May 232014
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

DictionaryTally Ho! It was a particularly good week for arts and events, a bad week for local Labour, a grim week for the environment, and a grimmer week still in the field of freedom of information.

On the positive side, the Aberdeen Artists Society show is up and running; it’s a hit by all accounts.  But the best event locally for ages in the arts was the Aberdeen Art Gallery’s “After Hours/ Creative Invasion” evening.

Over 500 people came together to participate in a blend of art, writing, history, music, socialising and fun. The central theme was World War I, and its wee impact on society.

Thankfully, these days there’s no danger of any  conflicts brewing in Europe which could lead to any wars.

Anyway, the evening was great, and I am still thinking about a postcard I read as part of Graeme Milne’s writing workshop.

It was written by a man (or likely boy) named Jamie to his mother on Christmas Day 1914 while he was stationed in Italy. I’m sure he had a jolly time in the trenches.

I am minded that Michael Gove, our Education Secretary, criticises shows like ‘Blackadder’ for being critical of ‘The Great War’ – Gove thinks those lefty types are trying to make WWI seem like a bloody, futile, cruel exercise (how could they?). More on the event and the text of the card can be found here.

Elsewhere in the Deen, Craig Adams (aka Flash of the Moorings) is leading the charge to reopen Bon Accord Baths.

With virtually no notice, Adams managed to muster nearly 100 people for a photo call for the BBC, Northsound and STV (and Aberdeen Voice – story here). All the different political parties seem to want the baths to run again, and I’m certain the city’s new Chief Executive will want to get as many sensible, workable community-led initiatives like this one going to rejuvenate communities.  For some reason, a number of simple, desirable proposals have been turned down to date that other cities and towns would have welcomed.

The people want the baths; the politicians want the baths. Could there be someone in a position of power who’s blocking this and other initiatives with red tape, needless delay, and an agenda of their own? Surely not – but if there is such an officer, perhaps they’d best put on their MacIntosh and Gord on the next bus out of town. Just a thought.

But has warfare broken out in the hallowed halls of Aberdeen’s Townhouse?

Depending on your perspective and who you’ve spoken to, either Labour is in complete meltdown with backstabbing and intrigue worthy of a particularly gory Game of Thrones episode – or after discussions and strategising, Barney Crockett is simply no longer council leader – although he is very much still a councillor.

The way the P&J put it, you’d have thought Young Willie and Crockett were going to be duelling with pistols in UTG. But it’s not like the P&J to exaggerate. Surely there are no previous cases of Aberdeen Journals Ltd. bending the facts to make headlines? Perhaps a definition is called for.

For some reason, no one seems very fond of the plans for replacing ugly glass block St Nicholas House with a newer, shinier uglier glass block. Few people are thrilled either with the building of yet more homes over the greenbelt, what’s left of it.  Fewer people still are on board with plans for the  persecution of people who beg for money.

As for the building work going on, I’m sure anything going up will be as iconic, dynamic and brilliant as St Nick’s was.

After all, this  steel and glass curtain wall style of skyscraper is the last word in architectural style; there’s nothing cheap, nasty, dated, brutal (or lame) about putting up glass box buildings all over town and country. They just show us how outdated things like the Citadel, Tollbooth and Provost Skene’s house really are.

Surely people will flock here to live in an iconic Stewart Milne Home in some nice, sanitised suburbia close to a dual carrigeway (formerly wildlife habitat and recreation ground), and work in iconic glass box buildings which they drive to in iconic cars. And if we get resultant loss of green space, even poorer air quality, lack of biodiversity and urban sprawl, just lie back and think of the money.

As to the kind of people we’ll be attracting, they’ll surely not want to see any signs of poverty. We’re doing what the Tzars did – covering empty buildings with false fronts (this ploy of covering up problems in a town with a thin veneer was laughably called a ‘Potemkin village’) and clearing the poor out.

We seem to be keen on clearing the streets of the poor, while the gap between rich and poor grows. Get rid of the poor, hide any squalor or empty  buildings behind false fronts, and hang up some bunting. I’m sure it will make us all better off, after all, look how things worked out for the Tzars.

