Dec 292016
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

 Erin Wyness (RGUBC) and Fiona Bell (AUBC) hope to lead their teams to victory in the 2017 Aberdeen Boat Race.

Old rivalries will be reignited this March as Aberdeen’s two universities take to the River Dee in a fierce battle of nerves and determination.

The Aberdeen Boat Race – Scotland’s longest running boat race – returns for its 22nd year on Saturday, 4 March 2017 at 5.30pm thanks to the continued support of global investment group, Aberdeen Asset Management.

The University of Aberdeen has challenged five-time reigning champions Robert Gordon University (RGU) to a rematch following 2016’s exhilarating race in which both crews smashed the course record.

Following a close race in which the mixed crews gave it their all over the 3.5km course, RGU emerged triumphant by just a quarter of a length in an impressive seven minutes and 38.6 seconds.

Ahead of the main race, the day’s programme will also include second crew, alumni and media team races. Students, alumni and members of the public are invited down onto the banks of the Dee to cheer on the crews.

Erin Wyness (20), president of RGU Boat Club, believes that her crew has what it takes to bring home the trophy for the sixth year in a row. The Events Management student from Aberdeen says:

“Of all the races we compete in throughout the year, the Aberdeen Boat Race is by far the highlight for the clubs in Aberdeen. The University of Aberdeen squad is looking strong, but we’ve been training hard in order to lift the trophy again. Bring on March 4th.” 

Aberdeen University Boat Club president Fiona Bell (21), however, is confident that this will be the year that the historic institution will break RGU’s winning streak. Sport and Exercise Science student Fiona, who hails from Kilmacolm near Glasgow, says:

“We’ve been out on the water in all weathers – in daylight and darkness – to make sure we’re ready to take on RGU and the crew is in good shape. After RGU winning for five years straight, defeat is not an option – it’s time for us to reclaim the title.”

The annual boat race – hailed as Scotland’s equivalent of the Oxford-Cambridge boat race – stretches from the Bridge of Dee to the Aberdeen Boat Club, offering many great vantage points for spectators along the course. Each team of eight, and their coxes, have already begun an intensive training regime to reach peak physical fitness for the race.

Professor Sir Ian Diamond, principal and vice-chancellor of the University of Aberdeen, says:

“The dedication and hard work of the Aberdeen Boat Race crews is an inspiration to all of us. The rowers from both universities put everything they have into the race and it is a fantastic occasion. The result of last year’s race was incredibly close, and I am looking forward to another hard-fought contest in March.”

Professor Ferdinand von Prondzynski, principal of RGU, adds: “Few sporting events are more closely contested in the north east than the Aberdeen Boat Race. The crews from both universities show incredible skill and dedication in their efforts, and I hope that students, families and the general public will line the banks of the river to enjoy what is undoubtedly Aberdeen’s hardest-fought sporting event.”

Martin Gilbert, chief executive of Aberdeen Asset Management, comments,

“What began as quite a modest event between two local universities has become one of the north east’s most popular sporting events. The rowers should be incredibly proud of their efforts, as every year the race becomes closer and harder-fought. We are delighted to continue our support of the Aberdeen Boat Race again in 2017, and we look forward to supporting the crews alongside the general public on the shores of the River Dee.”

For all the latest updates on the crews and their training, follow the Aberdeen Boat Race on Twitter @2017boatrace, Instagram @aamboatrace and on Facebook at www.facebook.com/aamboatrace

 

 

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Dec 282016
 

By Red Fin Hall.

The last home game for the Dons before the winter break, saw Hamilton make the trip north.

Having only won two games this season, one of which was a 1-0 victory when Aberdeen visited back in October, they were hoping to snatch at least a draw today.

The Dons, whose recent form has been, to say the least, erratic, fielded an team unchanged from that which beat Motherwell away from home last Friday.

Referee Andrew Dallas got the game underway on a crisp, cold but sunny day, with the underfoot playing conditions ideal.

Three minutes in, Aberdeen had their first free kick, swiftly followed by their first corner. It was from this corner that Mark Reynolds had the ball in the back of the net. But this brought about the first of many debatable decisions when he ruled that a foul had been committed and disallowed the goal.

Minutes later a sharp looking Jonnny Hayes won a second corner.

With 15 minutes gone Hamilton went looking for their first goal and a snapshot from Darian McKinnon from 25 yards out, caused Joe Lewis to do his job and divert the ball around the post for a corner.

Hayes was at it again, when he picked up a loose ball and fired it forward for Adam Rooney to chase, but it was too long for him to reach it.

Just after Kenny McLean and captain Ryan Jack had their shots blocked, a goalmouth scramble ensued when McLean, Andrew Considine and Reynolds also had shots blocked.

