Sep 122011
 

With thanks to Kylie Roux.

Exhibitions:

The Black And White Show – Various Artists
Preview Friday 9 September, 6 – 8pm, all welcome!

A monochromatic medley of prints. Enzo Mari, Mike Giant, Scottie Wilson, John Byrne, Ian Hamilton Finlay, Donald Urquhart, Adam Bridgland, David Shrigley, Kenny Hunter, Rob Churm, John Bellany, Jock Mooney, Shepard Fairey and Alan Davie. Not to be missed.
Exhibition runs 10 September – 22 October 2011

Inchoate Landscapes – Toby Paterson
Preview Friday 9 September, 6 – 8pm, all welcome!
Toby Paterson’s Inchoate Landscapes draws around his newly completed suite of seven prints, creating an exhibition that sets them in the broader context of his practice and interest in the built environment.
Exhibition runs 10 September – 22 October 2011

Events:

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011  

Get Creative:

Peacock VIsual Arts – Summer Animation Classes
October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!
Call 01224 639539 for more information or to book a place.

Open Submissions – The Winter Exhibition at PVA
It’s back! After a 2 year break, we would once again like to invite artists to submit work for the Christmas show. Previous years proved to be hugely popular, attracting many visitors and making it is a fantastic opportunity to have your work seen. And this year there are prizes on offer so even more reason to submit. Visit www.peacockvisualarts.com for more details.
Submission deadline Saturday 5 November 2011
Etching Weekend Workshop
17 + 18 September | 10 – 4.30pm | £130/95 conc.

Learn the techniques and processes involved in the traditional art of etching. No experience required.
Call 01224 639539 for more information and to book a place.

Bookbinding Weekend Workshop
24 + 25 September | 10 – 4.30pm | £130/95 conc.

Learn how to create your own hand-crafted notebooks and journals that make colourful and unusual gifts. No experience required.
Call 01224 639539 for more information and to book a place.

Note: Aberdeen voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
Jul 152011
 

With thanks to Kylie Roux.

Upcoming Exhibitions:

Migrate, Replicate // Natalie McIlroy
Preview Friday 15 July | 6 – 8pm | all welcome!  

Natalie McIlroy presents Migrate, Replicate, combining large-scale video projections of Scottish landscapes, ephemeral architectural interventions and an intriguing soundscape of the Pied Butcherbird.
Exhibition runs 16 – 30 July 2011    

Drawing Connections // Hannah Redpath
Preview Friday 15 July, 6 – 8pm, all welcome! 
 

A new series of prints by Hannah Redpath produced during a one-year residency in the printmaking department at Gray’s School of Art. Exhibition runs 16 – 30 July 2011

EAF – Katri Walker // North-West
Opening Saturday 6 August | 3 – 6pm | Old Ambulance Depot, 77 Brunswick Street Edinburgh

As part of the Edinburgh Art Festival 2011, Peacock Visual Arts presents North West by Katri Walker. First exhibited at Peacock in March 2011, the audio-visual installation explores Scotland’s historic and contemporary relationship with Wild West visual culture.
Opening Saturday 6th August, 3-6pm with a BBQ & live performances by experimental musician Wounded Knee.
Exhibition runs 7 August – 4 September 2011,   Tue – Sun, 12 – 6pm.

VOLUNTEERS NEEDED for NORTH WEST at the Edinburgh Art Festival
Peacock is seeking enthusiastic and friendly volunteers to join us for the Edinburgh Art Festival where we will be presenting North West by Katri Walker in the Old Ambulance Depot (just off Leith Walk). You will be an integral part of the festival team responsible for invigilation of the exhibition and general gallery duties.
All applicants are asked to work a minimum of six hours per week and must be able to commit to volunteering with us for the duration of the festival, 6 Aug – 4 Sep 2011.
Please note, all volunteer posts are unpaid. To find out more and how to apply please contact Angela Lennon on 01224 639539 or email: angela@peacockvisualarts.co.uk
Deadline for application is Friday 29th July 2011.

 

Events:

Hurricane Lamb at Duff House
Ongoing until  31 October at Duff House, Banff.

