May 072015
 
Wicked UK & Ireland Tour. Photo by Matt Crockett

Wicked runs at HM Theatre Aberdeen until Saturday May 30th. Photo by Matt Crockett

By Duncan Harley.

In 1900, American writer Lyman Frank Baum introduced readers to a fantastical land filled with witches, munchkins and a girl named Dorothy from Kansas in The Wonderful Wizard of Oz.
He lived for a while in Aberdeen – Aberdeen South Dakota that is – and went on to write 13 more Oz books before his death in 1919.

His stories, which continue to fascinate audiences to this day, have formed the basis for popular films such as Metro-Goldwyn-Mayer’s 1939 The Wizard of Oz, starring Judy Garland and Disney’s 1985 Return to Oz.

Even The Muppets got in on the act in 2005 with Miss Piggy playing all the witches in The Muppets Wizard of Oz.

Writers as diverse as Stephen King and Alexander Volkov have penned alternate versions of the original Frank Baum stories and in 1995 writer Gregory McGuire added The Life and Times of the Wicked Witch of the West to the tribute list.

Based on Winnie Holzman’s adaptation of McGuire’s novel, Wicked the musical opened on Broadway in September 2003 and tells the back-story of what happened before Judy Garland’s gingham clad Kansas dreamer Dorothy followed the Yellow Brick Road.

Essentially, the story follows the ups and downs of the self obsessed Glinda (Emily Tierney – Kate Modern and West Side Story in Concert) and the green tinged Elphaba (Ashleigh Gray – Susan Boyle in Concert and NHS The Musical) who meet at the Hogwart-like Shiz University for Sorcerers in Gilikan, the Northern Province of the Land of Oz.

The two wizardly undergraduates vie for the Adonis like charms of Fiyero (Samuel Edwards – Robin Hood and Les Miserables) and come under the spell of Steven Pinder the seemingly not so powerful, Wonderful Wizard of Oz.

On one level a dark tale of the West’s fear of alien cultures emerges as the animal kingdom of Oz is suppressed but as the gags proceed at a pace, the theatre audience are led willingly into the feel good, or on occasion feel bad, land of munchkins and flying homesteads.

Wicked UK Tour Emily Tierney (Glinda). Photo by Matt CrockettThe toe tapping dance routines are spellbinding and Stephen Schwartz’s music and lyrics move the story forward effortlessly. The origins of the Tin Man, the Scarecrow and The Lion are effortlessly explained and despite a distinct lack of Dorothy Gale, this is after all a prequel, frequent references to shoes and hurricanes keep the future heroine distinctly in the wings.

Of particular note is the powerful performance of Marilyn Cutts as Madame Morrible, the headmistress of Shiz.

Conspicuously evil and named with the all the comic subtlety of a steam hammer the role is superbly played by a seasoned actor who effortlessly takes girl power to its logical extreme.

Packed to the brim with technical wizardry and special effects, Wicked is also packed with enough show-stopping songs such as Defying Gravity and March of the Witch Hunters to satisfy the most ardent musical fan.

Throw in a few flying monkeys, a munchkin or two plus a cute cuddly lion cub and you have an enchantingly spellbinding show.

Wicked runs at HM Theatre Aberdeen until Saturday May 30th.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley, Images © Matt Crockett

May 052015
 

With thanks to Graham Robertson, Blues Rock Aberdeen.

Vata Live - credit Andy Hibbs2

Virgil and the Accelerators.

With their incendiary and seemingly-telepathic live delivery, Virgil and the Accelerators will be playing at The Tunnels, Aberdeen on Friday 15 May, great news for live music lovers and aspiring local musicians.

At four years old, Virgil McMahon was playing his father’s mandolin and, by his early teens, he was absorbing the sounds of Hendrix, Billy Gibbons, Joe Bonamassa and Stevie Ray Vaughan.

Joining his father’s band The Accelerators, it became apparent that Virgil’s destiny was sealed and the band was reborn as Virgil & The Accelerators.

In 2008, McMahon’s 14 year old brother Gabriel stepped up, quickly developing into a powerhouse drummer and the seeds were sown for the growth of a formidable band. The addition of Jack Alexander Timmis on bass, saw the final chapter written and the dynamics, raw energy and emotionally-charged power of this creative young act exploded on to the UK music scene.

Touring relentlessly across Europe in their own right and supporting Michael Schenker, Uriah Heep, Tracer and Wilko Johnson has built the band a loyal, growing fan base and with a 20-day tour of the UK about to start, fans are in for a real treat.