But at this rate there won’t be time for any definitions, so on with it, or I’d tell you about the nice drinks I’ve had at BrewDog, where I attended yet another well-run, fun tasting event.

Begging: (Eng. gerund – form of noun) – to solicit money or aid of some sort when in need.

We are one of Scotland’s wealthiest cities. We are one of Europe’s wealthiest cities. It’s bad enough people from other countries want to come here; now we’ve got people who aren’t satisfied with our generous minimum wages, food banks and quality doorways to sleep in; they also want to ask for money.

Well, this is obviously what’s stopping us from enjoying our shopping trips to malls and the West End. Being asked for money while trying to buy a new pair of Jimmy Choos is, well, trying. Thankfully, some of our wiser people in power want to ban begging. And just the thing to make begging  go away would be to fine beggars for begging.

No one’s got any reason to ask for any help; it’s not as if there is a growing gap between haves and have-nots. It’s not like our taxes are sky high – for those who aren’t smart enough to put their money in fake charity accounts, offshore schemes, or other avoidance vehicles.   It’s not as if those who are cleverly avoiding tax are depriving others of services the taxes should be paying for, and it’s not like there is anything immoral about not paying your fair share.

It’s not as if our Ma and Pa high street shops suffered when we gave multinationals sweeteners to open yet another shopping mall at Union Square. No, if you’re poor, it’s your fault.

Apparently we also have ‘aggressive’ beggars. I hear these aggressive beggars are upsetting the fine upstanding citizens who regularly throw up, brawl, shout, rob and intimidate people of your average weekend night in town. I’m very glad we’ve prioritised the kind of criminal activity the hungry and cold perpetrate as compared to our traditional thieves, fighters and drunks, who sometimes seem just a tad aggressive.

Complaints have apparently been made to ACC about begging: a whole handful. It’s time the city sprang into action, just like it did when it had complaints over the half-baked idea to destroy Tullos Hill’s ecosystem and deer. Three thousand of us complained we didn’t want the deer killed, or the wildflowers destroyed (and with them the existing animals, bees and butterflies).

Well, we know what effect that had. Beggars beware! Just go and get yourself a job; what could be easier?

Press & Journalism: (modern Scottish compound noun) the type of reportage and editorial policy as practiced locally by Aberdeen Journals Limited.

Not since the outbreak of WWI, WWII and the Sinking of The Titanic have we seen such a massive story with giant, emotive, shocking headlines. Well, not since ‘TRAITORS’ was the headline over pictures of those who decided to vote against Donald Trump taking over the SSSI sites at Menie for a golf club.

‘STABBED IN THE BACK’ was the headline in single quote marks over a photo of Barney Crocket at the time of his relinquishing the role of council supremo. Did he say he was stabbed in the back? Er, no. This quote was a bit of speculation.  The word ‘OUSTED’ was used quite a bit, despite the man not actually being ousted.

Has the P&J previous form in mixing fact, fiction and in hiding inconvenient truths? Of course not.

During the referendum it printed on one of its front covers a box labelled ‘facts’.  These ‘facts’ included tidbits such as building in Union Terrace Gardens would not cost the taxpayer anything, and 6,000 jobs would be permanently created if we put two giant granite clad ski slopes over the poor sunken garden.

The Press Complaints Commission had complaints on this ‘facts’ box (in fact, nearly the same number of people complained about this as people complained about aggressive begging in town). But the PCC decided that if people read the full article, spread over several pages, they would have realised the box marked ‘facts’ were not, er, facts.  And of course everyone reads every single word in a P&J piece.

So, facts aren’t always facts; this seems clear to me. I wonder if Mr Damian Bates, P&J editor and member of the PCC team had a hand in coming to the conclusion the article wasn’t misleading?

The P&J’s stable mate, the Evening Express, once had a front page with headlines blaring ‘DEER FOUND DEAD AHEAD OF CULL’. On further investigation, it emerged the deer that were found dead had died – two years before the proposed cull of deer for trees. Somehow, this minor detail was not initially published  on the paper’s website –who exactly planted this story, and why was never cleared up?

I may write a piece  ‘Mastodon found dead ahead of last ice age’ or similar.

