Jun 232017
 

A leading north-east cancer charity is launching a new event in the heart of Royal Deeside. With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

CLAN at the Castle will take place in the grounds of Crathes Castle on Sunday, September 10, to raise funds for north-east cancer support charity CLAN Cancer Support.
On the day, the historic castle will provide the backdrop for three sponsored walk routes and a fun day with inflatables, entertainment and refreshments.

The sponsored walks will cover one mile, 5.7 miles and 13 miles taking in woodland tracks around the castle grounds and local area.

The fun day will be open to all, with members of the public encouraged to come along, enjoy the day and support those taking part in the three walks.

CLAN Cancer Support Fundraising Team Manager, Steph Dowling, is looking forward to the new look event, which she hopes will become a firm favourite.

She said:

“For CLAN’s 30th birthday we celebrated with the first CLAN Landmark Walk, taking in various landmarks throughout Aberdeen city. Since then the event continued to grow in popularity but we felt it was time to open a new chapter and build on its success.

“CLAN provides support and wellbeing services throughout many communities in Aberdeenshire, Moray, Orkney and Shetland and we felt it was important to mirror this in the location of what is one of our main fundraising events. After looking throughout the area Crathes Castle stood out as such a popular landmark in Aberdeenshire and one which was ideal for our revamped event.

“We really wanted to create a day which had something for everyone, whether you are taking part as an individual, families and groups or corporate teams. As part of taking on one of these challenges, walkers will get a free wristband for the fun day, with additional bands available for anyone coming along to support them.”

CLAN Cancer Support Chief Executive, Dr Colette Backwell, said:

“I am delighted that we are able to take such a fantastic event to the heart of Deeside, which is one of the areas supported by CLAN’s wellbeing and support services through our bases in Banchory and Ballater.

“Thanks to the dedication of individuals, groups of friends and corporate teams who raise crucial funds for CLAN at events like these, we are able to continue to develop the wellbeing and support services needed for people affected by cancer right in the heart of local communities.

“We are already looking forward to CLAN at the Castle and I look forward to welcoming many old and new faces to the event.”

For full event details, to register for the walk or purchase wristbands for the fun day, please visit www.clanhouse.org. The event also requires a number of volunteers, full details of how you can help can be found on the website.

The fun day will run between 10am and 4pm with wristbands available at the venue for £5 or in advance from www.clanhouse.org

CLAN Cancer Support is an independent charity which provides comfort, support and information, free of charge, for anyone, of any age, affected by any type of cancer. CLAN aims to support people to reduce anxiety, stress and to increase their ability to cope with the effects of a serious illness.

Based in Aberdeen, the charity covers the whole of north-east Scotland, Moray, Orkney and Shetland. CLAN has a presence in Ballater, Banchory, Elgin, Buckie, Inverurie, Fraserburgh, Lossiemouth, Peterhead, Stonehaven, Turriff, Kirkwall and Lerwick.

For more information about CLAN Cancer Support, please call (01224) 647 000 or visit www.clanhouse.org

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 232017
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

A donation from a global financial firm will provide access to audiobooks for people in the north east of Scotland suffering from visual, physical and learning difficulties. Aberdeen Asset Management’s Charitable Foundation has donated £1,350 to Listening Books, which
will be used to fully fund access for the charity’s users in
Aberdeen.

Offering over 7,000 titles, Listening Books provides audiobooks as downloads, mp3 CDs and via streaming services for anyone who struggles to read print due to conditions including arthritis, dyslexia or glaucoma.

Around 50,000 people across the UK use its services. In addition to supplying the most popular fiction titles, the charity also provides educational texts across a range of subject areas, ensuring pupils who experience difficulties reading can keep up with their studies.

Robert Marchant, development and office manager at Listening Books, says,

“For many of our older members with physical or visual impairments, our service not only provides a link to the wonderful world of books but is often a relief from pain, boredom and loneliness. The service helps many of our young members to realise their full academic potential and can foster a lifelong love of reading.

“We charge a subsidised membership fee to those who can afford it, but many cannot. We are very grateful to everyone at Aberdeen Asset Management for their support in fully funding free access to our service for Listening Books members in Aberdeen.”

As part of its Sound Learning initiative, Listening Books uses its in-house recording facilities to produce educational titles which are not commercially available in an audio format. The charity also commercially produces books for authors and publishers, the profits from which are funnelled straight back into its services.

Claire Drummond, head of charitable giving at Aberdeen Asset Management, says,

“Aberdeen Asset Management is committed to helping improve the lives of the people who live in the communities in which we operate. It’s easy to take for granted the simple pleasure of reading a good book, but thousands of people around the UK are unable to do so due to illness, disability or learning difficulties.

“Getting lost in a good book is a joy that no-one should be denied, and Aberdeen Asset Management is pleased to be able to support Listening Books users in Aberdeen.”

