When Meschiya Lake and The Little Big Horns flew in from Louisiana for their first ever UK tour earlier in 2012, they confirmed their reputation as one of the hottest acts on the American roots music circuit, playing to capacity audiences everywhere they went. With thanks to Loudon Temple.
During Glasgow’s Celtic Connections festival, a thousand revellers turned out at the band’s Old Fruitmarket show. Reviewing their gig at London’s Dingwalls, Rachel Devine told readers of R2 magazine this was:
“one of the most entertaining live bands on the planet.”
Radio 3presenter Mary Ann Kennedy said they were:
“One of the big hits of this year’s Celtic Connections,” adding “they just set the festival alight.”
And, after filming footage for their new series in New Orleans, The Hairy Bikersdescribed the band’s music as:
“Prozac for the soul!”
No doubt audience curiosity was aroused by the 2011 album Lucky Devil which received glowing reviews on its UK release, although the live shows are even more flamboyant and exciting.
Local connoisseurs can see what’s causing such fuss when Meschiya takes her band to The Blue Lamp, Aberdeen on September 4. She will be accompanied, as she was earlier this year, by Chance Bushman and Amy Johnston, two of the world’s top Lindy Hop exhibition dancers, who tour the globe to participate in major competition events and dance camps from Brazil and Canada to Scandinavia.
Meschiya says she and her highly entertaining entourage are excited to be heading for Aberdeen.
“We have good friends, among them The Wilders and The Wiyos, each of whom have played Aberdeen in the past and they tell us that we can look forward to one of the best audiences Scotland has to offer.We love nothing better than to be turning it on for an enthusiastic crowd and we’ll make sure that everyone has a ball.”
As for The Hairy Bikers, there was never any question that they would enjoy Meschiya Lake and The Little Big Horns’ music and sassy style. On a recording recent visit to New Orleans, they headed straight to The Spotted Cat in the Big Easy’s French Quarter to film the band in action and have a chat with Meschiya.
You’ll see the outcome when the new series is screened from 19th August (8pm) on the Good Food Channel, Meschiya was named Female Performer of The Year in the 2011 Big Easy Music Awards and repeated this success in 2012. A new album is being released later this year.
UK Tour 2012
Wed Aug 29: The Buccleuch Centre, Langholm
Thurs Aug 30: The Tolbooth, Stirling
Fri Aug 31: Eastgate Theatre, Peebles
Sat Sept 1: Brookfield Hall, Renfrewshire
Sun Sept 2: Stereo, Glasgow
Mon Sept 3: Douglas Robertson’s Studio, Edinburgh Tues Sept 4: The Blue Lamp, Aberdeen Wed Sept 5: Eden Court Theatre, Inverness
Thurs Sept 6: Heart of Hawick,
Fri Sept 7: ARC Arts Centre, Stockton on Tees
Sat Sept 8: Selby Town Hall
Sun Sept 9: Gateshead Town Hall www.bloodygreatpr.com www.brookfield-knights.com http://www.youtube.com/watch?v=QnYEITZ-hbs
Aberdeen Against Austerity’s ‘Summer Series’ of talks and film showings continues this Friday with a presentation by Hannah Knight entitled ‘Animal Rights and the Philosophy that Underpins it’. This will be number 2 in a series of 5 talks organised this Summer to explore radical and alternative ideas, lifestyles and histories.
All talks will be free (donations accepted) and will take place in The Blue Lamp (upstairs) at 7.30pm.
The Program is as follows –
‘The Philosophy of Animal Rights’ followedby ‘The Animals Film’
‘Energy:TheImpactofBigBiomass’ and film TBC
‘Feminism101’ followedby TBC
‘Aberdeen Against Apartheid: From Johannesburg to Jerusalem’
Short talks plus discussion:
Tommy Campbell (Leader of Unite the Union Aberdeen)
Fiona Napier (Chair of SPSC Aberdeen)
Dave Black (Stop the JNF UK)
Karolin Hijazi (‘Welcome to Palestine’ participant)
Stuart Maltman (SPSC Aberdeen)
When you count ‘Whispering’ Bob Harris as a fan, it’s safe to assume there’s something very interesting happening, Loudon Temple tells Voice, as Hillfolk Noir prepare to storm the Gallowgate.
