Oct 202014
 

614717_147651478707521_945393330_oWith thanks to Mike Tyers.

Interesting Music Promotions are delighted to announce a special tribute night in honour of John
Peel.
Ten years on from his untimely death, we will honour his memory and legacy by having a whole evening of eclectic music, lots of fun & a dance floor rammed full.

This Saturday 25th October #KeepingItPeel, no less than 7 local acts present great value for a reasonable ticket price, and represent the variety and that enthusiasm for the unique and unusual which John Peel will always be remembered.

Kasule:

Longstanding friends of IMP, “the best band you have never heard of” are utterly sublime, producing a unique post rock/electronica/dancey vibe.
https://www.facebook.com/pages/Kasule/212273908783486?fref=ts

Min Diesel:

Local indie band who are definitely moving out of the lofi into even more interesting music territory.

“An impatient Dinosaur jr (or) Shellac with more soul” – The Fly

Debut album out very soon.
https://www.facebook.com/pages/Min-Diesel/122142337808269?fref=ts

Autumn Hang (Dub Set):

Another local who is prolific at turning out cd’s and is starting (quite rightly) to get more live shows. His set tonight will be electronic based but we will “expect the unexpected” as we always do and we will delight in what he offers up.
https://soundcloud.com/autumn-hang

Kitchen Cynics (special Peel tribute):

Local music genius. There, I’ve said it. Expect something poignant and great for this special event.
https://www.facebook.com/kitchen.cynics?fref=ts

Sonically Depicting:

A new experimental band featuring Haylan Jay & John Cavanagh ( he of the walking music encyclopaedia & Scottish BBC). They are so new we don’t have a link to this project…yet.
https://www.facebook.com/john.cavanagh?fref=ts

Best Girl Athlete (Minty Fresh Records / Fitlike Records):

Without doubt one of NE Scotland’s best comedy acts, they are also very fine in the music they produce. Best new duo in Aberdeen in our opinion …Simply do not miss. They have  just signed to the really cool American label Minty Fresh Records as recently highlighted in a superb review of them in the Evening Express.
https://www.facebook.com/BestGirlAthlete?fref=ts

Strawberry Wine DJ’s:

Spinning some Peel faves and beyond. Amazing music knowledge and depth, and always hearing great new (old) music from their nights at Cellar 35.
https://www.facebook.com/pages/Strawberry-Wine/219642591474608?fref=ts

All proceeds after artist expenses to appropriate local or Scottish music charities to enhance musical inspiration.

Saturday 25th Oct 2014
Tunnels 1
Aberdeen
8 till late

Early bird tickets £7.50 available from – https://www.wegottickets.com/event/277357

Links:

http://keepingitpeel.wordpress.com/
https://twitter.com/keepingitpeel
http://www.facebook.com/interestingmusicpromotions.
http://www.twitter.com/IMP_aberdeen
https://www.facebook.com/events/760708197309272/

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Oct 172014
 

When Spear of Destiny played the Moorings Bar this past Saturday, it was a case of ‘they came, they saw, they conquered’ (in the words of Dod Morrison). Suzanne Kelly agrees.

Spear of Destiny (4) - Credit Julie ThompsonSpear of Destiny’s  show last year in Aberdeen was a powerful, heady affair.

This year was another triumph, and surely one of the best nights at the Moorings or any other local venue in ages. Striking new material from the new album XXXI added to the evening beautifully.

The  line-up if it needs re-stating is Kirk Brandon (guitars, vocals), Craig Adams (bass), Mike Kelly (percussion), Adrian Portas (guitar) and Steve Allan-Jones (keyboards).  If you’re touring exhaustively as they are, keeping things fresh for your audience is hard work – but they did it.

The set list was spirited away after the show by a frenzied, deliriously happy ‘Big Steve’, and alas, I can’t tell you precisely what order the music came in. I sort of just remember the overall effect of time going too quickly and overwhelmingly powerful, varied material.

Spear of Destiny (6) - Credit Julie ThompsonThe new track Sputnik was introduced by Brandon talking about the Russian satellite programme Sputnik and the monkey and dog it sent into space – the audience and Brandon were making animal noises, and it was all good fun.