In 22 minutes Hamilton were scrambling about in the Aberdeen goal area, trying to make a breakthrough.

Meanwhile The Dons were winning corner after corner as they kept the pressure up on a poor Hamilton team who were getting away with foul after foul as the pace of the home team was proving too much.

After Rooney held the ball up, he found Graeme Shinnie, whose shot just went wide. Moments later the same player made Accies keeper, Gary Woods pull off a vital save.

Hayes, still causing the opposition grief, was fouled by McKinnon, who protested his innocence. Taking the free kick itself, he found the head of Ash Taylor, who had made his way forward from the centre of defence. His perfectly timed leap on the 33rd minute, directed the ball into the back of the net to give Aberdeen a well deserved lead.

1-0

Dallas was deservedly criticised when two minutes later he awarded a penalty, indicating that Lewis had brought down Danny Redmond. Dougie Imrie took the spot kick and buried into the back of the net.

1-1

The Dons, fans and players, were again decrying the referee moments later when Rooney was pushed over in the box. The referee awarded another free kick to Aberdeen when Shay Logan was brought down. Hayes again took the kick, and again he found the head of Taylor. This time the keeper saved it, resulting in another corner. 

Just before the halftime whistle blew, number seven for the visitors, Imrie received a yellow card.

Another claim for a penalty thereafter when Considine was held in the box..

The half time whistle blew and both teams went into the tunnel knowing that a draw at this point was extremely flattering to the visitors. But if the men in red had more guile and a killer touch, then the score would have been more.

Half time 1-1

No changes at half time for either side.

Aberdeen started the final 45 minutes as they finished the first 45 when McLean found Shinnie whose attempt was blocked by a resilient Lanarkshire defence.

Hayes again looked threatening after receiving a good pass from Rooney, but as seemed to be the way of things, his attempt to score should have been better.

Aberdeen took off Considine and replaced him with James Maddison.

Immediately, Lewis pulled off a fine save after a breakthrough from Rakush Bingham, whose pass set up an Ali Crawford shot on goal.

With 20 minutes left on the clock, Logan passed to Maddison whose shot was parried by the Hamilton keeper. Rooney did what Rooney does best, and cleanly put away the rebound.

2-1

On minute 90, Maddison was booked for diving – a decision that not many can argue with. This is the second game in a row that the loan player didn’t start the game, and the second comfortable victory. Will we miss him if he returns to Norwich in January?

Let’s leave that hanging there.

With 2 of the 3 stoppage time minutes gone, Hayes was yet again brought down just outside the box and a red card was shown to the perpetrator, Scott McMann.
 
Full time came soon after. 2-1

The score should have been much higher and if Aberdeen want to seriously challenge for second place, then they are going to have to find a way to get more goals against teams of this ilk. With three yellow cards and a red awarded to the visitors and more corners than I could count, they will be in a dogfight to remain safe from relegation.

Next home game. 21.01.17 Scottish Cup v Stranraer.

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Dec 232016
 

By Suz Reid.

Several parents attending regular awareness events in Aberdeen, bring their compassionate young children, who have clear ideas on the animal welfare issue of fur farming. When you talk to these children they are naturally aware that killing an animal that has feelings is wrong.

They question everything including; why would you kill an animal for its fur and pay lots of money to wear it on a jacket, bag or hat?

“We allow the children to come as we are peaceful and want people to see even children know fur is wrong, we work together to collect signatures and hand out leaflets informing people of how barbaric skinning an animal alive for fashion is” explains Fiona Melvin (Co-founder of Say No Fur to Aberdeen Fashion).

Good question why are we so disconnected to the feeling of other animals, is it because they don’t speak our language? If you talk to someone who rescues an abused animal they will tell you how the animal responds to set emotion and responses. With kindness, structure and love they become confident and display affection. Which should open questions of why we feel we have the right to cause pain and suffering to other animals just to wear their skin.

“I feel Really strongly about the use of real fur, and we feel so upset to think people are actually buying it even when some know how it’s sourced and there’s plenty of alternatives without harming animals” said Laura Lotus Flower.

What the recent article in the local press – apart from unfounded claims by Escale France – failed to address, was the animal welfare in the fur trade or rather the lack of it. In this instance one shop Escale France named in the Press & Journal, is more than aware of the suffering of animals for the fur items bought in Europe to be displayed in her boutique. Profit margins versus animal suffering; with no information on the animal suffering being mentioned. I aim to address the balance.

Isobel from The Coalition to Abolish the Fur Trade (CAFT) states:

“People who buy fur intentionally, have been told by retailers that fur products are ‘responsibly sourced’ and come from ‘humane fur farms’ – in all of our investigations we have never seen any evidence of ethical or humane fur farming, and what’s more we cannot agree that it is ever ethical to take an animal’s life for the purposes of fashion.”

