Aberdeen Campaign For Nuclear Disarmament invite you to enjoy with us an evening of
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Complimentary mulled wine and mince pies provided
Doors open 7pm for a 7.30pm start
For more info contact Sally at: sally@hjke.org
With Thanks to Linda Allan.
This all came about when Riki Gohrbrandt one of the German Jazz Group, found an outlet for her musical talent by singing with the Aberdeen Chorus in her spare time while working for a year as a Foreign Languages Assistant in Aberdeen.
She enjoyed the experience so much, and had become such firm friends with the singers, that she was determined to keep up her links with the Chorus and encourage her fellow singers in the Jazz Group to consider a trip to Scotland culminating in a joint concert with her musical friends from last year.
Several months and many reams of emails later, this plan has come to fruition.
The Aberdeen Chorus – fresh from their success at the Edinburgh Fringe and their Show in the Music Hall Aberdeen – is soon to play host to the group of 25 talented singers from Dresden, and provide accommodation with lots of sightseeing opportunities, culminating in two concerts in the Banchory area.
On Monday 3 October at 7:30pm the two groups will make music together in Peterculter Church. Both groups are particularly excited not only about the chance to hear each other, but also the chance to perform together as one and demonstrate to audiences what is so near to all singers’ hearts in the lyrics of “Why we sing” with its echoes of “Harmonise the World”.
On Tuesday 4 October at 7:30pm, Riki will sing with her group Conference-of-Swing at the Woodend Barn Banchory. 4 Quartets from the Aberdeen Chorus, Vocal Zone, Shindig, Chimaera and Singularity are also excited about sharing the stage then and this promises to be an entertaining and very harmonious event.
Tickets £8(£6) for the Peterculter Event from Peterculter Church, Riah Hair Design, Bridge St. Banchory, Kathy Davis 01330 823967, and at the door.
Tickets £10 (£8) (£5) for the Wooded Barn Event from The Woodend Barn Box Office 01330 825431, from the Website www.woodendbarn.co.uk, and at the door
Aberdeen Chorus of Sweet Adelines, one of the most successful medal-winning Barbershop choruses in the UK, returned from Edinburgh recently – their third successive year there – hailing their show at the Fringe a triumph. Marketing and Publicity Officer Linda Allan tells us more.
Now Aberdonians will also get a chance to see these intrepid women display their pirattitude as Adventure On The High Cs will form part of their show in the Music Hall on Friday 16 September at 7:30pm.
Audiences will be treated to a very varied performance, with glimpses of Abba, flashing cutlasses, Gilbert and Sullivan, humorous ditties, and traditional Scottish airs, including a very special arrangement of The Northern Lights.
Sharing the stage this year will be the local successful trio of Fifth Dimension with their special blend of magic and humour which is sure to engage and astound the audience. Spectators will also be treated to enthralling performances by dancers from the very successful Sharon Gill School of Dance.
Tickets £12 (£10) are available from
Aberdeen Box Office on 01224 641122
www.boxofficeaberdeen.com
In addition to their Music Hall show the chorus is offering a free 4-week singing course to women. These lessons will take place on Mon 24 Oct, Mon 7 Nov, Mon 21 Nov, and Mon 28 Nov 2011 at 7:30pm in the Britannia Hotel, Bucksburn.
Participants will receive tuition on breathing and posture, vocal production and performing skills in a warm and friendly atmosphere. All course materials – music and learning CDs will be provided – there is no need to be able to read music – but you need to enjoy singing!
For more information contact us via the website www.aberdeenchorus.co.uk
Last week’s Voice featured Aberdeen entertainment icon Sid Ozalid, his life, his act, his impact, the release of his new book, and news of ‘not to be missed’ performances in the city. Well, If you did happen to miss out on catching Sid live on Friday and Saturday, then fash yersel not – this week we present a brief account of the missed mayhem, and a poem from ‘Mr Elastic Brain’.
