May 052016
 
RURA

RURA. One of the most exciting folk-based bands to emerge from Scotland in recent years

With thanks to Bob Buchan.

Live Act of the Year at the 2015 Scots Trad Music Awards, RURA will appear at The Lemon Tree on Monday 16th May.

With their second album, Despite the Dark, accompanied by extensive UK and international touring, RURA have well and truly reinforced their reputation as one of Scotland’s most powerful folk-based bands.

Their exquisitely rugged, yet refined, blend of fiddle, Highland pipes, whistle, flute, bodhran, guitar and voice has proven a resounding hit across the board.

The five-piece’s fire first ignited in 2010, as award-winners at Glasgow’s world-renowned Celtic Connections festival, where they have now appeared on a remarkable seven consecutive occasions.

Since then, Steven Blake, Adam Brown, David Foley, Adam Holmes and Jack Smedley’s powerful instrumentals and haunting songcraft has been a highlight of many of the world’s leading folk festivals – including Cambridge, Tønder, Winnipeg, HebCelt and Shetland, amongst countless others.

They are undeniably one of Scotland’s most sought-after, universally appealing acts. One listen – live or recorded – and it’s easy to see why.

“one of the most exciting bands on the Scottish folk scene” – Songlines (5 stars)

“accomplished musicianship, expressive vocals, flawless composition…supremely impressive” – FolkWords

“genuinely stirring stuff… there’s something very exciting about RURA” – Fatea Magazine

“a brilliant fusion of the old and the new” – The Herald

“Despite the Dark is a truly remarkable album… Rura are definitely heading in a huge direction.” – Bright Young Folk

“an album of its time for Scotland” – Folk Radio UK

“Rura are just what every festival needs. Barnstorming instrumentals and songs of exceptional quality. The Scottish music scene has never been stronger and these guys are right out in front!” – Bruce MacGregor, BBC Radio Scotland’s Travelling Folk

Despite the Dark Tour Dates – May, 2016:

13th May   Eden Court, Inverness. 8.00pm / Tickets £12 -£14 / Box Offfice 01463 234 234

14th May   Ullapool Village Hall. 7.30pm / £13 /
https://www.fatsoma.com/scottish-folk-promotions/et5l2d13/rura

15th May   Incheberry Hall, Fochabers. 7.30pm / £7.52 – £13.85 /
https://www.eventbrite.co.uk/e/the-arc-sessions-rura-tickets-21817495717

16th May   The Lemon Tree, Aberdeen. 7.30pm / £14.20 incl bf / 01224 641122

17th May   The Mash House, Edinburgh. 8.00pm / £13/
https://www.eventbrite.co.uk/e/rura-edinburgh-tickets-21406179459

18th May   The Atkinson, Southport. £10-£12 + £1 bf / 01704 533 333

19th May   Theatre Severn, Shrewsbury. 8.00pm / £15 / 01743 281 281

20th May   Shepley Spring Festival /
http://www.shepleyspringfestival.co.uk/tickets-2/

21st May   Otley Courthouse, Burley in Wharfedale. 8.00pm / £11-£13 / 01943 467466

22nd May   The Convent, Stroud. 8.00pm / £11.25 incl bf / 01453 835 138

23rd May    Colchester Arts Centre, 7.45pm / £10-£12 / 01206 500 900

24th May   The Witham, Barnard Castle. 7.30pm / £12 in advance–£14 on the door
Tel. 01833 631 107

25th May   Eastgate Arts Centre, Peebles. 7.30pm / £12-£14—£6 (schoolchildren)
Tel. 01721 725 777

26th, 27th, 28th & 29th May   Orkney Folk Festival.
http://www.orkneyfolkfestival.com/tickets/

Much more info at www.rura.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 222016
 

Hamish Napier’s debut album The River is now on general release. Duncan Harley reviews.

hamish-napier-the-river-1280For the past three years Hamish has
been Musical Director of big folk band Ceol Mor at Aberdeen International Youth Festival.