And who could forget how conveniently both papers supported Mr Donald Trump, how they vilified the Menie Estate residents who wouldn’t sell up to Trump, and how they ignored award-winning film maker Anthony Baxter, whose documentary ‘you’ve been trumped’ won awards round the world.

It was almost as if they chose to run photos of Turnip and his luxury jet because that was great news and not because Bates’ Mrs works for The Donald.

For some reason the AJL circulation seems to be dropping these last few years. I can’t for the life of me figure out why. Perhaps tomorrow’s free copy of Metro, awaiting me on my bus to work, will offer some clue.

I wish I had time for more definitions, but duties at home have taken over for now.  As mentioned at the start of this piece, it’s been a bad week for press freedom and for freedom of information.  More on this next week.

Next week: another look at the police, some local crime info, and more on our council.

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May 162014
 

With thanks to Kirsty Young.

!cid_42B9C865-FCFC-452D-9492-3B4D1597D1E1On Friday 16 May 2014, Aberdeen audiences will have the opportunity to see the results of Cecilia Stenbom’s participatory art project Manual.

The work will be shown on a loop in the gallery at Peacock Visual Arts from 9:30 – 5:30pm.

Cecilia Stenbom will then be present on the evening of Friday 16 May at 6pm for an informal question and answer session, for members of the audience to find out more about the project.

Manual started with a public participatory research event hosted by Peacock Visual Arts, which took place at Aberdeen City Council building, Seventeen, in November 2013.

The event consisted of a series of one-to-one interviews with members of the public that explore people’s everyday behaviours and habits in public space.

Participants were encouraged to talk about their own experiences, routines and preferences within the framework of everyday situations;  How do you choose a seat in a restaurant? What do you do in order to feel secure? Does surveillance make you feel safe or watched?

Do you take measures to avoid catching infections from other people? Do you have a system for staying safe in public space? How do you act when you run into someone you don’t want to run into? What do you find unacceptable behaviour? Do you have a preferred toilet cubicle?

The material recorded during this event was developed into a fictional artist film about how we deal with anxieties and hang-ups whilst in public space. Set entirely inside a shopping centre, the film follows the interactions between two sisters; one anxious about her personal safety, the other concerned with the invisible threat of infection.

The sterile atmosphere of the environment quickly becomes menacing as the women’s personal safety systems begin to fail.

Cecilia comments:

“I am really excited to come back to Aberdeen to show the work that came out of the participatory event ‘Manual’. The opinions and stories about behaviour in public space that I captured during the event in November is the basis for the fictional film about two women navigating a shopping centre. It is great to finally bring it back to Aberdeen to screen it.”

Manual has been supported by Arts Council England through the Grants for the Arts scheme.

Cecilia Stenbom (1976, Stockholm) is a visual artist and filmmaker. Originally from Sweden, has previously been based in Reykjavik, Helsinki and Glasgow and currently lives and works in the North East of England.

Q&A 6pm, Free admission. Please RSVP to sarah@peacockvisualarts.co.uk

Location: Peacock Visual Arts, 21 Castle St, Aberdeen, AB11 5BQ

May 162014
 

Three years ago, a new one-day music festival began, managed by Northern Roots Events, up near Inverness and hosted at Bogbain Farm. Sponsored by Brewdog, Brew at the Bog took shape.

Brew at the Bog ( http://www.brewatthebog.com ) is a festival which was created to showcase emerging Scottish music. Local craft beer and gin are also part of the attraction. This year it was a sell-out, and Julie Thompson went up there to see what the fuss was about.

admiral_fallowComprising four stages, the venue was compact and easy to navigate.

The Main Stage was obvious with its large arched frontage.

The other stages were smaller: the Barn stage is inside one of the stone buildings surrounding the Main Stage area.

The Gin Stage was accessed through the Barn Stage and became almost impassable when an act was performing in the Barn. Luckily there were only a few acts on in the Gin Stage, mostly in the afternoon. The Pond Stage was around the back of the buildings.

Food was varied; there was the inevitable burger van, with pretty good burgers in fact, but there were also tents providing more varied street food.

stanley_odd

There was an ice-cream seller too, who proved popular as the day was quite warm and sunny until late afternoon.

