Jun 272014
 

A catering supply company based in Aberdeen has been fined £7,500 after a gas explosion in an Auchenblae hotel kitchen injured three people. With thanks to Kevin Burke.

670px-Gas_flameOn June 25th, Instant Catering Maintenance (ICM), of Aberdeen’s Union Street, pleaded guilty to a breach of the Health and Safety at Work etc Act 1974 at a hearing at Aberdeen Sherriff Court.

The court heard that on January 7th 2009, at the Drumtochty Arms on Market Square, a customer, a barmaid and one of ICM’s workers were seriously injured after a gas leak in the hotel led to an explosion.

At the time of the incident, ICM had been hired by the hotel to design and fit a new kitchen on the ground floor. This kitchen was to contain three propane-burning appliances – a four-ring hob, a hotplate range and a freestanding chargrill.

Barmaid Danielle Ormond was working at the bar on the date of the explosion. A customer complained about their drink, so she went down to the cellar to look into the complaint.

ICM employee Neil Coffield was in the process of purging the gas system as Ms Ormond went through the kitchen, while customer James Guthrie was smoking a cigarette in the courtyard near the kitchen door. Ms Ormond reported that she smelled gas as she went through the kitchen.

The explosion then occurred, seriously injuring all three people.

The blast was so serious that part of the building immediately collapsed, preventing Health and Safety Executive (HSE) investigators from entering the premises and leading Aberdeenshire Council to issue an emergency demolition order.

Later investigations revealed that ICM had created and fitted a steel manifold, which was used to transfer propane to gas appliances. This manifold had not been fitted to a facility that enabled the safe purging of gas systems – if it had been, the dangerous build-up of propane gas would not have occurred.

he had been told to check the system was working by lighting it

The HSE eventually recovered and examined the gas appliances, and found that the chargrill did not have a regulator fitted, and that the hob and hotplate’s regulators were set for natural gas instead of propane. Another ICM employee had attached these regulators.

Gas appliances must be fitted with regulators to ensure they have the right pressure, and propane-fuelled appliances must have a properly-converted regulator.

Mr Coffield said that he had noticed one of the appliances was missing a regulator and that he had been told to check the system was working by lighting it. He elected to purge the system to do so and removed the air from the pipe work in order to replace it with propane – an activity he was certified to do so and able to perform competently.

The system had not been fitted with an adequate purging point, however, and the pressure testing valve was therefore left open for longer than necessary. Mr Coffield had not been given a flare stack, and was unable to safely dissipate any gas he released. Instead, he opened the test port repeatedly while attempting to light the pilot light.

The court proceeded on the basis that ICM’s failings caused some of the gas in the hotel kitchen to be released, as Mr Coffield’s actions alone were not believed to account for the build-up of all the gas involved in the incident or the explosion.

Niall Miller, Principal Inspector for the HSE, called the incident both “very serious” and “entirely avoidable”.

He said the risks involved in purging LPG gas systems without the necessary equipment are “well-known”, and that industry guidance clearly states that flare stacks are required when workers are dealing with propane or any other gas that is heavier than air.

Furthermore, purging systems such as the one in the Drumtochty Arms should be performed by at least two people, the HSE inspector stated.

Contributed by Kevin Burke on behalf of  247 Home Rescue

Jun 242014
 

There’s a weekend of top punk bands playing next month at The Tunnels. Voice’s Andrew Watson previews this upcoming event.

Oi Polloi

Oi Polloi

‘Freedom of Aberdeen City’ is the area’s summer punk rock festival which is brought to you by DIY promoters Bile Yer Heid and Eck Ruffneck on Friday 4th at 18:00 and Saturday 5th July at 13:00.

Friday’s lineup is Steve Ignorant & Paranoid Visions, Rubella Ballet, Shatterhand, The Cundeez (Dundee) and local noise punks The Obscenities.

Paranoid Visions are Ireland’s most infamous punk bands, and have Steve Ignorant, the vocalist from Crass, guesting on this year’s tour.

Rubella Ballet, who scored a Top Ten hit in the UK Indie Charts, will be playing their first Scottish gig since the early 1980s..