Sid Ozalid jetted in from Sunny Amsterdam last Friday for a whistle stop tour of Aberdeen to promote his fab new book ‘Mr Elastic Brain – The Life and Poems of Sid Ozalid’.
The previous week he had done three gigs in London and the week before that three gigs in Holland, so he was keen to make it a hat trick and do three gigs in Aberdeen.
This meant two gigs on Friday night and a book signing/performance at 1UP on the Sat afternoon.
Below –
Sid Ozalid performs ‘Tartan Underpants’ accompanied by Dave McLeod.
Lots of people made one gig, a few brave people made it along to two gigs, but apart from Sid and his lovely wife only one person made it to all three: a Mr Colin MacLean who had driven up from the Kingdom of Fife to see Sid after an absence of 26 years.
Colin and Sid had performed together in 1977 in one of Aberdeen’s first punk bands, ‘The Enormous Snakes,’ and Colin had gone on to work with Sid as one of his All-Stars over a number of years, taking in the Edinburgh Festival and supporting The Clash at Inverness Ice Rink.
The first two gigs sizzled with professionalism, wit and dancing. The 24 year-old MC at Geesalaff Comedy Night, Miss Anna Devitt said:
“I was exhausted just watching; he was non-stop, how can someone this old have so much energy? My mum is a big fan and told me to get one of his books, the book truly is amazing, so I told mum to get her own copy.”
The third gig at 1UP, the sole suppliers of Sid’s book in Aberdeen, was the most surreal by far.
Sid performed ‘Salvador Dali’s Hat’, ‘Three Fat Ladies at the Bingo Hall,’ and thrashed himself with a daisy — but nothing had prepared him for two drunk shoppers and a man in an electric wheel chair.
The drunk shoppers really giggled at Sid’s antics, but thought nothing of standing next to him flicking through CD’s and asking his opinion on Hip Hop and Jazz classics.
Sid took all of this in his stride and was set the extra challenge of being nimble on his feet when the electric wheelchair man was so taken by the performance he decided to join in, whizzing to the stage and joining Sid on the first electric wheelchair elastic brain dance routine ever seen in Aberdeen. Sid may well have been the dance teacher to the Queen at one time in his life, but nothing had prepared him for this!!
Some nice people had ordered Sid’s book from Amazon and brought it along to be signed, and other nice people bought copies of the book at 1UP, and there then followed a good half hour of chatting and book signing.
A special mention must go to Fred Craig of 1UP who had brought along one of Sid’s original book/records from 1982 ‘Songs and Stories from a Suitcase Extravaganza.’ Fred wanted this signed, and in return Sid was rewarded with a well deserved cup of tea.
With all profits going to MIND for better mental health Sid was a happy man.
http://www.mind.org.uk/
They are groovy they can dance
They can put you in a trance
That’s my tartan underpants
Tartan underpants ooh
Tartan underpants ooh
You can use them as a tent use then as a hanky
One thing is sure there’s never hanky panky
In my tartan underpants
Tartan underpants ooh
Tartan underpants ooh
I don’t drink whisky don’t eat haggis
Go to bed with a girl from Paris
In my tartan underpants
Tartan underpants ooh
Tartan underpants ooh
My pants are funky they know what to do
Goodbye boxer shorts it’s the Y Front crew
That’s my tartan underpants
Tartan underpants ooh
Tartan underpants ooh
I’m a boring old folk singer
Philip is my name
My mother is a miner
My sisters on the game
I’ve a face like a scrotum
Wear an Arran jersey
Nobody likes me
I’ve got bad breath
Claymore !!!
My old sheep ran away
my dog is very angry
He hasn’t slept all week
And likes a drink of shandy
Ben Nevis !!!
By Fred Wilkinson.
The year is 1979. I am at Aberdeen’s 62 Club to watch a selection of local punk bands, and my attention is drawn to an unfamiliar name on the bill.
Sid Ozalid? A band? A guy? Pretty punk if slightly strange kind of a name though, which for an 18 y.o. punk diehard was somehow reassuring.