In fur farming there is no day light let into the large barns that the animals are housed, the cages are small, metal surrounds them. They do not see any human kindness, food slop is throw in as they squirm and writhe around often covered in their own faeces…they squeal to each other communication. In a prison waiting for the day they are dragged from that hell, to the pain of its slow death.

What about the trapping method? Days go by without the trap being checked, the animal caught may be endangered. In agony the animal chews at its limbs in desperation to free itself. It might have a litter waiting for feeding. So much suffering…

When you are told they don’t get skinned alive, you are being lied to.

They are close to death but still their hearts beat, they are often still breathing, semi conscious. There is no vet checks to minimise suffering. They can’t move because they have been stunned or particularly gassed.
They have endured, suffered …and then their bodies are dumped useless, dying from the horrendous pain of having their fur taken, crushed in the final blow by mechanical machine.

That is just mink farms. What about foxes, rabbit, raccoon, dog, cat they are all animals that feel? Does it matter? Yes it does. We should care how fur is being produced, because it has come to this. We banned it in the UK so we could stop the cruelty. Yet we allow it to happen elsewhere so we don’t have to care.

Isobel from CAFT comments:

“Animal welfare has never been at the top of the government’s agenda, especially our current government who have tabled such things as repealing the Hunting Act. This is why this is a social struggle, to raise awareness amongst the public about the horrors of the fur trade, encourage the boycott of any shop that sells real animal fur, and ask retailers to adopt fur free policies in their stores.”

People from Aberdeen care, they were not from animal activist group, they found others cared. They came together online, they researched what happens, they emailed other organisations which had the proof of what goes on behind the scenes. They have had open dialogue with three other shops in Aberdeen. Two of those shop owners signed the petition against Escale France. They didn’t agree with selling fur for vanity, currently the signature total for the petition is 1600.

One owner who had old stock on sale, agreed to remove those from her shop, along with making us aware she was a vegan and didn’t agree with the fur trade.

Cruise Fashion removed a Canada Goose jacket from the main shop, however, they are still selling fur and there is UK wide protests against this with CAFT. Inverurie Garden Centre had hundreds of customers up in arms with their fur trim accessories. They claim to have removed these items, though allegation have been made by a customer who visited the shop recently of the items still being available. Several other shops in Aberdeen and the North East continue to stock fur items.

John Robins of Animal Concern issued a warning to people doing their Christmas shopping or looking for bargains in the January sales:

“Do not always assume that fake fur is in fact fake fur. Fur is so cheap and unpopular that sellers will dye it bright colours and sell it as faux fur. You also have people saying it’s “only” rabbit or coney fur.

“The argument against fur is no longer just about killing endangered species, it is about the extreme cruelty involved in the trapping, farming and killing of animals for their skins. On fur farms one method of achieving this is by pushing a metal rod up the animal’s anus and electrocuting them. My advice is not just to avoid all products containing fur but to totally boycott all shops that sell any fur.”

We are not talking fur for survival here, we are talking about the suffering of animals for a fashion item, that you or someone you know is buying.

If you still intend on being ‘in trend’ and want to wear faux fur then check out CAFT website for the check list. http://www.caft.org.uk/ Or follow Animal Concern advice and avoid fur trim altogether http://animalconcern.org/

If you have read this and decide you want to support the campaigns against the fur trade please visit https://www.facebook.com/AntiFurAberdeen/?fref=ts

Or email saynofur@gmail.com for more information.

Photos by courtesy of CAFT.

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Dec 232016
 

With thanks to Martin Ford.

Aberdeenshire’s Democratic Independent and Green Group (DIGG) councillors – Paul Johnston and Martin Ford – have made clear their belief that Aberdeenshire Council needs to do all it can to protect vital public services.
That includes raising additional income by putting up the Council Tax next year by three per cent.

The decision on Aberdeenshire Council’s 2017/18 revenue budget will be made against a background of rising demand for key Council services, in particular adult social care and an increasing school pupil population – with the inevitable attendant budget pressures.

The Council Tax rate has not increased since 2007, a freeze now lasting nine years.

A very preliminary analysis of the Scottish Government’s budget statement last Thursday (15 December) suggests the cut in Government funding to Aberdeenshire Council next year is in line with expectations or possibly slightly more than anticipated. A full analysis of the overall effect on Aberdeenshire Council of the various measures announced by the Scottish Government will be available early in January.

