Sep 132016
 

trickery-aug16-8By Fred Wilkinson.

‘Something Different’ is happening in the Aberdeen entertainment scene.

With musicians and music lovers alike still smarting from the recent closure of yet another popular small venue, we certainly don’t want more of the same, and perhaps a taste of trickery may be just the tonic.

The Trickery is a monthly cabaret night which has been running in some shape or form for the last four years, and yet, for all I have been intrigued by the concept, had never managed to attend.

That was until August 26 when I found myself free to accept an invite, and to meet with organiser and compere, Iain Adam.

I asked Iain how The Trickery came about. Iain told me:

“The Trickery was first conceived as a magic show when we had the opportunity to bring one of the biggest acts in magic (Dani DaOrtiz) up to Aberdeen. He was booked for an event that was just for magicians, but we really wanted to show Aberdeen just what was happening in the magic scene.

“After the public show, people came up and asked us when the next event was and we said “next month” and so it began. That was 4 years ago and we have been going ever since. It’s run by me and my wife Gail.

“I describe The Trickery as ‘Something Different’. Everybody is looking to do something different, something that they wouldn’t normally do, and thats what we have for them.”

trickery-aug16-3Audience participation is key to the fun and the special atmosphere of The Trickery.

As compere, Iain Adam opens the show, engaging in humorous banter with the audience and whetting their appetite with hints as to what we can expect – including ‘the unexpected’.

Putting the crowd through its paces, it is made clear we are not only handed a leading role, but that a licence to heckle is included in the admission fee.

.

,

trickery-aug16-15First up is Mind reader/Magician Michael Brandie.

For a performer who publicly talks down his joke telling skills, he can be more than satisfied with the chuckles he winkled out of the audience.

Some laughter, possibly of a nervous nature, even occurred when he stuffed his head in a plastic bag and suffocated himself onstage to the point his heart stopped.

trickery-aug16-16OK, it’s only a trick, but I confess to having been more than a little concerned.

Then to prove his given theory that restriction of blood flow has an anaesthetic effect, he pushed an acupuncture needle through his hand …

….. and invited a member of the audience to yank it out!

‘Something Different’ was promised, and, well, it’s not every day …..

.

.

Next up is Professional Artist and Model, Sharrow.

trickery-aug16-1Tonight we witness her Trickery debut as a Burlesque Dance performancer.

Demonstrating her understanding of the art form, Sharrow wastes no time in catching the eye and holding on to it, and in glimpses, offers that characteristic, subtle element of ‘tease’ which plays more in the viewers imagination than elsewhere, which the audience own up to and call out with their vocal appreciation.

During her routine, the smallness of the stage is suddenly emphasised by the grandeur of her moves which the visually pleasing use of silk scarf ‘streamers’ served to accentuate.

trickery-aug16-4It’s all over a little too quickly, but on the other hand, not too soon for tonight’s special guest, Drag Queen, Miss Scarlet Diamonte.

As her name may suggest, she appears in a vivid, red sequinned dress, the hem of which is better friends with her waist than with her kneecaps.

Perched on four inch high Perspex heels, she appears appropriately imposing, and dare I say, Formidable.

And she lives up to that first impression with room to spare.

Scarlet Diamonte’s act is not for the fainthearted.

trickery-aug16-6Her humour is unashamedly, unapologetically brash and coarse.

It swishes past risqué without exchanging pleasantries, thumbs its nose at political correctness, and condescendingly pats Innuendo on the head in passing on its lunge for the jugular … and a few other anatomical features as well.

It is borderline brutal, and yet spills out warmth …. and the audience are lapping it up.

She is in complete control as she teases and toys with this crowd, up close, personal and physical, much to their delight, and for all the blushes and involuntary shrieks of laughter, no-one is getting hurt.

trickery-aug16-5However, should anyone ever be in a position to offer encouragement to Scarlet on her way to the stage, avoid the traditional three worded motivator. Scarlet may well ‘break a leg’, but I am certain it would never be her own.

I am reminded of the words of Johnny Rotten to an audience at a Sex Pistols gig. Something like:

“I’m not here for your entertainment, you’re here for mine.”