Saturday sees The Mob, Oi Polloi, Hooligan (Dublin), The System (Wigan), Black Light Mutants (Manchester), Battery Humans (Northumberland), Subvision (Fife), Down To Kill (Edinburgh), The Eddies (Dundee), Aberdeen City’s Toxik Ephex, Against All Flags (Inverness/the West Highlands), and Aberdeenshire’s Mark Ayling and Skizofrenik.

The Mob are straight off the back of a USA tour, having recently reformed. The south-west of England melodic punk band have not played Aberdeen since around 1983.

Oi Polloi return to Aberdeen for the first time in three years and have new, original Gaelic-language numbers to play for the punks and skins.

This will be a complete one-off event with many notable and influential political punk rock acts, coming from all corners of England, Ireland and Scotland.

A Friday gig ticket is £15 for five bands, a Saturday gig ticket is £15 for thirteen bands. To see all eighteen bands over the two days duration is only £25. Tickets are available from Cafe Drummond, or from www.bileyerainheid.blogspot.com.

Jun 232014
 

Provost Skene's House by Stanley WrightBy Ken Hutcheon.

The Marischal Square Development objections closing date may be gone, but MUSE developers have further plans in mind.
Proposals to remove the historic archway, stairs and wall in front of Provost Skene’s House are being considered. The plans can be viewed here.

This is despite the fact that on MUSE’s own website it states:

“Provost Skene’s House will be at the heart of the Marischal Square project……. The role and setting of Provost Skene’s House will be given special consideration in the new development. It will be protected from the demolition then re-opened at an appropriate time.

“Money is being set aside for conservation work.”

There is also a picture of Provost Skene House as it is now, complete with arch and surrounding wall, on that page. Presumably the money that is being set aside is for the removal of part of the frontage of Provost Skene’s House.

You still have time, till 3rd July to comment on, or object to these changes.

You will find more information on my website at www.marischalsquare.weebly.com. Note reference for this plan is 140755.

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Jun 202014
 

US legends of the Psychedelic 60s and the 1967 Monterey International Pop Festival, with

  • Sam Andrew (Big Brother and the Holding Company)
  • David Bennett Cohen (Country Joe and the Fish)
  • Bruce Barthol (Country Joe and the Fish)
  • Greg Douglass (The Steve Miller Band, Hot Tuna)
  • Roy Blumenfeld (The Blues Project, Seatrain)
  • SPECIAL GUEST: Bex Marshall, as the voice of Janis Joplin

will be appearing at Cafe Drummond, Belmont Street, Aberdeen on Monday 23 June, one of only two Scottish dates for these giants of the California scene. Thanks to Jim Sandison and Bob Spence.

san fran nights cut2

Giants of the California scene, San Fransisco Nights will be appearing at Cafe Drummond.

The San Francisco Nights 2014 UK tour coincides with the 47th anniversary of California’s Monterey International Pop Festival, the first ever widely-promoted and heavily-attended rock festival.

This tour features members of no fewer than four acts who appeared at Monterey, and who will be performing an exciting back catalogue of their classic songs, and more.

Sam Andrew (guitar/vocals) is a founder member of Big Brother and the Holding Company, the band that launched Janis Joplin to fame in the dance halls of San Francisco and on her Monterey performance. Sam is known for his stunning guitar work which helped define the ‘San Francisco sound’.

www.youtube.com/watch?v=kWqTRU1mA9E
www.bbhc.com

David Bennett Cohen (keyboards/vocals) was an original member of Country Joe and the Fish, legends of Monterey and Woodstock (“gimme an F…”). As well as being a stalwart keyboard player, David is an accomplished guitarist and has worked with, among others, Jimi Hendrix, Buddy Miles, John Cipollina, Tim Hardin, Michael Bloomfield, The Blues Project  and Mick Taylor.

youtube.com/watch?v=DPaE6MEPwCM

Greg Douglass (guitar/vocals) played with The Steve Miller Band from 1976-81 and is among the most respected of Bay Area pickers, earning kudos for his contributions to the music of Van Morrison, John Cipollina, Hot Tuna, Country Joe McDonald and well-known others.

youtube.com/watch?v=wmEq8oicKuc

Bruce Barthol (bass/vocals) was also an original in Country Joe and the Fish and Formerly Fat Harry. For over three decades he was the resident songwriter for the Tony Award-winning San Francisco Mime Troupe. He has performed or recorded with Pete Seeger, Ralph McTell and The Edgar Broughton Band.

