Mar 282013
 

Last  week marked the 242nd anniversary of the Paris Commune of 1871. The Commune was one of the most important examples in history of people taking control of their own lives and reorganising their society. In the second part of Simon Gall’s two-part analysis of the Commune through the eyes of some important progressive scholars, we examine its destruction by the French government in May 1871, but learn how its legacy lives on and how it has influenced and inspired the generations since.

The Downfall of the Commune

On 21 May, Versailles troops entered Paris and spent seven days massacring “defenceless Men, Women and Children”.

They were “cut to pieces” and “shot down in hundreds by mitrailleuse fire”.

There were random street executions and accounts of people being buried alive after the firing squads had failed to do their jobs properly.

Marx wrote, “Even the atrocities of the bourgeois in June, 1848, vanish before the ineffable infamy of 1871” and continued, “the great problem…(was) how to get rid of the heaps of corpses…after the battle was over. About 30,000 Parisians were shot down by the bestial soldiery, and about 45,000 were arrested, many of whom were afterwards executed, while thousands were transported or exiled.”

Opinions on the Commune

The Communards were endlessly praised by socialist writers the world over for their determination and bravery in attempting to bring about a new society, but many also offered their own analysis of what went wrong. All realised that the cards were stacked against the Commune from the beginning.

Indeed the situation led Peter Kropotkin to write, “The Commune of 1871 could be nothing but a first attempt. Beginning at the close of a great war, hemmed in between two armies ready to join hands and crush the people.” Nevertheless, scholars gave their opinions on the movement.

Peter Kropotkin was both heartened and disheartened by the Commune.

He saw traces of Anarchism in its governance, “By proclaiming the free Commune, the people of Paris proclaimed an essential anarchist principle, which was the breakdown of the State” and recognised its historical importance when he stated that with the movement of the “Commune of Paris a new idea was born”, and that it was “to become the starting point for future revolutions.”

In the months following the fall of the Commune, the luxury of hindsight meant that he was able to ponder calmly what he felt went wrong.

The first problem he noted was, “It neither boldly declared itself socialist nor proceeded to the expropriation of capital nor the organisation of labour. It did not even take stock of the general resources of the city….nor did it break with (in practice) the tradition of the State, of representative government…..they let themselves get carried away by the fetish worship of governments and set one up of their own.”

He felt that the Commune went some way towards realising the vision of a stateless society

He felt that this led to elected representatives falling out of touch with the electorate. He proposed that they had lost the “inspiration which only comes from continual contact with the masses” and had become “paralyzed by their separation from the people” and that “they themselves (had) paralyzed the popular initiative.”

In 1892, he continued his observations on the Commune, noting that the hunger that plagued Paris had been instrumental in the downfall of the revolution, the “Commune perished for lack of combatants. It had taken for the separation of Church and State, but it neglected, alas, until too late, to take measures for providing the people with bread.”

Mikhail Bakunin joyously claimed that, “Revolutionary Socialism (Anarchism) has just attempted its first striking and practical demonstration in the Paris Commune.” He felt that the Commune went some way towards realising the vision of a stateless society. Federated Communes, delegates bound by the imperative mandate, and the concept of instant recall were concepts which Bakunin had been discussing since around 1848.

He continued, “I am a supporter (of the Commune), above all, because of it was a bold, clearly formulated negation of the State.”

Whilst being careful to never lay blame at any Communard door he observed, “The proletariat of the great cities of France, and even of Paris, still cling to many Jacobin (radical bourgeois) prejudices, and to many dictatorial and governmental concepts. The cult of authority – the fatal result of religious education, that historic source of all evils, deprivations, and servitude – has not yet been completely eradicated in them.”

To him, the influence of the Jacobins “was the great misfortune for the Commune” because “they were paralyzed, and they paralyzed the Commune….they lacked the time and even the capacity to overcome and subdue many of their own bourgeois prejudices which were contrary to their newly acquired socialism.”

Karl Marx wrote one of the most comprehensive accounts of the Paris Commune, praising the revolution with the best of words, “Working mens’ Paris, with its Commune, will be forever celebrated as the glorious harbinger of a new society. Its martyrs are enshrined in the great heart of the working class. Its exterminators’ history has already nailed to that eternal pillory from which all the prayers of their priest will not avail to redeem them.”

launching a resolute offensive against Versailles would have crowned its victory in Paris

He was immensely proud of what the Commune had achieved, despite being unconvinced about it at its inception. When he heard of the plan to overthrow the Government, he called the plan “a folly of despair.”

He changed his tune and began watching in awe as the proletariat of Paris took the reins. The movement had such a profound effect on their thinking that in 1872 he and Friedrich Engels edited the Communist Manifesto stating that, it was, in places out of date and declared “that the working class cannot simply lay hold of the ready-made state machinery and wield it for its own purposes.”

Later, Marx would call the Commune “the political form at last discovered under which to work out the economic emancipation of labour.” After Marx’s death in 1883, Engels wrote in March 1891, “Look at the Paris Commune.That was the Dictatorship of the Proletariat” using the Commune to prove their thinking.

In a letter to Dr. Kugelmann, Marx pointed to two mistakes the Communards made.

The first was that “They did not want to start the Civil War”. This point was pondered by Lenin years later. He felt that the Communards should have marched on Versailles because “launching a resolute offensive against Versailles would have crowned its victory in Paris”. He wrote that the hesitation “gave the Versailles Government time to gather dark forces and prepare for the blood-soaked week of May.”

