Mar 202015
 
Cindy Douglas and Tim Richards Trio.

Cindy Douglas presents two unique shows at this year’s Aberdeen Jazz Festival

With thanks to Cindy Douglas.

Scottish jazz vocalist Cindy Douglas presents two unique shows that promise concert-goers something extra at this year’s Aberdeen Jazz Festival, which runs from 18-22 March.

In a tribute to the musical pairing of Billie Holiday and Lester Young, Cindy and award-winning saxophonist Konrad Wiszniewski revisit the music of these two jazz giants. The show, called ‘Lady Day & The Pres’, debuted at last year’s Edinburgh Jazz Festival to great acclaim and this year’s performance coincides with Billie Holiday’s centenary, Billie Holiday and Lester Young met early in their careers and founded one of the most enduring musical partnerships jazz has ever seen.

Both sensitive people, easily hurt by the hard knocks of the music business and the racism that was a way of life in those years, they found solace in each other.

Cindy says about the show:

“Billie Holiday is a legend, but not everyone knows the fascinating stories behind her life and that of her soul mate Lester Young. In that way the show is far more than just a concert. Anecdotes between songs make the music come alive.”

Lady Day & The Pres takes place at the Carmelite Hotel in Stirling Street on Sunday March 22nd, at 7.30pm and tickets include a 3-course dinner. In addition to this performance, Cindy is bringing a second show to the festival, specifically aimed at families with children.

As part of the ‘Jazz on the Green’ outdoor programme, the jazz singer will perform a unique family-friendly show called ‘Get your Groove on!’ to introduce children to jazz and live music and to “get the whole family up and dancing”. Tunes will include songs from popular kids’ movies like Snow White, Pinocchio, Toy Story, Cars, Monster Inc & 101 Dalmations.

Jazz on the Green is a free afternoon event taking place in the city’s Merchants Quarter on Saturday 21st March, with live jazz performances outdoors on the Green and in venues around it.

Cindy says about ‘Get your Groove on!:

“The kids’ show is so much fun, everybody loves it and it is great to see the kids enjoying their favourite songs performed by a live band rather than watching it on DVD.”

Cindy Douglas, who is based in Aberdeenshire, gigs regularly in Scotland and has developed a broad repertoire that ranges from swing to post-bop and encompasses everything in between.

She has studied with some of the world’s leading jazz vocal educators, including Mark Murphy, Sheila Jordan, Jay Clayton, Anita Wardell, and Liane Carroll and her singing style has been described as exuberant, mesmerising and versatile.

In 2012, Cindy released her first album, My New Jive, which was recorded in London with pianist Tim Richard’s trio.

Lady Day and the Pres
Sunday 22nd March, 7.30pm
Carmelite Hotel, Stirling Street, Aberdeen.
£20 inc 3 course dinner.
Bookings made directly with the Carmelite Hotel on 01224 589 101.

Get Your Groove On! 
Saturday 21st March, 1pm
Carmelite Hotel, Stirling Street, Aberdeen.
FREE.
Mar 132015
 

Steve Harris, Chief Executive of VisitAberdeen – Copyright: Newsline Scotland

With thanks to Stevie Brown, Tricker PR.

Plans for a new state-of-the-art £333m Aberdeen Exhibition and Conference Centre (AECC) have been approved. The planned 15,000 capacity conference and concert venue, will almost double to capacity of the current  AECC which has a maximum capacity of 8,500, and will include conference facilities, a concert hall, two hotels and a green energy plant, aimed at offsetting costs.

Planners are in discussion with Aloft Hotels and Hilton regarding the construction of two onsite hotels which would provide up to an additional 350 rooms for the city.

Subject to planning permission, the new venue will be based in Dyce near Aberdeen International Airport.

Steve Harris, Chief Executive of VisitAberdeen says,

“The announcement that the plans for the new Aberdeen Exhibition and Conference Centre have been approved can only strengthen the international event and conference product Aberdeen offers. The AECC contributes over £80m to the north-east economy each year, which increases to approximately £140m during the biennial Offshore Europe exhibition.     

“Aberdeen has a strong conference product, and was ranked in 11th position in The British Meetings and Events Industry Survey in 2014 for business tourism and events. The new exhibition centre will address the need for a bigger purpose built facility, to accommodate the requirements of the conference and entertainment event industry, and without it, Aberdeen will most certainly lose out on future events and the economic benefits that they bring to the city.

“The new location of the centre positioned near Aberdeen International Airport is a significant move, and will make travel to and from the venue even easier than the existing site for international visitors. The state-of-the-art conference centre is a hugely valuable investment to Aberdeen and we look forward to welcoming even more corporate and leisure events to the city.”  