Roy Bluementhal (drums/vocals) was the heartbeat of The Blues Project, from Greenwich Village, whose improvisational classical, blues and jazz output influenced countless others. He later founded Seatrain  with Andy Kulberg. Among the soul, funk and blues luminaries Roy has backed are Chuck Berry, John Lee Hooker, Carlos Santana and Paul Butterfield.

David, Greg, Bruce and Roy have been recording and performing as The Former Members since 2011, and 2014 sees them undertaking their third tour.

www.theformermembers.com
www.youtube.com/watch?v=8Y5_Ylj1EmA
www.youtube.com/watch?v=wMCrhj_DIrc

Bex Marshall

This time around, they are delighted to have Bex Marshall join them.

Bex is a highly-regarded, award-winning blues performer in her own right, and will open the show, before fronting The Former Members as the voice of Janis Joplin, a role to which she is ideally suited, her spectacular voice having been described as ‘a powerful melting point of old black woman’s heartache and rock diva soul’.

bexmarshall.co.uk
www.youtube.com/watch?v=DxZVA4uz-l4

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Jun 202014
 

!cid_ii_hwjpk29x0_146abad5fafb9080Radical Independence Campaign (RIC) Aberdeen are inviting support to help make history with a nationwide mass canvass this weekend.

There will be canvassing events happening in more than 40 towns and cities across Scotland on Sunday, from Dumfries to Shetland, with hundreds of people participating.

In Aberdeen we are aiming to have 50-60 people knocking on doors in Seaton from 2-4pm, speaking with ordinary people about the independence referendum.

We want to encourage as many people as possible to get involved, whether as a one-off or as the start of a summer of campaigning.

Even if you’ve never canvassed before, it’s a great time to get involved.

We’ll provide all the materials, and there will be an optional training session from 1-2pm if you’d like some tips.

Everyone will go in pairs, and if you’re really nervous then you can team up with an experienced canvasser.

Everyone is welcome, including children. If you have limited mobility but still want to participate, there will be a stall where you can chat with people about independence.

Location: Meet in the car park below the skyscrapers on School Road, opposite the shops (AB24 1TF). Look for the RIC Aberdeen banner.

Optional training: 1-2pm
Canvassing: 2-4pm
Socialising: 4pm onwards!

Transport info: Bus 13 goes along School Road and stops by the car park. A lot of buses go along nearby King Street – get off by the roundabout with School Road (1, 2, 60, 61, 62, 62A, 63, 67, 68, 251, 290, 291, X40, X60, X67, X68).

Contacts on the day:
Ross (07926571726)
Doug (07813085896)
Sean (07596751594)
Myshele (07931235745)

In Solidarity, RIC Aberdeen.

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Jun 202014
 

Ross Martin-0614With thanks to Dave Macdermid.

It’s promising to be a busy summer for local teenage tennis star Ross Martin who has been selected to represent a Scottish Schools team this weekend to play in a challenge match against the South African team, which is touring Britain.

The match will be played at St Georges School in Edinburgh on Saturday.

The Robert Gordon’s College pupil has just returned from competing in a Tennis Europe event in Oslo, winning two matches in qualifying, followed by two in the main draw to reach the quarter finals before losing to the Norwegian No 2 Under 14 6-3, 6-4 but in the process, gaining him his first European ranking points.

13 year old Ross, who plays at David Lloyd was part of the North County U14 team, which came 3rd in the British County Championships last month.

Jun 132014
 

Downstairs ThmIt was a night, generally, of brutal thrash at Aberdeen’s newest live music venue, Downstairs. Andrew Watson was there.

First up were Perth’s Blackened Ritual. They were a man down, so played as a four piece of drums, bass, guitar and vocals.
They combined thrash with a bit of groove, and if the guitar levels were a bit better the subtlety and technicality of the riffs would’ve been realised and more so appreciated.

The singer was enthusiastic and was able to laugh at himself. It’s nice to see people on the stage genuinely loving what they do.

Local act Drekavac were probably the most pounding and heavy band on the bill. It wasn’t just about loudness wars, either, with clean guitar atmospherics brooding throughout. This black metal four piece (again, drums, bass, guitar and vocals) put tremendous effort into stage props.

