Mar 022017
 

Aiblins – New Scottish Political Poetry. Reviewed by Duncan Harley

Conceived on the back of the September 2015 post-referendum conference Poetic Politics: Culture and the 2014 Scottish Independence Referendum, One Year On at the National Library of Scotland, Aiblins is an anthology of recent work by a diverse range of poets all with connections to Scotland.

Co-edited by Katie Ailes and Sarah Paterson the publication presents as a snapshot of the myriad issues concerning Scotland’s poets today.

The poems are written in many styles and address topics as diverse as Indyref and the decaying remnants of Empire.

With a foreword by Professor David Kinloch and an after-word by New Generational poet Robert Crawford, the collection is firmly book-ended. While David reflects on the contribution Scottish poets are making to the “tumultuous, rapidly evolving nature of contemporary Scottish politics” Robert presents the bard’s dilemma: No poet should be obliged to engage with politics. All poets should be free to do so.

Hugh McMillan’s September 2014 neatly summarises the pro-pre-referendum atmosphere:

‘I am the only person here,
this heady day,
And I am balancing the sun
on one finger,
holding everything at bay
for a dream.

And, in what may be post-referendum mode, The Chair by Glasgow playwright Chris Boyland, reflects on:

‘this little girl who’d sat on the chair and
gone around in it, wherever it went.
But no-one could recall her face or,
when we thought about it, who she was
or even if she’d really been there at all.

My personal favourite is by Orcadian Harry Giles: All the verbs from Glasgow City Council’s New Proposed Management Regulating Public Parks … An Elegy. Even that Glasgow Dreamer, Ivor Cutler, couldn’t have made it up.

Intended to reflect on and record tumultuous events which have taken place alongside our borders in recent years, Aiblins is, says contributor Stewart Sanderson,

“Like Scotland, slightly synthetic and in a state of indecision.”

The reader alone will decide whether the collection is truly worthy of the publisher’s claim that it captures the importance of the arts in shaping modern politics.
Aiblins reflects a wide diversity of views expressed in English, Scots and Gaelic but not in Doric.

Indeed, apart from Mandy Macdonald’s Overheard on a bus in Aberdeen, it’s almost as if the North east portion of Scotland has silently drifted off into the North Sea.

Aiblins (130pp) is published by Luath Press at £8.99   ISBN: 9781910745847  

Words © Duncan Harley , Cover image © Luath Press. First published in the February 2017 edition of Leopard Magazine.

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Oct 272016
 

ally-begg-bookBy Red Fin Hall.

What’s the connection between a failed football player, a member of a successful 90s boy band and a TV presenter turned TV producer? The answer: Ally Begg.

Ally was brought up in Newburgh, had trials with Aberdeen FC, was a member of Bad Boys inc, and worked as a presenter on various sports TV channels before landing his current position as producer on beINSPORTS in Qatar.

His book, Begg To Differ, is the fascinating account of his life where everything always comes back to football.

It is an absolute fans’ view of the game, albeit a fan with some notable connections. Like Sir Alex Ferguson.

It is the story of his childhood growing up in the outskirts of Aberdeen and his pestering of his father to go to watch his favourite team, a team that was always at the forefront of his mind, even when he was working for one the rival teams’ television station.

He expresses his dis-satisfaction of the way his music career was handled and his decision to quit the business altogether.

How he deals with a catastrophic leg injury and its long term effect on his life, makes you cringe. Not by the writing but by the excruciating pain he has had to suffer.

The book deals with the ups and downs in his life without asking you to feel sorry for him, and subsequently his contentment in life, being married with a child. 

All in all, it’s a fine read, a giant step away from the usual football related tomes. Well worth investing your money in.

More comments on Begg to Differ here.

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Sep 162016
 

image1aBy Fin Hall aka The Man In Red.

Some time ago I wrote about the fanzine, The Red Final. First published in May 1996 on the opening of The Richard Donald Stand at Pittodrie.
Now as the club stands on the verge of moving to to Kingswells, and the new Kingsford Stadium, the fanzine, stands on the precipice of disappearing from existence.

The publication which has been run wholly on a voluntary and non profit basis for the whole of its lifespan has, in all that time, had only two editors. the first being Chris Gavin.

Known by many as Old Beach Ender, or OBE, Chris could always be seen sporting his well worn, brown leather jacket as he stood outside the football stadium, selling the latest issue of the fanzine he started, for only £1.

When he was offered a position as a non-executive director on the board of Aberdeen Football Club, and the fans’ representative therein, he relinquished his editorial position to a younger and very keen contributor, Chris Crighton – aka ‘Merkie’.

