May 182017
 

By Craig Chisholm.

Inverness based promoter Stephen Robertson is slowly but surely making a name for himself in the world of music promotion.

Over the past year he has put on big names such as Motown star Martha Reeves, The Bad Shepherds, who feature comedian Adrian Edmonston, dub and reggae legend Lee ‘Scratch’ Perry, Manchester indie stalwarts The Fall, Radio 6 DJ Craig Charles with his popular Funk and Soul Club and former PIL bassist Jah Wobble, with his band Invaders of The Heart, among others.

Though based up North he has put a formidable line up of talented acts on in Aberdeen venues such as Café Drummond, The Tunnels and The Lemon Tree.

He’s also been racking up the miles to promote gigs in Dundee, Edinburgh and Glasgow.

Stephen started back in the promotion business back 2006 when he started booking acts for several venues in Inverness. In 2014 he started TwentyTen and took things a step further, booking bands in Aberdeen and not just in the Highlands.

As well as established names he has also put on shows by up and coming bands such as Teleman, Fatherson, Bloodlines and Vokovi – all of whom are destined for bigger things.

Upcoming TwentyTen gigs in Aberdeen include an appearance by critically acclaimed influential New York band Swans and a rare intimate acoustic gig by The Rifles.

Coming up in Aberdeen –

  • May 18th – The Rifles (Unplugged) – The Tunnels
  • May 19th – Swans – The Lemon Tree
  • May 21st – Matt Anderson – The Tunnels
  • May 22nd – Natives – The Tunnels
  • June 3rd – Popes of Chillitown – Café Drummond

Tickets are available to these gigs – as well as others in Inverness, Glasgow Dundee and Edinburgh from – https://www.fatsoma.com/twentyten

Facebook –  https://www.facebook.com/TwentyTenEvents/
Twitter – https://twitter.com/2010Management?lang=en

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May 182017
 

Craig Chisholm reviews Maximo Park and Pins at The Lemon Tree. Photos by Craig Chisholm.

Maximo Park’s new songs go down well with the crowd, despite only having a week or so to familiarise themselves with the material

It takes Maximo Park singer Paul Smith precisely one song before he needs to remove his jacket due to the heat inside the Lemon Tree as his band perform in front of another sold out crowd.

The amiable front man still cuts a dapper swagger even in his less formal shirt and is in talkative mood as he commands the crowd and engages them with his warm banter and boundless energy.

The Geordie band may not be at their commercial peak anymore but latest album ‘Risk to Exist’ still managed to crack the album charts at a very respectable position of 11 and it’s obvious that they still have a devoted and loyal fan base – Smith even noting that Aberdeen is “as far north as we can come before people stop coming to see us”

The set is, understandably, weighted heavily in favour of their latest opus with a good third of the set list plucked from it. The big hits are all there though – ‘Apply Some Pressure’, ‘Books Over Boxes’, ‘Going Missing’ and their biggest UK hit ‘Our Velocity’, which made the Top 10 a decade ago.

Before ‘Questing, not Coasting’ Smith self depreciatingly introduces it as coming from their “Dead and buried third album [Quicken the Heart]”.

And it’s that sort of modest humour that makes him such an engaging and likeable frontman.

Before ‘Going Missing’, he speaks about the time the band first played The Lemon Tree, supporting Bloc Party, and how they were given a pre-gig meal of chili from the venue –  before joking that they never got any this time.

He also displays a bit of affection to the city itself – asking if the locals call it “The ‘Deen”, speaking of his trip to the Belmont Cinema the previous night. He comments on the architecture and the granite structures in the city centre – “So much Granite….. you should think of a nickname to do with that” he quips.

New songs go down well with the crowd, despite only having a week or so to familiarise themselves with the material.

What Equals Love?’ is arguably the poppiest song they’ve ever done, opening number, ‘Risk to Exist’ grooves along whilst putting across a political message and ‘What Did We Do to You to Deserve This?’ has late a 70s Nile Rogers guitar funk to it.

Opening the night are Manchester five piece Pins.