Last year Brandon asked about the referendum, and took a little vote which saw the audience nearly split down the middle.

It might have been a bit soon for some to have contemplated the referendum result, and I’m glad he didn’t go there.

Sputnik, Titanium Man and Here Comes The Sun are infectious tracks from the new album; they went over beautifully.  World Service had the whole room singing.  Babylon’s Burning was covered powerfully (NB – The Ruts come to the Moorings soon), and we were left wanting more.

Apparently a review requires some negatives for balance, but I’m finding this a struggle. We didn’t get to hear everything we wanted to hear, but with a 31 year back catalogue, there was never going to be time to play all the favourites. (The only other criticism is that Kirk Brandon doesn’t seem to like BrewDog, proving that no one is perfect).  Wish I’d seen the opening act for that matter as well.

Spear of Destiny (5) - Credit Julie ThompsonIf I can’t find a bad word to say, then neither can any other person I spoke to on the night or who came forward since. Here’s what longstanding as well as new fans had to say.

Roddy Kennedy:

“Kirk’s been my hero/idol for near enough 3 decades so to have a wee chat like that with him was brilliant [note – the band could not have been more accommodating to their fans after the show – SK] I dunno if my review will be balanced, after all they are my favourite band of all time, but it’s definitely one of their best performances up here. Here Comes The Sun, The Wheel, Titanium Man and Babylon’s Burning were the stand out tracks for me and of course Liberator is always a crowd pleaser.”

Photographer Dod Morrison [who has seen god knows how many acts] :

“Yet again SOD came saw and conquered an captivated Aberdeen audience , they come back year after year and never disappoint…”

Shaun Young:

“SOD brilliant as always. great set list too, played all my favourites the new album I never listened too yet but sputnik and titanium man I think sounded great. the one that stood out was world service still sounding great so overall really enjoyed the gig and wouldn’t hesitate going to see them again. 5 times I’ve seen them now everytime’s a belter of a night.”

My friend Alex (who great  enjoyed speaking to Mike Kelly, who was most generous with his wine):

“Spear of Destiny gig – As a total newbie who has never heard any of their music I thoroughly enjoyed the gig. I’m a staunch lover of rock music and there were plenty of beats to enjoy bobbing around and stomping my feet to overlaid with some powerful vocals and catchy rhythms. Excellent performance, would see again.”

Victor Beattie:

“they were great. Mr Brandon’s voice has passed the test of time and their new material stood well with the old. The crowd seemed to enjoy it and I’d definitely go to see them again..”

A virtually unanimous thumbs up from a diverse audience.   Thank you Spear.

On a personal note.

Spear of Destiny (3) - Credit Julie ThompsonA failing on my part, which I can’t fully explain, is that I had never seen them live before last year.

Perhaps I was busy with other bands and genres; perhaps it was that I’d only moved to the UK in ’88. (Likely because I also got very jaded with the industry – I’d worked in some majors and that brings cynicism, well for me anyway).

Most likely it was that I expect far too much from live music and stuck to acts I knew to be flawless live.

Les Paul set the standard by which I would judge any guitarist; I grew up (as far as I’ve managed to grow up) by seeing him play as often as I could. I’d happily (and fairly frequently) walk out on any act that got on a stage and proved to me their music was a studio engineering feat and not a musical one. I knew SoD from albums.

No one was going to play like that live and make it gel, never mind excelling the studio work. And certainly no one was going to sing like Kirk Brandon outside of a studio. So, I never saw them live until last year. I guess I had a wasted youth after all. There’s a reason that so many people have followed them faithfully for a remarkable 31 years.

I will be back for more.

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Oct 172014
 

Jim Jones RevueA roadtrip, three gigs in 2 evenings and a spot of sightseeing  proved an exhausting but exhilarating weekend in and around Glasgow for Voice photographer Julie Thompson.

It might seem a bit of a hike to head for Glasgow for a small gig but it WAS the last ever show in Scotland for the Jim Jones Revue. Combine this with The Undertones the following evening and it made the trip even more enticing.

