Highland Games, added:

“Our 150th anniversary is set to be a special day and is being marked in a number of ways. A book containing old pictures and the public’s memories of the games is being created, an anniversary whisky is being bottled and pole vaulting is making a return to programme.

“The new caber will be a splendid and lasting addition to our games equipment. Our thanks go to Murray, Marcus and all of those who have been involved in crafting it.”

Founded in 1867, Aboyne Highland Games is a traditional Scottish highland games held annually on the first Saturday in August. The Aberdeenshire event, held under the patronage of Granville Gordon, the 13th Marquis of Huntly, attracts crowds of up to 10,000 people each year.

Featuring a programme of traditional highland games events, including highland dancing, tossing the caber and piping, the event on the town’s green attracts visitors from around the world and makes an important contribution to the local Deeside economy. Further information on Aboyne Highland Games can be found at www.aboynegames.com.

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Jun 302017
 

Duncan Harley reviews ‘Chess – The Musical’ at His Majesty’s Theatre. 

Chess plays at HMT Aberdeen until Saturday 1 July 2017.

Chess – The Musical comes to the HMT stage this week courtesy of Aberdeen Opera Company Productions in collaboration with Scott School of Dancing and despite the slightly clunky original storyline and often clichéd characterisation this production of the pop-opera easily transcends the limitations of the scrip and delivers a powerful and entertaining take on the politics of the Cold War era.

It’s Friday night and the lights are low. Everybody’s playing the game but nobody’s rules are the same.

In fact, “Nobody’s on nobody’s side” and those long daggers are drawn for all to see. For those who missed out on the Cold War, welcome to the dark world of international chess seventies style.

A musical game of stealth, dark deals and exploitation takes the theatre audience on a wild trip through the murky and mysterious world of international pre-internet gaming. As the USSR and the USA battle it out in icy Merano and steamy Bangkok, Indian Attacks and Paris Gambits are to the fore as the grandmasters battle it out.

Essentially a love story, Chess features a love triangle subjected to some pretty cynical manipulation by the forces of politics and commerce.

Scott Jamieson’s brilliantly dysfunctional grandmaster, the aptly named Frederick Trumper, loses both his title and his lady to Gavin McKay’s dignified Anatoly Sergievsky. As the minders look on and the manipulators take charge, Florence Vassy, played by Rachael Watson, switches sides and seizes the starring role with powerful numbers such as ‘Heaven Help My Heart’ and, in duet with Amanda Massie’s Svetlana, ‘I Know Him So Well’.

The Chess-set is utilitarian verging on the Brutalist, the music ranges from rock to light opera and the choreography is, to say the least, fast-paced and razor-sharp. The tournament scenes are simply spell-binding and stage-lighting is simple but stunning!

Fresh from the 2016 hit production of Sunshine in Leith, the AOC theatre group has once again delivered a triumphant piece of entertainment. A must see.

Directed by Judith Stephen and based on an idea by Tim Rice with music by Benny Andersson and Bjorn Ulvaeus, Chess plays at HMT Aberdeen until Saturday 1 July 2017

Words © Duncan Harley. Images © Rhea McKenzie Photography

Jun 232017
 

With thanks to Craig Chisholm.

Aberdeen’s very own festival in the city returns in September in what promises to be an entertaining weekend. True North, now in its’ third year, has announced another strong line up over the weekend of 7 – 10 September. Kicking off proceedings are highly acclaimed act Public Service Broadcasting

With their new album released in July their date at His Majesty’s Theatre on Thursday 7th September is sure to be a sell-out.

The album, entitled Every Valley, depicts the history of industry in Wales, chronicling the rise and decline of the country’s coal industry.

Following previous concerts at The Lemon Tree, this is Public Service Broadcasting’s biggest date in Aberdeen and, as anyone that has seen them before will testify, they are sure to put on another memorable performance.

If one gig isn’t enough on Thursday night, then be sure to pop past the Lemon Tree afterwards for a late show by art-rockers Wild Beasts. The band are scheduled to release a new album – Boy King – in August so this will provide an early opportunity to see them perform tracks from it.

Friday night again offers two bills in two venues –  cult Scottish indie band Arab Strap at The Tivoli whilst The Lemon Tree plays host to art-pop quartet Dutch Uncles.