Hurricane Lamb is a collaborative project from Gray’s School of Art (RGU) and Peacock Visual Arts. Inspired by Duff House and its history, the exhibition features new work by Michael Agnew, Andrew Cranston, David McCracken, Georgia Russell, Lennox Dunbar, Paul Housley, and Donald Urquhart.
Exhibition runs until 31 October 2011  

Peacock At The Aberdeen Art Fair
13 + 14 August | 10 – 4pm | AberdeenMusic Hall

 Peacock is partaking in the inaugural year of the Aberdeen Art Fair – which promises to become an annual showcase event for the Scottish arts scene.

Exhibiting work by renowned artists including Frances Walker, Toby Paterson, John McLean, James Furneaux and Barbara Rae and a selection of handprinted posters from the Peacock archive – there’s sure to be something for everyone’s taste and budget!

Get Creative:

Collagraph Weekend Workshop
23 + 24 July| 10 – 4.30pm | £130/95 conc.

An exciting introduction to the printmaking process of Collography. Using thick card as a base, textures are glued to the block to build up and create an image before inking it up and then printing it using the etching press.
Call 01224 639539 for more information or to book a place.

Peacock VIsual Arts – Summer Animation Classes
July  20, 27 + October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?
Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!

Call 01224 639539 for more information or to book a place.

Peacock VIsual Arts – Monster Making Fun // Kids Screenprinting
2 + 9 August| 10 – 4pm | age 8 – 12 | £35/class

Get your little monsters to create their own little monster!
We’ll spend the morning drawing all the different body parts of a monster before learning how to transform them into colourful screenprints.
We’ll then use all the different parts to build lots of  monster designs…scary monster, happy monsters, mad monsters – whatever you decide!
Call 01224 639539 for more information or to book a place.

Screenprinting Weekend Workshop
20 + 21 August | 10 – 4.30pm | £130/95 conc.

Explore the creative possibilities of this colourful, graphic and immediate approach to making repeat prints. No experience necessary – just a few images and a bit of creativity.
Call 01224 639539 for more information or to book a place.


Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

 

Jun 182011
 

With thanks to Kylie Roux.

Peacock VIsual Arts – CRA/CKED // Bill Thompson

New works by Bill Thompson exploring cracked aesthetics with broken technology, data bending and transliteration in sound and video. Exhibition runs 14 May – 25 June.
Exhibition Ongoing until 25 June 2011, Open Tue – Sat, 9.30 – 5.30pm.

Upcoming exhibition: EAF – Katri Walker // North-West
Opening Saturday 6 August | 3 – 6pm | Old Ambulance Depot, 77 Brunswick Street Edinburgh

As part of the Edinburgh Art Festival 2011, Peacock Visual Arts presents North West by Katri Walker. First exhibited at Peacock in March 2011, the audio-visual installation explores Scotland’s historic and contemporary relationship with Wild West visual culture.
Opening Saturday 6th August, 3-6pm with a BBQ & live performances by experimental musician Wounded Knee.
Exhibition runs 7 August – 4 September 2011

Peacock VIsual Arts – Gig in the Gallery
Saturday 25 June | 8pm | £6 on the door

Interesting Music Promotions (imp) and Vocoustics present No More Soundchecks – the latest in a series of unplugged shows. WOODPIGEON, EAGLEOWL and ROB ST JOHN will be performing in PVA’s intimate gallery.

Peacock At The Aberdeen Art Fair
13 + 14 August | 10 – 4pm | AberdeenMusic Hall

 Peacock is partaking in the inaugural year of the Aberdeen Art Fair – which promises to become an annual showcase event for the Scottish arts scene.

Exhibiting work by renowned artists including Frances Walker, Toby Paterson, John McLean, James Furneaux and Barbara Rae and a selection of handprinted posters from the Peacock archive – there’s sure to be something for everyone’s taste and budget!

Peacock VIsual Arts – International Summer School // Beyond Monotype
4 – 8 July | 10 – 4pm | £400

Only a couple of places left in this week long course that will teach you a wide range of techniques possible in the monotype process, expanded through the use of collage, drawing, and multiple plate projects. With an energetic and open approach, each participant’s individual style will help to dictate the direction of the workshop.