The Aberdeen Asset Management Charitable Foundation was established in 2012 to formalise and develop the Group’s charitable giving globally. The Foundation seeks partnerships with smaller charities around the world, where funds can be seen to have a meaningful and measurable impact and the firm encourages its employees to use their time and skills to support its charitable projects.

The main focus of the Foundation is around emerging markets and local communities, reflecting the desire to give back to those areas which are a key strategic focus of the business and to build on the historic pattern of giving to communities in which Aberdeen employees live and work.

For more information about Listening Books, visit www.listening-books.org.uk  

For more information about the Aberdeen Asset Management Charitable Foundation, visit www.aberdeen-asset.co.uk/aam.nsf/foundation/home

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 162017
 

By Suzanne Kelly.

An open art exhibition in any other city in the UK is likely to be a laid-back affair in terms of censorship and over-regulation.

It is likely to attract people who are interested in art practice, ideas and would go without a hitch.

Organiser Jean Paul Baptiste simply wanted to allow artists who are outside the established Aberdeen arts hierarchy a chance to show.

Aberdeen ArtCentre & Theatre Gallery was the selected venue, and all went well – at first.

The gallery decided that exhibiting sculpture in an area where a lift used by people with mobility issues was an impossibility.

This decision came after the show started. The fact that all around the world it is possible to have both disability access and sculpture co-exist was lost on the administration.

Then members of the public (how many I would like to know for openers) made a complaint about some of the artwork. So great was the trauma for the complainers they complained to the gallery and the city council. Perhaps they’ve written to the PM – we should be told.

So, this being Aberdeen, the thing to do was to cover the work up temporarily – not to justify the artistic merits of the work which are blatantly obvious to anyone with or without an arts background.

Who were these anonymous offended people who thought their own opinion was more important than the rest of the public, the artwork and the show? Please do come forward, if you’re out there. Aberdeen Voice will allow you space to explain why you wanted to ban artwork.

The gallery said:

“This is a joint message from the Operations Manager of the Arts Centre, George, and Baptiste, the curator of the exhibition. 

“First, let us thank you for your interest. The current exhibition has been most exciting for the artists and the venue. We had an immensely successful launch night, where the art provoked discussion, reaction and a good time for those who attended.  

“We understand that you have gotten in touch regarding some matters that have been raised around the exhibition itself and are looking for comment. 

“Concerning a couple of the works being removed from the floor space, this was the result of an error in communication. The Centre hosts events in the Gallery where the exhibition is and uses it to access the lift when the exhibition is closed.

“Though sculptures were practicable for the night of the launch, they were not practicable on a daily basis, at all times, as multiple events can run through the course of one day. This could mean damage to the sculptures themselves, and could impact on health and safety. The fact that standing sculptures were going to be present was not ascertained clearly, and next time there will simply be better planning. 

“Please see this link for a virtual tour of the opening night. We hope it captures for you the essence of the evening, and the current exhibition. http://virtualtoursaberdeen.co.uk/tours/art-2017/index.html”

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 162017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

Primary school pupils have been working to add their own splash of colour in Aberdeen by sowing seeds for a city centre wildflower meadow. Alongside representatives from Aberdeen Inspired, a class of 22 P6 pupils from Hanover Street School have planted wildflower seeds on the grassy area where Bridge Street becomes College Street.

The aim of the session was to create greater biodiversity in the area while also encouraging community involvement in city centre activities.

Last year, children from Hanover Street Nursery also planted crocuses at the St Nicholas Centre rooftop garden.

Following the seed sowing, it is hoped that the school will take over looking after the wildflower meadow as part of Aberdeen Inspired’s ‘Adopt an Area’ initiative.

The organisation has played a key role in identifying areas within the city centre which could benefit from a refresh with the hope of making them more visually attractive and appealing to use.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We were delighted to invite children from Hanover Street Primary School to help us plant a wildflower meadow beside College Street which will brighten up the space in the coming weeks.

“As well as teaching them a bit about nature, this session was important to introduce a variety of wild flowers to the area. Increasing biodiversity in the city centre is very important and we are keen to encourage more projects like this.

“We are passionate about creating a more vibrant and appealing city centre and believe efforts like this, which involve working with school children, are hugely important in achieving that.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district and drive increased footfall to the area.

More information about Aberdeen Inspired is available online at: www.aberdeeninspired.com

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 082017
 

Aberdeen’s Very Own Music Festival Returned for its Third Year, and Aberdeen Voice’s Craig Chisholm was there to review. Photos by Craig Chisholm.

With no T in The Park planned this year what are Scottish music fans supposed to do for their Summer festival fix?

Well, for residents of the North East, the answer was right on their doorstep as Enjoy Music returned for its third and, arguably, most successful year.

Boasting headliners such and Chase & Status, John Digweed and the legendary Primal Scream the festival moved up a league and proved not only was it here to stay but that it was also ready to expand and become a fixture of the festival circuit.