The moving of OBE onto the board was a sign that fanzines were valuable voices of the fans, and were to be taken into consideration.

Merkie has taken this acceptance a step closer. He has a column in Aberdeen’s award winning matchday programme, and writes a post match opinion piece in the Press and Journal also.

Some of the contributors have been with the Red Final since it’s early days, and even contributed to it’s predecessor, The Northern Light which is still fondly remembered by those of us of a certain vintage.

Twitter, Facebook, and online Blogs may have given the fans more options on voicing their opinions, but this has not had too much of an direct impact on sales. It still sells around 2,500 copies when it hits the streets, which in itself is reasonable enough readership.

It has also been available for years via subscription and, more recently, online as a download. After all these intervening years it still sells for the same price – £1.

No, the problem comes not with sales nor with articles, although the editor’s inbox is never as full as it used to be, or as he would like; but with actually getting it onto the streets and into the hands of the ever keen public.

As I stated previously, some of the contributors have been with it since the nineties, and are not getting any younger. Ill health as well as age keeps some of them off the street corners, although with this latest issue, number 125, some have come back out to lend a hand.

Not all of the writers live in the city. The Editor himself, who usually has much more than one item in, lives in the central belt. I know, I know, we feel sorry for him, but it’s his choice. One even lives in Germany. So it has been down to just two sellers in recent times.

Despite numerous, pleading requests from Merkie via the aforementioned online vehicles, no fresh blood has volunteered to get down Pittodrie way on match days to help sell it.

When the move to Kingswood comes about, it would seem the logistics of distribution may well be impossible. It’s difficult enough at times as it is.

It may well be that when the remaining copies go on sale at the St Johnstone cup game next week, and the first ever game against The Rangers on the 25th, (if there are any left) it will be for the last time ever.

The final decision has yet to be ascertained. It is Scotland’s longest running fanzine, and, as far as I am aware, the only one in the country still going – but not for long. I personally will mourn it’s loss, being one of the older writers on it.

Sad days indeed.

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Jul 292016
 

Aberdeen in 100 Dates Elma McMenemy book launch2By Duncan Harley.

Aberdeen’s Gordon Highlander Museum was the setting for the launch of Mearns author Elma McMenemy’s new book ‘Aberdeen in 100 Dates’.

A professional Blue Badge Tourist Guide, Elma has more than 30 years experience of working with Scotland’s visitors and has built up a vast repertoire of tales showcasing the rich and varied history of both Aberdeen City and the hinterland of the North east.

Her previous book focussed on the often macabre and bloody history of Aberdeen and in this new collection of local tales Elma leads the reader on a journey through 100 of the key dates which have shaped the development of the city.

Aimed, as Elma explains, at “people who would not normally open a history book” the publication has already proved popular especially with fellow tour guides who plan to use it as a research tool when preparing guided tours around Aberdeen and the North east.

“Its easy to talk to a coach full of tourists” she says,

“but putting words down on paper is quite another thing. Aberdeen is such a brilliant and helpful place. No-one I have asked has so far refused to help me in my research!”

The book presents as a sound-bite tour-de-force of popular folk and historical tales. With one story per page and illustrated throughout with line drawings, there’s plenty to interest even the most informed reader and visitors unfamiliar with the North east will undoubtedly be tempted to delve deeper into many of the stories highlighted within the 124pp.

Dedicated to a godson “who loved all sort of trivia”, the 100 dates kick off with an examination of the arrival in Aberdeen of Christianity courtesy of St Machar, a 6th century disciple of St Columba. Given that each tale is restricted in length to approximately 230 words, the author manages to pack in a good amount of information and leads the reader quickly from St Machar’s arrival on Iona on to the miraculous tale of St Machar’s Well and the eventual founding of Aberdeen’s St Machar’s Cathedral.

On June 5th 1815 we learn that a large mob “not falling short of half a thousand, attacked the White Ship, a house of ill repute run by Meggie Dickie”. The military were seemingly summoned to arrest the ringleaders one of whom was transported for seven years. Resurrectionists feature in the story of another Aberdeen riot, this time dated 19th December 1831.

Seemingly a mob burned down the local anatomy theatre after discarded human remains were found nearby. Who said Aberdeen was a boring city?

Bloody Harlaw, the founding of Aberdeen Golf Club, the epic tale of the Scottish Samurai and the Royal connections of William McCombie and his prize Aberdeen Angus Bull, Jeremy Eric, feature alongside the “crushing defeat of Rangers in the 1982 Scottish Cup” and the tragic gas explosion which, in 1983, destroyed the Royal Darroch Hotel in Cults.