Headliners on the Main Stage were Admiral Fallow and Stanley Odd, but to be honest, the whole day on the Main Stage was pretty strong, from the very entertaining Shiverin’ Sheiks, perfect for a lazy afternoon sitting drinking beer, through to Kid Canaveral, who had the place singing along and dancing.

I came across a few new (to me) acts that I will make a point of catching again in the future.

King Creosote kicked off the day on the Barn Stage, which was crammed. Along with their set, they showcased a new archive footage film which was shown on a large screen behind them.

Later on in the afternoon, Fatherson turned out to be the secret act that had been widely discussed.

Roddy Woomble, originally planned for the Main Stage, but swapped with Friends in America, played on the Pond Stage. Jo Mango stoically played though dripping water as the stage was leaking badly by this point, and Miaoux Miaoux closed the day.

king_creosoteSadly, with events on the Main Stage and the Pond Stage clashing, and the Barn Stage being impossible to get into if you were not there as soon as the last act ended, I was a bit limited in what I could catch. I did manage to see all the Main Stage acts, as well as King Creosote and some of the Pond Stage acts; and I had an excellent, if very long and tiring day.

It’s very easy to get to Brewbog and it can be managed as a day trip, although some people did camp on the small camping area adjacent to the car park.

Both these areas are, at most, a five minute walk from the entrance to the venue, which is wheelchair-friendly.

batb_stanley_oddThe portable toilets were restocked through the day and were remarkably clean, for a festival, from what I saw.

There was also a portable loo with wheelchair access.

I chose to start early and drove up from Aberdeen. Gates opened at 11:45 a.m. and the last Main Stage act was playing when I reluctantly left at around 11:30 p.m.

I left, well-fed and very happy, and looking forward to seeing what they have to show me next year.

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Apr 252014
 

Serious questions need to be answered about how Grampian Police – now Police Scotland handled an incident last June. It’s time for a reminder of what happened during the Siege of Heathryfold, and to let people know that the search for answers is far from over. By Suzanne Kelly.

The man who wasn’t there.

home

George Copland’s home which was at the centre of an armed seige on June 7 2013

In June of last year, witnesses claimed a man with a gun was inside a flat in Heathryfold, Aberdeen.
This was however an empty flat – a flat far from the main road and at the end of a row of two houses accessible by a gate – you would have had to be very close to the windows to have seen anything inside, and no explanation has yet been offered as to what the witnesses were doing and how they conceivably came to the conclusion a man with a gun was inside.

Even though there are  many legal reasons for people to have guns (hunting is legal, so are pellet guns), the police decided the answer was to surround the building, cordon off streets, bring in specialist teams, and lay siege to an empty property. [Those of you with hunting rifles, shooting range pistols, starter’s guns had best take note].

They entered, and finding no one home, clearly giving the gunman story the lie, the police decided to ransack the flat from top to bottom. Perhaps the gunman was  hiding in the medicine chest or in the CD rack. This search seems to have happened before they finally spoke to George Copland, the property owner, on the telephone.

Seeing his flat on television surrounded by armed men, and getting a call telling him to meet the police (and not saying he could bring a friend, adviser or lawyer) George, who has a history known to the police of physical and mental health issues, was quite understandably frightened, and he declined to meet them.

He says the police were already inside his building; they say they only entered after he refused to meet them. This is one of at least half a dozen questions that need to be answered. But clearly as Copland wasn’t in his home, he couldn’t have been the hunted gunman.

The man with the feather duster gun.

Still, the police were not content with the search results (could it be they didn’t want to look silly for deploying a fair bit of back up at what must have been considerable expense for a hoax?). Days later they burst Copland’s girlfriend’s door down in a dawn raid, and took Copland into custody (whether or not this was a formal arrest is unknown to this day).

Searched, put into a boiler suit, possibly with medication withheld from him (another issue requiring clarification), he was allegedly asked to say that a feather duster he owned could have looked like a gun (the Sun newspaper ran a story on this).

the police have so far refused to release any information on the case

George’s account of seeing a doctor at the time differs with what the police said happened. It is certain they knew he had mental health issues before the siege; it is certain they didn’t let  him have an adviser, friend or lawyer during the long hours of his detention.

