Veteran Rock n’ Rollers Revisit Debut Album At Lemon Tree

 Aberdeen City, Featured, Opinion  No Responses »
Oct 202021
 

Review and photographs by Craig Chisholm.

Just over three decades ago, The Quireboys released their debut album ‘A Bit of What You Fancy’.

Tonight, they revisited their commercial high point with a date at the Lemon Tree in Aberdeen.

First however, the crowd are entertained by up-and-coming slide guitarist Troy Redfern, backed with drummer Finn McAuley and bassist Keira Kenworthy.

Redfern is a virtuoso guitarist.

His guitar fireworks are astonishing to watch, his fingers running up and down the fretboard fluidly and gracefully.

But it’s not just a show in histrionics and shredding, it’s raw, gritty, heartfelt blues filled with emotion and belief.

Watching him, you know that he believes in the music he is singing, that he feels it – and that’s important.

It shows authenticity and a love for the genre.

For him to light up the guitar, he needs a strong groove and foundation to sit upon and his rhythm section are more than up to the job – they provide a solid, thunderous backbone to Redfern’s solos and slide guitar masterclass.

Closing his half hour set with a cover of Jimi Hendrix’s classic ‘Voodoo Chile’ you can see he’s made some new fans in the audience, many of whom are queued up minutes later to meet him and purchase his music.

“It’s 7 O’clock and time for a party” as their song goes – well, it’s not, it’s 9 o’clock when they hit the stage, but the party is most definitely on.

It’s been over 31 years now since their debut album ‘A Bit of What You Fancy’ was released.

It was halcyon times for the band back then – the album hit no.2 in the charts, singles went Top 40. There were support slots with the likes of Aerosmith and The Rolling Stones, on the bill of the Monsters of Rock festival at Castle Donington, appearances on Top of The Pops and huge headline tours of the UK, Europe and beyond.

But time moves on and tastes change – at the height of grunge in the early 90s, the band parted ways and went on an extended hiatus for a few years.

But The Quireboys are nothing but tenacious and not ones to shy away from a challenge.

Certain musical styles never go away either – and in the case of their bluesy, classic rock it’s a style that will always have its fans.

And the fans are out tonight as they revisit their debut, changing the running order to bring new focus on old songs and remind everyone why they had so much success with it.

The singles are all greeted with cheers – ‘7 O’Clock’, ‘Hey You’ and ‘There She Goes Again’ working the crowd on the frenzy and getting them dancing.

And there’s moments of poignancy and reflection such as the emotional ballad ‘I Don’t Love You Anymore’.

‘Whipping Boy’ is a particular highlight – low down and dirty slow blues, underpinned with some bass that reverberates through your soul.

The band seem to be enjoying it – lead singer Spike seems particularly happy to be on stage again after Covid’s shutdown of live music.

Between songs he’s humorous and friendly, speaking directly to members of the crowd, always with a twinkle in his eye.

He also seems to be slightly lubricated; shall we say – despite his quips about having not drank for 10 years.

But it’s Friday night and most of the crowd are on the same level as him and it endears him to them even more.

Once a song starts, however, he is back to being the professional showman and singer. Every song is nailed perfectly, not a note dropped or lyric forgotten. And his voice, that raspy, 20 fags a day sound is spot on.

Despite tonight being a celebration of the past, it also points that there’s a strong future for the band – their unique take on that classic Stones or Faces sound, rooted in the blues, R&B and Country will always have listeners. And with over a dozen albums behind them and the potential for a dozen more, so will The Quireboys.

True North 2021 – Four Nights of Wonder

 Aberdeen City, Featured, Gigs and Concerts  No Responses »
Oct 062021
 

By Craig Chisholm.

True North continued to cement its reputation as one of Aberdeen’s musical highlights of the year with another excellent event that showcased an eclectic and varied bill of excellent music.

After taking a brief hiatus from crowds last year – the event was online instead – it was encouraging to see people back in the Music Hall, Lemon Tree and numerous smaller venues and enjoying live music once more.

The number of events is slightly stripped back this with less late-night shows and no shows at The Tivoli Theatre but what was missing in quantity was more than made up in quality.