Aberdeen_in_100_Dates_coverThe two concluding stories are bang up to date and describe the charity auction of Aberdeen’s Dolphin Sculptures and the 2016 discovery of 92 bodies buried beneath Aberdeen Art Gallery. Art critics perhaps?

In short, from quirky to gruesome, there’s plenty here to interest everyone.

Inevitably in a work of this complexity there are debatable issues. Fitting 100 tales onto 124 pages is no mean feat. The Aberdeen typhoid description is a case in point and includes the oft repeated line that there were no deaths.

However given that most local histories mirror this notion, the contention is perhaps forgivable and the three folk who died as a result the epidemic will no doubt forgive the repetition.

A slight criticism is however due, regarding the lack of chapter headings or even an index. Apart from the chronology of year, month and date there is little to inform the reader regarding the content of each section and although Elma’s general introduction clearly sets out the parameters of the book’s historical context, the lack of a formal navigation structure restricts the reader to a dipping in and out approach.

Aberdeen in 100 Dates is published in paperback by The History Press at £7.99
ISBN 978-0750-960311

First published in the Summer 2016 edition of Leopard Magazine.

Feb 192016
 

Her Sisters giftDavid Innes reviews Her Sister’s Gift, Isabel Jackson’s debut novel.

Sunday Mail Fiction Prize winner Isabel Jackson’s debut novel is rooted in her grandparents’ experiences and developed by estimable creative skills into Her Sister’s Gift. It resonates with industrial Scotland’s working class pride, and its resilience in the face of hardships, as the twentieth century gave way to The Great War and daily struggles to survive.
Strong women and flawed but brave, hard-working men populate Her Sister’s Gift, and the author captures well the conflicts and anxieties that result from this accepted dichotomy, the engine of the novel.

Scarred emotionally by an early harrowing double tragedy, Isa Dick is an admirable heroine, who plots her own destiny, limited by the class system and gender inequalities of the time.

She is inspirational in her family circle and beyond, and is credible in finding inner strength to thwart, for the most part, the cruelties visited on her and those she learns to protect.

She is all our mothers or grandmothers. Yet those early psychological wounds never heal fully, with the obsessive protection of her own children and nagging guilt repressed since childhood, bringing their own traumas.

Where Her Sister’s Gift does fall down a little is when some passages feel over-written or over-detailed and in plot incidentals introduced, but not followed through. It would be interesting to have the effect of Isa’s out-of-the-blue religious conversion, or any outcome from the discovery of her father’s knuckleduster explored, for example. Some of the conversational exchanges too, could do with sharpening.

It’s a story well told, however, an excellent and evocative series of mini-dramas, psychological conflict and near-cinematic scenes of early twentieth century working class life. With more disciplined editing, further Isabel Jackson tales have the potential to be very worthwhile chronicles of lives and trials wherever and whenever set.

Her Sister’s Gift
Isabel Jackson
Black & White Publishing
310pp

£7.99
ISBN 978-1-78530-010-3

Jan 212016
 

By Duncan Harley.

Book_Cover_Douglas_Harper_Rivers Railways, Ravines

River, Railway, Ravine by Douglas Harper. A well researched and engaging publication.

At 164pp and profusely illustrated with both period and contemporary images Douglas Harper’s new book examines both the provenance and the history of the patented, made in Aberdeen, Harper and Co rigid suspension bridge.

Until now little documented, the Harper bridges were among the first suspension bridge designs – not to be confused with the ‘Shakkin’ Briggies’ well known in the NE – to employ steel wire rope in order to form a relatively rigid and therefore highly functional bridge.

Harpers manufactured over sixty such bridges for export throughout the British Empire between 1870 and 1910.

Douglas, a direct descendant of the original bridge engineers, has spent over a decade researching the company’s innovative designs and seeking out surviving examples.

The mid 19th century was a period of rapid industrial growth both in the north east of Scotland and throughout the British Empire. The boom times of railway expansion had opened up new markets and stimulated engineering innovation on a scale rarely seen before.

From humble beginnings supplying the likes of the Great North of Scotland Railway’s seemingly insatiable demand for cast iron fence posts and level-crossing gates, Harpers’ were soon exporting caste-iron pre-fabricated pedestrian suspension bridges right across the globe.

Engineered and manufactured in kit form at their Aberdeen foundry and using innovative techniques gleaned from long experience in the designing of fences, Harper’s products required little local engineering expertise to either assemble or construct, making them popular choices in developing countries. These instantly recognisable and iconic bridges – with spans of up to 91m – provided many decades of service in places as diverse as Nepal, South Africa and even the Falkland Islands.