For more information and to book a place, please contact Angie Aitchison on a.aitchison3@rgu.ac.uk
or call 01224 263600.

Peacock VIsual Arts – Summer Animation Classes
July 6, 13, 20, 27 + October 12, 19 | 10 – 4pm | age 10+ | £35/session

Ever wondered how Wallace and Gromit move? Or what makes Pingu go?

Well this summer we’re planning some animation workshops to show you just that! Each class is £35 and a one off – but if you’re keen to keep coming back, you’re more than welcome to book on as many as you like!

Call 01224 639539 for more information or to book.

Peacock VIsual Arts – Monster Making Fun // Kids Screenprinting
2 + 9 August| 10 – 4pm | age 8 – 12 | £35/class

Get your little monsters to create their own little monster!

We’ll spend the morning drawing all the different body parts of a monster before learning how to transform them into colourful screenprints.

We’ll then use all the different parts to build lots of  monster designs…scary monster, happy monsters, mad monsters – whatever you decide!
Call 01224 639539 for more info and to book a place.


Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

May 122011
 

With thanks to Kylie Roux.

Peacock Visual Arts – CRA/CKED // Bill Thompson
OPENING! Friday 13 May, 6-8pm, with a live performance by the artist. All welcome.

New works by Bill Thompson exploring cracked aesthetics with broken technology, data bending and transliteration in sound and video. Exhibition runs 14 May – 25 June.
Exhibition runs 14 May – 25 June 2011, Open Tue – Sat 9.30 – 5.30pm.

Peacock Pinhole Photography
14 May | 10-1pm & 2-5pm (1 hour sessions) | Age 8+ | £5
Come along and try your hand at this amazingly easy & fun technique. Sessions take place throughout the day and last 1 hour. All camera & materials provided. Call 01224 639539 or email info@peacockvisualarts.co.uk to for more details and to book.

Bookbinding Weekend Workshop
Sat 14 & Sun 15 May | 10 – 4.30pm | £130/95
It’s amazing what you can do with some card, a needle and a bit of ribbon! Learn how to create your own stunning hand-crafted notebooks and journals that make colourful and unusual gifts..
Call 01224 639539 or email
info@peacockvisualarts.co.uk to book.

Calling All Artists!

Peacock would like to announce an open call for submissions from artists, collectives, curators and filmmakers. Closing date for applications is 30/05/2011.
Entries by email only to
info@peacockvisualarts.co.uk.
For more information visit
www.peacockvisualarts.com.

Thursday Print Club
12 May – 16 June | 5.30 – 8.30pm

Thursday Print Club aim is to help Peacock users become more familiar with the workshops, to practise techniques and to gain confidence and benefit from regular supervision from Peacock Staff in relief, etching, collagraph, screenprint or bookbinding..
Contact
linsay.croall@peacockvisualarts.co.uk for more details and to book.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626

Apr 252011
 

By John Aberdein.

The Council leadership has got itself into a fankle. Schemes for the future of Aberdeen city centre have now got more sticky holes than a spider’s web. It is time the Council leadership either extricated itself – or demitted office.
The task of a council is to regulate the city on behalf of the public good, the good of all its citizens.

If it spurns that duty, and thinks it exists to promote the projects of the big business minority, then it has to be replaced.

If the bleakest, most expensive, utterly illogical, and environmentally crass scheme were to be implemented for, say, the top of the Broad Hill, for the width of the Castlegate, or for the area between Denburn Viaduct and Union Bridge, then the construction industry would stand to make a hefty profit. And if it had all to be restored –  assuming it was still possible to be restored – then the reconstruction industry would stand to make another whopping killing. It can be seen immediately that big business has no interest in things remaining the same: there is no profit in that. So big business – and its tame political followers – have to create the conditions for constant change: by decrying the status quo.

Big business says the city centre is a disgrace, that they cannot take visitors there. And to an extent that is true: the state of Aberdeen’s main street is a disgrace, with many a shabby shopfront and with weeds hanging off ledges. But it is not actually Union Street that big business and its political servants want to change: it is the beautiful bit, the secluded haven, the sunken Victorian garden with its intense vivacity and charm.