Goat skulls, face paint and black cloaks were all included onstage.

The main support act were Nolti Nan Gana Nan Nolta or NNGNN for short, of Edinburgh. In the build up to their set their drummer was clearly seen pacing the width of the stage floor, from end to end. He was so psyched it’s a wonder he wasn’t punching holes in the wall. His bandmate said the ritual helped him play drums better.

Anyway, the three piece consisted of said drummer, vocals/bass and guitar. These guys were intense and distorted blackened thrash.

Headlining were Croatia’s Evil Blood, who reside in Fife and are were made up of guitarist, vocalist/guitarist, bass and drums. They seemed to hark back, at least a little sometimes, to the times of classic metal with dungeons, dragons and ice maidens amongst the subject matter. There was no shame in the subject matter, which in itself is a positive.

All round a colourful night of headbanging, windmilling, devil horns held aloft and swilling of beer.

Jun 132014
 

Julie Thompson continues her series on photographing bands in and around Aberdeen and the Shire taking in local and touring bands – far too many to list here – and concludes her chat to local music photographer Dod Morrison.

sex_pistols_experience (1)

The Sex Pistols Experience – Credit: Julie Thompson

So, it’s been a while. I’ve been keeping busy and with the festival season on the way, I kicked it off by visiting Inverness for Brew at the Bog.

This was a fun day with many great acts, including local band, The Little Kicks, who played the main stage early in the afternoon before having to dash off on a train southbound. You can see my review of it here.

Another thing I’ve been doing was to join forces with Still Burning, of Flares n Seagulls and to try and get into writing reviews a bit more.

This has been hard work and has not left a lot of time for much else – but I’m hoping that will calm down a bit once we have proper workflows in place.

So, gig-wise, what’s been on my radar since my last musings?

stanley_odd (1)

Going back to April there was the much better than I’d expected The Sex Pistols Experience on the newly expanded stage at The Moorings Bar, a very lively Pulled Apart by Horses at The Tunnels, and the fantastic The Temperance Movement at The Lemon Tree – a gig I’d been impatiently waiting for.

A review of The Temperance Movement by Suzanne Kelly is here. My review of that is on Flares n Seagulls.

Kicking off May was the bouncy rapper, Stanley Odd at The Tunnels and the ever-popular UK Subs playing a sold out show The Moorings Bar – a busy 3 days was topped off by The Brew at the Bog festival, where Stanley Odd and Admiral Fallow headlined.

The Media Whores played The Moorings bar the following weekend, and mid-May brought the Mickey 9’s to The Moorings Bar.

A week later the American foursome The Octopus Project played The Tunnels – a tricky low lighting gig with a very colourful backdrop and very catchy music.

peaceMost recently, I had a trip down to Dundee to catch Peace at Fat Sams.

That was a good gig with a very bouncy crowd.

Just around the corner from Fat Sams is Buskers, another music venue. Playing there were Fat Goth, who were launching their new album.

Just in that small area of Dundee I could hear live music coming from multiple buildings – I was really surprised by the amount. Dundee is not so far away for this sort of night out – we drove down leaving Aberdeen around 4pm, went to 2 gigs, had some takeout food then drove home, arriving around 12:30.

Dod Morrison has also been keeping busy, with The Rebellion punk festival and recent trip to America.

I asked him what he is most proud of in his music photography career so far:

“I’m proud of my Scottish music photo of 2013 winning pic http://thepopcop.co.uk/2014/02/the-best-scottish-music-photographs-of-2013/ . But have quite a few that I like but the Rebellion punk Festival mini magazine probably pips all the rest.”

Festivals – yeah or nay? Any favourites?

“Fooking yah, Rebellion festival without a shadow of a doubt the best festival anywhere in the world.. Where I do both sides I take photos and run the photo side of and get all the requests for passes, so I know how some PRs do feel.  And Glastonbury too… Great festival.”

Finally, any tips for those just starting out?

“Not to compare to other Photographers , we all have different styles…  and that when you apply for photo pass it really is only for the main band and does not include the supports, this has luckily only happened to me a couple of times once at the SECC Glasgow and most recently at the Music Hall Aberdeen. Also if you want to watch the bands you also should purchase a ticket-  in some cities you will be asked to leave and not see the show if you don’t have a ticket.”