He felt that the Commune aimed to achieve something very important – anti-parliamentarianism

The second mistake in Marx’s eyes was that the Central Committee of the National Guard “surrendered its power too soon, to make way for the Commune.” Presumably Marx thought that the Central Committee should have kept things under tighter control for longer, or perhaps decreed more reforms before resigning.

Lenin too paid tribute to the people of the Commune.

He wrote that the events and their actions were “unprecedented in history. Up to that time power had, as a rule, been in the hands of landowners and capitalists, ie the hands of their trusted agents who made up the so-called government.” He noted its importance as a grassroots movement by stating that “no one consciously prepared it in an organised way.”

He felt that the Commune aimed to achieve something very important – anti-parliamentarianism. It was to be “a working body” that sought to combine the work of the executive and legislative branches of government into one.

This was vital for Lenin as it stopped Parliament from becoming just a talking shop for “the parliamentarians must themselves work, must themselves execute their own laws, must themselves verify their results in actual life, must themselves be directly responsible to their electorate.”

However, he criticised the Commune for not “expropriating the expropriators”. He noted that large organisations, such as the Bank of France had not been targeted. The Communards could have made use of the capital. Also, he wrote that there was “no workers’ party, the working class had not gone through a long school of struggle and was unprepared.”

Despite his criticisms, Lenin diligently noted that “the chief thing which the Commune lacked was time – an opportunity to take stock of the situation and to embark upon the fulfilment of its programme…The Commune had to concentrate primarily on self-defence…it had no time to think seriously of anything else.”

Conclusion

The Commune is held up as proof by both anarchists and socialists of how their ideas and theories work in practice. The anarchists saw it as a negation of the state and the socialists saw it as the functioning Dictatorship of the Proletariat.

It is still the subject of much analysis and discussion in academia and among activists and trade unionists around the world. It has been examined on numerous occasions by the arts.  La Commune Film is one example.

It has inspired and continues to inspire people in search of alternative ways of living.

References and further reading

M Bakunin        The Paris Commune and the Idea of the State

F Engels          Introduction to The Civil War in France

F Engels          Reflection in Introduction

P Kropotkin      The Conquest of Bread

P Kropotkin      The Commune of Paris

V Lenin             Lenin on the Commune

V Lenin             Lenin on the Commune – Experience of the Paris Commune of 1871 – Marx’s Analysis

V Lenin             Lenin on the Commune – Lessons from the Commune

V Lenin             In Memory of the Commune

K Marx               The Civil War in France

K Marx               Letters to Dr.Kugelmann on the Paris Commune

Mar 282013
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

What a week it’s been.  Firstly (before the satire sets in), I have been asked to convey thanks to the Formartine councillors who took the logical, courageous, sensible, prudent step of deferring the planning permission Trump had asked for.

Several Aberdeenshire residents asked me to write on their behalf to the councillors in question, asking them not to approve the retrospective permission.  These residents, and plenty more, are very pleased with the outcome, and hope to see the bunds down – and Trump Golf International forced to comply with what was approved.

If the councillors visit the Munro’s now-dark kitchen and look out the window at the bund which blocks the light as well as the view, they cannot fail to vote to take the bund down. 

Thanks to the residents, those who lobbied, and above all, to the person who found out the shire had changed documents on this application, yet still recommended approval.

I had a delicious meal at Norwood Hall this week, enjoying some fun and games courtesy of Team Challenge.

There was a crazy golf game set up.  It cost far less than £200 or so to play, there wasn’t sand and snow blowing at the players, none of the course disintegrated, and coffee and a sandwich didn’t break the bank.  No security guards jumped out in front of me as I prepared to putt; I even got a hole in one.  Thanks Norwood and Team Challenge.

I made a brief visit or two to BrewDog, which continues to be a great place to enjoy the odd half or two, and talk to interesting, friendly people.

Long may it run.

My photo shows some sensational new wall art by BrewDog’s Fisher; he’s organised it so undergrads from Gray’s can hang work up in the bar, too. Expect the first art in a few days.

There is a fundraiser for Willows down in Chichester this Saturday night; I’m very happy to be going.  Patron Paul Rodgers and his wife Cynthia will be there; Paul’s performing, as is…. Deborah Bonham, who has a new album imminent.  (If you didn’t know, she is sister to the late, great, unequalled John Henry Bonham of Led Zeppelin).

There will be an auction of memorabilia afterwards as well. (This sounds like my idea of heaven).  It is hoped that a concert can take place closer to Willows sometime, but this night is for two charities and the performers are based in that part of the world.  Willows own open day is this Sunday; let’s hope the weather improves for their sake and the sake of all animals.

But now it’s time for a few relevant definitions based on this week’s events; this week with an eye on the modern self.

Self-harming: (Modern English compound noun) The act of inflicting deliberate injury on oneself, often involving bloodletting and sharp instruments; an emotional illness.

Perhaps the most bizarre health-related story of this or any other recent week concerns those poor souls who self-harm.  Thankfully, this is the 21st century, and the latest psychological treatments are at hand to help.

Unsted Park School has this unfortunate malaise in hand.  Well, actually, one of its teachers hands out sterilised blades to self-harmers.

According to the BBC, a school spokeswoman said:-

“This was a short-term, local procedure introduced by the head teacher and school principal who genuinely believed it was in the best interests of the pupil.

“However, they accept that the procedure should not have been implemented without further approvals having been obtained from key stakeholders and senior management prior to its introduction.”
http://www.bbc.co.uk/news/uk-england-surrey-21941578

This amazing statement has failed to impress school inspection officials, who for some reason find dishing out razor blades to emotionally-disturbed young people ‘deeply worrying.’  You don’t say.