Unfortunately, however, things do not always go without a hitch.

A minor issue of missing toilets caused the opening of the festival to be delayed a couple of hours.

But times of hardship can bring out the best in people and it’s to the eternal credit of the organisers and their team that they managed to not only get things back on track but also not drop any of the acts from the bill.

Credit must also go to the bands performing on the main stage in the afternoon as they truncated their sets slightly to accommodate all acts and give everyone their time in the limelight.

Kicking things off are Aberdonian rockers The Ruckus who deliver a short set of, as they describe it, “no nonsense guitar driven rock n roll” and as far as descriptions go that’s certainly one that describes things perfectly.

Afternoon slots are also performed by Montrose band Emerald Sunday with their indie and britpop influenced rock and hugely popular local cover band FUBAR who provide some technically impressive renditions of Queen and AC/DC among others.

The hard rock takes a back seat for a while after this and gives way to the more soulful and funk sounds of FaR.

Led by the striking and powerful vocalist Fifi Greasly the band prove the perfect sound to an afternoon in the sun.

The same also applies to the magnificent Ransom FA. Mixing the urban sounds of hip hop, grime and trap the Aberdeen based crew pull of a short but energetic and forward thinking set to an obviously impressed crowd.

But, unfortunately, the sun doesn’t last and, as is customary at music festivals in Scotland, the heavens open.

It rains during sets by The Complete Stone Roses and acclaimed local indie band The Little Kicks.

That doesn’t stop the crowd from enjoying them however – The Complete Stone Roses pull off a pretty good approximation of their Manchester heroes.

The Little Kicks, led by frontman Steve Milne, perform an infectious and memorable set in support of their latest album, Shake Off Your Troubles.

The rain does however provide an unexpected bonus for bands and DJs playing in the tents as a lot of the crowd take shelter.

The Retro and Alternative tent has an eclectic bill that combines acoustic (Mark Buchan, Peterhead’s Marc Culley and others), the melodic Byrds and britpop influenced rock from Keith band The Carousels and hip hop from local rap legends SHY & DRS.
The retro part of the day is provided by a quite compelling performance by Bob Wyper in his guise as Rod Stewart, which goes down a storm in the packed tent as he runs through Rod’s big hits as the actual storm rages outside.

Also performing some covers, albeit in a unique style, are young band Gleadraich.

Hailing from Carnoustie the band perform songs by Blondie and The Undertones and many more with the added attraction of a bagpipe player taking centre stage, mimicking the vocal parts of the songs in most cases. It’s an unusual and entertaining concept that wins them over new fans of all ages.

The night in the tent is rounded off by a set by Ransom FA’s official DJ, Nojan and a set by Aberdonian alternative rockers The Cappolos.

Festivals aren’t just for grown-ups though, and Enjoy has catered for the kids as well – a whole section of the field is set aside for them which has slides, football challenges, colouring in walls, Disney princesses and Marvel Superheroes casually walking past. A family tent provides such entertainment as hip hop dancing for the eager kids. 

In the middle of it all is a Wrestling ring manned by Wrestlezone Scotland. There is a constant crowd packed  around the ring (not all of them children either!) as the Wrestlezone boys and girls provide action packed entertainment throughout the day.

There must have been a few parents pestered afterwards to get tickets to Wrestlezone’s Aberdeen Anarchy event at the Beach Ballroom on the 10th June once they’d seen this performance.

Back to the music however, and for those that prefer dance beats to electric guitars, two venues are available on site.

The TLF & Rondevue wigwam is steady all day with the crowd appreciating sets by a talented DJs such as Danny Reid, Tim Haux and Flexi.

It’s the perfect place to chill out in the sun and appreciate the day.

The Digital Love & Majestic Tent is the bigger of the dance stages and it proves immensely popular throughout the day to clubbers.

By the time that dance titan John Digweed takes the stage for a two hour set the tent is rammed with the faithful who witness a peerless set from the legendary DJ.

Closing off the Main Stage are the two biggest bands of the night.

Primal Scream are, as usual, a breath-taking live act. Their 75 minute set contains a few choice cuts from their latest album – 2016’s Chaosmosis – such as 100% or Nothing, Where The Light Gets In and Golden Rope as well such classics as the southern fried boogie of Jailbird, the laid back dubby grooves of Star, and the psychedelic dance classic Slip Inside This House.

The band close off their set with four of their absolute classics – Loaded, Country Girl, Rocks and Movin’ On Up before departing the stage to appreciative and ecstatic audience. The bands next Scottish performance is as special guests to The Stone Roses at a sold out Hampden Park in a few weeks so it’s a genuine thrill and a commendable coup to the Enjoy organisers to have them perform in a much more intimate outdoor setting.

In another coup of a booking, Chase & Status take the stage for a DJ set of high energy dance and rap.

Credit to the crowd at this point too.

After over 9 hours of music they are still packed at the front and “giving it large” for their set which the faithful clearly never want to stop.