The Lemon Tree is the venue for the opening Thursday night event – a triple bill featuring Lavender Lane, Edinburgh’s Swim School and the indie pop of headliners Peaness. Providing the perfect start to usher in the weekend.

Friday night provides an even more varied bill. Opening musical proceedings is Aberdonian Katie Mackie.

Sat behind a keyboard she provides a short set of soaring baroque, chamber-pop that features a cover of Steely Dan’s ‘Dirty Work’.

Scottish / Kenyan multi-instrumentalist and poet Beldina Odenyo performs under the moniker Heir of the Cursed. Tonight, she plucks on heavily reverbed guitar and her operatic, hypnotic voice is soothing, expansive, and ethereal.

Despite a light-hearted between song gripe about the cost of salad in Aberdeen, her set is calm and transgressive, taking the crowd to a higher spiritual and musical space.

Singer-songwriter Ayanna Witter-Johnson is another rare talent.

Opening – rather boldly – with a dance, she picks up the more familiar cello for the remainder of her set.

Using a loop pedal she sounds like an entire band as opposed to one woman and an instrument.

Despite an unexpected power cut, Witter-Johnson delivers a strong, inspiring set that uplifts the audience.

Saturday night is the first of the Music Hall gigs.

Opening act Rachel Sermanni plays an intimate, minimalistic set. She somehow manages to make the cavernous Music Hall seem small and cosy, drawing the crowd into her private space.

A unique Scottish talent, she returns to The Lemon Tree in December.

Headliner John Grant is magnificent.
He cuts quite an imposing figure on stage – a large, hirsute bear of a man – but his voice is soothing but powerful.

Alternating between piano led torch songs and disco influenced bangers, he runs through a 100-minute set of dark humour, heartfelt confessionals, and unbridled joy. A stunning performance well deserving of the standing ovation at the end.

For those still looking to party into the night then the Lemon Tree is the place to be. Local rapper Ransom FA headlines an evening of beats, breaks and raps with support from DJ Home Alone, Bemz and Sean Focus.

Sunday night at True North is the traditional tribute night, curated and performed by a star performer.

This year, the performer is the talented Grammy Winner Corinne Bailey-Rae, and the subject of the tribute is the mercurial Stevie Wonder.

Looking radiant in a sparkly gold sequined dress, Bailey-Rae is every inch the superstar.

But this is not about her tonight, and she happily gives over the spotlight to guest vocalists such as Paix, Angus Munro, Jalen N’Gona and Little Acres.

And each more than hold their own and breathe new life in the songs of Stevie Wonder. The hits are all there – ‘Signed, Sealed, Delivered’ and ‘Don’t You Worry About Thing’ by Bailey-Rae are particular highlights – but there’s also plenty of deep cuts, forgotten classics and album tracks to keep the die hard Wonder fans happy.

The night – and the weekend – is brought down with a rousing, run through of Wonder’s classic ‘Superstition’ that has the crowd on their feet, hungry for more and ecstatic at the collective feeling of joy.

Yet again, True North has proved to be a success and a jewel in the crown of the Aberdeen Music Scene.

With next to no concerts in the last 18 months, it’s been a cathartic and joyful event, a light at the end of a very long, very dark tunnel and credit is due to the organisers, the venues, and the performers for pulling it all together in such a short, potentially unpredictable time.

Here’s to True North 2022, long may it continue!

Slains Castle’s Secret History – Duncan Harley Reviews

 Aberdeenshire, Featured, Opinion  No Responses »
Sep 282021
 

Duncan Harley reviews Slains Castle’s Secret History, a new publication by Mike Shepherd and Dacre Stoker.

Slains Castle on the very edge of the Buchan coastline is a widely misunderstood edifice and a confusion of associations with Dracula do little to explain the history of the place.
This new book by Mike Shepherd and Dacre Stoker is a gamechanger.

Readers of Mike’s previous books and followers of Dacre Stoker’s work – which includes Dracul, a Dracula prequel written in collaboration with J.D. Barker of Fourth Monkey fame – will already be aware of the Cruden Bay Dracula links.

But few however, will be aware of the true history of that Slains Castle we all love to associate with the Gothic Horror genre.