For ‘stakeholders’ read friends and family, who some feel just might want to have a say in whether or not their friend, daughter, son or sibling was given a way to self-harm.

Apparently we are supposed to be happy that this was ‘supervised’ and that the blades were sterilised.  We wouldn’t want anyone getting hurt while self-harming, would we?  And you thought you’d heard everything.

It would be rather nice to know who this teacher was, what approval they had received and from whom for this great scheme, what psychological training they had, and to know what in the heck they were thinking to actually think this was in anyone’s best interest.  Wherever this teacher gets their ideas from needs serious investigation.

Self-justification: (noun) Rationalising one’s own methods and actions.

Looking through a Press & Journal this week, I learnt that the ‘Tree for Every Citizen’ Scheme was a great success! Although this gave me déjà vu to see in print, it’s won an award!

Those behind this huge success story told the P&J that the scheme was opposed by some animal rights activists, but it’s an award-winning, tree-celebrating, all-singing, all-shooting success.  I’m so happy to hear it.

Only a pedant would point out that the local community councils wanted to keep the meadowland and the deer they had – a herd which had wandered the hill for over 70 years with no problems or over-population issues.

Only a petty mind would care that Chris Piper, man behind the scheme, made about £70,000 from the City, and over £100,000 was spent to turn our meadow into a defoliated mess.  Trees at St Fitticks are growing, says the City Council, so it must be true.  Of course they are no taller than they were two years ago (well, the tree protector tubes that aren’t actually hollow anyway).

The area is choked with weeds, but if the city and the P&J say it’s a successful scheme, then who am I, thousands of local residents who signed a petition, the Scottish SPCA, Animal Concern Advice Line, and a host of political figures to disagree?

Bulldozing gorse, killing deer, getting rid of the wildlife we had from butterflies and birds to small mammals and deer – these can all be explained away by Tallboys, HoMalone and Piper – they had to kill this wildlife so that they would make a home for wildlife later on.

The trees newly planted on the hill are already surrounded by taller weeds.

The SNH told us to spend time and money ensuring that weeds didn’t hinder the scheme for a second time (it’s already cost us £43,800). For some reason, none of this gets into the Press & Journal.  I wonder why.

More tellingly, there is not a single photo in the P&J showing what the hill looks like now.

If you want to see our own war zone, go and visit it for yourself, or see older photos in Aberdeen Voice.  But as long as a handful of self-enriching, self-aggrandising people behind this scheme are happy, than what’s the wishes of thousands of others and our previous wildlife haven in comparison?

Self-Deluding: (compound noun) State of convincing one’s self that an untruth is actually true.

Mr Trump says offshore wind farms,  which sadly for him  were approved this week, will destroy Scotland.

For some years now, I thought it would be acceptable to have an offshore wind farm.  Even though someone as astute and as big an environmentalist as Donald Trump said it was a horrible idea, I thought there might be some merit in wind over nuclear energy or some other fracking nonsense.

Well, earlier this week I was nearly convinced that Mr Trump was right all along.

Again I look this week to the Press & Journal for my facts:  and what I saw at first terrified me.  The paper showed a picture of St Nicholas House, coming in at around 174 feet high, and next to it, towering over it (!) was a wind turbine which could actually be over 600 feet tall!  I’m not kidding!

My first reaction was of course complete horror:  “Did everyone know that an offshore wind turbine can actually be even taller than St Nicholas House?  Why didn’t anyone tell me?” I wondered.   I’d never have guessed!

The paper’s position seems to be that wind turbines, or windmills as Donald  Trump likes to call them, of this size would of course ruin Scotland not only for tourists – but for golfers as well, and we can’t have that obviously.

Perhaps we should back a call not to put any 600 ft windfarms in town next to St Nicholas House.

It’s an amazing bit of coincidence that the paper and Donald Trump are against windfarms, and keep repeating what a nightmare offshore windfarms would be if near The Donald.  They do say great minds think alike.  Then again, they also say fools seldom differ, particularly if one really rich fool hires the wife of a fool who wants advertising revenue.

Thinking over this great illustration for a nanosecond or two, I became less alarmed.  While I’m sure the P&J meant well, and aren’t  trying to cause any panic, I would like to refer whoever wrote this to an old episode of the inimitable Father Ted. 

Ted and Dougal are in a caravan on holiday (but obviously not in Scotland because there isn’t enough golf and there are windfarms).  Father Ted holds a plastic toy cow, shows it to Dougal, and points out the window to some farm animals in a faraway field.   Dougal seems baffled, looking from the plastic cow in his hand to the cows and bulls in the field.

“This looks big,” Ted says to Dougal, “but those are very, very far away.” Ted explains.

Perhaps a wind farm far off shore would not look as big as one next to St Nicholas House?  A wild theory, but I’ve enough self-confidence to put it out there.  In the meantime, no doubt Trump and the P&J will keep repeating their line that windfarms must go.

Keep repeating it gentlemen; you’ll eventually start to believe it.

Self confidence: (noun) A condition of self-awareness and acceptance; being at ease with one’s self.

In this age, self-confidence is essential to get by.  Self confidence is necessary in business and social situations , but remember, girls must not be very self-confident, or they run the risk of being ‘full of themselves’, a sin men are rarely guilty of.

It must be a hard thing to be a man in today’s world and lack self-confidence.  Take for a moment (or just take full stop) one Mr Donald Trump.

This retiring wallflower billionaire recluse should really think about getting himself some public relations.  He’s rarely mentioned in the press, despite all his good works. His name and winsome photo only appear in the media if he goes somewhere, says something, sneezes, holds a golf club, or gets on or off of an airplane.