But eventually it must end, and as the crowd depart after the last acts they must already be looking forward to next year’s event – and possibly making a mental note to take a rain jacket next time, just in case.

How the promoters top this year’s event remains to be seen. But one thing for sure is Enjoy Music is only going to get bigger and better as it goes on.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 022017
 

With thanks to Jessica Murphy, Account Manager, Jasmine Ltd.

Organisers of the hugely popular inaugural Nuart Aberdeen have hailed the response of visitors, as research reveals that 80% of attendees agreed the event increased their pride in the Granite City.

The festival, brought to the city by Aberdeen Inspired, attracted crowds of thousands and set the arts and cultural scene in Aberdeen alight.

A survey put together by Aberdeen and Grampian Chamber of Commerce has revealed the thoughts of visitors to the event, which reflect the fantastic feedback received throughout the festival and in recent months.

Nearly 90% of respondents to the survey agreed that Nuart Aberdeen, which was supported by Aberdeen City Council and Burness Paull LLP, demonstrates that Aberdeen is a progressive city, with three in four also stating that the artistic extravaganza was their main reason for coming into the city centre.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“The response we have received to Nuart Aberdeen, both in the city and around the world, absolutely blew us away. We knew the ambition of the event was high, so to receive such an amazing reaction was incredible after all the hard work that went into bringing it here.

“These findings are wonderful to look at, as they reflect what we strive to achieve, increasing footfall to the city centre and bringing a sense of pride and joy back to our wonderful city.

“Feedback in recent years from our levy payers has highlighted a demand for more large scale events to be held in Aberdeen and we are pleased to be delivering this, and seeing the benefits that it is bringing in terms of economic impact and the aesthetic of Aberdeen.

“The survey also showed that 76% of respondents agreed that the festival brought communities together, which is very much what we felt throughout the weekend, as families, individuals, couples and visitors to our city came together to enjoy and celebrate street art and the transformation it brought to the city.”

Held in the Norwegian city since 2001 and widely regarded as the world’s leading celebration of street art, Nuart Aberdeen was the first overseas version of the festival.

Street artists Fintan Magee, Nipper, Add Fuel, M-City, Alice Pasquini, Jaune, Isaac Cordal, Martin Whatson, Herakut, Julien de Casabianca and Robert Montgomery all showcased their latest work.

Elaine Farquharson-Black, partner and head of planning at Burness Paull said:

“The Nuart Festival has reenergised the city centre, igniting a pride in Aberdeen and promoting a real feeling of inclusivity.

“The stunning artworks and the stories they tell are reimagining our built environment, but what is more important is the positive vibe Nuart has brought to Aberdeen and its people, and the long-lasting effect this will have.”

The popularity of Nuart Aberdeen has led Aberdeen Inspired to introduce regular walking tours throughout the summer. These will be held every Saturday at 11.30am, led by expert Jon Reid, with a meeting point outside Contour Café on the Green.

Mr Watson added:

“The numbers at our walking tours during the festival were absolutely incredible, with more than 1,600 people taking advantage of them, and we are thrilled to be introducing them in the summer months.

“The tours will give visitors the full Nuart Aberdeen experience, taking attendees to the smaller pieces of art as well as the bigger murals created for this year’s festival. Our dedicated tour guide Jon Reid will also give background on each of the 11 international artists that took part, as well as an insight into their inspiration for the work they created.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information on the work of Aberdeen Inspired is available at: www.aberdeeninspired.com

For more information about the Nuart Aberdeen Festival, please visit: www.nuartaberdeen.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 022017
 

Common Darter (Sympetrum striolatum) adult, covered in dew, resting on grass at dawn, Elmley Marshes N.N.R., Isle of Sheppey, Kent, England, July

With thanks to Emma Brown.

This year’s Scottish Nature Photography Festival will bring together top wildlife and landscape photographers from across the UK and Europe to deliver an outstanding programme of talks at Battleby Centre in Perthshire on 9 and 10 September. German photographer Sandra Bartocha will kick things off on Sat 9 Sept, with the first of two presentations about her latest project, LYS

She will be followed by Robert Canis, marine photographer George Stoyle, Richard Peters, plus landscape photographer Alex Nail.

Norwegian photographers Orsolya and Erlend Haarberg complete the Saturday line-up and will return to open the event on Sunday 10 September with a spectacular presentation about their work in Iceland.

Alex Nail and Sandra Bartocha also return for a second day and will be joined by Andy Parkinson, Robin Moore and Will Burrard-Lucas, who will share some of his adventures in remote photography.

Renowned nature and conservation photographer Peter Cairns, who returns as compère, said:

“SNPF gets better as each year passes, taking both photographers and nature-lovers on a roller-coaster journey through the words and images of the top photographers at work today.”