On stage appeared a tall, skinny, slightly weird-looking guy with no guitar. Not punk – not punk at all, which in the circumstances was all the more intriguing.
What happened next was somewhere between seeing the light and being scarred for life.
Out of a sudden discharge of nervous energy came an onslaught of surreal, silly verse spliced seamlessly with a bunch of broken anecdotes delivered at a pace leaving no pause for appraisal; accompanied by incongruous, disjointed, directionless dance moves which somehow worked – they must have worked, as somehow, he stayed on his feet.
Then it was over. I had not moved. I was still staring at the empty stage, and I remember thinking: “I hope no-one asks me what I made of Sid Ozalid.” Devoid of reference points, my thoughts were a long time coming. Yes, I found it funny, and yes I was immensely entertained – I just didn’t know why! Neither punk nor Python, neither Cutler, Cooper nor Cooper-Clarke, Sid Ozalid certainly breathed the same air, but did not walk on the same planet.
Would I perhaps find a clue to understanding what made Sid tick from his publicity around at the time? –
“Legend has it that Sid Ozalid was born sometime during an eruption of earwigs.
“Sid arrived on earth from the planet OZ in the year 1898. His spaceship was disguised as an old brown suitcase that was full of inflatable toys.
“During this period he specialised in walking backwards into hat stands.
“Six years later he split from Flying Ozalids to form Sid and Sam the Ozalid Twins. This dynamic duo thrilled audiences with their routine entitled ‘The First pickled Onion in Orbit’, but alas this too came to an abrupt end due to lack of cupboard space”
– Alas, No.
Fast-forward to the following evening.
Three troublesome fat ladies, a conductor named Russ and a womanising fire raising tortoise had taken up permanent residence in my consciousness, and it seemed that the only way to exorcise these delightful demons, and at the same time come to terms with the experience was via demonstration to the uninitiated.
And so there I was outside with my brothers and sister and a few chums, recounting those fragments of verse I could recall whilst attempting in vain to recreate those unique ‘dance’ moves.
Perhaps an observer of the ‘lite’ version would be better placed to help me understand what it was about Sid that had so affected me. No chance. They stood – as I had stood, and stared – as I had stared, and laughed. That evening, each time another chum arrived in our company came the call:
” Hey Fred, go dae yer Sid Ozalid, watch ess, it’s really funny “
The previous evening Sid had performed for around 15 minutes. Twenty four hours later, I must have performed twice as long armed with only about 30 seconds of Sid’s material. More than once, passers-by stopped on the other side of the road … then moved on when they ascertained I was not in need of medical assistance.
As I look back I realise this was a solid indication that Sid Ozalid would be around for some time to come, and would become, if not a legend, definitely an icon of the Aberdeen Entertainment scene.
I was not the only one for whom Sid Ozalid presented an enigma:
” he auditioned and was invited to perform on two different talent shows. Once again the producers liked what Sid was doing but did not know how to describe him. They settled for ‘eccentric’. ” – Douglas John Mclean Cairns
Thirty two years on, having enjoyed many more of Sid’s performances, yet being no closer to understanding exactly how to explain what it is about Sid Ozalid’s act that entertains, amuses and excites me, I find myself charged with the task of reviewing his brand new book:
“Mr Elastic Brain – The Life And Poems Of Sid Ozalid”.
Having just finished reading it, I find myself desperate to tell everyone to go get themselves a copy as soon as possible, but as with my impression of that first performance, I struggle to articulate why it will be worth more to you than a tenner. But I will try.
These days, I know Sid Ozalid by his not so ‘pretty punk, and kinda reassuringly strange’ name Douglas Cairns …. which is actually more reassuring.
So, where to start?
This is an autobiographical book in four parts, about Sid Ozalid, written by Douglas John McLean Cairns. Or is it? As with all things Sid Ozalid, it is the equivalent of an ‘any-way-up’ cup as the first part of the book demonstrates.