But the tables are most certainly turned when she turns to the songs.

Her command of her audience is sealed as the power in her voice, matched by an impressive pair of lungs, leaves us in no doubt of the extent of her stagecraft and talent.

trickery-aug16-10With admirable energy and style, accompanied by expressive gestures and movement from her face to her feet, and the occasional hilarious ‘aside’, she takes on and slays half a dozen ‘camp classics’, starting with ‘Don’t Stop Me Now’.

There was no danger of stopping her – at least not until her finale whereupon, mid song, we were treated to a remarkable transformation which would have had Ennio Marchetto taking notes.

De-wigged, peeled off and wiped clean, Scarlet was summarily discarded.

In her place now stood Tillydrone raised, London based actor Brian Elrick to take the song to it’s inevitable crescendo, take a bow and wallow in the whoops and applause of an impressed and thoroughly entertained audience.

Having been given some respite to catch our breath, if not a drink, we were eager to find out what the final act at tonight’s Trickery had to offer.

trickery-aug16-11That final offering was ‘Ray Guns Look Real Enough’ – and we were not disappointed.

In common with most great comedy duos with a certain unique chemistry, musical comedy duo Ray Guns and Luke Real bounce off one another beautifully.

This is a well worked act which skips along at a lively pace.

trickery-aug16-13Between the songs, the comedy interplay between the duo, and the audience, is slick … and very funny.

Still, space is afforded to flashes of spontaneous improvisation which always land ‘buttered side up’.

From the moment they arrive on stage, we are promised laughs merely by way of their appearance ( Sorry – I mean of course ‘image’ … they being a famous stadium rock band).

trickery-aug16-12Between them, their stage attire, from the ill-fitting cat-suit to the lacquered mohawk, appeared to be a jumble of iconic items of memorabilia stolen over the course of 3 decades from the biggest names in rock/pop culture.

And much the same could be said of the music as they ripped through a series of montages and mash-ups of pop/rock classics, all seamlessly stitched together and expertly delivered.

trickery-aug16-14Armed with no more than one guitar, a tambourine, and two well matched voices, it was puzzling to hear the sheer power of their sound and fullness of the arrangement.

The mash-ups were at times amusing simply by way of the zany unlikelihood of the elements combined, but always cleverly presented, and I suspect more than one musician in the audience will have wondered:

“Shit! Why did I not think of that?”

All in all, a superbly talented, creative and entertaining act who are so instantly lovable they could do no wrong if they tried. From their intro to the last second of their deserved encore, I was transfixed to the extent I have no idea how long they were actually on stage.

And with said encore, so ended a cracking night’s entertainment – other than the long remaining smiles on the faces of many a highly satisfied audience member.

I asked Iain how this show compares to past events, and what’s next for The Trickery. He said:

“The Trickery means a lot to me as it gives Aberdeen the chance to see some acts that they wouldn’t get a chance to see anywhere else at any time. In the near future, we have shows opening up in other cities around Scotland.

“We have had freak shows, pick pockets, mind readers, hypnotists and more. We’ve seen people shot with paint guns, people walk on glass and people break arrows with their throat.

“We’ve had Hollands biggest magician and the inspiration for the TV show The Mentalist. Every show is different, but every show is great.

“This month we have a double headliner show. Each headliner has just finished sell out 5 star shows in two different fringe festivals (Edinburgh and Amsterdam). Every act is must see, because you only get one chance to see them.

Iain is offering some complementary tickets to this month’s event featuring comedy musician, Friz Frizzle and Dutch magician, Fritz Alkemade which takes place on Friday, September 23.

Simply share the ‘September at the Trickery’ event page on your personal facebook page, then visit the main ‘Trickery’ page and ‘like’ the page. Good luck, and hope to see you there.

Jun 172016
 

By Duncan Harley

Music Hall frontage pre-hibernation 2016 - Duncan HarleyWe all have our story to tell about Aberdeen Music Hall. Rocket-Man Elton John can still remember playing his first ever Aberdeen gig at the venue in far off 1972 and many Aberdonians can still recall their shock introduction to Glam Rock a year later when Bowie plus legendary guitarist Mick Ronson brought Spiders from Mars to the Music Hall stage.