This year at Celtic Connections Ceol Mor celebrated the music of the North East with a programme of ballads, Scots songs, storytelling, and braw tunes by Scots fiddle and accordion legends of past and present.

What is the The River all about?

“Well,” says Hamish, “growing up next to the Spey, I spent many hours of youth practicing to the roar of the river in the background, so it’s always been there in my music.

“The River brings to the surface vivid sonic images of occurrences, past and present, along the mile-long stretch of the Spey that flows past my childhood home.

“One of my brother’s fishes it, the other canoes it, my Uncle Sandy photographed it, my mother paints it, and there’s my Father’s daily fascination with its erratically changing water level. It will always symbolize home and a strong connection to nature. No mortal’s relationship with the river can ever be truly harmonious, its ever-changing micro-climate, mysteriously dark depths and unrelenting power are both merciless and enchanting.”

The themes of The River range from the epic journeys of the Atlantic salmon to the river as home to local characters including fishermen, bailiffs, spirits and children. Hamish grew up on the banks of the Spey and spent many hours practicing to the roar of the river in the background

“Its always been there in my music … and brings to the surface vivid sonic images of occurrences, past and present,” says Hamish.

“For this piece I wanted to make use of all my musical resources … I am a huge fan of every one of the musicians on this project.”

Alongside Hamish on piano, clavinet and harmonium the album features Martin O’Neal on bhodran, Sarah Haynes on alto-flute and James Lindsay on base. Pitcaple born James was winner of the 2014 Martyn Bennet Prize for Traditional Music Composition.

Using backing vocals from natural sources including Oystercatchers, Heron and Curlew this is a groundbreaking album reflecting, says Hamish on the rivers “mysteriously dark depths and unrelenting power.”

A crackin’ album, The River is available from digital download stores and direct from Hamish at http://www.hamishnapier.com/

Apr 222016
 

BrewDog-AGM-1With thanks to Suzanne Kelly.

The AGM of irreverent Scottish brewery, BrewDog, was held at the AECC in Aberdeen this weekend.

6,000 beer fans savoured beers from the world’s leading craft breweries at the day-long event.

The meeting gave young founders James Watt and Martin Dickie a platform to unleash five new brews, and propagate their derision of big industrial beer companies Diageo and AB InBev by announcing an official change in their constitution, entrenching the brewery’s independence by passing a motion to ensure that BrewDog can ‘never be sold to a monolithic purveyor of industrial beer’.

The recently reported 2015 financial results from the craft brewery (an extract from which is included below) propelled it to number 10 in the Sunday Times Fast Track 100 companies, with a 3-year annual profit growth of 120%.

BrewDog reported a revenue increase of 51% to £44.7m in 2015, and a gross profit increase of 48% to £17m. Sales in the UK surged by 131%, making BrewDog the number one craft brewery in the UK.

Crowdfunding over the AGM weekend drew more than £600,000, tipping the total over £16m with one week still to go of Equity For Punks IV.

The 40,000-strong army of shareholders will be funding the building of a bigger brewery in Ellon, which will increase capacity fivefold, as well as launching BrewDog’s US brewery in Columbus, Ohio.

James-Watt-at-BrewDog-AGM

James Watt at BrewDog AGM

BrewDog is investing over $30m to build its brand new brewery Stateside to help meet the demand for BrewDog beers in America.

With a focus on expansion, BrewDog has also set its sights on new UK sites along with international ambitions.

Cathedrals of craft will be popping up in Norwich (set to launch this week), Southampton and York in the next couple of months alone.

BrewDog has raised more money through equity crowdfunding than any other company on record, and is famous for its boundary-pushing stunts to further the craft beer revolution. This latest round has raised £16m to date. And closes at 11am on 20th April 2016.

James Watt, company co-founder with Martin Dickie, commented:

“The BrewDog AGM 2016 was off the charts – we introduced our loyal punks to some amazing new beers, we shared our plans for world domination, and we made it an official part of our constitution that BrewDog will never sell out.