Several of the speakers will be on hand to deliver a diverse range of lunchtime workshops, which will offer a more in-depth exploration of practical topics, plus Cairngorms-based wildlife photographer Neil McIntyre will give a lunchtime presentation on his stunning new book, The Red Squirrel: A future in the forest.

Taking place at Scottish Natural Heritage’s prestigious Battleby Centre just outside of Perth, the annual event also features exhibitors, including Epson and Perth-based camera retailer JRS Photo Hardware, photographer portfolios, book sales, the ever popular SNPF photo competition, plus the chance to catch up with friends old and new.

State-of-the-art projection and sound, plus easy access, free parking and excellent catering, makes Battleby the perfect venue to enjoy the astonishing images and inspiring stories from some of the best photographers in the business.

The Scottish Nature Photography Festival is coordinated by the Wild Media Foundation, a group of photographers and visual media specialists who have come together to bring nature’s stories closer to people’s lives.

It operates as a company limited by guarantee, set up as a Social Enterprise, which means that all profits are put aside to further the objectives of the company.

Its mission is:

“To bring nature’s stories to life through the development of innovative visual media products, which will engage, inform and inspire a wide audience.”

Links:

Tickets and more information available from www.snpf.co.uk

Scottish Nature Photography Festival on Facebook 
Scottish Nature Photography Festival on Twitter
Wild Media Foundation

Image Credits:

African wild dog, Zimbabwe © Will Burrard-Lucas.jpg
Arctic Terns, Iceland © Orsolya Haarberg.jpg
Dragonfly, England © Robert Canis.jpg

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 022017
 

Portsoy’s Sail Loft Bunkhouse. Review and photographs by Duncan Harley.

When newspaper columnist Cuthbert Graham wrote about Portsoy, way back in 1963, he commented that the town was one of the most progressive communities on the Moray Firth.
In his travel column, This is My Country, he wrote about the “triumphant success” of the town’s efforts to encourage tourism.

He was quite correct and the town, nowadays a bustling coastal resort and popular stopover on the 6200km-long North Sea Cycle Route, has steadfastly continued to pursue a policy of encouraging community run tourist orientated enterprise.

Alongside attending the hugely successful Portsoy Boat Festival visitors can take part in traditional music and dance workshops at the Salmon Bothy and boatbuilding courses at the Boatshed. Tourism in the town received a welcome extra boost when film makers chose Portsoy as a location for the recent remake of the Ealing comedy Whisky Galore.

Alongside leads Eddie Izzard and Gregor Fisher, many locals appear as extras in the film and at the recent Portsoy Premiere, held in the loft-space of the Salmon Bothy, film-goers were encouraged to get into the spirit of the performance and dip into some whisky-flavoured ice cream. Publicists had, after all, promoted Portsoy’s Whisky Galore connection by nicknaming the town The Village of the Drammed!

Visitor accommodation in the town received a boost this year with the opening of the newly renovated Sail Loft Bunkhouse. Situated on the Back Green near the caravan park, the Sail Loft has had a long and varied history.

Formerly a sail making factory, the Category B listed building dates from the 18th Century and sits within a former industrial site used for the processing of flax and the manufacture of rope. When the demand for sails declined and the rope-works closed the Sail Loft buildings gradually fell into ruin.

In 2006 the North East Scotland Preservation Trust acquired the property from the Seafield Estate and work began to bring the derelict structure into productive use as bunkhouse accommodation for visitors to Portsoy. After 11 years of planning and renovation, the keys to the building were formally handed over to Portsoy Community Enterprise in January 2017. Additional loan funding came via the Architectural Heritage Fund.

Offering high quality self-catering accommodation at reasonable rates, the new 25 bed facility offers visitors to Portsoy a unique hub from which to explore the Moray coastline.  Facilities Assistant Susan Rayne explains:

“Users so far have included cyclists, walkers and families. This weekend we even have a group of divers staying with us.”

Susan is one of a team of three involved in the day to day management of the Sail Loft and is by all accounts fully integrated into the local community.

Alongside her bunkhouse duties she serves as a volunteer fire-fighter and is a keen member of the local women’s rowing group, the Portsoy Skiffettes. Another claim to fame is her role as official chauffeur to Whisky Galore star Eddie Izzard during the location shooting of the movie in Portsoy.

“The buzz in the town was just amazing” she recalls

“Eddie Izzard was very open with the locals and was really interested in finding out about the area.”

It emerged that Eddie was due to perform at Versailles after the Whisky Galore shoot and  Susan recalls that he was amazed to discover that fireplaces in the Palace of Versailles are rumoured to be faced with Portsoy Marble.

Although the Sail Loft is clearly bunkhouse in nature, the new facility offers up-market self-catering accommodation. Guest rooms are simply but pleasantly furnished with white décor throughout. Named after local landmarks, the room plan reads like a who’s who of the Portsoy coastline. Red Rock, The Pointie and The Breeks are just a few. On our visit we stayed in The Dounie.