An extraordinary set of stories lie within these pages. Churchill visited as did Johnson and Boswell. The cutting off of the heads of dead Danes, an epic story of religious strife and a shambolic plan to surrender Scotland to the Spanish Crown inhabit this book. And the ‘tussle’ for the souls of the living takes centre stage.

There are tales of a French conspiracy to Anglicise Scotland and the role of the Earl of Errol in shaping Scotland’s future is explored in major detail. But no spoilers here.

This is in essence a history of Scotland as told through the lens of Slains. The castle itself dips in and out of the tale, and it’s only on page 197 that we get to the essence of the Dracula connection.

I would have preferred an earlier link if truth be told. And this perhaps suggests that the authors were conflicted in purpose. In part diary, there is however much to recommend in this book.

Spanning from 1164 to the present day, this take on the untold history of Slains is an important addition to the history, and the mythology, of North East Scotland.

With a foreword by Alan Hay – archivist of Clan Hay – Slains Castle’s Secret History, is published in paperback by Wild Wolf Publishing on 20th September and, if you’ll excuse the pun, is a book to get your teeth into.

Highly recommended. Five Stars.

Slains Castle’s Secret History by Mike Shepherd and Dacre Stoker.
ISBN: 979-8469387046

Aberdeen Performing Arts To ‘Rise Up’ With True North 2021

 Aberdeen City, Entertainment, Featured  No Responses »
Sep 172021
 

Ayanna Witter-Johnson

By Craig Chisholm.

Aberdeen Performing Arts’ award-winning music festival, True North will return from 23-26 September for a weekend of live music and free events, boasting an inspirational and vibrant line up of shows and Fringe events at venues across the city.

True North will be based around the theme of Rise Up, celebrating freedom of expression, diversity and community as we prepare to re-open and welcome back audiences to the Music Hall, Lemon Tree and His Majesty’s Theatre for the first time since March 2020.

American singer songwriter and former Czars frontman John Grant will headline True North at the Music Hall on the Saturday evening.

John Grant

Described as ‘the misfit’s misfit’, Grant is too weird to be mainstream, too mainstream to be weird; too sad to be happy, too sharp not to crack a mordant joke about it.

The dolorous ace in his song-writing pack is to gauge impressionistic childhood experiences against their amplified adult consequences.

Rachel Sermanni

He will be supported by acclaimed Scottish performer Rachel Sermanni.

Grammy and MOBO award-winning star Corinne Bailey Rae will close the festival on Sunday with a specially curated concert at the Music Hall called “A Celebration of Stevie Wonder by Corinne Bailey Rae.”

The evening will see Corinne joined by special guests to perform the many legendary hits from the catalogue of Stevie Wonder songs in what promises to be an extraordinary evening of music.

.

With previous True North curated concerts celebrating the music of Neil Young, David Bowie and Kate Bush among others, this concert at True North has become a highlight of the festival and a firm favourite among audiences.

Headlining on Friday night at the Lemon Tree with a Night of New Voices is the soulful, eclectic Ayanna Witter-Johnson.  A singer, songwriter, cellist, composer, producer and arranger with phenomenal musical prowess, mesmerising vocals, uncompromising lyrics and mastery of the cello. Ayanna unapologetically imprints her unique musical signature into her music.  

Heir of the Cursed, Robyn Davidson and DJ Rebecca Vasmant complete the line-up.

Ransom FA

Aberdonian grime rapper Ransom FA will head up late night at the Lemon Tree on Saturday.  The fast-rising artist, was a contestant on the UK TV show, The Rap Game, where he battled other budding rappers for a record deal.  

Prior to the Rap Game, Ransom had already shared the stage with many of the biggest UK rappers, such as Skepta, Wiley, Mist, M Huncho to name only a few. He will be joined by Chef, Sean Focus and DJ HomeAlone.

Playing on Thursday 23 September and kicking off True North 2021 will be Peaness, who will be bringing their catchy, fuzzy, harmony-driven indie-pop songs about love, friendship, frustrations, Brexit and food waste to the Lemon Tree.

Formed in 2014 in Chester university digs, the trio have secured nationwide and international shows with bands such as The Beths, Kero Kero Bonito, The Cribs, We Are Scientists, The Big Moon and Dream Wife. They will be joined at the Lemon Tree by Swim School and Lavender Lane.