So, a hotel was booked – not in Glasgow but a bit out of town on the seafront in Helensburgh, just a short drive from Loch Lomond, meaning we could add a spot of sightseeing to the weekend. There was no enticement to hit the city during the day – I’m not one for shopping.

So, early Friday evening we arrive at Òran Mór, the venue for the first gig. We’re early – and hungry – so we head for the bar to grab a bite to eat, bumping into a couple of well known faces on the way in, who are also down for the gig. The food was OK, basic, but tasty and very hot. Just what was needed.

Checking the time, we have to dash for the door and head down to the basement for the support, which was partway through the first song when we arrive so it was a bit of a mad rush into the pit for some photos before heading to the bar for a drink and a listen.

John J Presley (no relation, I think) were playing – a 3 piece consisting of 2 guys (lead/guitar & drums) and a girl (keys). Mellow, bluesy music with driving guitar from the lead. Bass tones come from the keys section along with the interesting addition of a Harmonium. We actually had a long discussion – and some internet searching – with Jim Gellatly, a familiar face from the festival circuit, about what the instrument was actually called.

John J PresleyÒran Mór itself as a venue was actually pretty good. There are layers to this converted church. Food is served upstairs, where there is also a function room, there was a wedding going on somewhere and the basement was the live music spot and separate doors take you to the different spots. A very versatile place.

The popular A Play, A Pie and A Pint thing that comes to The Lemon Tree every so often, has a home here. Starting in 2004, they do lunchtime sessions and now put on 38 new plays a year.

Of course, we were here for the Jim Jones Revue. They recently announced that they were stopping recording and that this was their last tour – the ‘Last Hurrah’ tour in actual fact – so we had made a special effort to make it down for this – their last ever gig in Scotland.

By now they will have finished their tour ending back where they began, in London, but leaving a lot of disappointed fans behind.

They began their set as they meant to go on – at 100 miles an hour – blasting out their old school rock and roll like it was going out of business. We had a mad 10 mins in the pit (the length of the first 3 songs) before squeezing into the crowd to watch the rest of the gig. It was hot, sweaty and bouncy, even that early on.

Up on the stage there was a lot of thrusting guitars, splayed legs – in fact, all the moves you’d expect to see. The crowd wasn’t much different except they were thrusting their mobile phones into the air.

I spent a bit of time trying to figure out who Jim Jones reminded me of. Then it came to me – he looked a bit like Alan Rickman (except he was packing a guitar and yelling into a microphone) in Dogma. Well, it made me smile.

Not having seen Jim Jones Revue before, I was totally unfamilar with their work. I’d heard they were worth catching live and they really were. I am very glad to have had a chance to see them before the end.

Before we’d left Aberdeen my gigging partner, G, had spotted that a band we’d been wanting to catch were playing their last residency gig at Broadcast in the city centre. It was a late gig, so the timing was perfect for us. We’d decided to wait and see how we felt after Jim Jones Revue before deciding whether to head down for our second gig of the evening.

Just across the road from Òran Mór is the Botanical Gardens, where we had parked, and walking back to the car we spotted a food van. The aroma captured us as we wandered past – we were hungry again after bouncing about for a couple of hours. We didn’t have the advertised Scoobie Snack (1/4lb burger, sausage, cheese, bacon, egg & potato scone, all in a burger bun – for £3.40) but we did demolish a cheeseburger each.

Laura St JudeReplenished and re-energised we headed off down the road to Sauchiehall Street for a spot of Baby Strange, arriving shortly before their support, Laura St Jude, was due on stage.

Broadcast is a small, low ceilinged space in the basement of a bar, across the road from The Garage (where we would be the following night) and accessed via a spiral staircase. It’s pretty dark and red lit, not the best place to be with a camera and no flash but we’re always game for a challenge.

We had time for a drink and a sit down before the music began. Laura St Jude is a bonny girl – all dark hair, long eyelashes, high heels, long legs and a lovely voice. Mellow tunes strummed on her guitar, supported on lead guitar by a familar face to anyone who has seen The Amazing Snakeheads (who recently played The Lemon
Tree).