The design of the building does not allow for panoramic views of the sea but the slanted Velux windows do let in both the sound and the smells of the ocean and provide a welcome change to the typical hotel room hum of the air-conditioning unit. Those wanting to check out the view should either nip outside or, heaven forbid if you are female, check out cubicle three in the downstairs men’s showers where you can view the bay in all of its glory.

Catering-wise, the open-plan kitchen and dining area is more than adequate. Two 4 ring hobs are complimented by micro-waves, kettles and an ample supply of toasters. Pots and pans, dishes and cutlery are all provided and the only onus on residents is to leave the kitchen as you might wish to find it. I was pleasantly surprised to come across an orphaned cafetiere abandoned by a previous guest and made full use of it.

The Sail Loft lounge boasts a wood burning stove and is perfect for family get-togethers or business seminars.  Alongside a video-projector there are lots of local books, toys and games to keep everyone entertained in the evenings. A drying room, secure cycle storage, a fully equipped laundrette and an outside wash down area for boots or bicycle cleaning complete the line-up and this VisitScotland 4 star hostel even boasts a wood fired hot-tub.

On the night of our stay a group of divers were firmly ensconced in front of the roaring wood-stove planning the next days dive while a group of teachers enjoyed the warmth of the outdoor hot-tub.

All in all this new facility ticks the boxes although it would have been nice to have the option of sitting behind glass while taking in the sea view. But, as I said previously, there’s always cubicle three in the men’s showers!

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 252017
 

By Ian Baird.

Every time a report is written about the Harbour Board’s expansion plans into the Bay of Nigg, there is invariably a reference to a Scottish Enterprise report which justified the project in economic terms, along the lines of, ‘An independent study, commissioned by Scottish Enterprise, estimates that the development will generate an additional £1 billion per annum to the economy by 2035 and will create an additional 7,000 equivalent jobs.’
But that Report was written in December 2013, three and a half years ago and therefore pre-dating the current prolonged oil downturn.

Before finally committing to the project in December when a contract was agreed with Dragados, surely in the light of what is acknowledged to be a significantly changed trading environment, the assumptions and projections made in the Biggar Report should have been reviewed?

Had this been done with any vigour, it is difficult not to come to the conclusion that the business case for £350+ million development no longer stands up to scrutiny and proceeding with the development on that basis cannot be justified.

Let’s look at some aspects of the Report from the perspective of 2017.

1) Harbour Capacity: One of the most compelling arguments emanating from the Harbour Board as justification for the expansion was that the harbour was working at or near full capacity. The argument was echoed in the Report which stated:

“It is clear additional capacity is required to retain activity in the oil and gas sector in Scotland.  If this capacity is not developed, then there is a risk that new and existing demand will be lost to Norway. Capacity constraints at the Harbour are also likely to hinder existing and potential users from developing new market opportunities in areas such as renewable energy, decommissioning, passenger ferries and cruise liners.”

As the construction of the expansion begins, is the existing harbour still running at or near full capacity? The Report noted that arrivals to the port in 2012 numbered in excess of 8,100. Based on the Board’s statements we have to assume this figure is close to maximum capacity. By 2014 arrivals were very similar at 7,937, but in 2015 they dropped to 7,428 and then precipitously to 6,462 in 2016 (unpublished).

That’s more than a 20% drop in traffic activity from the 2012 high to 2016. In short, the harbour is no longer working at or near to full capacity. Of course, had the arrivals levelled off at around the 8,000 mark, it could be legitimately argued that capacity issues were inhibiting expansion but with a 20% drop in activity it is clear that this is quite simply a downturn in business.

To update, the first 4 months of 2017 are no better than the equivalent period last year; and so just as the heavy plant moves in to the Bay, annual arrivals are around 1600 fewer per year than when ‘at or near maximum capacity’.

When challenged about declining arrivals at the 2016 AGM, Chief Executive Colin Parker argued lost business because of larger vessels being unable to enter the harbour were the main cause of the decline. This seems a curious statement given that vessels as large as 20,000 tonnes have used the harbour and yet the average gross tonnage is only about 4,000 tonnes. Two of the largest ships using the harbour are the passenger ferries plying to the Orkney and Shetland Isles. They each have a gross tonnage of 11, 720.

How many arrivals were there of vessels with a gross tonnage of over 10,000 tonnes, other than the ferries, using the port in a year? In 2015, only 21 out of 7,428, or .002%; in 2016, ever fewer at 11. Apart from the ferries, the upper 50% of the tonnage capacity range (10,000 to 20,000 tonnes) is virtually unused.

Where is the evidence that lack of size capacity is inhibiting business?

Fig. 1: The Harbour Board claims the existing harbour is too small for larger vessels. This graph shows that, apart from passenger and freight ferries running to the Northern Isles, the upper end of the tonnage capacity range from 7000 tonnes upward is barely utilised by oil-related, cargo or other vessels.