Cllr Martin Ford said:

“In the context of a cut in Aberdeenshire Council’s grant funding from the Scottish Government, rising demand for Council services and a nine-year freeze in the Council Tax, a Council Tax increase is necessary next year.”

The DIGG draft budget proposals for Aberdeenshire Council (published in November) included a three per cent rise in the Council Tax as one measure to help close the forecast funding gap in 2017/18.

Cllr Paul Johnston said:

“Given inflation, the freeze in the Council Tax was a real-terms tax cut. And it’s lasted now for nine years. Clearly services have to be paid for, so the freeze can’t just go on.

“For the DIGG, protecting essential services is the priority. For every one per cent increase in the Council Tax, the Council can avoid cutting a million pounds from its spending on services.”

For the benchmark Band D property, the current Council Tax in Aberdeenshire is £1,141.00. So a one per cent increase is an additional £11.41 on the annual Council Tax bill (or just under 22p per week, just over 3p per day).

A three per cent rise next year is just 66p extra per week for a Band D property.

Even if that increase is made, spread over the ten years 2008 to 2017, the Council Tax will have risen by only £3.42 per year in that decade.

“After many years of cuts, the priority has to be protecting the services people need,” said Cllr Martin Ford.

“The Council must do everything in its power to maintain the range of essential services it provides for residents.”

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Dec 232016
 

Craig Chisholm reviews Ash At The Garage, Aberdeen. Photos by Craig Chisholm.

It’s been over 20 years since Britrockers Ash appeared in Aberdeen. That was for a date at the Lemon Tree supporting their then newly released album ‘1977’ and now, two decades later, they return to the city, albeit to a different venue – The Garage, on Windmill Brae – but in support of that very same album on its 20th anniversary tour.

Since the end of the September the band have been re-visiting arguably their most well-known long player and performing it from beginning to end in their set.

Starting this, their second last gig of the year, with album opener ‘Lose Control’ they bounced through 1977’s twelve tracks that include their biggest hits from their commercial peak – ‘Girl From Mars’, ‘Kung Fu’, ‘Oh Yeah’ and ‘Angel Interceptor’ were all Top 20 hits for the band and The Garage crowd lapped them up as if they were released yesterday and not as far back as 1995 in some cases.

Their most recent album, 2015’s ‘Kablammo!’ is represented by only one track tonight – ‘Let’s Ride’.

But given that most of the crowd were teenagers or twenty-somethings in the 90s the band wisely stick to the hits from that era for a nostalgia filled set – ‘Petrol’ and ‘Jack Names the Planets’ from their debut EP, ‘Petrol’ are given a spirited run through and early noughties hits ‘Orpheus’, ‘Shining Light’ and ‘Burn Baby Burn’ are well received and get the crowd animated as they sing along, as was Top 10 hit ‘A Life Less Ordinary’ from the 1997 Cameron Diaz and Ewan McGregor film of the same name.

It’s a couple of cover versions that are most interesting though – John Williams ‘Cantina Band’ from Star Wars, which was previously covered as a B-Side by the band on an early single, is timely and appropriate given the release of the latest Star Wars movie at midnight the very night of their gig and ‘1977’, of course, being the year the first movie was released.

The other cover is the one that may have puzzled the casual observer – a rocked up version of ABBA’s ‘Does Your Mother Know?’. However, if anyone had taken a trip to the merchandise stall at the back of the venue they could have picked up a CD of a set from the band’s legendry London Astoria performances from 1997 which featured that very song on it.

The band’s line up has remained pretty constant since they began – only the addition of Charlotte Hatherley as a full time member a few years back provided any change.

And tonight the three piece – singer/guitarist Tim Wheeler, drummer Rick McMurray and bassist Mark Hamilton – still give their all, as fresh faced and full of energy now as they were when they formed the band in High School in Belfast.

Although Ash may not have the commercial draw they once had, they still have the hooks and pop nuance that deserves to be heard by a wider audience.

Hopefully it’ll not be another two decades before they return to the North East so others can re-discover their pop-punk songs for themselves.

More pics here.

Dec 232016
 

Craig Chisholm reviews Frightened Rabbit At The Beach Ballroom, Aberdeen. Photos by Craig
Chisholm.

On a night when the lights went out at Pittodrie during a Dons game against Motherwell, Frightened Rabbit lit up the nearby stage of The Beach Ballroom as they returned to the city in support of their latest album, 2016’s critically acclaimed ‘Painting of a Panic Attack’.

This tour represents a victory lap of sorts for the band as they celebrate a successful year which featured a Top 20 album and high profile live appearances at Glastonbury, T in The Park and a host of festivals throughout Europe and the US.

In a few days after their Aberdeen and Inverness dates they will play three sold out gigs at Glasgow’s iconic Barrowland Ballroom.