“We’ve got so much happening in the year ahead, we’re taking the craft beer revolution across the Atlantic, we’re cementing the craft uprising in Europe, and we’re branching out into spirits and sour beer from our Ellon HQ. And it’s all thanks to our 40,000 shareholders, which is why we put on such a massive music filled, beer-fuelled AGM for them – the biggest in the UK, and definitely the wildest.”

Aberdeen Voice’s Suzanne Kelly was on hand; she added:

“Watching this company grow from two guys on the Belmont Street Farmer’s Market to the UK’s fastest-growing private company, soon to start production in the USA, has been a pleasure to witness.  It was always clear to me that Watt and Dickie loved what they were doing from day one, and I expected big things. No one really could have expected this big. 

“This year’s AGM sees fellow shareholders come together from all over the world to celebrate beer and great growth. Having the UK Subs as the final act on a great musical programme didn’t hurt either. Thanks BrewDog for a great day and for introducing me to Swedish Death Candy – what a band!”

More information on BrewDog can be found at brewdog.com

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 012016
 

Speyside farmers launch bid to produce beef to rival world famous Kobe beef from Japan. With thanks to Eoin Smith, Tricker PR.

Monday 28th March 2016, Aberdeen, Scotland, SOSWF urging cattle farmers to follow the lead of Japanese producers of Kobe beef, but instead of drinking beer, Speyside cattle will be fed draff from distilleries, drink whisky, and will have traditional Scottish music played to them. Pictured: Ann Miller, Spirit of Speyside Whiskey Festival. (Photo: Ross Johnston/Newsline Media)

One of the Aberdeen Angus herd cannot wait to get his daily dram from Spirit of Speyside Whisky Festival director Ann Miller.

Farmers on Speyside are being urged to lead a fight back for the Scotch whisky industry after a Japanese malt was named best in the world – by feeding their cattle a daily dram.

A nip of our national drink – coupled with a diet of high quality feed from distillery by-products – could produce meat so succulent and tender that it will rival Japan’s famous Kobe beef.

And it is thought that playing cattle upbeat traditional Scots music, in much the same way that Kobe herds enjoy classical sounds, will further enhance the quality of the beef.

Now there are calls from organisers of the world renowned Spirit of Speyside Whisky Festival for local farmers to help further trial the theory.

Thousands of visitors from all over the globe visit the annual Festival, and organisers are concerned about the level of attention being focused on Japanese whisky.

Ann Miller, a director of the Spirit of Speyside Whisky Festival, says,

“We do not believe there is anywhere on earth that produces better malt whisky than Speyside – and millions of whisky drinkers agree.

“We were genuinely shocked and dismayed when Yamazaki was named the best whisky in the world, but we are firm believers in the old adage of don’t get mad, get even.

“And that is exactly what we intend to do. All the signs indicate that introducing Speyside malt into a cow’s diet and using animal feed created from distillery by-products gives the meat a lovely, whisky-tinged flavour.”

The incredible discovery was made by Speyside farmers Ali Rolfop and Joe King, who have a herd of Aberdeen Angus cattle.

They were mucking out a byre one evening on their farm, Ure Gullybale, near the distillery town of Keith and poured a bottle of single malt Scotch into a water trough.

Ali explains,

“I’m a big fan of two of Speyside’s most famous products – malt whisky and traditional music – and so I decided to share these with our cattle.

“The next day, we noticed their coats were shiny and their eyes were bright. We’ve since been sharing a bottle of malt with them and we even have some local fiddlers come down to perform. We tasted the beef from the herd for the first time a couple of weeks ago and it is sensational – there is definitely a hint of whisky in the meat.”

The Spirit of Speyside Whisky Festival takes place from April 28 to May 2 and is one of the biggest events of its kind anywhere in the world. It comprises almost 500 different events, from distillery tours to whisky tastings, from ceilidhs to comedy nights, and from whisky themed dinners to outdoor events.