Now with two critically-acclaimed albums, The Radium and Army Of Three behind them, the band’s chemistry onstage is perfectly summed up by Pete Feenstra of Get Ready to Rock:

One minute guitarist Virgil dredges up a few Billy Gibbons licks, the next he’s going back to Keith Richard for source classic rock riffs, before he memorably loses himself in the moment and drags the audience to another place. He’s not on his own of course, as his brother Gabriel evokes the ghost of Keith Moon with furious excursions round his kit to launch the band on to another level. 

“And standing stage right is the indomitable Jack Alexander Timmis, the veritable anchor of the band, who makes sure the wild musical excesses are kept in check with some essential root notes, while his back-up vocals bring extra depth to the hooks.”

Check them out here:

https://www.youtube.com/watch?v=xp5vkPKzsP0
https://www.youtube.com/watch?v=DbS-1BCMp8A

The band will be performing at The Tunnels, Carnegies Brae, Aberdeen on Friday 15 May. Doors open at 1930. Advance tickets cost £10.00 and can be bought by calling 01224 641122 or online at http://www.aberdeenperformingarts.com/events/virgil-and-the-accelerators

Links:

http://www.vataband.com
https://www.facebook.com/VATABANDhttps://twitter.com/vataband

May 012015
 

Old Susannah recounts her latest encounter with Aberdeen Council, and gets to grips with issues in the wider world as well. By Suzanne Kelly

DictionaryChestnuts roasting on an open fire; Jack Frost nipping at your extremities; snow falling. Hope you’re enjoying the spring weather as well.

Perhaps you’ve gone up Tullos Hill to shelter under the Tree for Every Citizen forest during these wintry days. Walking through this award-winning forest, you’ll soon understand why we’ve had to blast the deer – 46 at least – to kingdom come to create this forest primeval.

I had the great privilege of addressing the city’s Petitions Committee last week; it was quite an experience.

Imagine how foolish I felt – there I was, making a presentation, and showing photos of how lovely the weeds had turned out, towering above the beautiful tree guards on Tullos, with barely a sapling rising over its tree guard – only to have Officer Steve Shaw tell the meeting that the Tree For Every Citizen Scheme was a huge success!

It has even won awards! I felt like apologising straight away – but the way things worked, I didn’t get a chance to say another word. This expert in animal welfare, ecology and car accidents (deer apparently were mentioned in 40 accidents last year) explained that deer have to be managed, that we’re in for a real gem of a forest, and that everything is fine.

Funny, he didn’t seem to be able to talk about how much this ‘cost neutral’ scheme is costing the taxpayer. I make it a minimum of £169,000 – for Tullos Hill alone. At such a bargain, I think we should kill everything that moves and turn every field into a future timber yard – for that’s what Pete Leonard is promising us – lots of income from lumber. Result!

Steve put forward a really logical, interesting, award-winning speech. I just wonder why Ranger Ian Talboys, who was happy enough to be photographed with Princess Anne and the award, didn’t want to address the meeting himself? I really thought that the scheme’s chief architect and deer hater extraordinaire, Aileen ‘HoMalone’ Malone, would have come along to wish me well, but there was no sign of her giant hair or giant shoulder pads anywhere.

Perhaps she was out stalking. Remember when you go to the polls to vote, a vote for the Lib Dems is a vote for deer killing.

Happily there’s some really good economic news this past week; Scotland now has a few more billionaires and millionaires! This obviously means that their money will ‘trickle down’ onto the rest of us. Any day now. Sometimes it seems as if something is indeed trickling down on the less fortunate, but it doesn’t feel like wealth. But what a great system where the rich get richer and the poor (deserving or undeserving) can live in hope of a few crumbs from the rich’s table.

I’ve heard rumours that some of these billionaires shelter money from the taxman. I’ve also heard that one or two people need to use food banks. If so, I hope they’re the deserving poor, rather than the undeserving poor. There are one or two far left organisations out there like Oxfam and the like which claim if the really rich aren’t paying their share of tax, and are getting richer, this might have something to do with the poor getting poorer.

Then a funny thing happened, a couple of dolphins washed up dead on Japanese shores

Can’t see it myself, but perhaps if only a few people have most of the country’s money that might well mean less money for the rest of us.

If there are any accountants out there, please look into this for me, thanks.

There are other events that seem like they might be interrelated as well. The minor nuclear accident at the otherwise successful Fukushima plant in Japan is all but forgotten I know, and fair enough. This plant was otherwise a huge success for capitalism – checking the boxes for safety, and coming in at the lowest possible cost. For some reason after this minor accident, people left the area. Quickly.

Some even left their pets behind, so it couldn’t have been too serious. Then a funny thing happened, a couple of dolphins washed up dead on Japanese shores the other week. Their lungs had turned a funny white colour, and some scientists say this might be something to do with radioactivity. It’s more likely that the dolphins were just trying to be rescued from the seas and find their way into SeaWorld via Taji Cove.