The former Old Grey Whistle Test figurehead and BBC Radio 2 presenter nailed his colours firmly to the mast when he discovered Hillfolk Noir earlier this year and went on to play tracks from the band’s ninth album, Radio Hour, over and over.
But Bob went one step further and told listeners to his show that he couldn’t wait for the four-piece from Boise, Idaho to arrive here for their first ever UK tour.
‘They’re amazing’, he said, ‘And I can’t wait to see them onstage.’
He’s not alone, as an army of UK fans have been urging the band to tour here ever since their last album, Skinny Mammy’s Revenge, was released to widespread acclaim.
They are one of the hardest-working bands on the US roots music circuit and have built themselves a huge Stateside following playing what has been described as music ‘filtered through a country-tinged, swampy-swingin’, hillbilly-delta-blues-ragtime word machine’.
Hillfolk Noir were widely recognised as one of the outstanding highlights at this year’s SXSW in Austin, Texas and Skinny Mammy’s Revenge established them as a force to be reckoned with on both sides of the Atlantic.
Americana UK writer Paul Kerr told readers it was ‘a delight’, and added:
‘Hillfolk Noir manage to capture the essence of American music in spades.’
Hillfolk Noir arrive in the UK with a brand new CD that’s been winning them even more praise. But which venue will Bob Harris favour with his company?
Band leader and main songwriter Travis Ward said:
‘Yes, of course, it’s completely and utterly amazing to have someone like Bob Harris on your side. But, the reaction from the UK press in general terms has been very encouraging and we are pretty excited to be embarking on our first ever tour here.
‘We basically make the music for ourselves because we love it; we are having a great time and hopefully that is infectious. We sing and play our guts out – every song.
‘It’s particularly great to be playing The Blue Lamp as we’ve heard from our good friends, The Wiyos and Pokey LaFarge & The South City Three, that they always had a great time there with an audience that likes its old-time Americana, and particularly when it has a quirky rather than straight-down-the-middle edge to it.
“Sounds like they get in party mood and that suits us fine!’
Others have commented:
‘It’s a swampy, bluesgrassy, gospel-tinged, Depression-era prayer meeting medicine show of warped ragtime delta hillbilly blues/folk/country…or something like that’. Nick Churchill, FATEA magazine
‘One of the most incredible bands’. Seattle Weekly
‘This is roots music with attitude’. R2 (Rock ‘n’ Reel)
‘Extraordinary 21st century old-time music’. American roots UK
Hillfolk Noir Scottish dates:
FRI JUNE 1: .
SUN JUNE 3: .
TUES JUNE 5: .
WED JUNE 6: .
THURS JUNE 7: .
FRI JUNE 8: .
SAT JUNE 9: .
SUN JUNE 10: .
TUES JUNE 12: .
WED JUNE 13: .
THUR JUNE 14:
Birnam Arts, BIRNAM, by Dunkeld. .
Memorial Institute, MONIAIVE. .
The Old Library, KILBARCHAN. .
Douglas Robertson’s Studio, EDINBURGH. .
Woodlands Hotel, BROUGHTY FERRY. .
The Blue Lamp,ABERDEEN. .
Eden Court Theatre, INVERNESS. .
The Catstrand Arts Centre, NEW GALLOWAY. .
Stereo, GLASGOW. .
Eastgate Theatre, PEEBLES. .
Acoustic Music Club, KIRKCALDY.
Last week’s Voice featured Aberdeen entertainment iconSid Ozalid, his life, his act, his impact, the release of his new book, and news of ‘not to be missed’ performances in the city. Well, If you did happen to miss out on catching Sid live on Friday and Saturday, then fash yersel not – this week we present a brief account of the missed mayhem, and a poem from ‘Mr Elastic Brain’.