A spoken word event specially commissioned by Aberdeen Performing Arts and headed up by award winning poet and three-time slam champion Jo Gilbert will focus on the festival’s theme of Rise Up.

Four local spoken word artists will produce new work based around this theme and showcase their work at the Lemon Tree on Sunday in an event which promises to challenge and inspire in equal measure.

Fringe events are planned to take place in venues across the city over True North weekend and details will be announced shortly.

Ben Torrie, Aberdeen Performing Arts’ Director of Programming and Creative Projects said:

“We are thrilled to announce the lineup for True North 2021, which feels like a huge step in the return of live performance at our venues. It feels really good to be able to bring the festival to a live audience once again.

“It means a lot to us to be able to put this on for people in Aberdeen, and to shine a spotlight on so many talented performers and musicians is a privilege that has never been so important.

“The theme of this year’s festival is Rise Up. It’s a positive message about rising up to bring people together, marking the re-opening of our venues, and celebrating the power of music to help us stand up for the things we believe in. We could not be prouder of this festival at this time.”

Tickets for all True North events are available from www.aberdeenperformingarts.com

 

Viral Sensations, Showhawk Duo, Announce City Date

 Aberdeen City, Featured, Information  No Responses »
Sep 072021
 

By Craig Chisholm.

Young British guitarists Mikhail Asanovic and Jake Wright, together known as The Showhawk Duo, have dazzled audiences worldwide with their spectacular approach to playing the guitar, breaking down barriers between acoustic and electronic music.

Whether playing old-school trance classics or modern funky house, their live show knows no boundaries and will leave you amazed.

Mik is a classical guitarist at heart, having studied at Manchester’s RNCM whereas Jake is an electric junkie and grew up playing in rock and metal bands. Mik’s classical foundation shines through in the music with Jake’s raw percussive approach always keeping the crowd moving.

Together they create a truly unique and impressive sound, and have turned many “acoustic” nights into a thumping rave. 

Together, they started out as buskers and have since gone on to play all over the globe.

They have appeared on BBC Radio 1 on the Nick Grimshaw’s Breakfast Show,  did a 40 minute live broadcast for the LAD Bible, BBC Radio Bristol, and have performed at most of the UK’s large festivals including Main Stage at Bestival, Glastonbury, Isle of Wight Festival, Secret Garden Party, Wilderness, Somersault, Lost Village, Boomtown and more.

They played sell-out shows on their 2015, 2016, 2017, 2018 & 2019 UK tours, headlining The O2 Forum in the most recent, and five star reviews followed an official sell out show at Edinburgh Fringe.

International performances include F1 Grand Prix in Singapore, Seychelles, club tours in Spain, Switzerland and the Netherlands and a 20 – date residency at Pacha in Ibiza. 

Now, the duo will perform on stages across the nation, as they embark on their mammoth UK and Ireland tour.

Spanning 26th different dates – including a date at Unit 51 in Aberdeen on Saturday, October 9th – the duo will unleash their fiery acoustic sound to audiences far and wide, as they turn soft acoustic guitars into the ingredients for an unforgettable night of raving.

Support comes from Zen Lewis.

Ages 14+ // Under 18s must be accompanied by an adult. Tickets available now at Skiddle.

Aberdeen Council: 1500 Valuable Items ‘Missing’

 Aberdeen City, Featured  2 Responses »
Aug 242021
 

When the granite stairs went temporarily missing from the custodianship of Aberdeen City Council and its contractor Balfour Beatty, questions arose over how the city looked after its valuable property. The conclusions are shocking. By Suzanne Kelly

Aberdeen City Council cannot say with certainty where 1,500 valuables in its possession are.

This information was acquired in response to a freedom of information request by Aberdeen Voice following the confusion over the whereabouts of the Victorian granite steps which are part of Union Terrace Gardens.

The request was to cover items in the Aberdeen Art Gallery, Town House including gifts from outside organisations, and in entities such as Provost Skene’s House.

The city responded as follows:

“Although c. 1500 items have a ‘missing’ status, we have assigned around 3100 items with temporary numbers; many of which have become disassociated from their accession number e.g. the label with the number has become separated from the object.