Elton and Bowie were in good company since the historic venue has hosted performances from many of the good and the great over the past 194 years.

Built to a design by Archibald Simpson the building opened in 1822 and over the decades performers as diverse as Charles Dickens, John Anderson the Great Wizard of the North plus the comedy duo Pinky and Perky have trodden the boards to entertain and amaze Aberdeen audiences. Politicians Tony Benn, Winston Churchill, and Lloyd George put in appearances and throughout its history, the building has played host to everything from concerts and bazaars to theatre and sporting events.

As the A Listed venue begins a £7m restoration and re-generation uplift, Aberdeen Performing Arts recently hosted a series of “Lights Oot!” events showcasing the diversity of the venue.

March 31st saw a first performance of APA Associate Artist’s Aidan O’Rourke and Jason Singh’s experimental sound work “Connect:ed” (sic). Created through the Connect Project and a year in the making, the work represents the culmination of a process involving musicians and vocalists from all walks of life and genres within the City and Shire.

The next night the Music Hall hosted “Your Hall Your Story”. Following an introductory speech from Aberdeen Provost George Adams the evening focused on the recollections and reminiscences of the users of the venue.

Music Hall courtesy Alford Transport Museum and Toni ToddDirected by Douglas Irvine with Artistic Production by Lesley Anne Rose, compere Robert Lovie and actor Cameron Mowat led the audience of around 600 on a journey through the sometimes turbulent but always entertaining history of Aberdeen’s favourite concert venue using both live and recorded recollections told first hand by those who were actually there.

The stories came fast and furious throughout the evening. Roberta Duncan told how her father rose to international fame following a world record roller-skating endurance marathon in the main hall.His record making 61 hours performance seemingly stands to this day.

Mary Smith remembered meeting Sir John Barbirolli at a Hallé Orchestra performance, Sandy Hood recalled hearing Mahler and local councillor, former European and Commonwealth lightweight wrestler, Len Ironside told how wrestlers had a particular dislike of the Music Hall wrestling ring.

“It was up on stage” he said “which meant that you felt every bump and had every chance of being thrown out of the ring and down the ten feet to the floor. When this happened, the audience would simply lift you up and throw you back in.”

On one occasion, as this was going on, a voice rang out:

“Is there any word yet oh ma new hoose councillor?”

The final “Lights Oot!” night featured the first public performance of Aidan O’Rourke and Jason Singh’s musical piece “Hibernation”.

Played as a finale at “Hootenanny”, an evening hosted by the Scottish Ceilidh All Stars, the new work has become the final musical piece performed within the historic venue prior to the two year closure.

During renovation APA will be “Stepping Out” in and around Aberdeen with a programme of events inspired by the Music Hall stories.

When doors reopen in spring 2018 the venue will feature an upgraded and restored auditorium, a new 100 seat performance space plus a new box office, café and bar.

Text and images © Duncan Harley and Grampian Transport Museum, Image design – Toni Todd. First published in the May 2016 Leopard Magazine’

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May 192016
 
Jo McCafferty2

Jo McCafferty to play at The Lemon Tree in aid of the Scottish Association for Mental Health.

With thanks to Stuart Mitchell.

Acclaimed Aberdeen singer/songwriter Jo McCafferty will take to the stage of local venue the Lemon Tree on the 11th June in a rare local show in aid of the Scottish Association for Mental Health.

Jo has been playing since she was a teenager, both solo and in various bands including Charlotte Says and Modern Uses for Velcro.

She released her first album ‘Nothing Whispered to Katy’ at 17 years old.

In 2001 she released the album Radiaxial, an album featuring many live favourites which seemed to capture a lot of people’s imagination, this led to a lot of interest from various musicians and led to a lot of support slots and for the next few years Jo toured the UK playing with artists as diverse as Midge Ure and Glenn Tilbrook, Marillion and Donnie Munro, playing venues from the Amsterdam Paradiso to Croydon’s Fairfield Halls via Glasgow Barrowlands.

In 2004 she also found time to record and release Papercuts and Lime, an acoustic album which won more praise and notice.