Japan has lots of animal welfare experts, and some of them have a different explanation for the mass stranding.

The dolphins were depressed and decided to end it all. It wasn’t too many animals, only 150 or so, and as it’s Japan, they probably would have wound up either performing tricks in a sea world park or on a dinner plate, so it’s no big difference how they wound up anyway.

I was interested to read of Japanese experts claiming these big fish had any feelings or emotions in the first place; I thought that was why it was good to keep the Taji Cove tradition of chopping them up alive going. But I wonder – could there be some link between these beached dead creatures and that little radiation leak? Silly I know to even think it – if nuclear power was unsafe, then we wouldn’t be using it, would we.

Moving swiftly on, here are some definitions, and thoughts on whether there are any connected coincidences or causes behind them.

Nickel Ride: (Modern American English Slang) – Placing a handcuffed person in the back of a police van without benefit of a seatbelt or anything to hold onto, then driving as wildly as possible, obviously oblivious to any potential slight harm that may befall them.

A group of people in Baltimore are becoming more lawless by the day. They refuse to obey laws, respect other peoples’ Constitutional rights, and are getting very much out of hand. Indeed; Baltimore’s citizens are disobeying Baltimore police, and that’s terrible. Police brutality is a real problem: people in Baltimore are being unkind to their police.

If the police find you breaking a law, walking down a street, possibly not wearing a seatbelt or selling raffle tickets in Maryland, you pretty much get what you deserve; police are only human and with such outrageous provocation, they must react appropriately. According to online publication The Free Thought Project, these are the sorts of people harassing the police:-

“Victims include a 15-year-old boy riding a dirt bike, a 26-year-old pregnant accountant who had witnessed a beating, a 50-year-old woman selling church raffle tickets, a 65-year-old church deacon rolling a cigarette and an 87-year-old grandmother aiding her wounded grandson.” http://thefreethoughtproject.com/pregnant-women-elderly-baltimore-cops-dark-history-brutality/#TYUdOYAHoKmS8KiF.99

Being a cop is a dangerous job; you never know when someone may jay walk, spray graffiti or have a mental health issue; you have to always be fit enough to help them see the error of their ways and stop them reoffending. That’s when techniques like ‘nickel rides’ or ‘rough rides’ come in handy.

he had a criminal record, and that tells us all we need to know about him

Of course the police can’t make an omelet without breaking a few skulls, and that’s what happened to one Freddie Gray. For some reason, he went into a police van a healthy lawbreaker, and well, was dead soon after one of these little fun rides.

At present, the police are saying this is self-inflicted. Suspects do that a lot – break their spines.

For some reason, coupled with the odd isolated police incident or two in Baltimore, this death has caused rioting. Some people just overreact with the slightest provocation.

Then again, these little police incidents have seen some $5 million awarded to the victims – sorry – suspected criminals in Maryland. The court actions cost another $5 million or so. Knowing that most of the awards were capped in Maryland at $500,000 gives you a bit of perspective. I’m sure all of the cases we need to know about get to court, and we all understand how easy it is to get over-enthusiastic when doing your job.

The need for reform is clear. In one other state, a man who had badly self-harmed himself (so the police say) was rightly sued for damaging police property: he’d got his blood on their clothes. That’s the kind of reform we need.

Pretty much Gray deserved what he got – first, he had a criminal record, and that tells us all we need to know about him. It’s not as if anyone in the police force in Maryland has ever broken the law. The Telegraph posted footage showing him pretending to be in pain, and two police officers are being made to suffer as they have to drag him into the van they drove him around in for half an hour or so. The Telegraph reported:

“Gray was arrested after making eye contact with officers and then running away, police said. He was held down, handcuffed and loaded into a van without a seat belt. Leg cuffs were put on him when he became irate inside.

He asked for medical help several times even before being put in the van, but paramedics were not called until after a 30-minute ride.” 

For some reason, people who are not wealthy and white are picked up by the police more often than those who aren’t. Makes you wonder.

Now, this may be leaping to a conclusion, but do we think there’s any connection between police interrogating pregnant women, helping grannies to confess their crimes with a bit of physical force, nickel rides, tasering and shooting, and people taking to the streets to protest? But just as I’m not taken seriously about deer and tree issues because I don’t have any degrees or awards, it would be wrong for me to come to any conclusions about this situation.

who can argue against a cull?

One comforting thought is the adage that everything that happens in American happens in Britain 10 years later.

Our Scottish police started carrying guns without troubling any elected officials; that was pretty reassuring and thoughtful of them.