“It is highly likely that there is an overlap between these two categories and we will be able to reconcile in the future by undertaking research in to the extensive paper files pre-computerisation. The remaining temporary numbers are items stored in the buildings but not accessioned into the collections.

“Many of the ‘historical loss pre-TMS’ records refer to a ‘missing’ date of 2020. It is important to note that these items were missing before we began using TMS in 2002, however, their status was confirmed as ‘still missing’ in 2020 as data cleaning work was undertaken.

“A number of items have been recorded as ‘missing’ and requiring further investigation during the decant of the art gallery in 2015. As we were moving thousands of items between buildings we suspected an admin error occurred in the recording of blocks.”

The city is meant to supply, electronically is the preference, an inventory of the valuables in question, but they advise they are having difficulties with the spreadsheet.

The city said no insurance claims have been made in the past 5 years.

The request is on the ‘What Do They Know’ Freedom of Information request website, visible to any other reporters or newspapers that are interested in Aberdeen City Council, where the city’s reply was posted on 29 June.

What Do They Know helps anyone who wants to make FOI requests or look at existing FOI requests. They run on donations and can be found here https://www.whatdotheyknow.com/

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Long Shadows – Mike Shepherd Reviews

 Aberdeenshire, Featured  No Responses »
Jul 192021
 

Mike Shepherd reviews Duncan Harley’s latest publication, Long Shadows – Tales of Scotland’s North East.

Authors are told that when they write the blurb for the back jacket of their book they should focus on explaining what the reader will get out of it when they buy it.

So let’s apply this recommendation to Duncan Harley’s new book, Long Shadows. What will you get out of it?
You will be entertained for sure.

Duncan is a walking encyclopaedia of curious and interesting facts about everything that’s been written about Northeast Scotland.

If something extraordinary happened in your town or village, it’s probably in this book.

I can assure you that after reading it you will never dare repeat that ‘nothing interesting ever happens…’ in Buckie, Kintore, Ellon or the likes.

Now I do like quirky stories, and there is plenty in here to tickle the fancy – unexpected tales; little known tales. Take the story on page 54 about the artist Joseph Farquharson from Finzean.

In 1883, Farquharson painted The Joyless Winter Day which hangs in the Tate Gallery. It depicts a shepherd tending his flock in a raging Deeside blizzard. The execution of the painting was tricky because as Duncan explains:

“sheep cannot easily be persuaded to stand still.”

He adds:

“To solve this difficult problem, Farquharson commissioned a flock of life size plaster sheep from Monymusk born craftsman William Wilson of Kelly’s Cats fame, and used these to mark out the positions of the original live subjects in order to preserve the scene as the work progressed.”

The downside of all this ingenuity was that Joseph Farquharson ended up getting the nickname from his fellow artists of ‘Frozen Mutton Farquharson’.

Or the connection between the horror writer Stephen King and Buckie.

Did you know (a phrase you will find yourself repeating after reading Duncan’s book) that in the course of investigating a terrorist act in If It Bleeds, fictional private investigator Holly Gibney discovers that Buckie Academy is twinned with a bombed US High School.

The two schools take a mutual interest in each other’s local sports teams – Buckie Thistle thus picking up a small fanbase in a fictional part of the US.

Long Shadows comprises thirty-three chapters starting with Aberdeen and ending up with Turriff.

In between are tales from local towns and villages, or in one case, the forest at Lenabo where there was once an airship base during World War I. The airships would fly silently out over the North Sea scouting for German submarines to shoot up with machine guns. The story is laid out in chapter 22.

Now I do know about this. My paternal grandfather, who was too old to fight in the trenches, helped to build the Lenabo base. If that makes me sound ancient – be aware that both my grandfather and father became parents in their forties.

Having written this I now take a peek at Duncan’s back-cover blurb.

“In his two previous two books, Duncan exposed readers to an exciting mix of history and mythology. The intention of this new book is to expand greatly on these themes in an entertaining and informative way.

“Please enjoy these wee snippets of Scottish history and smile gently at the past. Long Shadows – Tales of Scotland’s North East is guaranteed to enthral both residents and visitors alike!”

I must agree.

I enjoyed reading this book and recommend it. It’s available on Amazon at a price of £17.95 and looks to be selling fast. Do buy it.