Copland also says that before his release from custody, one of the police named one of the witnesses – an interesting move on their part, and one which like so many issues needs to be examined. Aberdeen Voice knows the identity of the person allegedly named to Copland, and it is debatable whether they would have made a credible witness.

The Right to Remain Silent – well, for Police Scotland anyway

Left with several eggs on their face, the police have so far refused to release any information on the case. A Freedom of Information request was lodged but information, as well as a reasonable request for compensation, was denied.

Copland was not up to the stress or the challenge of dealing with the FOI process; he asked for assistance. He authorised an Aberdeen Voice reporter to make enquiries of the police on his behalf.  Two different signed, detailed permission letters from George bearing his address and signature were submitted to the police by email, and one original letter was delivered as well.

The police still refused to release information or contemplate compensation, and several different correspondents from the police side got involved. Some correspondence was done by email; some via the police’s online comments form. A paralegal refused to use email; and correspondence flew back and forth for months.

Finally, when Police Scotland refused the FOI request, a request for a review of how they handled the FOI request was made. This was submitted on their online form as no email address was given to make an appeal to.

The first time the request for a review was sent, it somehow was never received by the police.

It’s almost as if they had something to hide

The online form was used a second time to request the review. The request for the review advised the police to ask if they needed further information.

This second request via the online form was received, and in due course a letter came, saying a review found they had handled the FOI request perfectly.

The police said among other things that they did not have sufficient permission from George Copland for Aberdeen Voice to be given information. Did they email him, write to him or phone him to corroborate that all the submitted permission forms were genuine? No.

Does it then seem as if Police Scotland are implying that Aberdeen Voice were seeking personal data without authorisation? Yes.

After months of trying to get information and jumping through various hoops, the police refused to explain what they did and why. (It’s almost as if they had something to hide).

At that stage of the labyrinthine process, it was time to bring the entire matter to the Information Commissioner for them to consider. If the previous correspondence with the police had been confusing, the eventual Information Commissioner’s outcome was something else altogether.

It could be called Kafkaesque, but the bizarre decision, possibly unprecedented, also has a Catch 22 element.

Kafka steps in

All the correspondence was summarised, and the important items were sent to the Information Commissioner’s office – this included the request for the review and the letter giving the review outcome. So far, so good.

On 18 April Aberdeen Voice’s reporter received a letter in the post saying the Information Commissioner would not look into this case. The reason? The request sent to the police was not specific enough.

The police had the request to review how they handled this Freedom of Information request. They were told to revert if they needed more specifics. They didn’t. They went ahead and held a review upholding their actions in withholding the facts from George Copland and Aberdeen Voice.

that dialogue aspect of FOI requests doesn’t seem to exist now

Now, months later, someone has decided that the request for the review which was held wasn’t quite good enough. Kafka might have come up with this.

Information Commissioner – has the rulebook changed?

When Aberdeen Voice was involved in a FOI commission investigation into property dealings between Stewart Milne and Aberdeen City Council, we were informed every step of the way as to what the council was claiming and what they were telling the information commissioner’s office.

AV was able to counter points successfully and in the end the City had to release information.

Somehow that dialogue aspect of FOI requests doesn’t seem to exist now. Any first year law student would be making good points as to how holding a review pretty much gives validation to the request for a review.

AV had no such opportunity to put up the case for law, logic and common sense. We will be asking how often this defence is used when refusing to investigate FOI matters. It certainly seems the rules  have changed.

Carte Blanche

The police are no strangers to requests for information which wind up going to the Information Commissioner. However, the police do not have to release any info which may make the public lose confidence in them.

This is basically giving the police carte blanche to do as they please with complete immunity and no fear of accountability getting in their way. With public confidence in the police already low, surely this aspect of how the Information Commissioner operates must be reviewed and changed.

It would be interesting to know how many times this public confidence exemption has been used by the  police in past FOI appeals to the Commissioner.

More questions likely to remain unanswered.

Whose idea was it to claim the request for a review was invalid – the Police, the Information Commissioner’s office – or both?

Why did they hold a review if they didn’t need to?

Why did it take until 15 April for anyone to claim that the review which was held didn’t need to be held?