Thanks Dod!

 

The Manic Shine played The Moorings Bar on the 6th June. I first came across this band at the Fat Hippy studios last year.

the_manic_shine (1)I was suitable impressed – so much so, I went home and bought their first album. They crowd funded their second album, which you can listen to in full on their website here.

Mid June takes me to Northallerton in Yorkshire for 4 days of festival fun at Willowman Festival where I’ll be shooting for Flares n Seagulls. Headliners are The Wailers and Craig Charles.

The Blockheads and Ruts DC are also playing, along with many other tasty treats.

Pretty sure I’ll be knackered after this and tied to my PC for a very long time processing photos – but it will be worth it.

It is inevitable that these musing will come to an end, certainly in their current form – after a very intensive ‘apprenticeship’ and with my experiences levelling off in the main, anything new I have to tell is limited.

Rather than repeating myself, ad nauseum, I am debating either ending the series or changing their nature to a roundup (maybe monthly) of live music in and around Aberdeen and the Shire.

the_octopus_project (1)What has been and how it was and what is to come.

Some things I mention may be even further afield, like the festival on my to-do list for June.

For the live music scene to continue and grow it needs people to attend.

Maybe I can help a little by informing people what’s on out there. Anyway, comments are enabled – let me know what you think.

 

Jun 132014
 

SilverLynx1A new Aberdeen based literary journal has begun the process for ‘proving the existence of contemporary culture in Scotland north of Edinburgh – and refining it’. With thanks to Andrew J Douglas.

The Silver Lynx Sporadical, ‘a literary journal on an enigmatic publication schedule’, has launched an online campaign to spread awareness and has already started reviewing submissions for their debut print issue.

Intended as a throwback to when print was the foremost method of storytelling, The Silver Lynx was established by two friends who found themselves tired of constantly furrowing their brows in a vain attempt to understand the lack of original literature being read in Aberdeen by people who live in Aberdeen.

The Editors-in-Collective, Andrew J. Douglas and Christopher W. Bradley, may not have been born in our fair granite city, but they say the fact they have stuck the place out, living on the ‘breadcrumb’ line, is a reflection of a magic energy found here which is lacking in other cities.

Andrew said:

“We both moved to Aberdeen for Uni.

“I have an immigrant’s love for the place because it has afforded me with opportunities I found severely lacking in Glasgow.

“Glasgow and Edinburgh are seen as the bedrock of Scottish culture but who gives a shit? Aberdeen has always been a town of note throughout the world for its history but in terms of a city it has only really started to grow into itself since the oil was found.

“There are subcultures and lifestyles being lived here that no one knows about because traditional media in the city either ignores it or fails in its editorial responsibilities by reporting from a loaded point of view.

“The Sporadical is primarily a literary journal, but we have bigger plans on various back burners to turn it into a key weapon in the battle for the North-East’s heart, soul, voice and identity.”

The key players in The Silver Lynx certainly have the right kind of credentials for starting this kind if venture.

Editor-in-Collective Christopher W. Bradley is an English literature graduate whose prose style is heavily influenced by the Icelandic sagas (specifically Njal’s), and he harbours delusions of being:

” the world’s last skald with a Bukowskian twist”

Editor-in-Collective Andrew J. Douglas is a journalist and currently lead reporter at the Deeside Piper but writes fiction because he ‘can’t not’.

In-House Artist Ezra Fraserburg says his qualifications are being:

“gay, depressed and having access to sharpies.”

What kind of thing are they looking for?

Andrew:

“We don’t want anyone to be put off from submitting… except idiots writing thinly veiled porn and calling it chic lit, westerns, romance or fantasy.

We want to read about living here, being from here, moving here, that penny you found on George Street that changed your life, that abandoned building in Ferryhill, that night in Torry, that day in Duthie park… We just want to read anything that anyone who thinks they can write has written.

This is a place of struggle and opposing ideas. It is a breeding ground for creativity.”

Christopher:

“Everything Andy said, but I’ll add: if you’re not from the North-East nor writing about the North-East, still submit. We still want to read what you’ve got to write (assuming its excellent). Sure, The Beast sleeps in the granite city, and a large portion of the stories will be relating to Aberdeen, but the city’s just the conduit.