In 2005 Jo was invited to be a guest support for US Singer/Songwriter Amanda Palmers first solo gig in the UK, and she formed the Jo McCafferty Band to play the show. The band was a big success and has reformed several times since to play special shows. In 2006 she started work on her first full length full band album, eventually released in 2010.

In recent years since starting a family Jo has pulled back on live and recorded work, still finding time to do an occasional special guest spot for Joan Armatrading, Fish and Miles Hunt, as well as appearing as a special guest for Marillion at their fanclub convention in the Netherlands, an event attended by over 3,000 people from around the world.

For this rare show in aid of SAMH at the Lemon Tree on June 11th 2016, Jo has pulled together some well-known and respected faces from Aberdeen’s music scene to reimagine songs from throughout her career, from some old favourites, to new material, as well as some rarely heard gems.

Jo commented:

“It is lovely to be playing a full band gig in Aberdeen again, something I haven’t done for over 10 years and even better to be doing it in aid of the SAMH, a charity very close to my heart. It’s been great to revisit and reinterpret the older stuff and look ahead with some newer stuff, and it’s just incredible to be doing a home gig like this at one of my favourite venues.”

Support for the gig will be from highly rated local singer Craig John Davidson.

Tickets are available on: http://www.aberdeenperformingarts.com/events/jo-mccafferty

And for further information on Jo or SAMH please see:
www.jomccafferty.com
www.samh.org.uk

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May 162016
 

xerath richard taken by dave reedWith thanks to Mark Chalmers.

RAM It Down Festival began as a grass-roots effort in 2015, organized by volunteers, inspired by established events down south, with the belief that Aberdeen should not miss out on touring bands visiting the city.

The first year was a success and around 160 metalheads descended on The Garage Aberdeen to indulge in their favourite pastime.

Festival organizer, Mark Chalmers remarks,

“The response to RAM It Down Festival has been overwhelmingly positive. Many people in the Aberdeen area are really passionate about their favourite style of music – heavy metal. We even have a number of private donors, who have donated large sums of money because they want to see this type of event in Aberdeen.”

The festival has been extended this year to include an extra and 60% more bands on the line-up, featuring artists from as far away as Sweden.

Paul Nazarkadeh, guitarist of London-based De Profundis commented on their upcoming slot on the festival,

“De Profundis have played all over the UK in our decade long existence, but never have we come so far north as the Granite City.”

The main driving purpose of RAM It Down Festival is to bring touring bands to Aberdeen and put them alongside local bands.

Festival organizer, Mark describes,

“One of the reason’s I decided to organise RAM It Down Festival is because I personally got fed up of people talking-down Aberdeen. I believed that people could do something about the things they are dissatisfied about, rather than simply complaining. I wanted more touring bands to come to Aberdeen, so this was my attempt to provide a solution.”

winter in eden taken by Corina AndrianOne of the heaviest bands on the line-up are Saturday main stage headliner, Winterfylleth. Based in Manchester, Winterfylleth have experienced international success and played many of the major festivals across Europe and extensive coverage in music magazines, such as Kerrang and Terrorizer.

A spokesperson for the band commented,

“It’s great to be invited to play RAM It Down Festival and bring our music to one of the furthest north cities in the UK and to play to fans who might not have a chance to see the band otherwise. See you on show day.”

There is a wide range rock and metal sub-genres represented on the line-up, varying from classic rock-inspired bands, such as The Amorettes and King Witch, as well as extremely heavy bands, such as Winterfylleth and Cambion. Most bands however fall somewhere in the middle of this spectrum, so there should be something to please most rock and metal fans.

Date: Friday 20th and Saturday 21st May,
Bands from 6pm (Friday) and 5pm (Saturday).

Venue: The Garage, 17 Windmill Brae, Aberdeen

Tickets available online via Skiddle, or in-person at Seratique, 20 Belmont Street, Aberdeen
2-Day Ticket: £15,

Friday Ticket: £6 advance (£7 on the door), Saturday Ticket: £10 advance (£12 on the door)

Friday Lineup (1 stage): Cambion, Risen Prophecy, Sanctrum, Neshiima, Orynthia.