Sid Ozalid jetted in from Sunny Amsterdam last Friday for a whistle stop tour of Aberdeen to promote his fab new book ‘Mr Elastic Brain – The Life and Poems of Sid Ozalid’.
The previous week he had done three gigs in London and the week before that three gigs in Holland, so he was keen to make it a hat trick and do three gigs in Aberdeen.
This meant two gigs on Friday night and a book signing/performance at 1UP on the Sat afternoon.
Below – Sid Ozalid performs ‘Tartan Underpants’ accompanied by Dave McLeod.
Lots of people made one gig, a few brave people made it along to two gigs, but apart from Sid and his lovely wife only one person made it to all three: a Mr Colin MacLean who had driven up from the Kingdom of Fife to see Sid after an absence of 26 years.
Colin and Sid had performed together in 1977 in one of Aberdeen’s first punk bands, ‘The Enormous Snakes,’ and Colin had gone on to work with Sid as one of his All-Stars over a number of years, taking in the Edinburgh Festival and supporting The Clash at Inverness Ice Rink.
The first two gigs sizzled with professionalism, wit and dancing. The 24 year-old MC at Geesalaff Comedy Night, Miss Anna Devitt said:
“I was exhausted just watching; he was non-stop, how can someone this old have so much energy? My mum is a big fan and told me to get one of his books, the book truly is amazing, so I told mum to get her own copy.”
The third gig at 1UP, the sole suppliers of Sid’s book in Aberdeen, was the most surreal by far.
Sid performed ‘Salvador Dali’s Hat’, ‘Three Fat Ladies at the Bingo Hall,’ and thrashed himself with a daisy — but nothing had prepared him for two drunk shoppers and a man in an electric wheel chair.
The drunk shoppers really giggled at Sid’s antics, but thought nothing of standing next to him flicking through CD’s and asking his opinion on Hip Hop and Jazz classics.
Sid took all of this in his stride and was set the extra challenge of being nimble on his feet when the electric wheelchair man was so taken by the performance he decided to join in, whizzing to the stage and joining Sid on the first electric wheelchair elastic brain dance routine ever seen in Aberdeen. Sid may well have been the dance teacher to the Queen at one time in his life, but nothing had prepared him for this!!
Some nice people had ordered Sid’s book from Amazon and brought it along to be signed, and other nice people bought copies of the book at 1UP, and there then followed a good half hour of chatting and book signing.
A special mention must go to Fred Craig of 1UP who had brought along one of Sid’s original book/records from 1982 ‘Songs and Stories from a Suitcase Extravaganza.’ Fred wanted this signed, and in return Sid was rewarded with a well deserved cup of tea.
The year is 1979. I am at Aberdeen’s 62 Club to watch a selection of local punk bands, and my attention is drawn to an unfamiliar name on the bill.
Sid Ozalid? A band? A guy? Pretty punk if slightly strange kind of a name though, which for an 18 y.o. punk diehard was somehow reassuring.
On stage appeared a tall, skinny, slightly weird-looking guy with no guitar. Not punk – not punk at all, which in the circumstances was all the more intriguing.
What happened next was somewhere between seeing the light and being scarred for life.
Out of a sudden discharge of nervous energy came an onslaught of surreal, silly verse spliced seamlessly with a bunch of broken anecdotes delivered at a pace leaving no pause for appraisal; accompanied by incongruous, disjointed, directionless dance moves which somehow worked – they must have worked, as somehow, he stayed on his feet.
Then it was over. I had not moved. I was still staring at the empty stage, and I remember thinking: “I hope no-one asks me what I made of Sid Ozalid.” Devoid of reference points, my thoughts were a long time coming. Yes, I found it funny, and yes I was immensely entertained – I just didn’t know why! Neither punk nor Python, neither Cutler, Cooper nor Cooper-Clarke, Sid Ozalid certainly breathed the same air, but did not walk on the same planet.