VisitAberdeen is a partnership between Aberdeen City Council and the industry including Aberdeen City and Shire Hotels Association and Aberdeen Inspired. For further information contact VisitAberdeen on 01224 900490 or visit www.visitaberdeen.com.

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

Mar 052015
 
Lewis Griffiths, Tim Driesen, Sam Ferriday and Stephen Webb in JERSEY BOYS UK tour - Credit: Helen Maybanks

Lewis Griffiths, Tim Driesen, Sam Ferriday and Stephen Webb in JERSEY BOYS UK tour – Credit: Helen Maybanks

By Duncan Harley

The Rock and Roll Hall of Fame arrived in Aberdeen this week in the form of the 1960s era, jukebox-style musical, Jersey Boys, and it would be fair to say that the audience went wild.

From curtain rise to curtain call this is a highly polished and electrifyingly energetic production.

After almost a decade touring worldwide, who would expect otherwise.

With a pedigree of 27 Top 40 singles including Big Girls Don’t Cry, Walk Like a Man and Rag Doll, the original Four Seasons’ tough but tender doo-wop harmonies continue to wow Rock ‘n’ Roll fans of all ages.

Add to the mix around 100 million record sales, and it’s difficult to see how Director Des McAnuff’s musical portrayal of the group’s often troubled rise and fall could fail to please the theatre audience.

As always, casting makes or breaks a musical, and the choice of Belgian-born actor Tim Driesen – Rock of Ages and We Will Rock You – to play lead Frankie Valli is more than satisfying. Bearing a passing resemblance to the young Frankie, Tim’s stage presence and ferocious falsetto vocal range steal the show.

Sam Ferriday as songsmith Bob Gaudio, Lewis Griffiths as the gentle Nick Massi and Stephen Webb as the renegade Tommy DeVito complete the band lineup and in numbers such as Sherry and Bye Bye Baby, the quartet’s performance bordered on the magical. At times it was difficult to separate performance from reality.

After all we are talking here about a group which disbanded in 1977. The 20th century rock genre still commands massive audience appeal however, as gems such as John Byrne’s Tutti Frutti and Richard O’Brien’s Rocky Horror Show indicate.

The narrative is neatly subdivided Vivaldi-like into Spring, Summer, Fall and Winter, with each band member taking a turn to relate his own particular version of the band’s rise and fall. Interspersed throughout by around 30 original Four Seasons hits, this approach works well.

As the rags-to-riches story plays out and the discord between band members becomes unbearably raw, the musical score keeps pace.

Spring’s I Can’t Give you Anything But Love leads on to the prohibition-inspired Oh What a Night of Summer.

Sam Ferriday, Stephen Webb, Tim Driesen and Lewis Griffiths in JERSEY BOYS UK tour Credit: Helen Maybanks

Sam Ferriday, Stephen Webb, Tim Driesen and Lewis Griffiths in JERSEY BOYS UK tour Credit: Helen Maybanks

The Big Man in Town of the Fall gives way to Winter’s Fallen Angel and Who Loves You. In the end of course, all is calm on the wrong side of the tracks, and the Four Seasons are admitted to the Hall of Fame.

Yes of course the quartet’s story is told in a somewhat fictionalised form. As a musical though, the story works well.

The gang connections, for example, might be ever so slightly romanticised, two rather than one of Frankie Valli’s daughters actually died, one by apparent suicide and one by drug overdose in 1980; and the real Tommy DeVito denies being an untidy room-mate who peed in the sink.

“I was probably the cleanest guy there … I don’t even know how they come up with this kinda stuff,” he told the Las Vegas Review-Journal recently.

But this is theatre after all, and a wee bit of spin in the name of entertainment is not unwelcome.

If there is one minor criticism it would be that there is little reference to the contemporary music scene.

The storyline exists in an explosive bubble of doo-wop and aside from a reference or two to Bob Gaudio’s pre- Four Season’s hit Short Shorts and some discussion about how to get airplay on prime time radio, we are pretty much left in the dark about the general music scene in the far off 1960s.

The supporting cast were superb with Nathaniel Morrison’s Barry and Charlie Allen’s Swing due special mention, as of course is Matt Gillett who plays record producer Bob Crewe.

Lighting, sound and set are slick and the costumes are both pin sharp and iconic.

All in all Jersey Boys is a show well worth seeing.

Jersey Boys plays at HM Theatre Aberdeen until Saturday 14th March.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley, Images © Helen Maybanks

Feb 272015
 

steve nimmo trioBy David Innes.

Graham Robertson and Kenny Taylor’s Facebook page had me intrigued.

Blues, in all its guises, is a healthy obsession, so a chat was in order.

Graham provides the words.

So, Graham, what inspired you to begin promoting gigs in Aberdeen?

Kenny and I are both huge fans of live music and regularly travel to gigs all over the place.