Saturday Lineup (2 stages): Winterfylleth, De Profundis, Red Rum, Ramage Inc, Zombie Militia, Cleanse The Hive, The Amorettes, King Witch, Rats of Reality, Drencher, Frelsi

Pics courtesy of Dave Reed and Corina Andrian.

May 052016
 
RURA

RURA. One of the most exciting folk-based bands to emerge from Scotland in recent years

With thanks to Bob Buchan.

Live Act of the Year at the 2015 Scots Trad Music Awards, RURA will appear at The Lemon Tree on Monday 16th May.

With their second album, Despite the Dark, accompanied by extensive UK and international touring, RURA have well and truly reinforced their reputation as one of Scotland’s most powerful folk-based bands.

Their exquisitely rugged, yet refined, blend of fiddle, Highland pipes, whistle, flute, bodhran, guitar and voice has proven a resounding hit across the board.

The five-piece’s fire first ignited in 2010, as award-winners at Glasgow’s world-renowned Celtic Connections festival, where they have now appeared on a remarkable seven consecutive occasions.

Since then, Steven Blake, Adam Brown, David Foley, Adam Holmes and Jack Smedley’s powerful instrumentals and haunting songcraft has been a highlight of many of the world’s leading folk festivals – including Cambridge, Tønder, Winnipeg, HebCelt and Shetland, amongst countless others.

They are undeniably one of Scotland’s most sought-after, universally appealing acts. One listen – live or recorded – and it’s easy to see why.

“one of the most exciting bands on the Scottish folk scene” – Songlines (5 stars)

“accomplished musicianship, expressive vocals, flawless composition…supremely impressive” – FolkWords

“genuinely stirring stuff… there’s something very exciting about RURA” – Fatea Magazine

“a brilliant fusion of the old and the new” – The Herald

“Despite the Dark is a truly remarkable album… Rura are definitely heading in a huge direction.” – Bright Young Folk

“an album of its time for Scotland” – Folk Radio UK

“Rura are just what every festival needs. Barnstorming instrumentals and songs of exceptional quality. The Scottish music scene has never been stronger and these guys are right out in front!” – Bruce MacGregor, BBC Radio Scotland’s Travelling Folk

Despite the Dark Tour Dates – May, 2016:

13th May   Eden Court, Inverness. 8.00pm / Tickets £12 -£14 / Box Offfice 01463 234 234

14th May   Ullapool Village Hall. 7.30pm / £13 /
https://www.fatsoma.com/scottish-folk-promotions/et5l2d13/rura

15th May   Incheberry Hall, Fochabers. 7.30pm / £7.52 – £13.85 /
https://www.eventbrite.co.uk/e/the-arc-sessions-rura-tickets-21817495717

16th May   The Lemon Tree, Aberdeen. 7.30pm / £14.20 incl bf / 01224 641122

17th May   The Mash House, Edinburgh. 8.00pm / £13/
https://www.eventbrite.co.uk/e/rura-edinburgh-tickets-21406179459

18th May   The Atkinson, Southport. £10-£12 + £1 bf / 01704 533 333

19th May   Theatre Severn, Shrewsbury. 8.00pm / £15 / 01743 281 281

20th May   Shepley Spring Festival /
http://www.shepleyspringfestival.co.uk/tickets-2/

21st May   Otley Courthouse, Burley in Wharfedale. 8.00pm / £11-£13 / 01943 467466

22nd May   The Convent, Stroud. 8.00pm / £11.25 incl bf / 01453 835 138

23rd May    Colchester Arts Centre, 7.45pm / £10-£12 / 01206 500 900

24th May   The Witham, Barnard Castle. 7.30pm / £12 in advance–£14 on the door
Tel. 01833 631 107

25th May   Eastgate Arts Centre, Peebles. 7.30pm / £12-£14—£6 (schoolchildren)
Tel. 01721 725 777

26th, 27th, 28th & 29th May   Orkney Folk Festival.
http://www.orkneyfolkfestival.com/tickets/

Much more info at www.rura.co.uk

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Mar 222016
 

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (34)Review and photographs by Dod Morrison.