When a council leader can allow himself to be quoted as saying that Union Terrace Gardens is only grass and a few trees, we would remind him that by such definition a human being is only some chemicals and a few gallons of water.

When a council deputy leader says that Peacock could not go ahead because there was a funding gap (of around £3.5 million), yet is prepared to give a fair wind to an enormous project with a gargantuan funding gap (£70 million and seriously upwards), then we suggest he check his sums.

Big business has no business case – that’s how much of a bad joke this scheme has become.

When a Lord Provost says that the Council is obliged to take a £50 million-with-strings offer because he is afraid of being laughed at in the world outside, then he deserves to be pitied. That is not true civic leadership, not in a thousand years.

The reason that so many people are entirely wary of the City Square project as it now stands, is that it is a very unusual beast: a chameleon with three wooden legs. Is there to be a double-storey car park? We hear changing stories about that. Why? Is there to be a retail presence? No. Yes. If yes, why? How would that help an already retail-denuded Union Street? Is there to be an underground art gallery, an entombed conference centre? Point: we already have an art gallery and a conference centre, above ground, in the light.

And the three wooden legs?

1. The misleading description.

2.  The duff funding method.

3. The failure of vision.

The description first of all: The existing gardens are to be raised. No, very largely they will be razed to the bare earth, and anything placed atop the new decking will have to be shallow-rooted. Strangely, 140-year-old elms cannot be grown in pots.

The funding-method: The funding gap will be met by TIF. TIF is for brownfield sites. Union Terrace Gardens is not a brownfield site. No business case has been presented. Big business has no business case – that’s how much of a bad joke this scheme has become. The real risk is that the massive funding requirement – unless it can be laid on some magic new volume of city centre trade – will absolutely hammer ordinary ratepayers and council taxpayers.

The failure of vision: Union Terrace Gardens, as noted above, is a secluded haven, a sunken Victorian garden of intense vivacity and charm. Most flat or flattish cities would give a lot to have one. Plazas and piazzas are two-a-penny worldwide in comparison.

There are countless appreciative minds and hearts, and rich imaginations, in the city

Melbourne’s Federation Square was the exemplar held up by ACSEF in their presentation at Cults Academy on 12th May last year. Well, no, actually, ACSEF, I don’t really think so. Melbourne’s Federation Square (built over old railway yards, not over an elegant garden) is 8 acres, whereas the proposed Aberdeen City Square is 6.

But metropolitan Melbourne has a population of 4 million. So the city of Aberdeen – with a population a little over 5% of Melbourne’s – suddenly needs a City Square 75% as big? The casual numerical incompetence of the thinking here almost beggars belief.

As we know, there are many achievable schemes to improve Union Terrace Gardens and the Denburn Valley. They are schemes which start by looking at what already exists, appreciating what is there, and pondering how it can be enhanced. There are countless appreciative minds and hearts, and rich imaginations, in the city.

Taking the area as a whole, I have seen drafts and sketches for pleasurable fountains and waterways, for smooth cylindrical lifts, for tubular pedestrian connection to the station, for an airy bridge to Belmont Street  – yea, and for restored toilets and giant draughts, for sculpture and a bandstand! No doubt many more joyful and stately ideas can be brought to the democratic table. Joyful and stately both: for Union Terrace Gardens is Aberdeen’s Xanadu.

So, improve the Gardens and their wider setting and their facilities and their accessibility and their connectivity – by such affordable and imaginative means as the people collectively will.

An international design competition – to one man’s parameters? Destroy what exists with money you do not have? The Council leadership may have lost the plot, but the people, it is extremely likely to find, have not lost their senses.

Apr 152011
 

By Stephen Davy-Osborne.

With the recent fair weather and the school holidays in full-swing, many visitors to Aberdeen beach may have noticed an addition to Broad Hill.

Situated between the Beach Ballroom and Pittodrie, the small hill is well known as a spot to avoid on a blustery day, but with better weather on the horizon the installation of a new open-air exhibition could not have chosen a better location.

BY ORDER OF ME is a collection of wooden signs scattered across the hill, and is the collective work of visual artist Rachel O’Neill, writer Davey Anderson and 54 pupils from Kingsford Primary School. The collaboration, organised by Extreme Aberdeen and the National Theatre Scotland, in partnership with the City Council’s Art Education team, set out to challenge the way visitors interact with their surroundings.