He should really stop hiding his light under a bushel.  For instance, he stated to a government inquiry that he considers himself to be an environmentalist.  Try as I might, I can’t find any news stories to back this up.

Perhaps there is some way he can ingratiate himself further still with the Scottish public.  Does he have any Scottish ancestry, I wonder?  Perhaps he could get a coat of arms made up; this would impress us all.

Sad to say, but a lack of self-confidence can come from a lack of personal grooming skills.  Perhaps he should let his hair down a bit more or something.  Perhaps a trip to the dentist might help; on those rare occasions he is seen in the press, the faces he makes suggests wisdom tooth issues or badly fitting dentures.  Good luck to you Donald; we’re all behind you (one way or the other).

I think we’d best leave it there for now.  A very Happy Easter Weekend to those celebrating it.  Whatever you celebrate or don’t celebrate, the National Trust has some great activities for families this weekend (and there is the Willows open day, too).  Let’s hope for some continued warmer weather.

Special Easter Egg Hunt Competition:  Hidden in this satirical column are one or two grammatical errors!  Yes really!  If our sub editor doesn’t spot them, not only will they have their salary withheld, but the first reader to point out the grammatical/spelling errors will win the sub editor’s AV salary for the week!

Tally Ho!

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Feb 252013
 

With thanks to Kenneth Watt.

GRADE A (Get Real About Drugs Education Aberdeen) was established in 2010 to consult with young people in the city on behalf of YoungScot.

After a successful consultation, the group, which is a sister organisation of the Aberdeen City Youth Council, decided to look at ways to improve the attitudes and education of young people towards drugs in Aberdeen.

In 2013, the group launched their drugs education app which is available for Apple and Android devices.

The app, dubbed ‘Know the ups and the downs,’ features news from the organisations, local facilities for drugs support and toolkits produced by GRADE A.

Over the past two years, the group has taken part in peer education training with Fast Forward, drug training with Drugs Action, various residential projects, and has won two awards at the ‘Young People Services Awards.’

The app includes various articles, which keep up-to-date with the recent drug issues, videos, photographs and links to groups like ‘Drugs Action’ and ‘Frank’ for anybody who needs help with addiction, etc.

Including the audience that watched the ceremony from a live video link, GRADE A launched their app to 1000 people in education, including teachers and higher education staff. The app was created to compliment the peer education programme that Grade A have created and hope to pilot in schools.

Grade A also held a seminar and talked more about their toolkits. From a 2010 questionnaire, many young people said that they felt drugs education was not effective. Older pupils believed the ‘Just Say No’ policy doesn’t work, and the group has have found this to be a view shared by many.

The three toolkits, ‘What is a Drug?’ , ‘Stereotypes’ and ‘Harm Reduction’ aim to inform people about the effects of drugs and how everyday products like alcohol and caffeine are also a form of drug, break prejudiced stereotypes and give advice on how to stay safe IF they ever decide to try it.

Rebecca Lindsay, a member of GRADE A and a youth councillor, said:-

“We have put a lot of hard work in to the group over the past few years and to have it recognised and put in to action with the app is very exciting.”

Virag Erdie, also a GRADE A member, said:-

“The app is very user friendly and isn’t limited to a certain age group. We have videos, pictures, event, articles and even drop-in centres in the app. People can create their own profiles or log in using their Facebook or Twitter accounts. We use trusted resources to make sure that the content is relevant and up-to-date.

“We are delighted that we can reach so many people using the app. We hope it will raise awareness to drugs in Aberdeen and the rest of the UK. We are also looking to recruit young people to join the group. We believe this is a fantastic thing to do.”

Martyna Biorka, a member of GRADE A commented:-

“I am really proud of how Grade A did a fantastic job with the launch and the seminar. They presented in front of many important people and it was a great opportunity.”

Feb 182013
 

The past year has been a particularly active year for Aberdeen and District Campaign for Nuclear Disarmament who have broadened their activity on a number of fronts. Jonathan Russell writes.

We now have our own Facebook page which has been putting out related news items on most days with several articles often appearing on the same day.

The amount of information coming out about Trident and nuclear weapons in general has escalated over the past year particularly in relation to the Independence debate.

The information being sent out to those that have signed up to our yahoo groups e-mail list has also increased.

This particularly relates to information being sent out from the Scottish Campaign for Nuclear Disarmament but also reflects our own activity and information being sent in by individual members.

We have also run a series of articles in Aberdeen Voice, our local alternative on line newspaper, on the effects and Economics of Nuclear Weapons. Aberdeen Voice has also been particularly helpful in advertising our events. We have also had some publicity on STV and in the Evening Express and Press and Journal. The SNP and the Labour Party have both been helpful in circulating information as have the United Nations Association, Aberdeen Against Austerity and the Aberdeen branch of Scottish Palestine Solidarity Campaign.

Our public stall outside Marks and Spencer took place weekly during the warmer months and allowed us considerable interaction with the general public. We also had stalls at an Anti- Racist event at Aberdeen Trades Union Council and at One World week at St Mark’s. Last, but by no means least, we have managed to get letters published in the Press and Journal and Evening Express.

Public Meetings

We continued to have regular meetings on the second Monday of the month and these have included talks on a variety of subjects:

  • Dave Watt gave a talk on nuclear accidents which was published in Aberdeen Voice.
  • Mike Hennessy gave a talk on the nuclear tension between India and Pakistan.
  • Jonathan Russell gave two talks: one on the Arms Trade and the other on Korea and the wider Asia Pacific ,both of which were published by Aberdeen Voice.
  • The main public meeting of the year however was with Bruce Kent, Britain’s most famous peace activist.