If the request was not valid, why did Police Scotland hold the review in the first place?

Since the request for review, as submitted online (no documents could be attached,) offered to supply further details for the review request if needed, why didn’t anyone point out that there wasn’t sufficient grounds given for a review?

How could the police possibly claim they didn’t have enough valid permission to release the requested information at the review stage when they could have had clarification at any time?

Does holding a review validate the request for a review?

Was the way the Siege of Heathryfold handled reasonable?  Was the way George Copland was treated legal, fair and suitable for someone with known health issues?

To come back months after the review was held, and claim that the request for the review was invalid makes police Scotland appear either to be disingenuous, or disorganised. Why did they hold a review if they didn’t need to? It’s almost as if someone higher up got wind of this, and decided to try and derail it.

Surely not.

It ain’t over til it’s over.

Perhaps the police involved in this incident may not want to breathe that sigh of relief just yet. Information will indeed still be sought by various other avenues.

Oh, and if the police are interested, the  Police Complaints Commission has been formally asked to look into this entire incident as well. Time will tell what comes of that.

More info – previous Voice articles.

seige-a-hoax-but-the-damage-all-too-real/
siege-of-heathryfold-and-george-copland-arrest-latest/
benefit-concert-for-heathryfold-siege-man/
siege-heathryfold-update/
siege-heathryfold-devastation-no-compensation/

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Apr 182014
 

Youthful Newfoundland trad band, The Dardanelles are widely recognised as one of the best live acts in the world, says Loudon Temple of bloodygreatpr, representing the band in Scotland

The Dardanelles

Young Newfoundland trad band, The Dardanelles will be appearing at Glenbuchat Hall.

They’ll be in the NE on April 23, bringing their ‘energetic repertoire of stirring jigs, reels and ballads, delivered with an energy found more often in high-energy rock ‘n’ roll’, to Glenbuchat Hall, Upper Donside on 23 April.

Their headline show at 2013’s Celtic Connections, was regarded by many witnesses as one the festival’s highlights.

Celtic Music Radio presenter Bill Morris reviewed the performance and raved:

“They were magnificent!”

It’s what happens each time they hit the road and take their stirring repertoire to the big stage. At last year’s Folk Alliance International event in Canada, delegates all agreed they were in a league of their own following showcases to festival bookers and agents from around the world.

The Dardanelles will be one of the main visiting headliners at Shetland Folk Festival, and there is the opportunity to catch them live at one of the few add-on tour dates in Scotland.

Five strong, the band has previously impressed at major national festivals on their home turf including Winnipeg, Mariposa, and Vancouver.

You can be assured of a warm welcome at Glenbuchat where live roots music is becoming a regular feature of this delightful community hall’s entertainment programme.

www.thedardanelles.com
www.facebook.com/GlenbuchatHall
http://www.bloodygreatpr.com

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Apr 182014
 

“When a man wants to murder a tiger he calls it sport. When the tiger wants to murder him he calls it ferocity”
–George Bernard Shaw.

tiger-165189_640 http://pixabay.com/en/tiger-cub-tiger-cub-big-cat-feline-165189/ Bob Smith comments on wildlife crime and Man’s relationship with wild animals.

Noo lit ma say richt fae the stairt ony sort o crime agin nature an wildlife fair gits ma dander up. Bit a hiv ti say there’s times fin we humans are a richt bunch o bliddy hypocrites.

Lit’s tak the case fer cullin badgers.

Ess is deen bi the governmint at the behest o the fairmin community cos they reckon the badgers cause TB in their herds o nowt an as a result are lossin siller.

Yet nae doot the same argument wid be used bi the fowk fa are pooshanin the raptors cos they’re allegedly killin their pheasants an grouse plus the odd lamb an ess is affectin the siller in THEIR pooches.

Ae sort o killin is viewed as a legal cull, yet the second een is seen as a wildlife crime. In ma een they’re baith a bliddy crime.

The pooshanin o the reid kites an buzzards up near Conon Bridge is only the tip o the iceberg fin it comes tae wildlife crime in ess kwintra an tho it micht be only a fyow neanderthal  gamies an their landowner bosses fa are committin the crimes, fin they are fun oot wi shud stick een o their Purdy shotguns up their erse an lit blast wi baith barrels!!! Only jokin fowks bit wi are a bittie lenient fin it comes ti crime agin wildlife.