The signs themselves were inspired by the many prohibitive signs found across the city, and were created to represent many young people’s view of a an urban landscape that is cluttered with signage ordering what can and cannot be done: No Ball Games, No Skateboarding, Keep Off the Grass, to name but a few.

With such signs as “No Kissing on the Hill, I Mean It”, it is evident that those taking in the fresh sea breeze are being encouraged to ponder the world from a different point of view.

While they are not inviting visitors to run amok on Broad Hill (although one sign does state we should run down the hill screaming) the purpose remains to encourage visitors to enjoy their surroundings and the spectacular views across the bay to one side, and the city sky-line to the other. The exhibition will be in place until early next spring.

For further information please visit www.nationaltheatrescotland.com

Peacock Events – March/April

 Aberdeen City, Articles, Community, Events, Featured, Information  Comments Off on Peacock Events – March/April
Mar 172011
 

With thanks to Kylie Roux.

Peacock Visual Arts have announced a  series of  exciting events from this weekend up until the end of April including visual arts exhibitions, live music, audio-visual installation, film and workshops.

Previews of exhibitions by Katri Walker and Gray’s School of Art’s BA Hons printmaking students take place on Friday 18th of March. See below for details.

Exhibition – North West // Katri Walker
Preview Friday 18 March | 6 – 8pm | All welcome!

Katri Walker presents video work exploring Scotland’s historic and contemporary relationship with Wild West visual culture. Featuring a collaborative audio-visual installation with experimental musician Wounded Knee.

Launch night will feature live performances from Wounded Knee and some real cowboys on the scene from the Northern Roughriders- yeehah! Supported by anCnoc Highland Single Malt Scotch Whisky

Exhibition runs 19 March – 30 April 2011

Exhibition – WORK // GSA Printmaking Students
Preview Friday 18 March | 6 – 8pm | All welcome!

WORK is an exhibition by Gray’s School of Art’s BA Hons printmaking students giving an exciting insight into a great variety of different approaches to print and printmaking.

A diverse range of works made in preparation for the students’ degree show later in the year will be on display in the reception gallery space of Peacock.

Exhibition runs 19 March – 30 April 2011

CINECLUB // Run Down Aberdeen
Tuesday 22 March | 7pm | All welcome!

A film by Fraser Denholm exploring the perceived wealth of Aberdeen as the city at the centre of the European Oil Industry, while on the other side of the equation it is a city with areas of multiple deprivation, insufficient infrastructure for the heavy industry it supports and a city council dealing with a £150 Million deficit. An open discussion on the issues raised in the film will follow.

( See article by Fraser Denholm for more details )

Thursday Print Club
17 March – 21 April | 5.30 – 8.30pm | £60 (6 sessions)

After the success of recent weekend printmaking classes Peacock have been encouraged to offer supervised evening sessions. The aim is to help users become familiar with the workshops, to practice techniques and to gain confidence and benefit from regular supervision from Peacock Staff.

If you are interested, and wish to book a place, email linsay.croall@peacockvisualarts.co.uk and please state which area you would like to work in – either relief, etching, collagraph, screenprint or bookbinding.

 

PEACOCK VISUAL ARTS
21 Castle Street
Aberdeen
01224 639539
info@peacockvisualarts.co.uk
www.peacockvisualarts.com
Open Tue – Sat 9.30 – 5.30pm

e: kylie@peacockvisualarts.co.uk

 

Feb 112011
 

With thanks to Kylie Roux.

In collaboration with New Moves International, Peacock Visual Arts and Citymoves Dance Agency present ‘This Is Performance Art’ (TIPA), a four-day festival featuring some of the most exciting and influential performance artists in the world.

Black Market International, in residence as part of TIPA Europe 2011, kick-start everything here in Aberdeen. The collective, featuring Alastair MacLennan, Boris Nieslony, Elvira Santamaria Torres, Jacques Van Poppel, Jürgen Fritz, Lee Wen, Miriam Laplante, Norbert Klassen and Roi Varra, will be travelling to the city for the very first time for the four-day programme.