Most 67 years olds would be sitting at home, retired or pondering retirement. But Lulu? She is in the middle of a 35 date tour.

Billed as ‘An Evening With Lulu’, the iconic artist performs her hits and the songs that have influenced her career.

In 2015 she released her first self penned album ‘Making Life Rhyme’ and did her first tour in 10 years, she had so much fun and she decided to do it again 2016

It is a 2 hour set that many of the bands nowadays half her age couldn’t do.

Throughout the evening we are told stories and reminded that she has worked with some of the best out there including the late David Bowie and she does her rendition of ‘The Man Who Sold The World’.

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (351)

We are told when she was going to write some songs and was wondering how to go about it.

She realised she lived with one of the best song writers around, Maurice Gibb.

We are told a story about the Bee Gees meeting up during one of their band splits and how they all met in a room for the first time in ages, and penned a song there and then.

Another story of the evening is her affection for Sydney Poitier and about her, at 19 years old, being cast for her film debut ‘To Sir With Love’.

She tells how, at that time, the film couldn’t be made in America, and singing the title track which went to number one in the US pop charts for 5 weeks in 1967.

She then announces:

“We will sing it now and I have updated it a bit”

The crowd love it.

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography  (31)During the evening she brings on the Military Wife’s Choir and they perform a rendition ‘Cry’ which brings a standing ovation from the crowd.

The last song is looming and Lulu says:

“I know what you want me to play and I know what you want me to sing, so let’s do it”

….and that now famous “weeeellllll”  is shouted out and ‘Shout’ is played.

The military wife’s choir appear down the middle of the aisle to get people up and dancing but they need no encouragement and all are dancing and singing away.

Her voice throughout is immense , still great.

Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (1)Lulu @ His Majestys Theatre Aberdeen 21-3-16 by Dod Morrison Photography (536)

Mar 112016
 

With thanks to Jill Lerner, James H Soars Media Services.

(1)Ferocious Dog Press Shot - Copyright Pete Waggy 2015 copy

Ferocious Dog offer a full-on six-piece sound that encompasses folk infused with rock, reggae and Celtic vibrations. Picture: Pete Waggy.

In China, 2015 was the year of the Sheep – but in Nottinghamshire and countless venues and festivals in the UK it was the year of the Dog. The year that Ferocious Dog snarled their way from the periphery of the festival and gig scene and put themselves firmly in the limelight of the alternative scene.

The band will once again be tearing up the road to Aberdeen on Saturday March 19 to appear at Krakatoa.

The climax of their new album tour saw them sell out Rock City in Nottingham in advance – a historic moment, the first time in the 35 year history of this auspicious venue an unsigned band has achieved this feat.

As one fan put it:

For me it felt like a real watershed moment for a band I’ve had the pleasure of following for the last few years. It feels like this gig was the moment things might change, they have integrity and strength and a loyal following

As well as touring the country in Spring and Autumn, festival headline slots littered the summer months – not to mention an appearance on the Avalon Stage at Glastonbury, attracting the third biggest crowd of that area for the weekend.

Ferocious Dog offer a full-on six-piece sound that encompasses folk infused with rock, reggae and Celtic vibrations. The combination of instruments creates a palette of sound that offers infinite variations: going in hard to get the audience up and moving, or slipping into melodic passages and dub-like fusions.

The role of the infamous Hell Hounds mustn’t be underestimated – an ever-growing legion of fans who follow the band up and down the country. They bring energy and passion to the gig whilst always welcoming the less initiated members of the crowd to join in and swell their ranks – making the evening feel like a huge party.

With the release of their new album ‘From Without’, the raw energy and passion you’d expect from Ferocious Dog is ever-present, but tempered and enhanced with new influences and craft. With production from Matt Terry and mastering from Al Scott, a co-written track with Nick Burbridge of McDermott’s 2 Hours fame and the addition of rich orchestral strings it’s really a coming-of-age moment for the band.

“it is the sound of revolution that beats in the heart of anyone who seeks equality, and the six piece band from Nottinghamshire burst with flavour and ferocity” – Ian Hall, Liverpool Sound

The Acoustic magazine in their review of ‘From Without’ wrote about the second song on the album, ‘Poor Angry and Young’ describing it as:

“A glorious hymn of anarchy and sets the tone of much of which follows.