Then they promised they would only carry weapons in life-threatening situations. But then they showed up at shopping malls and restaurants with arms, so you know that citizens have got well out of hand since the police needed to bring guns.

It’s only a matter of time before our police start adopting some tried-and tested American techniques.

Deer-related accidents: (compound modern Scottish noun) Accidents caused by deer being hit by cars.

One or two road accidents in Scotland were caused by police chases or police officers last year. A two week police operation found 13 drunk drivers in Aberdeen last June. Perhaps a couple of accidents happened in bad weather conditions, but you don’t hear much about that. And now, according to Aberdeen City’s officer Steve Shaw, about 40 accidents involving deer happened recently too.

Sometimes the deer were ‘nicked’; sometimes they were badly injured or killed. There is only one solution: shoot the deer.

For a bit of perspective on how serious the deer issue is, National Travel Survey data says the UK gets between 690,000 and 710,000 accidents per year. The sooner we kill the deer so they don’t risk getting hurt, the better. With figures like this, who can argue against a cull? It’s not as if there are any pro-culling lobbyist groups that are trying to make a molehill into a mountain.

Actually, the city have taken up the suggestion and have done a u-turn – they will put up road signs to warn motorists where deer may be. But perhaps we should save the fortune that a few dozen signs will cost, and just pay some hunters to cull these vermin (as Peter Leonard of ACC fondly calls them).

Originally the city wrote to me to say signs were a waste of time because no one reads them. This is why you won’t find signs pointing the way to the Trump Estate, to the airport, warning where elderly people may be crossing the road, or when Kaffee Fasset has a show of quilts on at the art gallery.

Shaw says this is an increase in the number of deer causing accidents! There is apparently no pattern, and it’s happening everywhere! The deer menace must get killed. He did say that some of these accidents weren’t fatal to deer, but we can’t take chances. If we kill them now, then they can’t get in accidents and get killed.

Again, Old Susannah is not an expert, as all the people in favour of planting trees on Tullos Hill are fond of reminding her. But I can’t help wonder all the same, could there be some link to our building over all of our green spaces and removing gorse from places like Tullos, where deer used to live before they were destroyed, and deer moving around the remaining green areas? Could there be a link?

Next week: election result overviews, a new who’s who, and more

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May 012015
 
cahalenandeli new pic

Cahalen Morrison & Eli West are to appear at the Blue Lamp, Wednesday 6th May.

With thanks to Martin Raitt.

Cahalen Morrison & Eli West are, simply put, two of the most innovative and subtle roots musicians around. Their music draws from old folk sources, but it sounds vibrantly alive.
Cahalen Morrison writes songs that sound like a Cormac McCarthy novel: simple, beautifully crafted, and seemingly formed from raw natural elements.

Eli West brings jagged, angular arrangements based in bluegrass and old-time, but refracted through a 21st century lens.

Like Ansel Adams’ photography, their music is instantly accessible and built from the simplest materials, but at the same time seems to transcend its base fundamentals. Together, Cahalen and Eli tap the root of the old country and bluegrass duets. As the sparse landscapes of Cahalen’s vocals reflect the warm glow of Eli’s voice, it’s clear that this duo was made to sing together.

See a review of their appearance at the Salmon Bothy, Portsoy, written by David Innes for Aberdeen Voice.

Tickets are £10, and it’s sure to be a busy night.

Almost Blue Ticket Link
See Tickets Link
Facebook Event Page

 

May 012015
 

Benzie 2 With thanks to Rob Adams.

He became a star student at one of America’s most prestigious music schools but Alan Benzie, who returns to the Blue Lamp on Thursday, May 7, was in demand as a jazz pianist while he was still at school here in Scotland.

Now twenty-five, Benzie was a pupil at St Mary’s music school in Edinburgh, where he originally studied violin, when the owner of the Jazz Bar in the capital, Bill Kyle, used to phone him, sometimes at the last minute, to come over and play with some of the best musicians on the touring circuit.

“I remember once getting a call just after I’d gone to bed,” says Benzie.

“It was Bill, phoning to say that the pianist he’d booked hadn’t turned up and asking if I could deputise. So I got up, had a quick shower, got dressed, dashed over to Chambers Street, and played the gig.”

His experiences at the award-winning venue were not always quite so impromptu. As a teenager who had shown considerable promise, he had been asked to play the Saturday afternoon slot regularly and he would later go on to play residencies at the club with musicians including the Russian trumpeter Valery Ponomarev and American vibes player Joe Locke.

Once he arrived at Berklee, after winning the inaugural Young Scottish Jazz Musician of the Year competition in 2007, Benzie played with other notable musicians including saxophonists Jerry Bergonzi and Joshua Redman. He also won the college’s Jazz Performance Award in 2008, the Alex Ulanowski Award for outstanding composition in 2009 and 2010, and the Billboard Magazine Endowed Scholarship, which is given to the year’s outstanding student, in 2010.