Marischal Square Sweeteners: Taxpayers Give Generously

 Aberdeen City, Featured  1 Response »
Mar 092021
 

By Suzanne Kelly.

It appears Marischal Square is nothing like the money-spinner city taxpayers were promised.

Within that glass box building, one of the most repugnant carbuncles to disgrace Aberdeen in recent years, government, multinationals and food businesses are enjoying sweeteners in the form of rent holidays, discounts and more.

Figures obtained through Freedom Of Information requests reveal that, to date, these sweeteners amount to nearly £4.5m.

Other costs have been estimated by the ‘We Campaigned Against Marischal Square’ group, which like Aberdeen Voice, has been fighting for data from Aberdeen City Council under FOI law.

We Campaigned posted:

“By my reckoning, since opening, MS has COST US £18 million so far. It’s taken in around £3 million and we have paid Muse/Aviva rent > £15 million plus we’ve spent around £3 million in operational costs.

How do we stop this financial mismanagement? Can we hold anyone to account? (We also have £1.3 BILLION debt to pay back the bond – interest payments of £40 million per year).”

Should the council have decided to go into the commercial rental sector with a new build? Did it have the expertise in house?

At one point the city claimed it had no idea of the amount of rent each individual business was paying, and that only Muse knew this.

If true, it’s a shocking dereliction of fiscal responsibility. Effectively, it makes freedom of information requests hard to successfully lodge, as Aberdeen Voice and ‘Stop the Desecration of Marischal Square’ have found.

The following companies moved in. The list shows the value of their sweeteners. 

Tenant / Approximate sweetener total
Aberdeen Journals Ltd / £1,710,630
Tony Macaroni / £225,000
Chevron / (£285,270 min, £570,540 max) £427,905
Ernst & Young / £570,420
Mitchells & Butlers / £187,500
Tenaris / £116,215
KPMG / £266,535
Scottish Ministers / £582,905
Costa / £59,800
National Westminster Bank / (£193,847 min £ 243,306 max) £218,576
Prezzo / £46,200
Mackies / £38,200
TOTAL = £4,449,886.00

Aberdeen City Council was less than forthcoming with this information Only after the Information Commissioner’s office interceded did they release the information.

Anyone wanting to see the actual heads of terms agreements for the rents showing duration, other perks granted eg. carpeting allowances and free parking, size of space rented, etc, will find this hard-fought-for information here. 

As an aside, when finally handing this information over, the city tried to claim the documents were so large that they could only pass them over if Aberdeen Voice opened an account with ACC.  This nonsense was quickly countered. An account with ACC to access its FOI documentation or make requests is not required.

The ‘too large documents’ were under fifty pages in total.

The city is competing with the private sector in creating this building, just a time when Brexit impacts and the changes in the oil industry reverberate. Sir Ian Wood is busy trying to convince central government to build yet more offices and industrial space in the city. Doubtless he’ll get his way.

The businesses that moved out of existing spaces to Marischal such as KPMG leave behind empty office space and take income from the private sector.

In order to compete with the private sector in a market where office space is hardly in short supply, ACC uses the taxpayers’ largess to dole out the sweeteners.

Aberdeen Voice will try to determine whether the city is giving any further rent breaks or sweeteners to their Marischal Square tenants

The businesses forced to close, yet forced to pay for Aberdeen Inspired/business rates may look with some justified envy on the treatment given to national chains, multinationals and Aberdeen Journals Ltd.

Damian Bates, disgraced former Aberdeen Journals Ltd empresario, alluded to the fact the city was already subsidising its rent at Lang Stracht.

Why a genuine news corporation would be willingly indebted to a government with so many stories that should be robustly investigated is not a mystery – the city used to spend quite heavily on advertising in the rags.

However, the P&J and EE no longer refer to Marischal Square as ‘controversial’ and seem happy to sing its praises.

The city recently said it is £30,000,000 in debt.

Many consider this figure to be considerably lower than the reality. Where it will be in a year’s time is anyone’s guess – but if it is banking on Marischal Square, it’s doomed.

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Marc Ellington 1945 – 2021

 Aberdeenshire, Featured, News  2 Responses »
Mar 022021
 

By Suzanne Kelly.