It’s a lazy comparison but, being all female, it’s hard not to compare them to other all female bands such as Warpaint, Babes in Toyland and, especially, Sleater-Kinney in both sound and looks.
But once that lazy comparison is out of the way there’s a lot more to see and hear in the band.

Their look and sound is the sound of punk and post-punk Manchester – The Buzzcocks, Joy Division – before it funked up and spaced out with Baggy in the late 80s.

It’s the look and sound of shade wearing Brooklyn indie bands, influenced by CBGBs and Bowery punk of the mid-70s.

And it works – it sounds, and they look, amazing.

Frontwoman Faith Holgate is confident and driven and especially bonds on-stage with the frantic energy of guitarist Lois MacDonald whilst the rest of the band provide a solid and dependable groove for them to paint their sounds over.
From the moment that Pins hit the stage till the moment that Maximo Park depart it nearly two and a half hours later to be a good night for the paying punters and should either band return they will no doubt be received with the same aplomb as they were tonight.

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May 122017
 

With thanks to Ian McLaren, PR account manager, Innes Associates.

Aberdeenshire’s Lonach Highlanders are set to make a mark as they debut at this year’s Royal Edinburgh Military Tattoo.

Seventy-five of Strathdon’s kilted clansmen will travel to the capital in August to be part of the iconic annual spectacle as it celebrates Scotland’s clans.

The men have been invited to be part of the performance on Monday, 14 August by Lord Forbes, chief of the Forbes clan.

In front of an audience of around 8,500 people, including many international visitors, the highlanders will parade onto Edinburgh Castle’s Esplanade to herald the start of the evening’s performance. Dressed in full highland regalia and armed with their traditional eight-foot long pikes, the men will create an imposing sight for the gathered crowd.

With a history stretching back to 1823 when the Lonach Highland and Friendly Society was formed, the Lonach Highlanders are believed to be the largest body of non-military men to carry ceremonial weapons in Britain. Membership is drawn from residents of the local area who descend from the Forbes, Wallace and Gordon clans. Society membership currently stands at 227 men, under the patronage of Sir James Forbes, 8th Baronet of Newe and Edinglassie.

The theme of this year’s Tattoo is a Splash of Tartan, something that the Lonach Highlanders will admirably provide. To mark Scotland’s Year of History, Heritage and Archaeology, Tattoo organisers have teamed up with The Standing Council of Scottish Chiefs to celebrate the country’s clan heritage and national fabric, and their influence around the world.

Two or three clans will be represented at each performance during the Tattoo’s three-week run. On the night of the Lonach Highlander’s attendance, both the Forbes and Wallace clans will muster on the castle esplanade and their Scottish ancestry celebrated.

This is a fantastic opportunity for the society and the highlanders to help promote our history and heritage

The highlanders’ trip to Edinburgh comes just 12 days before their own annual gathering takes place in Bellabeg, Aberdeenshire.

Attracting crowds of up to 10,000 people, the Lonach Highland Gathering and Games is one of north-east Scotland’s leading traditional highland games.

This year’s event on Saturday, 26 August marks the 176th time the gathering has been held. It will once again commence with the Lonach Highlanders embarking on six-mile march round the local area, following in the footsteps of their forefathers and continuing a near two-hundred year-old tradition.

Jennifer Stewart, secretary and chief executive of the Lonach Highland and Friendly Society, said:

“The Lonach Highland and Friendly Society is honoured to have been invited to participate in this year’s Royal Edinburgh Military Tattoo. This is the first time that the Lonach Highlanders have been present at the event and there is huge excitement amongst those taking part.

“This is a fantastic opportunity for the society and the highlanders to help promote our history and heritage, the Lonach Gathering, Aberdeenshire and highland games in general. Television recording will be taking place on the night that we are parading. If we make the director’s cut then there is potential for millions of people around the world to learn about Lonach.

“Attending the Tattoo will be a great warm up for the 176th Lonach Highland Gathering and Games just 12 days later on Saturday, 26 August. If you think the sight of 75 Lonach Highlanders marching is special, the sight and sound of 200 of them, pikes aloft, marching through picturesque Strathdon is one to behold, and not to be missed.”