2) The new market opportunities identified in the Reportrenewable energy, decommissioning, passenger ferries and cruise liners – are central in the projections of increasing traffic to the expanded facility. How well does potential success in these markets stand up to scrutiny from today’s perspective? Let us look at each in turn:

Renewable Energy: Despite initial enthusiasm for chasing business in this market, the Harbour Board has been very quiet about prospects in this sector since the Report’s publication.

There has probably been a belated recognition that weaknesses in the local infrastructure (inadequate roads network for heavy and wide loads, lack of fabrication facilities) and being close to neither centres of turbine and blade manufacture nor to the offshore areas identified as potential for offshore wind arrays, means that there are no specific advantages, and several disadvantages, for suppliers of renewable energy components considering using Aberdeen as a transport base.

Biggar suggests a need for creating industry clusters around key infrastructure investment locations, and that one such cluster should incorporate the supply chain for offshore renewables by developing the land beside Nigg Bay as a marine renewable cluster in Aberdeen City and Shire.

Fine words, but despite the fact that construction of the harbour expansion is under way, there seems little action towards this suggested initiative and there seems inadequate land available to develop a suitably well-equipped cluster as proposed.

Decommissioning: Although the total decommissioning market is huge, Aberdeen’s potential to handle significant elements of it will again be limited by onshore infrastructural weaknesses and by the lack of deep-water berthing. Since the Report was published, many other ports in Scotland, North-east England and Norway have signalled their determination to secure a share of the decommissioning market.

Many, such as Dundee, Cromarty, Kirkwall and Scapa Flow are already well ahead in extending infrastructure and capacity. In what will be a highly competitive scramble for work, it is difficult to see Aberdeen, coming late into the game with improved facilities in 2020, attracting any more than relatively minor contracts.

Ferries: Apart from its inclusion in the Report as one of the potential markets for the expanded port, no evidence or research is offered to substantiate the sector as a potential market. The Northern Isles are the only destinations with a regular ferry service to Aberdeen. The existing ferries are large and, although running near to full capacity at peak holiday periods, for much of the year they are running well below.

At current passenger and freight usage levels, larger ferries plying those routes would not be cost-effective. NorthLink have not identified any need, nor expressed any interest, in introducing larger ferries to Kirkwall and Lerwick.

Cruise Ships: The Report predicts that up to 40 cruise ships could be attracted to the new harbour each year but there are quite a number of qualifications to that figure:

“If a new harbour is built and [if] improvements are made to surrounding roads infrastructure then this may make the harbour a more attractive destination for visiting ships. For example road improvements may make it easier for coaches to access to the quayside, which would make it easier for cruise companies to organise excursions for passengers. The additional space may even make it possible to create dedicated visitor reception facilities. [My emphasis]”

The projection of 40 cruise ships per annum is therefore very speculative. While it is true that the average size of cruise ships is rising, ruling out many of them from the opportunity of docking in the existing harbour, it does not follow that a sufficiently large harbour will attract those larger ships. A bigger swimming pool doesn’t necessarily mean more (or larger) swimmers, perhaps just more space per swimmer.

If we compare the new harbour with, for example, Shetland’s port at Lerwick, which is projected to attract 80 cruise ships in 2018, there must be some doubt about its attractiveness as a destination, requiring as it will a bus journey with views (and possibly smells) of a sewage works, possibly an incinerator, Altens industrial estate and a complex onward route to get to either Aberdeen city centre or to Deeside.

In fact, all of the Report’s projections of future economic gains are qualified by the recognition that for their predictions to be realised it would be necessary ‘to upgrade the roads infrastructure in the surrounding area’.

We are now embarking on a £350 million development, not only in the absence of any such planned upgrade, but with the economics of the North Sea oil industry considerably changed for the worse, and with technological changes and innovations which lessen Aberdeen’s ability to attract certain kinds of business (for example the commissioning of the Pioneering Spirit vessel which can lift and transport complete platform topsides of up to 48,000 tonnes to a limited number of deep-water berths).

There is no doubt that on the completion of the new harbour, some additional types and sizes of vessels will visit the port.

The question is: will they do so in sufficient numbers and frequency to justify a £360 million investment and the permanent loss of a valuable amenity to the local community?

To fulfil the expectations of the Biggar Report, harbour activity not only has to regain the current 20% loss of traffic but has to utilise to near capacity the additional 25% berthing the expansion will enable. That’s 45% above current activity.

Given that the mainstay of the harbour is oil-related business and that it is not contested that it is an industry in decline, there must be a huge question mark over the prediction that in Year 20 of the Report’s projections the net economic impact of Aberdeen Harbour in the City and Shire will be 12,350 jobs and £1.8 billion GVA (Gross Value Added).

The questions are these therefore. What re-evaluation of the Biggar Report was undertaken prior to the final decision to proceed with the expansion into the Bay of Nigg? Is anyone from the Harbour Board, Biggar Economics or Scottish Enterprise prepared to stand by the projections in the 2013 Report? If not, on what basis is the project proceeding?