The festival includes performances, installations and a workshop, as well as an opportunity to meet the artists on their arrival into Aberdeen at a discussion chaired by Lindsay Gordon, Director of Peacock Visual Arts

Wednesday 16 February – Saturday 19 February, Various Locations
For more information, click This Is Performance Art’ (TIPA)

Ongoing events.

ALICIA BRUCE // Menie: a portrait of a North-East coastal community in conflict
Award winning photographer Alicia Bruce spent the summer of 2010 collaborating with residents of the Menie estate, an area of outstanding natural beauty and a Site of Special Scientific Interest (SSSI) situated 20 minutes north of Aberdeen. The residents’ homes are under threat of compulsory purchase as Trump International starts construction of a golf course, hotel and housing development with plans to re-name Menie ‘The Great Dunes of Scotland’.
The exhibition showcases a stunning array of photographic and moving image works that present a humane story about people and place – an observance of conflicted territory and those who inhabit it.

Ongoing until 26 February http://www.peacockvisualarts.com/archive/297/menie-a-portrait-of-a-north-east-coastal-community-in-conflict

ANITA JEAN STEWART // Mounthooly in May
Last May Mounthooly roundabout has a change of identity. Artist Anita-Jean Stewart, along with her trusty mobile studio, took up residency on Aberdeen’s renowned traffic island bringing with her; shadow-shows, tea-parties, poetry, glitter-balls, gigs, hula-hoops and artist’s talks. Stewart successfully transformed the roundabout into a creative bubble for the month of May, the results of which can be seen at Peacock Visual Arts in January. So if you missed out last spring – there’s another chance to relive the excitement of Mounthooly in May.

Ongoing until 26 February http://www.peacockvisualarts.com/archive/298/mounthooly-in-may-anita-jean-stewart

TASTE BUDS // Jay Koh + Chu Yuan
Sweet, sour, bitter, salty, pungent…what does each taste evoke for you? Artists Jay Koh and Chu Yuan invite you to join them in this public participation art project to discover the multi-dimensions of tastes. They will be at Pad Thai café in the Aberdeen Market every Tuesday and Thursday afternoon, from 8 February – 3 March, to discuss the diversity of different tastes.This project is part of a Cultural Diversity Fellowship by Peacock Visual Arts with support from Creative Scotland.

Tuesdays & Thursdays until 3 March , 1.30pm – 4.30pm, Pad Thai Cafe, Aberdeen Market http://www.peacockvisualarts.com/archive/300/tate-buds-jay-koh

Upcoming events.

Screenprinting Weekend Workshop with Ailsa McWilliam
Explore the possibilities of this colourful, graphic and immediate approach to making repeat prints. No experience is necessary – just a few images and a bit of creativity.

Saturday 19 & Sunday 20 February, 10am – 4.30pm,  £130/95 conc.
Call 01224 639539 or email info@peacockvisualarts.co.uk to book.

Etching Weekend Workshop with Michael Waight
Learn the techniques and processes that are involved in the traditional art of etching. No experience necessary.

Saturday 19 & Sunday 20 February, 10am – 4.30pm, £130/95 conc.
Call 01224 639539 or email info@peacockvisualarts.co.uk to book.

Photo Etching Weekend Workshop with Michael Waight
Ideal for those with some etching skills. It will show you how to work with transparencies, photographic or hand drawn, and to work in more direct and playful ways with the plates you make.

Saturday 5 & Sunday 6 March, 10am – 4.30pm, £130/95 conc.
Call 01224 639539 or email info@peacockvisualarts.co.uk to book.

Jan 142011
 

With thanks to Kylie Roux.

An Exhibition by award winning photographer Alicia Bruce,  showcasing a coastal community in conflict launches at the Northeast’s Centre for Contemporary Art, Peacock Visual Arts on Fri 14th of January, 6pm

Alicia Bruce spent the summer of 2010 collaborating with residents of the Menie estate, an area of outstanding natural beauty and a Site of Special Scientific Interest (SSSI) situated twenty minutes north of Aberdeen.

The resident’s family homes are currently under threat of compulsory purchase as Trump International starts construction of a golf course, hotel, and private housing development with plans to re-name Menie ‘The Great Dunes of Scotland’.