Such achievements couldn’t have been further from Benzie’s mind when he began studying violin at St Mary’s. He enjoyed playing the instrument and sat in on the school’s monthly jazz classes but when he heard Swedish pianist Esbjörn Svensson, whose trio EST enjoyed huge worldwide popularity in the early 2000s, he decided he had to become a pianist.

Svensson, who died in a diving accident aged forty-four in 2008, became a mentor to Benzie as the pair had long conversations about music on EST’s frequent visits to Scotland.

Now Benzie is leading his own trio, featuring Edinburgh-born, London-based Andrew Robb (bass) and Hungarian drummer Marton Juhasz, and releases his first album, Traveller’s Tales, this month. It features music inspired by his own travels.

“I’ve been lucky enough to spend time in different places and this has had a big impact on the way I look at the world and how I write music. I also love a good yarn,” he says.

“All of the tunes on the album have a story behind them, some of longer ones being like diary entries and the shorter ones more like capturing an image.”

And although his travels have taken him to play at some of the world’s best known venues and festivals, he still has a soft spot for the Blue Lamp, where he last appeared two years ago.

“Speak to musicians in London and from places further afield and if they discover you’re from Scotland, they almost inevitably mention the Lampie, as everyone seems to know it,” he says.

“It’s a great room with a special atmosphere and I’m really looking forward to being back there.”

May 012015
 

Jonny Paterson is a Scottish film producer working in Hollywood, going from strength to strength. His talents and potential are acknowledged by the Bafta Newcomers programme Paterson’s producing ‘Halfway’, a greatly-anticipated film starring Quinton Arron, and has a few other irons in the fire. I have to remind myself he’s 27. Aberdeen Voice catches up with him following our interview one year ago to find out what’s next for him. By Suzanne Kelly.

Jonny_and_Ben_Caird_Director_aScotland’s mutual love affair with Hollywood shows no signs of abating, and there is every sign that the next generation of creatives are emerging to carry on this tradition. James McAvoy, Declan Laird, Aberdeen’s own Rose Leslie.. the list of Scots talent in front of the camera is impressive.

On the other side, young producers like Jonny are likewise making huge strides forward.

Paterson’s in the midst of several important projects when we speak. I somehow missed his email asking if we could reschedule; he doesn’t even mention this when I phone. 

Aside from the crucial and deadline-sensitive work in which I find him embroiled, he and his girlfriend have just recently moved home.

Moving house is acknowledged as one of the top ten most stressful things people do; how you do that in a foreign country while producing films in a super-competitive environment as a twenty-something  astonishing to me. But here he is on the phone, managing it all and sounding enthused yet relaxed.

Jonny, where are you and what are you doing this week?

“I’m in West Hollywood; I’m the producer of Halfway and I have been working on a cut of the film. We have a team of executive producers guiding us through the post-production process, and we hope to show them something by the end of this week. Whenever you have a deadline you’re right up against it – but Halfway is coming along nicely.

“We filmed the movie in October 2014, and went straight into the editing room and we are still editing the film. It’s typical that that might take 6 months.  We’re now 5 months into it, and are close to a picture lock. A picture lock is when the team decides the visual film is there the next bit is sound design, then colour grade, then music.”

It seems to me that the themes which I understand Halfway will deal with are extremely timely given social problems America is wrestling with; please tell me more about the issues.

“Halfway commentates on many problems, in particular the huge socio-economic issue created by recidivism. The term defines the ongoing conveyor belt of young men and women who come out of prison and then find themselves without opportunities. They wind up back inside. Research shows that within 3 years of being released 66% are re-arrested for a similar crime, then in another 5 years 75% are rearrested. 

“Within Afro-American communities the figures are frightening, accounting for a significant social disparity. Of the 2.4m incarcerated Americans (largest number of any democratic country in the world), 2/3 of them are made up of Afro-Americans and Hispanics, while they only account for around 28% of the population at large.”

(I know that the privatised American prison system, longstanding prejudices, the gap between haves and have-nots, and the extreme difficulty of people with a criminal record are the fuel for this problem – but I had no idea the figures were this high.  The  current events in Baltimore for me make this subject even more timely and important.)  Tell me more about the story line please.

Production_Still_1_av“’Halfway’ is about a recently released convict who upon being released from prison, finds himself trapped between his urban criminal past and his new life on probation as the only black man in a conservative white Wisconsin farming town.  ‘Halfway’ in essence attempts to show an American Dream story of social movement and rejection of his past transgresses through physical hard work in this new and alien environment, where the outsider element at the core of the film is race.”