Marc Ellington, musician, philanthropist, climate change activist, author has passed away. He leaves behind his family and many friends.

Dr Ellington, or Marc to his many friends, was a singer, songwriter and guitarist.  He occasionally performed with his lifelong friend Richard Thompson, and with Fairport Convention. 

Marc had not often performed in recent years, but joined Richard on stage at the Royal Albert hall in September 2019 for Richard’s 70th birthday party show along with many members of the Thompson family, and artists including Dave Gilmour, and Harry Shearer.

Marc and his wife Karen lovingly restored Aberdeenshire’s Towie Barclay Castle and gardens.  From its great hall he worked on his many projects. 

He founded and ran the charity The Scottish Traditional Skills Centre.  The Centre ran some of the first-ever courses on how climate change threatens our cultural and built heritage. 

Presentations were made by experts from various disciplines including the Met Office, focusing on historic properties and sites such as Skara Brae. 

The Centre ran courses for professional and amateur alike including topics such as gardening, dry stone walling, and property repair.  Perhaps its greatest success was running courses for young people with a variety of needs. 

Young people learned from different specialists about the environment, wildlife, botany, and enjoyed hands-on activities from dry stone walling to building lean-tos at locations such as Fyvie Castle grounds. 

Passionate about Aberdeen city’s and shire’s architectural gems, Marc edited The Lost City: Old Aberdeen by Jane Stevenson and Peter Davidson. 

Marc knew any number of little-known historic jewels, and greatly enjoyed showing these off to his guests.  He was a keen student of the area’s history, not least its importance to folk music from the past through artists such as Joni Mitchell and Bob Dylan.

Along with Charles MacLean and Daniel MacCannell Marc Ellington was an editor on the book, Scotland’s Secret History: The Illicit Distilling and Smuggling of Whisky.  The book paints a vivid picture of whisky’s history and the Cabrach. 

He was instrumental in the creation of a memorial cairn in the Cabrach dedicated to those from the area who lost their lives in WWI and subsequent conflicts.  Whisky giants The Gordon family were the main funders. 

Marc said:

“Each and every aspect of the construction of the cairn has involved members, both young and old, of the Cabrach Community working closely with master craftsman Euan Thompson.

“As well as being one of the finest memorial cairns to be built in Scotland in recent years, this is an outstanding example of what a local community, working together with energy and determination, can achieve.”

Marc spoke at an exhibition of international artists in 2018 held at the Glenfiddich Distillery. 

He talked about the role art plays – or should play – in education and in our culture.  As part of the speech he applauded the creators,  rebels, movers, and individuals who stand up for what is right, who follow their passions and dreams.  Indeed, this was how many saw him.

As the historic landlord in Gardenstown and Crovie, he was shocked when in 2015 salmon farmers were illegally shooting seals from the land in order to stop them eating salmon. 

He was actively involved with stopping the destruction of wildlife, and cared deeply for the sea and marine life.

He acted as announcer and master of ceremonies for the annual Portsoy Boat Festival, often sailing his craft to the harbour. 

Marc never missed a chance to help people when it arose; he always had a hilarious, apt anecdote for whatever social situation he found himself in. 

He sought to impart his passions for the environment, culture, history, music and arts, and succeeded in influencing many.  He is greatly missed, but his music and his many accomplishments will continue to influence.

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Sh*thole Countryclub:  Trump’s Pit Of Decaying Wildlife

 Aberdeenshire, Environment, Featured  5 Responses »
Mar 022021
 

Suzanne Kelly updates her piece Trump Menie:  Wildlife Shot, Carcasses Dumped in Hole with quotes from experts, and shows how this destruction of wildlife fits the pattern of business at the club. 

Trump International Golf Links Scotland at Menie is killing wildlife, and may be ignoring good practice with its horrific open stink pits filled with decaying deer and birds.

NatureScot told Aberdeen Voice it has concerns at Trump’s decision to kill wildlife and leave it rotting in open holes, saying: 

“the disposal of carcasses in a water-logged, open burial pit is not in line with good practice.”

In early February 2021 a concerned member of the public who discovered a stink pit on the Trump Menie Estate alerted Aberdeen Voice.  They sent us photographs of the ‘worrying’ pit filled with deer and birds decaying in oily, stagnant water.