Even to someone as familiar with the writer as I am, It startles me to discover that the madness which fuelled the performances of Sid Ozalid and brought so much pleasure to many also had an alter ego in the shape of a mental illness which had a devastating effect on Douglas Cairns for a period in 2001 – and as a consequence, all but put an end to Sid.
“People had always told Sid he was mad. He thought they were joking until the dawning of the new millennium, suddenly he had a doctor’s certificate to prove what people had been telling him for years.” – Douglas John Mclean Cairns.
Here it is we find – in between some hilarious stories of Sid’s outrageous antics and adventures – an honest account of the extent of Douglas’ illness, punctuated by humour of a nature that can only be explained in terms of Douglas’ story being written by Sid.
It is difficult to pinpoint where ownership of the pen changed, but what results is uniquely unsettling, and simultaneously entertaining. For Sid to joke about Douglas’ dark and desperate situation is surely to run the risk being regarded as sick … but then, at the pertinent time, they are both sick aren’t they?
I don’t have the recipe, but I am pretty sure the main ingredient is his ability to appeal to our inner child.
However, at no point does the humour mask the pain, the lighter asides serving only reinforce the severity of the debilitating condition by way of contrast. It is a brave piece of writing, sandwiched between hilarious tales of the more familiar and wonderful madness of The Artist Formerly Known As Sid Ozalid.
The major portion of the book’s contents is a collection of Sid’s wonderfully bizarre and humorous poems and songs which were the mainstay of his act from 1977 to the present day. Similarities with this material and that of Spike Milligan are impossible to ignore. However, to leave it at that would be to compare a wedding cake with a rowie on account of their flour content.
So am I any closer to putting into words what is the magical appeal of Sid Ozalid?
Well I don’t have the recipe, but I am pretty sure the main ingredient is his ability to appeal to our inner child.
Didn’t we all spontaneously giggle and cackle as babes in response to the simplest and the silliest of things? A pulled face? A silly noise? The poking out of a tongue? A sudden unexpected movement or gesture? Anything at all unusual yet unthreatening? When did we stop being so spontaneously and so thoroughly amused? Did we stop giggling, or did our adult entertainers decide our needs for entertainment lay elsewhere?
If nothing else, Sid Ozalid demonstrates that our inner child is still with us and desperate for a giggle, and the mere fact he knows our tickly spot is enough to make us all the more tickly.
If there should ever be an Aberdeen Entertainers Hall of Fame, Sid Ozalid will be there. He will be neither a statue in the foyer, a framed picture on a wall, or a prized prop or instrument in a glass case. The broom cupboard will be as good a place as any to start your search, but when you track him down he will be possibly be represented by that item described within the spontaneous lyrics of a similarly strange and hilarious Scots band.
” I’ll perhaps take a piece of white bread and I’ll paint it brown so you think it is brown but when you toast it it’s actually white for the paint falls off “ ( from the album Hairy Scalloween by The Pendulums. )
Footnotes.
Mr Elastic Brain – The Life And Poems Of Sid Ozalid by Douglas John McLean Cairns is published by Chipmunka Publishing which specialises in giving a voice to people with mental health and other issues.
“We campaign vigorously to create a society that promotes and protects good mental health for all – a society where people with experience of mental distress are treated fairly, positively and with respect.” – http://www.mind.org.uk/
Geesalaff Comedy Night
Friday, May 27 at 8:00pm
Cellar 35, Rosemount Viaduct
( Sid onstage around 21.00pm )
The Big Acoustic Night Out!/ Traditional Amplified Music Session
Friday, May 27 at 9:00pm
The Blue Lamp, 121 Gallowgate
( Sid onstage around 22.30pm )
Book Launch and Performance !!!
Saturday, May 28 at 4:00pm
1 UP Records – 17 Belmont Street
With thanks to Kylie Roux.
In collaboration with New Moves International, Peacock Visual Arts and Citymoves Dance Agency present ‘This Is Performance Art’ (TIPA), a four-day festival featuring some of the most exciting and influential performance artists in the world.