Ann adds,

“With all this focus on Japan, I suppose we are a little worried that the thousands of visitors who fly in from all corners of the globe to enjoy our Festival might be tempted to go there instead.

“But while Japan may have been able to produce some decent drams, it doesn’t have the history and heritage of Scotch whisky. We’ve been producing the best whisky in the world for generations – no beef about it – and while they have learned how to make whisky from us, we’re now learning from their farming techniques.”

Tickets for all events in the 2016 Spirit of Speyside Whisky Festival programme are available to buy now at www.spiritofspeyside.com The Festival is also active on social media – facebook.com/WhiskyFestival and @spirit_speyside on Twitter and on Instagram.

  • Comments enabled – see comments box below. Note, all comments will be moderated.

 

Mar 242016
 

Inside_the_Bon_Accord_centre_-_geograph.org.uk_-_1241608featWith thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

The sound of jazz will emanate from a city centre roof garden this weekend as an exciting programme of events gets underway.

Bon Accord & St Nicholas will host a number of performances for Jazz On The Green – part of the Aberdeen Jazz Festival running from March 16 to 20 – at the greenspace near the St Nicholas centre.

A range of jazz acts will perform in the bandstand in the roof garden on Sunday March 20, uniting the city centre in a celebration of jazz, blues, funk, soul, R & B, swing, bop, vocals and big band, with free admission for all.

Work on improved seating, lighting, flower provision and a brand new children’s play area was completed last year to breathe new life into the greenspace – and it is hoped it will become a popular destination within the city centre.

Plans are in place for an Easter Egg hunt within the roof garden and events will continue throughout spring and summer.

Craig Stevenson, manager of Bon Accord & St Nicholas, said:

“We are delighted to be playing a part in the Aberdeen Jazz Festival, which is always a fantastic and lively event. This will be a great chance for the public to come along to the enhanced roof garden and see how it has been transformed in the past year. The bandstand within the roof garden is a great performance area and event space and I am sure the talented jazz performers will draw the crowds in.

“A lot of hard work went into transforming the area and we want it to be a space for the people of Aberdeen to enjoy. We are looking forward to finalising a wide range of exciting events throughout spring and summer and welcoming people to the garden throughout the months to come.”

Bon Accord & St Nicholas are at the heart of Aberdeen city centre’s retail sector, offering 840,000 sq ft of prime space and home to around 100 stores. Scotland’s largest Next, Aberdeen’s only Topshop and Topman standalone store as well as the City’s largest New Look and River Island are among the key retailers.

The centres, which attract an average of 275,000 visitors a week, are owned by BMO Real Estate Partners and managed by specialist retail agency Savills. For further information on the centres visit www.bonaccordandstnicholas.com

Picture Credit: “Inside the Bon Accord centre – geograph.org.uk – 1241608” by Stanley Howe. Licensed under CC BY-SA 2.0 via Commons 

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 222016
 

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (34)Review and photographs by Dod Morrison.

Most 67 years olds would be sitting at home, retired or pondering retirement. But Lulu? She is in the middle of a 35 date tour.

Billed as ‘An Evening With Lulu’, the iconic artist performs her hits and the songs that have influenced her career.

In 2015 she released her first self penned album ‘Making Life Rhyme’ and did her first tour in 10 years, she had so much fun and she decided to do it again 2016

It is a 2 hour set that many of the bands nowadays half her age couldn’t do.

Throughout the evening we are told stories and reminded that she has worked with some of the best out there including the late David Bowie and she does her rendition of ‘The Man Who Sold The World’.

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (351)

We are told when she was going to write some songs and was wondering how to go about it.

She realised she lived with one of the best song writers around, Maurice Gibb.

We are told a story about the Bee Gees meeting up during one of their band splits and how they all met in a room for the first time in ages, and penned a song there and then.

Another story of the evening is her affection for Sydney Poitier and about her, at 19 years old, being cast for her film debut ‘To Sir With Love’.