Through socially engaging and interacting with the residents of the estate, Bruce has produced a stunning body of photographic and moving image works that present a humane story about people and place – an observance of conflicted territory and those who inhabit it.

A number of the works within the exhibition are staged photographs referencing artworks from Aberdeen Art Gallery’s permanent collection. With the Menie estate in the background and the residents as the subjects these respond to the subjects and create not only a reference to the original artworks, but a portrayal of the subjects in the photographs and the ordeal they are currently facing.

Bruce, an Edinburgh Napier University 2006 PFI Graduate, was previously awarded an Artist in Residence at Aberdeen Arts Centre in 2008 where she spent her time creating new work responding to the city of Aberdeen as well as teaching a series of community based workshops.

Her photograph Flood in the Highlands after Sir Edwin Landseer, has gained international recognition winning several awards and bursaries.  This image has been exhibited at the City Art Centre, Edinburgh, Aberdeen Art Gallery and Rhubarb-Rhubarb International Review. Made possible with the financial assistance of the Aberdeen Visual Arts Award, Bruce now returns to the Northeast to exhibit in the city’s centre for contemporary art – Peacock Visual Arts.

This exhibition is a humane story of a conflicted territory and those who inhabit it

With support from Street Level Photoworks, Glasgow, Bruce predominantly works in photography and moving image. She describes her work as a collaborative process with the subjects she  photographs, with the photographic portrait being a key aspect of her work.

“This exhibition is a humane story of a conflicted territory and those who inhabit it” says Alicia.

“I was deeply upset to see the harassment the residents of Menie undertook simply for wishing to remain in their family homes. If these compulsory purchase orders go ahead no home in Scotland would be safe.

“Menie is a stunning piece of coastline and, in spite of living in constant threat the residents welcomed me with hospitality and above all dignity.

“We short listed paintings we saw in Aberdeen Art Gallery and restaged these as large-scale photographs outside the resident’s homes with them as the subjects.  We drew parallels with the artworks and the current situation in Menie. The image in the show of 86 year old Molly Forbes was her tenth day without running water.”

Kylie Roux, Marketing Manager at Peacock Visual Arts told Aberdeen Voice:

“Peacock’s exhibitions often highlight very relevant topics and with this exhibition Alicia has managed to capture the stunning landscape of the Menie Estate whilst sympathetically telling the story of the residents who live there. At a time where the future of the area is such a pertinent topic we feel bringing the issues of the development to the attention of our audience to be very important. The exhibition can be appreciated by all, from those interested in the current situation to those who just want to view the captivating works that Alicia has produced.”

David Milne of Hermit Point, Menie comments:

“This exhibition shows us the real residents of Menie, around our homes and in the environment we love and cherish and now have to fight for the basic right of staying in.”

Running in conjunction with  ‘Menie: a portrait of a North-East coastal community in conflict’, is an exhibition displaying the results of an off-site project carried out on the city’s renowned traffic island, Mounthooly Roundabout.

Last May artist Anita Jean Stewart changed the identity of the roundabout by taking up residency, along with her trusty mobile studio, and bringing with her; shadow-shows, tea-parties, poetry, glitter-balls, gigs, hula-hoops and artist’s talks.

Stewart successfully transformed the roundabout into a creative bubble for the month of May, the results of which can be seen at Peacock Visual Arts from January 14th. So if you missed out last spring – there is another chance to re-live the excitement of Mounthooly in May.

‘Menie: a portrait of a Northeast coastal community in conflict’ and ‘Mounthooly in May’ both launch on Friday 14th January, all welcome.

Exhibitions run from 15th January to 26th February 2011.

Jun 242010
 

Fiona Soe Paing is a half-Scottish, half-Burmese composer, producer and vocalist based in Aberdeenshire. She creates ‘skeletal, off-world electronica’, based around minimal beats and interesting synthesiser noises. With a beautiful and unique voice and a full range of visuals, live performances are fascinating and compelling experiences which have earned rave reviews from all corners of the music and art world. Her haunting vocal melodies are sung sometimes in English and Burmese but are also supplemented by an invented No Man’s Language, with phonetics created purely for creative purposes. Continue reading »