“There is nothing new about rebellion, but Ferocious Dog lay it on the line and whip up a hell of a storm along the way”

Many of the reviews expressed the same sentiment.

2016 promises to be an even better year, with gigs already sold out, and headline slots at festivals booked. This is an event that’s needs to be experienced. Ferocious Dog are going places.

Ferocious Dog.
Krakatoa, Aberdeen.
Sat 19th March 2016, 8pm.
Tickets £10

www.ferociousdog.co.uk
www.facebook.com/FerociousDog

Mar 112016
 

Roachford Pic by Julie Thompson (3)By Suzanne Kelly.

Andrew Roachford’s night at the Lemon Tree was a tonic, and all sorts of people were there for a bit of remedy.

People may have arrived with their personal assortment of cares and troubles.

By the time we left, people were smiling, happy, chilled out, and more than a little thrilled. Cares banished for the night, courtesy of Roachford.

With a voice like moonlight through a stained glass window falling on deep blue velvet, Roachford had quite a roomful of admiring women. The girls in front of the stage didn’t stop swaying all night; by girls I mean ladies from 18 to about 68. This by no means meant this was a show for the ladies alone; there were plenty of men enjoying the show too.

That’s some backing band with Andrew Roachford – percussion, bass, guitar were faultless and tasty. But if Roachford had us all smiling, his playing had me utterly transfixed. His fingers and hands flying over the keyboards seemed to blur at some points; the subtlety and dexterity with which he got the precisely-desired tones, nuances, expression will stay with me for quite a while.

Charming the audience in between numbers, he took us on quite the musical trip. His version of ‘Ain’t No Sunshine’ is unique; there’s something about how he does it that takes a heartbreaking classic and throws light on it – and somehow he lightens the mood of it.

Avoid my prose on the matter, cut to the chase, and go listen yourself. It’s on his new album which was on sale on the day, and which you’ll find at www.roachford.co.uk. You’ll also find a powerful version of Paul Weller’s ‘You Do Something To Me’, and a take on John Lennon’s ‘Imagine’ that Roachford’s remade with his own seal.

“This album showcases some of the songs that have fired me up over the years to become a performer and to look, to bring the magic in every show I play,” Andrew explains.

“I once read that a sign of a good singer wasn’t just about ability but more importantly about someone that when they sang you believe every word.”

He’d also played a sweet version of ‘Family Affair’ which had the room singing. For me his version of Red Hot Chili Pepper’s ‘Under The Bridge’ was particularly moving. The musicians couldn’t have made a more solid, credible, flowing job of a single note of this.

Andrew explains that

“Growing up surrounded with Jazz and Soul, and working in the studio with The Clash as a teenager” gave him an incredible grounding in music. “I’ve never categorized music, I listen to music that moves me…. and that’s what inspires my writing”.

Roachford Pic by Julie Thompson (2)Pigeonholing him isn’t possible, and I don’t see why anyone would try.

This is a vocal and keyboard artist of a kind they’re not really making any more. Get some of him live if you can; get the album at least. He seemed happy, relaxed, and friendly; and it seems like the whole of the Lemon Tree was there with him on the night.

Next time I can catch him, I definitely will.

Mar 112016
 

Thursday March 3 2016 saw the long awaited return of The Cult to an Aberdeen stage, this time at the Music Hall. Review and photographs by Craig Chisholm.

The Cult - Music Hall - 3-3-16 (4)

Frontman Ian Astbury, dressed all in black, cut an engaging figure centre stage

The title of The Cult’s recent album, Hidden City, seems quite appropriate as Aberdeen has been a city hidden from the band’s touring schedule for nearly 30 years. It’s actually been so long since they last played here that the halls they headlined in the mid ‘80s, both Ritzy’s and The Capitol Theatre, are now long gone as live venues – renamed and re-appropriated as clubs or, in the case of The Capitol, offices.

However, the old haunts may be gone but the old crowd still remain with 1,500 of them packing out a sold out The Music Hall on a cold Thursday night to welcome back the band to the Granite City.