Ringside seat tickets for the 176th Lonach Highland Gathering and Games are on sale now, priced from £12 for adults and £7 for children. Visit www.lonach.org for full details.

Established in 1823, by Sir Charles Forbes, 1st Baronet of Newe and Edinglassie, the Lonach Highland and Friendly Society is a charitable organisation based in Strathdon, Aberdeenshire. The society organises the annual Lonach Gathering at Bellabeg Park, Strathdon, which is held on the fourth Saturday of August.

The main attraction at the gathering is the march of the Lonach Highlanders, a unique body of non-military men. Further information on the Lonach Highland and Friendly Society, the Lonach Highlanders and the annual Lonach Highland Gathering can be found at www.lonach.org.

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May 122017
 

With thanks to Aberdeen Community Energy (ACE).

Donside Hydro is a community built hydro scheme, on the river Don adjacent to the site of Donside Papermill, where there is now an urban village.
It is Scotland’s first urban community hydro scheme (most others are situated in isolated parts of the
country).

In 2013 Local residents formed a resident’s association, now called Donside Village Community SCIO (DVC), and from this association, ACEnergy (a not for profit, community benefit society) was formed.

For anyone interested in visiting Scotland’s first Urban Community Hydro Scheme, a tour is being conducted on Thursday May 18 ( details below).

ACEnergy (whose 5 directors all live in the village and are members of the DVC, bar one) went on to create the £1.2 million Donside Hydro Scheme, which has been successfully funded through share and bond offers.

The scheme has won a number of awards since operations began last September, including the best Community Project at the Scottish Green Energy awards in December.

Whilst the turbine is fully operational, and we have been producing electricity since 21st Sept 2016 and are meeting all projected targets, the landscaping is ongoing and there is still a bit of work to be done. We have just finished planting over 500 trees on our newly created island and further landscaping will take place over the next year. This will include the building of a bridge across to the island, and ensuring that as much of the area as possible is wheelchair accessible.

Profits from the scheme will be given to the share holders and bond holders, who have helped to finance the scheme, but a percentage of the profits will be returned to the community association, and this will be used to further develop the area and create a lovely public amenity for all who come to this part of the Don. However, this will not happen until the first full year of production at the earliest.

The DVC is working with the Scottish Government’s Scottish Land Fund to purchase the land surrounding the Donside Hydro. The aim is deliver a park for locals and visitors of all ages to play, explore, recreate and educate.

We are at stage 2 of our application and it is progressing well. However, the Scottish Land Fund are unable to fully finance any land purchases and can only give us 90% of the value of the land. We are not yet in a position to access any funds from the electricity production, as stated above, so this means we will have to find the remaining monies ourselves.

We are currently fund raising at every opportunity to raise the necessary cash (e.g. all profits from our Spring Fayre has gone toward the land purchase, people from the village are running the 10k to raise money etc).

We are also seeking alternative ways of funding and have started to charge for seminars and tours, where it is reasonable to do so, whilst keeping in mind our desire to make the hydro as accessible as possible to all. Therefore we are asking groups who ‘have a budget’ to make a set fee. For those that do not we are asking individuals who attend to make a donation in order for us to be able to purchase the land and develop it for all.

The bottom line is, we want people to be able to come and see the hydro and hear our story. We do not want money to be a prohibitive factor, but we want to be able to purchase the land!

We look forward to seeing you soon……

Visit the first Urban Community Hydro Scheme!

On Thursday 18th May at 7pm please join Aberdeenshire Environmental Forum on their visit to the first urban community hydro scheme which is a 100Kw Archimedes screw by the banks of the River Don by Tillydrone, Aberdeen. Come and find out how this scheme works and environmental issues that need to considered in such schemes.

The visit is free but donations to the scheme are most welcome.

Please book a place on this tour by telephoning or texting 07799658209 as limited spaces and to organise lift sharing opportunities.

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May 052017
 

David Innes reviews Craiginches – Life In Aberdeen’s Prison.