So long as it’s in English and we think it’s brilliant, it’ll probably go in.

“I see The Lynx as a significant turning point for the city, and if we get it right, a significant turning point for literature. Aberdeen is the frontier town of consumer-capitalism… black gold in the sea and what should be a cultural hub from all the nations it attracts people from for their share of it, but its not… yet.”

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Jun 102014
 

Following on from Duncan Harley’s two part article marking the 50th Anniversary of the typhoid epidemic in Aberdeen, Sandra McKay shares with Aberdeen Voice readers her childhood memories of 1964 when she and her mother survived the disease.

1024px-Typhoid_inoculation2I remember standing holding my daddy’s hand, my sister on the other side of him as we watched the ambulance disappear down to the end of our road.
I was six years old and this was the day my mummy was taken into hospital with typhoid.

I thought I would never see her again.

Everyone was talking about it. The Typhoid. Neighbours in the street, people in shops, bus conductors, even children.

Newspapers and television were advising the nation how many more people in Aberdeen had fallen victim to the disease. Families were cancelling holidays. Other towns and cities were urging Aberdonians not to visit.

Our lives over the following weeks seemed empty without our mum.

She had apparently bought cold meat from a shop in Union Street called Lows. My sister did not eat any, as she had been attending a friend’s birthday party. Mum, Dad, and myself ate the meat.

We visited my mummy at the City Hospital in Aberdeen. This was a bleak experience. We had to speak to her through huge closed windows. I found it sad as I watched other families trying to converse with their loved ones in the same way.

The long days continued to pass. I too became very unwell. Mummy was still gone. Daddy was at home looking after us. Schools were off. There seemed to be numerous doctor’s visits and lots of samples were taken.

Eventually I was taken into hospital. I do not remember anything about getting there. All I remember was looking up at lights and screens at night. The first few days must have passed in a blur as I have no memory of this time. However, as I became a little stronger I was allowed to get up and dress. Unfortunately I was given boy’s clothes to wear. This was a less than positive experience for a six-year-old girl.

How time dragged. I can still remember the layout of the ward. Where the clock was, where the ‘clothes choosing’ and dressing area was, how the windows were allowed to open, and more importantly how they had to remain tightly closed. Lockers and beds were dragged into the centre of the ward every morning at cleaning time, 10 a.m.

This movement was exciting to watch. I remember the medicine trolley with the thick brown stuff, and the milky white stuff.  Both were really horrible.

There is no memory of anyone coming in to play with us and time seemed to go on for ever

I remember our family coming to visit me every day. My mummy was with them as she had been given the ‘all clear’ after a stay in hospital of four weeks. I hadn’t been close to her for such a long time. The emotion was difficult for everyone. One day they brought my friend Susan down to visit me.

I can still remember that feeling, tears in our eyes, as young six-year-olds tried in such a grown up way, to deal with the ‘situation’ and the impossible task of interacting through granite walls and huge closed windows. It was easier when everyone just went away.

More long days and weeks passed. I did lots of colouring-in and received lots of crayons and books. I was also given by an older girl in the ward, who was given the ‘all clear’ ahead of my time, two little dollies with a few pieces of clothing. These dollies became really precious to me. Another memory I have of isolation at Ward 2 was the number of ice lollies we were given. Something to do with the fever I think.

There is no memory of anyone coming in to play with us and time seemed to go on for ever. I remember watching the jerky movement of the big minute hand on the ward clock as time passed by. I remember looking through colouring books for a page that wasn’t coloured in.  I remember changing the dollies for the millionth time. I remember not liking the food or the food smells.

Eventually the day came, when I was informed of my ‘all clear’. I was going home. Someone in authority assured me that the little dollies would be fumigated and sent to me with other belongings. This seemed OK with me.

On the day of my release from hospital, the weather was very warm. At my request our family visited the Beach park with the concrete train and rail track. We also spent time at the pony and trap rides which were at Aberdeen Beach during the sixties. I felt very peculiar, as if I didn’t fit in. I just wanted to get home to see if the dollies had arrived.

Unfortunately they never came.

Sandra McKay (Aged six, letter written aged 41, now aged 56)

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