The meeting was held at Aberdeen University and hosted by the student/youth United Nations Association.

We also arranged for STV to interview Bruce which was subsequently broadcast on their news program.

Bruce’s visit was part of a wider tour of the East of Scotland co-ordinated by ourselves which also included Inverness, Brechin and Dundee.

  • We had representation at the Annual General Meeting of the Scottish CND and three meetings organised by the local and youth branches of the United Nations Association; one with Des Browne, a former Defence Minister under the Labour Government and now Co-chair of the BASIC Trident Commission, and a meeting with Malcolm Savidge, the former MP for Aberdeen North and Vice-President of the United Nations Society and ONE WITH Alexandra Buskie UNAUK R2 programme officer Alexandra Buskie on ‘The responsibility to protect and the prevention of mass atrocities’. Jonathan and Mike have attended local UNA organising meetings and Mike is now represented on the committee.
  • Members of the group also attended the Scotland for Peace conference at the Scottish Parliament with speakers from Finland, Ireland, England and Scotland.

Events

We continued with our two regular events; the Hiroshima Memorial Day and our Poetry and song night.

Hiroshima Memorial Day

Hiroshima Memorial Day takes place on August 6th, the anniversary of the dropping of the first atomic bomb. At the memorial we have a number of speakers, some poetry and songs then a one minute’s silence. Then in a particularly atmospheric gesture, we float 200 candles onto the River Dee, each of which represents 1,000 of the 200,000 people killed at Hiroshima and Nagasaki.

Speakers included Barney Crockett, Leader of Aberdeen City Council, Kevin Stewart SNP, MSP for Aberdeen Central and Tommy Campbell of the Unite union.

We also had speakers from the Green Party, the United Nations Association, the Quakers and the Aberdeen branch of the Scottish Palestine Solidarity Campaign. Hilda Meer’s poetry was read and Kirsty Potts sang some rousing songs prior to the candles being sent down the river. We have run the event since 2009 and each year the attendance has increased.

Thanks go to all those that helped with the candles and all those who attended this very positive event.

Poetry and song night

This annual event took place at the Quaker meeting house on International Peace Day.  Songs were sung by Kirsty Potts, Dave Davies, Dennis Shepherd and friends and Simon Gall.  Poems were read by members of the group with special thanks going to Hilda Meers both for her poetry reading and for the poems from her recently published poetry book ‘Pathways’ published by Braswick.

New Year Party

We had a very successful New Year 2013 party at Jonathan’s.

Campaigning

A number of member and supports have sent letters to the Ministry of Defence and we encourage others to do so.

We encourage people to sign our petition and to sign up to the ‘No Nuclear Weapons here’ map which is available to sign up to online at naenuclear.org

Looking ahead….

2013 is likely to be an exciting and eventful year:

  •  We have taken the lead in organising a public debate on NATO scheduled for Friday, 22nd February and hosted by Aberdeen University Politics and International Relations Society. The speakers will be John Finnie, one of the two MSPs who resigned from the SNP following their Conference decision to reverse their previous policy of keeping out of NATO. Alex Johnston MSP will speak in favour of NATO on behalf of the Conservatives.
  • Alan MacKinnon of Scottish CND will be one of the speakers at a conference organised by the Politics and International relations society at the University of Aberdeen entitled the ‘Global War Over Resources’ on 6th March.
  • Dr Nick Gotts will be speaking on the nuclear question in relation to Iran at our meeting on Monday, 11th March.

One of the most significant events of the year will be the weekend of action scheduled from Saturday 13th April to Monday 15th April organised by the Scrap Trident Coalition. This will involve the following:

  • National Stop Trident Demonstration on Saturday 13th April
  • Workshops on Trident and non-violent direct action on Sunday 14th April
  • A blockade of Faslane Nuclear weapons base from 7am on Monday 15th April

 

  • We will be holding our annual Hiroshima Memorial Day on Tuesday, 6th August.
  • We will also hold an event on International Peace Day on September 21st in which we hope to involve a variety of organisations and people
  • Last, and by no means least, we will hold regular stalls outside Marks and Spencer on Saturday afternoons during the summer months.

I would like to thank everyone in whatever way who has participated in the work of Aberdeen and District Campaign for Nuclear Disarmament over the past year. Particular thanks go to Christian Allard for setting up and operating our amazing Facebook page, to Sally Dickson for doing all the minutes and inspiring us to have stalls and to the forever present and diligent Mike Martin.

Jonathan Russell – Chair Aberdeen and District Campaign for Nuclear Disarmament.

Feb 082013
 

Lynn Anderson was moved by the City Council’s action against Tullos Hill’s environment and animals, and by the City Council’s inaction when it came to providing sensible answers to her questions.

She has created a petition to demonstrate that the concern for Aberdeen’s environment and its wildlife has not gone away.

Lynn explains to Aberdeen Voice.

“After sending numerous letters and emails to Aberdeen City Council and being fobbed off with excuses, I decided to start a petition against the culling of deer on Tullos Hill. Like everyone else who has campaigned against this, I am appalled at the way in which ACC has gone about the Tree for Every Citizen Scheme.”

“They refuse to listen to our opinions and seem to think it is a small minority of people who are against the scheme and the deer cull. I hope to collect thousands of signatures worldwide with this petition in the hope that they might sit up and listen.”