She tells how, at that time, the film couldn’t be made in America, and singing the title track which went to number one in the US pop charts for 5 weeks in 1967.

She then announces:

“We will sing it now and I have updated it a bit”

The crowd love it.

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography  (31)During the evening she brings on the Military Wife’s Choir and they perform a rendition ‘Cry’ which brings a standing ovation from the crowd.

The last song is looming and Lulu says:

“I know what you want me to play and I know what you want me to sing, so let’s do it”

….and that now famous “weeeellllll”  is shouted out and ‘Shout’ is played.

The military wife’s choir appear down the middle of the aisle to get people up and dancing but they need no encouragement and all are dancing and singing away.

Her voice throughout is immense , still great.

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (1)Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (536)

Mar 172016
 

A Multi-millionaire leading a charmed life due to commercialisation of punk has denounced the commercialism of punk.

“just by focussing a little bit of money in the right direction you can make things happen and that’s amazing” – Joseph Corre C 2009

As Joseph Corre, son of Malcolm McClaren and Dame Vivienne prepares to destroy £5,000,000 worth of punk memorabilia, Aberdeen Voice’s Suzanne Kelly asks What the actual?

Fire (6)Whether or not you believe that punk is now 40 years old because of the pending anniversary of the Sex Pistols’ God Save the Queen, various celebrations are going to take place in the UK.

The establishment has acknowledged punk by having the odd event as have several museums, businesses and artists.

Some people hate this idea passionately; some are bemused that punk’s attack on the State is now something to be looked back on fondly.

In November in Camden, people will drink at the Underworld. They will listen to bands at the Dublin Castle. They’ll buy Ramones t-shirts in the market. Knox Carnochan and his band of volunteers will run Rock ‘n Roll Rescue, the charity shop selling music memorabilia (and then at closing probably spill into the Dublin Castle for some pints of Camden Hells).

Somewhere in Camden this November, Joseph Corre has announced in Rolling Stone Magazine that he will be burning £5,000,000 worth of punk memorabilia. This is a protest, or so we’re told, at the commercialisation of punk and by the state’s endorsement of same. Well, Corre would know a tiny bit about both, wouldn’t he?

Meanwhile, Knox will be doing his best with the donations that he can get.

Rock ‘n Roll Rescue’s mission is:

“We are trying to help local people through supporting food banks, then helping the womens’ refuge up in Kentish Town, helping people at the bottom end of the welfare system, and have been helping Jennie Bellstars’ Hari Krishna food van, etc., etc. An ever growing list of stuff that needs help. (Look around you!)”

Looking around you seems like good advice for at least one of us.

What Other People interested in Punk, Music and Compassion said:

“He [Corre]could have flogged it all and given the money to a charity or a good cause like Saving The Music in Denmark St. Twat! I’M FUMING!”
– Henry Scott-Irvine, ‘Save Tin Pan Alley’ campaigner

“I will just say that in my time volunteering at the shop [Rock ‘N Roll Rescue], I’ve seen a lot things that led to my little rant on why it’s not good to burn the punk memorabilia in Camden in November and why Joseph Corré is a plonker. First, because it’s history. I’ve seen the eyes of men and women light up and watched them become teenagers again as they rummage through the old vinyl, posters and magazines on offer at Rock ‘N Roll Rescue.

It isn’t long before they start telling stories of their first concert or the first time they heard a song. For many, items of punk and music memorabilia are deeply personal and in the broader sense, are a record of a brief, albeit very important part of musical history. Second, because, like it or not, we live in a Capitalist society wherein the material items we place historical or personal value on also carry monetary value.

It’s not very punk, but it’s how things are and we must deal with reality as it is. It is also true that currently, the divide between rich and poor is greater than ever. All you have to do is walk through Camden to see this. It serves no purpose to burn these items other than to prove to the ego of a millionaire, that he hasn’t sold out and to gain publicity. All of the anarchist posturing is bullshit. His parents packaged it and sold it.