Make no mistake, this may be the last time in a while that you’ll catch them in venues of this size and headlining appearances at the AECC or Hydro beckon for the band.

Opening with the uplifting ‘Get Out’ from ‘Painting of a Panic Attack’, the band career straight into the fire and brimstone of ‘Holy’ and ‘The Modern Leper’ which featured on  2008’s ‘The Midnight Organ
Flight’.

Selkirk born singer Scott Hutchison chats amiably to the ecstatic crowd between songs.

“People always shout “Scotland” to us at our gigs” he notes.

“which is kind of weird, as we’re in Scotland…. Nah, just kidding, it’s only in America.”

Hutchison may have moved to Los Angeles after the bands previous album, ‘Pedestrian Verses’ and its subsequent tour but he and the band remain rooted in their home country musically and emotionally as their lyrics and between song banter attests.

The crowd hang onto his every word and exchange conversation with him as the mood remains happy and warm despite the driving cold wind and rain outside.

Hutchison may be the frontman, original member and main songwriter but the unsung star of the show is behind the drum kit in the shape of his brother, Grant.

Remaining a constant in the band since they were a duo recording the debut album, he is a flurry of careering arms, flying hair, snapped drum sticks and open mouthed expressions of pure emotion.

Part X-Men’s Wolverine, part Animal from The Muppets and, visually at least, part Oliver Reed, the drummer is a captivating sight behind the kit and guaranteed to hold your gaze once you see him.

The 19 song list set-list, lasting almost an hour and a half, is a career spanning set that includes eight tracks from their latest album and the oldest cut played being ‘Be Less Rude’ from their 2006 debut album ‘Sings The Greys’, each song received ecstatically by the partisan crowd and given rapturous applause and the upmost appreciation.

So, where next for Frightened Rabbit after such an amazing year then? Onwards and upwards one must assume – they may be frightened but they are certainly no rabbit in the headlights, frozen to the spot.

More Pics here.

Dec 162016
 

Duncan Harley reviews Dick McWhittington at His Majesty’s Theatre, Aberdeen.

Scotland’s very own Elaine C. Smith took to the Aberdeen pantomime stage for the eighth year in succession this month. Appearing as lead in Dick McWhittington alongside seasoned fellow pantomime favourites Jordan Young and Alan McHugh, Elaine’s portrayal of Fairy Fit Like proved yet again that the hoary old one liner ‘Thespian: Where’s my career? Audience: It’s behind you!’ doesn’t really cut the mustard nowadays.

Written by Alan McHugh, the plot follows loosely the classic pantomime tale of poor boy makes good through heroic deeds, becomes fabulously rich, gets the girl of his desires and takes up office as Lord Mayor.

The twists in the plot, and there are lots of them, involve some funny business with a broken trombone plus lashings of both above- and below-the-belt innuendo-laden humour. There’s a risqué assertion that Maggie Lynne’s ‘Ailish’ is really fond of Dick, and there was also a nicely timed ad-lib by Fairy Fit Like, following a technical fault with the sound, to the effect that:

“Somebody’s got to come up here and fiddle about with me!”

Little is left to the imagination.

As the risqué jokes piled on and the comedy routines ran amuck, one found oneself transported back to that innocence of childhood where even Dick Emery’s brassy Mandy’s catchphrase of ‘Ooh, you are awful’, seemed benignly devoid of double entendre. That’s the magic of pantomime: keep the grown-ups happy and the youngsters wondering, and you won’t go far wrong.

Mind you, the spectre of Jordan Young’s ‘Ba Heid Boabby’ being molested by an electric eel will haunt me forever, and Elaine’s portrayal of a club wielding golf king in the form of Donald Chump left no holds unbarred! Indeed, I detected an enthusiastic cheer when Sultan Vinegar decreed “Off with his head”.

The villain of the piece, John Jack’s ‘King Rat’, naturally gets his just deserts and, without giving too much away, following an innuendo-laden proposal, Dick and Ailish finally tie the knot.

There are musical numbers galore, including a splendid rendering of The Northern Lights of Old Aberdeen, and of course, as we have come to expect from this annual show, some very fine special effects indeed.

The sets are sumptuous, the puns are outrageous and at points, and for all the right reasons, there wasn’t a dry eye in the audience.

Plus, in the true spirit of traditional Christmas pantomime entertainment, the show programme includes detailed instructions enabling younger members of the audience to cut out and assemble their very own Tommy the Cat.

What more could anyone want …

Directed by Nick Winston, ‘Dick McWhittington’ performs at HMT Aberdeen until Sunday January 8th 2017.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley and Images © Aberdeen Performing Arts

PS: Why did Dick McWhittington have a beard?
Because nine out of ten owners find that their cats prefer whiskers.