‘We had thought about promoting, but when our friend Linda from Newcastle gave us the chance to bring Ryan McGarvey to Aberdeen, we decided to take the chance. Having seen him a few times before, we knew how talented he was, and it would be a challenge and a great opportunity for our first show. Ryan, Kenny and I were very pleased with the turnout out of 121, given that he’s virtually unknown in Aberdeen. There’s definitely a demand for blues rock out there with Joe Bonamassa pulling a crowd of over 3000 when he played the AECC in September.

We started our Facebook page since it’s much easier to get word out via social media. Over 200 people are following the page in the short time it’s been up and running, and we’re considering the merits of having our own website.

As fans of live music it is also quite important for us to keep the tickets at affordable prices.

So why Blues Rock? Are you attempting to get into a niche here, or are you open to acoustic acts, Delta interpreters etc? What if Eric Bibb was looking for a gig in the NE?

We’d be open to acoustic gigs, but are focusing initially on electric blues rock for the first two or three years until we get ourselves established. We’d then consider taking Eric Bibb to Aberdeen if it was financially viable.

What were your personal highlights of 2014?

2014 was very good year for us. Obviously starting up Blues Rock Aberdeen and putting on our first two gigs – Ryan McGarvey and The Nimmo Brothers were the main highlights.

In March I travelled to New York to see The Allman Brothers Band play two nights during their run at The Beacon Theatre. A week after I’d booked the tickets they announced that 2014 was going to be their final year, so that made the concerts even more special.

In May we both attended The Rory Gallagher Tribute Festival in Ballyshannon, where Rory was born. It was a brilliant, with over twenty bands playing over the weekend. Fans attended from all over the world and I even had a pint with a guy who had travelled from Australia especially for the festival.

The overwhelming highlight of 2014 for me, though, was the Harvest Time Blues Festival in Monaghan, Ireland at the beginning of September. It came as a real surprise, as I didn’t think anything could top seeing The Allman Brothers Band.

laurence jonesThe whole festival was particularly well-run and had a great variety of bands. Almost every bar had live bands playing including Crow Black Chicken and The Hardchargers from Ireland. Doug MacLeod, Lil’ Jimmy Reed, Bnois King and Smokin’ Joe Kubek all played, and 81 year old Leo Bud Welch graced the acoustic stage.

The main stage started at 2230 and had a wealth of talent with Monaghan’s own Grainne Duffy, Mud Morganfield, Royal Southern Brotherhood, and my favourite band over the whole weekend The Steepwater Band from Chicago. I would highly recommend The Harvest Time Blues Festival to anyone.

In November Kenny went to The Blues Fest at The Royal Albert Hall taking in many great acts including The Hoax, Beth Hart and Robert Cray, but his highlight of 2014 was seeing Gary Clark Jr blowing away the crowd in Manchester.

And your three favourite blues albums of 2014?

2014 was a fantastic year for blues albums. Our top three in no particular order were:

Rival Sons – Great Western Valkyrie

Gary Clark Jr – Live

Beth Hart  and Joe Bonamassa – Live in Amsterdam

And who would you predict for glory in 2015?

Blues Pills from Sweden who impressed us greatly when we saw them support Rival Sons in Glasgow in December.

Ryan McGarvey, a very special talent. I’m sure everyone who saw his gig in June will agree

Ruf Records’ Laurence Jones, We first saw him support Royal Southern Brotherhood in Kendal in 2011. It’s been really good to see him mature as a musician when we’ve seen him at one or two blues festivals in the last couple of years and when he supported Kenny Wayne Shepherd in Edinburgh last year, he went off to a standing ovation. He just gets better and better, now with a fantastic rhythm section behind him in Roger Innis on bass and Miri Miettinen on drums. It’s great to see him awarded another high profile support slot, joining King King on their current UK tour, including a Lemon Tree date on Sunday 22 March.

So far, what’s arranged in Aberdeen for 2015?

We’re bringing The Stevie Nimmo Trio up on Sunday 3 May, Virgil and the Accelerators on Friday 15 May, Laurence Jones on Monday 22 June and we’re hoping Philip Sayce will reschedule his cancelled show from last November. For the Stevie Nimmo Trio we’re trying something different. Since it falls on May Day weekend we’ve made it an afternoon gig with doors opening at 1500.

‘After their successful gig in September we’ll be bringing the Nimmo Brothers back later in the year.

If money, venue and availability were no object, who would you bring to Aberdeen for blues lovers to see?

We’re huge fans of Gary Clark Jr and Warren Haynes and would love to take them to The Granite City. Warren Haynes is the hardest working man in music and we’d love to see him play Aberdeen whether with his band Gov’t Mule or solo.

