Feb 032012
 

The 2011 Annual Signal Gallery Punk Rock Artists show tribute to the late Poly Styrene (1957 – 2011) featured artwork from a majority of the acts that were the lights of British Punk Music.  Curated by Gaye Advert, featuring musical performances and great artwork, this was a highlight of UK winter art exhibitions as well as a perfect way to pay respects to Poly.  Voice’s Suzanne Kelly weighs in on a unique gallery and a unique collection of British artists.

The music world lost a number of real innovators in 2011 – people who were unlikely success stories in some ways, but whose individuality  shaped the history of music.  Amy Winehouse died in tragically predictable circumstances.  Nate Dogg had many personal problems and came from a world of violence, despite dice being loaded against him from the start, he worked with hip hop greats.

His style was sought after, and at the time of his death from  a stroke he’d been working on a new gospel project.  Then there was Marianne Joan Elliott-Said – or Poly Styrene to you and me.

Poly was born in 1957 – in a time where women had little prospects of exerting influence outside of the kitchen.  Women of the late fifties largely spent all their time trying to look conservatively, conformingly beautiful (and there is sad evidence that women are slipping back into wanting to look good more than wanting to be good at something).  Poly was having none of it.

She eventually wound up as the iconic, unpredictable, liberated, intelligent figurehead of punk band X-Ray Spex.  It was said the band formed after she and some friends saw the Sex Pistols perform.

Poly died in April 2011 from an advanced form of breast cancer.   Her unforgettable expressive vocals and X-Ray Spex’ music will always be around.

  Knox from the Vibrators is one of many musicians with artwork on show

The Signal Gallery near London’s Old Street Station has hosted exhibitions of music by punk musicians for some years now.   I’m sure many people who visit this extremely  popular show are there because of the musicians, but no one leaves without seeing a perfectly well curated group show of excellent, challenging art.

This year’s curator was Gaye Advert of (if you didn’t know) The Adverts.  She works in many media, and I’m particularly fond of pieces such as ‘bad squirrel’.  Knox from the Vibrators is one of many musicians with artwork on show; Knox is an extremely talented painter and has studied art.  He’s known for imaginative pieces as well as street scenes of London and overall for portraits of fellow musicians.  He had a portrait of Poly Styrene in this show as  had Charlie Harper and Chris Brief.

I missed the opening (and was cross with myself over it).  For an enthusiastic review of the opening with may photos, try http://retroman65.blogspot.com/2011/11/punk-beyond-gaye-advert-curated-art.html

I did however make it down for the Saturday 10 December acoustic sets by Knox and Charlie Harper of the  UK Subs.

Each played a solo set and then they played together to the Signal Gallery’s main room, totally filled from floor to ceiling with artwork and punk lovers young and old.  Nigel Benett  from The Members was among the audience.

I would love to have spoken more with Gaye Advert and the Gallery’s staff.  However, the former was busy trying to get artists to sign posters from the show, talking to press, being photographed, and trying to find Charlie when it was time for his set.  The posters  were sold at £50 each to raise money for a cancer charity in memory of Poly Styrene; I was lucky to get one.

The gallery owners were busy selling the few pieces of art that hadn’t already been sold, supplying countless beers to the crowd, and dealing with a pipe which started leaking on Charlie as he started his set.

The art was being talked about; some pieces such as a kinetic sculpture involving two dolls was sensational.  The art ranged from classic punk iconic art to abstracts and sculptures.

This show was a testimonial to the energy and talents that continue to keep punk going, and to the ongoing legend of Poly Styrene.

 

Feb 032012
 

With thanks to Kylie Roux.

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

Based on an event from November last year at The Scottish National Portrait Gallery, Your Leaning Neck is a performance project that aims to challenge institutional representations of national identity by giving voice to non-institutional values.

A silent video installation showcasing last November’s event from two perspectives will be shown in the Peacock gallery.

Saturday 18 February – Saturday 10 March 

– Live Performance

Starting off at Peacock’s gallery then moving onto the Episcopal Cathedral Church of St Andrew, visitors will be treated to a live re-contextualisation of the performance event created as a site-specific response to the Scottish National Portrait Gallery’s collection of portraits from the Scottish Enlightenment. Within the performance, oral tradition singers are presented alongside contemporary artists who also use their unaccompanied voice as a means of expression.

Friday 24 February | 7 – 9pm | Peacock Visual Arts | FREE 

GIG IN THE GALLERY – Martin John Henry

Recently praised by Sound-Scotland, as “one of Scotland’s finest songwriters”, Gargleblast Records and Peacock Visual Arts present Martin John Henry.