Dec 162016
 

By Red Fin Hall.

Never mind the pitch taking a hammering, the pockets of the supporters will be too, with this bring the third home tie in the space of 8 days. Continuing the busy December schedule, The Dons faced Motherwell in tonight’s rearranged league match, hoping to close the gap on the pretenders to second spot, The Rangers.

A small crowd, smaller than last week, braved the grey and dreich conditions, wondering which Aberdeen team would turn up tonight. Hoping against hope it would be the same one that beat Kilmarnock a week ago.

As is his wont, Derek McInnes made a couple of changes to the starting line up from the team that started in Saturday, with Adam Rooney and Niall McGinn losing their places to Shay Logan and Jayden Stockley.

The game kicked off, and four minutes into the match, Andrew Considine was yellow carded for bringing down Scott McDonald.

Within a couple of minutes, a generator tripped, and some of the floodlights failed. After hanging around for a spell, the referee, Alan Muir, took both team off the field.

After around 14 minutes, play resumed when the problem with the electrics was resolved.

The game started again, and almost immediately a second yellow card was forthcoming. This time the Motherwell number 6, Stephen McManus found his name being entered in the referee’s book, when he brought town Peter Pawlett.

Lady Luck was not on anyone’s side tonight, when there floodlights failed again. This time the decision was made to abandon the game.

With a busy schedule in the lead up to the New Year, and then the winter break starting, and The Scottish Cup ties taking place in January, the rescheduling of the game may well be difficult to fit in.

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Dec 162016
 

OK, perhaps the link to Aberdeen Voice for this London show is a tenuous one. However, the Temperance Movement have a large, loyal fan base here who have seen the band in The Tunnels, The Lemon Tree, and the Beach Ballroom. If you’re one of those fans, here’s an account of the London acoustic show and a few comments from the band. By Suzanne Kelly.

The Temperance Movement always impressed from their first small shows through touring with the Stones and their current, seemingly endless world tour. Class, sincerity and promise are the heart of their rock, southern rock, blues and ballads. Quickly winning and deserving a fiercely loyal fan base, TTM must be among the hardest-working acts around. I am one of the lucky 300 to see them in London.

They’ve also kindly answered a few of my questions. For a start, knowing how busy they are, I wondered how and why they arranged these acoustic shows:

“Just that we wanted to do something a bit different with the material we’ve been touring over the last year or so, and more importantly we wanted an opportunity to play some more intimate UK shows and reconnect properly with our fans here having been away for most of the year.”

Fans on the band’s mailing list were alerted to three acoustic dates with one at London’s Bush Theatre. In order to outfox the ticket touts, fans had to earn a certain number of points to prove they were genuine and not scalpers. One of these ‘tasks’ involved watching a wild, wacky, stunning, fun video for Get Yourself Free. It was a case of earn your points, order your tickets and download them on a bespoke app, and you got in – if you were quick enough.

Arriving at the Bush, you were struck by its small size (only 300 tickets were available) and beauty it is a proper old-fashioned theatre with an ornate high ceiling just screaming out for some proper music to use its acoustics and that’s what we got. Next you might have noticed that peppered around the crowd were managers, Earache Records and other industry folks, and the band’s friends and relatives. It almost felt like we were crashing a private pre-Christmas thank you party from the band – and in a way we sort of were.

Out they came – Phil Campbell at a concert piano. And off we all went.

They took us to the Mississippi Delta. They took us to the San Antonio river walk, to dance palaces, to dirt roads in Tennessee. They took us to the 1920s, 1950s, 60s, 2016, and into the future. We got ourselves free.

A bit of an obvious question, but with so many different musical flavours, influences and genres that The Temperance Movement craft into their own unique works, it seemed prudent to ask them what some of their influences for this acoustic show were.

“Well there wasn’t a specific conversation in regards to these shows in particular, but we’re all fans of a lot of artists that are connected to this kind of show – Ryan Adams, CSN&Y, The Band, Bon Iver, Ray Lamontagne etc. ”

It wasn’t surprising that they mentioned both Crosby, Stills, Nash & Young and The Band – these are acts that come to mind when you see TTM live. The CSN&Y harmonies and beautiful acoustic playing, and The Band’s energy at their live shows in the day, and their cornerstone pure American rock are definitely springs TTM has drunk from.

With a reputation for genuineness and a complete absence of artifice, The Temperance Movement and its guests had a night no one will forget anytime soon. Those vocal harmonies – not least on Chinese Lanterns. That beautiful guitar work – well – on everything – with such range and depth.