He grew up wealthy, on money made off of the musicians and fans of that movement. How about giving back to the community that bought what his parents were selling? Ever have the feeling you’ve been cheated?”
Jennifer Upton, volunteer, Rock ‘n Roll Rescue, Camden

I asked his press people a few questions by email:

“How you square your decision to destroy material with the knowledge people (including many punk musicians) have serious financial problems which a sale rather than destruction of your goods could do much good?

“Do you think that your own financial success is in any part due to your parents’ financial success in the punk era?

“Had you looked at alternatives such as sales/donations of your old punk memorabilia and decided that it was better to announce a public, theatrical event rather than doing something beneficial to others? (you could have given it all to Knox Carnochan of the Vibrators for his shop Rock N Roll Rescue in Camden – or done one of a thousand other beneficial thing).

“How supportive is your mother, Dame Vivienne Westwood, of your action, given her titled status?

“Ideally Mr Corre, I’d like to get you to reconsider what to me is the act of someone who’s never know what it’s like to have to go without. It seems as if a slap in the face to the poor is your response to the establishment’s acknowledgement of punk’s place in UK history.”

If an answer is sent, you’ll hear about it. In the mean time, we’ve someone who’s made their point – there is no need to follow through with the destruction. Punk is commercial. It went commercial when his dad steered it that way – for some groups. Show me how TV Smith, just for one instance, has gone commercial. Punk was commercial when Vivienne started sheltering her fashion income from taxes using overseas avoidance schemes, took a title, and paid low wages to those making her garments. I missed the part when Junior objected to these instances of punk commercialisation in his own family.

It would be good to know how and when Joseph got elected to teach us lessons in what punk should be all about. I’d really like to know that he’s just making a joke to get a story (the Rolling Stone reporter would be pissed off, but there you go). In fact, when it comes to ‘punk’ there are as many different opinions as to what it means as there were bands and fans.  Maybe his cosmetics venture isn’t selling as many £19 pound lipsticks as he’d like it to (although good on this venture for being cruelty free).

I’ve read about his hard life while researching this. He had a bad time at a boarding school in Wales (has he helped expose the school’ alleged cruelties so no one else has to suffer?). He had a tough time of it because of his parents and had a failed marriage. I guess no one else could relate to this suffering.

“My new job won’t even take my phonecalls; my mother’s throwing me out of the house; I’m at my wit’s end.”

– someone with a serious, nearly untreatable syndrome that makes work nearly impossible posted this on social media today; this woman is doing all she can to earn money and stay as healthy as she can. What would £5,000,000 do for people like this? For animal charities, the hungry, children in poverty? What message does burning clothing send to the refugees and the people who don’t have £30,000,000 in the bank unlike our patronising, would-be philosophy instructor? Not a particularly kind or punk one.

The Rolling Stone piece continues to quote our man:

“People don’t feel they have a voice anymore… The most dangerous thing is that they have stopped fighting for what they believe in. They have given up the chase. We need to explode all the shit once more”.

‘They’ might seem to have stopped fighting – if you’re Corre looking out over the battlefield from a castle. People haven’t stopped fighting – but they could use a bit of financing. Not a bonfire of the vanities.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 112016
 

With thanks to Jill Lerner, James H Soars Media Services.

(1)Ferocious Dog Press Shot - Copyright Pete Waggy 2015 copy

Ferocious Dog offer a full-on six-piece sound that encompasses folk infused with rock, reggae and Celtic vibrations. Picture: Pete Waggy.

In China, 2015 was the year of the Sheep – but in Nottinghamshire and countless venues and festivals in the UK it was the year of the Dog. The year that Ferocious Dog snarled their way from the periphery of the festival and gig scene and put themselves firmly in the limelight of the alternative scene.

The band will once again be tearing up the road to Aberdeen on Saturday March 19 to appear at Krakatoa.

The climax of their new album tour saw them sell out Rock City in Nottingham in advance – a historic moment, the first time in the 35 year history of this auspicious venue an unsigned band has achieved this feat.