The Lanarkshire born singer songwriter is best known for fronting Scottish Rock Band De Rosa – critically lauded and championed by John Peel and Steve Lamaq – as well as writing, recording and playing with many of Scotland’s finest musicians including Barry Burns (Mogwai), Robert Johnston (Life Without Buildings), King Creosote and Malcolm Middleton.

Saturday 4 February | 8pm | £8 on the door 

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

ONE MAN UNIT is a hybrid of man and sculpture. Through a variety of outputs, audiences are invited to interact with and experience the spontaneous and unexpected developments of this creative beast, as it evolves during the artists’ two-week residency at Peacock.
You can follow the construction of this half man half machine via their daily blog on Peacock’s Facebook page. The ONE MAN UNIT will then be let loose on the public on two occasions:

Saturday 28 January – Friday 10 February

– Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
e: kylie@peacockvisualarts.co.uk
Website: www.peacockvisualarts.com
Online Print Store: www.peacockvisualarts.culturelabel.com

Oct 132011
 

Mike Shepherd, Chairman of the Friends of Union Terrace Gardens, puts the case for keeping Union Terrace Gardens.

Union Terrace Gardens are a vital part of Aberdeen’s heritage.

The city centre park was planned by Alexander Marshall Mackenzie, the architect who also designed the Art Gallery, St Marks and the frontage of Marischal College.

If Union Terrace Gardens feel as if they belong in the city, it is because there is a harmony between the park and the surrounding buildings, several of which were designed by Marshall Mackenzie.

There is a sense of architectural authenticity. This authenticity would be lost if a six-acre modern square is built, which would be surrounded by Victorian granite buildings. The singer Annie Lennox has described this possibility as an act of civic vandalism.

Aberdeen’s heritage matters.

The beautiful granite buildings give us a sense of place and belonging. We identify with our heritage, and Aberdonians are proud of their beautiful city. The replacement of the old with the new, artlessly done, erodes the unique feel of Aberdeen, and starts to make our city look like everywhere else.

The Gardens are beautiful and spectacular.

The Gardens provide shelter below street level under the hustle and bustle of the city centre. The shelter is enhanced by the 78 mature trees in the Gardens, all of which will be chopped down if a modern city square is to be built according to the technical feasibility study.

An Aberdeen Council document states the following:

Union Terrace Gardens has many qualities to be exploited and enhanced including:

– Topography which provides a unique and dramatic setting for the surrounding historic townscape and bridges, and an essential component of the identity of the City Centre

– The character of buildings to the rear of Belmont Street

– The setting for His Majesty’s Theatre, St Mark’s and the Central Library, Denburn Viaduct and Union Bridge

– Green space and mature trees

– One of the last locations where the historic relationship of Union Street to the old city can be appreciated

(Source: Aberdeen City Council,Aberdeen City Centre – Developing a Vision for the Future, May 2010).

The development of Union Terrace Gardens is not a done deal.

There are many obstacles in the way of the so-called City Garden Project, such that it is unlikely to happen.  The project depends on the Council borrowing £70M to fund the project through Tax Incremental Financing. The council, who are £562M in debt, cannot afford to take any more risks on borrowing.

There is no public consensus for the project: indeed a consultation held two years ago rejected the scheme. The politicians are hoping to address these concerns by holding a referendum, which will inevitably support the retention of the existing Gardens.

There is a much better alternative to building a modern and intrusive city square in the middle of the Granite City.

The Friends of Union Terrace Gardens group are committed to the sympathetic restoration of our city centre park. We intend to act in a similar capacity to the Friends of Duthie Park; Duthie park will benefit from the funds attracted by the Friends and will be restored to its former glory. Likewise, the Friends of Union Terrace Gardens intend to return Union Terrace Gardens to a fully-functioning park again.

It wouldn’t take much.

Our park needs some tender loving care, new toilets, a play pen, improved access. We have organised social events in the Gardens and we are instrumental in making Union Terrace Gardens a fun place to visit. It is a park that is a key part of Aberdeen’s heritage, the green heart of the Granite City.

We are a community group dedicated to the future of Union Terrace Gardens.

– Join us, help us in our aims; find out more from our website www.friendsofutg.co.uk

Sep 062011
 

By Mike Shepherd.

Aberdeen Council have recently noted an interest in applying for Tax Incremental Funding (TIF) from Scottish Government funds. The idea is that the Council would underwrite a loan of possibly £80M or more, £70M of which would be used to help pay for the City Square Project. The final application for funding will not be made until December, by which time a business case for TIF will have been completed.