The Cult - Music Hall - 3-3-16 (8)Kicking off with the opening track from Hidden City, the jumpy swinging rhythm of Dark Energy, the five piece got the crowd instantly on their feet with a quick follow up of classic cuts Rain and Wild Flower.

For the next 90 mins the set spanned across the years from tracks from the 1984 album Dreamtime (Horse Nation, Spiritwalker) to latest single G.O.A.T (aka Greatest of All Time).
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The Cult - Music Hall - 3-3-16 (1)However, it was the tracks from the band’s biggest selling albums Love, Electric and Sonic Temple that got the biggest cheers – from Lil’ Devil to She Sells Sanctuary to Sweet Soul Sister and Fire Woman it was a reminder of how much great singles the band have released over the years.
Tracks from the recent Hidden City – arguably the bands finest album in over two decades and a fine return to form – may not have been so well known to the crowd but all were received with rapturous applause.

The Cult - Music Hall - 3-3-16 (5)Frontman Ian Astbury, dressed all in black and hidden behind shades for the first new numbers, cut an engaging figure centre stage.

Looking half of his 53 years he never let up from beginning to end, immersing himself in each song and looking every inch the rock god, part Jim Morrison, part shaman. Between songs he engaged the crowd with his banter, his opinions and reminders of his Scottish heritage – even going as far as introducing final song Love Removal Machine as “Love Removal Macbeth”.

To his left, guitarist Billy Duffy cranked out the riffs behind his signature Gretsch guitars.

Holding the guitar near vertical at times he created a sound that resonated through the Music Hall from front to rear and quite possibly rattled a few drinks on bars at the far end of Union Street such was his volume and power.

The Cult - Music Hall - 3-3-16 (7)Fellow Mancunians Johnny Marr and John Squire may get the plaudits for their work with The Smiths and Stone Roses respectively but Duffy is surely one of Manchester’s great guitarists with a body of work and personal history second to none.

Both Duffy and Astbury thanked the crowd unreservedly at the end for selling out the venue and they must have been left wondering why they had not been this far North for the last three decades.

One can only hope that they don’t leave it another thirty years before returning to Aberdeen.

On this showing, if they did then you are left with no doubt they could still pull in the audience and give a similar energetic performance to the one seen tonight.

Mar 032016
 

Internationally acclaimed guitarists Giorgio Serci and Jonny Phillips bring their Guitar Journey Duet to the Blue Lamp in Gallowgate on Thursday, March 10 as part of their first Scottish tour. With thanks to Rob Adams.

Jonny & GiorgioSardinia-born Serci, who has worked with orchestras including the Berlin Philharmonic and City of Birmingham Symphony as well as performers as diverse as Dr John and Dame Shirley Bassey, met Phillips after a gig in South London in 2001 and after they struck up a conversation it became clear that they shared similar musical ideas, interests and enthusiasms.

It wasn’t until 2015, however, that the two friends finally formed a musical partnership as Phillips became immersed in his group, the Latin American-influenced Oriole, and Serci kept busy as a player, composer, arranger, teacher, lecturer, and guitar magazine columnist.

“For a long time I’d had this idea for a group that explores the history of the guitar from its origins in Spain and North Africa out across the Americas,” says Phillips, who regularly visits Spain and Portugal to play and soak up Iberian music.

“Oriole does that to some degree but I like the two guitar format – it’s easily portable for one thing – and since the moment I heard Giorgio play I felt he would be the ideal partner. It just took us a while to organize time for us to work on it.”

Although both players are serious students of the guitar and its influence around the world – Serci has a particular fascination for Brazilian and Cuban musical styles – they were keen to avoid a scholastic approach in presenting the music they put together to illustrate the guitar’s journey.

“It’s really about communicating how we feel about the music rather than how much we know,” says Serci.

“When I first heard Jonny play I was immediately struck by his ability to tell a story through his compositions. He also has a deep understanding of and respect for traditional music from different parts of the world and that comes across in his playing. It makes it fun for me to play with him and I hope a really enjoyable experience for the audience when we play together.”