For a resort given a ‘Six Star Diamond award’ for its excellence (Donald J Trump was on the award body’s executive board coincidentally), and given Trump’s infamous ‘sh*thole countries’ remark when he was president, this disgusting, wildlife destruction is beyond the pale.

The practice of having stink pits is, shockingly, not illegal. 

The pit is used to destroy wildlife.  Animals are killed, then the rotting carcasses are left exposed to attract animals that feed on carrion.  Those animals are then destroyed too. 

There are reports of area pet cats that went missing and never returned.  We await comments from Trump on this point.

A Police Scotland spokesperson said: 

“We have been made aware of the matter and no criminality has been established.”

The spokesperson from NatureScot also said:  

“We cannot tell from the photographs provided whether an offence has been committed. However, the disposal of carcasses in a water-logged, open burial pit is not in line with good practice… we would urge anyone who suspects that a wildlife offence has taken place to report their concerns to the police.”

John Robins of Animal Concern commented:

“From the photographs I have seen it is obvious that deer and several species of bird have been deliberately dumped in this pit. I have dealt with cases before where animals have been killed for scraping at the grass on golf courses in order to find worms to eat.

“There is absolutely no good reason to kill animals on a golf course.

“Indeed I’m sure most golfers would appreciate catching a glimpse of a deer or seeing some birds while they are out on the course.

“I hope the Trump organisation give a full explanation for the presence of this mass grave on their land and then make a commitment not to allow any further persecution of wildlife on all their landholdings in Scotland.”

A spokeswoman for the RSPB found nothing amiss; they said: 

“.. what is shown in the photographs does not appear to be illegal, despite how unpleasant it is, so we cannot comment on this.”

Trump’s long-running contempt for nature:

From the outset the Trump organisation did what it wanted to at Menie.  Anyone wishing to ask the Trump organisation why it feels the need to destroy wildlife can contact the club by phone here 01358 743300, or by email here  admin@trumpgolfscotland.com. 

Should any reader get a response from the Trump organisation, we would like to hear it.

The environmental monitoring was a sham.  When the Scottish Reporters weighed up evidence on Trump’s proposed course, Aberdeen-based Professor Bill Ritchie said the course would not impact the environment if there was monitoring. 

As readers of Aberdeen Voice may know, he led the environment monitoring group called MEMAG.  MEMAG fell apart on Ritchie’s watch and no agency did anything to save it.  Ritchie has never responded to any of Aberdeen Voice’s requests for comment.

Two SSSIs are gone forever.  Further examples of the Trump organisation acting as if laws didn’t apply to it are many. 

Menie’s two Sites of Specific Scientific Interest (SSSIs) had the highest level of legal protection an environment can get.  The sites, the only moving sand dune system in the UK, were destroyed, and virtually nothing was done to stop it.

Planning permission was frequently ignored. 

Trump has ignored/overstepped planning permission several times, and has at least ten retrospective planning approvals.  From our observations, this is not the same consideration Aberdeenshire shows to others who fall foul of planning.

Countryside access is ignored. 

The Land Reform (Scotland) Act 2003 gives everyone rights of access over land and inland water across Scotland. 
Over the years, Aberdeen Voice reported numerous ways this was ignored at Menie to Aberdeenshire Council’s relevant officers.  Nothing we reported was ever remedied. 

Gates are permanently locked shut, such as the one between Trump’s parking lot and Leyton Farm Road. 

Plants have been put in place which block peoples’ access around this gate and elsewhere.  Anyone with a bicycle, pram or disability is not getting through or around that gate.

Waste management has been irresponsible. 

Mountains of mixed waste existed on the estate.  I took these photos following information from an environmental campaigner in March 2013 . 

Chemical containers, plastics blowing across the land and the scale of the waste was staggering.

Animals are being destroyed; chemicals are used on the greens (per previous AV articles), the SSSIs are destroyed.  None of the promised benefits (thousands of permanent jobs, tourism money) appeared. 

How long can it be before the area is entirely destroyed and housing springs up?

Footnote:
I dedicate this piece to my sources to whom I am grateful.  In particular there are three wonderful dear friends who bravely fought to help the situation at Menie and made a difference, but who can no longer fight.

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