Dale Barclay is a lot more restrained (and fully clothed) here. In fact, Laura has also been known to hop up on stage with The Amazing Snakeheads for a couple of songs – as she in fact did at The Lemon Tree just a few days ago.

The mellow music is a nice break from the fast and furious pace we’d just experienced and the place gradually began to fill up as the set progressed.

We’d last heard Baby Strange from a distance at the Wickerman Festival but I’d previously seen them in Inverness at the GoNorth music festival and had been hoping to catch them again. Here we got up close and personal with them and a very bouncy crowd – literally bouncing off the ceiling at times.

Baby StrangeThey’ve been doing a residency here at Broadcast for a while – playing here regularly and building up a following at the same time. It’s an interesting concept that some Aberdeen places could think about trying. Anyway, this is their last night of residency and they went out with a bang.

It was hot and sweaty and very lively, we had great fun here and G was pleased to finally have seen Baby Strange. They have a new fan and we hope they make it to Aberdeen sometime soon.

It was pretty late (early if you prefer) by now, so we went back to the car and began the drive back to the hotel. it was mostly motorway and pretty quiet so we made good time. I seem to remember faceplanting onto the bed and being off to sleep pretty quickly.

Morning found me a bit bleary but in need of sustenance. A walk along the seafront found a hot food shop where a bacon roll was gratefully accepted. I also managed to begin my Christmas shopping on the way back. Then we went for a drive up to Loch Lomond.

Heading north along the western shore we were disappointed by the lack of places to stop. There were lots of private no access roads until we got a bit further north. Then we hit the roadworks.

I’d forgotten the road got washed away some time ago and they are still fixing it. The queue northbound was maybe a half to three quarters of an hour waiting time. When we finally got to the head of the queue, the stop/go sign man let two lots through from the north with a long gap between where both ends had to wait (moving roadwork vehicles I guess), leading to a man in a car behind getting out to remonstrate with him.

We finally got through the fairlt hefty road workings only to find about 2 cars waiting to go south. We counted around 80 waiting to go north when we went back through a little later on.

Loch LomondHeading to a hotel/pub at the tip of the Loch we had a look in – it was dead and the car park was full of signs effectively saying ‘Don’t park here unless you’re going to spend money’ which put us off.

So we decided to get lunch elsewhere.

We stopped at one point and managed to get down to the Loch shores and had a wander along the banks.

There was so much rubbish there I spent some time picking up bits of emergency tape, old batteries and other nasties to dispose of properly. Not the reason we wanted to be there. All in all we found Loch Lomond a bit of a let down.

We found some information about the Loch Sloy hydroeletric scheme (the largest conventional hydroelectric power plant in the UK, begun in 1945, completed in 1950, built partially by German prisoners of war, 21 men killed during the construction) in the Inveruglas Visitors Centre and found our lunch in Luss, before heading back to Helensburgh to change and collect the gear for our next gig.

We were heading to The Garage – handily located across the road from Broadcast, so we were familiar with the area.

Supporting tonight were Esperanza – a fast 7 piece ska band, which struck me as a strange warm up for the Undertones. However they did a sterling job, and the place was busier than might have bee expected so early on.

The UndertonesThere was some jovial banter – ‘Hey Robert, where’s your hat’ – from a crowd who were obviously familar with them.

Their bass player is a tiny female, who was only slightly taller than her bass, sporting a batman belt buckle. Later we spotted her right in the middle of the lively moshing and having a whale of a time.

Ah, The Undertones. Tunes from my teenage years. I remember my first kiss – it was a guy called Nigel who cringed whenever a certain popular The Undertones tune came on the radio. Oddly enough, this was the show opener.

They have lost the distinctive vocals of Feargal Sharkey of course, but Paul McCloone provides a lively replacement.

Post photo shoot, we joined the crowd just on the edge of the moshpit. A few songs in, the bloke in front turned around and said ‘I apologise for what I’m about to do’ and with a giant grin he launched himself into the fray gone wild as ‘I’ve Got Your Number’ began.