“I find perception and discrimination due to race fascinating. Clearly the United States still has a problem with race relations in many parts of the country, and whilst I cannot try and tackle everything in this film, I certainly wish to pose some poignant social questions.

“Should our past actions allow for prejudice against us? Can we expect to be absolved of all blame simply because we have served our punishment? Is a small, largely ignorant microsociety incapable of change? Can people prove to others who are pre-programmed against them that their views are misguided?”

For a guy who’s got a crucial pressing deadline, and who’s just moved house, Paterson’s voice is calm, enthusiastic, and words come to him without any hesitation.

Jonny, how was working with Quinton?

Quinton_Aaron_in_the_backgrounQuinton Aaron is from a modest background, he grew up in the Bronx area of New York – he’s  a very interesting guy. He had an interesting childhood – he was bullied for being big – a lot of that stuff makes him a very compassionate man. He got involved with this project because he believes in this film’s message.  Quinton’s a massive asset to us, first and foremost Quinton’s a very gifted actor, and his performance is very strong. It will be instrumental in leading the film to any commercial/critical acclaim.

“His involvement during this stage is limited, he has to wait like everyone else, but he’s ready to spring back into action when we need him for marketing.”

I suggest that someone like Paterson is already looking to his next fence in terms of projects.  In point of fact, one reason I’m keen to talk to him again is that there has been a sudden surge in the popularity of the interview we did a year ago.  Then again, I simply want to know how his many plans are coming along.

Jonny, what are some of your future projects and plans?

“We just internationally announced that we’re making a film in Ireland, ‘The Scavengers’. It is a project that I’ve actually been working on for longer than I have on ‘Halfway’, which is pretty par for the course with filmmaking as I’m finding out! That’s going to probably be the next project for me; everyone involved is passionate about it. 

“With my experiences on Halfway now banked and stored for life, I feel in a much better position to move forward with my next project. I somewhat know what I’m actually doing now!  It’s been a productive time for me, being able to leverage my experience on ‘Halfway’ on this new project”

I wonder whether he’ll have time to continue his involvement in Football Aid, an established charity his father established over ten years ago, so I ask about it.

“Football Aid is still an important part of my life and the big news in the last few months is that my dad the chairman stepped down from his role after 12 years. Daniel Geey replace him he’s a London based lawyer and a wonderful guy. Dad felt Football Aid was in need of fresh blood; and it’s taking its natural course in that respect.

“We had our first event in Italy last year; we’ve got bigger and more Italian clubs are involved. We’re expanding into Europe to summarise.

“I’m still a director and board member, but I think aligning with my own current interests there’s discussion as to how to get into the USA. We have connections with L.A. Galaxy. It’s too early to say we’re in the US, but we are expanding in Europe”

Jonny, what have you been doing lately aside from your work?

“I just moved into a new apartment with my girlfriend. On a personal level, I’ve had a very productive six months. I’m just settling in here. I don’t have any plans to get to Scotland soon, but I will be back in the UK by the end of the year.”

It certainly sounds like a productive six months to me. It’s at this point that my computer advises me I’ve new email – it’s Jonny’s message saying he’s kind of busy and would I perhaps like to reschedule. With or without my seeing that message, I’d come to the conclusion that Paterson’s very busy indeed.

I draw our conversation to a close soon after, but I am certain that when we next speak, that he’ll have been just as busy, that he’ll have a few sensational successes under his belt and that he will have further exciting new projects on his to do list.

May 012015
 

Lemon Tree 26 April 2015; it’s been snowing, most people are cancelling their plans to stay home and be warm. The result is an audience size below what was expected for Wire. But completely undaunted and unphased, they air their new album Wire to Aberdeen’s hardcore, devoted live music fans. Suzanne Kelly reports. Pictures by Dod Morrison.

Wire_2_by_dod_morrison_april_2 I wish I’d stayed until the end. I wish I’d stayed until the end. Having to leave this show early is a huge regret a week later.

With a new album to promote, long-running, ever-evolving punk/art/rock act Wire played a, well – sweet and strong set to an audience that loved it.

The Lemon Tree was not packed, but almost everyone I’d ever met in Aberdeen who loves music was there.

One proud fan had bought everything the merchandise stall had to offer. A beautiful silver foil on black poster, signed by Wire, was his prized possession.

The geometric graphic was composed of many smaller elements making a striking, elegant, strong overall design. And that’s kind of how I see their music as well. Complex, perfectly executed percussion layered with bass, guitar and vocals combine; and rock-solid, cohesive and compelling music is the result.

As another person who loved the show said:

“they’re artists; this is art.” 