There are perennial complaints that Aberdeen is missed out when artists of all genres tour the UK. Blues Rock Aberdeen and Almost Blue promotions are putting admirable effort and energy into trying to put that right.

The least they deserve is your support for their creditable hard work.

www.facebook.com/bluesrockaberdeen

Blues Rock Aberdeen gigs 2015

03 May             The Tunnels       The Stevie Nimmo Trio (afternoon show 1500)
15 May              The Tunnels       Virgil and the Accelerators
22 June            The Tunnels       Laurence Jones

Feb 122015
 

eofe_hammersmith_tomleishman-2__large (1)With thanks to Jenny Entwistle, Chuff Media.

Black Country 5-piece EofE are coming to play Aberdeen Downstairs on 23rd February, supporting UK metallers Glamour of the Kill. The tour will be in support of their brand new single ‘Stars In Hollywood’ (out 09/03) which is currently on the Kerrang! Radio and XFM playlists.

Last year, the band supported both McBusted and The Vamps on their mammouth UK tours, culminating 2014 with their own headline tour which resulted in them selling out their hometown date at Birmingham Institute.

Following the unveiling of their debut track ‘Bridges’ in November, EofE, continue to leave their mark with the release of the band’s first official single, ‘Stars In Hollywood’, due March 9th.

With their ever-growing army of devoted supporters, ‘Stars In Hollywood’ is a second helping of scintillating pop rock from EofE, sending out a real statement of intent. The song lyrically explores the theme of determination and hope, with aspirations of eventually leaving their hometown, moving on to bigger things and rising to the top.

‘Stars In Hollywood’ is the next chapter of the EofE story, placing the band firmly alongside the likes of fellow UK rockers You Me At Six and Mallory Knox .

“EofE are going to be the next big thing” – Sophie K (Team Rock Radio)

Tour Dates:

23rd February – Aberdeen, Downstairs 

24th February – Glasgow, Audio

25th February – Newcastle, Think Tank

26th February – Manchester, Sound Control

27th February – York, Fibbers

28th February – London, Underworld

1st March – Bristol, The Exchange

3rd March – Wolverhampton, Slade Rooms

4th March – Stoke, Sugarmill

5th March – Nuneaton, Queens Hall

6th March – Nottingham, Rock City Basement

7th March – Gloucester, Guildhall

8th March – Milton Keynes, Crauford Arms

Jan 232015
 

Leo piano With thanks to Rob Adams.

Leo Blanco has never forgotten the night he played at the Blue Lamp as part of Aberdeen Jazz Festival in 2007.
Now the Venezuelan pianist is playing at the mammoth Celtic Connections event in Glasgow with a band he has named after the Gallowgate venue.

Blanco played at the Blue Lamp with three of Scotland’s leading musicians, alto saxophonist Paul Towndrow of horn quartet Brass Jaw, Mario Caribe the Brazilian bassist with klezmer-jazz band Moishe’s Bagel, and the Scottish National Jazz Orchestra’s star drummer, Alyn Cosker and the audience response stayed with Blanco when he was invited to appear at Celtic Connections with the same musicians.

The Blue Lamp Quartet was how he remembered them, and that’s the name he’s chosen for them eight years on.

“Musician” seems hardly adequate to describe Blanco, whose group appears at Celtic Connections on Sunday, February 1. As well as playing in groups such as this South American-Scottish quartet, Blanco is a concert pianist who has worked with top symphony orchestras.

He is also a composer, whose works have been performed by leading string quartets in the United States and by the Scottish National Jazz Orchestra, and a professor of piano studies at the famous Berklee College of Music in Massachusetts.

But that’s not all. Blanco’s first instrument was the violin, which he played in the youth orchestra from the age of eleven in his home town of Merida, in Venezuela’s Andean region, and when he moved to the capital, Caracas, to study piano in his teens, he worked as a bassist in one band and as a drummer in another to improve his knowledge of these roles when writing for his own group.

“My parents weren’t musical,” says Blanco,

“but they wanted their kids to at least get some enjoyment from music and when I was about seven or eight, a piano arrived in our house. I was immediately drawn to it, to try and work out melodies I’d hear on the radio or on records. But I also liked the violin because it seemed to me at the time the closest instrument to the human voice.”

Practising was never a chore to Blanco and the hours he put in set him on the fast track, firstly to Caracas, where he studied at the Ars Nova Institute and the University of Musical Studies and then to Boston, where he attended both Berklee and the New England Conservatory.

He quickly became recognised in the United States, becoming the first Latin American to win the prestigious Boston Jazz Society and Billboard Grant awards and he has gone on to perform all over the world, including at the Edinburgh Fringe, where in 2006 he was presented with The Herald newspaper’s Angel award for excellence in performance.

More recently Blanco has toured the UK in 2013 as a solo pianist, a trip that included a successful return visit to the Blue Lamp and helped to keep the memory of his first Aberdeen gig fresh.