The encore was 5 songs long, bringing the set list to 29 songs in total – and even then people did not want it to end.

Post gig, we located a fish and chip shop for some late night supper (bumping into one of the Security folk we’d seen in the Garage). G asked her for a funny story while we were waiting for the orders – she mentioned some of the things found when they searched people on the way in; a breast pump; one guy had some condoms, to which his girlfriend said ‘why have you got them, we don’t use them…’ – and so to the car and back to the hotel for bed.

Stirling CastleWe headed home cross country on the Sunday, the last day of the Ryder Cup at Gleneagles, joining the M9 at Stirling, stopping for lunch in a lay-by close to Stirling Castle while enjoying the view, before heading finally for home.
So back to my original thought – it might seems a long way to go just for a gig, but if you plan a little, you can turn it into something so much more. Why not?

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Oct 102014
 

carpenter n mayBy David Innes.

Almost Blue Promotions, to the delight of main man Martin Raitt, is starting to go places.

Or at least fill them, but the one downside to this increasing popularity is that they seem to attract a small
proportion of punters there to socialise noisily rather than watch and listen to the high quality acts now prepared to travel to our city.

It’s not unique to shows in Aberdeen; it’s a growing problem everywhere, disrespectful to performers, to audience members who can behave appropriately and to promoters like Martin who work hard to bring great music to what has been, for years, a neglected geographical backwater.

Fortunately, Tim Carpenter and Fred May, with co-conspirators Matt Flinner (banjo and mandolin) and the mischievous Todd Phillips on bass, delivered more than enough scintillating, swinging bluegrass to delight those there for the right reasons on the final night of their week-long Would It Kill You To Buy A CD? tour of Scotland.

The band’s stirring set was a sublime combination of fleet-fingered instrumentals and respectful and often unique takes on material by, among others, Merle Travis, Flatt and Scruggs, Tom Paxton, The Mississippi Sheiks and Woody Guthrie.

‘When You’re Smiling’ has been recorded, re-packaged, kicked around and generally abused by performers and producers alike since Satchmo made it a standard in the 1920s, but in the hands of these maestros it was delivered with almost visible swing and jaw-dropping instrumental prowess.

Everybody and their bar band has covered a Lennon and McCartney song, but We Can Work It Out is rarely given a makeover, never mind such a wistful but energetic 22-string melodic assault. I’m sure that Tim’s guitar solo is making George Harrison smile somewhere.

The band’s great friend, fiddler Ian Patton joined them for two emotional Celtic-flavoured tunes before, charging to a finish, Neil Young’s Out On The Weekend and Bill Monroe’s Jerusalem Ridge were given loving and lively Carpenter and May treatment.

Two encores, vociferously demanded, somehow managed to bring together the diverse and divided-by-decades joys of Dire Straits and The Stanley Brothers, as these marvellous craftsmen’s versatility and interpretive abilities dazzled the 80-strong Lampie crowd, privileged to be witnessing one of the live musical events of the year.

Links:

http://www.carpenterandmay.com/
http://youtu.be/RRaCLV3qYt4
http://youtu.be/HXhoc0_KeaM
www.almostbluepromotions.com

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Oct 032014
 

'When I Saw You' (film still) by Annemarie Jacir - Palestine, Jordan  2012Peacock Visual Arts presents a season of Middle East/North African films and an exhibition by internationally renowned artists The Otolith Group. With thanks to Kirsty Young.

Following on from festivals in 2009 and 2011 (Cruel Weather and Breaking Point), Intelligence Report will allow audiences to delve further into the sphere of moving image work from the Middle East and North Africa.

The programme is divided into two areas: the screening of six powerful new feature/experimental films from the Middle East/North Africa (at Belmont Filmhouse); and an exhibition consisting of video installations by noted artists The Otolith Group, and a group of repeating experimental shorts by seven artists, shown at Peacock Visual Arts (Saturday 4th October – Saturday 8th November).

The exhibition in the gallery will feature an installation by The Otolith Group (Turner prize nominees in 2010). The Group is a collaborative platform that seeks to rethink the dynamics of cultural production under conditions of accelerated, unstable and precarious global conditions. The seven shorts are the recent work of seven artists from Lebanon, Egypt, Morocco and Palestine.