If you assume that any book about life in prison, even on the non-felon side of the bars, will tell horror stories of desperate bad-to-the-bone incarcerated people, and of the means used to control them, Bryan Glennie’s memoirs of his long career as a prison officer may come as a surprise.
Although Glennie never loses sight of the fact that prison, its inmates, and its culture can be brutal, and that dangerous situations can arise in the most innocuous circumstances, Craiginches concentrates on the more positive aspects, and rehabilitative opportunities offered to those serving sentences.

Of course, our own former Butlins-By-The-Dee never housed the most dangerous and desperate of miscreants housed in institutions like Peterhead, and the brutality and simmering tensions of such jails are only touched upon briefly when the author is a first-hand witness to the aftermath of a riot in the Blue Toon’s grim Victorian penitentiary.

Rather, Craiginches reveals Glennie’s own admirable belief that the primary purpose of prison is rehabilitation of offenders, and that if such second chances have the dual benefit of improving the communities in which prisons are located, there are no losers.

Thus, the reader will learn of the hard graft and dedication invested by prisoners and staff alike in charitable and community projects in Aberdeen and further afield in the city’s hinterland. The author’s enthusiasm for these, and his staunch belief in such projects’ contribution to prisoner welfare and societal re-integration is heartening.

Craiginches shows too the positive impact of initiatives designed to relieve the boredom and drudgery of cell-life, with art classes, sports events and musical entertainment among the devices employed to lighten the debilitating monotony of prison life.

There are also insights to the comradeship among those in the prison service, and of the change in culture from Officer Mackay-like mistrust and suspicion, to the more-humanised atmosphere in prison that, one hopes, prevails today. And, if the contents are occasionally just a little too homely, this is only because of the author’s admirable optimism and belief in the innate good of misguided people.

Craiginches – Life In Aberdeen’s Prison

Bryan Glennie with Scott Burns
Black & White Publishing
ISBN 978-1-78530-121-6
253 pages

£9.99

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May 052017
 

Alabama 3 perform another sell out gig at The Lemon Tree. Craig Chisholm reviews.

Many casual music fans may not know much about Alabama 3 apart from ‘Woke Up This Morning’, their theme tune to iconic TV series The Sopranos or from seeing their name on numerous festivals bills, from Rockness to Wizard and Belladrum to T in The Park, but for their die-hard fanbase they provide a near religious fervour which was evident in their performance at The Lemon Tree.

The band provided the sell-out crowd an entertaining 17 song set in support of their latest album, the minimalistically titled ‘Blues’.

But blues doesn’t even scratch the surface of the bands musical style – gospel, country, acid house, spoken word, rock and electronica are some of the genres that they touch upon over their 21 year, 12 album career.

The 9 piece band are a joy to watch in full flow. At the back of the stage, drums are handled by LB Dope, sequencing and effects by Wizard, bass and guitar by Rock Freebase, harmonica by Harpo Strangelove, and keyboards by The Spirit. It wouldn’t be a stretch to guess these are not their real names.

Stage front, vocals are handled by Larry Love, The Reverend Be Atwell and The Very Reverand Dr D Wayne Love.

The Reverand D Wayne – know to family and friends as Glaswegian Jake Burns – is less the shamanic, messianic figure of yore but more of a dapper East End villain in his look.

The long hair has gone, as have the sunglasses – replaced by a haircut more becoming to a man of his advanced years and a pair of spectacles. But he, along with lead vocalist Larry Love, still proves to be the driving force of the band, working a crowd into a euphoric frenzy with each song whilst co-vocalist Reverend Be Atwell cuts a dapper, but imposing, presence alongside them.

The set spans the bands entire career from old favourites to new tracks.

‘Hypo Full of Love’ from 1996s ‘Exile on Coldharbour Lane’ goes down a storm as the band members engage in a bit of synchronised swaying whilst newer cuts from their latest album. 

‘(I’ll Never) Be Satisfied’, ‘Rattlesnake Woman’ and ‘Nothing to Lose But Your Chains’, prove infectious enough to have a sizeable proportion of the crowd lining up at the merchandise stall to purchase it and have it signed by the band.

Their most famous song, the aforementioned ‘Woke Up This Morning’ is played of course – but such is the bands confidence and faith in their material that it’s played mid-set rather than as an encore.