Would I perhaps find a clue to understanding what made Sid tick from his publicity around at the time? –
“Legend has it that Sid Ozalid was born sometime during an eruption of earwigs.
“Sid arrived on earth from the planet OZ in the year 1898. His spaceship was disguised as an old brown suitcase that was full of inflatable toys.
“During this period he specialised in walking backwards into hat stands.
“Six years later he split from Flying Ozalids to form Sid and Sam the Ozalid Twins. This dynamic duo thrilled audiences with their routine entitled ‘The First pickled Onion in Orbit’, but alas this too came to an abrupt end due to lack of cupboard space”
– Alas, No.
Fast-forward to the following evening.
Three troublesome fat ladies, a conductor named Russ and a womanising fire raising tortoise had taken up permanent residence in my consciousness, and it seemed that the only way to exorcise these delightful demons, and at the same time come to terms with the experience was via demonstration to the uninitiated.
And so there I was outside with my brothers and sister and a few chums, recounting those fragments of verse I could recall whilst attempting in vain to recreate those unique ‘dance’ moves.
Perhaps an observer of the ‘lite’ version would be better placed to help me understand what it was about Sid that had so affected me. No chance. They stood – as I had stood, and stared – as I had stared, and laughed. That evening, each time another chum arrived in our company came the call:
” Hey Fred, go dae yer Sid Ozalid, watch ess, it’s really funny “
The previous evening Sid had performed for around 15 minutes. Twenty four hours later, I must have performed twice as long armed with only about 30 seconds of Sid’s material. More than once, passers-by stopped on the other side of the road … then moved on when they ascertained I was not in need of medical assistance.
As I look back I realise this was a solid indication that Sid Ozalid would be around for some time to come, and would become, if not a legend, definitely an icon of the Aberdeen Entertainment scene.
I was not the only one for whom Sid Ozalid presented an enigma:
” he auditioned and was invited to perform on two different talent shows. Once again the producers liked what Sid was doing but did not know how to describe him. They settled for ‘eccentric’. ” – Douglas John Mclean Cairns
Thirty two years on, having enjoyed many more of Sid’s performances, yet being no closer to understanding exactly how to explain what it is about Sid Ozalid’s act that entertains, amuses and excites me, I find myself charged with the task of reviewing his brand new book:
“Mr Elastic Brain – The Life And Poems Of Sid Ozalid”.
Having just finished reading it, I find myself desperate to tell everyone to go get themselves a copy as soon as possible, but as with my impression of that first performance, I struggle to articulate why it will be worth more to you than a tenner. But I will try.
These days, I know Sid Ozalid by his not so ‘pretty punk, and kinda reassuringly strange’ name Douglas Cairns …. which is actually more reassuring.
So, where to start?
This is an autobiographical book in four parts, about Sid Ozalid, written by Douglas John McLean Cairns. Or is it? As with all things Sid Ozalid, it is the equivalent of an ‘any-way-up’ cup as the first part of the book demonstrates.
Even to someone as familiar with the writer as I am, It startles me to discover that the madness which fuelled the performances of Sid Ozalid and brought so much pleasure to many also had an alter ego in the shape of a mental illness which had a devastating effect on Douglas Cairns for a period in 2001 – and as a consequence, all but put an end to Sid.
“People had always told Sid he was mad. He thought they were joking until the dawning of the new millennium, suddenly he had a doctor’s certificate to prove what people had been telling him for years.” – Douglas John Mclean Cairns.
Here it is we find – in between some hilarious stories of Sid’s outrageous antics and adventures – an honest account of the extent of Douglas’ illness, punctuated by humour of a nature that can only be explained in terms of Douglas’ story being written by Sid.
It is difficult to pinpoint where ownership of the pen changed, but what results is uniquely unsettling, and simultaneously entertaining. For Sid to joke about Douglas’ dark and desperate situation is surely to run the risk being regarded as sick … but then, at the pertinent time, they are both sick aren’t they?