Intelligence Report is a programme of films that reveal the problem of conveying revolution (Crop) or treating trauma-in-process (Sleepless Nights). Intelligence Report attempts to arrive at some comprehension of what the present may mean by taking a different inflection of the past – as in Annemarie Jacir’s When I Saw You (2012) set in 1967 Jordan.

In addition to the screenings, and giving context to the work, are introductions to three of the six films.

A representative from the Scottish Palestine Solidarity Campaign Aberdeen will introduce When I Saw You (Lamma shoftak) by Annemarie Jacir (2012) on Sunday 5th October at 6pm.

On Thursday 9th Oct, 6pm Sleepless Nights (Layali Bala Noom) by Eliane Raheb (2012) will be introduced by Dr. Stefanie Van de Peer, Global Cinema Fellow, University of Stirling.

And on Sunday 12th Oct at 6pm Crop, Johanna Domke and Marouan Omara (2012) will be introduced by Dr. Andrea Teti, Professor of Politics and International Relations, University of Aberdeen.

Intelligence Report is is organised by Jay Murphy, a writer and independent curator based in New York and New Orleans.

The full programme of film screenings and the exhibition is available on Peacock Visual Arts website – www.peacockvisualarts.com. A printed programme is available to collect from Peacock Visual Arts at 21 Castle Street and at various outlets in Aberdeen city centre.

Oct 032014
 

Ronnie WattWith thanks to Charlie Abel.

Aberdeen’s famous Karate Instructor Ronnie Watt will be looking for a bigger  cabinet to display his medals after receiving yet another award, this time from the Slovakian government for ‘promotion of understanding, tolerance and friendship among nations and regions’

The commemorative medal of Trnava Self-governing region (TSGR) was awarded to Ronnie on the 5th of September by the TSGR president Tibor Mikus. The award has an important place in the chivalry of the TSGR.

Jurai Staffa, the assistant to the President commented:

“It only belongs to those whose contributions to society and human values are extraordinary. It is not only awarded to residents of the region but to other outstanding personalities from other parts of the world. Its prestige and moral credit are unquestionable.

The president of the TSGR in Slovakia ( Tibor Mikos) has added

“TSGR is proud that the medal is in good hands in your case.”

Ronnie first met with President Mikos through Karate back in 2001 when Aberdeen was host to the WKC World Karate Championships at AECC, where thousands of competitors from all over the world came to compete. The competition which had been organised by Ronnie and his team in Aberdeen was praised as a huge success by the WKC who said that it was one of the best competitions they had ever attended and that the hospitality of Aberdonians was second to none.

President Mikos is a keen Karate man himself, and at 8th Dan is greatly respected throughout the Karate world as a former champion fighter and member of the WKC board. He had attended the Championships and was so impressed that he invited Ronnie to Slovakia to train his students.

Ronnie has now made several trips to Slovakia to help with teaching Karate alongside President Mikos, and Jurai Staffa, (a former treasurer and secretary to the WKC, assistant to president Mikos and author.)

This September Ronnie flew to Germany and travelled to Slovakia  with the President of the WKC and good friend Dr. Fritz Wendland from Germany where a surprise ceremony was organised during a 2000 mile European road trip on Dr. Fritz’s World War 2 motorcycle and side car.  The pair had been talking about the road trip for years and Ronnie knew nothing about the award that was in store for him during the journey.

Ronnie has previously received recognition from the Emperor of Japan for his life’s work in karate with an ‘order of the rising sun’  an award seldom given to people outside Japan. This followed recently an OBE from her majesty the Queen and previously Ronnie has been recognised by Aberdeen City Council as their ‘Sports Personality of the Year’ on more than one occasion.

Now aged 67 years young,  8th Dan Black Belt Ronnie Watt still trains karate every day and teaches adults and children the traditional Shotokan karate discipline which has helped shape the karate that Aberdeen is becoming famous for in the karate world. Ronnie has helped tens of thousands of people progress through karate, and some of his students have gone on to win many competition medals including gold in world karate championships.