After over an hour and a half on-stage the band finish up with ‘Hello…. I’m Johnny Cash’ from 2005s ‘Outlaw’ album, leaving the crowd ecstatic and happy.

If you’ve not seen – or heard – Alabama 3 before then it’s recommend you check them out the next time they are in town.

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May 052017
 

Holiday fun at Over The Wall’s Scottish Summer Camp last year.

With thanks to Esther Green, Senior Account Executive, Tricker PR

A charity which gives children and young people living with serious health challenges a holiday to help them discover a whole new world of possibilities is laying on an extra place for a deserving North-east youngster – thanks to the support of Aberdeen Asset Management’s Charities Foundation.

Gaining £1800 from the Aberdeen charities committee has enabled Over The Wall to provide an additional place at its 2017 Scotland camp for a seriously ill child living in Aberdeenshire.

The therapeutic recreation activity camp, for children aged 8-17 with serious and life limiting illnesses, takes place at Strathallan School in Perthshire in July.

Since 1999 many of the UK’s most seriously ill children have been able to go swimming, catch their first fish, dance in the sunshine, perform centre stage and create the memories of a lifetime with Over The Wall. The self-esteem and confidence of  campers sky-rockets as they learn that they are not combating childhood diseases alone.

The small national charity provides free residential activity camps for children and their families and through participation in a proven programme of fun-filled recreational and educational activities, the camps help promote inclusion whilst developing the confidence, self-esteem, coping strategies and peer relationships of all their campers.

The mum of a teenage boy who attended last year’s Scottish camp said of the experience:

“He had an amazing time, he returned more confident, happy and relaxed. For the first time he was able to enjoy activities and forget about his illness. I am a very happy Mum!”

Julie Foster, Trusts and Foundations Fundraiser for Over The Wall said:

“The camps enable the children to reach beyond their illness to rediscover a whole new world of possibilities and we rely on donations like this one from Aberdeen Asset Management, along with volunteer support,  to help us give children a week of experiences that are memorable, exciting, fun and empowering, in a physically safe and medically sound environment.”

Claire Drummond, head of charitable giving forAberdeen Asset Management said:

“Through the support of the Aberdeen Committee we are giving a local child the chance to attend camp, create memories for a lifetime and build their self-esteem and confidence at the same time. We are proud to be able to provide support in the local community in which we operate in this way.”

Aberdeen Asset Charitable Foundation was established in 2012 to formalise and develop the Group’s charitable giving globally. The Foundation seeks partnerships with smaller charities around the world, where funds can be seen to have a meaningful and measurable impact and the firm encourages its employees to use their time and skills to support its charitable projects.

The main focus of the Foundation is around emerging markets and local communities, reflecting the desire to give back to those areas which are a key strategic focus of the business and to build on the historic pattern of giving to communities in which Aberdeen employees live and work.

For more information visit http://www.aberdeen-asset.co.uk/aam.nsf/foundation/home

For full details of  Over The Wall visit http://www.otw.org.uk

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May 022017
 

Local Music Festival Returns – Promising to be Even Bigger and Better than Last Year! By Craig Chisholm.

“When it comes to Scotland’s greatest bands, Primal Scream are right up there.”

Last year’s Enjoy Music Festival had it all – a great line up, a sunny day and a crowd that loved every second of the day. With top acts such as Example & DJ Wire, Green Velvet, Former Seahorses singer Chris Helme and Dusky joining up and coming local acts such as Emerald Sunday, Ransom FA, Colin Clyne and even an appearance from the Portlethen Pipe Band it proved to be a roaring success with everyone that attended.

This year’s line is even better with headline performances from Scottish indie legends Primal Scream, a DJ set from Chase & Status, the iconic DJ John Digweed, local stars The Little Kicks, rappers Shy and DRS and premier Stone Roses tribute band The Complete Stone Roses.

A full supporting bill across 5 stages will see a mix of bands and DJs entertain patrons whilst a fun fair, family entertainment area, a Market Place and an exclusive VIP area will give people places to hang out and have fun throughout the day.

And all your food and drinks needs will be catered for in the numerous bars and the food village on site.