As one fan put it:

For me it felt like a real watershed moment for a band I’ve had the pleasure of following for the last few years. It feels like this gig was the moment things might change, they have integrity and strength and a loyal following

As well as touring the country in Spring and Autumn, festival headline slots littered the summer months – not to mention an appearance on the Avalon Stage at Glastonbury, attracting the third biggest crowd of that area for the weekend.

Ferocious Dog offer a full-on six-piece sound that encompasses folk infused with rock, reggae and Celtic vibrations. The combination of instruments creates a palette of sound that offers infinite variations: going in hard to get the audience up and moving, or slipping into melodic passages and dub-like fusions.

The role of the infamous Hell Hounds mustn’t be underestimated – an ever-growing legion of fans who follow the band up and down the country. They bring energy and passion to the gig whilst always welcoming the less initiated members of the crowd to join in and swell their ranks – making the evening feel like a huge party.

With the release of their new album ‘From Without’, the raw energy and passion you’d expect from Ferocious Dog is ever-present, but tempered and enhanced with new influences and craft. With production from Matt Terry and mastering from Al Scott, a co-written track with Nick Burbridge of McDermott’s 2 Hours fame and the addition of rich orchestral strings it’s really a coming-of-age moment for the band.

“it is the sound of revolution that beats in the heart of anyone who seeks equality, and the six piece band from Nottinghamshire burst with flavour and ferocity” – Ian Hall, Liverpool Sound

The Acoustic magazine in their review of ‘From Without’ wrote about the second song on the album, ‘Poor Angry and Young’ describing it as:

“A glorious hymn of anarchy and sets the tone of much of which follows.

“There is nothing new about rebellion, but Ferocious Dog lay it on the line and whip up a hell of a storm along the way”

Many of the reviews expressed the same sentiment.

2016 promises to be an even better year, with gigs already sold out, and headline slots at festivals booked. This is an event that’s needs to be experienced. Ferocious Dog are going places.

Ferocious Dog.
Krakatoa, Aberdeen.
Sat 19th March 2016, 8pm.
Tickets £10

www.ferociousdog.co.uk
www.facebook.com/FerociousDog

Mar 112016
 

Roachford Pic by Julie Thompson (3)By Suzanne Kelly.

Andrew Roachford’s night at the Lemon Tree was a tonic, and all sorts of people were there for a bit of remedy.

People may have arrived with their personal assortment of cares and troubles.

By the time we left, people were smiling, happy, chilled out, and more than a little thrilled. Cares banished for the night, courtesy of Roachford.

With a voice like moonlight through a stained glass window falling on deep blue velvet, Roachford had quite a roomful of admiring women. The girls in front of the stage didn’t stop swaying all night; by girls I mean ladies from 18 to about 68. This by no means meant this was a show for the ladies alone; there were plenty of men enjoying the show too.

That’s some backing band with Andrew Roachford – percussion, bass, guitar were faultless and tasty. But if Roachford had us all smiling, his playing had me utterly transfixed. His fingers and hands flying over the keyboards seemed to blur at some points; the subtlety and dexterity with which he got the precisely-desired tones, nuances, expression will stay with me for quite a while.

Charming the audience in between numbers, he took us on quite the musical trip. His version of ‘Ain’t No Sunshine’ is unique; there’s something about how he does it that takes a heartbreaking classic and throws light on it – and somehow he lightens the mood of it.

Avoid my prose on the matter, cut to the chase, and go listen yourself. It’s on his new album which was on sale on the day, and which you’ll find at www.roachford.co.uk. You’ll also find a powerful version of Paul Weller’s ‘You Do Something To Me’, and a take on John Lennon’s ‘Imagine’ that Roachford’s remade with his own seal.

“This album showcases some of the songs that have fired me up over the years to become a performer and to look, to bring the magic in every show I play,” Andrew explains.

“I once read that a sign of a good singer wasn’t just about ability but more importantly about someone that when they sang you believe every word.”