“I’m really looking forward to working with Paul, Mario and Alyn again,” says Blanco.

“That gig we played in Aberdeen felt electric and the crowd were so responsive. So it’ll be great to meet up again and bring some sunny Latin American music to the Scottish winter.”

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Jan 192015
 

The sound of Johnny Cash comes to the North-east in 2015 as Jericho Hill make their long awaited Aberdeen debut at The Moorings Bar on Saturday February 21st. By Al Pritchard

Jericho Hill2The Glasgow based five-piece have built a reputation as the tribute band for people who don’t like tribute bands with their high-octane shows up and down the country. Jericho Hill have notched up a string of prestigious appearances at summer festivals such as Wickerman, Belladrum and Blackpool’s annual gathering of all things Punk Rock, Rebellion.

They are regulars at a number of venues across Glasgow and including a recreating of the Live at Folsom Prison LP at The Grand Ol’ Opry and a memorable two-show day in the chapel at the infamous Barlinnie Prison.

Since their first gig in 2009, there have been a couple of changes in personnel but the current line-up has been settled for the best part of the last four years, and this gig is a bit of a homecoming for two of the band’s members.

Leader, and the band’s very own Man in Black, Bill Wright will be fondly remembered by Aberdonians of a certain vintage as Lonesome Cowboy Bill, who, as the name suggests could be found in bars and clubs across town in the late 1980’s playing a set comprised entirely of Hank Williams and Johnny Cash numbers to the assembled throng, and also had a spell with The Rodriguez Brothers with Dave Wilkinson of local punk dignitaries Toxik Ephex.

Bill’s first recruit, and the only other member of the current line up to have played in the band’s first gig in Glasgow’s Nice ‘n’ Sleazy, is Joe Whyte. Joe has provided lead guitar styling in a number of bands over the years, including Jailhouse (with current Jericho Hill bassist Rab Christie), The God Fearing Atheists and Reaction.

With a lovely line in Western shirts, brothel creepers and feverish fretwork, Joe was immediately sold on the idea of a Johnny Cash tribute band by Bill’s insistence that Mr Cash was indeed the original punk rocker.

The second returning son is drummer Al Pritchard. His first gig with the band was in mid 2009, but he will perhaps be more familiar to the Aberdeen crowd from his time on short lived early 90s acid house casualties, Thirteen. This will be Al’s first appearance in Aberdeen since Thirteen’s legendary Xmas Eve show in the Pelican Club in 1999.

Bassist and chief joke writer is Rab Christie. He and Joe were both members of the aforementioned Jailhouse. As well as having made an appearance at Aberdeen’s Cafe Drummond, Rab has also appeared at both The Albert Hall and The 100 Club with Al Pritchard as one seventh of the now defunkt proto-folk combo The Boppin Heads.

Filling the June Carter role, and lowering the average age of the band quite significantly is the wonderful Charlene Boyd. Star of stage and screen, Charlene’s infectious enthusiasm is an essential part of the Jericho Hill sound and they would not be the band they are without her.

Make no mistake, this is not cabaret. No slavish copying for this band, they prefer instead to dial up the Man in Black’s inherent punk energy and attitude, for a blistering show covering his entire career. From the beginnings with the Tennessee Two, right through to the American Recording sets of Cash’s later years, Jericho Hill provide something for everyone, provided everyone doesn’t expect to sit down and nod their heads gently.

Get up. Get Rhythm, Get down and get with it.

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Dec 242014
 

By David Innes.

bluepromotions thmAlmost Blue Promotions, run by Martin Raitt and his wife Shona, celebrated its first birthday in August.

Dedicated to bringing high quality country and Americana acts to the city, I was curious as to how things have panned out with a full calendar year of promotions completed, having attended a fair number of the shows. Martin and I discussed Almost Blue’s progress over a virtual pint.

What have been the personal highlights?

“A definite highlight was managing to get to the one year anniversary. There were times when I didn’t think I’d carry on, but being an old trouper I made it.

“Sam Baker was someone I’d seen a few times in the past, so to be able to bring him to Aberdeen was a personal triumph.

“Another highlight was to give newcomer Ags Connolly his first Scottish booking. He’d played the Perth Southern Fried Festival before the Aberdeen date, but we had him booked before that. He now has a 2015 booking at The Fallen Angels Club in Glasgow.

“Also the friendships I’ve made along the way, including the artists and the regulars who come to the shows”.

What might have been better?

Well, if more punters (not the exact terms used…) got off their arses and came along to gigs instead of moaning that nobody of any worth comes to Aberdeen, that would be a start! Obviously, better gig attendances would be great but it’s a continuous work in progress trying to get the word out about those that are happening.  