Speaking about headliners Primal Scream, who return to Aberdeen after a sold-out gig at the cities’ Beach Ballroom last year, the festival’s marketing director, Mark Lenthall said

“When it comes to Scotland’s greatest bands, Primal Scream are right up there. From the Pyramid stage at Glastonbury, to T In The Park and Reading, they have played them all, so we’re thrilled to be bringing the band to Aberdeen this summer. With T2 Trainspotting hitting cinemas now, what better festival act could we have!”

So, with no T in The Park this year why not make it along to Hazlehead Park on Saturday 3rd June to kick off the summer in style and make this the biggest and best Enjoy Music Festival to date?

Photographs from last years event  – goo.gl/2ZoHXs 

Tickets are on sale at www.skiddle.com/festivals/enjoy-music
Website www.digitalloveaberdeen.co.uk/enjoymusic
Facebook www.facebook.com/enjoymusicaberdeen
Twitter @EnjoyMusicAbdn

Apr 282017
 

By Fin Hall.

“Beneath the paving stones, the beach.” That was the apothegm of Nuart Aberdeen. I would add: “Above the rubble, art.” 

I must admit, the level of success that Nuart Aberdeen has achieved is beyond my expectations.

I knew that this innovative project, I nearly used the word ‘happening’, because that is what it was, was going to be interesting and popular, particularly amongst people who like art and culture, but it captured the imagination of so many others also.

Before the international artists arrived, not many people I spoke to was aware of it. But as soon as the Herakut painting of their six year old daughter on the New Market wall in The Green was underway, the interest of the citizens of the city was well and truly piqued.

As each new work was underway or completed, it was virtually all that the conversations was about.

The magnitude of some of the works quite surprised some people: such a thing has never happened in Aberdeen before. But equally pleasing was the reaction to the smaller scale pieces too.

Norwegian artist, Nipper’s Mission Directive, Make, Take and Replace installations were popular (where he left made items on clipboards in various locations, e.g. The Shiprow, Trinity  Quay and Harriet Street to name but three, and these things were free for people to take and keep. Then local artists could leave a sample of their work, to be taken too), and so successful, that I personally only saw a work left on one place as I drove by, and by the time I got parked and went back there, it had gone.

Local artists, however were leaving samples of their work at various locations on the trail.

These clipboards are still in situ with the hope that this sharing of work will continue.

The school children I mentioned in a previous article helped paste up their contribution to Julien de Casabianca’s Outgoings project in Queen Street and Shiprow, and in the future, they will pasting more works up in their local areas, thus creating a bit of a legacy.

Julien himself said, in a very interesting and comical talk he gave in the Anatomy Rooms, that he is looking forward to returning next year – as did other artists, particularly on their social media pages.

The event, which was more than just painting, stencils, and sculptures etc, included films and discussions in the Belmont cinema, live music in Drummonds and a fight club debate in Underdog. There were also free pavement chalk painting and street printing workshops too.

Proving exceedingly popular was the street walking art trail tour. Around 300 turned up for the Saturday afternoon one, meaning that it had to be split up into two seperate groups with more than one guide per group.

On the last evening of the event, the members and artists from NUART ABERDEEN spent a very enjoyable time having a game of bowling down at Codonas.

It seems inevitable that the event will return next year, James Finucane, told me,

“The people embraced the art and the artists wholeheartedly. The turnout for the street art tours was phenomenal and it was great to see so many people exploring the city on their own as well, looking for all the works.

“We look forward to developing plans for Nuart Aberdeen 2018 with our partners in the near future.”

So do we James, so do we.

Meanwhile his task continues as he goes ahead with the organising of Nuart in it’s home city of Stavanger as it enters it’s 17th year. This year it runs from 31st August until 15th October.

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Apr 282017
 

With thanks to G Promo PR.

For those who don’t know Madison Violet, it all began in 1999 when Brenley MacEachern and Lisa MacIsaac met over coffee and omelettes, in a Toronto restaurant called The Green Room.

It was a chance meeting, 1900 km away from the small town where both Lisa and Brenley’s fathers were born. 

That was nearly 18 years ago, and the pair have been writing and creating beautiful music together ever since.