O coorse wildlife crime is nithin new. Awa back in Victorian times an richt up ti aroon the 1960’s fowk war blastin awa at wild animals an sic like. Back then they war ca’ed sheetin safaris an ess wis leukit upon as bein sport. Onything at moved on the African plains or in the Indian jungle wis shot at an their heids cut aff an stuffed as “Trophies”.

Nooadays wildlife crime is cairry’t oot in the same locations ti satisfy the demand fer animal pairts as medicinal cures in plaicies like China.

Bit lit’s nae forgit oor “cousins” ower in the USA.

In the “rootin, tootin aywis shootin” gun crazy America, fowk ging aboot sheetin bears, deer, dyeuks, geese etc an leuk upon thersels as great hunters.

Noo hunters I wid describe as fowk awa back fa wint aboot  sheetin animals ti feed thersels. Ess lot o so ca’ed hunters gyaang aboot sheetin jist fer the sheer pleasure o’t an ca’ it sport. Maybe wi shud even things up in wir ain kwintra bi re- introducin bears, lynx an wolves back inti the wilds an mak it an offence ti sheet them.

I can jist see it noo, gamies bein confronted bi a bliddy great bear an ha’en ti turn tail an rin wi the bear in hot pursuit roarin “the beet’s on the ither fit noo ye bastard”.

I can myn o a gamie employed bi the local laird in the area far a wis brocht up bein nicknamed “Beets an Bunnet” on the accoont he wore a bliddy great big bunnet an fer his size hid affa big feet. Noo ess chiel wid sheet an ask questions efterwards if onything daar’t ti venture near his pheasants.

He wisna  aat weel likit bi some o the local fowk an eventually got the bung. Gamies an landowners fa still commit wildlife crime in ess kwintra shud be jiled AND heavily fined wi their guns confiscated an gun licences revoked fer ivver.

A’ll leave the last wird ti Mahatma Ghandi fa is quoted as sayin:

“The greatness of a nation and its moral progress can be judged by the way it treats its animals”

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Apr 182014
 

Northside3With thanks to Anton Pell.

On April 26th at Café Drummonds, Manchester baggy legends ‘Northside’ play as part of the bands 20 year reunion tour.
The band featured on Top of the Pops and played for the BBC at Wembley even after being banned from all BBC shows due to their debut hits drug reference titled ‘Shall We Take a Trip’.

They also stole the show in a famous Elland Road, Leeds gig with happy Mondays and The LA’s.

For the first time since then, the band are back together with all four original members for a reunion tour playing all their hits from their albums ‘Chicken Rythms’ Section.

The band quickly became cult legends and featured on the front cover of NME amongst other major music magazines. They had two hits in the American billboard charts and even a number one in Canada, knocked off the top by Nirvana’s ‘Smell like teen spirit’.

The band famously split when the Happy Mondays broke Factory Records when they were at their peak.

Tickets are available from seetickets.com for all the bands tour dates.

Here’s one of their songs – one which still made the top 20 despite being banned by the BBC.

Apr 182014
 

Tim_Judge_with_bike_IssyWith thanks to Richard Bunting.

London cyclist Timothy Judge has set himself the arduous challenge of cycling 5,000 miles in 2014 to raise funds for conservation charity Trees for Life and its restoration of the ancient Caledonian Forest in the Scottish Highlands.

As part of Tim’s epic bid, on Tuesday 20 May he will set out to cycle from London to Dundreggan Conservation Estate in Glenmoriston near Loch Ness.

He aims to complete the 600-mile journey in six days – arriving at Dundreggan for Trees for Life’s 25th anniversary celebration open day on Sunday 25 May.

The event at Dundreggan – Trees for Life’s flagship project and a 10,000-acre biodiversity hotspot – will include guided walks to explore ancient woodlands and spot wildlife, opportunities to meet and feed wild boar and learn about their role in restoring the forest, the exclusive launch of Trees for Life’s ‘Forests of the Commonwealth’ photographic exhibition, plus lunch and all-day refreshments.