In his book Douglas details over 60 of Harper’s bridges including those erected in the UK, throughout the Empire and also in Estonia. Several are, he writes, still in use including one on the River Muick at Birkhall and another on the River Feugh at Banchory.

This is a well researched and engaging publication and quite literally a riveting read!

Sources include records held by Aberdeen Maritime Museum, the Harper Archive at Aberdeen Museum and Robert Gordon University. Written with the general reader in mind, Gordon’s book will also appeal to engineering enthusiasts and many historians.

River, Railway and Ravine is published in hardback by The History Press at £20

ISBN 978-0-7509-6213-1

First Published in the November edition of Leopard Magazine

Dec 082015
 

The University of Aberdeen’s Elphinstone Institute has launched the 2016 Toulmin Prize, with a cash prize of £500 for the winning entry. Courtesy of Leopard Magazine.

David_Toulmin2The competition, now in its eighth year, commemorates the work of one of the North-East’s finest exponents of the short story. John Reid (1913-1998) was an Aberdeenshire farm labourer from Rathen, near Fraserburgh, who spent most of his life working long hours for very small rewards.

In odd moments, he jotted down short stories, character studies and bothy tales.

Eventually, as David Toulmin, he had a few articles printed in local newspapers. The first of his ten books was published when he was 59.

The books consist mostly of short stories and reminiscences, with his one novel, Blown Seed, painting a harsh picture of farm life.

In the later years of his life, Reid moved to Pittodrie Place, Aberdeen, and later to Westhill. He was awarded an honorary degree by the University of Aberdeen in 1986.

The Toulmin Prize is open to all amateur writers over the age of 16. The short story, up to 4000 words in length, should be concerned with some aspect of life in North-East Scotland and may be written in Scots, including Doric, or English, or a mixture of the two. Previous prize-winners cannot submit an entry.

In addition to the cash prize, the winning entry will be published in Leopard Magazine and subsequently featured on the website of the Scots Language Centre.

The award for the best entry will be made at the University of Aberdeen’s May Festival 2016, when the winning story will be read aloud by the well-known North-East writer, Sheena Blackhall.

Emeritus Professor Ian Russell, former director of the Elphinstone Institute at  the University of Aberdeen, says:

“We’re proud to be able to honour John Reid and his work in this way. His writing is powerful, evocative and witty, and he is one of the finest exponents of writing in the North-East. We have had a terrific response to the previous competitions and the standard of entries has been superb.”

The closing date for entries is the 31st  March 2016. For entry details and a form, please visit: https://www.abdn.ac.uk/elphinstone/public-engagement/toulmin.php

Text and photo courtesy of Leopard Magazine.

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Mar 272015
 
Martine Nouet food2

Martine Nouet is leading three malt whisky themed cookery demonstrations at the Spirit of Speyside Whisky Festival.

With thanks to Esther Green, Tricker PR.

From cheese to champagne, France is famous the world over for its food and drink – but now a French food writer is ensuring Scotland’s finest food and drink receives the recognition it deserves during the Spirit of Speyside Whisky Festival.

French-born journalist Martine Nouet has been writing about food and drink for more than 25 years.

And while the nation of her birth is famed for its fine wine and champagne, Martine has developed a passion for whisky, so much so that she has become known as the Queen of the Still.

On her first visit to Scotland two decades ago, she visited Tamdhu Distillery on Speyside and became so fascinated by the distillation process, the aromas and the culture and heritage behind making malt that she fell in love with the ‘water of life’.

She now lives in Scotland, on the island of Islay, and her love of drams and her talent for cookery has seen her become widely regarded as a specialist in matching food and whisky.

Martine has an international reputation in the world of food and drink and is looking forward to sharing her skills with audiences during the upcoming Festival.

She is leading three demonstrations showing just how well whisky can be used as both an accompaniment and an ingredient to both sweet and savoury recipes.

Her from glass to plate Cooking with Malt Whisky Demonstrations take place at the Oakwood Cookery School, Elgin, on Friday, May 1. Each lasts for an hour and a half, starting at 10am, 1pm and 3pm. Each session costs £20 and tickets are available now on the Festival website.

Martine believes that whisky goes so well with food because of its very special flavours and characteristics.

She says:

“Whisky has such a wide and complex array of aromas and tastes, as much, if not more, than wine and when paired with food, the two bring out new flavours.