The recently reformed Arab Strap recently sold out two nights at Glasgow’s Barrowland Ballroom and at forthcoming events at the Kelvingrove Bandstand. The more intimate settings of The Tivoli will provide a perfect setting for the band’s unique storytelling and singular musical vision.

Manchester band Dutch Uncles take musical inspiration from Low-era Bowie, Kate Bush’s The Red Shoes, East European Techno and, they claim, “some slightly less fashionable records belonging to their Dads”. With inspirations like that how could you afford to miss them?

Saturday night at The Lemon Tree also provides the opportunity to stay up late as Lost Map Records main-man The Pictish Trail, better known to friends and family as Johnny Lynch, brings his unique blend of folk, electro and humour to the stage there once again. Guest DJs will also be on hand to spin tunes into the wee small hours.

It’s His Majesty’s Theatre that provides the most intriguing performance of the weekend – a full band interpretation of Fleetwood Mac’s legendry album Rumours. Start to End provide the musical backing and they will be joined onstage by musicians from Pronto Mama, Fat-Suit, Admiral Fallow and a few special guests still be announced. This should again prove a big draw and will appeal to fans of all ages.

Rounding up the weekend is a double bill of two Scotland’s most talented young performers as The Tivoli plays host to Frightened Rabbit singer Scott Hutchison and Kathryn Joseph, who was the winner of 2015 Scottish Album of the Year.

On top of the main performances there’ll also be a Fringe festival over the course the weekend at venues such as The Lemon Tree and intimate sessions at the Maritime Museum.

Tickets go on sale for all concerts on Friday 23rd November – http://www.aberdeenperformingarts.com/truenorth

Jun 232017
 

Duncan Harley reviews The Wedding Singer at His Majesty’s Theatre Aberdeen.

Once you get to grips with the schmaltzy ‘girls just wanna get married’ portrayal of the eighties which haunts this musical from the very start, The Wedding Singer is actually a whole load of fun.

Despite a story-line thin enough to gladden the heart of a coronary bypass surgeon and sufficient cheesy humour to keep McDonalds going in triple cheeseburger’s for a month, the entertainment value more than makes up for this sugar-sweet take on the Reagan decade.

Based on the hit 1998 film of the same name, the musical tells the tale of wedding singer and emcee Robbie Hart.

Robbie and his band ‘Simply Wed’ – yes you read that correctly – play the New Jersey wedding circuit making a precarious living on the back of those who have popped the question. Jilted and depressed he abandons the wedding gigs and comes of age on the bar mitzvah circuit. Predictably he gets the girl and equally predictably he gets invited to sing at his own wedding.

Starring Jon Robyns as the multi-talented Robbie Hart and X Factor/singer songwriter Cassie Compton as love interest Julia Sullivan, it would be difficult to imagine this production going far wrong really. Well known for roles including secretly-gay Rod in Avenue Q and Sir Galahad in Spamalot Jon’s performance literally shines.

Add in a mix of stars including Ray Quinn, as Glen Gulia, and Barbara Rafferty in the role of Rosie the rapping-granny and The Wedding Singer is off like the clappers.  A clutch of iconic dance-numbers including Saturday Night in the City and All About the Green plus some pretty dang impressive lighting and audio complete the line-up.

Alongside the main characters, the cast list includes a motley crew of ‘fake’ characters including Ronnie Reagan, Billy Idol, Tina Turner and Cyndi Lauper. Additionally, and I could be wrong, amongst the line-up in the bar scene I swear I spotted a suitably inebriated Charles Bukowski

As a feel-good, Aspartame sweetened heart-warming trip into the past, The Wedding Singer works really well although the story-line does pose awkward questions for those who were actually around at the time.

Will Hart get the girl? And does Julia really want to be Mrs Gulia? For a definitive answer or two you will just have to join the audience. Oh! And watch out for those brick-size cell-phones and, of course, that singing cake!

Lighting Designer Ben Cracknell/Sound Designer Ben Harrison.
The Wedding Singer plays at HMT Aberdeen until Saturday 24 June
Tickets from Aberdeen Performing Arts Tel: 01224- 641122
Words © Duncan Harley and Images © APA