I don’t have the recipe, but I am pretty sure the main ingredient is his ability to appeal to our inner child.
However, at no point does the humour mask the pain, the lighter asides serving only reinforce the severity of the debilitating condition by way of contrast. It is a brave piece of writing, sandwiched between hilarious tales of the more familiar and wonderful madness of The Artist Formerly Known As Sid Ozalid.
The major portion of the book’s contents is a collection of Sid’s wonderfully bizarre and humorous poems and songs which were the mainstay of his act from 1977 to the present day. Similarities with this material and that of Spike Milligan are impossible to ignore. However, to leave it at that would be to compare a wedding cake with a rowie on account of their flour content.
So am I any closer to putting into words what is the magical appeal of Sid Ozalid?
Well I don’t have the recipe, but I am pretty sure the main ingredient is his ability to appeal to our inner child.
Didn’t we all spontaneously giggle and cackle as babes in response to the simplest and the silliest of things? A pulled face? A silly noise? The poking out of a tongue? A sudden unexpected movement or gesture? Anything at all unusual yet unthreatening? When did we stop being so spontaneously and so thoroughly amused? Did we stop giggling, or did our adult entertainers decide our needs for entertainment lay elsewhere?
If nothing else, Sid Ozalid demonstrates that our inner child is still with us and desperate for a giggle, and the mere fact he knows our tickly spot is enough to make us all the more tickly.
If there should ever be an Aberdeen Entertainers Hall of Fame, Sid Ozalid will be there. He will be neither a statue in the foyer, a framed picture on a wall, or a prized prop or instrument in a glass case. The broom cupboard will be as good a place as any to start your search, but when you track him down he will be possibly be represented by that item described within the spontaneous lyrics of a similarly strange and hilarious Scots band.
” I’ll perhaps take a piece of white bread and I’ll paint it brown so you think it is brown but when you toast it it’s actually white for the paint falls off “( from the album Hairy Scalloween by The Pendulums. )
Mr Elastic Brain – The Life And Poems Of Sid Ozalid by Douglas John McLean Cairns is published by Chipmunka Publishingwhich specialises in giving a voice to people with mental health and other issues.
The profits from sales of Mr Elastic Brain are being donated to MIND – a leading mental health charity.
“We campaign vigorously to create a society that promotes and protects good mental health for all – a society where people with experience of mental distress are treated fairly, positively and with respect.” – http://www.mind.org.uk/
Aberdeen Voice will present a sample of Sid’s poetry in the coming weeks – if that’s OK with Sid, or Douglas, or both – so you can judge for yourselves should you miss all three performances in town this weekend.
Geesalaff Comedy Night Friday, May 27 at 8:00pm
Cellar 35, Rosemount Viaduct ( Sid onstage around 21.00pm )
Interesting Music presents an interesting combination of musicians, each highly respected for their individual talent, at the Blue Lamp, Sunday, Nov 21st. ( see events calendar – click here )
Catriona McKay (Scottish harp) and Chris Stout (Shetland fiddle) play a dynamic and adventurous exploration of traditional Scottish music. Performing together for 15 years, they are connected to the traditions of their instruments while being highly aware of and enthralled by the possibilities they hold. They pursue a path to explore sounds that connect and challenge.
Their self-penned 2010 album White Nights is a modulation between past and present, between summer and winter, between reliability and risk. Music inspired by the heightened senses during the long light nights of summer in the north, and in contrast, music which celebrates reflections of winter landscapes and sounds.
Through colour and depth of tone, they abandon themselves on a journey to create one sound, yet they carve out space for one another to allow a musical dialogue. It is this unity along with communication that makes their music so compelling.
Catriona has just been short-listed for a Glenfiddich Award up against Biffy Clyro, Paulo Nutini and Isobel Campbell – an interesting line up to say the least!
