After many years in the music industry as a lead guitarist and side man, acclaimed UK rock musician Nigel Bennett released his debut solo album, Truth Or Consequences, on October 23, 2012 (Zip Records) in North America. The CD will be released in Europe in January 2013. Suzanne Kelly gets talking to Nigel about his new CD, touring, talent shows – and Donald Trump.
Pat Collier produced the album (Primal Scream, Robyn Hitchcock, The Vibrators). During Bennett’s reputable musical career, he has performed with and written a hit single for The Members (“Radio”) and toured with Julian Lennon.
In the heady days of the late 1970s, punk bands formed, changed personnel, and split up with ferocious frequency. Nigel Bennett started in the Punk scene as guitarist for the Members; more recently he toured with The Vibrators (on guitar in place of Knox, who has semi-retired).
We start by discussing his first solo album. Nigel tells me the album title ‘Truth or Consequences’ comes from one of the many long US tours he’s been on. Passing through the mid-West, the band drives past a sign for a town called ‘Truth or Consequences’ – he is intrigued. Apparently, the entire town voted to change its name to reflect the title of a popular television game show. Only in America.
The album has many influences, but there is a small touch of punk throughout most of it, whether in rockabilly/western/punk track Rubidoux, or in the lyrics of ‘Another Day’ – a break up song which is sad, but still lyrically a touch sarcastic and humorous, too. ‘The Edge’ is very much an American western instrumental; it is followed by ‘Breezy,’ a track which puts me in mind of classic American bands; it makes me think of acts from The Eagles to The Grateful Dead. Nigel tells me he likes all forms of music – anything that is performed well.
We talk about punk past and present. Nigel tells me:-
“For me Punk came from a time when there were very angry young people. (He mentions the strikes and the political problems). There are punks that reunite at ‘Rebellion’ [an annual music festival], but I don’t even know what a punk is any more… Does it mean you have a particular haircut and a pin in your nose? I think it’s an attitude. In The Members everyone was welcome whatever they wore. Punk was not a uniform.”
We discuss how the music was made in no small part by the turbulent times, and we talk about music today. Simon Cowell and today’s pop inevitably come to the surface. We wonder whether the proliferation of television talent shows hasn’t made people more interested in fame than in honing their musical skills.
“The thing is, people like virtuosity – human beings love to see another human doing something extraordinarily well, whether in music or like in the gymnastics in the last Olympics. To see someone playing brilliantly – I can’t get enough of that. There doesn’t seem to be as much of that now as there was in the past.
“Muse is good. One of the things I liked about the Who was those big, fat power chords they had – I remember sitting back as a kid and thinking ‘oh my god’ and then these chords were used by punk bands. Punk was terribly anti-establishment. I’d love to be rich any day, but to be famous – I don’t envy anyone who is famous.”
“He is as ridiculous as that toupee of his, and it’s a shame he’s been allowed to just take over. I love Scotland; there are such friendly people, even if it’s always freezing cold when I’m there. ”
Nigel’s new album may well displease punk purists; it can be difficult for some artists to move between genres.
We discuss the example of the violent reaction Jello Biafra received (he was seriously assaulted in a bar and called a ‘sell-out’, allegedly due to his straying from what purists wanted from him), while David Bowie at age 66 is releasing a new single, and reinventing himself once again.
“When you’re known for one thing, people tend to want to go to your shows for that thing. [Biafra] changed styles for his own creativity. Bowie on the other hand… it’s very clever the way he’s always reinvented himself; he’s not let anyone put him into a narrow band.”
“The whole thing about the album is that it’s showing another side of me. Punk is only one limited part of music. I had all these various ideas sort of lying around for a year or two or three unfinished, then the opportunity presented itself to do an album, so I started to write them down.
“I’m purely into all of this from the heart. I approached two record companies in America and they both offered me a deal so I took the best one. I always had America in mind for this album. Americans love guitar – country, rock – they appreciate it. Guitar rules America.”
We discuss the track ‘In my Dreams,’ which has a reggae feel to it.
“When I joined the Members, it was at a time when I went to all the auditions. You had to be very diverse. I went to an Iron Maiden audition; we politely mutually realised that it wasn’t a fit. But they’ve kept it going; they’ve made millions – and they’ve made millions of people happy with it. So – the ad I was responding to was for rock/reggae; some of the Members were very into Jamaican reggae, and I learnt about the off beat. It’s very much a summer song. It’s about a boy feeling very shy, and I can remember that as a teenager.
“Then I wrote ‘Another Day’. It’s not about any particular girlfriend; it’s about people breaking up and the memories that go with them.
“Singing is new to me, and I’ll write more songs for the next album with vocals. I need to learn to be a better singer. I’ve played lead for 30 years, but I’ve never fronted my own band.
“I know I’m in my mid 50s, but it’s never too late and there are no rules in music.”
Best of luck to Nigel Bennett in this and future projects.
PS – The album ‘Truth Or Consequences’ is available from Zip Records, and from good record stores – if they haven’t all had to close down. Goodbye One Up; Aberdeen will miss you.
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Great story, Suzanne!