When you hear them, the first thing you’ll notice is that their voices blend together, symbiotically, like family: Born to sing the same songs. And over the past decade, the pair have taken to genre-bending, moving effortlessly from folk to pop to electronic to Americana.

In a word, they are musical chameleons.

Over their last two extensive tours of Europe, Madison Violet was overwhelmed by the incredibly warm reception that came from the fans, when they introduced their newer, bolder sound; one that came from their 2014 album Year Of The Horse. But Madison Violet knew that those songs had even more potential. And they felt an even bigger challenge would be to let the songs speak for themselves, recreating them in a more acoustic form. Their purest form.

And with that, came The Knight Sessions, which is both a re-imagining of previously recorded songs and a creation of brand new songs, inspired by their deep-seeded love of the modern acoustic sound and the human experiences shaping their world today.

With that in mind, Brenley and Lisa decided to start their new adventure by visiting several pawn shops in Toronto, in a quest to find discarded items that they could use to make natural sounds in the studio. They sifted through an island of misfit toys and out of date electronics, and eventually found several instruments and percussive toys.

From children’s wooden blocks to ukuleles with missing strings, one by one, Brenley and Lisa gave these gems a home, and started working on their new album. These unique items are what gave The Knight Sessions a more organic feel. The textures of the wood. The plucking of the old strings. The stories that were already in these ‘toys’, came out through the songs.

So, as the tour nears, Brenley and Lisa will be packing their suitcases a little lighter. They will not only be returning to the UK and Europe for dozens of shows, but they will be arriving in their most organic form.

The way most Madison Violet fans discovered them. As a duo. No backing band. No big light show. No rock star after-show dance parties.

This will enable Brenley and Lisa to showcase The Knight Sessions as it was meant to be heard. Raw but refined. Stripped down but still packing a punch. And it will also find them, as they were in 1999, ‘Back To The Roots’.

Madison Violet · ‘Back To The Roots’ Ireland & UK tour · May 2017

Tue 2         Barnoldswick, Lancs.                  Barnoldswick Music & Arts Centre
Thu 4        Omagh, N. Ireland                         Strule Arts Centre
Fri 5          Carrig-on-Bannow, Co. Wexford    Colfers Pub
Sat 6         Rathfriland, N. Ireland                  The Bronte Music Club
Sun 7        Belfast                                      Black Box
Mon 8        Isle of Eigg, Inner Hebrides               Tea Rooms
Tue 9        Arisaig, Scottish Highlands               Astley Hall
Thu 11       Kinross                                     Backstage at the Green Hotel
Fri 12        Glassel, nr. Banchory                     Glassel Village Hall
Sat 13       Glasgow                                    CCA
Tue 16      Sheffield                                   Greystones
Wed 17      Leicester                                  The Musician
Thu 18       Birmingham                              Kitchen Garden Café 
Fri 19        London                                      Stanley Halls, South Norwood

Madison Violet Reviews:

“… swathed in glorious harmonies and delectable melodies.” – Country Music People

“Heartaching harmonies and tunes make Madison Violet a must-see act.” – The Independent

“They hold little back in their singing, as MacEachern’s sultry rasp dovetails with MacIsaac’s sweeter tones to create a kind of bluegrass-old-time sensibility with rock ‘n’ roll attitude that packs power as well as disarming honesty.” – The Herald

“There is something magical about duets, the way the voices interlace to create a sound that is neither one singer nor the other but something else altogether. Canadian duo Madison Violet make it sound the easiest thing in the world” – The Irish Times

“Utterly enchanting from beginning to end; Madison Violet provided an evening of unmissable entertainment, filled with warming anecdotes and beautifully told stories that was worth every minute.” – Maverick

“…beautifully sung…an all-acoustic cry from the heart” – Scotland on Sunday

Madison Violet – The Knight Sessions:

Format            CD & DL
Label                Big Lake Music
Cat. No.          471203-2
Release Date    May 5 2017

Links:

www.madisonviolet.com 
www.facebook.com/madisonviolet 
www.twitter.com/@madisonviolet
Audio: ‘We are Famous’ & ‘Ohio’ (acoustic)
Video: ‘Don’t Let Your Heart Be Troubled

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