CATRIONA MCKAY AND CHRIS STOUT + SUPPORT Sunday, 21 November 2010 The Blue Lamp, 121 Gallowgate, Aberdeen, AB25 1BU. Phone (01224) 647472 Doors 8pm Tickets £10+bf in adv / £12 on door Available from One-Up Records, Belmont Street, Aberdeen. Phone (01224) 642662 or http://www.ticketweb.co.uk
Catford, a new band on the Aberdeen scene, are about to release a superb new album called “Chronicles”. The Album will be launched at The Blue Lamp on Monday 8th November, offering the first chance check out this exciting new act.
Multi-instrumentalists and singer/songwriters Steve Crawford and Davy Cattanach are joined by Jonny Hardie who is Davy’s former band mate in the popular traditional outfit – “The Old Blind Dogs”.
Steve and Davy have been writing and playing together for several years, originally with the Pictones, but laterally as an acoustic duo. Whilst working with Jonny on a recording project, Jonny asked if they would like to record some tracks at his studio. Naturally they jumped at the chance and with Jonny on board a few tracks quickly turned into an album with some fabulous string arrangements and accompaniment by Hardie.
Also performing on the album are well known local musicians Mhairi Sinclair and Nicky Cairney, and the legendary saxophonist Nigel Hitchcock. Nigel’s contribution to the track “Pressure” is one of the albums many highlights.
The result is an acoustic album with an emphasis on vocal harmonies, driven by Steve and Davy’s percussion and guitar along with Jonny’s luxuriant strings. Those of us who have been hearing these songs developed and played at various gigs and sessions can now hear them arranged and performed exquisitely and will finally be able to take them home.
“Chronicles” is released on the 8th of November at the Blue Lamp and will be available from local outlets. The band will be joined on stage by local guitarist Pete Coutts in addition to all who appeared on the album. See Events. (link)
Compiled by Fred Wilkinson with thanks to Jani Lang.
The Jani Lang Band return to their ‘native home’ to deliver an extraordinary evening of music and dances from Hungary, Transylvania and beyond! The band will be appearing at The Blue Lamp on Saturday 6th November.
A táncház, meaning dance house, is the Hungarian ceilidh where people gather to enjoy, dance or learn traditional dances and music.
Jani Lang is a Hungarian fiddle player who is joined by some of the finest musicians from Scotland and Hungary to form the Jani Lang Band.
The Band was founded in Aberdeen Scotland in 2006 by Jani Lang, who moved there in 2005 after touring for many years with different bands and musicians. In Aberdeen local music sessions provided the starting point for a magical mixture of musical influences and talent.
The Jani Lang Band was born, creating a unique collaboration of Hungarian, Scottish, Irish and Egyptian musicians driven by an enthusiasm for Balkan and Gypsy music. This has developed into a shared passion and cultivated a deeper understanding of culture, language and the music.
On their Devil in A Box album they were joined by two of the most sought after musicians from Hungary, a rising star of the Gypsy music scene, singer-guitar player Guszti Balogh and the world famous cimbalom player, Kalman Balogh. The title Devil in a Box comes from a traditional Gypsy song which says: “If I catch the devil, I lock him in a box and the more he moves the more I hit the box”
Over the years they have stunned audiences at most of the Scottish folk festivals, such as the Shetland Folk Festival, Orkney Folk Festival, Edinburgh Fringe, Scots Fiddle Festival, etc. Their táncház will start with a performance of music followed by a ceilidh of Hungarian and Transylvanian dances led by a professional dancer from Hungary.
Come along to experience a real Hungarian ceilidh and dance the night away with the band!
Climate Change and Scotland – What can we do about it ?