Anyone wishing to learn Karate please visit www.karate-scotland.info

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Sep 192014
 

Aberdeen Climate Action are setting up a photography exhibition focused on climate change.With thanks to Erik Dalhuijsen.

Disengage linocut - original artwork by Ade AdesinaClimate change is happening. It is happening now and is having very real consequences on people’s lives over the entire globe.

Climate change is disrupting national economies, costing us dearly today and will cost us even more tomorrow. We need to act now to try and prevent furtherwarming and the devastation that comes with that.

The world’s leading scientists state that there is strong evidence that humans are creating this climate change through their behaviour. If we are creating this problem then we can also be the ones to prevent it getting any worse by modifying that behaviour.

Climate change can be limited, with existing technologies and efforts, but we need to actually make this happen. Positive action is required. We need to send a clear message out to our leaders that we support action to reduce carbon emissions.

People, organisations, companies and governments need to do much more of some things, and much less of some other things. Politically it is often easier to sell doing something new (such as free charging for electric cars), rather than no longer doing something old (such as burning coal or pulping rainforest). But doing more is no longer enough: we also need to do less.

The United Nations are holding their Summit on Climate Change on 23rd September 2014 in New York. Globally people will be speaking out to implore these gathered politicians to take the substantial steps necessary to reduce as much as possible further global warning and its attendant
natural disasters.

We want to add our voices to those others campaigning for states to commit to a target and plan to reduce carbon emissions. We would like your help to spread the word and apply pressure on our leaders to do what they can to save this planet and all of us on it.

Aberdeen Climate Action: Photo Exhibition.

The Photo Exhibits will be interspersed with information posters, illustrated with extracts of artwork from Ade Adesina. The exhibition will open in The Belmont Filmhouse Cafe-Bar on Saturday 20 September at 11:00  (entry from 10:30) and will run until October 19.

Venue: Belmont Filmhouse Cafe-Bar
49 Belmont Street,
AB10 1JS,

Open: Weekdays and Saturday. 11:00 – 22:30 Sundays: 12:30 – 22:30

  • Image credit: ‘Disengage’ – original artwork by Ade Adesina
Jul 182014
 

With thanks to Kirsty Young.

Berliners 3 1978 oil on canvas 119.5 x 188 cm (Private Collection)

Berliners 3 1978 oil on canvas 119.5 x 188 cm (Private Collection)

Aberdeen’s first exhibition of paintings and other works by major Scottish artist Alexander Moffat opens at Peacock Visual Arts next month (Exhibition opening on Friday 15 August 2014, 6 – 8pm).
Paintings as Arguments: Five Decades of Cultural and Political Change in Scotland, which runs 16 August – 20 September 2014, will question the role of art and culture in the independence debate.

The project opens enquiries into important changes and achievements in cultural expression and education, artistic means of production and dissemination in Scotland and their international contexts.

Moffat, an artist-activist opposed to establishment conventions, played a major role in the cultural changes sweeping Scotland and the world from the 1960s onwards. His main aim as an artist, curator, teacher and writer has been to place Scotland and Scottish art in a relationship with the rest of the world.

As the country prepares to answer the question of whether it wants self-government or not, Peacock Visual Arts asks what contribution have the visual arts made in taking us to the point where a referendum on independence is even thinkable, no matter the outcome.

What has been the role of the “success story” of Scottish art in increasing self-awareness of Scotland’s cultural distinctiveness? What are the cultural arguments for, or against, independence?

The exhibition will contain a number of large-scale oil paintings from both private and national collections. It will also showcase documentary material from the last five decades, including books, magazines and photographs.

An evening of debate, followed by music from the renowned composer, musicologist, and music historian John Purser, will allow audiences to voice their opinions and to learn more about the exhibition and its contents from Moffat and Alan Riach, Professor of Scottish Literature at the University of Glasgow (Wednesday 17 September 2014, 6:30pm at Peacock Visual Arts).