He’d also played a sweet version of ‘Family Affair’ which had the room singing. For me his version of Red Hot Chili Pepper’s ‘Under The Bridge’ was particularly moving. The musicians couldn’t have made a more solid, credible, flowing job of a single note of this.

Andrew explains that

“Growing up surrounded with Jazz and Soul, and working in the studio with The Clash as a teenager” gave him an incredible grounding in music. “I’ve never categorized music, I listen to music that moves me…. and that’s what inspires my writing”.

Roachford Pic by Julie Thompson (2)Pigeonholing him isn’t possible, and I don’t see why anyone would try.

This is a vocal and keyboard artist of a kind they’re not really making any more. Get some of him live if you can; get the album at least. He seemed happy, relaxed, and friendly; and it seems like the whole of the Lemon Tree was there with him on the night.

Next time I can catch him, I definitely will.

Mar 112016
 

Thursday March 3 2016 saw the long awaited return of The Cult to an Aberdeen stage, this time at the Music Hall. Review and photographs by Craig Chisholm.

The Cult - Music Hall - 3-3-16 (4)

Frontman Ian Astbury, dressed all in black, cut an engaging figure centre stage

The title of The Cult’s recent album, Hidden City, seems quite appropriate as Aberdeen has been a city hidden from the band’s touring schedule for nearly 30 years. It’s actually been so long since they last played here that the halls they headlined in the mid ‘80s, both Ritzy’s and The Capitol Theatre, are now long gone as live venues – renamed and re-appropriated as clubs or, in the case of The Capitol, offices.

However, the old haunts may be gone but the old crowd still remain with 1,500 of them packing out a sold out The Music Hall on a cold Thursday night to welcome back the band to the Granite City.

The Cult - Music Hall - 3-3-16 (8)Kicking off with the opening track from Hidden City, the jumpy swinging rhythm of Dark Energy, the five piece got the crowd instantly on their feet with a quick follow up of classic cuts Rain and Wild Flower.

For the next 90 mins the set spanned across the years from tracks from the 1984 album Dreamtime (Horse Nation, Spiritwalker) to latest single G.O.A.T (aka Greatest of All Time).
.

The Cult - Music Hall - 3-3-16 (1)However, it was the tracks from the band’s biggest selling albums Love, Electric and Sonic Temple that got the biggest cheers – from Lil’ Devil to She Sells Sanctuary to Sweet Soul Sister and Fire Woman it was a reminder of how much great singles the band have released over the years.
Tracks from the recent Hidden City – arguably the bands finest album in over two decades and a fine return to form – may not have been so well known to the crowd but all were received with rapturous applause.

The Cult - Music Hall - 3-3-16 (5)Frontman Ian Astbury, dressed all in black and hidden behind shades for the first new numbers, cut an engaging figure centre stage.

Looking half of his 53 years he never let up from beginning to end, immersing himself in each song and looking every inch the rock god, part Jim Morrison, part shaman. Between songs he engaged the crowd with his banter, his opinions and reminders of his Scottish heritage – even going as far as introducing final song Love Removal Machine as “Love Removal Macbeth”.

To his left, guitarist Billy Duffy cranked out the riffs behind his signature Gretsch guitars.

Holding the guitar near vertical at times he created a sound that resonated through the Music Hall from front to rear and quite possibly rattled a few drinks on bars at the far end of Union Street such was his volume and power.

The Cult - Music Hall - 3-3-16 (7)Fellow Mancunians Johnny Marr and John Squire may get the plaudits for their work with The Smiths and Stone Roses respectively but Duffy is surely one of Manchester’s great guitarists with a body of work and personal history second to none.

Both Duffy and Astbury thanked the crowd unreservedly at the end for selling out the venue and they must have been left wondering why they had not been this far North for the last three decades.

One can only hope that they don’t leave it another thirty years before returning to Aberdeen.

On this showing, if they did then you are left with no doubt they could still pull in the audience and give a similar energetic performance to the one seen tonight.