The petition can be found here: https://www.change.org/en-GB/petitions/aberdeen-city-council-stop-culling-deer-2

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Feb 022013
 

Vue on Shiprow was packed, as the bumper audience waited with baited breath to watch Quentin Tarantino’s trailblazing Django Unchained. Andrew Watson reviews.

I was fairly looking forward to this, despite being amongst what I would consider contemporary cinema snobs.  You know the type. The kind that actually liked Inglourious Basterds!

Django charts the freedom of a black slave (Jamie Foxx) and his bid to save his wife from a similar fate.

He’s freed from a chain gang by unlikely bounty hunter Dr. Schultz (Christoph Waltz), who teaches Django the art of ‘spaghetti western’ gun slinging.

I took awhile to warm to Waltz’s character, and found him rather too smug and politically correct.  However, his unflappability throughout the duration won me over.  This was as such that my lack of vocabulary would call it dastardly, a sort of cunning you’re glad to see in a good guy.

Even towards the end, when he appears outfoxed and nothing more than a sullen loser, you literally see the cogs in his head turning.  Viola!  He’s back on top of his game and anyone in his way, between him and glory.

He’s employed by the government to hunt down their ‘most wanted’, dead or alive.  He agrees not only to, as I’ve said, train up, as he christens him, Mr. Freeman; but to also help Django recover his wife from the evil clutches of plantation owner, Calvin Candie (Leonardo DiCaprio).

Being a Tarantino film, there’s liberal lashings of the corporal kind, as well as derogatory and racist language.  All of the time in question, of course.  Letting dogs loose on a runaway slave was one of the scenes a bit harder on the eyes.

This wasn’t all without scandal, of course.  My pal told me that Quentin had been much criticised for the scene which appears to show an embryonic gathering of Ku Klux Klansman.  Apparently this isn’t historically accurate.

Fair play to the guy, though, he tried to make light of it.  One of the assembled goes off in a huff, due to the lack of appreciation towards his wife’s work, that being the eye holes for the sacks hauled over their heads.

Personally, I found this scene to be milked far beyond its comic worth.  There are scenes in the film infinitely funnier than this, namely the introduction of Samuel L. Jackson’s character, Mr. Candice’s head butler.

The comedic chemistry between Foxx, DiCaprio and Jackson, when freeman and servant meet for the first time, is priceless.  The latter is outrageously funny, a boundless man despite his fragile frame leaning heavily upon a walking stick.  You struggle to see how such an opinionated man could be servant to anyone, let alone a plantation owner.

It’s actually only later on you discover his loyalty to his master.  I suppose this is testament to the complex characters on show, in this violent romp.

Furthermore, he’s actually instrumental in blowing the cover of the two, aforementioned renegades, who come to Candice’s with supposedly unrelated business to avoid arousing suspicion.

Prior to this prelude to a seemingly unhappy ending, though, laughs can be found in the strangest of places.  In fact, it comes right at the start when Freeman is still a slave, his freedom bought by the blast of Schultz’ gun.  A cannon, more like it.

Seriously, seeing is believing and the way this gun despatches with half a horse and its rider is side splitting…and although there are no ‘fountains’ of blood, as it were, the embellishment of guts and gore is hyperbole in the extreme.

Also look out for the impossible angle of trajectory in which a certain woman falls upon herself, cue gun blast.  That definitely got one of the biggest laughs of the night.

Having said that, the one criticism I would make about this film is its length.  It seems, as I try my hardest not to give too much away, that the film was extended in order that it reach its logical conclusion.

Albeit, Foxx’s character upside down with his dick chopped off would’ve been an absolutely horrible note to end on, but I, in all seriousness, turned to my mate and said there’d either be a sequel or, at this rate, the film would end up being about four hours long!

All in all, other highlights included the standoff prior to Django’s capture and his subsequent return to the plantation to save his wife.  The common denominator in both, of course, is the reason why most people should’ve been coming to see this.  Guns and guts!

Tarantino’s no fool, though.  A keen observer will have noticed that gore isn’t all he’s got eyes for.  Notice the unyoked horse, as Foxx frees his fellow slaves.  Maybe this is just coincidental, maybe Freeman doesn’t like saddles.

Doubt it, though.  Excellent film.

 

Jan 242013
 

After many years in the music industry as a lead guitarist and side man, acclaimed UK rock musician Nigel Bennett released his debut solo album, Truth Or Consequences, on October 23, 2012 (Zip Records) in North America. The CD will be released in Europe in January 2013. Suzanne Kelly gets talking to Nigel about his new CD, touring, talent shows – and Donald Trump.

Bennett, lead guitarist for the British punk band The Vibrators, is taking centre stage as he flexes his musical virtuosity as a solo performer and front man. Truth Or Consequences features 13 tracks that highlight Bennett’s appreciation for styles ranging from country-tinged melodies to hard rock instrumentals to reggae.

Pat Collier produced the album (Primal Scream, Robyn Hitchcock, The Vibrators). During Bennett’s reputable musical career, he has performed with and written a hit single for The Members (“Radio”) and toured with Julian Lennon.

In the heady days of the late 1970s, punk bands formed, changed personnel, and split up with ferocious frequency. Nigel Bennett started in the Punk scene as guitarist for the Members; more recently he toured with The Vibrators (on guitar in place of Knox, who has semi-retired).

We start by discussing his first solo album. Nigel tells me the album title ‘Truth or Consequences’ comes from one of the many long US tours he’s been on.  Passing through the mid-West, the band drives past a sign for a town called ‘Truth or Consequences’ – he is intrigued. Apparently, the entire town voted to change its name to reflect the title of a popular television game show.  Only in America.