An illustrated presentation by our local member of the IPCC Professor Pete Smith FSB FRSE
Pete lectures on Soils and Global Change at AberdeenUniversity.Since 1996 he has served on Intergovernmental Panel on Climate Change (IPCC) which was awarded the Nobel Peace Prize in 2007. He was the Convening Lead Author of the Agricultural Greenhouse Gas Mitigation chapter of the IPCC Fourth Assessment Report (Working Group III). He has coordinated and participated in many national and international projects on soils, agriculture, greenhouse gases, climate change, mitigation and impacts, and ecosystem modelling. He is a Fellow of the Society of Biology, a Research Fellow of the Royal Society (London), and a Fellow of the Royal Society of Edinburgh.
All welcomeFREE ENTRY Organised by Banchory Energy Reduction Initiative (BERI).BERI is a Climate Challenge Fund project working with the Banchory community to conserve energy in the home and through travel. Information online atwww.banchory.org
Tues 2nd Nov.
7.30pm, Aberdeen Art Gallery, Room 6
PUBLIC MEETING WITH THE MAYOR OF NAGASAKI – A TALK A NUCLEAR FREE WORLD
The long running controversial subject of Nuclear Weapons comes to the fore in Aberdeen next week when the Mayor of Nagasaki will be speaking on behalf of a nuclear free world. Tomihisa Taue, Mayor of Nagasaki and Vice President of Mayors for Peace will be talking about the effects of the atomic bomb dropped on Nagasaki on August 9th 1945. In the initial explosion and over the succeeding years over 200,000 of Nagasaki’s men women and children died agonisingly either from blast, burns, crushed limbs and bodies and latterly of leukemia, cancers and other tumours.
Mayors for Peace has over four thousand member cities in one hundred and forty four countries world-wide – sixty two of which are in the UK.
Tues 2nd Nov.
MARK NELSON, TONY LITTLER, SEAN GRANT, ASIM ALI, ANDREW LEARMONTH
8.00pm, Music Hall
SEAN LOCK £17.50+BF
Sat 30th Oct.
4.00pm, One Up (instore gig)
LITTLE COMETS, Plus Support
7:30pm, Lemon Tree
THE COAL PORTERS £12+BF
8.00pm, Café Drummond
8.00pm, The Moorings
8.00pm, Captain Tom’s
Cirque-de-Sinister Halloween Party
THE RUCKUS, BROTHERS REID, SMOKIN CATFISH, THE WETFLEX £5
5.00pm to 7.00pm, Doonies Farm, The Coast Road, Nigg , Aberdeen
Fire Walk Experience An event to raise funds for future choices and Create Aberdeen ( see Article )
8.00pm, The Tunnels
GOO GOO MUCK ( Cramps tribute )
8.00pm, Carmelite Hotel, Stirling Street
Open Mic Session ( every Sunday. )
9.00pm, The Moorings
The Jam Factory ( every Sunday. ) Bands, acoustic musicians, jammers, poets etc. all welcome.
Mon 1st Nov.
7.30pm, The Tunnels
THEM:YOUTH Plus Support £5
9.00pm, Blue Lamp
Traditional Acoustic Session. All welcome.
10.00pm, Café Drummond
Open Mic Night ( Every Monday )
Soloists, Poets, Musicians, Maniacs, and Full Bands Welcome.
( Full back line provided ) For more info, call 01224 619930
Tues 2nd Nov.
7.30pm, Lemon Tree
THE DIVINE COMEDY
Wed 3rd Nov.
7.30pm, Music Hall
LEE MEMPHIS KING (Elvis Tribute ) £18.50+BF
Thurs 4th Nov.
7.30pm, Cafe Drummond
6 DAY RIOT Plus Support
7.30pm, Project Slogan, 48 Langstane Place
MARK McCABE AND FRIENDS Donation on entry
8.00pm, Shelley Leighs
The Big Mic Up – Hosted by Dave Moir and Kenny McLeod
Get off the couch! come down to Shelley Leigh’s and hear the music, be part of the vibe, Come along folks to Dave and Kenny’s open mic night . If you like to play, or just to listen then be prepared for a night of great music at Aberdeens latest musical cultural venue.
Fri 5th Nov.