Wire formed around 1976 and today are Colin Newman (vocals, acoustic guitar , electric guitar, keyboards, and more); Graham Lewis (bass, effects, keyboards, vocals, backing vocals); Robert Grey (drums) and since 2012 or so Matt Simms (electric guitar, 12-string electric guitar, lap steel guitar, effects, keyboards)

Of this new album they’ve said:

“Their 13th studio album — simply titled ‘Wire’— comprises material that was written with the album in mind, but toured extensively first, as well as songs that Newman introduced to the group in the studio just prior to recording.

“The idea was to get the most spontaneous reaction possible from the musicians, and far from the rough and ready results one might expect from such a tack, Wire is full of swooning pop melodies with a ’60s tinge and an irresistible, near motorik rhythmic momentum. One can recognise certain melodic inflections, guitar and bass motifs, and drum rhythms from Wire’s idiosyncratic vocabulary but it has a remarkable freshness.” 
http://www.slicingupeyeballs.com/2015/02/12/wire-new-album-tour-dates/

The new guitarist Simms in particular seems to be enjoying himself and is smiling at his bandmates and the crowd; other than that the rest of the act seems focused on every note. I wonder how they’re feeling: it’s the end of the UK tour; it’s Sunday night; it’s snowing; they’re probably shattered. But they’re here and we’re glad of it.

A sound engineer is darting all over the place; some said as I left the vocals could have been higher in the mix and brighter, but I’ve no complaints myself.

No point in pretending I know what the new songs were or what the complete set list is. (If someone out there wants to share the set list, please do weigh in). What I did hear was infectious and beautifully delivered. Know the names of the songs? I wasn’t sure whether I was in the 1980s 90s or the future. But I liked it a lot.

If you want a sample, here is Joust & Jostle.

I’d not previewed the new album; this show was mainly dedicated to tracks from this their 13th album, the self-titled ‘Wire’. As my friend said later:

“They’ve finally put out an album named ‘Wire’ – its brilliant, it IS Wire.” 

I find them crisp, smart, sharp; the drummer is absolutely amazing; at one point I’m not at all sure how Simms is getting his guitar to create the most amazing sounds; I’m a bit mesmerised by this and several other passages.

My phone’s SoundHound app didn’t recognise any of the new pieces, which I thought I’d try for a variety of reasons; but I was far too busy listening to them to worry about it. But I’m sure that once this album’s been properly launched, everyone, even SoundHound will be familiar with this impressive new material. Aside from the people who came and stood directly in front of me after the third song and didn’t’ stop talking once, it was a gripped and attentive audience.

By the time this review is out, the UK tour will have finished; the band will tour the US in May. If you can’t get there, I’d get the album.

Is it punk? Is it new wave? Is it PostPunk? Is it electronica? Is it rock? Yes. And I’d like more of it.

Album and Wire info here: http://www.pinkflag.com/

Apr 232015
 

Mark Olson featWith thanks to David Innes.

In another major coup for Martin Raitt of the city’s Almost Blue Promotions, Americana giant Mark Olson will grace The Blue Lamp stage on Sunday 26 April.

Olson is the founding member of pioneering country rock legends The Jayhawks, who are universally cited as being among the most influential bands from the 1990s with their albums Hollywood Town Hall and Tomorrow the Green Grass high on the must-have lists of Americana fans.

Olson’s new album, Goodbye Lizelle, is his first solo project for five years and features his Norwegian wife, Ingunn Ringvold on vocals.

It has been attracting hugely favourable reviews, and Mark’s visit to the city displays Alost Blue’s determination to bring the highest-quality acts to the NE, reflected in online interest and impressive ticket sales.

Opening the show is Stonehaven loon Colin Clyne, now back in the NE after a 10 year stay in Southern California where he built a sizeable following. Clyne combines Scottish influences with his love of American music, and has been recorded and produced by Grammy award winning Engineer Alan Sanderson, best known for his work with The Rolling Stones and Burt Bacharach.

http://markolsonmusic.com
http://www.colinclyne.com

cahalenandeli new picAlmost Blue’s May gig will feature Cahalen Morrison and Eli West, no strangers to the NE, but who seem to love coming here and putting on ever more skilful and uplifting shows.

Simply put, they are two of the most innovative and subtle roots musicians touring and recording today.

Their music draws from old folk sources, but it sounds vibrantly alive.

Cahalen Morrison writes songs that sound like a Cormac McCarthy novel, simple, beautifully-crafted, and giving the impression that they’ve been formed from raw natural elements.

Eli West brings jagged, angular arrangements based in bluegrass and old-time, but refracted through a 21st century lens. Like Ansel Adams’ photography, their music is instantly accessible and built from the simplest materials, but at the same time seems to transcend its base fundamentals.