The album has many influences, but there is a small touch of punk throughout most of it, whether in rockabilly/western/punk track Rubidoux, or in the lyrics of ‘Another Day’ – a break up song which is sad, but still lyrically a touch sarcastic and humorous, too. ‘The Edge’ is very much an American western instrumental; it is followed by ‘Breezy,’ a track which puts me in mind of classic American bands; it makes me think of acts from The Eagles to The Grateful Dead. Nigel tells me he likes all forms of music – anything that is performed well.

We talk about punk past and present. Nigel tells me:-

“For me Punk came from a time when there were very angry young people.  (He mentions the strikes and the political problems).  There are punks that reunite at ‘Rebellion’ [an annual music festival], but I don’t even know what a punk is any more…  Does it mean you have a particular haircut and a pin in your nose?  I think it’s an attitude.  In The Members everyone was welcome whatever they wore.  Punk was not a uniform.”

We discuss how the music was made in no small part by the turbulent times, and we talk about music today. Simon Cowell and today’s pop inevitably come to the surface. We wonder whether the proliferation of television talent shows hasn’t made people more interested in fame than in honing their musical skills.

“The thing is, people like virtuosity – human beings love to see another human doing something extraordinarily well, whether in music or like in the gymnastics in the last Olympics. To see someone playing brilliantly – I can’t get enough of that. There doesn’t seem to be as much of that now as there was in the past. 

“Muse is good. One of the things I liked about the Who was those big, fat power chords they had – I remember sitting back as a kid and thinking ‘oh my god’ and then these chords were used by punk bands. Punk was terribly anti-establishment.  I’d love to be rich any day, but to be famous – I don’t envy anyone who is famous.” 

He asks me what’s going on in Aberdeen and in Scotland. An hour later, after I’ve told him the basics, he tells me of his paternal Scottish roots which are important to him (but he has no desire to open any golf courses). And what does he make of Donald Trump?

“He is as ridiculous as that toupee of his, and it’s a shame he’s been allowed to just take over.  I love Scotland; there are such friendly people, even if it’s always freezing cold when I’m there. ”

Nigel’s new album may well displease punk purists; it can be difficult for some artists to move between genres.

We discuss the example of the violent reaction Jello Biafra received (he was seriously assaulted in a bar and called a ‘sell-out’, allegedly due to his straying from what purists wanted from him), while David Bowie at age 66 is releasing a new single, and reinventing himself once again.

Nigel says:-

“When you’re known for one thing, people tend to want to go to your shows for that thing. [Biafra] changed styles for his own creativity. Bowie on the other hand… it’s very clever the way he’s always reinvented himself; he’s not let anyone put him into a narrow band.” 

“The whole thing about the album is that it’s showing another side of me. Punk is only one limited part of music. I had all these various ideas sort of lying around for a year or two or three unfinished, then the opportunity presented itself to do an album, so I started to write them down. 

“I’m purely into all of this from the heart. I approached two record companies in America and they both offered me a deal so I took the best one. I always had America in mind for this album. Americans love guitar – country, rock – they appreciate it. Guitar rules America.”

We discuss the track ‘In my Dreams,’ which has a reggae feel to it.

“When I joined the Members, it was at a time when I went to all the auditions. You had to be very diverse. I went to an Iron Maiden audition; we politely mutually realised that it wasn’t a fit. But they’ve kept it going; they’ve made millions – and they’ve made millions of people happy with it.  So – the ad I was responding to was for rock/reggae; some of the Members were very into Jamaican reggae, and I learnt about the off beat. It’s very much a summer song. It’s about a boy feeling very shy, and I can remember that as a teenager.

“Then I wrote ‘Another Day’. It’s not about any particular girlfriend; it’s about people breaking up and the memories that go with them. 

“Singing is new to me, and I’ll write more songs for the next album with vocals. I need to learn to be a better singer.  I’ve played lead for 30 years, but I’ve never fronted my own band.

“I know I’m in my mid 50s, but it’s never too late and there are no rules in music.”

Best of luck to Nigel Bennett in this and future projects.

PS – The album ‘Truth Or Consequences’ is available from Zip Records, and from good record stores – if they haven’t all had to close down. Goodbye One Up; Aberdeen will miss you.

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Dec 032012
 

Interesting Music Promotions celebrates its 250th gig with a stellar cast featuring King Creosote and Edinburgh noiseniks FOUND. Aberdeen Voice’s Pete Thomson grabs a seat in the front row.

As an outfit that’s been bringing classy if often obscure acts to Aberdeen as long as Interesting Music Promotions, we might have known they would conjure up something just a little bit special on reaching so notable a milestone. We are not disappointed. Tonight, legendary Anstruther troubadour King Creosote teams up with FOUND to bring their aptly-named Bits of Strange tour to the Blue Lamp.

With only 100 tickets on offer, queues outside 1-Up and crashed websites were the order of the day when they went on sale, but your correspondent’s cunning plan actually works for once and Parker rolls up in the limo nice and early on the night.

Once in the Lamp, we grab the best seats in the house and join a queue where we’re handed commemorative tote bags containing (don’t laugh) specially printed tea towels and a cd from KC’s extensive back catalogue. All included in the £25 ticket price.

King Creosote – Kenny Anderson to his mum – eventually wanders onstage, gives us a quick run through the evening’s schedule then picks up his acoustic guitar. We’re treated to a 4-song solo performance including a robust yet somehow delicate cover of Lone Pigeon’s I’ve Woken Up Love, the short set crowned with My Favourite Girl, one of Anderson’s finest moments.