It’s also a struggle to convince artists to travel to Aberdeen, but the whole reason for starting Almost Blue Promotions was to make Aberdeen a place artists wanted to come to. We’ve had some really positive feedback from all the artists we’ve had. This will give artists confidence that Aberdeen is a place to look at when routing tours”.

Your top three albums of 2014?

That’s a difficult one to answer as there were so many good albums out this year, and my answer will change if you ask me tomorrow!

Sturgill Simpson has taken the country music world by storm with his Metamodern Sounds In Country Music.

Two debut albums that I’ve really enjoyed this year are The New Madrids’ Through The Heart Of Town and Ags Connolly’s How About Now. I had the pleasure of bringing both to The Lampie this year.

JP Harris & The Tough Choices’ Home Is Where The Hurt Is is another great release, a real old-style honky tonk sound.

This shows why Martin is a promoter rather than a performer given his struggle with counting to three for those old-timey country waltzes.

Who do you predict for bigger things in 2015?

Ags Connolly has big plans for 2015 and should get more exposure, so I’d expect things will take off for him. Also, Cale Tyson released a terrific debut album this year and I think he’ll be one to watch. It’ll also be interesting to see what Sturgill Simpson does after the great year he’s had.

Any plans in place yet for 2015?

“We begin the year with The David Latto Band on Friday 30 January. They’re from Fife and it’s the same act we kicked off with in 2014.

“We’re promoting Cahalen Morrison & Eli West on Wednesday 6 May, which is very exciting, before we welcome back The Red Dirt Skinners on Friday 7 August.

“Our plan remains to have roughly one gig per month throughout the year and we’re in talks to have most months booked already, with announcements to follow soon

“It’s been a marvellous year. It’s really hard to pick out a favourite gig as I honestly think they’ve all been great. I’m really looking forward to 2015.”

www.almostbluepromotions.com

Dec 112014
 

Peter Gabriel by Julie Thompson (2)Review and photographs by Julie Thompson.

I’m sure all those of use over a certain age have memories of Peter Gabriel, either from when he was part of Genesis or maybe because of that iconic ‘Sledgehammer’ video. A frosty Monday evening at the AECC brought around 4,600 people along with Peter and the original ‘So’ tour band, reunited again as part of the ‘Back to Front’ tour.

Peter came on stage to loud applause and introduced Swedes, Jennie Abrahamson (vocals & xylophone) & Linnea Olsson (vocals & cello).

These two have teamed up to as show openers on the North America and European legs of the tour, and also later provide backing vocals to the main show when the original support, Ane Brun, fell ill and had to withdraw. Jennie’s is the female voice we will later hear in ‘Don’t Give Up’.

As Peter explains, the show is served up like a meal of three courses. The starter course is an acoustic set of 4 songs, the first song, a new unfinished piece, involves just Peter on grand piano, Linnea on cello and David Levin on bass. By song four the whole band has been introduced and is on stage. The initial 3 songs are “performed with house lights up, like a rehearsal session” as explained by Peter. Part way through song 4 the lights go out and the show really kicks off.

Moving into the main course, we are treated to a monochromatic trip through the past, with various songs selected from his back catalogue.

On stage are several giant light booms, like oversized angle poise lamps, wheeled about by black clothed masked men. There are numerous small cameras – on the drum kit, on the microphones, on the boom lights, on poles extended by film crew – all beaming a very intimate and close up view of the band to the giant side screens.

The footage is cut live between cameras, with each song having a different effect applied – digitalisation, wire frame figures, slow motion superimposed on real time, psychedelic effects, white noise patterns – there is so much going on it is almost too much to watch. Totally immersive.

The boom lights join in the dance on stage, at one point Peter is interacting with one – they were used as mobile spotlights, emphasising the song ‘No Self Control’ and making the singer seem so alone up there, looking upwards almost as if he were pleading for help.

Peter Gabriel by Julie Thompson (3)There were lighter moments though, with ‘Solsbury Hill’ bringing out the playful side – which led to skipping with his playmates, Tony Levin & David Rhodes.

Part three of the show, the dessert, was what the tour was about – his best-selling album ‘So’.
We have indeed gone back to front – with some new songs at the start, and a middle section all leading back to this – the high point of his solo career.

‘So’ spawned 5 singles – who can forget ‘Sledgehammer’, ‘Big Time’ or the duet he performed with Kate Bush, ‘Don’t Give Up’? Amongst the lightness though, this album had some very dark themes – Unemployment in ‘Don’t Give Up’, the almost Orwellian dictat of ‘We Do What We’re Told’ – the words coming from those subjected to the Milgram experiments on obedience.

The boom lighting was arranged along the front of the stage to give an appearance of a cage, with vertical white bars of light, the band and masked boom operators all standing straight behind them, chanting the lines at the end.