Together, Cahalen and Eli tap the root of the old country and bluegrass duets. As the sparse landscapes of Cahalen’s vocals reflect the warm glow of Eli’s voice, it’s clear that this duo was made to sing together.

http://cahalenandeli.com
https://aberdeenvoice.com/2013/04/cahalen-morrison-and-eli-west/

Almost Blue gig listing 2015

Mark Olson supported by Colin Clyne
The Blue Lamp, Sunday 26 April

Cahalen Morrison & Eli West
The Blue Lamp, Wednesday 6 May

JP Harris & The Tough Choices
The Tunnels, Saturday 23 May

The Red Dirt Skinners
The Blue Lamp, Friday 7 August

Greg Trooper
The Blue Lamp, Tuesday 22 September

Ben Rogers
The Blue Lamp, Friday 23 October

Tickets for all shows are available from See Tickets, Aberdeen Box Office or www.almostbluepromotions.com

www.facebook.com/AlmostBluePromotions
www.twitter.com/AlmostBlueGigs

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Apr 232015
 

nimmo trio2With thanks to David Innes.

Some fantastic blues acts have played in Aberdeen so far in 2015. Ian Siegal, Laurence Jones and King King graced the Jazz Festival and Robin Trower, with Joanne Shaw Taylor in support, and Kenny Wayne Shepherd all excelled at The Lemon Tree in April.

Then Seasick Steve, supported superbly by My Baby, delighted the Music Hall audience last weekend.

Graham Robertson of Blues Rock Aberdeen is keen to point out that the blues action continues, with the Stevie Nimmo Trio booked to play an afternoon show at The Tunnels on Sunday 3 May at 1500, a perfect way to celebrate the May Day weekend.

As one half of Scotland’s highly respected Nimmo Brothers, Stevie Nimmo has built a deserved reputation over 15 years of touring and recording, and is a well-respected musician throughout the blues and rock scene.

Following a successful Nimmo Brothers gig in Aberdeen in 2014, Stevie now brings his trio line up to the Granite City for a full-on electric gig.

Stevie’s critically-acclaimed Wynds Of Life solo album in 2010 featured top Texas musicians, and now the first Trio album is on release to coincide with the tour. Songs previewed live during 2014 received great audience reaction.

Virgil and the Accelerators will return to The Granite City playing at The Tunnels on Friday 15 May.

Tickets are available from www.aberdeenperformingarts.com

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Apr 202015
 

This New Firm derby developed into a fiery encounter with plenty more to talk about than the solitary goal, says Voice reporter Andrew Watson.

merklandandrewIt was a mild Saturday afternoon with a cool wind blowing, though not enough to drastically alter the play or nature of the game.

The visiting Tangerines haven’t been playing too well as of late, but the Reds could not, and did not underestimate their east coast adversaries.

I once said before, regarding a previous encounter between the Dons and Arabs, that if every player attacked the game with the same sense of urgency as Willo Flood, then it would’ve been an entirely different spectacle.

This time, however, his recent form didn’t suggest this would again be the case. His wayward passing of late has been particularly woeful. Passing sideways, passing backwards; forever negative.

Perhaps though, Flood versus Dundee United is akin to Eoin Jess versus Rangers; always turning it on against their most bitter of rivals.

Again, he was the proverbial bull in the china shop, launching into every tackle. And again, there were boos for him, and Barry Robson, from the away crowd for the duration.

However, it was only fair that he was, again, awarded Man of the Match in this particular tussle of a fixture.  His work ethic, again, almost singlehandedly propelled the Reds’ engine room in the centre of the park.

Despite this, it was striker Adam Rooney who grabbed the headlines after 39 minutes.

Captain Mark Reynolds exploited a lapse of concentration amongst the Tannadice back four and managed to put a ball across the box for Rooney to meet, and find the back of the net.

1-0 Aberdeen!

Rooney came close, but no cigar, in the second half, too; and although United weren’t remarkable it wasn’t all one way traffic.

They forced keeper Scott Brown into a couple of fine saves. His involvement increased after 71 minutes when Robson was sent off for a seemingly dubious elbow on United’s Charlie Telfer.

Ryan Jack came on the pitch four minutes later in place of Niall McGinn. The industrious Flood left the pitch as Donervorn Daniels was drafted in a minute after normal time.

Both switches were aimed to shore up the backline after losing such an influential figure in Robson. The game, more so after his dismissal, became frenetic and bad tempered.

This, I suppose, made the victory all the more gratifying. Okay, they’ve drawn out narrow one nil victories in the past, but rarely have they done so having been reduced to ten men.

Hopefully, they might make Celtic sweat in the race to the top of the table.

Final score:  1-0.