The festival includes performances, installations and a workshop, as well as an opportunity to meet the artists on their arrival into Aberdeen at a discussion chaired by Lindsay Gordon, Director of Peacock Visual Arts
Wednesday 16 February – Saturday 19 February, Various Locations
For more information, click This Is Performance Art’ (TIPA)
ALICIA BRUCE // Menie: a portrait of a North-East coastal community in conflict
Award winning photographer Alicia Bruce spent the summer of 2010 collaborating with residents of the Menie estate, an area of outstanding natural beauty and a Site of Special Scientific Interest (SSSI) situated 20 minutes north of Aberdeen. The residents’ homes are under threat of compulsory purchase as Trump International starts construction of a golf course, hotel and housing development with plans to re-name Menie ‘The Great Dunes of Scotland’.
The exhibition showcases a stunning array of photographic and moving image works that present a humane story about people and place – an observance of conflicted territory and those who inhabit it.
Ongoing until 26 February http://www.peacockvisualarts.com/archive/297/menie-a-portrait-of-a-north-east-coastal-community-in-conflict
ANITA JEAN STEWART // Mounthooly in May
Last May Mounthooly roundabout has a change of identity. Artist Anita-Jean Stewart, along with her trusty mobile studio, took up residency on Aberdeen’s renowned traffic island bringing with her; shadow-shows, tea-parties, poetry, glitter-balls, gigs, hula-hoops and artist’s talks. Stewart successfully transformed the roundabout into a creative bubble for the month of May, the results of which can be seen at Peacock Visual Arts in January. So if you missed out last spring – there’s another chance to relive the excitement of Mounthooly in May.
Ongoing until 26 February http://www.peacockvisualarts.com/archive/298/mounthooly-in-may-anita-jean-stewart
TASTE BUDS // Jay Koh + Chu Yuan
Sweet, sour, bitter, salty, pungent…what does each taste evoke for you? Artists Jay Koh and Chu Yuan invite you to join them in this public participation art project to discover the multi-dimensions of tastes. They will be at Pad Thai café in the Aberdeen Market every Tuesday and Thursday afternoon, from 8 February – 3 March, to discuss the diversity of different tastes.This project is part of a Cultural Diversity Fellowship by Peacock Visual Arts with support from Creative Scotland.
Tuesdays & Thursdays until 3 March , 1.30pm – 4.30pm, Pad Thai Cafe, Aberdeen Market http://www.peacockvisualarts.com/archive/300/tate-buds-jay-koh
Screenprinting Weekend Workshop with Ailsa McWilliam
Explore the possibilities of this colourful, graphic and immediate approach to making repeat prints. No experience is necessary – just a few images and a bit of creativity.
Saturday 19 & Sunday 20 February, 10am – 4.30pm, £130/95 conc.
Call 01224 639539 or email info@peacockvisualarts.co.uk to book.
Etching Weekend Workshop with Michael Waight
Learn the techniques and processes that are involved in the traditional art of etching. No experience necessary.
Saturday 19 & Sunday 20 February, 10am – 4.30pm, £130/95 conc.
Call 01224 639539 or email info@peacockvisualarts.co.uk to book.
Photo Etching Weekend Workshop with Michael Waight
Ideal for those with some etching skills. It will show you how to work with transparencies, photographic or hand drawn, and to work in more direct and playful ways with the plates you make.
Saturday 5 & Sunday 6 March, 10am – 4.30pm, £130/95 conc.
Call 01224 639539 or email info@peacockvisualarts.co.uk to book.
Fiona Soe Paing is a half-Scottish, half-Burmese composer, producer and vocalist based in Aberdeenshire. She creates ‘skeletal, off-world electronica’, based around minimal beats and interesting synthesiser noises. With a beautiful and unique voice and a full range of visuals, live performances are fascinating and compelling experiences which have earned rave reviews from all corners of the music and art world. Her haunting vocal melodies are sung sometimes in English and Burmese but are also supplemented by an invented No Man’s Language, with phonetics created purely for creative purposes. Continue reading »