“I’m giving three cooking demonstrations as I’d like to show people easy to reproduce recipes and show that whisky at the table is a great sensory experience. The people attending will of course taste the dishes: a seafood starter, mushroom risotto for the main and a quince jelly, pear and ricotta dessert.

“The festival helps visitors learn or develop an interest in whisky and the aim of my cookery sessions will be to harmoniously mix entertainment with education.”

Martine is also hosting a vintage dinner on Saturday, May 2 with Ronnie Cox from Glenrothes in Rothes House, as well as being part of the Victorian Picnic in the gardens of Glen Grant distillery on Sunday, May 3.

Spirit of Speyside Whisky Festival runs from Thursday, April 30-Monday, May 4 2015. Check out www.spiritofspeyside.com for up-to-date news and follow the Festival at www.facebook.com/WhiskyFestival or www.twitter.com/spirit_speyside

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Mar 202015
 
John Reid - Toulmin Prize Credit Leopard Magazine

John Reid – Toulmin Prize. Credit: Leopard Magazine

Courtesy of Leopard Magazine.

The University of Aberdeen’s Elphinstone Institute has launched the 2015 Toulmin Prize, with £500 up for grabs for the winning entry.

The competition, now in its seventh year, commemorates the work of one of the North-east’s finest exponents of the short story.

John Reid (1913-1998) was an Aberdeenshire farm labourer from Rathen, near Fraserburgh, who spent most of his life working long hours for very small rewards.

In odd moments, he jotted down short stories, character studies and bothy tales. Eventually, as David Toulmin, he had a few articles printed in local newspapers.

The first of his 10 books was published when he was 59. The books consist mostly of short stories and reminiscences, with his one novel, Blown Seed, painting a harsh picture of farm life. In the later years of his life, Reid moved to Pittodrie Place, Aberdeen (later to Westhill) and was awarded an honorary degree by the University of Aberdeen in 1986.

The Toulmin Prize is open to all amateur writers over the age of 16. The short story – up to 4000 words in length – should be concerned with some aspect of life in North-east Scotland and may be written in Scots, including Doric, or English, or a mixture of the two. Previous prize-winners cannot submit an entry.

In addition to the cash prize, the winning entry will be published in Leopard Magazine and subsequently featured on the website of the Scots Language Centre.

The award for the best entry will be made at the University of Aberdeen’s May Festival, when the winning story will be read aloud by well-known North-east writer, Sheena Blackhall.

The closing date for entries is 31 March 2015. For entry details and a form, please visit: www.abdn.ac.uk/elphinstone/events/toulmin/

Text and photo courtesy of Leopard Magazine

Nov 182014
 

Youth and Age in The Old Curiosity Shop: Nell as an abused child was the theme for November’s local Dickens Fellowship meeting. Our great friend and University of Aberdeen alumnus Professor Grahame Smith introduced the subject, admitting that his is very much a 21st century interpretation of the novel which divides Dickens’s readers most. By David Innes.

TOCS coverGrahame argued that critics, including Huxley and Wilde, who derided The Old Curiosity Shop missed the novel’s intensity in their dismissal of Nell as an over-sentimentalised caricature.

Rather, our guest argued, she is an innocent abroad in an immoral world, although signs are there that she is just a normal child with typical childlike attitudes and reactions.

Whilst not streetwise, she is no innocent, even shown laughing at life’s absurdities in the early part of the novel.

Nell’s downfall, we were persuaded, is almost-wholly due to extraordinary external pressures on a character too young and undeveloped to bear burdens that would have been extremely stressful on a well-adjusted adult.

Quilp’s incessant stalking lechery, her grandfather’s gambling addiction, neglect and his dereliction of all paternal responsibility, and the horrors of industrial Britain laid bare as she and her grandfather journey away from their immediate metropolitan troubles, all conspire to break the child’s spirit.

Grahame drew parallels with Little Dorrit in both young characters’ methods in dealing with their elders’ fantasy worlds. In Nell’s being failed by the adult world, there are parallels with Bleak House. Nell’s ‘loathing of food’ and her being ‘too tired to eat’, it was suggested, hint at anorexia, a recognised clinical condition unknown in 1841.

The lively discussion which followed Grahame’s thought-provoking talk engendered further thoughts on the abusive nature of Quilp’s relationship with his wife and mother-in-law, and the role reversal in modern society where children protect and manage families in which parents are drug addicts or alcoholics, to keep family together and to provide a veneer of normality amid chaos.

The odd narrative structure, the clumsy (some might say) device Dickens used to flesh out what was originally a short story, was also explained and dissected during a fascinating evening in expert and inspiring company.