The evening’s format is unusual in these piratic times. Following a concept first tried out by Anderson in 2009, the audience has been invited to record proceedings on mobile equipment.

The bar is closed for the duration of recording, the troubadour joined onstage by FOUND and he asks us to kindly refrain from applauding for the sake of the forest of microphones, laptops and other digital equipment that’s suddenly appeared.

Last time I saw FOUND, they were busy producing a maelstrom of noise at the science festival’s End of the World gig, and while I’m pretty sure mainman Ziggy Campbell is wearing those shoes for a laugh tonight, he’s never less than serious when he picks up his beloved semi-acoustic Rickenbacker.

The guitar features strongly as the ensemble rattles through a percussive Collector Of Mundane, then Anderson steps up and delivers Trigger Happy, I Am with a clear-eyed intensity that towers above the arrangement’s poppier leanings. This is Anderson at his most potent, drawing an audience in even if they’re not entirely sure what he’s singing at times.

Highlight of the first set is a fabulous electro-jaunt through Bats In The Attic. Far from the gently ambient version on Diamond Mine, Anderson’s Mercury-nominated collaboration with Jon Hopkins, it is tonight set against a seething backdrop of blips, bleeps and magnificent beats courtesy of sampler Kev Sim and Fence Records house drummer Captain Geeko.

At half time, each member of the audience is given a special nip glass to mark the occasion. Glasses for each of the four dates were individually designed and Aberdeen’s features a magnificent engraving of a Bon Accord lemonade lorry. How good is that? Even better, it comes filled with whisky for those who want it, a limited edition coming in at £150 a bottle, no less.

Thirsts suitably slaked, set two opens with Shallow Dive before eventually arriving at the wonderfully named Tits Up, a delicious confection of Byrds-style guitar and Kraftwerk-inspired electro – eight miles low, anyone?

Quiet and unassuming as he is, Anderson’s star shines bright. The rich Fife brogue in which he delivers his dry but always witty observations on the foibles of life and love is Scottish to the core, yet defies categorisation. His unique phrasing comes from that same well, and to these gifts you can add a soaring falsetto that elevates Anderson’s wry tales of betrayal and alienation to an altogether happier place.

The main event closes with The Be All And End All Of That to a huge reception, but the ensemble returns and meanders through a short but intriguing set including a Cait Le Bon cover and a driving version of She Means Nothing.

We can’t not mention bass player Tommy Perman who, with Geeko on drums, is sometimes all that’s holding things together, but Anderson chooses to close on his own with a spine-tingling medley of Spy Stick and Not One Bit Ashamed.

In such electrifying moments do we realise it’s in the performance itself Anderson meets his demons head-on, and one senses it might not be fanciful to suggest this is where he finds the strength to face the travails of which he sings with such passion.

Such is the ensuing uproar he’s not allowed to leave the stage, persuading his colleagues to return once more for a brisk two-chord run through Sinead O’Connor’s Emperor’s New Clothes.

It’s a bright ending to what has been a bit of a strange evening, unique and unforgettable. Many thanks to Interesting Music Promotions for setting it up – oh, and roll on the next 250!

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Nov 302012
 

With thanks to Kathryn Russell.

To mark the United Nations’ International Elimination of Violence Against Women Day, Aberdeen Women’s Alliance (AWA) took to the streets to collect donations for Rape and Abuse Support (RAS).
They also took the opportunity to discuss with city shoppers the recent funding issues experienced by the charity and the importance of the service it provides.

RAS provides support and advocacy to female survivors of sexual violence, whether recent or historical, as well as challenging public attitudes towards rape through outreach work.

AWA chose to fundraise for RAS following news earlier this year that the charity’s Scottish Government funding had been cut by 50%.

Director for the charity and member of AWA, Kathryn Russell stated:

“Despite the weather, we had a great turn out from members of the AWA and were delighted by the generosity of Aberdeen’s Christmas shoppers.

“Sexual violence is a crime which can have a devastating impact, and it is crucial survivors have access to appropriate support and help following a rape or sexual assault. That’s why it’s essential that we retain the important service provided by RAS in the North-east.”

Following fears that the rape crisis centre would have to close after Christmas, RAS successfully raised enough funds to ensure its immediate future. Donations are still required, however, and those wishing to donate can do so at:  http://www.justgiving.com/rapeandabusesupportaberdeen

Nov 302012
 

Enduring Punk band The Vibrators will be at Glasgow’s Ivory Black on Friday 30 November. Touring in place of Knox is Nigel Bennett from The Members. Ivory Black is on Oswald Street, Glasgow.

The Vibrators just returned from an extended tour of the US.  Bennett, who has a solo album just out entitled ‘Truth or Consequences’ had this to say:-

“I love playing  Scotland; Ivory Black always has a good crowd and we’re all looking forward to being here again.”

The Vibrators were founded by Ian ‘Knox’ Carnochan, bassist Pat Collier, guitarist John Ellis, and drummer John ‘Eddie’ Edwards. They first came to public notice at the 100 Club when they backed Chris Spedding in 1976. On Spedding’s recommendation, Mickie Most signed them to his label RAK Records. Most produced their first single, “We Vibrate”. The band also backed Spedding on his single, “Pogo Dancing”. Knox is currently living in London and is involved in artwork and solo projects rather than the rigours of touring with the band.

The Vibrators recorded sessions for John Peel at BBC Radio 1 in October 1976, June 1977, and February 1978. They were one of the pioneering punk bands that played at London’s Roxy Club.

The Vibrators also play Edinburgh on Saturday 1 December .  They will be at The Citrus Club40-42 Grindlay Street; the Lurkers are supporting.