If you closed your eyes while listening to Only Friend, Lovers and Fighters, White Bear, you could be forgiven for thinking this was an all-American band composed of the finest blues and rock seasoned veterans and that you had to be in the US. The Temperance Movement dressed the part as well, most sporting jackets – all nicely suited and booted.

The venue had delicious acoustics for this night; the room was filled with golden harmonies, each note of the piano was heard, and I could go on. I really hope someone’s recorded these acoustic sessions; I’ll be first in the queue to buy a copy.

Phil remarked about how things seem different when you return to the UK after being in the USA for a long time. He altered the lyrics on I Hope I’m Not Losing My Mind; the song as recorded seems more an indictment of a selfish partner. At the Bush he’d turned it around into a kind of apology which certainly seems geared towards his partner and family.

Life on the road seems a likely cause for both versions of the piece. The band were asked how life on the road was treating them.

“We’re very aware of how lucky we are to be able to tour and make music, but it can also be hard at times, especially being away from kids etc. There are ups and downs like any job, but maybe they’re more extreme!”

This band’s only on its second album – but we got a look into the future when Phil performed a song that I’ll call ‘Children’ for ease of reference. It starts out with insinuations of disloyalty and neglect of loved ones, and then ‘I never want to write a song like that’ is the refrain. It was a homage to home life – something they must all be missing greatly. Behind these great musicians must be some great lovers, friends and family to keep them going.

Rejoice! Here’s a Christmas present for supporters – there will most assuredly be a third album:

“The 3rd album is definitely becoming the thing that we are all most focused on doing next, but as far as a direction or sounds for the album, it’s probably a little too early to say.”

Sadly, percussionist Damon has bowed out. One song Phil dedicated ‘to everyone who’s ever been in The Temperance Movement’.

Asked about this departure the band said:

“At the moment we’re just focused on playing the shows we have booked in for the remainder of this year. We’ve met a load of great musicians over our respective careers and we’re just looking at this as an opportunity which can help us shape the next phase of TTM.”

There were two cover songs in the evening were hugely enjoyed You Do It To Yourself (curiously dedicated to management – if I have that right) and Blur’s Tender which was another earnest rendition.

The only minor event to mar the night was swiftly brushed over. Is it easy to start a song on stage? Hell no. Possibly a song like Serenity – acoustically in particular – must require concentration as well as intuition. Alas – someone decided to use the first few bars to shout “Put that camera down!!” loudly. The band continued and full marks for that. It’s easy to understand the frustration some people have who come to experience a show like this, not to record it on an iphone. 

A little later Phil made a very gentle rejoinder to the interrupter – another man might have been more angry. Problem solved swiftly, elegantly; problem forgotten.

Serenity was as ethereal as Chinese Lanterns had been – such beautiful songs! I wondered how they’d deal with the crescendo in the acoustic format; the answer was very gently, but my mind seemed to still hear the electric guitars and emotion-packed vocals from the album. These songs, White Bear, A Pleasant Peace I Feel – in particular – these are songs which still create an emotional response however many times I hear them.

Here’s a youtube video to give you an idea.

Hearing them in a completely new way was something I wouldn’t have missed, and again, is really something that needs to be recorded and released. I want.

As the night drew on the enchantment grew. Everyone around me was silently soaking it in, smiling all the while.

Final encore? A pleasant Peace I Feel. Even if you ignore the moving lyrics, the music alone makes it one of the most uplifting, energizing, feel-good songs you’ll have heard in years. When the house lights went up, it went up on some seriously happy people.

Asked whether there was anything TTM wanted to say to their fans whether about the acoustic show or otherwise, they said:

“Just thank you for the support over the last few years, which is what these shows were about for us really. We tried to really make sure that tickets got directly to the fans, and we wanted to play some intimate venues to feel that connection.”

Here’s to their Aberdeen return. http://thetemperancemovement.com/

Dec 162016
 

Stephen McCormick recently quit his role as AFC display organiser describing the club as “impossible to deal with.”

By Red Fin Hall.

Recently I wrote about the situation regarding the lack of respect and communication between Aberdeen Football Club, The Supporter’s Liaison Officer within the club, and fans/supporters trying to create a better atmosphere at games via displays etc.

It appears that in some cases they, or more factually correct, people within the club, have, at some point, been actively trying to discourage said displays.

To this end a group of supporters have written an open letter to the board of the club emphasising the need for better communication and co-operation with the supporters. The fans keep getting told, “You are the 13th man.”

Feelings within the supporters at large, is that there is not much confidence that this is true. Even with the prospect of a new stadium coming, Mr Milne only said that there: ‘may be a standing area built within Kingsford’ – not that there would definitely be one. Also there was still no mention of the possibility of there being a bar within, and not just one for the corporate guests, but a public one.