The lighting changed from the stark black & whites during this third segment, with colour being introduced, opener ‘Red Rain’ being performed in a maelstrom of reds and orange. ‘Big Time’ was an almost drug induced psychedelic nightmare of clashing colours, reflecting the theme of becoming famous and rich and the temptations that often come hand in hand with it.

‘Mercy Street’, a song about the emotional issues of poet Anne Sexton, was performed almost entirely via camera to the big screens, boom lights giving out UV light overhead. Peter was on his back inside a big bulls-eye on the stage, writhing in and out of the foetal position, cameras above giving full body shots, and to the side on a pole giving close-ups. It was so unusual and strangely disturbing and intimate. It left the venue in undisturbed silence as it ended.

Jennie Abrahamson and Linnea Olsson by Julie Thompson

Jennie Abrahamson and Linnea Olsson – Credit: Julie Thompson

Most moving to me though, was ‘Don’t Give Up’ – the female role beautifully performed by Jennie.

It was a theatrical performance, Peter standing forlornly to one side while Jennie tries to give comfort and reassurance.

Her vocal range was perfect, not a note off from Kate’s wonderful rendition. Peter still has that distinctive quality in his voice that he had all those years ago, despite looking so very different these days – as he said of himself and Tony Levin, “we both had hair then.”

‘So’; 28 years old and sadly much of it is still relevant. A great show and one I am glad I got to witness.

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Dec 052014
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

DictionarySeason’s Greetings! Tally Ho! Sale now on! 25% off! I’m sure we all love this time of year – a time to reflect… on how that new lowcost dress looks on us in the changing room mirror. It’s a time to take stock – and have a sale to make room for seasonal merchandise. A time for sharing – if you have a 2 for 1 coupon that is.

All this fuss and greeting about what’s going wrong in the Third World is unseemly at this time of year. I’m sure we’d all like to help the less fortunate around the globe. They want the same as absolutely everyone wants in Aberdeen: jobs creations.

Remember, no patch of ground, seashore or Site of Specific Scientific Interest is so important it shouldn’t be swept aside for jobs creation.

We can help create jobs abroad too. This might help keep those pesky foreigners out of the UK as well – bonus!

All we have to do is keep buying cheap goods from multinational stores that are sewn by people working in foreign sweatshops – sorry – meant to say foreign factories, and they’ll happily work day and night (literally) to meet our demands (unless the factory falls to bits, as happens). Such places are equal opportunity employers – no one is too old, too young or too weak to work.

From our mobile phones (no doubt bought on cyber Monday) to our our new Primark outfit, to the cheap designer knock-off we buy on the street corner – we are engaging in jobs creation. Well done us!

Then again, you could consider buying handmade goods from craftsmen in the UK, but these guys are always expensive, and more often than not are layabout subversive types. Even worse, if you get something from a craftsperson, it will be unique. How will you fit in then? No, it’s best to make sure you find out what the right colours are to be seen in this week, and make sure you have the right words sewn on your shirt. Check with your friends; no sense in standing out from the herd.

And with that it’s time for some December definitions.

Acts of Charity: (Compound English noun) to actively perform work to help others.

But this is a time for giving as well. Some people take it just that bit too far, and dabble with charitable acts, a rather unseemly kind of exhibitionist practice. Take for instance a man in Florida, who at the age of 90 should know better. Arnold Abbot has been feeding Ft Lauderdale’s homeless and poor for ten years – and he knows about this new law that says he can’t. He was already told by the police not to do it – but he’s not respecting their authority.

Jail’s the best place for people like him.

Two pastors were with him as well – what’s the world coming two when two churchmen are using funds to feed the poor? Who did they even get such a zany idea from? Church money is best tied up in real estate, paintings and gold.

So here’s to Florida’s new law against feeding the poor. Perhaps they’ll get round to prohibiting helping the sick as well. By the way, in the land of the free, it’s also now illegal to feed the hungry in a few other places too, which is fine, as there can’t be many hungry people in Seattle, LA, Dallas and Philadelphia (Philadelphia’s the place with the ‘Liberty Bell’ – ‘let freedom ring’ is the American cry. I’m sure there’s no symbolic value to be found in the fact the bell is cracked).

The bravery of the American policeman is often overlooked. Often faced with unarmed men, or 12 year olds with guns, they selflessly put their lives on the line to make the world a safe place. Of course this often means the kind of safety where you’re liable to be shot dead for no just cause at the hand of an untouchable force, but I guess you can’t have everything.

Well done Ft Lauderdale police – good to know that of all the laws you could be enforcing, you’ve gone for the rogue 90 year old. The Independent’s article has a fetching photo featuring three police officers sent to get this guy. One gendarme is a woman, you might wonder if she is perhaps there to show the sharing caring side of stopping people feeding the poor in public, but surely the police aren’t into patronising, sexism, or attempts at PR coups.