Sources: Economic impact of Aberdeen Harbour Nigg Bay Development – A final report to Scottish Enterprise, Biggar Economics, December 2013

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 242017
 

Review and Photographs by Dod Morrison.

Iron Maiden were formed in 1975 by bassist and songwriter Steve Harris.

They’ve released 38 albums including 16 studio albums, 11 live albums, 4 EPs, and 7 compilations – probably making them the world’s most famous heavy metal band.

The band were returning to Aberdeen after a five year gap as part of their ‘The Book Of Souls’ tour.

Released in 2015, this was the band’s sixteenth studio album as well as their first double studio album and at 92 minutes, their longest to date. It also contained the band’s longest track, ‘Empire of the Clouds’ at a staggering 18 minutes.

The album was actually recorded in 2014 but the launch was delayed to allow Bruce to recover from the removal of a cancerous tumour on his tongue.

The album was a commercial success reaching number 1 in 24 countries. They started the tour in February 2016 and it will go through until July 2017.

When Iron Maiden come to town it’s not just to play a gig, it’s an EVENT!

They are known for  their extravagant stage shows which usually feature a huge Eddie The Head (the band mascot). Eddie is a perennial part of Maiden, appearing on all the covers of their albums, and he appears in the live shows in various guises.

Unfortunately, a pending dispute about ‘Hallowed Be Thy Name’ song credits means that the fan’s favourite song (and my own favourite) had been removed from the current The Book Of Souls tour set list.

The Book Of Souls tour came to Aberdeen where the faithful filled the AECC and prepared to worship. The stage was made to look like an Inca style lost city. A half rectangle shaped wall surrounded and contained the stage with several braziers along its length and moving backdrops, flanked by pyramids on either side.

After a rousing version of ‘Doctor, Doctor’ by UFO was played to get the crowd going, the set commenced with Bruce Dickinson standing on the wall above and behind the drum kit.

Bruce inhaled the vapours from a cauldron on a pedestal as the first chapter of Book of Souls plays.

He then launched into a magnificent, energetic rendition of ‘If Eternity Should Fail’.

Flames erupted from the braziers along the city walls as Bruce dashed across them from side to side. Beneath him Nicko McBrain was drumming up a storm on his impressive and very shiny drum kit.

In front of him guitarists Janick Gers, Dave Murray and Adrian Smith covered the stage, adopting the usual foot on monitor poses.

Janick used the furthest forward set of speakers as a seat, and also enjoyed giving it the odd kick just to show it who’s boss.

Of course, amid all of this, the iconic figure of Steve Harris strode across the stage brandishing his bass.

As the set progressed the huge backdrops behind the band changed to reflect each new song.

Bruce also changed costumes to suit the songs.

At one point he sported a gorilla mask and brandished bananas at the other band members! For ‘Power Slave’ he wore a leather mask, which must have been incredibly sweaty on the warm May night, but it didn’t slow him down at all.

He charged across the city walls above and behind the rest of the band.

As all of this unfolded before our eyes, our ears were treated to a very well chosen set list which covered the entire career of this magnificent band. They played oldies such as ‘Wrathchild’ and ‘Iron Maiden’.

During a magnificent version of ‘The Trooper’ Dickinson was clad in a red ‘Trooper’ jacket and he charged along the walls brandishing a huge Union flag.

At one point he amusingly draped it over Janick Gers as he played his guitar below. It was hard to discern how much ‘playing’ Janick actually did as he spent a lot of time throwing his guitar around on its strap, dancing with it.

We were treated to ‘Fear Of The Dark’ and then on to current masterpieces from the ‘Book of Souls’ album, including a blistering rendition of ‘Speed Of Light’ during which the crowd sang impressively along with the chorus.

It was a well chosen, well thought out set list.

You didn’t want to look away even for a second in case you missed something spectacular, such as the huge sporadic flames that erupted from the braziers along the city walls, or the massive inflatable Eddie figure that floated up from behind the set.

During ‘Book Of Souls’  a giant Eddie figure appeared on stage and ‘attacked’ the band.

Janick ran through its legs, then when Eddie tried to chop him with his axe he responded by hitting Eddie between the legs with his guitar.

Eddie then moved on to attack Dickinson who fought back and pulled out Eddie’s heart. Bruce squeezed the blood from it before throwing it into the crowd – most entertaining!!

At the end of the song Bruce said “this isn’t something you see every night, the stage on fire” – and it was! There was a flame about 2 feet high burning up on the top of the set! The band carried on regardless whilst the fire was put out.

The main set finished with ‘Iron Maiden’ before an encore of ‘Number Of The Beast’ (which involved the appearance of a huge inflatable Satan figure), ‘Wasted Years’ and ‘Blood Brothers’.

  • Comments enabled – see comments box below. Note, all comments will be moderated.