There seems, at this moment in time, a lesser dialogue between the club and the fans than perhaps is perceived.

Below is the open letter.

Dear Duncan George & Stewart

We are writing this to you regarding matters this season and seasons past involving, failure on part of AFC to adequately engage with Aberdeen supporters, treatment of Aberdeen Supporters and in more detail treatment of those in the Merkland Singing Section.

Issues such as, but are not limited to the following areas:

–    A reply to questions put to AFC as to why AFC were contacting other clubs in Scotland attempting to discourage match day supporter displays.

–   Why the club lied at recent AGM telling the floor they had been in contact with those responsible for the stunning League Cup Final display at Hampden and thanking them when this simply isn’t the case .

–    Appointinment of Community Trust chief executive as SLO just to appease UEFA competition guidelines.

–    Appointment of a Supporters Liaison Officer (SLO) into the Club without consultation with Supporters groups / Supporters Trust or wider fan base etc

–    Failure of said SLO to engage with supporters groups on a day-to-day basis in order to facilitate a more enjoyable and effective match day experience

–    Failure of said SLO to engage with supporters groups for major games and to facilitate smooth access to Pittodrie and other stadia to be visited

–    Failure of SLO to engage positively with Supporters groups and other clubs in order to facilitate a coordinated and organized approach to maximizing noise generation and fan displays at away games

–    Actively and physically segregating, pressurizing and marginalizing of fans in the Merkland Singing section from other fans through use of hostile stewarding, “dead zone” seating strips and general poor attitude shown towards supporters wishing to support their team in a positive manner.

–    Misleading information regarding occupancy of Merkland block seating in order to undermine the success of the initiative and prevention of other fans joining the section throughout the game.

–    Failure to plan effectively for League Cup Final to ensure effective noise generation in order to back the team effectively by refusing to allocate area for vocal fans .

–    Failure of AFC across internal departments (General management, Stadium Access, Ticketing, security etc in order to facilitate an organized and structured and most importantly a respectful approach to AFC supporting individuals working on an unpaid  volunteer basis in order to encourage the team positively and to enhance the matchday experience for many people.

The recent League Cup Final showed that AFC has little regard to its fans wider match day experience and even less for creating a spectacle and that the Cup final atmosphere would “look after itself” as one AFC official was quoted as saying.

Anyone who witnessed the Cup final was that those that made the effort and expense of travelling to Glasgow to set up the pre match display done a fantastic effort given that there was no input nor even the respect of reply from AFC from requests from fans made to make the day a spectacle and an positive atmosphere for the duration of the match.

The lack of Aberdeen supporter positive atmosphere generation, particularly after going a goal down (and then more) was very evident.Had there been an area for vocal fans this could have helped create a louder backing for the team.

No doubt AFC will be using footage and photography from the matches with flags, card displays etc for future marketing material, all the while actively discouraging it and disregarding the fact that positive fan interaction does make a difference to the team on the park is wholly unacceptable.

We request the following:

–    AFC immediately engage with their staff & AFC fans representatives in order to stop these negative aspects reoccurring
–    Appoint a fan elected SLO – one that has a wide understanding or proven background in match day supporter participation, supporter liaison, match day display management.
–    Empower the SLO to form a positive working relationship with the Aberdeen support and other clubs respective SLO’s to ensure that the team, the supporters (the customers) are all given the correct priority support to ensure forward progress is made on all levels.
–    Ensure that the SLO is meeting the reasonable expectations of the Club, AFC support and wider regulatory bodies such as the Police and other Football Clubs etc.
–    The SLO is active in meeting with AFC fans to gather detailed information on future stadia requirements from the “in game” perspective.

We have a supporter in mind, someone who has engaged with the support and more importantly is respected by the support .The same fan has put on many a spectacle at Aberdeen FC games at home and away for the best part of 20 years .He has organised some of the best displays in the UK, helped add colour to AFC centenary events.Always paid tribute to fans who have sadly passed. He is great with the kids and young fans and always gets them involved .

The fans trust him and he’s known throughout the support as he’s always present .

We have a petition that hundreds of fans have signed asking that the club appoint Stephen McCormick as our Supporters Liaison Officer. With the amount of work he has done over the years, dealing with clubs up and down the country, having to deal with the SFA and SPFL he has already proven he has a vast knowledge of modern day football and its supporters.

We look forward to hearing from you in due course.

Signed

Dons fans voice collective.

Also, in my last article regarding this, I mentioned that Stephen contributed out of his own pocket. It has since been pointed out to me that the displays have been fully funded by fan contribution. He is the organiser, and has only contributed as a fan. He wished this to be clear.

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