Peacock is publishing a book, a conversation between Moffat and Riach, which illuminates many of the major cultural changes that have taken place over the past half-century. This will be available to buy once the exhibition has opened its doors on Friday 16 August 2014 at 6pm.

Exhibition Runs: Saturday 16 August – Saturday 20 September 2014.
Opening Hours: Tuesday – Saturday, 9:30 – 5:30pm
Free Admission.
www.peacockvisualarts.com

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Jul 182014
 

Over five thousand Aberdonians packed the city’s Duthie Park for a free screening of The Royal Opera’s production of Puccini’s opera La Bohème last Tuesday evening. By Duncan Harley.

La Boheme Duthie Park small

Sponsored via a partnership between The Royal Opera House, BP Big Screen and eighteen other UK councils, Aberdeen was fortunate indeed to have been chosen as the sole Scottish venue for the event, which involved simultaneous screenings of a live performance at the Royal Opera House in Westminster’s Covent Garden.

With ticket prices at the London venue averaging around £140 per head, the ‘bring your own seat’, free outdoor event proved to be a resounding success, both entertainment- and weather-wise.

A timeless, potent and heartbreaking tale, Puccini’s La Bohème was first performed in Turin in 1896, just thirteen years after the 44-acre Duthie Park was laid out.

Based on a collection of vignettes penned by Henri Murger and depicting Bohemian life in the Latin Quarter of mid-19th Century Paris, the storyline describes the love and lives of the main characters, Mimi and Rodolfo.

Although performed by The Royal Opera Company as far back as 1897, this week’s production dates from 1974 and has John Copley directing, with Cornelius Meister conducting. The role of the poet Rodolfo was performed by Italian tenor Vittorio Grigolo with Romanian soprano Angela Gheorghiu as the doomed seamstress Mimi.

Sadly, Aberdeen will not be hosting the September offering from the BP Big Screen, and so those wishing to enjoy Verdi’s Rigoletto on September 17th will need to nip over the border to the likes of Plymouth or Bristol, before speeding back the next day in good time to cast their vote in the referendum.

As an alternative, Scottish Opera will be touring with Rossini’s comedy La Cenerentola at the end of the year, with live performances in Glasgow, Edinburgh, Inverness and at His Majesty’s Theatre in Aberdeen.

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Jun 242014
 

There’s a weekend of top punk bands playing next month at The Tunnels. Voice’s Andrew Watson previews this upcoming event.

Oi Polloi

Oi Polloi

‘Freedom of Aberdeen City’ is the area’s summer punk rock festival which is brought to you by DIY promoters Bile Yer Heid and Eck Ruffneck on Friday 4th at 18:00 and Saturday 5th July at 13:00.

Friday’s lineup is Steve Ignorant & Paranoid Visions, Rubella Ballet, Shatterhand, The Cundeez (Dundee) and local noise punks The Obscenities.

Paranoid Visions are Ireland’s most infamous punk bands, and have Steve Ignorant, the vocalist from Crass, guesting on this year’s tour.

Rubella Ballet, who scored a Top Ten hit in the UK Indie Charts, will be playing their first Scottish gig since the early 1980s..

Saturday sees The Mob, Oi Polloi, Hooligan (Dublin), The System (Wigan), Black Light Mutants (Manchester), Battery Humans (Northumberland), Subvision (Fife), Down To Kill (Edinburgh), The Eddies (Dundee), Aberdeen City’s Toxik Ephex, Against All Flags (Inverness/the West Highlands), and Aberdeenshire’s Mark Ayling and Skizofrenik.

The Mob are straight off the back of a USA tour, having recently reformed. The south-west of England melodic punk band have not played Aberdeen since around 1983.

Oi Polloi return to Aberdeen for the first time in three years and have new, original Gaelic-language numbers to play for the punks and skins.

This will be a complete one-off event with many notable and influential political punk rock acts, coming from all corners of England, Ireland and Scotland.

A Friday gig ticket is £15 for five bands, a Saturday gig ticket is £15 for thirteen bands. To see all eighteen bands over the two days duration is only £25. Tickets are available from Cafe Drummond, or from www.bileyerainheid.blogspot.com.