Not one of these three officers questioned the importance of this law, and happily went about the business of upholding the law. The future will need more such brave police I’ve no doubt.

The Independent article advises:

“Mr Abbott set up Love Thy Neighbour in memory of his late wife Maureen in order to continue the humanitarian work they both did by regularly making and sharing food at Holiday Park and Fort Lauderdale Beach.
http://www.independent.co.uk/ninetyyearold-man-faces-jail

To comply with the law, all they’d need to do is to rent premises (no more than one per city block, mind) and spend their overheads on rent, insurance, etc. instead of food. It’s all a bit unseemly, seeing poor people eating; this sort of thing is best done behind closed doors (if done at all). Or so it goes in Ft Lauderdale. Let’s hope no irreverent types access this Love Thy Neighbour charity’s site and donate funds.

On this side of the pond Sir Bob Geldof is resurrecting his Feed the World / Do they know it’s Christmas thing, this time Ebola is the cause celebre.

Love or loathe the man, he’s doing something. Cynical marketing and PR exercise? Saintly means for feeding/saving/vaccinating the world? I leave that with you.

However, since the original Live Aid single raised £8 million, and the Live Aid concerts raised some £65 million, I do have a suggestion that should save time, money and effort. Let’s get Sir Bob to do a concert for Sir Ian. If Wood stumps up some of the £53.9 million languishing in the Wood Family Foundation’s vaults, then that would nearly cover it. Result!

That’s food for thought – which is more nourishment that the people who could use this money are getting. I’m afraid the Boomtown Rats don’t do much for me, but I do prefer them to other kinds of rats.

Season’s Greetings: (English compound noun) A warm form of address usually associated with the Christmas period.

Since you’ve taken time out from your important shopping activities, here’s a heartwarming image to remind you about the people who have suffered, worked and fought so hard to get things right in the world.

Yes, I mean Tony and Cheree Blair. Tony’s very proud of his faith and the work he’s doing to bring peace to the Middle East (let’s overlook pride being a sin for the moment and all that nonsense). This photo brought a tear to my eye. ‘Season’s Greetings’ it proclaims – and greeting is just what you’ll be doing when you look back on the ways in which Tone has helped to make the world what it is today.

Old Susannah quite likes this photo; it does seem to capture the essence of the couple. However some unkind people have made comments on it which include

“Why is this year’s card so secular? For a man who decided to go to war inspired by his faith, this card is particularly non-descript. It doesn’t even say Christmas.”

“Why is Tony looking at us like we’ve just spilled his pint?

“Is this is all part of an evil plan to make us unable to sleep forever?

“Of course, it is possible that this is just the card he’s sending to all of his enemies.”

But do have a look at the lovely card and see what you make of it yourself.

Recycle: (English verb) to re-use or reclaim something which would otherwise be discarded.

Christmas is coming earlier and earlier these days; we’ve had Black Friday, Cyber Monday, and sales since Halloween. I thought I’d get in on this trend, and if you don’t mind, here’s something I wrote once before. Have yourself a merry little Christmas, or whatever you choose to celebrate.

Right, well it’s Christmas again.

I think by now we’ve established that not everyone looks like a supermodel, can afford hundreds of pounds of food and presents, and not everyone will be having dozens of close, equally-beautiful friends dashing to their homes in open sleighs to sing around 12’ tall, perfectly decked trees.

Don’t buy into a picture that doesn’t exist. But do, if you’re feeling stressed or unhappy about anything at all at this time of year, talk to a friend.

If you can’t talk to a friend or a family member, talk to one of the many services out there that will listen to you without judging you. Stress is particularly bad for people at this time of year, and it’s important to remember that worrying about things outside of your control will never solve anything, but will make you anxious or ill.

If there are things you can change and want to change about your work, life, home, then stop, figure out what you need to do, and start to make a plan for change. Don’t let your problems grow out of all proportion.

If you need a little bit of perspective, do some volunteering, fund-raising, join a group – do something new. You’ll be glad you did. There are people out there far worse off than you or I; be glad for what you’ve got, and don’t be tricked into thinking you need more material things to keep up with some imaginary Jones.

Sorry if this all sounds a bit obvious/preachy/oversimplified – but at the end of the day, it is definitely within your power to take stock, realise what you do have to be thankful for, and to fix what needs fixing. Please be happy, be safe, and have a Happy Christmas or whatever you might be celebrating. – OS

Stop press: on Saturday 6th December the Rucksack Project will be meeting at 2pm at 62 Summer Street in Aberdeen to give rucksacks of essential goods to our city’s rough sleepers. Please see www.rucksackproject.org – hope to see you there.

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