Children’s activities will include animal tracking, pond dipping and games.

Tim said:

“I’m supporting Trees for Life because restoring the UK’s biodiversity and lost woodlands is the biggest step we can make in ensuring that our children have a wonderful place to live. It also makes economic sense to protect the lands that give us everything from the food we eat to the oxygen in the air.

“The restoration of Britain’s lost forests will have a positive impact in our battle against climate change by locking up carbon as they grow, will reduce the impact of flooding by slowing the speed at which water gets into our rivers, give shelter and food to our remarkable wildlife, and give us a place to enjoy the wonder of Nature close to home.”

Tim aims to raise £1 for every mile he cycles in 2014. Since his challenge began as a New Year’s Resolution, he has cycled almost 500 miles on his bike Issy. He can be supported at www.justgiving.com/GingerBittersOnABike. Tim’s progress can be followed at www.strava.com/athletes/gingerbittersonabike.

Trees for Life’s Executive Director Alan Watson Featherstone said:

“We’re delighted and moved by Tim’s inspiration and commitment in setting this ambitious challenge for himself. We hope it will be a rewarding journey for him, whilst generating vital support for our work to restore the Caledonian Forest to one of the UK’s wildest landscapes. We look forward to welcoming Tim on his arrival at Dundreggan on 25 May.”

Today only a fraction of the former Caledonian Forest survives, but Trees for Life has planted more than a million trees and has created 10,000 acres of new forest. The award-winning charity aims to establish one million more trees by planting and natural regeneration by 2018, creating expanded habitats for Scotland’s spectacular and unique wildlife.

People can support Trees for Life by becoming a member, carrying out conservation action, sponsoring trees for special occasions or sponsoring an acre of native forest.

For details about Trees for Life’s celebration open day at Dundreggan, please see www.treesforlife.org.uk/celebrationday/index.html or call 0845 458 3505.

Trees for Life’s awards include UK Conservation Project of the Year, Millennium Marque, Top 10 Conservation Holidays worldwide, Glenfiddich Spirit of Scotland Environment Award (2012) and RSPB Nature of Scotland – Outstanding Contribution to Nature Award (2013).

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Apr 112014
 

whisky kisses duncan harley edWhisky Kisses – A musical Glenigma which has matured nicely. Reviewed by Duncan Harley.

When the Scottish musical comedy Whisky Kisses came to Aberdeen’s Lemon Tree in 2010 it shone out as a production full of humour, energy and in the end some romance.
Described as a musical Glenigma and a battle for the bottle it came across to the Aberdonian audiences as a thoroughly enjoyable and truly Scottish musical starring amongst others Masashi Fujimoto of Mr Banzai fame.

The creators – Euan Martin, Dave Smith and Edinburgh based composer James Bryce all have a strong artistic connection with the Granite City and many Aberdonians were hard pressed to find a ticket for the first run.

Now chosen by those who know best in Scottish Arts such as Sir Cameron McIntosh’s Highland Quest, Whisky Kisses has been selected as the flagship show in Pitlochry Festival Theatre’s Summer Season for 2014.

Whisky Kisses is a hilarious musical show about a rare and ancient single malt whisky called The Glenigma and only one bottle of the golden nectar remains in the entire world.

The bidding race is on to decide who in the world will own it. A battle for the 100 year old bottle set in a beautiful remote highland distillery is on course. What could possibly go right?

Featuring Ben’s gay secretary Jeff plus Duncan and Lachie the two loyal distillery workers and a Mr Yomo of Japan the production is an absolute hoot from start to finish.

As with all Rightlines Productions however, there is a deeper message which in the case of Whisky Kisses is the question of how to live with heritage, how to share it, and how to enjoy it; while also knowing when to let it go, and to stop living in the past.

With hits such as “The Accidental Death of an Accordionist” and “Watching Bluebottles” the Rightlines team are on a winning ticket with this new production of “Whisky Kisses” and four years on from the original run, Whisky Kisses – like all good malts – has matured nicely.

Tickets are available from the box office at boxoffice@PitlochryFestivalTheatre.com and the 40 night run starts on May 23rd 2014.

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