Earlier this year, the then Council leader John Stewart, extended the remit of TIF to include city centre projects other than the city square. These are:

The City Circle Project: A walkway connecting Union Square and the railway station in a circuit from Guild Street, along Market Street through the St Nicholas Centre, down Schoolhill through the City Garden down Bridge Street and rejoining Guild Street to complete the circuit. Basically, it’s a walkway whereby shoppers in Union Square will be heavily prompted to visit the rest of the city by signs and possibly colour coding.

St Nicholas House Redevelopment: A recent council document stated this:

“In the current property market, however, the Council is concerned that developers will be unwilling to take the risk of demolishing redundant parts of the site, delaying any sale and redevelopment and resulting in a vacant city centre eyesore for a number of years. The council therefore wishes to pre-clear the site, to prepare it for sale, and bring forward development.

“The aspiration is that the tower, if not demolished, would be stripped back to its’ skeleton ready for redevelopment, and recladding and put to new uses either as a hotel, apartments or offices, and a new public square would be created to improve the setting of Marischal College and establish a focal point for a new ‘civic quarter’.”

Of interest in this statement is that the possibility of building a public square next to St. Nicholas House has been resurrected. This otherwise hasn’t been mentioned recently in council papers.

The document mentioned is the Aberdeen City Centre Redevelopment Economic Impact Assessment Information, August 2011. This provides information for a questionnaire to be answered by some 500 organisations and individuals which would provide feedback to assess the economic impact of TIF.

Denburn Valley Health Centre Development: From the same document:

“The health centre on the roof is reaching the end of its design life and NHS Grampian is looking to vacate the building. Planning guidance issued by Aberdeen City Council has called for “imaginative” development of the site using the “highest standard of design and materials to complement the surrounding urban form, listed buildings and conservation area”. Redevelopment must continue to provide for substantial public car parking on the site and is expected to comprise largely commercial space for small and medium businesses and some residential development.”

Aberdeen Art Gallery:

“Infrastructure and development required to link the Art Gallery and Cultural Quarter to the City Gardens including partial redevelopment of the gallery and creation of additional gallery space.”

The Scottish Futures Trust (SFT) are seeking six ‘pathfinder’ projects to help establish the feasibility of TIF in Scotland. Three projects have been approved (Edinburgh Waterfront Development, Ravenscraig, and the  Buchanan Quarter in Glasgow) and three more are being sought.

There is strong interest as Barry White, Chief Executive of the SFT  told me in an email last week:

“I can confirm that we have received a submission from Aberdeen City Council and will be considering it along with the submissions received from many other local authorities over the coming days.”

The Case for TIF in Aberdeen.

Tax Incremental Funding is well established in the United States and has recently been introduced to the UK. The idea is that a local authority borrows a sum of money for a development project from Government funds and that the extra business rates generated by the development is captured to pay off the loan over 25 years for instance.
It works best where a brownfield site is used to develop a large scale business operation, the revenue from which is to some extent predictable. In this instance, the risk on a council borrowing a large sum of money is mitigated by a sound business model.

The Aberdeen TIF case is largely predicated on the City Square rejuvenating business in the city centre. There would only be a small amount of revenue generated on site and this would be insufficient in itself to provide business rates to pay back a large loan. Instead, it would be hoped to capture business rates from the surrounding city centre both from rates generated by extra business and new developments.

Trying to predict how much extra business will result from a new city square will be to a major extent speculative with a large uncertainty involved.  In other words, if Aberdeen Council borrowed £80M through TIF this would be based on hope rather than certainty that the money could be paid back.

Aberdeen Council is £562M in debt according to an Evening Express report earlier this year. The interest on the debt is paid from the revenue budget and soaks up cash that could otherwise be used for service and amenities. The Council cannot afford to take a risk on being left with more debt to service, the budget is under severe strain as it is. On the other hand, I have been told that the city is so short of capital for spending that it is unlikely that there would be any investment in the city centre without TIF.

The £70M loan for a city square would be a loan too far; particularly given how unpopular the project is in the city. There is tacit recognition in the questionnaire document that the City Square Project may never happen.

“This option considers the outcome where the City Garden Project is not realisable, but the other projects are. In this scenario, economic benefit and new business rates would be generated primarily by the North Denburn Valley and St Nicholas House developments. Although likely to be less than would be the case if the City Gardens were to be realised, these two projects would nevertheless likely provide the basis for a smaller TIF.”

In this instance, Aberdeen would get a public square at St  Nicholas, which is where most people wanted it in the first place.