7:30pm – 8:30pm, Music Hall
THE SALSA CELTICA BIG BAND with very special guests including JULIE FOWLIS and DERMOT BYRNE.
7.30pm, Lemon Tree
8.00pm, Beach Ballroom
MERSAULT, THE DEPORTEES, AMBER WILSON, DEBUTANT
8.00pm, Café Drummond
JAMES WALSH ( Starsailor ) Plus Support
8.00pm, The Moorings
DEATHWATCH, THE WRECKING BALL ( CLUB NIGHT )
Sat 6th Nov.
7.30pm, The Tunnels
FOUND, INDIAN RED LOPEZ
8.00pm, Blue Lamp
JANI LANG BAND (Plus a Hungarian Ceilidh )
A táncház, meaning dance house, is the Hungarian ceilidh where people gather to enjoy, dance or learn traditional dances and music..
Over the years they have stunned audiences at most of the Scottish folk festivals, such as the Shetland Folk Festival, Orkney Folk Festival, Edinburgh Fringe, Scots Fiddle Festival, etc.
Their táncház will start with a performance of music followed by a ceilidh of Hungarian and Transylvanian dances led by a professional dancer from Hungary.
Come along to experience a real Hungarian ceilidh and dance the night away with the band!
A fantastic opportunity to catch up with some of the best musical talent the city has to offer will take place this Saturday [23rd] in venues across the town as part of the Oxjam Takeover music festival.
Oxjam is a UK wide event with festivals taking place in around 30 cities.
With 25 local bands performing across five city centre stages this Saturday, there has been a huge amount of preparation to get things ready for the Aberdeen gigs.
Andy Kite, Marketing Coordinator said;
“We’ve been working at getting the festival in place since May and there has been a great deal of planning to put it in place. From arranging line-ups, venues, timings, promotion and fundraisers things have been very hectic but we’ve all enjoyed every minute.
“The bands have all been great and seem really keen to get involved so we are really confident of putting on a great event so we urge everyone to come along and have a great time. We really want to contribute to the charity and raise as much money as possible while using the festival as a showcase of the talent we have in Aberdeen.”
An eclectic line-up ensures there is something for everyone.
Both rooms in the Tunnels will be used with performances from Weather Barn (formerly Cast of the Capital), Le Reno Amps, The Deportees, Turning 13, Marionettes, Cuddly Shark, Eric Euan, Duke, Carson Wells and Katerwaul.
The Blue Lamp will serve up a party atmosphere featuring The Lorelei, The Gerry Jablonski Band, The Oxbow Lake, Chris Carroll and Flora Cook.
For those looking for something more reserved and intimate Enigma will host an acoustic night with the vocal talents of Jo McCafferty supported by The Kitchen Cynics, Craig Davidson, Sarah J Stanley and The Scandal Extracts.
Finally there will be a night of rock and roll on display at Cafe Drummonds with The Wildcards, Kashmir Red, Energy!, Emerald Sunday and Talking Sideways.
Tickets cost £5 and allow unlimited access to all stages and can be bought at One Up and www.wegottickets.com as well as on the door of each venue on the evening. Doors open at 7pm with the first acts taking the stage around 7.30pm and there is an aftershow party at the Tunnels. All money raised on the night is donated to Oxfam and contributes to Oxjam’s overall fundraising targets.
More about Oxjam nationwide –
Oxjam Takeover events take place on 23 & 24 October in the following locations:
More than 600 Oxfam shops across the country sell second-hand music – double the total number of independent record shops in the UK.
Oxfam shops sell around £6 million of music every year, which equates to around 1.8 million CDs and records every year, all donated by the British public. The largest single donation was of 4,000 vinyl albums to an Oxfam shop in Devon in 2008.
Oxfam has been one of the lead charities at Glastonbury since 1993, raising £2.7 million through stewarding the festival and signing up more than 400,000 people in support of its campaigns at the festival. Oxfam works at seventeen music festivals across the summer, stewarding, campaigning and selling festival fashion.